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00:00But who is Julia Valdés Rodríguez, my guest, who came here to bring me the pendant that I lost?
00:12No, Martina, I'm not who you think I am. My name is not even Julia.
00:17My promise was not as casual as you think.
00:21But who are you?
00:24My real name is Matilde.
00:27And why did you lie to me? Are you going to blow my head off?
00:31I'm very sorry, I didn't mean to deceive you.
00:34Actually, the one I was looking for from the first moment was Curro, Francisco de la Mata.
00:40What?
00:43He was with my fiancé in his last moments of life.
00:49My boyfriend, Paco, died in front of me, next to Curro.
00:58Do you want me to tell you the story?
01:02Of course.
01:03Of course.
01:07And not too soon, for the Duchess of Carrick to have shown up here.
01:13I don't know, Candela. These distinguished ladies, who have no obligations,
01:17can do whatever they want and come whenever they want.
01:20I don't doubt it, but you will recognize that it is not normal,
01:24as it is not normal that she has locked herself up with Lope.
01:28At this point, I no longer know what is normal and what is not.
01:31Look, here is Lopillo, why don't you ask him yourself?
01:34Lope, Simona has told me that the Duchess of Carrick has already shown up here.
01:41And that she has sent you a call.
01:43Well, Mrs. Simona has told her well.
01:45But the lady is unhappy with something.
01:48Because locking yourself up with her in the office alone is weird.
01:53No, don't worry. She just asked me some suggestions about a dinner she is going to prepare in her palace.
01:59Another dinner? This woman has a party one day like this and another too?
02:03Yes, get in, get in. The cooks have to be there, they have to be on their toes.
02:07Yes, more than working in a coal mine.
02:11That's why the lady has to get rid of the ideas of our Lopillo.
02:15Otherwise, in the end, let's be lucky that the lady doesn't have so many commitments.
02:21She will want to do it, but at least she doesn't work so much.
02:24Candela, have I lied to you?
02:26I don't know. Can I help you with something, ma'am?
02:29Mr. Pellicer, how fast you have been.
02:32And how timely. So you can transmit to the service what I have to tell you.
02:37I would be delighted to do it as soon as you tell me what it is about.
02:43I will try to be very clear, so that there are no misunderstandings.
02:49I realize that in this area there is no gossip that escapes them.
02:56Therefore, I assume that you will be aware of the infamous relationship between my son
03:08and one of the maids who works in this house.
03:14As you can imagine, this is a matter that is the most unpleasant thing for me.
03:23But I want to clarify it so that there are no doubts.
03:32My son has been subjected to a lot of pressure for a while.
03:39And this has undoubtedly led him to a state of confusion.
03:46Look, how can she not say that she does it willingly? Lie.
03:49Anyway, we are not going to magnify this matter.
03:55I am sure that Manuel will soon clarify his ideas.
04:00And what is clear is that this cannot transcend the walls of the palace.
04:06Don't worry, Mrs. Marquesa.
04:07I'm not, Mr. Pellicer. I'm not.
04:12There are people here who have given me reasons for the opposite.
04:19To warn them that I will take very harsh reprisals against everyone who spreads this matter.
04:27Is that clear?
04:29You can take it for granted.
04:31I hope you are all up to the circumstances and continue to pretend that nothing has happened.
04:38I have been very magnanimous in allowing that whore to continue working in this house.
04:43Because my first intention was to put her on the street.
04:47Don't make me regret my generosity.
04:52Don't worry, ma'am. Everyone will be up to the task.
05:00And do me the favor of cleaning up this mess.
05:03Yes, Mrs. Marquesa. We will leave it clean as a whore.
05:11It's going to be a mess, huh? With the whore.
05:13I don't give a damn about Juanete.
05:15But if I don't give it to you, you'll get your foot in the grave.
05:18I already saw you coming.
05:19It's not worth it.
05:20First, she starts to talk all kinds of nonsense.
05:23And then she messes with our kitchen.
05:25She called us whores.
05:27The kick is well used.
05:28Although better a moratorium than a dismissal.
05:31So be it.
05:33Come on, Laurel.
05:34Where?
05:35There, two little eyes.
05:37Give me a kiss.
05:44Your hat.
05:47And your coat, ma'am.
05:49And you had to bring it to me, precisely you.
05:53I'm a maid as good as any other.
06:00Besides, I guess you didn't think to leave without saying goodbye.
06:04I have to say goodbye to all those who have helped me.
06:07I have to say goodbye to all those who have helped me.
06:10To say goodbye?
06:11If I have to say goodbye to all the servants,
06:14I will never leave this condemned palace.
06:18I'm glad that I finally see myself as one more servant.
06:22Every day I find it more unpleasant to come here.
06:26And I understand it perfectly.
06:29For me it was not easy for you and me to say those thick words.
06:35Should I understand this then as an apology?
06:41Well.
06:42I'll take it that way.
06:44Understand it as you like.
06:46But I don't intend to do anything else.
06:48The situation in which you are now has been sought by father and you alone.
06:52Oh, sure.
06:53You had absolutely nothing to do with the disappearance of the money.
06:57Maybe I didn't have to take it.
06:59But I'm not going to be frustrated.
07:01Father did not belong to that money legally.
07:03Yes, yes, yes.
07:04I already know that brothel.
07:06Mother will not get another answer.
07:09Mercedes.
07:10No matter how much you try to provoke me,
07:12I'm not going to get involved in any other discussion with you.
07:15I didn't mean to provoke you.
07:17But you don't know how much I appreciate it.
07:20What I don't understand is why you have come here now.
07:23Can't I have issues to deal with that have nothing to do with you?
07:30I'm very glad I'm not the center of your attention.
07:35Well, then this conversation is over.
07:38And now, if you'll excuse me, I have more important matters to deal with.
07:58And that's why the promise came.
08:00That's right.
08:02I'm very sorry I lied to you.
08:04But I needed to know first-hand the whole truth about Paco's death.
08:08And at the same time know the implication that Curro had with all that.
08:12That's it.
08:14I couldn't stand the idea that the person who had supposedly been responsible for my death in life
08:20would continue with his as if it were such a thing.
08:25Julián.
08:27Well, I don't know if I have to keep calling you that.
08:31Yes, of course.
08:33As long as you are in this palace, you will continue to be Julio.
08:38It's just that ...
08:40I'm very sorry for everything that has had to happen.
08:44I can't even imagine what he must have suffered.
08:49And I still do.
08:51Don't talk about the past.
08:57I understand.
09:00Saving the distances, of course, but I've been through something similar.
09:05My father died not long ago.
09:09He told me, yes.
09:11It is very hard to assume that you will not see a person you love again.
09:18And yet I don't intend to compare myself to you because ...
09:21My father was heartbroken and that was what took him away from me.
09:26Before time, but ...
09:28But yes, law of life.
09:31But nevertheless, his promise was in the flower of youth.
09:37And he left in a very tragic way.
09:41I confess that it is difficult for me to overcome myself.
09:44I admit that ...
09:47I was in a lot of pain and ...
09:49I thought there was a clear culprit.
09:52From what they had told him about Curro.
09:55That's right, but ...
09:56Now I know that he is a noble person and that ...
09:59He had no responsibility for that atrocity.
10:01In fact, I am convinced that the death of his fiancé had to affect him a lot.
10:05And it is so true.
10:08Curro himself confessed to me that ...
10:10The death of my fiancé weighs deeply on my heart.
10:16But then ...
10:19All the issue of the restoration of the painting ...
10:22It was an excuse to extend his stay in La Promesa.
10:34Look.
10:36But it's this one.
10:37This one looks good, isn't there anyone else out there?
10:42I ...
10:43I heard Curro and you talking about my departure.
10:47And well ...
10:49I had to think of something to stay.
10:52But then he made up that he knew how to restore paintings.
10:56Well ...
10:57I have some knowledge.
10:59But I didn't really touch the painting.
11:02You can be calm.
11:03It is a very important painting for my family.
11:06I know.
11:07And that's why I was especially careful.
11:09I give you my word.
11:13Can I trust yours?
11:15Can I trust yours?
11:17To keep my secret.
11:22Of course.
11:32But what are you doing here?
11:34What do I do here?
11:35In my bedroom, as far as I know.
11:37Man, of course you do, but ...
11:39I don't know, I thought you had an appointment with Salvador today to go to the luxury jewelry store.
11:43Well, yes, that's why I'm going to dress like this, like a churro.
11:49Are you okay?
11:53The truth is that I'm not very Catholic.
11:56What happened to him?
11:58Well, there are too many things.
11:59I haven't raised my head since I found out that the Marquise read my blessed notebook.
12:04Well, that has to end.
12:06Right now you're going to put on a street dress and I'm going to help you.
12:08And you're going to arrive on time, you're going to be late.
12:10I'm not late anymore.
12:13A waiter had to make a stock near the palace of Count Matesán and I took advantage of it.
12:18To give Salvador a warning.
12:20María, have you canceled it?
12:24I thought you were crazy about that meeting.
12:28It is what it is.
12:30And what's wrong with you? You don't die to see Salvador anymore?
12:33Of course I die to see Salvador.
12:35But for half an hour, which is what you could steal from work,
12:38that's why I don't move Rome with Santiago.
12:40And I don't want to beg La Petra either.
12:42María.
12:44Don't be like that, Hanna.
12:46If Salvador already warns me that I had to be aware in case the Count claims him.
12:49And that I was barely going to be able to be a little bit.
12:53Well, it seems to me that any time is good to share a chat, a smile.
12:57Even if it's a short time.
13:00When Salvador said he was going to serve out of promise,
13:03I never imagined that he was going to make me so upset.
13:07Well, the distance is very hard for lovers.
13:11More than I imagined.
13:13And the distance between the palaces adds to the fact that
13:16that count moves more than a chick in the mouth of an old man.
13:20Does he travel a lot or what?
13:22More than a cloth merchant.
13:24And he has the bad habit of always taking Salvador with him.
13:26Don't you miss me with the first kiss you have?
13:30I'm glad he's doing well.
13:33But...
13:34But...
13:36I don't know if there's room for me in that new life of Salvador.
13:40María, stop saying nonsense.
13:42For Salvador, you are the first.
13:45It's just that I feel him so far away.
13:47Well, you'll see how soon he's going to give you a hug from the big guys.
13:51That never ends.
13:54Well, don't worry about me.
13:56You have enough with what you have.
14:00Of course, we're both screwed.
14:05How are you with your Manolita?
14:08Fine.
14:11Bad, bad, terrible.
14:13A disaster, María. I don't know.
14:15But you're still as in love with him as always, aren't you?
14:18Well, of course, if that doesn't happen.
14:20That's the important thing.
14:22But it's not that easy when everyone is against it.
14:26Well, not everyone.
14:28I'm not against it.
14:29Nor are the rest of your companions.
14:32The Marquises will never allow us to live our lives freely.
14:37Well, but it's with a couple of two.
14:39And the rest are left over.
14:41And in the end, you'll see how it goes through the ring.
14:43I hope so.
14:46Manol is going to talk to his parents to give them his ultimatum.
14:50I don't know what that will be, but it sounds like a threat.
14:53More or less, yes.
14:55Then be careful, because if there's something the Marquise doesn't like, it's only in the ultimatum.
15:03Anyway.
15:07I'm sorry.
15:15Mrs. Arcos.
15:18I'm sorry for the bad timing.
15:20And when is a good time in this valley of tears?
15:23I had to leave my office to the Duchess of Carril and now I'm late with my homework.
15:30I'm very sorry.
15:32The Marquise, who wants to be on good terms with that lady,
15:35and we have no choice but to fulfill her wishes with the best of our smiles.
15:42Even if they are faked, it is better not to take the opposite of the Marquise.
15:46And less in these moments that she is going through such a delicate situation.
15:57What do you mean?
15:58What are you going to do?
16:00What are you going to do?
16:02To erase that issue of your son Manuel with Hanna?
16:06That.
16:09You were thinking of something else, my friend.
16:12Isn't that right?
16:14What exactly are you referring to?
16:17Well, I'll tell you because I know you're not going to get out of here.
16:29Things between the Marquises have not been going very well lately, let's say.
16:37Wow.
16:38And it really is the only problem that the Marquise faces.
16:44And you know why?
16:47Because it is not consumed, it is something abhorrent.
16:50Abhorrent.
16:53It seems to me that you had something to do with the fact that there was no such purpose.
16:58And you too, Santos. And if you think about it, I'm sure you know why.
17:05The notebook.
17:07And now the Marquise is in debt to us because we prevented that abhorrent union.
17:14And have you thought of any kind of gratification in this regard?
17:17No, no, for God's sake. Money is something vulgar and ephemeral.
17:21And it also does not allow you to get the things that really matter.
17:26I don't understand.
17:28With time, Santos, you will understand the importance of the abhorrent being in debt to you.
17:34And by the way, speaking of debts, how are you doing with that useless Martelo?
17:39That bastard has no arrangements, Mrs. Arcos.
17:42You know what I'm telling you, we're going down a valley of tears.
17:46Well, I try to do my best not to be like that.
17:49So as not to get too excited.
17:52With Marcelo, for example, I give him wrong instructions and I make him work twice as hard.
17:57He doesn't realize it.
17:58That bastard doesn't know where his right hand is.
18:02I like the way you see things. I don't know where you got it from, but I like it.
18:07Well, not from my father, of course. Because that man has not had a single minute of his life.
18:12Then it must have been from your mother.
18:14Who, by the way, you talk very little about.
18:20Because I barely knew her.
18:22She died when I was very young.
18:25A tuberculosis.
18:27He took her.
18:30He sent my father to give her.
18:32He took his crutches and we left Masegoso.
18:36Azubueros, here in Cordoba.
18:38I don't know Masegoso.
18:39Masegoso.
18:41It's a Manchego town.
18:44But I barely have any memories of him.
18:47Like my mother.
18:50I'm sorry.
18:55It's curious.
18:57How sometimes we can miss something
19:02that we barely remember or that we don't get to know.
19:08It happens to me at least.
19:12Poor boy.
19:15There is no consolation for something like this.
19:23Believe me if I tell you that I am very sorry, sir.
19:27You were one of the few who knew about my relationship with Hanna.
19:31I have always known that I could trust you, Romulo.
19:35So I would like to ask you a favor.
19:38Of course, whatever is in my hand.
19:40Look, Mr. Baeza, I try to keep an eye on Hanna.
19:43But the reality is that the fact that she continues to work as a maid complicates everything quite a bit and ...
19:50I'm afraid of my mother's repressions.
19:52Don't worry, I'll keep an eye on her.
19:56Actually, it's enough for me that you let me know if you see something strange.
19:58Or if you notice that, I don't know, Petra or my own mother or anyone else attacks her.
20:03No, I won't take my eye off her, but I also have to tell you that ...
20:07I'm worried about you.
20:12You don't have to worry about me, Mr. Baeza.
20:14I'm fine.
20:16In fact, I have put you to get something positive out of this whole matter.
20:20Now that everything has come to light, I no longer have to hide my love for Hanna.
20:24It is a relief, of course.
20:26It is. We have been keeping our relationship a secret for too long, you know.
20:30Sometimes secrets can become a very heavy burden.
20:35Yes.
20:37But my love for her is still intact.
20:39Even stronger.
20:41You know, I know I'm going to marry her.
20:44Although I still don't know when or how.
20:46If you allow me, I would like to give you some advice.
20:51Don't be in a hurry.
20:53The moods are very heated around here.
20:56I know, but that's precisely why I think I have to stay firm with my decisions.
21:01Mr. Baeza.
21:03When he said that secrets are as heavy as bears ...
21:07He was referring to Mrs. Pia, right?
21:10That's right, sir. I think Mrs. Adar is suffering too much.
21:14Yes.
21:16But there is less left.
21:18You know, I think we have never been so close to being able to reveal to everyone that she is alive.
21:23And I don't think there is much left for them to locate the person responsible for Gregorio Castillo's death.
21:28God forbid.
21:30On the other hand, you have already told me that you told the sergeant that Mrs. Pia was still alive.
21:35I had no choice. The sergeant himself spoke to her.
21:38And since then we have not had news of him.
21:42Something tells me that he has directed his investigation in another direction.
21:45It could be.
21:47Yes. You know, I'm still thinking about a settlement.
21:53If I hadn't been so clumsy as to use an envelope with the name of the promise ...
21:56But it doesn't make sense for you to adjust to that, sir.
21:59It was a clumsiness, Romulo.
22:01I don't know, I guess he had his head somewhere else.
22:03Yes, at his wedding, he had his head. Where?
22:06Yes, no.
22:08So, calm down.
22:10The most curious thing about all this is that I have not yet been married.
22:13But he has done everything possible.
22:15Maybe now is the time to stop and think about the next step.
22:18The next step.
22:24You are a little more drunk.
22:29Come on, come on.
22:31We have already promised the Marquise that we will go to the kitchen with a patina.
22:34I can't take it anymore.
22:36One, two and three.
22:40You can't.
22:42And Lope has also been notified, with his help, of Salovero.
22:45No, of Salovero.
22:47To move this model, we need the help of a boy or more than two.
22:52Unless they are Antonio and Policarpo.
22:56The two rascals who kept the door of the poor lady's room in the king's palace.
23:01What are you talking about?
23:04Good morning.
23:06I see you all very suffocated.
23:08What are you doing in the round?
23:10I was going to look for Santos to tell me what I have to do today.
23:12But hey, I came down to say hello.
23:13To say hello, huh?
23:15Well, here, until lunchtime, you can't eat anything.
23:18Wow.
23:20I already knew you were coming to say hello.
23:22Since ...
23:24Well, and why are you so upset?
23:27They would be trying to move this table.
23:30Look, it's going fast, boy.
23:32For what?
23:34Well, to clean the bottom well,
23:36because the Marquise has caught our attention and we don't want him to make a mess again.
23:39But nothing is impossible.
23:40In your table, like a bull in a canal.
23:43Sometimes it is better to be clever than to be strong.
23:46They won't have a pill of soap around.
23:48Another one who is calling you a whore.
23:50That's not why, Mrs. Candela.
23:52Come on, leave it to me.
23:54I'm going to show you a trick.
23:56Here you have the soap.
23:58Let's see how that trick is.
24:00Look, first we wet the soap.
24:02Then we put a little on the floor.
24:05And next to the legs.
24:14And that's it.
24:16And those are the magic words for the table to move?
24:19No, for them to move, they have to push it.
24:21But now it will be much easier for them.
24:24Let's go.
24:26Try it.
24:28Come on.
24:30Try it.
24:36It works.
24:38Yes, I told you.
24:40You could have helped a little.
24:42You couldn't just stand there looking.
24:44It's the law. Recognizing a boy was right.
24:46Thank you very much, Marcelo.
24:48Yes, this time you have succeeded.
24:50I always succeed, Vera.
24:52Especially in front of well-placed ladies.
24:54Watch your tongue, Marcelo.
24:55Marcelo.
24:57We are not married men.
24:59You have to measure the requirements.
25:01And what am I going to do if I'm surrounded by beautiful flowers like you?
25:04Then go to your mother.
25:06What a mess you've made.
25:08Never again.
25:10Goodbye.
25:15Vera, it's me.
25:17Can I talk to you for a moment, please?
25:20I need to explain to you.
25:22I don't want to know more details.
25:23No, thank you. It's all very clear.
25:25You and I were not together,
25:27so you fell in love with someone else.
25:29There is no betrayal or deception.
25:31I felt tremendously alone.
25:33And hurt.
25:35And does that justify what you did?
25:37No, it doesn't justify it.
25:39But I want you to understand the whole circumstance.
25:41I was in a moment of despair.
25:43I felt suffocated.
25:45Okay, I understand.
25:47Is there anything else you want to tell me?
25:49Yes.
25:51I'm sorry.
25:53More than you imagine.
25:56I made an unforgivable mistake.
25:58Of course you did.
26:00But that's it.
26:02I forgive you.
26:06I don't think there is sincerity in your forgiveness if you are still so angry with me.
26:10Children get angry when they are told no.
26:13What I am is broken.
26:16Disappointed with you.
26:18And it seems to me that you are being too indulgent with yourself.
26:21I know I was wrong, Pelayo.
26:23But I couldn't do anything but move on.
26:26Move on?
26:28Yes, move on.
26:30And I would like it to be with you.
26:32Although I am aware of how difficult things are now.
26:35Yes, they were already difficult before.
26:37I can't speak for you.
26:39But as far as I'm concerned, I know I love you.
26:41And I thought you felt the same.
26:43What's the point now, Catalina?
26:45Your pregnancy changes everything.
26:47I know, Pelayo.
26:49But as much as I want, I can't go back.
26:51That's more than obvious.
26:53I would like to take advantage of the circumstances to ...
26:57Instead of separating us forever, to unite us definitively.
27:05It seems incredible to me.
27:07But it's incredible that you have the shame to even ask me something like that.
27:11Do you realize what you're asking me?
27:14I am quite aware of it, yes.
27:17But I understand perfectly well that you don't want something like that for your life.
27:23But if I'm asking you, it's because I think it's worth fighting for what we have.
27:29I want this child.
27:31And I'm going to have it above all.
27:34But I don't want to lose you.
27:53The main bedroom will be ready for our wedding night.
28:07Yes, with all the decoration I asked for.
28:09Of course.
28:11Including the blue velvet curtains with the golden embroidery.
28:14And the Persian carpets.
28:16I have been told that they are on their way.
28:18At stake with the wooden bed of Eban Ogundosel.
28:21Big size, I understand.
28:23The bed for a queen.
28:25Aren't you looking forward to trying it?
28:27Yes, I'm sure it will be very comfortable and we will sleep very well there.
28:32Everything will be perfect.
28:37By the way, we haven't talked yet about the decoration of Martina's room.
28:43Ignacio.
28:45You talked to her, right?
28:47Yes.
28:50Tell me without hesitation what she told you.
28:54Well, she denied it, Ignacio.
28:58Wow.
29:00I didn't expect it.
29:02Well, I don't want you to take this as a personal affront because she really has nothing to do with you.
29:05Are you sure?
29:07Yes, she just wants to keep the promise and that's it.
29:12I guess it's a firm decision and I have nothing to say.
29:15Well, I know you were very excited that the three of us would live as a family, but ...
29:20I also understand that Martina is an adult person and makes her own decisions.
29:25That's right.
29:27Although that doesn't mean that she feels it a lot, especially for you.
29:30I was convinced that her presence would do you good.
29:34But if it's like that, it's like that.
29:38Well, I really appreciate your understanding.
29:42You're welcome.
29:43You're welcome.
29:47Now, if you want, we could talk about the decoration of the living room.
29:50Sure.
29:53Well, I was stunned when they told me that the Marquise came down to the kitchen in person.
29:58But what did he say exactly?
30:00Well, nonsense, according to Candela and Simona.
30:03That Don Manuel was focused, without regi, and without knowing what to do.
30:08The thing is that the Marquise has the hope that he will clarify his ideas.
30:13What do you think?
30:15What do I think?
30:17Well, I think this woman doesn't know anything.
30:19Or at least she doesn't want to know.
30:21I don't know how hard it is for her to understand that her son and I have fallen in love.
30:28Hanna Expósito, I need to talk to you.
30:31Of course.
30:33Look, I'm in a very uncomfortable position.
30:36I have to do the squares for tomorrow.
30:38And ...
30:40So tell me.
30:41Well, given your relationship with Don Manuel, I really don't know if I should give you orders, or rather the opposite.
30:47I'm sorry?
30:49Well, I understand that you have the power to do whatever you want, so ...
30:52I imagine I'll have to assign you lighter tasks.
30:57Because the last thing I would like is for you to complain about me to your boyfriend.
31:01Enough nonsense, Mrs. Arcos.
31:03Mr. Baeza, as a keymaker, it is my obligation to organize the shifts properly.
31:07But will you be aware of the specific indications that Mrs. Marquesa gave this morning?
31:12Of course.
31:14Then you will know that your wish is that there is absolute normality and discretion.
31:19That everything is the same as before.
31:21No one wants a scandal, Mr. Baeza.
31:24But there are considerations to take into account.
31:27Like which, Mrs. Arcos?
31:29Like, for example, whether Hanna should or should not serve the gentlemen's dinner.
31:34Of course she can.
31:36She may find herself in a very uncomfortable situation.
31:40Not knowing whether she should sit at the table or serve it.
31:43But it will be ...
31:45Don't worry, Miss Fernández.
31:47Mrs. Arcos, stop messing around.
31:49I think the last thing you care about are the squares.
31:52And all he wants is to make firewood from the fallen tree.
31:55Well, in this case, Mr. Baeza, as you can see, the tree is very frivolous.
32:00In fact, it casts a shadow on all others.
32:03Mrs. Arcos.
32:05It is Hanna's wish to serve or not to serve dinner.
32:10In this case, there are enough streets to serve dinner.
32:14The young ladies are not needed.
32:16So Miss Expósito can dedicate her time to other tasks.
32:19Well, that was precisely what I wanted to achieve.
32:22Well, let's have the party in peace.
32:25Miss Expósito, come with me to my office.
32:28I need your immediate collaboration.
32:36Oh, María Fernández.
32:39Look how things are.
32:41Some get rid of their homework and others ...
32:44They don't even have time to write.
32:47It's a shame that the world of literature has lost ...
32:50such a promising figure.
33:06Excuse me, gentlemen.
33:08Is everything to your liking?
33:10Yes, yes. Don't worry, Mr. Ricardo.
33:14I'm sorry, but I've noticed that you haven't been present at the dining room
33:18and that you've been locked up here during dinner.
33:22I don't want to be intrusive, but ...
33:24I'm fine. I just want to be calm. If it's not too much to ask ...
33:28Excuse me, gentlemen.
33:30I'm sorry, but I've noticed that you haven't been present at the dining room.
33:33If it's not too much to ask ...
33:35Excuse me if I've been impolite, sir.
33:38Wait, wait, Mr. Pellicer.
33:42I'm very sorry. It's not your fault.
33:45I've paid with you again in my bad mood.
33:48It doesn't matter, sir.
33:50It's just that ...
33:52I'd like to find a way to help you.
33:55I see you're in a bad mood.
33:57Have you received any bad news?
34:00The worst of all.
34:01Have you received any bad news?
34:03If you want to share it ...
34:06Do you want to share it?
34:08If you allow me the advice, the experience has shown me
34:12that verbalizing concerns is the best way to remove part of their seriousness.
34:17I'm afraid that in this case, that won't help at all.
34:21I'm sorry for the inconvenience, sir.
34:24It won't lose seriousness, but ...
34:27maybe it will relieve me a little.
34:29I'm listening, sir.
34:35It's about Miss Catalina.
34:39She's pregnant.
34:42What do you mean, sir?
34:44The worst thing is that I'm not the father of the child.
34:50I'm very sorry, sir.
34:53And of course, I assure you that this information will save you from here.
34:56Thank you, Mr. Ricardo.
35:03She herself has confessed it to me, can you believe it?
35:07I guess it must have been a very hard blow for you, sir.
35:11I admit that in the past I was not honest with her.
35:15I behaved badly, very badly.
35:17But I didn't expect this.
35:20Yeah.
35:22We were going to give ourselves another chance.
35:24We were going to give ourselves another chance, you know?
35:28We love each other.
35:31But now it's impossible.
35:33Nothing is impossible, sir.
35:37That's what she said.
35:41Do you know what she asked me?
35:43That I assume the paternity of that child.
35:48What would you do in my place?
35:50Me? No, no, no.
35:52That's not important, sir.
35:54I need to know your opinion.
35:57I don't know.
36:01You have said that you love each other very much.
36:05One does not stop loving someone overnight.
36:09Well, sir, I think that Miss Catalina is offering you a solution to be able to continue with you.
36:16Without going into other considerations.
36:20Yeah, but I don't know if I'm going to be able to take on something like that.
36:25I don't know, I'm not able to think clearly.
36:28Maybe now that she has told you, she is able to.
36:32I don't know.
36:35In any case, I thank you for listening to me.
36:38If you have helped me in something, tell me, I am happy from the bottom of my heart.
36:42And sir, if you allow me one last advice.
36:45Do what you do.
36:47First, take a bath, calm down.
36:50And think very well about what your next step will be.
37:16Well, I like this one.
37:18The five.
37:21The five ...
37:22The five ...
37:24Folding fan made up of a fully wooden carved handle.
37:29Which one do you like best?
37:31Well, without a doubt, the seven.
37:35Well, yes, it's a very good choice too.
37:38Ready.
37:40Well, pay these two to the traveler and the rest will be taken from here.
37:43The next day.
37:49Well, I don't know if we should have stayed with more fans.
37:54No, there will be more.
37:56You think that all the travelers in the area are wishing to keep their promise.
38:00Well, the next ones will run on my own.
38:03Anyway, thank you for taking care of mine.
38:06The truth is that I have not asked you just to accompany me to give you a fan.
38:10No, no?
38:13Martina has asked us permission to keep the promise.
38:16After your wedding with Ignacio.
38:18I know, I know.
38:20And I also know that you and Alonso have accepted.
38:23Well, Martina is an adult woman and ...
38:27And for both Alonso and me it is a pleasure to have her here.
38:30I really just wanted to inform you.
38:34Well, I was aware of her intentions.
38:37And although I would prefer her to live with me, I also understand that she is an adult, as you say.
38:42We will respect your criteria.
38:44We will respect.
38:46Ignacio and I.
38:49Is he also aware?
38:51Yes, I myself have informed him before.
38:54In addition, he has taken it very well, thank God.
38:57What other option could he have?
38:59Well, it could have been a confrontation for him, that negative of Martina.
39:03Or having opened another front, I don't know.
39:06Because besides, he was very excited that the three of us were like a family.
39:09And what's with that smile?
39:11Come on, Margarita.
39:13Don't be naïve.
39:15What Ignacio has done is called fulfilling and not spending.
39:17What do you mean by that?
39:19Well, I get the feeling that he is delighted to get rid of a girl
39:23who has already done enough displays of contempt in the past
39:26and from whom he has wanted to get rid of several times before.
39:29What interest could he have in the three of you living together?
39:33Come on, he's getting everything out of his mouth.
39:35What happens is that you don't even find out.
39:45Can I talk to you?
39:47No, I'm very busy.
39:49I need to explain to you.
39:51I assure you that this time it will be the last,
39:53the reason why Santos scolded me.
39:55I don't want to hear your explanations.
39:57I'm almost done here, we'll talk another time.
39:59For God's sake, Teresa.
40:01I've been trying to talk to you for days.
40:03I don't want to hear any more.
40:05I don't want to hear your childish excuses.
40:07And do you think it's more mature to be playing cat and mouse with me?
40:11Okay, tell me.
40:13Let's see, Santos got me in a hurry to finish the clothes.
40:17And he also told me to change the buttons on a shirt.
40:20That's what Rarávez does on the street.
40:22I know, but I only do what they tell me.
40:24And?
40:26Well, in a hurry, I sewed the buttons inside.
40:30I shouldn't have changed the buttonhole.
40:32How was it?
40:34Blaming a partner of your own negligence.
40:37No, I didn't say that.
40:40Mrs. Arcos, this is a private conversation.
40:43Stop being it when it involves others.
40:46And I owe Lara.
40:48Because I rule the good atmosphere among all the members of this house.
40:51Sure, and you know how to do that perfectly.
40:55I know you were talking about Santos.
40:58And I'm completely convinced that he explained your tasks well.
41:02There is nothing to justify that things are wrong with the buttons.
41:05Anyone can make a mistake.
41:07Yes, but not one after the other.
41:10You don't pay attention to things and you're useless.
41:15You interrupted a conversation with the captain.
41:18You spoiled a horse ride for Mr. Curro.
41:21And you ruined some buttons.
41:23I already apologized for all that.
41:25You're a lousy lackey.
41:28And the truth is, I don't know how long you'll be around here.
41:30But I assure you that for someone like you, there is no place for promise.
42:01But what are you doing here?
42:05You and I have a conversation pending.
42:08Us?
42:10You and I have nothing to talk about.
42:12Except for the temperature of the water that I like for the bathroom.
42:15Well, you're wrong. I have a lot to say.
42:18Have you ever seen such disdain?
42:21Is this how you thank me for the generosity I have had with you?
42:24For not kicking you out of here forever?
42:26Look, forgive my insistence, but I think it's important that we talk.
42:30I don't know why.
42:32Well, because since all this came to light, I've kept quiet out of respect, but ...
42:37I think the time has come for me to tell you my reasons.
42:42I see you're not going to stop being a lousy lackey, are you?
42:46Come on, talk.
42:49I want you to understand that Manuel and I never intended for this to happen.
42:54In fact, what happened between us came out of our sorrow.
43:00When we realized what we felt, we tried to avoid it, but ...
43:03it was impossible.
43:05And it was impossible because our love is sincere and pure.
43:09Pure?
43:11Please, my ears bleed from hearing you say those lies.
43:16You don't love my son, but rather his rooms and his last name.
43:21That's not true.
43:23But who are you trying to fool, shameless?
43:25Since you set foot in this palace, I've had my eye on you.
43:27Why did you insist on working here, huh?
43:30I fired you.
43:32And yet you ...
43:34You managed to convince the Marquis with your bad arts.
43:38I saved Manuel's life.
43:40Do you think I'm also to blame for that accident?
43:42Everything could be.
43:44Who says lies now?
43:46We offered you money for you to leave.
43:49But you didn't want it. You wanted more.
43:51You wanted everything.
43:53You wanted to hunt down the heir, right?
43:54And you didn't hesitate to destroy a marriage to get it.
43:57You know perfectly well that Manuel never loved Ximena.
44:00Because you got in the way.
44:02You destroyed that poor girl's life.
44:04And you're willing to destroy my son's too.
44:06Enough!
44:08I'm not going to let you talk to me like that.
44:10And you know what I'm telling you?
44:12You were right.
44:14I have nothing to talk to you about.
44:16Well, now I'm the one who wants to continue.
44:18Very well.
44:20Don't you dare leave me with a word in my mouth.
44:22Come here, I tell you!
44:25Ah!
44:30How are you listening to it, huh?
44:32The lady up there reading the fans
44:34and the traveler down here,
44:36eating ham and wine.
44:38And what about the capital?
44:40The poor man was only talking about his daughter.
44:42It turns out that he has sent
44:45the photo of the girl
44:47to a beauty contest.
44:49He organized a magazine.
44:51The girl is pretty.
44:52The girl is uglier than I am.
44:54And then?
44:56Then he gave me a lot of flyers
45:00to distribute among the members of the service
45:03so that they vote for the girl.
45:10The Virgin Juana.
45:12Yes, how ugly the girl is.
45:14And what does this say up here?
45:16I don't see it.
45:18For the contest,
45:19you have to put
45:21a title to the photograph.
45:23And look what the condemned man has put!
45:28The girl in his eyes!
45:30Oh, I don't want to see you.
45:32Poor thing.
45:34Oh, Teresa,
45:36can we help you with something?
45:38Are you happy, Elasme?
45:40Let's see if I get over the discomfort a little.
45:42But what do you think, Sasa?
45:45Well, Mrs. Arco has put Marcelo
45:47to fall from a donkey.
45:49What nonsense has the Marimandrajos said to him now?
45:51None, Mrs. Simona, and that's what hurts me.
45:53That he has only told her truths like fists.
45:55Maybe your husband is not the best lackey in the world,
45:58but it's not bad blood for them either.
46:01I would have liked to defend him, but I couldn't.
46:03It's just that Marcelo keeps making mistakes.
46:05Yes, he makes them, but ...
46:07But deep down he's a good boy.
46:09And if the Marimandrajo doesn't see it,
46:11it's because she only has eyes for the saint.
46:13May God raise them and they like each other.
46:16Yes, lately they look very united.
46:17Yes, especially since Santos got sick
46:19and she was taking care of him all the time.
46:21Nail and flesh.
46:23More than nail and flesh.
46:25They behave like mother and son.
46:27What do you mean?
46:29That after Feliciano's death, may he rest in peace,
46:32Mrs. Petra has welcomed Santos under her wing.
46:35And the saint is delighted with the deal.
46:42I'm sorry to bother you, ladies.
46:44Mr. Baeza wants to meet you.
46:45Mr. Baeza wants to meet with all the servants in the dining room.
47:04Good afternoon.
47:06Good afternoon.
47:11I guess you can easily imagine what I want to talk to you about.
47:13What do you want to talk about?
47:15About the only thing that is discussed in the promise.
47:18That's right.
47:22You see, since everyone is gossiping around,
47:25I would like to sit down with you
47:28to be able to address this whole matter face to face.
47:30This matter is very boring to me, Manuel.
47:33Mother, that's not the attitude to be able to speak and reach a conclusion.
47:36I don't know what conclusion you intend to reach.
47:39To begin with, I want you to accept Hanna.
47:44Get to know her.
47:46And discover what a wonderful woman she is.
47:48A wonderful woman?
47:50She's a maid, for God's sake.
47:52If you gave her a chance, you'd learn to appreciate her.
47:55That's not going to happen in a million years, Manuel.
47:57You're not even going to listen to my reasons?
47:59Wow, that's exactly what she told me
48:02when she collapsed in my bedroom.
48:04What did she do?
48:06She said nothing but nonsense.
48:08But what nonsense do you think you're talking about?
48:11Reality has nothing to do with what you're trying to say.
48:14In that case, I'm sorry to tell you that we're all going to suffer.
48:19Because I'm very clear that Hanna is the woman I want to spend the rest of my life with.
48:24And I'm not going to give her up for anything.
48:27Look, Manuel.
48:30We can understand that you've fallen in love with the wrong woman.
48:35But you can't forget what your position is.
48:39My position?
48:41As the heir to the Marquis of Lujan, you have a social responsibility
48:44and a last name to honour.
48:46And that prevents me from sharing my life with the person I choose?
48:48You like it or not, there are things above you.
48:50You should know that.
48:52I know that perfectly well, Father.
48:54I really do.
48:56In fact, it was that desire to fulfill my obligations
48:58that made me make the biggest mistake of my life.
49:02I married Ximena de los Infantes.
49:04Again with that?
49:06I've learned.
49:08That I have the right to be happy.
49:10Nobody opposes that.
49:12Then stop worrying about the blessed Marquis.
49:14I'm not going to disappoint you.
49:16I'll be the future Marquis of Lujan.
49:18That's a good starting point.
49:20But I'll be the Marquis of Lujan married to Hanna.
49:23Or I won't be.
49:25There's nothing of the sort in my relationship with Manuel, Mr. Pellicer.
49:28This is a real love.
49:30Yours has no name.
49:32You're the most defaced woman I've ever seen in my life.
49:35She didn't look like our father.
49:37What do you mean by that?
49:39That she was out of her mind.
49:41It was my mother who had to...
49:43I don't know.
49:45I don't know.
49:47I don't know.
49:49I don't know.
49:51I don't know.
49:52It was my mother who had to...
49:54I'll tell you everything.
49:56I didn't notice.
49:58You never notice anything.
50:00How are these two?
50:02It's so weird.
50:04Why did they get along so badly?
50:06If they're in what people say is the best stage of a couple.
50:08How can she be so obtuse?
50:10It's obvious.
50:12You think?
50:14Anyone with two fingers in front knows that
50:16what attracted Ignacio to Margarita is not precisely his distinction.
50:18Don't say nonsense, Cruz.
50:20Ignacio has his own fortune.
50:22Therefore, I'm the one who wins with that marriage.
50:24And not him.
50:26I see you've made your calculation too.
50:28That she's in love doesn't mean she's stupid.
50:30I see.
50:32You're one of us now.
50:34In fact, I think there's enough confidence to start dating.
50:37Don't you think?
50:39You're right.
50:41My relationship with her is...
50:43special.
50:45In fact, you have no idea how much.
50:47If I say it between the two of us,
50:49it doesn't seem to me that they get along badly.
50:50It's true.
50:52Although his father doesn't think the same way I do.
50:54And what happened to Santos' mother?
50:56She died of appendicitis when he was very young.
50:59Poor thing.
51:01I don't even know who he is.
51:03I only know his name is Adriano.
51:05And what else do you want to know?
51:07I don't know his last name, what title he holds,
51:09maybe he knows his family.
51:11No, you don't know him.
51:13Why are you so sure?
51:15He's a peasant.
51:17What?
51:18He's the Marquis of Lujan.
51:20And as he would say,
51:22nobility forces.
51:24Yes, but precisely because of that,
51:26because of his personal circumstances,
51:28he should understand me better than anyone else.
51:30No.
51:32You're not thinking of bringing up his past, are you?