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Short filmTranscript
00:00I
00:05Don't say no sin caprice economic event as the most common
00:08It's a simple pasado pero todo el mundo sabe que es por un rato para llevar al altar
00:12Pues a mi hijo no le basta con un rato cuando jana tiene derecho de enamorarse de quien le venga en gana
00:17Si pero que casualidad que de todos los hombres que andan por aquí si hay de enamorad del más conveniente
00:24pero como va a ser una suerte que te encamarás con ese tipo es necesario hablar así
00:28Thanks to Adriano, I had the courage to get out of the hangar, to face life again.
00:33Are those the best explanations you have?
00:35Yes, they are the only ones I have.
00:37Well, they don't work for me.
00:38I can't stop thinking about how my notebook could get into the hands of the Marquise.
00:43Martyrdom won't do you any good.
00:45You gave my notebook to the Marquise.
00:47Because you knew I was writing.
00:49Admit it.
00:51You can think whatever you want.
00:53I swear it wasn't my fault.
00:54It's never your fault.
00:55Let me explain.
00:56I don't want you to explain anything, Marcelo.
00:57I want you to do things the right way,
00:59because if you continue like this, you'll end up getting kicked in the street.
01:02I only asked for information.
01:04But Mrs. Arcos wasn't taking care of me during her hours of work.
01:07That's what she told you.
01:09And that's what I think.
01:10Above what your father tells you, right?
01:12Julia Espadilla?
01:14The same one.
01:15But what is she doing here?
01:17She came looking for explanations.
01:19The same ones that José Juan didn't want to give her.
01:21And that's why she's made up all this farce.
01:23I'm going to continue treating your son like I have until now.
01:26We both know what bothers you so much.
01:30It's that your son values me more than you do.
01:33We've lost several thousand pesetas.
01:35Father, it's always the same with his business.
01:37And what about you?
01:38Do you think you're better than him?
01:41You stole from your parents.
01:43You came into this house with lies, deceiving everyone.
01:46So don't you dare give us any moral lessons.
01:49What about Conde de Ayala?
01:50Well, he asked me to convince you to live with us.
01:53No one can convince me of something like that.
01:55Well, I just hope he takes it well.
01:57You see, my father asked me for a few days to think.
01:59But tomorrow won't happen.
02:01I'm going to marry you, Hanna Expósito.
02:04Say what you say.
02:06And whatever you want.
02:07The heir of the Marquis of Lujan married a maid.
02:10Where did you see that?
02:11I don't know, Alonso. I don't know what we can do.
02:13Yesterday you were honest with me when you told me about your fiancé.
02:18Of course, because friends are supposed to be honest, right?
02:21That's why I think I have to tell you who I really am.
02:24If you love my daughter so much, I guess you want the best for her.
02:28Of course I do.
02:29Well, neither you nor the life you can offer her is the best for Mercedes.
02:34So I ask you, please, to leave her and convince her to come back to my house.
02:46Lope, please.
02:48Put your feet on the ground and think about my daughter.
02:51That's what I'm doing, ma'am.
02:52What are you doing?
02:53Thinking about your daughter.
02:55I think about what I can offer her.
02:57And above all, I think about what she wants.
03:00What she wants?
03:01Yes.
03:02Which is the only thing you don't seem to take into account.
03:05And coincidentally, what she wants is just what you need.
03:09Isn't that right?
03:10Ma'am, I don't know what I need.
03:12I don't know.
03:14And I confess that sometimes I feel like I'm not up to your daughter.
03:17And it makes me very anxious not to be at her level.
03:20Of course.
03:21Because you will never be.
03:25But you have the honor to admit your limitations.
03:30I'm not talking about limitations, I'm talking about doubts.
03:34In any case, above all, there is the love I feel for her.
03:37And that love is the most important thing, ma'am.
03:40As long as she feels that for her daughter, I will fight for her and I will not give up.
03:44Because the most important thing in this life, for me, is to see her happy.
03:49See her happy?
03:51But don't you realize that because of you, my daughter is throwing her whole life on the line?
03:55Ma'am, neither you nor I know that.
03:57Yes, I know.
03:58My daughter has no future with you.
04:00And yet with her family, yes.
04:03Ma'am, life with her family already knows her and has repudiated her.
04:07And no matter how hard it is for her to understand, her daughter has chosen to be here, with me.
04:11Lope, my daughter is playing.
04:14She is playing to be someone of your condition.
04:18But the reality is that Mercedes is very capricious,
04:21and that she is used to being surrounded by luxury and that people do not change.
04:25And when she gets bored of this hobby, she will deny you.
04:30And then she will blame you for not making her come to her senses.
04:33That's not true.
04:34Yes, it is.
04:36So I ask you, please, to make my daughter reconsider and know what is best for her.
04:42Ma'am, all you think is what is best for Mercedes.
04:45But you have no idea what is best for Vera.
04:48And you have no idea how the world works.
04:52With that wonderful love you have, you are not going to eat.
04:56With that love you are not going to buy her a palace, or jewelry, or dresses.
04:59It's just that Vera doesn't need that.
05:01That Vera is Mercedes.
05:03And that Mercedes needs all that and more.
05:05That Vera is no longer Mercedes, ma'am.
05:08What your daughter needs is affection, respect, an honest job and a family.
05:14Please get out of the guindo now, boy.
05:17My daughter will never have a family with you.
05:23If you allow me, I have to go back to my homework.
05:28Sure.
05:29You have to cook potatoes, chop onions, cut carrots ...
05:39Never.
05:41In all your life, you have dreamed of being with a woman who is not even half my daughter.
05:47So enjoy this moment, cook, because it's going to be over.
05:54And I'll tell you one thing.
05:55You're not going to get a penny out of us.
05:59Ma'am, I don't need your money.
06:01No, of course.
06:02You love being poor and sweating all day long.
06:06Well, that's enough.
06:07I hope my daughter realizes very soon that you don't deserve her.
06:13Well, if that ever happens, don't worry because I'll let her go.
06:19But in the meantime, I'm going to stay by her side.
06:22Do you know why?
06:23Because it was her daughter who asked me to.
06:37I love you.
07:07I love you.
07:37I love you.
08:07Run.
08:08Run.
08:09The promise will be a matter of luck.
08:18But who is it?
08:20Is it Julia Valdés Rodríguez, my guest, who came here to bring me the pendant I lost?
08:27No, Martina.
08:28I'm not who you think I am.
08:29My name is not even Julia.
08:31My arrival at the prom was not as casual as you think.
08:35But who are you?
08:37What?
08:39My real name is Matilde.
08:42And why did you lie to me?
08:44Are you going to blow my head off?
08:46I'm so sorry.
08:47I didn't mean to deceive you.
08:49Actually, I was looking for that job from the start.
08:52Francisco de la Mata.
08:55What?
08:57He was with my fiancé in his last moments of life.
09:05My fiancé, Paco, died in front of me.
09:11Next to Curro.
09:14Do you want me to tell you the story?
09:17Of course.
09:18Of course.
09:22And it was not long before the Duchess of Carrí came here.
09:27I don't know, Candela.
09:29These distinguished ladies who have no obligations
09:32can do whatever they want and come whenever they want.
09:35I don't doubt it.
09:36But you will admit that it is not normal,
09:38as it is not normal that she locked herself up with Lope.
09:42At this point, I don't know what is normal and what is not.
09:45Look, here is Lopillo.
09:46Why don't you ask him yourself?
09:48Lope.
09:51Simona told me that the Duchess of Carrí
09:54has already shown up here.
09:56And she sent you a call.
09:57Well, Mrs. Simona told her well.
09:59Ah.
10:00But the lady is unhappy with something.
10:03Because locking yourself up with her in the office alone is weird.
10:08No, don't worry.
10:09She just asked me some suggestions
10:12about a dinner she is going to prepare in her palace.
10:14Another dinner?
10:15This woman has a party one day like this and another too.
10:18Yes, she has to have the cooks there.
10:20They have to be crazy.
10:22Yes, more than working in a coal mine.
10:26That's why the lady has to get rid of the ideas of our Lopillo.
10:30So, in the end, let's be lucky
10:33that the lady doesn't have so many commitments.
10:36She will look like a whore, but at least she doesn't work so much.
10:39Mandela, have I lied to you?
10:41I don't know.
10:42Can I help you, ma'am?
10:44Mr. Pellicer, how fast you have been.
10:47And how timely.
10:48So you can transmit to the service what I have to tell you.
10:52I would be delighted to do so as soon as you tell me what it is about.
10:58I will try to be very clear
11:00so that there are no misunderstandings.
11:04I realize that in this area
11:07there is no gossip that escapes them.
11:11Therefore, I assume that
11:17you will be aware of
11:20the infamous relationship between my son
11:23and one of the maids who works in this house.
11:28As you can imagine, this is ...
11:31This is a matter that ...
11:34that is the most unpleasant thing for me.
11:37But I want to clarify it
11:41so that there are no doubts.
11:46My son
11:49has been subjected to a lot of pressure
11:53for a while.
11:54And this has undoubtedly led him to ...
11:59to a state of confusion.
12:00Look, how can I not say that I am willing to lie?
12:03Anyway, we are not going to ...
12:06We are not going to magnify this matter.
12:10I am sure that Manuel will soon clarify his ideas.
12:15And what is clear
12:17is that this cannot transcend the walls of the palace.
12:20Don't worry, Mrs. Marquesa.
12:22No, I'm not, Mr. Pellicer. I'm not.
12:26There are people here who have given me reasons for the opposite.
12:33I want to warn you
12:36that I will take very harsh retaliation
12:38against everyone who spreads this matter.
12:41Is that clear?
12:44You can take it for granted.
12:45I hope you are all up to the task
12:49and continue to pretend as if nothing had happened.
12:53I have been very magnanimous
12:54allowing that whore to continue working in this house
12:58because my first intention was to put her on the street.
13:02Don't make me regret my generosity.
13:06Don't worry, ma'am.
13:07Everyone will know how to be up to the task.
13:15And do me the favor of cleaning this mess.
13:18Yes, Mrs. Marquesa.
13:19We will leave it as clean as a stain.
13:26I've had a great time with the pataíta.
13:28And I have destroyed Juanete.
13:30But if I don't give you,
13:31you put your foot in this corbejón that I already saw you coming.
13:34It's worth it.
13:35First, he starts to throw all kinds of dirty money
13:38and then he gets into our kitchen,
13:40which has called us coxinas.
13:42The kick is well used.
13:43Or better yet, a moratorium than a dismissal.
13:48Come on, Aurel.
13:49Where?
13:50There, two eyes.
14:06Your hat
14:09and your coat, ma'am.
14:11And you had to bring it to me, precisely you.
14:15I'm a maid as good as any other.
14:22Besides, I guess you didn't think to leave without saying goodbye.
14:26If I have to say goodbye to all the servants,
14:28I will never leave this condemned palace.
14:33I'm glad that I finally see myself as one more maid.
14:37Every day I find it more unpleasant to come here.
14:41And I understand it perfectly.
14:44It wasn't easy for me either
14:45for you and me to say those thick words.
14:50Should I understand this then as an apology?
14:56Well,
14:57that's how I'll take it.
14:59Understand it as you like.
15:01But I don't intend to do anything else.
15:03The situation in which you are now
15:05has been sought out by father and you alone.
15:07Oh, sure.
15:08You had absolutely nothing to do
15:10with the disappearance of the money.
15:12Maybe I didn't have to take it.
15:14But I'm not going to get frustrated.
15:16Father didn't own that money legally.
15:18Yes, yes, yes.
15:19I already know that brothel.
15:21Mother won't get another answer.
15:23Mercedes,
15:25no matter how much you try to provoke me,
15:27I'm not going to get involved in any other discussion with you.
15:30I didn't mean to provoke you,
15:31but you don't know how much I appreciate it.
15:34What I don't understand is why you came here now.
15:37Can't I have in the promise
15:39matters that have nothing to do with you?
15:45I'm very glad I'm not the center of your attention.
15:49Well, then this conversation is over.
15:53And now, if you'll excuse me,
15:54I have more important matters to discuss.
16:02THE PROMISE
16:12And that's why the promise came?
16:15That's right.
16:17I'm very sorry I lied to you,
16:19but I needed to know first-hand
16:21the whole truth about Paco's death.
16:23And also to know the implication
16:25that Curro had with all that.
16:27That's it.
16:28That's it.
16:29I couldn't stand the idea that
16:31the person who supposedly
16:33had been responsible for my death in life
16:35would continue with hers as if it were such a thing.
16:39Julio.
16:42Well, I don't know if I have to keep calling you that.
16:46Yes, of course.
16:48As long as you're in this palace, you'll still be Julio.
16:53It's just that...
16:55I'm very sorry for everything that has had to happen.
16:59I can't even imagine what he must have suffered.
17:04And I still do.
17:06I haven't forgotten.
17:12It's just that I understand.
17:15Saving the distance, of course,
17:17but I've been through something similar.
17:20My father died not long ago.
17:24He told me, yes.
17:26It's very hard to assume that you won't see
17:28someone you love again.
17:33And even so, I don't intend to compare myself to you
17:35because my father was heartbroken
17:37and that was what took him away.
17:39The law of life.
17:42Before time, but...
17:44But yes, the law of life.
17:46But nevertheless, his fiancée
17:49was in the flower of youth.
17:52And he left in a very tragic way.
17:56I confess that it's hard for me to overcome myself.
18:00I admit that...
18:02I was in a lot of pain and...
18:04I thought there was a clear culprit.
18:07Because of what they had told you about Curro.
18:09That's right, but...
18:11Now I know that he is a noble person and that...
18:13He had no responsibility for that atrocity.
18:16Hey, I'm even convinced that the death of his fiancé
18:18had a great effect on him.
18:20And this is not true.
18:22Curro himself confessed to me that...
18:24the death of my fiancé
18:26weighs deeply in my heart.
18:31But then...
18:36The whole issue of the restoration of the painting
18:39was an excuse to extend his stay in La Promesa.
18:51Look.
18:53Let's see this one.
18:54This one looks good.
18:56Are there any others out there?
18:58I...
19:00I heard Curro and you talking about my departure.
19:03And well...
19:05I had to think of something to stay.
19:08But then he made up that he knew how to restore paintings.
19:12Well...
19:13I have some knowledge.
19:15But actually, I didn't touch the painting.
19:18Can I be calm?
19:19It's a very important painting for my family.
19:22I know, and that's why I was especially careful.
19:25I give you my word.
19:29Can I trust you to keep my secret?
19:36Of course.
19:38What are you doing here?
19:40What am I doing here? It's my bedroom.
19:43Well, of course it is, but...
19:45I don't know, I thought you had an appointment with Salvador
19:48to go to the luxury jewelry store.
19:50Yes, that's why I'm dressed like this, like a churro.
19:56Are you okay?
20:00I'm fine.
20:01I'm fine.
20:02I'm fine.
20:03I'm fine.
20:04I'm fine.
20:05I'm fine.
20:07The truth is that I'm not very Catholic.
20:10What happened, Vera?
20:12I don't know.
20:14I haven't woken up since I found out that the Marquis
20:17read my blessed notebook.
20:19Well, that has to end.
20:20Right now you're going to put on a street dress and I'm going to help you.
20:23And you're going to go to your appointment.
20:25I don't have an appointment anymore.
20:28A waiter had to make a reservation near the Palace of the Count of Matesán
20:31and I already took advantage of it.
20:32So I'll let Salvador know.
20:34María, have you canceled it?
20:38At first I thought you were crazy about that meeting.
20:43It is what it is.
20:45And what's wrong with you? You don't die from seeing Salvador anymore?
20:48Of course I die from seeing Salvador.
20:50But for half an hour, which is what you could steal from work,
20:53that's why I don't remove Roma from Santiago.
20:55And I don't want to beg for mercy either.
20:57María.
20:59Don't be like that, Hanna.
21:00If Salvador already warns me that I had to be aware in case the Count claims him
21:04and that I was just going to be able to be a little bit.
21:07Well, it seems to me that any time is good to share a chat, a smile.
21:11Even if it's a short time.
21:14When Salvador said he was going to serve out of promise,
21:17I never imagined that he was going to make me so angry.
21:21Well, the distance is very hard for lovers.
21:25Do what I imagined.
21:27And the distance between the palaces adds to the fact that
21:30that count looks more like a garbanzo than an old man.
21:34Is he very old or what?
21:36More than a cloth merchant.
21:38And he has the bad habit of always taking Salvador.
21:40Don't you miss me with the first lacayo you have?
21:44Well, I'm glad he's doing well.
21:47But...
21:48But...
21:50I don't know if there's room for me in that new life of Salvador.
21:54María, stop talking nonsense.
21:56You're the first thing for Salvador.
21:59It's just that I feel so far away.
22:02Well, you'll see how soon he's going to give you a big hug.
22:05That's never going to end.
22:08Well, don't worry about me.
22:10You have enough with what you have.
22:14Of course, we're both screwed.
22:19How are you with your Manolita?
22:23Fine.
22:25Bad, bad, terrible.
22:27A disaster, María. I don't know.
22:30But you're still in love with him, as always, aren't you?
22:32Of course I am, if you don't know.
22:34That's the important thing.
22:36But it's not so easy when everyone is against it.
22:41Well, not everyone. I'm not against it.
22:44Nor are the rest of your companions.
22:47The Marquises will never allow us to live our lives freely.
22:52Well, it's just one couple of two, and the rest are left over.
22:56And in the end, you'll see how it goes through the ring.
22:58I hope so.
23:01Manol is going to talk to his parents to give them an ultimatum.
23:05I don't know what that will be, but it's a threat.
23:08More or less, yes.
23:10Then be careful, because if there's something the Marquise doesn't like, it's just an ultimatum.
23:21I love you.
23:30Mrs. Arcos?
23:33Am I welcoming you at a bad time?
23:35And when is a good time in this valley of tears?
23:38I had to leave my office to the Duchess of Carril and now I'm late with my homework.
23:45I'm very sorry.
23:47The Marquise wants to be on good terms with that lady,
23:50and we have no choice but to fulfill her wishes with the best of our smiles.
23:56Even if they are fake, it is better not to take the opposite of the Marquise.
24:01And less in these moments that she is going through such a delicate situation.
24:12What do you mean?
24:14What are you going to do?
24:16Erase the matter of your son Manuel with Hanna?
24:20That.
24:23You're thinking of something else, Madame.
24:26Isn't that right?
24:28What do you mean exactly?
24:31Well, I'll tell you because I know you're not going to get out of here.
24:44Things between the Marquises have not been going very well lately, let's say.
24:52Wow.
24:53And it really is the only problem that Mrs. Marquise is facing.
24:59And you know why?
25:02Because she hasn't eaten since the wedding in Berrante.
25:05Berrante?
25:08It seems to me that you had something to do with the fact that this accident did not occur.
25:13And you too, Santos. And if you think about it, you surely know why.
25:20The notebook.
25:22And now Mrs. Marquise is in debt to us because we prevented that union in Berrante.
25:29And have you thought of any kind of gratification in this regard?
25:32No, no, for God's sake. Money is something vulgar and ephemeral.
25:36And it also does not allow you to get the things that really matter.
25:41I don't understand.
25:43Over time, Santos, you will understand the importance that the powerless is in debt to you.
25:49And by the way, speaking of debts, how are you doing with that useless Marcelo?
25:54That scoundrel has no arrangements, Mrs. Marquise.
25:57You see, what I'm telling you is that we paid for a valley of tears.
26:01Well, I try to do my best, why not?
26:04So as not to please me too much.
26:07With Marcelo, for example, I give him wrong instructions and I make him work twice as hard.
26:12He doesn't realize.
26:13That bastard doesn't know where his right hand is.
26:17I like your way of seeing things. I don't know where you got it from, but I like it.
26:22Well, not from my father, of course. Because that man has not had a single minute of his life.
26:27Then it must have been your mother, who, by the way, you talk very little about.
26:35Because I barely knew her.
26:37She died when I was very young.
26:40A tuberculosis.
26:42She took it.
26:45When my father became a widow, he took his bartolos and we left Masegoso.
26:51To Tuberos, here in Cordoba.
26:53I don't know Masegoso.
26:55It's a Manchego town.
26:59But I barely have any memories of it.
27:02Like my mother.
27:05I'm sorry.
27:09It's curious.
27:12How sometimes we can miss something that we barely have a memory of.
27:20Or that we don't get to know.
27:21Or that we don't get to know.
27:23It happens to me at least.
27:26Poor boy.
27:30There is no consolation for something like this.
27:34Very good.
27:38Believe me if I tell you that I am very sorry, sir.
27:42You were the few who knew about my relationship with Hanna.
27:46I have always known that I could trust you, Romulo.
27:51So I would like to ask you a favor.
27:53Of course, whatever is in my hand.
27:56Look, Mr. Baeza, I try to keep an eye on Hanna.
27:59But the reality is that the fact that she continues to work as a maid complicates everything quite a bit and ...
28:05I'm afraid of my mother's repressions.
28:07Don't worry, I'll keep an eye on her.
28:11Actually, I just need you to let me know if I see something strange.
28:13Or if you notice that, I don't know, Petra or my own mother or anyone else is against her.
28:18No, I won't take my eyes off her.
28:20But I also have to tell you that I'm worried about you.
28:27You don't have to worry about me, Mr. Baeza.
28:29I'm fine.
28:31In fact, I have set out to get something positive out of this whole matter.
28:34Now that everything has come to light, I no longer have to hide my love for Hanna.
28:38It is a relief, of course.
28:40It is.
28:42We have been keeping our relationship a secret for too long, you know.
28:45Sometimes secrets can become a very heavy burden.
28:50Yes.
28:52But my love for her is still intact.
28:54Even stronger.
28:56You know, I know I'm going to marry her.
28:59Although I still don't know when or how.
29:01If you allow me, I would like to give you some advice.
29:06Don't be in a hurry.
29:08The moods are very heated around here.
29:10I know, but that's precisely why I think I have to remain firm with my decisions.
29:15Mr. Baeza, when you said that secrets are as heavy as sleds,
29:21you were referring to Mrs. Pia, weren't you?
29:24That's right, sir.
29:26I think Mrs. Adar is suffering too much.
29:28Yes.
29:30But there is less left.
29:33You know, I think we have never been so close to being able to reveal to everyone that she is alive.
29:37And I don't think there is much left for them to locate the person responsible for Gregorio Castillo's death.
29:43God forbid.
29:45On the other hand, you have already told me that you told the sergeant that Mrs. Pia was still alive.
29:50No, I had no choice. The sergeant himself spoke to her.
29:53And since then we have not had news of him.
29:56Something tells me that he has directed his investigation in another direction.
30:00It could be.
30:02Yes. You know, I'm still thinking about a settlement.
30:04If you don't mind.
30:08If I hadn't been so clumsy as to use an envelope with the promissory note ...
30:12But it doesn't make sense for you to worry about that, sir.
30:15It was a clumsiness, Rómulo.
30:17I don't know, I guess I had my head somewhere else.
30:19Yes, at your wedding. You had your head.
30:21Where? Yes, no.
30:23So, calm down.
30:25The most curious thing about all this is that I'm not married yet.
30:28But you have done everything possible.
30:30Maybe now is the time to stop and think about the next step.
30:34Yes.
30:39You are a little more drunk.
30:42What?
30:44Come on.
30:46Come on, we have already promised the Marquise that we are going to give him the kitchen with a patina.
30:50I don't have the strength.
30:52One, two and three.
30:55You can't.
30:57And if López warns you with his help?
31:00No, leave it to him.
31:01When you move this mattress, you don't need the help of a boy or more than two.
31:06Unless it's Antonio and Policarpo.
31:10The two others who were guarding the door of the poor lady's room, I caught them by surprise.
31:15What's with this work, Carly?
31:18Good morning.
31:20I see you all very suffocated.
31:22What are you doing in the round?
31:24I was going to look for Santos to tell me what I have to do today.
31:26But hey, I went down to say hello.
31:28Say hello, huh?
31:29Okay.
31:31Well, here you can't eat anything until lunchtime.
31:34Wow.
31:35I already knew you were coming to say hello.
31:38Since ...
31:40Well, why are you so upset?
31:43They wouldn't be trying to move this table.
31:45It's going to go fast, boy.
31:47And for what?
31:49Well, to clean the bottom well, because the Marquise has caught our attention and we don't want him to do it again.
31:55But nothing is impossible.
31:56This table is like a bull in a cane.
31:59Sometimes it's better to be clever than to be strong.
32:01They won't have a pill of soap around there.
32:03Another one who is calling him Gorrina.
32:05That's not why, Mrs. Candela.
32:07Come on, leave it to me.
32:09I'm going to show you a trick.
32:11Here you have the soap.
32:13Let's see what that trick is like.
32:15Look, first we wet the soap.
32:17Then we put a little on the floor.
32:24And next to the legs.
32:26Here they are.
32:33And ... ta-dang!
32:35And what are those magic words for?
32:37For the table to move?
32:39No, for it to move you have to push it.
32:41But now it will be much easier.
32:43Come on!
32:45Try it.
32:52It works.
32:53Well, you could have helped a bit too, you couldn't have just stood there staring.
32:57It's the law, and admitting you're a boy, you were right.
33:00Thank you very much, Marcelo.
33:02Yes, this time you've won.
33:04I always win, Vera. Especially in front of well-placed ladies.
33:08Watch your tongue, Marcelo.
33:11We're not married men, you have to measure the requirements.
33:15And what am I going to do if I'm surrounded by beautiful flowers like you?
33:18Well, go to your mother's.
33:20What a mess you've made.
33:22Never again.
33:24Bye.
33:29Pelayo, can I talk to you for a moment, please?
33:34I need to explain.
33:36I don't want to know any more details, thank you. It's all very clear.
33:39You and I weren't together, so you fell in love with someone else.
33:43There's no treason or deception.
33:46I felt tremendously alone and hurt.
33:49And does that justify what you did?
33:51No, it doesn't. But I want you to understand the circumstances.
33:55I was in a moment of despair, I felt suffocated.
33:58Okay, I understand.
34:00Is there anything else you want to tell me?
34:02Yes.
34:04I'm sorry.
34:06I'm very sorry.
34:08More than you can imagine.
34:10I made an unforgivable mistake.
34:12Of course you did.
34:14But that's it.
34:16You're forgiven.
34:19I don't think there's sincerity in your forgiveness if you're still so angry with me.
34:24Children get angry when they are told no.
34:27What I am is broken.
34:30Disappointed with you.
34:32And I think you're being too indulgent with yourself.
34:35I know I was wrong, Pelayo.
34:37But I couldn't do anything but move on.
34:40Move on?
34:41Yes, move on.
34:43And I would like it to be with you.
34:46Although I am aware of how difficult things are now.
34:49Yes, they were already difficult before.
34:51I can't speak for you.
34:53But as far as I'm concerned, I know I love you.
34:56And I thought you felt the same.
34:58What difference does that make now, Catalina? Your pregnancy changes everything.
35:01I know, Pelayo, but as much as I want, I can't go back.
35:05That's more than obvious.
35:07And that's why I would like to take advantage of the circumstances to ...
35:11Instead of separating forever, to unite for good.
35:19It seems incredible to me.
35:22But it's incredible that you have the shame to even ask me something like that.
35:26Do you realize what you're asking me?
35:29I am quite aware of it, yes.
35:32But I understand perfectly well that you don't want something like that for your life.
35:36But if I'm asking you, it's because I think it's worth fighting for what we have.
35:42I love this boy.
35:44And I'm going to have him above everything.
35:47But I don't want to lose you.
36:05I love you.
36:18The main bedroom will be ready for our wedding night.
36:22Yes? With all the decoration I asked for?
36:24Of course.
36:25Including the blue velvet curtains with the golden embroidery?
36:29And the Persian carpets.
36:31I have been told that they are on their way.
36:33At stake with the wooden bed of Évano Gondosel.
36:36Big size, I understand.
36:38The bed for a queen.
36:40Don't you want to try it?
36:42Yes, I'm sure it will be very comfortable and we will sleep very well there.
36:48Everything will be perfect.
36:52By the way, we haven't talked about the decoration of Martina's room yet.
36:58Ignacio.
37:00You talked to her, right?
37:02Yes.
37:05Tell me, what did she tell you?
37:09Well, she denied it, Ignacio.
37:13Wow.
37:15I didn't expect it.
37:16I don't want you to take this as a personal affront because she really has nothing to do with you.
37:20Are you sure?
37:21She just wants to keep her promise, that's all.
37:25I guess it's a firm decision and I have nothing to say.
37:29Well, I know you were very excited that the three of us would live like a family together, but ...
37:35I also understand that Martina is an adult person and makes her own decisions.
37:40That's right.
37:42Although that doesn't mean she's very sorry.
37:44Especially for you.
37:46I was convinced that her presence would do you good.
37:49But if it is so, it is so.
37:52Well, I really appreciate your understanding.
37:56You're welcome.
38:02Now, if you want, we could talk about the decoration of the living room.
38:05Sure, yes.
38:08Well, I was stunned when they told me that the Marquess came down to the kitchen in person.
38:13But what exactly did she say?
38:15Well, nonsense, according to Candela and Simona.
38:18Don Manuel was focused, without laughing and without knowing what to do.
38:23The point is that the Marquess has the hope that she will clarify her ideas.
38:28What do you think?
38:29What do I think?
38:31Well, I think this woman doesn't know anything.
38:33Or at least she doesn't want to know.
38:35I don't know how hard it is for her to understand that her son and I have fallen in love.
38:42Hanna Espósito, I need to talk to you.
38:45Of course.
38:48Look, I'm in a very uncomfortable position.
38:50I have to do the squares for tomorrow.
38:53And ...
38:54As you wish.
38:56Well, given your relationship with Don Manuel, I really don't know if I should give you orders.
39:00Or rather, the opposite.
39:02Excuse me?
39:03Well, I understand that you have the power to do whatever you want, so ...
39:08I guess I'll have to assign you lighter tasks.
39:12Because the last thing I would like is for you to complain about me to your boyfriend.
39:16Enough insensitivity, Mrs. Arcos.
39:18Mr. Baeza, as a keymaker, it is my obligation to organize the shifts properly.
39:23But will you be aware of the specific indications that the Marquess gave this morning?
39:27Of course.
39:28Then you will know that your wish is for there to be absolute normality and discretion.
39:34That everything returns to how it was before.
39:37Nobody wants a scandal, Mr. Baeza.
39:40But there are considerations to take into account.
39:42Like what, Mrs. Arcos?
39:44Like, for example, whether Hannah should or should not serve the gentlemen's dinner.
39:49Of course she can.
39:51She may find herself in a very uncomfortable situation, not knowing whether to sit at the table or serve it.
39:58But it will be ...
39:59Don't worry, Miss Fernández.
40:01Mrs. Arcos, stop messing around.
40:03I think the last thing you care about is the dials.
40:07And all he wants is to make firewood from the fallen tree.
40:10Well, in this case, Mr. Baeza, as you can see, the tree is very lush.
40:15In fact, it casts a shadow on all the others.
40:17Mrs. Arcos.
40:18Mr. Baeza.
40:19Should Hannah serve or not serve dinner?
40:24In this case, there are enough lackeys to serve dinner.
40:28The maids are not needed.
40:29So Miss Expósito can dedicate her time to other tasks.
40:33Well, that was precisely what I wanted to achieve.
40:37Well, let's have the party in peace.
40:39Miss Expósito, come with me to my office.
40:42I need your immediate collaboration.
40:51Oh, María Fernández.
40:53Look how things are.
40:55Some get rid of their homework and others ...
40:58They don't even have time to write.
41:01It's a shame that the world of literature has lost such a promising figure.
41:09It's a shame that the world of literature has lost such a promising figure.
41:28Excuse me, gentlemen.
41:30Is everything to your liking?
41:32Yes, yes, don't worry, Mr. Ricardo.
41:36Excuse me, but I have noticed that you have not been present at the dining room
41:39and that you have remained here locked up during the meal.
41:43I don't want to be intrusive, sir.
41:45I'm fine, I just want to be calm.
41:47If it's not too much to ask.
41:49Excuse me if I have disturbed you, sir.
41:52Wait, wait, Mr. Pellicer.
41:56I'm very sorry.
41:57You are not to blame for anything.
42:00I have paid with you again in my bad mood.
42:02It doesn't matter, sir.
42:04It's just that ...
42:06I would like to find a way to help you.
42:09I see that you are in a bad mood.
42:11Have you received any bad news?
42:15The worst of all.
42:17If you want to share it ...
42:20Do you want to share it?
42:22If you allow me the advice, experience has shown me that verbalizing worries
42:27is the best way to take away part of your seriousness.
42:31I'm afraid that in this case, that won't work at all.
42:35I'm sorry to have bothered you, sir.
42:37It won't lose its seriousness, but ...
42:41maybe it will relieve me a little.
42:43I'm listening, sir.
42:50It's about Miss Catalina.
42:54She is pregnant.
42:56As you say, sir.
42:59And the worst thing is that I am not the father of the child.
43:05I'm very sorry, sir.
43:08And of course, I assure you that this information will not get out of here.
43:13You are right, Ricardo.
43:20She herself has confessed it to me, can you believe it?
43:24I guess it was a very hard blow for you, sir.
43:28I admit that in the past I was not honest with her.
43:32I behaved badly, very badly.
43:34But I didn't expect this.
43:37Yeah.
43:39We were going to give ourselves another chance, you know?
43:42We love each other.
43:46But now it's impossible.
43:48Nothing is impossible, sir.
43:51That's what she did.
43:56Do you know what she asked me?
43:58To assume the paternity of that creature.
44:03What would you do in my place?
44:05Me? No, no, no. That's not important, sir.
44:08I need to know your opinion.
44:12I don't know.
44:16You have said that you love each other very much.
44:20One does not stop loving someone overnight.
44:24Well, sir, I think that Miss Catalina is offering you a solution to be able to continue with you.
44:31Without going into other considerations.
44:35Yeah, but I don't know if I'm going to be able to assume something like that.
44:41I don't know, I'm not able to think clearly.
44:43Maybe what she has told you is capable.
44:47I don't know.
44:50In any case, I am grateful that you have listened to me.
44:53If it has helped you to tell me something, I am glad to hear it.
44:57And sir, if you allow me one last advice.
45:00Do what you do.
45:02First, take a bath, calm down.
45:05And think very well about what your next step will be.
45:21I like this one.
45:23The 5.
45:26The 5 ...
45:28Folding fan made of a fully wooden carved handle.
45:34Which one do you like best?
45:36Well, without a doubt, the 7.
45:41Well, yes.
45:43The 7.
45:45Well, without a doubt, the 7.
45:50Well, yes. It's a very good choice too.
45:52Ready.
45:54Well, pay these two to the traveler and take the rest from here.
46:04Well, I don't know if we should have stayed as savants.
46:08No, there will be more.
46:11Since all the travelers in the area are looking forward to the promise.
46:15Well, the next ones will run on my account.
46:17Anyway, thank you for taking care of mine.
46:20The truth is that I have not asked you just to accompany me to give you a fan.
46:25No, right?
46:28Martina has asked us permission to stay on the promise.
46:31After your wedding with Ignacio.
46:33I know, I know.
46:34And I also know that you and Alonso have accepted.
46:38Well, Martina is an adult woman and both for Alonso and for me it is a pleasure to have her here.
46:45I really just wanted to inform you.
46:48Yeah. Well, I was aware of his intentions.
46:52And although I would prefer him to live with me, I also understand that he is an adult, as you say, and we will respect his criteria.
46:59We will respect.
47:01Ignacio and I.
47:04Is he also aware?
47:06I myself have informed him before.
47:09Besides, he has taken it very well, thank God.
47:12What other option could he have?
47:14Well, it could have been a confrontation for him, Martina's negative.
47:17Or having opened another front, I don't know.
47:20Because besides, he was very excited that the three of us were like a family.
47:26What's with that smile?
47:28Come on Margarita, don't be naïve.
47:30What Ignacio has done is called fulfilling and not spending.
47:33What do you mean by that?
47:35Well, it gives me the feeling that he is delighted to get rid of a girl who has already done enough displays of contempt in the past
47:43and from whom he has wanted to get rid of several times before.
47:46What interest could he have in the three of you living together?
47:50Come on, he's getting everything out of his mouth.
47:53What happens is that you don't even know.
47:55I don't know.
48:03Can I talk to you?
48:05No, I'm very busy.
48:07I need to explain to you.
48:09And I assure you that this time it will be the last, the reason why Santos scolded me.
48:12I just don't want to hear your explanations.
48:14I'm almost done here, we'll talk another time.
48:16For God's sake Teresa, I've been trying to talk to you for days.
48:19I just don't want to hear your childish excuses anymore.
48:22It's more mature to be playing cat and mouse with me.
48:26Okay, tell me.
48:28Let's see, Santos got me in a hurry to finish the clothes.
48:32And he also told me to change the buttons on a shirt.
48:35That's rare, he takes care of it on the street.
48:37I know, but I only do what they tell me.
48:39And?
48:41Well, in a hurry, I sewed the buttons inside.
48:45I shouldn't have changed the buttonhole.
48:48You are blaming a partner of your own negligence.
48:52No, I didn't say that.
48:55Mrs. Arcos, this is a private conversation.
48:57Stop being one when you involve others.
49:01And I have to watch out, because I rule the good atmosphere among all the members of this house.
49:06Sure, and you know how to do that perfectly.
49:11I know you were talking about Santos.
49:13And I'm completely convinced that he explained your tasks well.
49:17There is nothing to justify what is wrong with the buttons.
49:20Anyone can make a mistake.
49:22Yes, but not one after the other.
49:25You don't pay attention to things, and you are useless.
49:30You interrupted a conversation with the captain.
49:32You spoiled a horse ride for Mr. Curro.
49:35And you ruined some buttons.
49:38I already apologized for all that.
49:40You are a lousy lackey.
49:42And the truth is, I don't know how long you'll be around here.
49:45But I assure you that for someone like you, there is no place for promise.
50:16But what are you doing here?
50:20You and I have a conversation pending.
50:22Us?
50:24You and I have nothing to talk about.
50:26Except for the temperature of the water that I like for the bathroom.
50:29Well, you're wrong. I have a lot to say.
50:32Would you have seen such disdain?
50:36Is this how you thank me for the generosity I have had with you, not to kick you out of here forever?
50:40Look, forgive my insistence, but I think it is important that we talk.
50:44I don't know why.
50:46Well, because since all this came to light, I have kept quiet out of respect, but ...
50:51I think the time has come for me to tell you my reasons.
50:56I can see that you are not going to stop talking, are you?
51:00Come on, talk.
51:03I want you to understand that Manuel and I never intended for this to happen.
51:09In fact, what happened between us was due to our sorrow.
51:14When we realized what we felt, we tried to avoid it, but it was impossible.
51:19And it was impossible because our love is sincere and pure.
51:24Pure?
51:25Please, my ears bleed from hearing you say those lies.
51:30You don't love my son, but rather his rooms and his last name.
51:35That's not true.
51:36But who are you trying to fool, shameless?
51:39Since you set foot in this palace, I've had my eye on you.
51:42Why did you get involved in working here?
51:45I fired you.
51:47And yet you ... you managed to convince the Marquis with your bad arts.
51:52I saved Manuel's life.
51:54Do you think I'm also to blame for that accident?
51:57Everything could be.
51:59Who says lies now?
52:01We offered you money to leave, but you didn't want it.
52:05You wanted more. You wanted everything.
52:07You wanted to hunt down the heir, right?
52:10And you didn't hesitate to destroy a marriage to get it.
52:13You know perfectly well that Manuel never loved Ximena.
52:15Because you got in the way.
52:17You destroyed that poor girl's life.
52:19And you're willing to destroy my son's too.
52:21Enough!
52:22I'm not going to let you talk to me like that.
52:25And you know what I'm telling you?
52:26You were right.
52:28I have nothing to talk to you about.
52:30Well, now I'm the one who wants to continue.
52:32Very well.
52:34Don't you dare leave me with a word in my mouth.
52:37Come here, I tell you!
52:40Go.
52:45How are you listening to this?
52:47The lady up there reading the fans,
52:49and the traveler down here,
52:50getting drunk on ham and wine.
52:53And what about the capital?
52:55The poor man was only talking about his daughter.
52:57It turns out that he sent the girl's photos
53:02to a beauty pageant organized by a magazine.
53:05The girl is pretty.
53:06She is.
53:07The girl is uglier than me.
53:09And then?
53:10Then he gave me a lot of flyers
53:14to distribute among the members of the service
53:18so that they vote for the girl.
53:25The Virgin Juana.
53:26Yes, the girl is ugly.
53:29And what is this that she puts up here?
53:31I see it.
53:33For the contest,
53:34you have to put a title to the photo
53:38and look what he has put up.
53:43The girl in his eyes.
53:46I want you out of sight.
53:47Poor thing.
53:49Teresa, can we help you with something?
53:53Are you happy, lesbian?
53:54Let's see if I get a little disgusted.
53:57But what do you think, muchacha?
54:00Well, Mrs. Arcos has put Marcelo to fall from a donkey.
54:03And what nonsense has Marimán Drahos said now?
54:05None, Mrs. Simona.
54:06Mrs. Simona, and that's what hurts me.
54:08That he has only told her truths like fists.
54:10Maybe your husband is not the best lackey in the world,
54:13but I didn't have a bad time for them either.
54:16I would have liked to defend him, but I couldn't.
54:18It's just that Marcelo keeps making mistakes.
54:20Yes, he makes them, but ...
54:22But deep down he's a good boy.
54:24And if Marimán Drahos doesn't see it,
54:26it's because she only has eyes for the saint.
54:28May God raise them and they like each other.
54:31Yes, lately they look very close together.
54:33Yes, especially since Santos got sick
54:36and she was taking care of him all the time.
54:38Nail and flesh.
54:39More than nail and flesh, they behave like mother and son.
54:42What do you mean?
54:44That after Feliciano's death, may he rest in peace,
54:47Mrs. Petra has welcomed Santos under her wing.
54:51And the saint is delighted with the deal.
54:57I'm sorry to bother you, ladies.
55:00Mr. Baeza wants to meet with all the servants in the dining room.
55:19Good afternoon.
55:20Good afternoon.
55:21Good afternoon.
55:26I guess you can easily imagine what I want to talk to you about.
55:29About the only thing that is discussed in the promise.
55:33That's right.
55:37You see, since everyone is gossiping around the corners,
55:40I would like to sit down with you to be able to address this whole matter face to face.
55:45This matter is very boring to me, Manuel.
55:48Mother, that's not an attitude to be able to speak and reach a conclusion.
55:51I don't know what conclusion you intend to reach.
55:54To begin with, I want you to accept Hanna.
56:00Get to know her and discover what a wonderful woman she is.
56:04Wonderful woman?
56:06She's a maid, for God's sake.
56:08If you gave her a chance, they would learn to appreciate her.
56:10That's not going to happen in a million years, Manuel.
56:12You're not even going to listen to my reasons?
56:14Well, that's exactly what she told me when she broke into my bedroom.
56:19What did she do?
56:20She only said nonsense.
56:23But what nonsense do you think you came out of?
56:25Reality has nothing to do with what you pretend.
56:29In that case, I regret to tell you that we are all going to suffer.
56:34Because I am very clear that Hanna is the woman with whom I want to share the rest of my life.
56:39And I'm not going to give her up for anything.
56:42Look, Manuel.
56:45We can understand that you have fallen in love with the wrong woman.
56:50But you can't forget what your position is.
56:54My position?
56:55As the heir to the Marquis of Lujan, you have a social responsibility and a last name to honor.
57:00And that prevents me from sharing my life with whom I choose?
57:02You like it or not, there are things that are above you.
57:04You should already know.
57:05I know perfectly well, Father.
57:08Wow, I do know.
57:10In fact, it was that desire to fulfill my obligations that made me make the biggest mistake of my life.
57:16I married Jimena de los Infantes.
57:18Again with that.
57:20I have learned.
57:22And I have discovered that I have the right to be happy.
57:24No one opposes that.
57:25Then stop worrying about the blessed Marquis.
57:29I will not disappoint you.
57:31I will be the future Marquis of Lujan.
57:32That is a good starting point.
57:35But I will be the Marquis of Lujan married to Hanna.
57:38Or if not, I will not be.
57:49There is nothing of the sort in my relationship with Manuel, Mr. Pellicer.
57:53This is a real love.
57:55Yours has no name.
57:57You are the most defaced woman and with the least shame I have ever seen in my life.
58:00She did not look like our father.
58:02What do you mean by that?
58:03That she was out of her mind.
58:05It was my mother who had to ...
58:07look at the gaitas. With that I tell you everything.
58:09Really, I didn't realize.
58:10It's just that you never realize anything.
58:12My God, how are these two?
58:14And so clumsy, huh?
58:15It's so weird.
58:16Why would they get along so badly?
58:18If they are in what people say is the best stage of a couple.
58:21But how can she be so obtuse?
58:23It's something obvious.
58:24You think?
58:25Anyone with two fingers in front knows that ...
58:27what attracted Ignacio to Margarita is not precisely his distinction.
58:31Don't say nonsense, Cruz.
58:33Ignacio has his own fortune, he is not small.
58:35Therefore, I am the one who wins with that marriage.
58:37And not him.
58:38I see that you have also made your calculation.
58:40That she is in love does not mean that she is a silly fool.
58:43I see.
58:44I see.
58:45You are already one more from here.
58:47In fact, I think there is enough confidence to start tutoring us.
58:52Don't you think?
58:53You're right.
58:54My relationship with her is ...
58:57special.
58:58In fact, you have no idea how much.
59:01If I say it between the two, it doesn't seem to me that they get along badly.
59:05It's true.
59:06Although his father doesn't think the same as me.
59:09And what happened to Santos' mother?
59:11Furio.
59:12He was an appendicitis when he was very young.
59:15Poor thing.
59:16I don't even know who he is.
59:17I only know his name is Adriano.
59:19And what else do you want to know?
59:21I don't know his last name, what title he holds, maybe I know his family.
59:23No, you don't know her.
59:25Why are you so sure?
59:27He is a peasant.
59:30What?
59:32Manuel, he is the Marquis of Lujan.
59:34And as he would say, nobility forces.
59:37If he hasn't already told you.
59:38Yes, but precisely for that.
59:39For his personal circumstances.
59:41He should understand me better than anyone.
59:43No.
59:45You're not thinking of bringing up his past, are you?