The Frog (2024)
Country: Korean
Genres: Drama, investigation, Miniseries, Mystery, Noir, Psychological, Suspense, Thriller, Web Series
Release Year: 2024
Status: Completed
Starring: Go Min Shi (1995), Ha Yoon Kyeong (1992), Hong Ki Joon (1978), Jang Seung Jo (1981), Kim Seong Ryeong (1967), Kim Yoon Seok (1967), Lee Jeong Eun (1970), Park Chan Yeol (Chanyeol) (1992), Park Ji Hwan (1980), Roh Yoon Seo (2000), Ryoo Hyeon Kyeong (1983), Yoon Kye Sang (1978)
Other name: 아무도 없는 숲속에서 / 在無人樹林之中 / Amudo Eobsneun Supsokeseo / In the Forest With No One / In the Woods With No One / Alone in the Woods / Nadie en el bosque
Synopsis: In the summer of present day, Jeon Youn Ha manages a vacation cottage in a secluded wooded area. His tranquil existence is disrupted by the unexpected arrival of a mysterious woman named Yoo Sung A.
In the early 2000s, Koo Sang Joon also ran the same vacation cottage with his family. However, a summer incident caused him to lose everything. Yoon Bo Min, a former police officer at the nearby substation, was involved in the case.
Twenty years later, Yoon Bo Min returns to the same substation as the chief and takes an interest in Jeon Young Ha. As she enjoys solving mysteries, she begins to closely observe him.
#TheFrog #romantic #kdrama #2024 #kdramas #KimYunseok #YoonKyesang #KoMinsi #kdramainhindi
Country: Korean
Genres: Drama, investigation, Miniseries, Mystery, Noir, Psychological, Suspense, Thriller, Web Series
Release Year: 2024
Status: Completed
Starring: Go Min Shi (1995), Ha Yoon Kyeong (1992), Hong Ki Joon (1978), Jang Seung Jo (1981), Kim Seong Ryeong (1967), Kim Yoon Seok (1967), Lee Jeong Eun (1970), Park Chan Yeol (Chanyeol) (1992), Park Ji Hwan (1980), Roh Yoon Seo (2000), Ryoo Hyeon Kyeong (1983), Yoon Kye Sang (1978)
Other name: 아무도 없는 숲속에서 / 在無人樹林之中 / Amudo Eobsneun Supsokeseo / In the Forest With No One / In the Woods With No One / Alone in the Woods / Nadie en el bosque
Synopsis: In the summer of present day, Jeon Youn Ha manages a vacation cottage in a secluded wooded area. His tranquil existence is disrupted by the unexpected arrival of a mysterious woman named Yoo Sung A.
In the early 2000s, Koo Sang Joon also ran the same vacation cottage with his family. However, a summer incident caused him to lose everything. Yoon Bo Min, a former police officer at the nearby substation, was involved in the case.
Twenty years later, Yoon Bo Min returns to the same substation as the chief and takes an interest in Jeon Young Ha. As she enjoys solving mysteries, she begins to closely observe him.
#TheFrog #romantic #kdrama #2024 #kdramas #KimYunseok #YoonKyesang #KoMinsi #kdramainhindi
Category
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FunTranscript
00:00:00A controversy has emerged that a serial killer was behind the death of a 20-year-old boy
00:00:16whose autobiography he was writing.
00:00:18Mr. Kim, the ghost writer, committed suicide in a small apartment in Seoul.
00:00:22And before he died, he posted on social media that the serial killer was writing a book
00:00:27named after Chiang Chol.
00:00:29Mr. Kim is a cunning serial killer.
00:00:31He has been sentenced to life imprisonment for the murder of eight women in the early 2000s.
00:00:36However, the police have not found any evidence to prove the allegation of Chiang Chol's autobiography.
00:00:41For this reason, the police have ruled that Mr. Kim's death is a murder.
00:00:50A big tree fell in the deep jungle.
00:00:54But there was no one to hear its voice.
00:00:59So, was there a sound of falling?
00:01:08Or was it just silence?
00:01:29Hello.
00:01:59Did you find the body in the water tank?
00:02:09No.
00:02:10That's what the detective said.
00:02:15I can't believe how you do it.
00:02:17You are an expert in catching both the clue and the suspect.
00:02:20Whenever I see a criminal's face, I wonder how he can do it.
00:02:26How do you know how he walks or speaks?
00:02:32Is his secret in your nickname Shikari?
00:02:41What do you want to know?
00:02:42Nickname.
00:02:44No, tell me the story of the tank.
00:02:49Will you write it in the article?
00:02:51No, I just want to know.
00:02:55His water bill.
00:03:25No.
00:03:56Hello, emergency.
00:03:57You have to go to the police station.
00:04:00Yes, it's right in front of the police station.
00:04:04Please, send an ambulance.
00:04:25What's going on?
00:04:56Shhh.
00:05:20Shhh.
00:05:25Shhh.
00:05:55Did you take my bag from the car?
00:05:57I threw it away.
00:06:00Yes, there was footage in it.
00:06:03If there was no footage of the dash cam, we would have been worried.
00:06:09That's why I threw it away.
00:06:12Now you don't have to worry about anything.
00:06:16Go away.
00:06:17If you have erased the evidence, you don't have to be afraid of me.
00:06:21I won't do anything against you.
00:06:24Just go away from here.
00:06:27I won't tell anyone what happened here.
00:06:29I won't go.
00:06:46You were angry with me and told me to leave.
00:06:49But what's the need for distance between us?
00:06:54We can both live here comfortably.
00:07:15If you convince me properly, I'll leave.
00:07:17If you convince me properly, I'll leave.
00:07:19But why?
00:07:21You told me to sell this house.
00:07:24But I don't know why you need this house more than me at this age.
00:07:30Tell me, uncle.
00:07:32What's the reason?
00:07:34I'm tired of asking, but you're not telling me the reason.
00:07:38Why don't you want to sell my house? Do I have to tell you the reason?
00:07:41Uncle.
00:07:44Look at this house once.
00:07:48Doesn't this house look like mine now?
00:07:55And anyway, I don't think...
00:07:59...that just by having your name on the paper, this house becomes yours.
00:08:17Let's go.
00:08:34Now this game had completely changed.
00:08:37This fight...
00:08:39...has now become about proving the truth by presenting evidence.
00:08:43And this fight was now completely under the control of Sanki.
00:08:47You must still be having muscle pain because of the accident.
00:08:50That's why we're giving you muscle relaxants and painkillers.
00:08:53And I had very little chance of winning this war.
00:09:23Attention.
00:09:53One.
00:09:55Two.
00:09:57Three.
00:09:59Four.
00:10:01Five.
00:10:03Six.
00:10:05Seven.
00:10:07Eight.
00:10:09Nine.
00:10:11Ten.
00:10:13Eleven.
00:10:15Twelve.
00:10:17Thirteen.
00:10:19Fourteen.
00:10:21Fifteen.
00:10:23Fifteen.
00:10:25Sixteen.
00:10:27Seventeen.
00:10:29Eighteen.
00:10:31Nineteen.
00:10:33Twelve.
00:10:35Thirteen.
00:10:37Fourteen.
00:10:39Fifteen.
00:10:41Sixteen.
00:10:43Eighteen.
00:10:45Nineteen.
00:10:47Twelve.
00:10:49Thirteen.
00:10:51Fourteen.
00:10:54Sorry, but I thought all this...
00:10:57Okay, fine. I'll tell you.
00:11:00I'll call you as soon as my paintings are done.
00:11:03Okay, bye.
00:11:23I love you.
00:11:53I love you.
00:12:23Hello.
00:12:27Are you the owner of this house?
00:12:35Oh, Jaiman.
00:12:37Give it to me.
00:12:41Please.
00:12:44So you booked and came here, and then you found out he's here?
00:12:47And the owner's not answering his phone?
00:12:49Yes.
00:12:50I don't know what kind of stupidity this is.
00:12:52Can you show me your details?
00:12:53Yes, sure.
00:12:58You're the one with the accident, aren't you?
00:13:01You hit the car in front of the police station.
00:13:06Excuse me, ma'am.
00:13:07Can you show us the proof of your booking, please?
00:13:22Jaiman!
00:13:23Jaiman!
00:13:52Jaiman!
00:13:58Shit.
00:14:03It's okay.
00:14:04They'll come.
00:14:05They've booked, so they'll have to come.
00:14:08Why are you still here?
00:14:09You guys have a lot of work to do.
00:14:11I do.
00:14:13And that's what I'm doing.
00:14:14I'm interrogating the police.
00:14:16So do you have proof of your booking?
00:14:19If I had a website, I would've booked online.
00:14:21I came directly and paid the cash payment.
00:14:23I just told your partner about all this.
00:14:34They do have a website.
00:14:37Look at this.
00:14:39If you've booked, there must be a message or an email.
00:14:43You can't book without that.
00:14:45I don't keep old messages.
00:14:49Wait a second.
00:14:50Why are you asking me all this?
00:14:52Do you think I'm staying here forcibly?
00:14:55Actually, you're stuck here all alone.
00:14:59That's why I'm worried about you.
00:15:04Who told you to worry?
00:15:11Shall we go now?
00:15:18Rascals.
00:15:28The person you've called is not available at the moment.
00:15:31Please try again later.
00:15:36Yes, tell me, sir.
00:15:38I've been trying for a long time.
00:15:41Yes, there was a little problem.
00:15:42I thought the booking didn't happen.
00:15:45Oh, I see.
00:15:46You've hired him to take care of the house.
00:15:49Hello.
00:15:50Hello, uncle.
00:15:51Why aren't you answering my calls?
00:16:06Is it cooked properly?
00:16:07Yes, it's cooked well.
00:16:10It's very tasty.
00:16:11Kids, don't cheat.
00:16:12Don't cheat, kids.
00:16:13I only eat tomatoes.
00:16:15Give me some mutton too.
00:16:16Kids, let uncle eat too.
00:16:19Come, we'll eat together.
00:16:42Okay.
00:17:12Hi, aunty.
00:17:14How are you feeling now?
00:17:19Do you know where my grandma is?
00:17:43The flowers sent by your son have dried up.
00:17:46Should I throw them away?
00:18:00You go to sleep, okay?
00:18:12Okay.
00:18:25You're back?
00:18:42Yes.
00:18:56Did the landlord send you?
00:18:58Yes, how are you?
00:19:00Good.
00:19:01How was the stay?
00:19:02Yes, it was good.
00:19:03It's good that you got a good vacation.
00:19:06What are you doing?
00:19:08Who are these people to take the keys?
00:19:10Don't worry.
00:19:11She works here.
00:19:12What does she do?
00:19:13Who are you?
00:19:15The landlord told me to take the laundry.
00:19:24Laundry?
00:19:27Now I remember.
00:19:29I think you didn't recognize me.
00:19:32Do you know her?
00:19:34No.
00:19:36I'm seeing her for the first time.
00:19:38Then forget her.
00:19:39She's a strange girl.
00:19:41Oh.
00:19:43Give me the keys.
00:19:44I have a lot of work.
00:19:46Idiot.
00:19:47Thank you, sir.
00:19:48Go home safely.
00:19:49Liar.
00:20:01What are you looking at?
00:20:05Why are you following me?
00:20:07Let me work.
00:20:09Ill-mannered guest.
00:20:12If you don't listen,
00:20:13vacate the house.
00:20:15And if you still don't listen,
00:20:17call the police.
00:20:22Why the police?
00:20:27In every business,
00:20:28ill-mannered people are found.
00:20:29But in a rental house,
00:20:30ill-mannered guests are a problem.
00:20:34If you think that gambling,
00:20:35drugs or alcohol intoxication
00:20:37is a problem,
00:20:38I'll inform the police.
00:20:42What if I don't tell the police?
00:20:45Yes, there are many things
00:20:47that are not as serious as telling the police.
00:20:50In such cases,
00:20:51it's best to wait
00:20:52until the guest leaves.
00:21:01What if I don't go?
00:21:02What if you don't go?
00:21:04Why won't you go?
00:21:05Everyone has to go home.
00:21:08They'll have to go
00:21:09when it's time to check out.
00:21:12Only then
00:21:13the room will be empty for the next guest.
00:21:22Next guest?
00:21:28Hurry up.
00:21:34What do I do now?
00:21:48This is such a great location.
00:21:50What a view!
00:21:51It's amazing.
00:21:52I'm loving it.
00:21:53What a place.
00:22:03I missed you so much
00:22:08I loved you
00:22:11deep down
00:22:14even though I was hurt
00:22:19I loved you
00:22:21I loved you
00:22:24I loved you
00:22:25I loved you
00:22:29All right.
00:22:48Oh, good old man.
00:22:59Ha!
00:23:01Woo!
00:23:02Oh!
00:23:11Knock, knock, knock.
00:23:15Aunty, can I get a toothbrush?
00:23:17What?
00:23:18Oh.
00:23:23Aunty, the owner told us there are a lot of new toothbrushes in his bathroom.
00:23:27You can ask Aunty.
00:23:29Ask who?
00:23:32Ask who?
00:23:33The owner told us to ask Aunty.
00:23:34Who are you calling Aunty?
00:23:37If not Aunty, should I call you Didi?
00:23:54Didi.
00:23:56Give me two toothbrushes.
00:24:15Why did you get the same toothbrushes?
00:24:17You're too much.
00:24:18Don't make so much noise.
00:24:19What?
00:24:21Do you drink alcohol at this age?
00:24:24Come on, show me everyone's ID.
00:24:26We're all adults, okay?
00:24:27Will you show me your ID?
00:24:29Or should I call the police?
00:24:31What a nuisance.
00:24:33I want everyone in my room in ten minutes.
00:24:36If not, will you call the police here?
00:24:38Then I'll shut down your rental.
00:24:41All right then.
00:24:43I also want it to shut down.
00:24:47Get out.
00:24:48Why are you hitting me?
00:24:49Get out.
00:24:50Get out.
00:24:51Yes, I'm going.
00:24:54Come on.
00:24:57She's really crazy.
00:25:21You.
00:25:25Kitu?
00:25:27Hey!
00:25:29Where are you going?
00:25:31Bye-bye, Aunty.
00:25:33Let's go.
00:25:35This is great, isn't it?
00:25:50Where are you?
00:25:51Haven't you left yet?
00:25:52You must be having fun playing dirty games, right?
00:25:57Dirty games?
00:25:59Guests will come from the rent-a-house.
00:26:01You're the one doing the dirty work.
00:26:04Besides, everyone thinks you're crazy, right?
00:26:10I'm not crazy.
00:26:11I'm not crazy.
00:26:12I'm not crazy.
00:26:13I'm not crazy.
00:26:14I'm not crazy.
00:26:15I'm not crazy.
00:26:16I'm not crazy.
00:26:18Come here, we'll talk later.
00:26:20Vacation has started.
00:26:21That's why a lot of groups are booking.
00:26:23Be ready to bear the consequences.
00:26:25You think I'll run away from all this?
00:26:27Yes. If you have time, clean up the house.
00:26:30I can't send anyone because of you.
00:26:41What, uncle?
00:26:43You don't care about your daughter's life?
00:26:45You don't care about your daughter's life?
00:27:15You don't care about your daughter's life?
00:27:45You don't care about your daughter's life?
00:28:15Knock on the door.
00:28:29Did you break the glass?
00:28:45Did you break the glass?
00:29:16Before he died, he was actually writing the autobiography of Chiang Chol.
00:29:20And in the CCTV near the house,
00:29:21there was only one suspicious man around his time of death.
00:29:25But he has no connection with this ghost writer.
00:29:27Besides, a month has passed.
00:29:39Was there a post-mortem?
00:29:40He wrote a suicide note and hanged himself.
00:29:42So, they did the final rites without investigation.
00:29:45But the detective didn't find anyone who was suspicious of him.
00:29:49They investigated the victims of Chiang Chol,
00:29:51but they didn't find anything.
00:29:53Was he actually writing the autobiography?
00:29:55Chiang Chol says he doesn't know anything about this,
00:29:57and he didn't even meet this writer.
00:29:59So, maybe he's just out of his mind.
00:30:01But everyone is repeating the same story in the news.
00:30:05Could Chiang Chol be involved in this?
00:30:08I thought you'd have the answer.
00:30:12That's all I know.
00:30:16Is everything okay?
00:30:18Yes.
00:30:21Are you bored?
00:30:37No.
00:30:45No.
00:31:10Hey!
00:31:12You're lucky you got a leave.
00:31:15So, what's the plan?
00:31:16Whatever it is, don't call me for two days.
00:31:18I'll see you after I come back.
00:31:21And what's this?
00:31:23Won't you take off your uniform?
00:31:24There's a little work left.
00:31:34Hello.
00:31:35Hello, how are you, sir?
00:31:36You're the owner of this rental, right?
00:31:38This girl isn't giving us the keys.
00:31:41Okay, I'm coming.
00:31:45Okay.
00:32:07Hello.
00:32:10Give me the keys.
00:32:15Okay.
00:32:38But, sir...
00:32:40What if this girl comes in?
00:32:43Call the police.
00:32:44Wait, I'll clean it up.
00:32:45Okay.
00:32:51Finally, the landlord is here.
00:32:55Let her stay here for now.
00:32:58I'm Officer Kim Song from Hosu Police Station.
00:33:00What are you doing here?
00:33:03I booked this place.
00:33:04They're all my friends.
00:33:05If you were around,
00:33:07why were you harassing this poor girl for so long?
00:33:13You didn't want to harass her
00:33:15thinking she was a lowly woman, did you?
00:33:18Was that your plan?
00:33:20Who's a lowly woman?
00:33:23Are you talking about this girl?
00:33:25Mind your age.
00:33:27Otherwise, you could be in trouble.
00:33:29Come on, guys.
00:33:35Come on.
00:33:44Did you call the police?
00:33:47He's the one who came to help me.
00:33:53What's this?
00:33:56It looks like you had a fight with someone.
00:34:06Let's go.
00:34:17One, two, three.
00:34:35Come on.
00:34:40Oh, my God.
00:34:44Come on, get in.
00:34:45No, no, no.
00:34:46No, no, no.
00:34:47No, no, no.
00:34:52No, no, no.
00:34:55Hey, listen.
00:34:56You drive today.
00:34:57No, I won't.
00:34:58Okay, then you pay for it.
00:35:02Good night.
00:35:03Good night.
00:35:05Bye-bye.
00:35:06Drive safe.
00:35:12You'll be fine on your own, won't you?
00:35:14Of course.
00:35:16You really are a brave girl.
00:35:21Leave these bags.
00:35:22I'll come and take them tomorrow.
00:35:24Don't you have work tomorrow?
00:35:25I'm on a two-day leave.
00:35:30See you.
00:35:34Bye-bye.
00:36:04Bye-bye.
00:36:35How is it?
00:36:37It's not bad.
00:36:41Don't you think you should apologize to him?
00:36:48I've seen a lot of people in my career
00:36:50who apologize to everyone at an early age.
00:36:53But I've never seen anyone like him.
00:36:55I've never seen anyone like him.
00:36:57I've never seen anyone like him.
00:36:59I've never seen anyone like him.
00:37:01I've seen a lot of people like him
00:37:03who apologize to everyone at an early age.
00:37:05Like being old is a matter of pride.
00:37:08They think they're still young,
00:37:10but they're wrong.
00:37:12What do you know?
00:37:14Can you recognize a person at a glance?
00:37:17You can.
00:37:20Then you're an expert.
00:37:25I'll go get some wine.
00:37:27I'm sure we can forget the past by drinking it.
00:37:31Come on.
00:37:46Why did you join the police?
00:38:01Come on.
00:38:24Have you ever drunk anything before?
00:38:28I never drink.
00:38:31I don't drink.
00:38:56It's too cold.
00:39:01I need a toothbrush.
00:39:32You did the right thing, Uncle.
00:39:35That scoundrel isn't leaving.
00:39:38He's on the second floor.
00:39:39So what?
00:39:41He's a pain in the ass.
00:39:42I don't like him at all.
00:39:44He talks too much.
00:39:46Why don't you patch up with me, Uncle?
00:39:49I'll tell him everything's fine between us,
00:39:51and then he'll leave.
00:39:53He's a guest.
00:39:54He booked this place, not you.
00:39:56He's a cop.
00:39:58Will you let him stay here?
00:40:00I'm happy he's here.
00:40:02Wow.
00:40:06So, Uncle,
00:40:10should we split the house in half?
00:40:21Split it?
00:40:24Let's make a compromise.
00:40:27I don't like this room anyway.
00:40:29You can keep it.
00:40:31So I'll stay here,
00:40:32and you'll keep the whole house?
00:40:35Is that how it's going to be?
00:40:40Psycho.
00:40:44Don't say that again.
00:40:46I'll stay with a murderer.
00:40:49Is that what you think?
00:40:55Do you want to know how I killed him?
00:41:00How I killed Sion?
00:41:03Should I tell you in detail?
00:41:05What I did to him after I found out?
00:41:08Do you think you can live here in peace?
00:41:11That's why I'm telling you,
00:41:14this house is mine now.
00:41:16If I let you stay here,
00:41:18you'll only pity me.
00:41:30No.
00:41:38This house is mine.
00:41:40And it will always be mine.
00:41:43I'll never share it with anyone.
00:41:59No.
00:42:30What happened?
00:42:34No, wait.
00:42:59No.
00:43:29No.
00:43:59No.
00:44:29No.
00:44:59No.
00:45:02No.
00:45:29No.
00:45:59No.
00:46:01No.
00:46:30This is my house and my room.
00:46:34This bed is also mine.
00:46:37Get out.
00:46:40Get out!
00:46:44You may be my paying guest,
00:46:46but he's a prostitute.
00:46:48How dare you?
00:46:53Are you out of your mind?
00:46:54No, no, wait.
00:46:55I don't have any weapons.
00:46:57Then leave my collar.
00:46:59You're in the police force.
00:47:01You're a cop, right?
00:47:03Yet you're out of your mind.
00:47:06He won't listen to me.
00:47:09Are you going to break my arm?
00:47:10Leave it.
00:47:11It hurts.
00:47:12I'm an old man.
00:47:14Come on, you bastard.
00:47:20He's crazy.
00:47:27He's crazy.
00:47:58Did you have a problem?
00:48:01No.
00:48:04Why did you come here that day?
00:48:09You came at night and left without saying anything.
00:48:13Why did you come to the police station that day?
00:48:17The people who book the rental
00:48:19can only use the swimming pool
00:48:21and the garden in front of it.
00:48:24But they were in my personal room.
00:48:29I got angry at their insolence.
00:48:33Have you ever hit anyone before?
00:48:37I'm not accusing you.
00:48:39I'm just saying that
00:48:40you shouldn't have done that before.
00:48:43I'm not accusing you.
00:48:44I'm just saying that
00:48:45you shouldn't have done that before.
00:48:47It's hard to hit someone.
00:48:49Whether it's a beating,
00:48:51martial arts,
00:48:53gambling, drugs, anything.
00:48:56You feel like hitting someone
00:48:58only when you've lost your patience.
00:49:04You're saying
00:49:06that a man who lives a straight life
00:49:10should live a life without fighting.
00:49:13Does that mean you want to fight someone?
00:49:28I came to file a complaint that day.
00:49:30What happened that day?
00:49:40I've forgotten that.
00:49:43There's nothing left.
00:49:48Tell me like it's a story.
00:50:10Hold on, I've got a call.
00:50:33Can I go home now?
00:50:40I'll drop you.
00:50:41No.
00:50:47Can we forget what happened
00:50:49with your officer?
00:50:52Because I don't want him
00:50:54to come to my house again.
00:50:58I'll return his deposit.
00:51:00Okay, I'll talk to him.
00:51:09Okay.
00:51:11Yes.
00:51:35You found a solution
00:51:37even after taking leave.
00:51:40Sir, you didn't have to come here.
00:51:43Yes, I was on patrolling duty.
00:51:46The captain told the landlord
00:51:48and sent me here.
00:51:49What about the girl?
00:51:52Look, Swati.
00:51:55I know you want to leave this town
00:51:57and become a big officer.
00:51:59And you're going to get promoted.
00:52:01So why do you want to go to this mess?
00:52:05Do you understand what I'm saying?
00:52:09Yes, sir.
00:52:11Come on.
00:52:12I'll drop you home.
00:52:14No, sir.
00:52:15I'll go.
00:52:18Okay.
00:52:20Take care.
00:52:21You too, sir.
00:52:38Okay.
00:53:08Okay.
00:53:38Come on.
00:53:44Come on.
00:53:47Come on.
00:54:08Come on.
00:54:38Come on.
00:55:09Come on.
00:55:10Come on.
00:55:11Come on.
00:55:12Come on.
00:55:13Come on.
00:55:14Come on.
00:55:15Come on.
00:55:16Come on.
00:55:17Come on.
00:55:18Come on.
00:55:19Come on.
00:55:20Come on.
00:55:21Come on.
00:55:22Come on.
00:55:23Come on.
00:55:24Come on.
00:55:25Come on.
00:55:26Come on.
00:55:27Come on.
00:55:28Come on.
00:55:29Come on.
00:55:30Come on.
00:55:31Come on.
00:55:32Come on.
00:55:33Come on.
00:55:34Come on.
00:55:35Come on.
00:55:36Come on.
00:55:37Come on.
00:55:41Shit.
00:56:07Why did you get so excited, Uncle?
00:56:27I'm ready to sell my uncle.
00:56:33Don't you remember me?
00:56:37You're right.
00:56:41I've been longing to hear this for so long.
00:56:49Just wait for a few days.
00:56:56To be honest, Moishe.
00:57:01I didn't find any trace of Nami in that house.
00:57:07There was no water bill in that house for two months.
00:57:11There was no leakage anywhere.
00:57:13Then why wasn't he using that water?
00:57:18So I checked in the tank on the roof.
00:57:20But there was nothing in it.
00:57:28But from that roof, I could see a mountain tank.
00:57:31That's when I found out that the body was hidden in the tank.
00:57:34That's why he was afraid of water.
00:57:38Oh.
00:57:40But how do you understand all this just by looking at it?
00:57:43What you see, you can't see.
00:57:45What you can't see, you can.
00:57:47What's there and what's not,
00:57:50what's present and what's missing,
00:57:53that's how you understand.
00:57:55And I start looking for it.
00:57:56What do you mean by missing?
00:57:59Is it related to everyday life or...
00:58:01It's often people's emotions.
00:58:05The emotions that should be seen,
00:58:07or if there's a change in their behavior.
00:58:10If there's a missing word in people's statements,
00:58:12or if they're not talking about a specific moment.
00:58:14If they're avoiding a specific question.
00:58:16Oh.
00:58:21Yes, but...
00:58:24You can only understand this about a few people.
00:58:27It's not possible to understand everyone you meet.
00:58:35I understand.
00:58:38I suspect everyone.
00:58:41Dead people, their relatives,
00:58:44neighbors, witnesses.
00:58:48Even my colleagues.
00:58:50Whether it's my family, friends,
00:58:53or our team leader.
00:58:59Everyone in this building.
00:59:01Everyone in this building.
00:59:04And everyone outside.
00:59:07And I suspect you too.
00:59:12I suspect everyone.
00:59:15I don't care about anyone.
00:59:20Like an expert.
00:59:24I'm not a movie star
00:59:26who becomes a cop to get justice for everyone.
00:59:29I'm just...
00:59:59I'm sorry.
01:00:30I'm just...
01:00:33a hunter for wild animals.
01:00:59I'm sorry.
01:01:00I'm sorry.
01:01:01I'm sorry.
01:01:02I'm sorry.
01:01:03I'm sorry.
01:01:04I'm sorry.
01:01:05I'm sorry.
01:01:06I'm sorry.
01:01:07I'm sorry.
01:01:08I'm sorry.
01:01:09I'm sorry.
01:01:10I'm sorry.
01:01:11I'm sorry.
01:01:12I'm sorry.
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01:03:00I'm sorry.
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01:03:51I'm sorry.
01:03:52I'm sorry.