Category
🎥
Short filmTranscript
00:00You
00:05So we have a comment out of the stuff that Ben Sandin devolve a supposed to
00:09Okay, so they put the man no no no al contrario
00:12They took area most rather me a boy. Oh, yeah, but I said let me I do that. She for a necessity
00:18Damien renunciate a formal party the negotiations or the house dead master and you know
00:22Salvador demand on telegram I know man has come to us because I'm a mucho conta
00:26Ha llegado bien punto y y ya está
00:31Bueno, María, sabes que los telegramas son muy caros
00:34Si pero que le costaba ponerme un te quiero mucho o un techo de menos pues mira exactamente el doble
00:39Mi padre está valorando ponerme al frente del negocio de mermeladas pero cuando dice
00:45Recuperar el mando se refiere a usted sola
00:49Bueno mi plan también es que pela yo sea restituido
00:52La comprendo perfectamente
00:55Ella quiere lo mejor para ti y yo te echo daño en el pasado
00:59Pero yo quiero que te vuelva a ver con buenos ojos
01:02Está bien hablaré con ella y me volveré a ganar su aprecio eso fue lo que hizo en la guerra combates aéreos
01:10No terminamos en infantería seguro que tienen un montón de historias interesantísimas que contar
01:18Y
01:20Perdón
01:22Acabo de caer en que es algo que no desea recordar
01:25Disculpe en mi falta de tacto usted no tiene ningún derecho a meterse en mi matrimonio
01:30Es que tu matrimonio tendría que haber sido conmigo
01:34Es que se ha olvidado ya de él le juro por dios
01:38Que no he dejado de pensar en feliciano ni un solo día es imposible que amarás a mi hijo y volvieras al poco tiempo
01:44colgada del brazo de un cualquiera
01:46Doña Petra
01:48tiene un poquillo de razón maría
01:51es lo que todos pensamos
01:53que nos quedamos picuetos cuando apareciste en la promesa con ese hombre del brazo
01:58no lo busqué maría simplemente sucedió así si ese pesimismo
02:03está claro que para ti es algo nuevo esto de casarse pero seguro que margarita sabe a qué me refiero
02:08o acaso no tuviste ninguna crisis con fernando por supuesto que las tuve pero la solucionamos siempre
02:15Ya hasta que llega un día en que no se solucionan más
02:19Es mi madre ha vuelto pero ya que ha vuelto esta vez no lo sé la atendió don rómulo y al parecer ha merendado con
02:26la señora marquesa
02:27y si le he dicho algo sobre ti no mi madre no me ha delatado como estás tan segura
02:33porque si la señora cruz supiera quién soy no estaría aquí y no habría tardado en echarme la promesa no crees
02:38esto hay que repetirlo
02:40espero que esta vez pongas un poquito más de interés no ha sido por desinterés lo prometo
02:43pero me lo pones si a mí no me extraña que se haya casado
02:46a mí lo que me extraña es que se haya casado con ese hombre o no les parece raro que nadie les haya visto darse un
02:52beso hacerse una romaca
02:53ese matrimonio es más raro que un perro verde yo no sé si son discreto de más
02:58o se vienen de menos
03:00entiendo que santo este de respeto porque es muy estricto pero a mí siempre puedes preguntarme
03:07ya lo sé teresa
03:08tranquilizarse que no puedo tranquilizarme marcelo
03:11Un error más como esto si el trabajo te va a durar menos que un suspiro está preciosa amiga mía
03:20Aunque no es lo que más me importa ahora mismo bueno eso lo dice porque tiene un vestido con un primo
03:26yo solamente espero que no cambie nada cuando le cuente todo esto
03:30claro que no
03:31y ya verás cómo te va a quitar un peso de encima
03:35un peso que se lo voy a poner a ver
03:37me estás dando muchos rodeos
03:41Cuéntame lo que sea no me voy a asustar
03:44no estaría tan seguro
03:47vale ahora sí me estás preocupando
03:50Qué ocurre Hanna yo no me llamo Hanna Manuel
03:58Ha llegado el momento de que sepas la verdad sobre mí
04:07Como te he dicho mi nombre no es Hanna
04:11En realidad me llamo Mariana
04:14Mariana
04:17Manuel yo yo no llegué a la promesa por casualidad
04:25Tú te acuerdas de
04:28Te acuerdas de dolores
04:31La doncella personal de doña Carmen la primera esposa de mi padre
04:35Esa es la misma
04:38Qué tiene que ver ella en todo esto
04:41Acabo de despeñar a con sus hijos por un barranco sé que se fue lo que dijeron pero eso no es verdad
04:47no es del todo verdad
04:51Ella así que murió pero no fue en un barranco y no fue un accidente tampoco
05:02Sus hijos y que sobrevivieron
05:06A
05:08Donde quieres ir a parar
05:13Dolores era mi madre
05:26El día en que murió mi madre nos sacó de la casa muy asustada nos llevó corriendo por el bosque
05:32Al poco vimos unos perros y vimos a unos hombres a caballo que nos perseguían
05:36querían matarnos Manuel por eso corrimos aún más con todas nuestras fuerzas
05:42Nos iban a alcanzar
05:45Así que mi madre
05:47Puso a mi hermano que era solamente un bebé en mis brazos y me dijo que huyera
05:52y ella se quedó allí
05:54intentando retrasar aquellos hombres
05:57Agárralo fuerte ¿vale? Muy fuerte
05:59¿Lo has entendido?
06:01Sí
06:05Corre
06:07¡Corre!
06:14La...
06:18La madera
06:22Sí
06:26Yo pude ver cómo le disparaban y cómo la mataban sin piedad
06:36Mi hermano lloró y nos descubrieron así que huí con él en brazos hasta que llegué a un parranco
06:46Yo no tenía otra escapatoria que saltar
06:49Un hombre se bajó del caballo y se acercó hacia mí
06:54Y me exigió que lo entregara a mi hermano
06:58Yo no quería saltar con él porque yo no quería que se hiciera daño así que
07:03Lo dejé en el suelo
07:10Y antes de que el hombre pudiera reaccionar
07:12Corrí hasta el borde del barranco y salté a las engravecidas aguas del río
07:18Yo pensaba que a mí me iban a matar
07:20Igual que habían hecho con mi madre
07:23Pero pensé que no iban a ser capaces de asesinar a un bebé
07:31Eso es terrible
07:33Sí, Manuel
07:37Pero lo que es más horrible aún
07:40Es que la persona que mató a mi madre
07:43Pertenece a este palacio
07:46El hombre que se me acercó iba embofado
07:51Pero llevaba un anillo con las iniciales de la promesa
07:58El mismo anillo que tu abuelo, el varón de Linaja, te dejó en herencia
08:09El anillo de mi abuelo
08:16Manuel, ¿qué haces aquí?
08:18¿Te estamos esperando para cenar?
08:20Sí, padre, verá, yo ya iba para...
08:22Sí, ya te veo, ni siquiera te has vestido
08:24Vamos, que tu madre se va a poner hecha una furia
08:27Sí
08:28Señor, mañana cuando vuelva al hangar estará todo tan limpio como desea
08:32Gracias, Hanna
08:36¿Estás bien?
08:39Sí
08:41Sí, padre, discúlpeme, es que...
08:44Sí, padre, discúlpeme, estoy...
08:48Estoy dándole vueltas al diseño de mi último aeroplano
08:51Pongo un poco los pies en la tierra, Manuel
08:54Vamos
08:55Sí
08:59¿Vamos?
09:01Sí
09:14No sé si puedo contarte
09:18Las cosas que han pasado desde que te vi
09:22Las luces que han bailado por nuestro jardín
09:26Los rumores nuevos entre el corazón y las murallas
09:32En la promesa
09:34Habrá partículas de amor en movimiento
09:38Habrá secretos que nunca saldrán ahí fuera
09:42Será tan bello como el vuelo de un avión
09:49En la promesa
09:51Las despedidas son girones por el suelo
09:55Hasta las flores bailarán de su manera
09:59Equilibrista cerca el miedo y la pasión
10:05Somos como un salto a la D3
10:10Somos el amor cuando se vive a vida o muerte
10:14Un camino largo a recorrer
10:18En la promesa ya serás cuestión de suerte
10:22Somos como un salto a la D3
10:26Somos el amor cuando se vive a vida o muerte
10:30Un camino largo a recorrer
10:35En la promesa ya serás cuestión de suerte
10:49¿Tenía la puerta atrancada con un mueble?
10:51Sí, por si a Gregorio se le ocurría aparecer por aquí
10:55Ah, bueno, por eso primero tendría que encontrarla
10:58Sí, bueno, nadie me asegura que no lo pueda hacer
11:01Ya, ya veo que no se encuentra muy segura aquí
11:04Pues no, mientras Gregorio esté libre no me siento segura en ningún sitio
11:08Me gustaría traerle entereza y valor, pero lo único que puedo traerle es algo de leche y un poco de comida
11:13Muchas gracias
11:14Siéntese, por favor
11:16Y mire, le voy a poner unas lentejas peseras
11:19Gracias, no, pero que ya vendo cenado
11:22Te va a decir que no, unas lentejas con chorizo de venado
11:25Cualquiera quien dice que no a un plato así, ¿verdad?
11:28Aunque luego pasaremos la noche
11:30Mira, mis noches son todas malas, cené lo que cené
11:36Bueno, cuénteme, ¿qué tal por palacio? ¿Novedades?
11:39No, no, no, no, no hay ninguna novedad
11:42Se refiere al asunto de Hanna y de Manuel
11:46Sí
11:47¿Ha hablado ya con ellos?
11:49Sí, ya les he dicho que de mis labios no ha salido nada sobre su relación
11:53Pues habrán quedado tranquilos, porque de airearse la noticia se habría armado la de Dios es Cristo
11:58El apocalipsis se habría armado, sí
12:00Y le confieso que estoy a punto de contárselo al señor Marqués
12:03Pero bueno, después de hablar con usted se disiparon mis dudas
12:06Pues me alegro de que haya tenido los arrestos, de enfrentarse a una situación así
12:10Porque esos dos lo necesitaban
12:13Pues nada, pueden respirar tranquilos, sí
12:15El que no va a estar tranquilo voy a ser yo, porque he traicionado al señor
12:18Ha hecho bien, señor Baeza
12:20Mira, es una historia de amor verdadero
12:23Y el amor es algo tan precioso que hay que cultivarlo
12:25Sí, eso pienso yo también, pero...
12:27Pero nada, ¿de qué serviría contárselo al señor Marqués, dígame?
12:31Es mi obligación, yo debo hacerlo
12:34Bueno, dicen que las faltas por amor tienen 100 años de perdón, ¿no? Pues ya está
12:38Me parece que está usted cambiando el dicho a su conveniencia
12:42Bueno, igual se lo he oído a María Fernández, pero es cierto
12:46¿Cenamos?
12:48Recenar, yo recenar bien y creo que no me va a sentar bien
12:53No le van a sentar mal estas lentejas tan ricas, es imposible
12:56Bueno, pues sí, mire, igual cenar dos veces está bien
13:00Y ocultarle las cosas a los señores es oportuno, así que tiene un padre grande
13:04Eso es
13:08Riquísimas
13:10Están hechas a fuego lento, como no tengo nada más que hacer aquí
13:27Por fin a solas
13:30¿Por qué dices eso?
13:34Porque últimamente parece que tú y yo no podemos estar juntos sin que aparezca Julia, de repente
13:41Pues a mí me parece una muchacha muy agradable, ¿no te cae bien?
13:46No, no es que sea eso, es que me incomoda
13:51No, no es que sea eso, es que me incomoda
13:56¿Pero algún motivo habrá para esa incomodidad?
14:02Bueno, no sabría decirte, es una sensación mía y por eso no puedo darte ninguna razón
14:14O tal vez sí, quizás sea porque esa joven está más rayada que ese disco
14:20Siempre con la misma monserga
14:24A ver, ¿y cuál es?
14:27Martina, ya te lo he dicho un par de veces
14:31Julia no para de hablar de la guerra, y no solo habla, sino que también pregunta
14:35Y te aseguro que es de lo último que me gustaría hablar
14:37No lo curro, pues la próxima vez que saque el tema le dices que pare
14:40Ya, como si eso sirviera de algo
14:43No, y es que además hay otra cosa que no termino de entender
14:47A ver, ¿el qué?
14:51No comprendo por qué ella sigue aquí
14:55Bueno, pues porque quería evitar ese viaje para ver a su cuñado
14:59Y como me hizo el favor de venir hasta aquí para devolverme el pendiente
15:02Tú la invitaste a pasar unos días
15:04Me parece estupendo
15:06¿No crees que tú le has dado la mano y te ha cogido el brazo?
15:11A mí es que no me da la sensación de que sea ninguna aprovechada
15:14¿Ah, no?
15:15No
15:16¿Y cuánto tiempo van a pasar sus padres en San Sebastián?
15:19Yo qué sé, pues...
15:21Vamos a ver, ¿a ti te haría ilusión irte de vacaciones con tu padre, con el capitán de la mata?
15:26¿A que no?
15:27Es que aunque sean familia no están obligados a caerse bien, no tiene más, no seas suspical
15:31Sí, sí
15:33Pero ¿no te parece raro que aunque no estén sus padres en ese palacio, no vuelva?
15:38Allí están sus criados esperando, ¿no?
15:41Puede ser
15:43Pues entonces, quizá ha llegado el momento de decirle amablemente que tiene que irse
16:04Mira, ¿por dónde es este?
16:08Este tiene buena pinta, ¿no hay alguno más por ahí?
16:14De Mozart, pero mejor este, ¿no?
16:16Si a ti te gusta
16:30Entonces, ¿le has contado la verdad ya por fin?
16:33Sí
16:34¿Y qué te dijo?
16:36Pues decirme tampoco me dijo nada, se quedó parado
16:40Yo qué sé María, yo creo que tampoco se lo esperaba, como para esperárselo
16:45Bueno, ¿y qué te dijo cuando le dijiste que tú creías que era su abuelo, el varón de Linaja, quien mató a tu madre?
16:50Es que no le dije eso exactamente, además en ese momento justo llegó el señor Márquez
16:56Pero sí que le dijiste que el señorito Curro es tu hermano, ¿no?
16:59Tampoco
17:01Sí, ¿y entonces qué le has contado? ¿Que después del martes viene el miércoles?
17:04A ver María, lo que me dio tiempo antes de que llegase su padre
17:08Con lo que te ha costado arrancar, no sé yo si vas a poder seguir
17:12Vamos a darle tiempo al tiempo
17:14Pues yo creo que es mejor acabar
17:15Yo a ti te lo conté poco a poco, y acuérdate que tú estabas muy alterada cada vez que te contaba una cosa
17:21Hombre, como para no estarlo, Hanna
17:23¿Le está?
17:24Puede ser
17:26Pero bueno, vamos a seguir con esto
17:55¿Te puedo ayudar?
17:57No, gracias, ya me apaño yo solo
18:00Estoy buscando una fuente para servirle el desayuno a los señores
18:04¿Qué les has preparado hoy?
18:06Pues unas torrijas crujientes con ralladura de limón y un toque de canela
18:10Deben de estar para chuparse los dedos
18:12¿Sí? ¿Eso dicen?
18:14Todo el mundo dice que cocinas de escándalo, y con razón
18:16Yo nunca he comido tan bien como aquí
18:19Muchas gracias, pero eso también es mérito de doña Simona y de doña Candela
18:25Pero no sé ni freír un huevo
18:27Y que Teresa es peor, una vez quiso hacer unas judías y las coció tanto que aquello parecían unas gachas
18:33Pues las veces que he necesitado que Teresa me eche una mano en la cocina lo ha resultado con mucha eficacia
18:38Pues yo no sé qué hizo, pero ya te digo, aquello parecía un engrudo, además estaba asqueroso
18:42Yo no he comido un plato tan malo en mi vida
18:45Marcelo, todos marramos algún plato alguna vez, incluso los que nos pasamos todo el día en la cocina
18:50No, no, si equivocarse es de humanos
18:52Y todos somos humanos, ¿no?
18:53Algunos más que otros
18:55¿Y tú dónde aprendiste a cocinar?
18:57Pues...
18:58¿Sabes qué? Me encantaría aprender a elaborar algún plato
19:00Estaría bien que pudiera pasarme por las cocinas, estaría de guinda
19:04No creo, Marcelo, en la cocina siempre tenemos mucha faena, y quien no trabaja estorba
19:09Yo no estorbaría, claro
19:10Eh, Marcelo, te voy a ser muy sincero
19:14Creo que deberías encargarte de hacer bien tu trabajo, que es por lo que te están pagando
19:20¿Por qué lo dices?
19:21¿A ti qué te han pedido que hagas?
19:23Repasar la vajilla para el desayuno
19:25Y eso implica que la vajilla tiene que estar brillante y sin mancha de jabón ni de grasa, ¿no?
19:34¿Cómo está este plato?
19:37¿Está lustroso para subirlo al comedor?
19:38Bueno, sí, ¿no?
19:40No
19:42Este plato tiene restregones del trapo
19:48¿Y este otro plato cómo está?
19:50¿Por qué tiene las huellas de tus dedos?
19:53¿Tú crees que este plato lo podemos subir al comedor?
19:55Ese se me debe haber pasado
19:57Ya, Marcelo, es que a ti se te pasan muchas cosas
20:00De verdad, no entiendo cómo te han contratado con lo exigentes que son con el servicio
20:04Oye
20:05Siempre se puede aprender. Nadie lo hace sabiendo
20:07Ya
20:09Sí
20:11Pero para aprender se necesita actitud
20:13Por ejemplo, ya deberías saber que para lustrar la vajilla necesitas un trapo seco
20:16¿Cómo está tu trapo?
20:18Está húmedo
20:21Pues ya sabes lo que tienes que hacer
20:35Buenos días
20:37Buenos días
20:39Estaba leyendo una noticia sobre...
20:41Si no vas a soltar otra perorata sobre la guerra te pido que te la ahorres
20:44No tengo ningunas ganas de vivir algo así
20:46No te iba a hablar de eso
20:48¿Entonces?
20:50¿Te acuerdas de los orestes?
20:52Sí. Han estado aquí de invitados más de una vez
20:54Acabo de leer que su hijo ha sido asesinado
20:56¿Qué?
20:58¿Qué?
21:00¿Qué?
21:02¿Qué?
21:03¿Qué?
21:05Acabo de leer que su hijo se cayó montando y se ha roto las dos piernas
21:08Deberíamos enviarle una carta
21:10Muy bien. Pues diles lo de siempre
21:12Que lo sentimos mucho y que esperamos que tenga una pronta recuperación
21:16Es que tú eres la que siempre se ocupa de esos asuntos
21:20Alonso
21:22En este matrimonio han cambiado mucho las cosas
21:24A partir de ahora nos ocuparemos cada uno de sus asuntos
21:27Es que esto nos incumbe a los dos
21:29Los orestes son amigos tuyos
21:31Te parecían encantadores
21:33Pero nunca los soporté
21:35Ese hombre se hurga los dientes con un palillo
21:38Y ella, menudo espantajo de mujer
21:40Cada dos por tres suelta una palabra en francés
21:42Y ni siquiera conoce el idioma
21:44Yo escribiré esa carta
21:46No quiero que volvamos a discutir
21:48Ni yo tampoco. ¿O crees que a mí me gusta discutir?
21:50Lo que pasa es que tengo la sensación de que estás siempre buscando la manera de molestarme
21:53¿Pero qué he hecho ahora?
21:55¿Decirte que tenemos que enviar una carta?
21:57No tiene nada que ver con la carta
21:59¿Pero entonces qué te pasa?
22:01¿Qué he hecho que tanto te molesta?
22:03No tires la piedra y escondas la mano
22:05Dime
22:09Lorenzo me ha dicho que quieres quitarle el negocio de las mermeladas
22:12Para dárselo a tu hijita Catalina
22:14Todavía no he tomado una decisión
22:16Pero sí, lo estoy pensando
22:18¿Se puede saber por qué?
22:20Lorenzo se ha dejado la piel en ese negocio durante los últimos meses
22:23Lorenzo dejándose la piel en algo
22:25Vamos Cruz
22:27Bueno, ¿quién se ha encargado de las mermeladas?
22:29Lorenzo
22:31Pero a lo mejor no se ha encargado muy bien
22:33En cualquier caso ya te digo que la decisión aún no está tomada
22:36Bueno pues mira, por una vez será mejor que sigas así sin tomar una decisión como haces siempre
22:41Alonso por Dios, Catalina no puede encargarse ni de una casa de muñecas
22:45De ser así no hubiera levantado ese negocio casi sin ayuda
22:48Bueno, parece que el dinero del contrabando le vino bien para sanear las cuentas
22:52Eso es agua pasada
22:55¿Y qué pasa si de repente decide volver otra temporada al hangar?
22:59¿Qué pasaría con la empresa?
23:01Sabes muy bien por qué se fue
23:03Se va a ver al impresentable de Pelayo y nos lo trae aquí de vuelta
23:06Y sin avisar
23:08Me sé muy bien la historia, no hace falta que me la cuentes
23:10Pues no lo parece querido, no lo parece
23:12Es que no entiendo por qué quieres poner en sus manos y en las de ese aprovechado el negocio de las mermeladas
23:18Catalina lo ha pasado muy mal
23:21¿Y qué? ¿Eso significa que tiene que hacer lo que le venga en gana?
23:24Tu hija es mayor, es adulta y los adultos por muy mal que lo pasemos no nos comportamos como críos
23:34¿Qué?
23:44Dígame que ha venido a decirme que tengo mucho enredo en la cocina
23:47Verá, yo quería hablar con usted porque sé el aprecio que le tiene Catalina
23:50Sí, para mí ella es casi como una hija
23:53Me consta
23:55Y ella le ve a usted como la madre que perdió de niña
23:58También sé que su opinión es muy importante para el resto del servicio
24:01¿Y?
24:03Bueno, que para Catalina el servicio forma parte de la familia y de este palacio también
24:07La señorita Catalina conoce nuestros problemas, vive nuestra realidad y se preocupa por nosotros
24:12¿Y usted es por ella?
24:14Concretamente usted
24:16Y por eso sé lo mal que le ha tenido que pasar viéndola sufrir por el daño que yo le causé
24:21Ni la mitad de lo mal que le ha pasado a ella, eso se lo aseguro
24:24Lo sé Simona, lo sé
24:26Y no sabe lo que me avergüenzo
24:27Ni lo duro que se me hace saber todo lo que ha llorado Catalina por mi culpa
24:32Por eso quiero compensar todo ese dolor, dejarlo atrás
24:36Y eso pasa por disculparme con usted
24:39¿Disculparse?
24:41Eso es
24:43Simona, yo quería pedirle perdón por haberle hecho pasar ese calvario
24:47Catalina ya sabe que mi amor por ella es sincero
24:50Y que quiero que construyamos algo nuevo, juntos
24:53Ahora solo me falta convencerle a usted
24:55Y créame, haré lo que haga falta
24:57Ya, ya, ya veo, ya
24:59Simona, yo no soy una mala persona, solo he tomado malas decisiones
25:03Déjeme demostrárselo
25:05Y si fuera una mala persona, no lo reconocería, ¿no?
25:09También es verdad
25:13Dígame, ¿usted tiene a Catalina por tonta?
25:16Por supuesto que no
25:18La señorita Catalina es bien despierta
25:20Despierta y un alma noble, ¿no?
25:21Entonces digo yo que algo bueno habrá encontrado en mí para que aún sigamos juntos
25:25Ya, el amor a veces nos nubla la vista
25:28Vamos Simona, concédame el beneficio de la duda, por favor
25:31Yo tengo muchas ganas de mejorar como persona
25:34De no volver a cometer más errores
25:36Y sobre todo tengo ganas de hacer feliz a Catalina
25:39Ya, pero hasta ahora la ha hecho una desgraciada
25:43No sé si yo mismo le he sido al alejarme de ella
25:46Por eso no quiero que nos separemos más
25:48Y por eso estoy aquí, hablando con usted y diciéndole todo lo que quiero a su Catalina
25:54Simona, ¿podrá perdonarme por el mal que le hice?
25:57Porque ella ya me ha perdonado
26:01Mire, piense que está ante un hombre que la ama con locura
26:04Y que haría cualquier cosa por ella
26:07¿Cualquier cosa?
26:09Sí, eso he dicho
26:11Está bien
26:13Venga a la oficina
26:19VENGA A LA OFICINA
26:21What?
26:24Oh, I was just...
26:47Are you here to collect firewood or did you see me?
26:49And you needed any excuse to get close to me.
26:53It's a bit of both.
26:55And Mrs. Simona kicked me out of the kitchen.
26:57And I have nothing to do.
26:59Really?
27:00And why is that? Are you angry?
27:02No, no, no, no, no.
27:05I don't know. They will bring something in between.
27:09And what could it be?
27:11Well, look, honestly, I didn't want to ask.
27:13Because whenever I ask, you end up next to me.
27:16I love to see you smile.
27:18And you don't do it enough.
27:20Well, it's just that lately it hasn't been my best days.
27:23With my mother walking around here whenever she felt like it.
27:27Let's hope that from now on you've understood that it's useless to come back.
27:30Yes, I hope so.
27:32That's why I'm a little calmer.
27:35And you laugh more and dream more.
27:38Even so, I still can't get my head out of my head
27:40about what they could have talked about the last time the Marquise and my mother saw each other.
27:43Vera knows.
27:46Well, today I met the Marquise and she looked at me as usual.
27:49Come on, she didn't even look at me.
27:51Well, that only means that your mother has not betrayed you.
27:54That she was right.
27:55Yeah, but then why did she come?
27:57To apologize for coming here without an announcement?
28:00Or to enter the service area?
28:02Well, it could be.
28:03The Marquise must have found it very strange.
28:05Well, I guess Don Rómulo must have told her and the Marquise must have asked for explanations.
28:10Well, that's why I'm coming back.
28:13So let it be.
28:14Yeah, but I doubt the Marquise has swallowed the excuse that she wanted the cake recipe.
28:19What lady is she interested in cooking?
28:22They are more interested in eating well, yes.
28:24Go find out what excuse he used to get her out of trouble.
28:30You have to stop thinking about it.
28:32Vera, what you have to do now is enjoy your new life.
28:37And I love this new life.
28:40Especially you, who is the most important part.
28:43Are you going to blush?
28:45That's what I'm looking for.
28:46You are very funny when your ears turn red.
28:49Me? My ears don't turn red.
28:51No, you don't.
28:52No.
28:53Yes, you turn red like a tomato.
28:56You are very beautiful.
28:59And it is very difficult for me to control myself, let you know.
29:01Oh yeah?
29:02And why is that?
29:05Well, because I really want to kiss you.
29:08And we are in the courtyard.
29:11Come on, help me hang this sheet.
29:14Now.
29:16You help me, fool.
29:19Come on.
29:30Clip.
29:34Clip.
29:44And now, come here.
29:57What do I tell you that she is going down?
29:59I don't know, she must be busy.
30:00Maybe I should go up and look for her.
30:02But what are you saying?
30:03As Doña Petra catches you in the noble plant,
30:05those curls of your hair stay straight.
30:08Look at her, there she comes alone.
30:11María Fernández told me you wanted to see me.
30:13What happened?
30:14No, nothing, miss.
30:15Don't worry, don't worry.
30:17Do we have the pleasure of inviting you to have a snack?
30:20Simona always teasing me.
30:22Let's see, what have you prepared today?
30:23We haven't prepared a dinner.
30:25So who has it been?
30:28Well, believe it or not,
30:30I have prepared all this myself.
30:32No, I can't believe it.
30:34Yes, I just came down to apologize to Simona
30:37and nothing, I got tangled up.
30:39And what happened?
30:41Now nothing.
30:42But what happened at the time not only affects us,
30:45also the people who love you.
30:48And there are many in Seville.
30:49All of us, basically.
30:52Yes, the point is that I told Simona
30:55that I was willing to do anything to prove my love for you.
30:58And she asked me to start cooking
31:00so that I could live her reality a little.
31:02What a coincidence.
31:03Yes, I think Pelayo has never used a pan in his life.
31:06Until today.
31:07Well, he has taken up to a rod
31:08and he has dared to light the oven.
31:11And has he done well?
31:13Let's say he has done what he has been able to.
31:15No one can deny that.
31:17And he has also been chatting with us for a long time.
31:20Yes, the gentleman has a very good tongue.
31:23He knows everything, man.
31:25I know these women are very important to you
31:27and I wanted to show you that they will also be for me.
31:29Well, yes, they are.
31:31Simona has raised me, as they say.
31:34She and Candela.
31:35Wow, yes.
31:38Yes, this is my paradise.
31:41The kitchen.
31:42And now I understand better why.
31:44I appreciate the compliment.
31:46But it is not Menester who will cook again.
31:48You have just made a mess.
31:51Well, it's true.
31:52I'm going to have to send everything straight to the laundry.
31:54Let's see, I think it's just some flour.
31:57I don't know if that's going to be enough.
32:00Look.
32:05It seems that the cooks are abandoning us.
32:07Maybe they want to leave us a little privacy, right?
32:28There is a time for everything.
32:30And there are people who are always willing to measure that time.
32:34For example, there is also a time for mourning.
32:39But your people don't agree.
32:43Is half a year enough to get a boyfriend
32:46if you have lost the other one?
32:48Or a whole year?
32:51And for the secrets,
32:53how long can you keep a very fat secret
32:56that a friend has told you?
33:04You can't even tell your boyfriend?
33:07No.
33:09I don't know.
33:10I don't know.
33:11I don't know.
33:12I don't know.
33:13I don't know.
33:14I don't know.
33:15I don't know.
33:16I don't know.
33:17I don't know.
33:18I don't know.
33:20It seems not.
33:35What are you doing, María Fernández?
33:38Here, patching the sheet.
33:40A sheet that didn't see you patching?
33:43Because I stopped a little to thread the needle.
33:46It was already threaded.
33:48Or because I threaded it, Mrs. Petra.
33:50Needles don't thread on their own.
33:52Come on.
33:54Go upstairs and fix the ladies' bedrooms.
33:56They have already woken up from their nap.
33:58Now?
33:59Of course now.
34:00You'll regret that later.
34:05María Fernández, what are you waiting for?
34:07I'm coming, Mrs. Petra.
34:13María!
34:15I'm coming, I'm coming.
34:16Fly!
34:18Fly!
34:30Well, this cake is not bad.
34:32This one is saved, but the first one was straight to the trash.
34:36No one has taught you.
34:38And you have made a double effort.
34:40Cooking and talking to Simona.
34:42I did it because I know how important Simona is to you.
34:45Because I want to be good to you, but also to the people you love.
34:49You're on the right track.
34:51Although the cake didn't turn out very well.
34:54The intention is what matters.
34:56Although it wouldn't have been bad if it wasn't so hard.
34:59Is it really that inedible?
35:00It looked like it was made of sand.
35:02What a mess.
35:03I've already told you that what matters is the intention.
35:05And yours is very good.
35:07Unbeatable.
35:16How I missed your lips.
35:18It doesn't taste like sand.
35:20Stop making fun of me.
35:22It's okay, it's okay.
35:23I won't laugh anymore.
35:25You know what?
35:26To make up for my laughter, I want to take you to the confectionery in Luján one day.
35:30I also want to take you somewhere.
35:32Oh yeah? Where?
35:33I received an invitation from my friend the composer Don Eugenio Santiago for his engagement party.
35:37The truth is, I was surprised. It had been a long time since I received invitations.
35:40Imagine me.
35:42We fell in love.
35:44We fell in love, yes.
35:47But well, I think it's time to leave all that behind.
35:51Would you go with me to his party?
35:55If I'm honest, I don't really feel like it.
35:58But Catalina, it could be a good way to return to a normal life.
36:01We don't have to keep hiding.
36:03We've been criticized so much and we've been made fun of so much.
36:06Maybe if you see us together you'll realize how little we care about those girls.
36:11Come with me, please.
36:14Okay, I'll go with you.
36:19I'll write to them today to confirm that we're going.
37:15It looks like he hasn't fully recovered.
37:19What's wrong, son? Are you sick?
37:21I'm sorry, father. I have a headache somewhere else.
37:24I guess it's because of some news I read about the war.
37:31Do you like the painting, Juan?
37:33It excites me. It has everything.
37:35Good stroke, harmonious color.
37:38And the model, of course. What a lady.
37:42Yes, she's my first wife.
37:44The mother of my daughter Catalina and of my late son Tomás.
37:48I didn't know. I'm sorry.
37:50No, don't worry.
37:51Life is like that.
37:54It's a good painting.
37:56By Enguidanos, a very fine painter.
37:58I know him.
38:00But it's a shame about his state of conservation.
38:06Hasn't he deteriorated?
38:08He's been here for years, but I think he looks perfect.
38:11At first glance.
38:13Do you see those wrinkles? He's starting to age.
38:18I think it's normal.
38:21Normal if he were 200 years old, maybe.
38:24But that's not the case, is it?
38:26No, it's not. I'm not that old.
38:28And look closely.
38:30This white, if I'm not mistaken, should be pure white.
38:35That's the effect of the smoke, the dust ...
38:38I'm worried about what you're telling me.
38:40Because I really value this painting.
38:43It's nothing you can't fix.
38:45A good restoration would fix all these problems
38:49and leave the painting as new.
38:51But you would have to take it out of the promise.
38:53It wouldn't be necessary.
38:55Although I have never restored a complete work by myself,
38:58I know a lot about the subject and I could leave the painting as new.
39:02I appreciate it, young man,
39:05but I have heard very unfortunate stories of restorations.
39:08In a church in Murcia, a fan left a very valuable painting
39:12made by an ex-CEO.
39:13Yes, I also know that story.
39:15But I assure you that nothing like that would happen to me.
39:17I have studied and a couple of valuable paintings
39:20by friends of my parents have already passed through my hands.
39:24Also, think that in this case there is no need to repaint.
39:28It would be better to clean the dirt and give a varnish.
39:33And that does not entail any danger?
39:35None, sir.
39:36It would only be about removing the dust that is between the cracks
39:40and changing the varnish.
39:42And the original colors would be recovered.
39:44That's it.
39:45And with the new varnish, it will be more protected and the lustre will recover.
39:49I don't see that restoration badly.
39:52And it seems that Miss Julia knows what she is talking about.
39:55So I could thank you for everything you have done for me.
40:00I would need, however, to order a few materials
40:04and a quiet space to work.
40:07The hangar.
40:09My hangar, I think it's perfect. A lot of light comes in.
40:14Well, there is no more talk.
40:16Do it in the hangar.
40:18Prepare a list with everything you need.
40:20And a servant will take care of getting everything.
40:24And now, would you like to join us for a drink?
40:40Well, the new priest, Don Samuel, has organized a contest for fried eggplants.
40:44And what does religion have to do with fried eggplants?
40:47I think it has to do with the philigrees.
40:50And he had thought of participating.
40:52That the prize is a handful of ham.
40:54Or two, it's not a bad prize.
40:56And how would we do it? With honey or without honey?
40:58As you prefer.
40:59I like them anyway.
41:01I think we could make the batter
41:03and put a jar of cane honey next to it,
41:05since you like it to soak.
41:07Leave that for a moment and go up to the music room.
41:10Mrs. Marquesa is waiting for you.
41:11And that?
41:12What happened?
41:13Well, and this restlessness, have they done something wrong?
41:15No, not that we know.
41:17But whenever Mrs. Marquesa calls you upstairs,
41:19it is to throw a rag.
41:21It could be to congratulate you for a dish,
41:23for a good dessert, for example.
41:25Excuse me, Mr. Pellicer.
41:27I think you have been in the palace for a short time.
41:29Let's see, Lope.
41:30How many times has Mrs. Marquesa called you
41:33since you've been here to congratulate you?
41:35I don't remember any.
41:37And me less, Mr. Pellicer.
41:38And I've been in this kitchen all my life.
41:40But that doesn't mean that now she's going to argue with you.
41:45Mr. Pellicer, when she said it, she said it seriously.
41:49Maybe she didn't like the soup last night.
41:51Lope, what did I tell you? It was too spicy.
41:53Well, stop speculating and go upstairs at once.
41:55I'm sure it's not a bad thing,
41:57but it will be if you don't go soon.
42:00Come on.
42:01I'm going.
42:02Come on.
42:03Come on, Lopillo.
42:04Now.
42:06Excuse me.
42:08Let's go.
42:19Let's go.
42:42Nothing.
42:43The telegram?
42:44No.
42:47Hello.
42:48I'm going to buy some snacks.
42:50Very well.
42:58Are you okay?
43:00Yes, but...
43:02Words are very expensive.
43:08What did you say?
43:10This here.
43:12Well, nothing.
43:14The telegrams, because they charge a lot per word,
43:17and my boyfriend has sent me one,
43:19and he barely tells me anything.
43:21But it's not far, is it?
43:23Well, no.
43:24But it's not here, and I miss it.
43:28They offered me a very good job in the palace of the count of Matesán.
43:31The first one on the street, no more, no less.
43:33And how could I refuse?
43:35Sure.
43:36Well, I'm sorry you're sad, but ...
43:40It's a very good job, isn't it?
43:42Well, yes.
43:43You're making a lot of money.
43:45And who knows, maybe God doesn't want it,
43:47but these things happen, and the same goes for you.
43:50It can happen.
43:52Yes.
43:53Well, the thing is that I miss you a lot,
43:56because I was used to seeing you all the time.
43:58I'm going to tell you, right?
44:00Me?
44:01Why?
44:03Well, because you have Teresa here.
44:05Ah, yes, yes, of course.
44:06Well, but if you want to go far, it doesn't matter.
44:10Now what we have to do is work,
44:13earn a room and save.
44:16For what?
44:19Because we are thinking of getting married.
44:22And we want to buy a small farm
44:24to live in the garden and that no one sends us.
44:27And we want to have animals, chickens, rabbits ...
44:30I don't know.
44:31Even a donkey called Ernesto I want to have.
44:34It seems like a very good idea.
44:37Well, I'm going to show you the routines.
44:42Hey, Maria, can I ask you a question?
44:44You seem very excited.
44:45Of course, your question.
44:47In the vice of asking, there is the virtue of remaining silent.
44:50Could you tell me how to illustrate the routines?
44:52Surely you know how to do all these tasks.
44:54It's ugly for me to say it, but I know how to do everything.
44:59And the first thing you have to do
45:03is put on the sleeves.
45:07And the second thing you have to do is take the brush ...
45:12Kid, take off your jacket.
45:17Sorry.
45:20You pass the brush
45:24removing the dirt.
45:30May I?
45:33Mrs. Marquesa?
45:34Mrs. Marquesa?
45:36There's no one here, Lope.
45:38They told you to come here, right?
45:42Oh my God, Mrs. Simona, we may have arrived late.
45:44We already told Pifia, I saw it.
45:46What do we do?
45:47Do you want me to go look for the Marquesa?
45:49No, I think it's better to wait here.
45:51You think?
45:53If you want, I can call Mr. Pellicer.
45:56Oh, you're here.
45:57Yes, Mrs. Marquesa, I thought we didn't know ...
45:59Come in, Mrs. Amalia.
46:01Where is Vera?
46:03The Duchess of Carril has asked to see her.
46:06Mr. Pellicer informed us that we would go up, but ...
46:09I don't lie to Vera.
46:11Well, she should be here.
46:14Well, if you want, I can go tell her.
46:28Hanna.
46:30I've been looking for you all over the palace for a long time.
46:33You have to finish telling me that story.
46:36Manuel, right now I have to finish the job and be in that place.
46:42Hanna, please.
46:44I can't stop thinking about it.
46:47I need to know everything.
46:53Please!
47:00Oh ...
47:06Was this the ring that the man who ended your mother's life was wearing?
47:17Manuel, it's not the time or the place.
47:20No one is coming.
47:22My cousin has gone with his mother to take a walk and will be back soon.
47:26Hanna, please, let's talk.
47:29No.
47:32Okay, what ...
47:35What do you want to know?
47:37What will it be?
47:39You insinuated that my own grandfather could have something to do with your mother's death.
47:45I want to know everything.
47:50Manuel.
47:52I think your grandfather is to blame for my mother's death.
47:57But not just his death.
48:00I think he is also to blame for the death of ...
48:03your brother Tomás.
48:07It can't be.
48:10It can't be my grandfather.
48:13It can't be.
48:16It can't be.
48:22And why did it take you so long to tell me, Hanna?
48:24Why after all the time you've been in La Promesa?
48:27Manuel, because I was afraid for you.
48:31Let me explain.
48:33The first night I arrived at La Promesa, I talked to your brother.
48:37And I told him everything you know now.
48:42But then he appeared dead.
48:44My brother knew who you were.
48:48Manuel, you have to understand that I didn't tell you because I didn't want to put you in danger.
48:53You have to understand that I didn't tell you because I didn't want to put you in danger.
49:03What does my brother have to do with all this?
49:06And why did you tell him everything?
49:09Well, because your brother surprised me at the library.
49:13While I was looking for a photograph and he thought I was stealing, so ...
49:17I had no choice but to tell him who I was and why I had come here.
49:21So my brother was aware of absolutely everything?
49:24But the most curious thing about all this, Manuel ...
49:28is that he didn't take it again.
49:30What are you insinuating?
49:32That Tomás suspected the truth.
49:35And he promised to help me so that everything would come to light.
49:39I know that's why they killed him, Manuel.
49:43And yet, how do you accuse my grandfather of the death of my brother?
49:46Why?
49:48What do you mean, why, Manuel?
49:50Because he was able to kill an defenseless woman in front of his children?
49:55Assuming what you say is true, Hanna.
49:58Assuming it's true.
50:00Do you have any evidence to prove it?
50:03Something against him?
50:05No.
50:11Well, no. And at this point I don't think I can have it.
50:15Your grandfather took his secret to the grave.
50:18Hanna, it can't be.
50:22Manuel.
50:24Tomás suspected something.
50:26And he promised me that he was going to tell me everything, but first he had to see someone.
50:31Who?
50:33I don't know.
50:35In fact, I didn't quite believe it.
50:38So he gave me something as a gift.
50:42He gave me his wedding ring.
50:45My brother had his own wedding ring on the same day of his wedding.
50:49And then he killed him.
50:58But my grandfather wasn't here that night, Hanna.
51:01Or that's what made us believe, Manuel, and that's why we don't consider him a suspect.
51:06But everything points to him.
51:08My grandfather, a murderer.
51:11And my brother.
51:18Manuel, I'm so sorry.
51:21I knew all this was going to hurt you.
51:25But there's one thing you still don't know.
51:28What?
51:31I found my brother.
51:34I found him years after they took him.
51:41And he's alive.
51:48He's in this house.
52:01My brother, huh?
52:04My dark brother.
52:11My brother.
52:16And when is the Duchess's visit expected?
52:19Well, as far as we know, it could be this afternoon.
52:22We'll have to have everything ready then.
52:25No, no, no. The lady doesn't want anything special to be done.
52:28The idea is for her to see the kitchens in their usual environment.
52:32Except for one thing.
52:34Vera.
52:35This is nonsense, Lope.
52:36Where have you seen a Duchess entering the palace and the kitchen of a Marquis?
52:40Well, we'll see about that.
52:43Are you sure my mother doesn't care about the kitchen at all?
52:46What I don't understand is, what does she want with all this?
52:50What if I've ruined everything, Maria?
52:53But you're not going to ruin everything, Hanna.
52:55That's it, huh?
52:56Stop whining about the milk you spilled.
52:58And if I've taken advantage of your wedding, it's because your love wasn't as strong as you thought.
53:02And I'm doing you a favor.
53:03Maria.
53:04I've heard you've offered to restore the portrait in the tea room.
53:07That's right.
53:08It will be a way to compensate for the kindness of your family to welcome me here these days.
53:13We will win, I assure you.
53:15We all have a lot of appreciation for that painting.
53:17It's a memory of my dear mother.
53:20I can't take it anymore with that spoiled brat Catalina.
53:22You have to get her out of here as soon as possible.
53:24If it were up to me, I would do it and with pleasure.
53:26She has exceeded all my limits.
53:28Come on, she's even giving me urticaria.
53:31Doesn't that friend of Martina have an allergy to walnuts?
53:34Well, I have Catalina.
53:35What happened to you, Teresa?
53:38You were so desperate to forget my son that you had to sleep with the first idiot who crossed your path.
53:44For God's sake, don't be vulgar.
53:45No.
53:47You are the vulgar one.
53:49I don't understand why you want to favor Lorenzo over a member of the Lujan family.
53:53I remind you that Lorenzo is married to my sister, so he is also part of the family.
53:57But of course, it's mine, which may not be as important as yours.
54:01Excuse me, why?
54:03I'm convinced that your experience on the front has generated very strong friendships and unbreakable bonds.
54:10You know, we also talked about that this morning.
54:13I admit that Julio makes me nervous when he asks questions.
54:16Well, I think he's a tremendously curious person.
54:19Yes, especially in relation to war, which is precisely what I'm trying to forget.
54:24That fool doesn't know how to do anything right.
54:26He doesn't even know where the wind blows him.
54:28He's useless.
54:29So Teresa is trying to cover up for her husband.
54:33I'm sure of it.
54:35She has changed my son Feliciano for an incompetent who doesn't even wear the sole of his shoes.
54:41You are an insult to everything he represented.
54:45And to all the dignity that there is in this world, unworthy and sinful.
54:48Really, Mrs. Alcos.
54:49That you have taken his place in Teresa's heart only shows that she was not up to his level.
54:54But I will not allow you to take his place in this house.