Dramática búsqueda de sobrevivientes entre los escombros del Apart Hotel Dubrovnik que dejó dos muertos y seis desaparecidos. El arquitecto habría complicado a los nuevos dueños.
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00:00I'm going to tell you now because it's very strong.
00:03Yes, please, I'm asking you.
00:04This couple was lying down, they were lying down at dawn.
00:08The building gave a warning, a first creak.
00:11In that creak, the two workers, who are at this time in Morados,
00:16ran down this street.
00:18Yes.
00:19They sat here, full of dust.
00:21That's how the police found them, without understanding what was happening.
00:24All covered.
00:25Of course.
00:26All covered in that cloud of dust.
00:28And in that time that they were running,
00:31what happened was that this 84-year-old man
00:34landed on top of his wife,
00:37and he received the weight of the impacts of the roof,
00:41which took his life.
00:43And his wife, between her husband's body and the mattress,
00:47is where there was a lung of life,
00:49and where, thank God, today,
00:51he simply has two fractures, a wrist and a knee fracture.
00:55Incredible, right?
00:56A story of love, from beginning to end.
00:59Yes, yes.
01:01It's crazy, isn't it?
01:02What a contrast, I say, between the stillness of any city in Balearica,
01:06not at this time of year.
01:07Villagesel, we know, is a very quiet place,
01:10very, very residential,
01:12and that this tragedy happened in the middle of the night,
01:16when the silence was maximum, it's true,
01:19as the neighbors say.
01:20We felt a crack, an explosion,
01:23and we thought maybe it was the motorcycles,
01:25a neighbor said,
01:26some very noisy exhaust,
01:29and yet, when they hear the second one,
01:32they explain it as a detonation,
01:34as if a bomb had exploded,
01:36and they find themselves with this.
01:38We must highlight what Ale just said.
01:41The man left with the codes and values
01:46deeper than the human being.
01:49Protecting his wife, putting her body
01:52and receiving the shock of the rubble,
01:55and thank God, it all happened
01:57that between the body and the mattress,
01:59there was the air lung
02:01for that woman to be alive today.
02:03The truth is that...
02:05And you tell this, and I get indignation
02:07about this crime,
02:09because we have to say it like that, right?
02:11It's a crime, they'll talk about negligence,
02:14about negligence,
02:16but here there were orders,
02:18because in fact, one of the architects declared
02:20and gave the information that the work,
02:23for him, was paralyzed since August,
02:25but obviously, someone gave the order,
02:28surely, as it usually happens in many works,
02:31especially in commercials,
02:33we are against the clock,
02:35let's hurry, because the season is coming
02:37and decisions are made totally wrong,
02:40that end with human lives, right?
02:42And this tragedy,
02:44that logically any human life is a tragedy,
02:47even if it's one or five,
02:49but if it had been a weekend, right?
02:52Or a long weekend, and a season.
02:55They're going to have to talk about a huge tragedy.
02:58Ale, you have priority.
03:01Look, look, the before is the Dubrovnik, right?
03:06Yes, yes.
03:07This part that you are seeing here,
03:09this that you see here,
03:11do you see this red?
03:12Yes, yes.
03:13It's this, look, Diego, give it to me.
03:15What role does that play?
03:17That's the terrace,
03:18the terrace of the apartment where Rosa was.
03:23Of course.
03:24Yes?
03:25Yes, yes.
03:26This part,
03:27and there we go with Diego,
03:29is this part.
03:30This is Rosa's balcony.
03:32There it is, of course.
03:33That remains intact.
03:35And through this tunnel,
03:37at the height of the street level,
03:40Rosa was on the third floor,
03:42through this tunnel they reached Rosa's body.
03:45They moved her here,
03:46and here are the same workers and rescuers
03:49who took Rosa's body out of this place.
03:52Look how clear.
03:53It's very clear.
03:54In the same place, but here,
03:56where all this debris is loose,
03:58here is Nahuel and his partner,
04:01who are looking for them right now.
04:04Now, in this part that is here,
04:07which is the part of the balconies,
04:09is what collapsed.
04:10In this part that is here,
04:12where the marriage, unfortunately,
04:14the man died,
04:15and miraculously the woman survived.
04:17This is the water tank of the building,
04:19of the 12 floors.
04:20Of course.
04:21Here,
04:22here,
04:23in the first basement,
04:25it is estimated
04:26that the people who were on the third floor
04:29are entering through a tunnel here
04:32and looking for the four remaining workers
04:34under 12 floors of debris.
04:36It's crazy.
04:37What a tragedy.
04:40What a tragedy.
04:41A crime, right?
04:42One says tragedy,
04:43but it is a crime where there are responsible people,
04:46where there are detainees.
04:49We know, according to the rescuers,
04:51specialists in the matter,
04:53that the possibility of survival
04:56is at least one week.
04:59Yes, it's fine.
05:00One week.
05:01What you have to understand
05:02is what Ale explained.
05:04See if there is any lung left,
05:07so that the person could protect their life there.
05:11But we are talking about 12 floors
05:14or 10 floors reduced to rubble.
05:18That imploded, right?
05:19Of course, reduced to rubble.
05:21Well, Ale explained it very well.
05:22Yes, Ale, go ahead.
05:24Production has just received the photo
05:27of an air lung,
05:28similar to where this woman was able to save her life,
05:32the only survivor so far,
05:34and where her husband leaned on her.
05:37We were going to say it in potential
05:40until they confirmed it to me.
05:41It's in the air.
05:42We wanted the beam to be the one to hit him in the head.
05:45Of course.
05:46Look how clear it is.
05:48That's a life lung, guys.
05:50It died by centimeters, right?
05:52Let me understand.
05:54Carlitos, help me.
05:56There are two bedrooms, from what I'm seeing.
05:59Yes, two different bedrooms, yes.
06:01Do you remember that this hotel
06:03also had not only the typical hotel room,
06:05but also those rooms that also have a kitchen,
06:09two rooms.
06:10They were rooms for two and up to five people.
06:14Of course.
06:15That's why what we're seeing here
06:17are clearly two different rooms,
06:19but there were larger rooms.
06:21Look, and here I'm getting a piece of information, Diego,
06:23that you were asking.
06:24Yes, from the building next door, guys.
06:26Of course, of course.
06:27Look.
06:28What you're seeing is where the retirees were.
06:31The one in the building next door,
06:33not the one that collapsed.
06:35Let me give you a piece of information,
06:36because hope is the last thing we have to lose.
06:38No, it's not that building, it's the one next door.
06:39Of course.
06:40Hope is the last thing we have to lose.
06:42In May 2013, a factory in Bangladesh collapsed
06:47and they rescued people alive after 17 days.
06:52Wow.
06:53Of course.
06:54So we must not lose hope.
06:56No, of course.
06:57The people who are looking for help,
06:58we value them, we encourage them,
07:00we highlight the task of the rescuers,
07:03counterclockwise, almost without resting,
07:06in a professional way.
07:08People who know what they are doing,
07:10who are also risking their lives.
07:12Do you remember in the fateful attack
07:14against AMIA,
07:16there was a second detachment.
07:18These people also risk their lives
07:20to try to rescue another.
07:23So hope is not lost.
07:25One of the,
07:27let's see,
07:28I don't want to say record,
07:30but the biggest survival
07:32happened after 17 days
07:34under the rubble.
07:35God illuminates the people,
07:38the rescuers,
07:39so that they can walk with these people,
07:42alive.
07:43The fact that there must be
07:46an oxygen lung,
07:49a place that is not
07:53sealed.
07:54A slab against a slab,
07:56as Ale Pueblas explained.
07:58And hope,
07:59one puts it in this boy
08:01that we see in images,
08:03Nahuel,
08:04Rosita's nephew,
08:05the former owner of the hotel.
08:06His partner,
08:07younger people,
08:08one can say that
08:09if they have the minimum chances of survival,
08:12well, one keeps the hope
08:13that they can be found alive.
08:16And the key image
08:18of that neighboring property,
08:20about the one that falls,
08:22the one that falls on three floors,
08:24the three upper floors
08:25of the Dubrovnik Hotel,
08:27and they end up causing damage,
08:30the death of this retiree
08:34and the rescue with life
08:38of his wife
08:40by centimeters.
08:42The death of this man
08:44because one of the tabiques falls
08:46and hits him
08:49and it's a poetic image
08:50with which Nahuel stayed.
08:52That's the building,
08:53that's what was ...
08:54Look, it's impressive,
08:56look, look at what Dubrovnik was.
08:58Of course.
08:59Anyone who went to Gesell
09:01knows it.
09:02He knows it
09:03because it has an unmistakable architecture,
09:06it caught your attention
09:07because of the layout.
09:08Leave it there,
09:09Diego,
09:10leave the image,
09:11Diego, please.
09:12Look,
09:13almost a very similar shot.
09:15The before and after.
09:16Give the roof to the image,
09:17Diego, give me more air
09:18so that everything that is missing from above is understood.
09:22There, there, there.
09:23Perfect.
09:24Of course.
09:25It's all that.
09:26Do you understand?
09:27The tower is missing.
09:28The tower disappeared.
09:29The tower is missing,
09:30so simple.
09:31Yes,
09:32and the truth is that the data is eloquent
09:34because the works that were authorized
09:38were only authorized
09:40and most of them were aesthetics
09:42that had to do with carpentry,
09:45painting,
09:46carpentry.
09:47On the front,
09:49where they read Dubrovnik,
09:50the name of the hotel,
09:51on that part,
09:52how many floors does it have?
09:54One or two floors.
09:55On the back,
09:57none.
09:58Authorized work
09:59and much less work.
10:01Of course,
10:02I think we'll have to investigate that,
10:04but I want to listen to Ale,
10:06Ale who is there.
10:07What do you know about the victim's relatives?
10:09Are there relatives waiting for Nahuel,
10:12for the couple?
10:13Yes,
10:14and what do you see, Ale?
10:16Look,
10:17we're not going to invade.
10:18No, obviously.
10:19That's not the plan, Diego.
10:20We're not going to invade,
10:21but in that hall of the old building,
10:23of the Medamar,
10:25the relatives are waiting
10:27for the news
10:29that gives them joy
10:31or that gives them sadness.
10:33They are following and monitoring
10:35the works minute by minute.
10:37They are knowing what is happening
10:41and this is like in an agreement,
10:45in a common agreement
10:47between the minister
10:49and the family.
10:51First,
10:52the family will be informed
10:53and then it will be on television.
10:54Without a doubt,
10:55and that's how it is.
10:56As far as we know.
10:57No, no,
10:58and that's how it is, Ale.
10:59As far as we know.
11:00What we ask,
11:01what we ask the minister,
11:02is that please,
11:03as soon as he knows,
11:04let the family know.
11:06Don't keep them waiting.
11:08Is it known to a certain degree
11:09how many people...
11:10To make a decision
11:11and they committed to that.
11:13How many people are under the rubble?
11:15Look,
11:16sorry, sorry, go ahead.
11:18At this moment,
11:19what they are looking for
11:20in the official figure
11:21and what they are looking for
11:23officially,
11:24what they have listed
11:25and what they know they are,
11:27is that they would now find
11:29five people,
11:30six people,
11:31four workers,
11:32four workers,
11:34Nahuel and Brisa,
11:36which are the four people
11:38who were on a floor next to you
11:41and those two,
11:42Nahuel and Brisa,
11:43were here, look.
11:44I'll show you again.
11:45Here, where they are working now,
11:47which just received the video,
11:48Nati Lezik,
11:49here,
11:50where they are working now,
11:51they are looking for Nahuel
11:53and Brisa, here.
11:54And here they are looking for the workers,
11:56yes?
11:57From here to below,
11:58the workers,
11:59here,
12:00Nahuel and Brisa.
12:01Look, let's see,
12:02let's go back,
12:03it's fine,
12:04very clear.
12:05Diego, look,
12:06for the people at home
12:07to realize
12:08and understand
12:09the magnitude
12:10of this fateful collapse,
12:11Diego,
12:12please give us again
12:13that shot
12:14that you had
12:15of the hotel,
12:16from the same place
12:17where you are,
12:18where the tower is missing.
12:19Look, there, there,
12:20that, perfect.
12:21It is exactly the same shot
12:22that we are seeing
12:23in the middle.
12:24Of course.
12:25Do you understand?
12:26Yes.
12:27We are seeing
12:28in the image of Diego Trafferi
12:29the building behind,
12:30but in the image
12:31that we are seeing
12:32in the center,
12:33in the middle,
12:34below,
12:35in the center,
12:36it is exactly
12:37the same shot
12:38that Diego has above.
12:39Yes.
12:40Everything disappeared.
12:41Yes, of course.
12:42Everything disappeared.
12:43Yes, of course.
12:44Do you understand?
12:45Yes, yes.
12:46The magnitude of this tragedy?
12:47The expectation
12:48of human lives,
12:49of these families
12:50who are desperate
12:51with the uncertainty
12:52of whether their relatives
12:53will be found
12:54or not alive.
12:55Well,
12:56it is a wait,
12:57minute by minute,
12:58more than 60 hours
12:59of incessant work
13:00to find
13:01a way
13:02to reach
13:03their kids.
13:04These heroes
13:05should be
13:06given
13:07screen time,
13:08they should be
13:09given sentence
13:10because they are
13:11prepared
13:12for when
13:13the worst
13:14tragedies
13:15will happen.
13:16This is one of them.
13:17And to recognize
13:18the work
13:19of Diego Trafferi,
13:20of Ale Puebla,
13:21who really
13:22eat the pitch,
13:23whether it be
13:24Corrientes,
13:25or Jesel,
13:26wherever they are,
13:27the truth is
13:28that his work
13:29is inaugurated.
13:30What do they do,
13:31Absolutely, any news, Ale, Diego, call us.