Al Fondo Hay Sitio Temporada 11 Capitulo 159 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 160 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 161 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 159 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 159 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 160 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 161 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 159 Completo HD
Al Fondo Hay Sitio Temporada 11 Capitulo 159 Completo HD
Category
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Short filmTranscript
00:00I'm sorry, Joel.
00:01It's the same thing that happened to Anastasia.
00:03The blow has made you look different.
00:06With the roller I removed her perception of reality.
00:09No, no, no, Rubia. That's not true.
00:10It is, Joel. I can assure you.
00:12What we have to do now is give her another blow with the roller
00:15so that she goes back to normal.
00:16No, no, no. How do you say that? No, no, no.
00:17You're crazy. What's wrong with you?
00:19Hey, you!
00:21Hey?
00:22Yes, you! Tie your crazy girl, do you want?
00:24What?
00:25Look, I don't know what kind of people you're hanging out with,
00:27but tell that girl not to talk to me again.
00:30Do you understand?
00:33I was thinking that it would be convenient
00:35to get a person to take care of Claudio's work
00:39until he gets better.
00:40And who could it be?
00:42Olinda, Mr. Gilberto's wife.
00:44We are nothing, Lola.
00:46You have no right over me.
00:48In fact, right now call your dad and tell him the truth.
00:51Jimmy, I...
00:55I didn't want it to happen.
00:56Okay?
00:59But I'm in love with you.
01:03You should take a couple of days off.
01:05No, no, no, no.
01:07This is going to happen to me tomorrow.
01:09No, honey, I insist.
01:11Besides, it's a good opportunity
01:13to go back to Francesca's kitchen.
01:15Flanchesca, don't forget.
01:17It's true, Flanchesca.
01:19What does Chef say?
01:20Does he allow me to replace her?
01:23Yes, Chef.
01:27Come on!
01:30Don't say that again.
01:33Because it's the truth, Jimmy.
01:35Look, I don't know how it happened,
01:38but suddenly I felt nervous when you were going to pick me up.
01:42I couldn't stop thinking about you.
01:44And when I remembered something you said,
01:47I laughed to myself.
01:51And when we kissed...
01:52You kissed me twice.
01:55We loved each other.
01:58It's true that I shouldn't have looked for your ex,
02:00but if you're dating someone else,
02:01you don't have the right to look at us like that.
02:04It confuses you, it gives you hope,
02:07and I don't think I should play with you like that.
02:10Did you tell her that?
02:13No.
02:15Look, I just went to tell her not to look at me like that,
02:18but out of nowhere she got all flustered,
02:21overreacted, and...
02:22She's a believer.
02:23She thinks she's superior to everyone.
02:29I don't know if she's superior,
02:31but that air about Pituca never left her.
02:35And it won't leave her,
02:37because she is Pituca.
02:43I'm going to call my dad.
02:45What for?
02:54To tell him the truth.
03:00Leave it there, Lola.
03:09I feel good with you.
03:12I'm happy.
03:17Let's see what happens.
03:19Let it flow, okay?
03:24But calmly.
03:26Okay, okay.
03:28Let it flow, okay?
03:53I don't want to wait, I want to dance with you,
03:57hug you, and let the moon be a witness
04:00that only you and I...
04:20Felipe, why are you looking at me like that?
04:22I look at you like that because you're good like that, Jimmy.
04:24Like what?
04:26You kiss and shake hands with your teacher's daughter,
04:28and Alessia... What?
04:30Alessia is happy with her chef, Montse.
04:33What chef? Salvas?
04:34Nothing to do with it, Jimmy.
04:37Felipe, don't tell her what you don't know, okay?
04:39Precisely, I'm talking because I know, Jimmy.
04:42Miss Alessia has dumped Salvas,
04:44and he's gone from her life.
04:45He's gone from her life!
04:47Besides, my informants have told me
04:49that he's not even working for Francesca anymore,
04:51and he's back.
04:52Are you sure?
04:53Very sure!
04:55Miss Alessia has been telling me
04:56just when you threw the bike.
05:23I'm so happy to see you.
05:25Of course, of course.
05:26My wife is fine now,
05:28and from tomorrow on, I'm going to be in charge
05:29of Francesca's kitchen.
05:32And that?
05:33Well, Alessia was a little stressed.
05:35Her defenses had gone down,
05:36so I gave her a few days to recover.
05:38I see.
05:39Well, you know, no Creole cuisine,
05:42no international cuisine, no fusion cuisine.
05:44I know, I know. Don't worry.
05:47I know, I've come up with some dishes to explore.
05:50Good.
05:51I'm so happy to see you.
05:53How nice.
05:58I'm so unhappy!
06:00I need help to do my homework!
06:04Should we call Linda so that fatso can cry?
06:06I'll talk to her tomorrow.
06:10A tiramisu?
06:11It's still stuck in my head.
06:13I understand.
06:15We'll have all the tiramisu in the world for us.
06:19I know, I know.
06:22Did I tell you how handsome Joel has become?
06:26He's nice, nice, funny,
06:28without losing his charm and his charisma.
06:38They checked you.
06:39They did the tomography, and luckily it came out well.
06:41But he's still asking about you.
06:44You know, it's just that you don't want to listen to me.
06:48It's very simple.
06:49Nune has fallen in love with me again.
06:52She's the same as always.
06:54Do you understand?
06:55I sign her, and I give her peace.
06:57Tomorrow, we have to hit her with the roller.
07:01You're not going to fall for the princess' story.
07:04It has nothing to do with it.
07:05Listen, Nune is the same as always.
07:07I'm telling you.
07:08Where did you go yesterday?
07:09You come, you distract her, and I take advantage and hit her with the roller.
07:13Blondie, there's nothing to fix.
07:16Nune is the same as always.
07:19In fact, she's the same as before you and I met.
07:23Don't worry.
07:27Bye, bye, bye.
07:31What's up?
07:34Did you know that the new cook is going to be announced in Chascas?
07:39Who, CariocĂpulo?
07:40Yes.
07:41No?
07:42He didn't tell you anything?
07:43No, no, no.
07:44It's just that Alessia talks with her melisma.
07:46Without blood.
07:48I'm sorry.
07:50Without blood, man.
07:52No blood, no joy.
07:53Yes, good.
07:55Alessia, kill her, man.
08:13LulĂș, lulĂș, lulĂș.
08:16Hey, don't look at me with your flirtatious face,
08:19I don't want problems with the flange.
08:21I'm not going to look at you with a face of anything, don't hallucinate.
08:24Oh, you know what?
08:25Our thing didn't work because you don't like little hairs,
08:28and besides, he took the hair.
08:30You know what?
08:31I'm so happy in my kitchen that I don't even think about wasting time arguing with you.
08:34Come here.
08:35Come here, you too.
08:38Dad, the living room is ready.
08:40I'm at your disposal if you need me.
08:42Son, son, did you bring Anastasia to taste the wonders we prepare here?
08:46No.
08:47Well, what are you waiting for? Bring her.
08:49I want to impress my future daughter-in-law.
08:51Dad, we're just getting to know each other.
08:54Oh, you're so lazy, aren't you?
08:56She's a pretty girl, pretty, from a good family.
08:59What else do you want?
09:00Yes, it's all you say, but I...
09:01But nothing.
09:02Come on, bring her, please.
09:03At once.
09:05Come here, come here.
09:07Today I didn't have the opportunity to wake up Francesca.
09:10How did you see her?
09:11She was fine.
09:12She was very entertained with Macarena and Joel.
09:15Joel?
09:16Joel GonzĂĄlez?
09:17Strange, isn't it?
09:18Lately I see her very friendly with me.
09:23Excuse me.
09:25Hey, hurry up!
09:26Hurry up!
09:27I'm in a hurry!
09:28A lot of work!
09:29Don't shout, Tony.
09:30I'm thinking of something.
09:31I'm thinking of something.
09:33Ah, Joel GonzĂĄlez is a clown.
09:36Maybe he's doing a show for Francesca so she doesn't get bored.
09:42Ah, little, little lamb.
09:47Come on, Leni.
09:48There you go.
09:51There you go.
09:52Back, back, back, back.
09:56I'm dying!
10:03I know you're looking for Macarena!
10:04Where did you find my roller?
10:06What roller?
10:07This roller!
10:08I've been looking for it since yesterday.
10:10Can you believe it?
10:12I was under the couch!
10:14That's Koki!
10:15I only clean above!
10:16What are you laughing at me?
10:17Tell me the truth!
10:18Stop arguing!
10:20Please, Koki.
10:21Go talk to Olinda in front.
10:23Yes, ma'am.
10:24Another song!
10:26Come on!
10:27Oh, I'm leaving, I'm leaving.
10:29The phone is ringing.
10:31It's ringing, it's ringing.
10:32Hurry up.
10:33It's ringing, people.
10:34Ah, yes, yes, yes.
10:35Come on, come on.
10:37Come on.
10:38Come on.
10:39Come on.
10:42Do it.
10:43Do it.
10:44Do it.
10:45Do it.
10:46Come on.
10:50Come on, don't laugh.
10:51Come on, do it.
10:52I didn't know how to dance.
10:53I haven't been dancing for a long time.
10:54Yes, look.
10:56Koki!
11:07Hello.
11:08Hello, Koki.
11:10Nice to see you, Koki.
11:12Give me your list.
11:13I'm going to list your products.
11:14No, no.
11:15I didn't really come to buy,
11:16but to offer Olinda a job.
11:21Are you looking for a job?
11:23I thought you were happy working here in the winery.
11:26No, no, no, Mr. Gilberto.
11:27I know that Olinda is not looking for another job,
11:29but since Claudio had an accident,
11:31we are needing another person to help us there in the house.
11:35Now I understand.
11:37You need help in the house while Claudio recovers.
11:42Exactly, Mr. Gilberto.
11:43And Olinda already worked in the mansion
11:45and it was Mrs. Francesca herself
11:47who asked me to come make the proposal.
11:50Do you want to work in the house of the Maldini, Olinda?
11:56I don't know, Mr. Gilberto.
11:58There is so much to do here in the house.
12:01And Juanacha, who is still not getting into the rhythm,
12:03takes a long time.
12:04And I have to finish doing all the chores.
12:07I understand.
12:08But don't you want to think about it a little bit?
12:10It seems good.
12:11Yes, that's what tempts me the most.
12:15As Koki says, think about it.
12:18Think about it.
12:19Yes, of course, think about it a little bit,
12:21but don't worry so much because I can't stand Claudio anymore.
12:24Yes, yes, I'll think about it.
12:38Let's eat!
12:44How do you play this lunch?
12:45Well, I have to do the afternoon route.
12:48Don't you have hands?
12:50Of course I have a hand, but then what do you offer?
12:52You make the sandwich and in the end you do nothing.
12:54Look, I'm all day from here to there, from here to there,
12:57like a stupid maca.
12:58Like a stupid maca, she says.
13:00Like a stupid maca.
13:01Do you think I don't realize that in the end everything is done for you?
13:04Are you taking advantage of me?
13:05I'm telling you to take advantage of you and also to eat.
13:08Everyone in this house breaks except you.
13:10And how do you know that I don't do anything if you never stop in the house?
13:13Hey, hey, hey, hey, I don't stop in the house
13:15because I'm driving the bus tomorrow afternoon and night.
13:17On top of that, now I have to make the driver run
13:19because my compadre has gone who knows where,
13:22risking his life.
13:23And besides, I have to pick up my daughter and take her to school
13:25while you scratch your belly all day.
13:27Oh, Tito, stop messing with me because I'm tired of you.
13:30I mess with you because you don't do anything.
13:31Do you think I don't realize it?
13:32Oh, I'm tired of you, I don't see you anymore.
13:35Enough!
13:37He started all day arguing.
13:39I'm just telling you your truths, okay?
13:43You know what?
13:45I just had an idea.
14:01Mrs. Francesca, Olinda and her cousin have come.
14:07Mrs. Francesca.
14:13Mrs. Francesca.
14:44Estamos viendo al fondo del sitio
14:46nueva temporada dos mil veinticuatro.
14:49Gracias a
14:51Nuevo Ariel Limpieza.
14:56Hi, mom.
14:57¿Te llegaron los videos que te envié?
14:58SĂ, mi amor, al toque.
15:00La red mĂłvil de Claro es rapidĂsima.
15:02CĂĄmbiate a la red mĂłvil mĂĄs rĂĄpida del PerĂș
15:04al 0800 00200.
15:07Doña Francesca, ella es mi prima Juana.
15:11Hace un tiempo ya estĂĄ viviendo con nosotros
15:13pero no habĂan tenido la oportunidad de presentarse.
15:17Es un placer conocerla, señora.
15:19DĂ©jeme decirle que su casa es muy bonita.
15:22Parece un palacio.
15:24Supongo que traes a tu prima como reemplazo para Claudio.
15:27PerdĂłn, yo soy irreemplazable.
15:29Es que como usted estĂĄ buscando una empleada
15:31y yo no puedo,
15:33pues Juana es muy hacendosa.
15:37Ella sabe limpiar,
15:39sabe barrer,
15:41sabe trapear,
15:42sabe planchar
15:43y también sabe hasta coc...
15:45Coc...
15:47Cocinar.
15:48PerdĂłn.
15:49Un momento, un momento.
15:50ÂżTĂș no eres la que le sacĂł la vuelta a Pepe
15:52con el profesor Shabby?
15:53Al, por favor,
15:54no me enciendes ese nombre que me enroncha.
15:56ÂżEs cierto eso?
15:58SĂ, pero le juguĂ©.
16:01SĂ, pero le juro que yo fui vĂctima de ese hombre.
16:04Se aprovechĂł de mi falta de experiencia para seducirme.
16:07Me arrepiento tanto.
16:09No te preocupes, prima.
16:11ÂżQuĂ© mujer no ha caĂdo en las redes
16:13de este profesor Shabby?
16:14Todo el mundo en este barrio le ha creĂdo sus historias.
16:17¿No es cierto, doña Francesca?
16:19Lamentablemente, sĂ.
16:21Pero ya aprendĂ mi lecciĂłn.
16:23No voy a dejar nunca mĂĄs que un hombre juegue conmigo.
16:26Me gusta escucharlo.
16:29Entonces...
16:31ÂżSe anima a contratarla?
16:33EstarĂĄs de prueba solo por hoy.
16:35Y segĂșn tu desempeño, veremos si te quedas o no.
16:38ÂżDe acuerdo?
16:39SĂ, por supuesto.
16:41Muchas gracias, doña Francesca,
16:43por brindarle esta oportunidad.
16:45Lo hago porque confĂo en tu recomendaciĂłn, Olinda.
16:48Y no se arrepentirĂĄ.
16:50Eso espero.
16:51Bueno, pues, entonces me voy retirando.
16:54Muchas gracias. Permiso.
16:56Te acompaño a la salida, mi prima.
16:58Si usted me lo permite, señor.
17:00Adelante.
17:01Gracias.
17:06Es mujercita, no me da buena espina.
17:09A ti no te da buena espina cualquiera que amenace tu trabajo.
17:12Pero estate tranquilo que eso no va a pasar.
17:15ÂżY cĂłmo asĂ?
17:16No sé, no sé, Tito.
17:18Fue de la nada.
17:19Me llamó y yo pensé que me iba a decir una de esas cosas graciosas
17:22que me decĂa siempre, pero...
17:24Pero fue todo lo contrario.
17:26Ya, ya. Tranquila, hijita, cĂĄlmate.
17:28Me dijo que los dos tenĂamos que irnos por caminos distintos
17:31porque no Ă©ramos compatibles, pero...
17:35¿Qué?
17:36¿Qué?
17:37¿Qué?
17:38¿Qué?
17:39¿Qué?
17:40¿Qué?
17:41¿Qué?
17:42¿Qué?
17:43¿Qué?
17:45Me terminĂł, Tito. ÂżEntiendes?
17:47Ay, caramba.
17:48Hijita, me disculpas un segundito.
17:50Tengo que ir al baño, pero ahorita regreso.
17:58ÂĄSĂ, sĂ! ÂĄGracias, Dios mĂo!
18:01ÂĄPor fin mis plegarias fueron escuchadas! ÂĄSĂ!
18:04ÂĄPor fin ese engendro terminĂł con mi hijita! ÂĄEso!
18:08ÂĄSĂ, sĂ!
18:10Aguanta.
18:12ÂżCĂłmo que Ă©l terminĂł con ella?
18:20Espera, hijita. A ver si te entendĂ.
18:23ÂżMe estĂĄs diciendo que Ă©l te terminĂł a ti?
18:26SĂ.
18:28EstĂĄbamos de lo mĂĄs bien, Âżno?
18:30No entiendo.
18:32Bueno.
18:33La Ășnica explicaciĂłn que se me ocurre
18:35es que tuvo sus cinco minutos de lucidez
18:37y se dio cuenta que era muy poca cosa para ti.
18:39No digas eso.
18:40Es que es la verdad, hijita.
18:41TĂș...
18:42TĂș eres como la sirenita.
18:44En cambio, Ă©l no te llega ni a muy muy.
18:46Ay, no seas cagua, cabrĂłn.
18:48No, no, perdĂłname, perdĂłname.
18:49QuerĂa levantarte la moral,
18:50pero creo que el enfoque era equivocado.
18:52Lo que quiero decirte, hijita, es que...
18:54La verdad...
18:55Ăl no te convenĂa.
18:57Ese chico...
18:59Ese chico es muy vulgar.
19:01Y tiene una educaciĂłn que deja mucho que desear.
19:03En cambio...
19:04En cambio...
19:06TĂș eres una princesa, hijita.
19:09Ăl no te merece.
19:14Gracias por intentar ayudarme.
19:22ÂżPuedo quedarme acĂĄ hoy?
19:24Claro que sĂ.
19:25Por supuesto, estĂĄs en tu casa.
19:26Solo avĂsale a tu mamĂĄ, Âżya?
19:28SĂ.
19:29Ahora me lo veo.
19:35¿Por qué le dijiste que sé cocinar?
19:37Lo Ășnico que me sale rico es el picantito de trigo con cuy.
19:39SĂ, ya sĂ©, pero no te preocupes
19:41porque la que va a cocinar soy yo.
19:43ÂżEn serio?
19:45Eres lo mĂĄximo, primita, te adoro.
19:47SĂ, pero en tus ratos libres tienes que leer recetas,
19:50mirar tutoriales,
19:51y por las noches vas a practicar en la casa.
19:53Ay, pero cocinar no es lo mĂo.
19:56Pues harĂĄs de tripas, corazĂłn, Juana.
19:59No desaproveches esta oportunidad.
20:02Doña Francesca paga muy bien.
20:04Es verdad.
20:05Mira, te digo, prima,
20:08este trabajo te conviene.
20:11Tienes razĂłn.
20:13Haré lo que me dices.
20:14Me voy a esforzar y pondré de todo mi empeño
20:16para quedarme con la chamba.
20:18Muchas gracias.
20:28Ahora que Pepito no estå, ya me quedé sin ingreso.
20:32No me ha quedado otra que trabajar.
20:35Mi madre.
20:40A Lorena y a mĂ nunca nos gustĂł ese muchacho.
20:43Seguro debe estar apenada por Mapi,
20:45pero en el fondo ella y yo pensamos que fue lo mejor.
20:49Voy a llamarla para conversar sobre el tema.
20:56Tito, ¿qué haces?
20:58Ella no te ha llamado ni escrito en todo este tiempo.
21:01No quiere escucharte.
21:03MĂ©tetelo en la cabeza.
21:21Juanita.
21:22Hola, Coqui.
21:23Ya me contaron que vas a estar a prueba.
21:25Ay, sĂ.
21:26La señora Francesca en su infinita bondad
21:28me ha dado la oportunidad.
21:30Ya veo.
21:31SĂ, pero Claudio solamente me ha dado las cosas de limpieza
21:34y me ha dejado abandonada a mi suerte.
21:37La verdad estoy un poco perdida.
21:39ÂżMe ayudas?
21:40SĂ, para empezar deberĂa cerrar el caño.
21:43Ah, es que querĂa dejar que los platos se remojen
21:45mientras yo pasaba a trapo.
21:47Te aconsejo que te concentres en una sola cosa.
21:52Pero es que si no, no voy a terminar nunca.
21:54La cuestiĂłn de organizarse.
21:59Coqui, yo estoy segura que tĂș eres un hombre muy organizado,
22:04ademĂĄs de guapo.
22:07Y bueno, con ese porte y ese sombrero
22:11se te ve muy distinguido.
22:14Y estoy segura que la señora Francesca
22:16debe ser muy exigente en la forma que quiere ver su casa.
22:20Y yo necesito impresionarla para obtener el empleo.
22:25Entonces, me estaba preguntando
22:28si tĂș me podĂas enseñar cĂłmo hacerlo.
22:31TĂș limpias y yo te veo.
22:37Estoy ocupado.
22:39Lo Ășnico que tienes que hacer es limpiar usando tu sentido comĂșn.
22:51Ese Coqui es un oso duro de robar.
23:01Tienes que consultarme, Fran.
23:03Tal vez no lleve el apellido GonzĂĄlez,
23:05pero comparten esa naturaleza nefasta y mediocre.
23:08Tenerla en la casa es como albergar un ave de mal agĂŒero.
23:10Ya te dije que estĂĄ a prueba.
23:12Igual.
23:13Digo, la calle estĂĄ complicada.
23:15Una amiga mĂa recibiĂł a una muchacha
23:17y le robĂł hasta las cucharitas de plata.
23:19Es lo mĂĄs conocido que uno por conocer.
23:21Coqui, necesito ir al taller mecĂĄnico.
23:23La camioneta es un ruido que no me gusta.
23:25Qué raro, no me he percatado de eso.
23:27ÂżNo quiere que la revise yo? De repente es algo sencillo.
23:29Prefiero que Joel se encargue.
23:31¿Quieres que ese pesuñento revise la camioneta?
23:33No es asĂ. Joel es todo un profesional.
23:35Francesca, Âżte sientes bien?
23:37Claro que sĂ. ÂżPor quĂ©?
23:38Porque acabas de decir que Joel GonzĂĄlez es todo un profesional.
23:40No estoy para tus prejuicios.
23:42Vamos, Coqui.
23:45La verdad estoy contento que CĂ©sar Rapastroso
23:48se haya dado cuenta que es muy poca cosa para mi hija.
23:53Oye, Tito, Âżpero estĂĄs seguro que por eso le han terminado?
23:57ÂżY ese tonito?
23:59De repente, Ă©l se ha conseguido a otra.
24:04ÂżTĂș crees que le ha engañado?
24:07Oye, Tito, solamente te voy a decir que la infidelidad
24:10es la causa nĂșmero uno de separaciĂłn en nuestro paĂs.
24:14SĂ, Tito.
24:15Es una realidad muy triste.
24:17Es una desgracia que le puede pasar a cualquiera.
24:19Si no, mĂrame a mĂ.
24:21Misulimarcita, yo era contento.
24:22Joelita estaba con mi matrimonio y mi corazĂłn le ha dejado roto.
24:26Tito, roto.
24:27Yo le comprendo a la Mavis.
24:30Imagino su sufrimiento.
24:33Y el muy cobarde ni siquiera fue capaz de admitirlo, FĂ©lix.
24:37Ah, no.
24:38Nadie engaña a mi hijita y sale bien librado.
24:41AlĂstate, FĂ©lix.
24:42Salimos en breve.
24:44ÂżSalimos a dĂłnde?
24:46ÂżA meterle su ajustĂłn al mocoso ese?
24:49Ah, claro.
24:50ÂĄClaro!
24:51Como el pepe se trata de gambusino,
24:53ahĂ sĂ existe el juelix, Âżdi?
24:55No, Tito.
24:56No, no, no.
24:57¿Para que después me dejes tirado como trapo sucio otra vuelta?
24:59No, ya pasĂł una vez.
25:00Ya pasĂł una vez.
25:01Ya, pues, FĂ©lix.
25:02SĂ© por mi hija.
25:03Ah, Tito.
25:04Yo tengo mi sentimiento, Tito.
25:05Por favor.
25:06Ya.
25:07EstĂĄ bien.
25:08EscĂșchame.
25:09Si me ayudas esta vez,
25:11te puedes quedar a dormir en el huertucho alguna noche.
25:13¿Qué dices?
25:14ÂżAh?
25:15ÂżDe verdad, Titos?
25:16SĂ.
25:17Como en los viejos tiempos,
25:18Ăbamos a contar con nuestras cosas y tomar chelita.
25:20¿Qué pasa?
25:21ÂĄAy, no va a hacer!
25:22Vamos a sacar el ancho a ese, a ese desgraciado,
25:24ese mollazo.
25:25ÂĄVamos!
25:26ÂĄVamos!
25:27ÂĄVamos!
25:28ÂĄVamos!
25:29ÂĄVamos!
25:30ÂĄVamos!
25:31ÂĄVamos!
25:32ÂĄVamos!
25:33ÂĄVamos!
25:34ÂĄVamos!
25:35ÂĄVamos, Tito!
25:36ÂĄVamos!
25:37EstĂĄ llenando hasta de golpe.
25:41ÂĄAy, ay, ay!
25:42¥Qué buena taña!
25:44ÂżMi noni?
25:46ÂĄNoni!
25:47ÂĄEse mi Noni!
25:48ÂĄSĂ, sĂ, sĂ!
25:50ÂżElisita?
25:51Por favor.
25:52ÂżCĂłmo andas?
25:53ÂĄHola!
25:54Mira a Noni.
25:56¿Qué tal, cómo estås?
25:57ÂĄHola!
25:58¿Qué haces?
25:59He venido porque la camioneta hace un ruido
26:01y quiero que la venices.
26:02Ay, mi Noni.
26:04ÂżY cĂłmo es el ruido?
26:05I don't know, I didn't hear any noise, to be honest.
26:07I did.
26:10Well, leave it to me to check it.
26:12I'm going to ask for a taxi and I'll be right back.
26:14No, no, I'll stay in the workshop.
26:16Really?
26:17No, Ani, don't worry, I'm not going to hit you in the head.
26:20I know, damn it, I'd be incapable.
26:23Mrs. Francesca, are you sure?
26:25Yes, I'm thinking about investing in the company,
26:29but I don't know if I'll be able to do it.
26:32Yes, I'm thinking about investing in a mechanical workshop
26:36and I want to know more about it.
26:38But wouldn't you rather...
26:39I won't obey.
26:41I'll shut up because I'm a lackey, excuse me.
26:44Let's get back to business.
26:46Oh, yes, look, Ani, I'm going to do a very deep check.
26:52Oh.
26:53Cue, cue, cue, cue.
27:02Cue, cue, cue, cue.
27:32Cue, cue, cue, cue.
27:34Cue, cue, cue, cue.
27:36Cue, cue, cue, cue.
27:38Cue, cue, cue, cue.
27:40Cue, cue, cue, cue.
27:42Cue, cue, cue, cue.
27:44Cue, cue, cue, cue.
27:46Cue, cue, cue, cue.
27:48Cue, cue, cue, cue.
27:50Cue, cue, cue, cue.
27:52Cue, cue, cue, cue.
27:54Cue, cue, cue, cue.
27:56Cue, cue, cue, cue.
27:58Cue, cue, cue, cue.
28:00Gloria.
28:30We have international coverage in the United States so you can share it with your family and enjoy Paramount Plus through Claro Video.
28:36Celebrating Christmas before everyone else is a good plan.
28:39What are you waiting for? Switch to the fastest mobile network in Peru.
28:42Noche de paz. Noche de amor.
28:49Estrellas que esparcen sol.
28:59Noche de paz. Noche de amor.
29:06Disfruta la Navidad como quieras y que te valga.
29:13De aquĂ nadie me saca. Soy una grasa muy resistente.
29:17Zapolo y su nueva fĂłrmula. Elimina la grasa al toque.
29:21Ahora solo seis lupitas.
29:23Pacan café.
29:31Listo.
29:33ÂżA dĂłnde crees que vas?
29:35Voy a la siguiente habitación. Ya terminé con esta.
29:37ÂżAh, sĂ? Vamos a ver.
29:40Mira esta cantidad de polvo.
29:42Y el piso no estĂĄ deluciente como le gustan los patrones.
29:44Y esa cama, Dios mĂo, parece un tamalman envuelto.
29:47Ni el joven CristĂłbal lo hace tan feo.
29:49Ay, es que estaba haciendo una limpieza rapidita nomĂĄs.
29:52Pero mĂĄs tarde voy a hacer una limpieza profunda.
29:54Mira, muchachita, a mĂ no me aflorees.
29:56Los Mandini Montalban tienen un estĂĄndar de limpieza bastante alto.
30:00De acuerdo a su categorĂa.
30:01¿Y eso qué significa?
30:03Que tienes que hacer todo de nuevo.
30:04Ay, pero...
30:05Pero, pero, pero, pero nada.
30:06Mira, chiquita, tĂș estĂĄs aquĂ a prueba.
30:08Si no cumples con los estĂĄndares, te partitas a la calle.
30:12AsĂ es que no sales de esta habitaciĂłn hasta que quede reluciente.
30:16Albeneriza.
30:28PansĂș.
30:37Noni, tampoco encuentro nada raro en el motor.
30:41Pero has revisado eso que me dijiste.
30:43ÂżCĂłmo se llamaba?
30:45El radiador.
30:47Pero dudo que sea eso.
30:49Pero revĂsalo, no seas malito.
30:52EstĂĄ bien, Noni.
30:55Ay, debes tener calor con ese mameluco.
30:58¿Por qué no te desabrigas un poco?
31:00Ay, no mĂĄs, Noni.
31:01Olvidé echarle mi desodorante.
31:02Pero no te quiero matar con los alacranes, fe.
31:05Ay, qué gracioso.
31:08No te preocupes.
31:09Estoy con la nariz tupida.
31:11Te voy a sentir.
31:13ÂżEn ese caso?
31:44Hola, señor Tito.
31:46Valentino, gracias por acudir a mi llamado.
31:50Supongo que ya se enterĂł de que Mappy y yo ya terminamos.
31:56Pero, ¿qué le puedo decir?
31:58Cuando las cosas no son, no son.
32:01SĂ, sĂ, yo entiendo.
32:03Pero debe haber habido alguna razĂłn particular para que hayas tomado esa decisiĂłn, Âżno?
32:08No, nada.
32:09Solo me di cuenta que estĂĄbamos en frecuencias diferentes.
32:12Caramba, cuĂĄnto lo siento.
32:16Gracias, señor Tito.
32:17Aprecio su solidaridad.
32:20ÂĄAhora!
32:21ÂĄAh!
32:22Tampoco veo nada raro por acĂĄ abajo.
32:28Revisa bien.
32:29Bueno, Noni, ¿por qué no dejas de hacerme chambear por las puras y me tiras la firme,
32:34fe?
32:36ÂżO quieres cerrucharte?
32:38ÂżCerrucharte?
32:39Ay, no, Joel, ÂżcĂłmo se te ocurre?
32:42Yo jamĂĄs te perjudicarĂa.
32:45Tengo pensado algo muy distinto.
32:48Un taller enfocado Ășnicamente en autos de alta gama para mis amistades y allegados.
32:55ÂĄPero mĂĄndanos pa'cĂĄ, pe, Noni!
32:57Yo estoy con tu comisiĂłn.
33:00Ahora sĂ.
33:01Voy a revisar las llantas y los frenos, que es lo Ășltimo que me falta.
33:06Ya perdiste, mochaco.
33:08¿Qué pasa?
33:09¿Qué pasa?
33:10ÂżCreĂste que podĂas sacar a la vuelta a mi hija y salir inleso?
33:13¿Qué?
33:14ÂżSacar a la vuelta?
33:15Yo no harĂa eso.
33:16Nunca.
33:17Ah, sĂ.
33:18Eso dicen todos los tramposos.
33:19¿Qué pasa?
33:20¿Qué pasa?
33:21¿Qué pasa?
33:22¿Qué pasa?
33:23¿Qué pasa?
33:24¿Qué pasa?
33:25¿Qué pasa?
33:26¿Qué pasa?
33:27¿Qué pasa?
33:28Eso dicen todos los tramposos.
33:29¿Por qué terminaste con ella?
33:34Te tomaste todo el bar.
33:36Te trajimos aquĂ.
33:38Y me quedé toda la noche velando por tus sueños, mi amor.
33:40Porque eso hace a un enamorado, Âżverdad?
33:42Ah, no te creas tanto, eh, Valentino, que yo estoy contigo por mientras, ni mĂĄs.
33:47Buenas noches.
33:52¿Qué pasa?
33:53ÂżTe ha comido la lengua el ratĂłn?
33:54ÂĄHabla!
33:55ÂĄAh, el que calla otorga, di!
33:57I see Felix, I think I'm gonna have to use the method.
34:00The method?
34:01What do you care?
34:02The method is called...
34:03Insect in the windscreen!
34:09Oh!
34:10Oh!
34:11I'm so happy!
34:13When Benito comes, I'm going to tell him I feel the same way.
34:16Oh!
34:19Ah!
34:20Ah!
34:21Oh!
34:22Oh, I'm sorry, I'm sorry, I'm sorry.
34:23What are you doing in my bed?
34:25No, I'm sorry.
34:26What happened is that when I laid her down,
34:27it seemed to me that a board had come out of her place
34:29and I wanted to check it.
34:30You know, sleeping without a board can be very dangerous
34:32for your spine and for your wife's.
34:35So you're Olinda's famous cousin.
34:38Ah, yes, I am.
34:40Juana Zapayal.
34:41To serve him and thanks for the famous.
34:43No, no, it was a compliment.
34:45And if you're here to serve me,
34:47dedicate yourself exclusively to cleaning.
34:49I don't need you to be checking my bed
34:51and much less kicking you out.
34:53I'm sorry.
34:55Now you're going to have to change all the bedding.
34:59I'll do it right away.
35:00And I apologize again for the inconvenience.
35:12Is it done?
35:13It's done, Titos.
35:14Good job, Felix.
35:15Thank you, Titos.
35:16Hey, but the rope is a little thin.
35:18I don't know.
35:19Don't worry, it suddenly breaks, Titos.
35:21What do I care?
35:23I don't understand.
35:24Please, let me go.
35:25I don't know what you're thinking.
35:26I don't know how to turn.
35:27So what happened?
35:29I can't tell you,
35:30but I would be unable to do something like this to the butterfly.
35:32Please.
35:33I don't believe you.
35:34So get ready for the worst trip of your life.
35:36And get ready.
35:39And a little trick for when we're on the highway.
35:48Please, please, please.
35:49Get out of the car.
35:50You have a minute before I speed up again.
35:52Okay.
35:54Titos.
35:55The truth.
35:56I finished the butterfly because
35:58she told me that I was not important in her life.
36:08And what did the car have?
36:09I don't know.
36:10Well, he's checking it and I'm just coming.
36:12And Francesca?
36:13She stayed in the workshop.
36:14But that doesn't make any sense.
36:17Look, I say, all this performance of Francesca
36:19is because she is very interested in investing in an automotive workshop.
36:23And why hasn't she told me?
36:25I don't know, but she looks very excited.
36:27No, no, Coqui.
36:28Look, all this smells weird to me.
36:30I want you to observe all the movements of my wife
36:32and inform me if you see anything strange, okay?
36:35I'm going to rest.
36:47Don't think you'll forget your ex overnight.
36:52You will need a large dose of persistence
36:55to overcome the situation.
37:01Come in.
37:08Hello, miss.
37:09I came to clean your room.
37:11I'm sorry.
37:13Hello, miss.
37:14I came to clean your room.
37:17Juana?
37:19Yes, yes, it's me.
37:20What happens is that I'm on my test day as Claudio's replacement.
37:24Yes, well, not today.
37:27It won't be necessary for you to clean here.
37:29As you will see, I'm very sick
37:31and the only thing you're going to get is to get infected.
37:33Yes, yes, yes.
37:34It's okay.
37:36With your permission, then.
37:38I hope it gets better soon.
37:42You're welcome.
37:50What a relief.
37:51One less room.
37:57It's hot, isn't it?
38:00No, miss.
38:01I've checked all your cane
38:02and there's not that blessed sound you make.
38:04Everything is fine.
38:06How strange.
38:07I must have been wrong.
38:09But I've really enjoyed seeing you work.
38:12I never thought I'd like the world of mechanics so much.
38:16Well, it must be because you've seen me in my salsa.
38:19Seeing me working is like seeing Ruben Blades composing,
38:22isn't it?
38:23Literally.
38:25Look,
38:26I've thought
38:28of going to lunch together so you can tell me more about ironworks.
38:32Hey, hey, hey!
38:33There's a very good menu around here.
38:35No, no, no.
38:36Let's go to my restaurant.
38:37Firme?
38:38With me?
38:39Firme.
38:48I'm going to change in my house.
38:50What's this?
38:51Because you have to stay, or what?
38:52No, that's fine.
38:54Thank you, Noni.
38:56Let's go.
38:57I'll drive.
38:58Noni, you know what?
38:59Leave your car there.
39:00We're going to put in a little maintenance,
39:02its refrigerant change,
39:03and its little things,
39:04all its recycling,
39:05its washing,
39:06Oh, how attentive.
39:07I'm going to call a taxi.
39:08No, no, no, no, no, no.
39:09No way.
39:10I'll take you.
39:11It's my bomb, Alby.
39:12Come on, come on, come on.
39:21You're a liar, okay?
39:22She does love you.
39:23Besides, you were the one who broke up with her.
39:25I had no choice.
39:26Do you remember the party in Pituca
39:27where Maripaz drove home drunk?
39:29Don't make me remember!
39:30The thing is,
39:31as a result of her drunkenness,
39:32she said to me,
39:33Valentino, I'm only with you for now.
39:36That's happened to me.
39:37It's happened to me.
39:38No, no, no, hold on, hold on.
39:39When you drink, you say nonsense.
39:41Drunks always tell the truth,
39:42and you know that better than anyone.
39:46Swear to me on your father that you're telling the truth.
39:48For my life, I swear to you.
39:51You know how it feels to be loved for a while.
39:54I know, I know.
39:55What's going on, Valentino?
39:56And I, like a fool,
39:57imagining the future by your side.
40:00Our costume party,
40:02our bar of sodas,
40:04our little house in Ciudad GĂłtica.
40:06Valentino, Ciudad GĂłtica doesn't exist!
40:08You see?
40:10You see?
40:11My life is a complete farce.
40:14So,
40:17do you love her?
40:21I love her more than my own life.
40:24But she only sees me as a fool.
40:26She's also seen me as a fool.
40:28But there's something I don't understand.
40:30Then why did you tell Maripaz
40:31that you were breaking up with her
40:32because you weren't compatible?
40:34She didn't remember anything
40:35because she was drunk.
40:39And I felt sorry for her
40:40because I didn't want her to feel bad
40:42because of what she told me.
40:45So I didn't tell her anything
40:47and I broke up with her.
40:49I just want her to be happy.
40:53That's what a real gentleman does.
40:56He walks away with his head held high
40:58and without hurting anyone.
41:01I kept loving her.
41:04But more than that,
41:05I just want her to be happy.
41:12Are you crying?
41:13No!
41:14I want to cry!
41:15You're crying!
41:16Don't be proud!
41:17Come cry with us!
41:18I'm in Chico Balu, Peru, Felix!
41:20I'm in Chico Balu, Peru!
41:22Valentino!
41:31Any orders?
41:32Just one wine, counter 20-20.
41:34Oh, damn!
41:35A tempranillo for 400 euros
41:37and two glasses.
41:39That guy is going to be a champion!
41:41And a bolea!
41:43Francesco asked for it.
41:48Who is he with?
41:50He must be an important investor.
41:54What are you doing here?
41:55The anonymous invited me today.
41:57Fran, what does this mean?
41:59It's a business lunch.
42:01Joel is introducing me
42:02to the world of mechanics.
42:04But what is this moron going to introduce you to?
42:07What can you learn from this guy?
42:09If I'm a moron,
42:10it's because that's what a working man looks like.
42:12Exactly!
42:13Look at him.
42:14Joel is a working man.
42:22Fran!
42:23Fran, please, I'm sure
42:24there are a thousand more interesting mechanics
42:26than this loser!
42:27Please respect my guests.
42:30Respect my meeting.
42:31But Fran!
42:32Go away!
42:33But Fran!
42:34Respect!
42:44Now, what were we talking about?
42:47You were telling me
42:48how you became a successful entrepreneur.
42:51It all started in Huamanga.
42:53A little girl who had a dream.
42:56A boy named...
42:59Joel GonzĂĄlez.
43:14Hi, daddy.
43:20Tito told me you weren't feeling well.
43:24He also told you that Valentino dumped me.
43:29I'm sorry.
43:31I know how difficult it is.
43:35I feel horrible.
43:37I feel like...
43:38like I have a hole in my chest.
43:43I'm not going to lie to you.
43:46You're going to feel that for a little while.
43:50But little by little,
43:52you're going to start getting better.
43:55How?
43:58Well,
43:59it helps me to think that
44:02I gave everything in the relationship.
44:05And that I always tried to fill it with love,
44:07to take care of it.
44:11But you don't always get what you give.
44:18Look,
44:20if you gave everything you had,
44:25everything that's under your control,
44:28but it still didn't work,
44:31then it's not your fault.
44:35I don't know if I gave my best.
44:37I don't know if I was wrong.
44:40I don't know anything.
44:42And...
44:43and if suddenly Valentino was the love of my life
44:45and I let it pass?
44:49No.
44:57I don't think we'll know that right now.
45:01Maybe when we're old
45:03and we look back,
45:05we'll know.
45:09And I'm going to try to follow your advice.
45:13Just remember that
45:14you're always going to have friends and family
45:17who will support you a lot.
45:39Did you like it?
45:42It was delicious.
45:45Should I serve you more wine?
45:47No, no, no.
45:48You have to be responsible.
45:49I'm driving.
45:50You know that.
45:51That's why I asked you a little bit, just to rinse.
45:55Cristobal.
45:57I have a good idea.
45:58Why don't you take a picture of Joel
46:00and upload it to the restaurant's networks?
46:03Is that a good idea?
46:04You take it.
46:05I'm a vampire.
46:06You take it.
46:07Take advantage of it.
46:08I'm not going to charge you.
46:09I charge for these things.
46:10You know, my image.
46:11And with all the reason in the world.
46:13Francesca.
46:14How many glasses of wine did you drink?
46:16One.
46:17Drink it with your cell phone.
46:19You have to take advantage of the occasion.
46:21Are you sure?
46:22Yes.
46:23Will you allow me to arrange your hair?
46:25Go ahead, Noni.
46:33Is she taking pictures of him?
46:35But this doesn't make any sense.
46:37Do you think you're seeing what I see?
46:39Or am I hallucinating?
46:41No, she's not hallucinating.
46:44And how did they turn out?
46:46Good.
46:47Yes?
46:48Send them to my networks.
46:50Yes.
46:51Machiguetas.
46:52Joel Machigas.
46:53Of course, Noni.
47:12Oh, look, Noni.
47:14Oh, did you like lunch?
47:16The truth is that it was delicious.
47:18But very little.
47:20My tooth stayed.
47:22But you should have told me.
47:24You had all the cards to choose from.
47:26No, but Noni.
47:27I'm a gentleman.
47:28But I didn't want to bother you.
47:30And a dessert provokes you?
47:32Do I know a place?
47:33What do you say?
47:34Oh, great, Noni.
47:35But this time, I invite you.
47:37Oh, how considerate.
47:39Oh, how considerate.
47:42Well, Noni.
47:43Let's go, let's go.
47:44But activated.
47:46Get in my taxi.
47:49Get in my taxi.
47:52Get in my taxi.
47:56Something simple.
47:58Get in my taxi.
48:00Get in my taxi.
48:02Get in my taxi.
48:05Get in my taxi.
48:07Get in my taxi.
48:09Get in my taxi.
48:11Get in my taxi.
48:13The day of the party of the Montalban brothers,
48:16you told Valentino drunk that you only wanted him
48:21for a while.
48:24You see, daughter, those are the consequences of drinking alcohol.
48:28Did I say that?
48:30Don't you remember?
48:32No.
48:33Oh, I had never worked so much in my life.
48:36And I don't even go for half.
48:38This house is huge.
48:44I would not drink another day.
48:46Why don't you do what you love?
48:50Come on, life is two days.
48:52Go to the pool, even if the water is cold.
48:54Throw yourself.
48:55Do what you love.
49:00Abram!
49:02Abram, who are you touching?
49:04Yes.
49:05Something.
49:07I want you to break that tie right now.
49:10But what tie?
49:11You have done witchcraft to my Fran.
49:13Oh, what the hell am I?
49:14Igualado, what's wrong with you?
49:15Surely you have given him your blood.
49:17Where is the voodoo doll?