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00:00This is a work of fiction. Any resemblance to actual people, or events, or incidents, or events is purely coincidental.
00:07Come in.
00:11Mrs. Arcos?
00:13Come in, Santos.
00:15Come in and close the door.
00:26And that face, Santos?
00:28Santos Pellicer always keeps his word.
00:33You did it.
00:35Did you doubt it?
00:37No.
00:38Actually, no.
00:40Have you found any information?
00:43I haven't been able to read it well yet.
00:45I just picked it up from Maria Fernández's room.
00:47No one would have seen you, right, Santos?
00:50Of course not.
00:52Come on, sit down.
00:58And read something.
01:01What?
01:02I don't know. Open it and the first thing you find.
01:05I'm looking forward to seeing if Maria Fernández
01:08describes the same nonsense she says.
01:12Let's see...
01:16This one.
01:18But despite how much she loved her lover,
01:23something was wrong with the girl.
01:25Every time they talked about a wedding,
01:27she was like...
01:29like a paralysed person.
01:32And she didn't know why.
01:35Well, I guess you're not reading the spelling mistakes.
01:38No, because you can't.
01:40But she has a few, she's very boring.
01:42Although that's the least of it.
01:44This brochure is unsmokable.
01:46Yes, I think it would be more useful
01:48to liven up the fire in the chimneys.
01:50But keep reading, maybe you'll find something more interesting.
01:53Yes.
01:54You choose, whatever you want.
01:57Let's see...
01:59I'm so clueless.
02:02Look.
02:04Here, for example.
02:07But then, why did her departure hurt so much?
02:13Maybe it wasn't just the distance, but...
02:17but that something had broken between them.
02:22No, no, don't continue.
02:23Tell me, please, I'm going to cry.
02:25Well, I guess all this nonsense
02:28is dedicated to his beloved Salvador.
02:30To his such-and-such.
02:32Curses and paragraphs to make you angry.
02:34Well, look.
02:36Maybe you'll find something more interesting.
02:40Let's see...
02:44This one, for example.
02:47He was a just man, and better than bread.
02:51So good, so good,
02:52that many people thought he was too soft.
02:57She was the complete opposite.
02:59Hard as a stone.
03:01Maybe she had a heart,
03:03but it was so cold
03:05that she never showed any kindness or closeness.
03:09Stop.
03:10Don't keep reading.
03:11What's going on?
03:13It's clear that he's talking about the Marquis.
03:17You think so?
03:18Yes.
03:19It's obvious that this notebook
03:21contains something more
03:23than innocent annotations.
03:25This notebook contains
03:27grievances that we must not let pass.
03:36Santos.
03:38Don't tell anyone what you just read.
03:41Of course not.
03:44If you don't mind, I'm going to return it right now.
03:47No, no, no.
03:49Don't do it.
03:51I think this notebook will be
03:54much more useful than I imagined.
03:59I'm going to examine it in detail.
04:14Curro.
04:16You're here.
04:17Yes, I was trying to read the newspaper.
04:20So you're not very busy.
04:21No, not really.
04:29Great, why do I have to talk to you?
04:32I see.
04:34What's going on?
04:39It's about my wedding with Gena.
04:43Do you know the date?
04:45Yes.
04:47It will be tomorrow.
04:49What?
04:50Really?
04:50Yes.
04:51But, but Manuel, that's wonderful.
04:53I know.
04:54And I'm sorry I can't tell you more.
04:56You already explained to me the reasons.
04:58You don't want me to ruin it.
05:00Curro, that's not it.
05:01What I don't want is to compromise you.
05:04If you don't know anything, they can't force you to say anything.
05:06Do you understand?
05:09So why are you telling me the date?
05:11I don't know.
05:15Because your dear sister did the same with María Fernández.
05:20I see that something has failed in your perfect plan to keep everything in the most absolute of secrets, right?
05:26Well, yes.
05:29And given the circumstances, I think it's fair that you are also aware.
05:32Yes.
05:33Since I am the brother of both traitors, I thank you for the gesture, yes.
05:38Although you know perfectly well that what I would like would be to take you to the altar.
05:45Yes, I know, don't worry. I know it's impossible, it's okay.
06:00Manuel, you are in a bad mood.
06:02Why do you say that?
06:04Well, because you are shaking like a flan and because you just drank my coffee.
06:08Forgive me.
06:09It's okay.
06:12After all, this is going to be the most important day of my life.
06:16The only thing I feel is that it will not be the wedding I dreamed of for Hanna.
06:19And why do you say that?
06:21Why is it going to be?
06:23Ángel would love it if we could share this day with the people who love her the most.
06:27And there are many.
06:28Yes, starting with María Fernández, from what I see.
06:32And for you.
06:34I swear I would love to shout to the four winds that I am going to marry her.
06:39But unfortunately it is impossible.
06:42Yeah.
06:44Well, you told me.
06:47Even if it's not shouting.
06:51Curro, you know that one way or another you will be there with us, right?
06:56I don't know.
07:03And now, tell me.
07:06How can I help you?
07:10You have already helped me a lot.
07:11Yes, yes, I know.
07:12But I'm sure I can do something else to make you feel better.
07:18Well, actually you can.
07:20Let's see, tell me.
07:26Brother, when ...
07:28When we get married, I'm going to ask Father Samuel to bring a letter of promise.
07:32A letter?
07:33Yes.
07:34In it I will explain what happened and why I acted in that way.
07:38So are you going to tell your love story with Hanna?
07:42That's right.
07:44And something tells me that the news will be devastating.
07:47Your mother is not going to take it well.
07:49No, but my mother's is not fixed.
07:53What matters to me is how our father is going to take it.
07:58And do you want me to be present?
08:01That's right.
08:03And why don't you prefer that I give him the letter directly?
08:06No.
08:07Not in any way, because that would make you my accomplice.
08:11And I don't want to put you in that problem even when I'm going to put land in between.
08:14So?
08:17So I need you to be there.
08:21I need you to support our father in what he needs.
08:27And most importantly,
08:29that you make him see the good side of all this.
08:35Okay?
08:36Yes, like, for example, make him see that you are going to be very happy.
08:42Right?
08:44Immensely.
08:48Well, count on it, brother.
08:52Don't worry.
08:53Calm down.
08:58Hello.
09:07Am I interrupting some captivating reading?
09:11Actually, I can't get past the first page.
09:14Well, then it's not that captivating, right?
09:17I'm afraid the problem is not the reading, but myself.
09:24Let's see ...
09:26If I'm honest with you, I couldn't either with this novel, huh?
09:30You're right.
09:32The election didn't help either.
09:37Why do you spend your hours locked up here?
09:40If you were interested in reading and you were spoiled, I could understand, but ...
09:45I don't know, I'm surprised not to see you wandering around the farm,
09:49watching the crops or ...
09:51that the grain grows properly.
09:55The grain grows well without surveillance.
09:59Let's see, I'm an ignorant in everything that has to do with the field, we all know that, but ...
10:04This ignorant is worried about you.
10:07I'm just tired.
10:09I don't think it's anything serious.
10:11But thank you for worrying about me.
10:14You are my favorite cousin.
10:16Thank you, Martina.
10:20And how are you?
10:22Fine.
10:25Well ...
10:27I think I'm dying of jealousy, cousin.
10:30Jealous of whom?
10:32They are my feelings, so let's leave the subject.
10:35Come on, tell me. Jealous of whom?
10:38Well, I know that those jealousies are not justified,
10:42because I was the one who insisted that she stay with us, so ...
10:46Are you talking about Julia?
10:48I just couldn't imagine that she would be interested in that way for work.
10:52Really?
10:53She doesn't even leave him alone.
10:55But wait a minute, wait a minute.
10:57How is it that you are jealous of Julia?
10:59Well, maybe I chose the word wrong. What I mean is ...
11:05that I feel displaced.
11:07That's what I mean by being jealous.
11:09But now Curro and you have a friendship relationship, right?
11:12Yes, that's why I told you that I chose the word wrong.
11:15But we have known Julia for a very short time.
11:18And now they seem inseparable.
11:21Curro has been at the forefront.
11:23I think he knows how to take care of himself.
11:26Yes, in many aspects yes, but in many others ...
11:29I don't think so, and I would be afraid ...
11:32to let Julia hurt him.
11:35Are you listening to yourself, cousin?
11:38Why?
11:40Well, I think you have chosen the right words and you are dead jealous.
11:45What is there between Curro and you?
11:47Is that you are together again?
11:49No.
11:53We are fine, but we are not ...
11:57You don't know what you are.
11:59It's not true.
12:01I know we are not dating.
12:03And I know we are not engaged.
12:06But I know we are fine.
12:08And that maybe there is some possibility that there is something more.
12:13And do you think Julia's presence can ruin that possibility?
12:19I'm afraid so.
12:21Well, talk to him.
12:23Let him know that you are worried.
12:26No, I can't.
12:28Be honest with him.
12:30And so he will be with you.
12:32Maybe that can help you find out who you really are.
12:54Vera.
12:56Do you know where Javel's water is?
12:58What?
13:00It's just that I just had some tablecloths with María Fernández and ...
13:03we have realized that one has a stain and it does not come out with soap.
13:06Yes, yes, of course, sorry.
13:08The point is that it has run out.
13:10I suppose they will bring it now when they go shopping in town.
13:13Well, in that case, the tablecloth will have to wait.
13:16I have to go up to attend to the gentlemen.
13:18If you want, I can clean it up as soon as they bring Javel's water.
13:21Would you do that for me?
13:23Sure, it doesn't cost me anything.
13:25Thank you, Vera, you are a heaven.
13:28It will be less.
13:30No, really, I'm not exaggerating.
13:32You are one of those people for whom it is worth having returned the promise.
13:35Now I'm going to blush, Teresa.
13:37Well, that's what I feel.
13:39And not only do I think so.
13:41They are all delighted with you.
13:43Thank you very much.
13:45All but saints, of course.
13:47And I don't understand why.
13:48María Fernández told me in one of her letters that you became a couple.
13:55Well, a lot has happened since then.
13:59Yes, of course.
14:01I guess it's something personal, but I just want you to know that ...
14:05you can count on me for everything you need.
14:10Actually, there is not much to tell.
14:14I was never very convinced of that relationship.
14:17Oh, no?
14:19No.
14:21I never felt very comfortable with saints.
14:25I didn't know.
14:27Don't worry.
14:29No one knew, or almost no one.
14:33I don't know.
14:35I don't know.
14:36No one, or almost no one.
14:39So why were you with him?
14:42Well, it's ... it's hard to explain.
14:46Not even your past?
14:49Let's say that ...
14:51that Saint always found a way to keep me by his side.
14:56That doesn't sound good at all.
15:00So ...
15:02you didn't have feelings for him?
15:05No.
15:07Although the situation between Santos and I could seem like it from the outside, it was always very tense.
15:12I'm sorry, but ...
15:15but hey, that's already part of the past.
15:18And ...
15:20are you happy now?
15:22Yes, I think so.
15:24I'm glad.
15:26And I'm very sorry I couldn't have been there before to help you.
15:29Well, actually, all this happened while you were traveling and ...
15:33and even if you had been here, you couldn't have done much.
15:36You can always do something.
15:38Even if it's giving unasked advice.
15:42And what advice would you have given me?
15:46Well, I guess I would have told you ...
15:49that it is important to face the truth.
15:53And that you have to face the problems head-on.
15:56It makes perfect sense.
16:00And it's not even my advice.
16:03It's something that Feliciano always told me.
16:12Well, it's very good advice.
16:14Very sensible.
16:17It's a shame that sometimes it's so hard for us to act that way.
16:22Yes.
16:24Of course it is.
16:40An envelope.
16:42With the pledge of the promise, sir.
16:44Wow.
16:46And in the name of Don Gregorio Castillo.
16:47Don Gregorio Castillo.
17:00I'm going to leave this letter to the taverner.
17:03So he can give it to you as soon as he sees it.
17:05And what have you written?
17:07Nothing new. It's the same location as last time.
17:09And I'm not going to tell you when.
17:13Yes, I know what I put in that envelope, Mr. Baeza.
17:18I wrote it myself.
17:20I knew it.
17:22I didn't tell Sergeant Gordina.
17:25I know.
17:27Because otherwise I would be making a statement in the barracks.
17:30I have to, sir.
17:34So we can deduce that the sergeant found the envelope in a note inside it.
17:38Considering the questions he asked me, it seems so.
17:42What did that note say?
17:47Just the time and place of the citation.
17:50It didn't say anything that personally intrigued him.
17:53No.
17:55I don't think so, at least.
17:57But we can find out why that man kept only the envelope.
18:00Maybe he took a mental note of the address and got rid of it.
18:04We don't know what would go through that poor devil's head.
18:07The one you call the devil, I remind you that he is a murderer.
18:10I know.
18:12And he was willing to kill himself again, Mr. Baeza.
18:13Whatever it is, what we do know now is that the CID guard has proof that relates the promise to that man.
18:20And everything seems to indicate that I am one of the last people who saw him alive.
18:24That's right.
18:26Which makes me one of the main suspects.
18:36Wake up.
18:39Mr. Baeza, I assure you that I have nothing to do with your death.
18:41You don't need to tell me.
18:43I totally believe your innocence, sir.
18:46And don't worry because the envelope doesn't show anything.
18:48What it shows is that I was with that man a few hours before I died.
18:52The envelope doesn't show anything, if you don't find anything else.
18:58Listen, I know it's not going to seem like a good idea, but I think you should go talk to that sergeant.
19:03That would be succumbing to panic, sir.
19:05Let's let things go at their course.
19:08It is not convenient for him to impersonate in that portfolio.
19:11Let's go.
19:41So that when they go to work, they can sew and sing, sew and sing, sew and sing, sew and sing.
19:50That's Maria Fernández.
19:53Well, we already know what I can do if they fire me.
19:56As a seamstress and as a seamstress too.
19:59Look at the most beautiful arrangement that the waist of the dress throws at him.
20:04Maria, for God's sake.
20:06Thank you very much.
20:08Today for you, tomorrow for me.
20:11The one who gets married tomorrow is you.
20:13It will be your turn.
20:15This step is not me.
20:20Let's see.
20:26You know what?
20:30I still can't believe that tomorrow at this time I'm going to be married and that Manuel and I are going to be husband and wife.
20:36Until death do us part.
20:37And let's hope that this is within many, many, many, many years.
20:41I don't care about that.
20:43As long as I can live the rest of my days with him and as long as we don't have to hide our love.
20:48Who was going to tell you that a month ago your fiancé was having sex in the trenches?
20:54And at that moment I thought I was never going to see him again.
20:58But well, things have changed a lot.
21:01And let's hope they stay there.
21:03That you were right and things in the promise change very quickly.
21:05I'm just optimistic that you were there this morning.
21:07And I'm still there.
21:09But one thing does not take away the other and you are going to get married in Lujan, right?
21:13Near La Marquesa.
21:15And that's playing with fire.
21:17I know, I could get married further away.
21:19But hey, it's true that having the priest close has helped us to streamline it and plan things well.
21:24Yes, I don't intend to convince you.
21:26But come on, I could have married you in Puebla de Teras, which is a shot from an airplane.
21:31Manuel doesn't have the plane here.
21:33I see.
21:35Yes, I just ...
21:36She knows, Maria.
21:38And I appreciate your advice.
21:40Because I know you give them to me with good intentions.
21:43I see.
21:44But you're going to be submissive, right?
21:46As if I were watching you.
21:48Well, yes, I'm going to marry Manuel and the hermit of Lujan tomorrow.
21:51It has taken Manuel a lot of ingenuity to not reveal his identity to the priest.
21:56In fact, if it were Don Fermín, he would have slapped each one of you twice.
22:00That's the luck of having a new priest who doesn't know his dangers.
22:05You'll see, Ana.
22:07But lying to a priest, that has to be a sin and a very big sin.
22:12Maria, we are not lying to him about the essentials.
22:14We love each other.
22:16Yes, yes, I know we have no choice.
22:18As if I wasn't going to formalize yours.
22:20Of course.
22:22So what's wrong with you?
22:24Don't you want me to get married or what?
22:27It's not that.
22:29I want you to get married, Ana.
22:32But it's going to be the most special day of your life and I'm not going to be able to see it.
22:41You're going to be with me.
22:43One way or another, but you're going to be with me.
22:48And you know what?
22:51You have to remember what Teresa said.
22:53Teresa said that the important thing is not the day of the wedding, but what comes next.
22:58The rest of our lives.
23:01Yeah, and we're going to share that.
23:03Of course.
23:09Ana, how often does she complain that she's going to hit Marquesa?
23:12You're going to rent balconies to see it.
23:15You're going to rent a good one because no one can stop this.
23:20Come here.
23:23Come here.
23:29I'm not proud to have lied, but it was the only way I could get to you.
23:35Well, but tell me about yourself.
23:37I barely know Matilde.
23:39Well, before being Julia, she was the institute of the grandchildren of the Duchess of Ferino.
23:45Matilde, a babysitter. I didn't expect that.
23:48Well, some of the Duchess's grandchildren are no longer exactly children.
23:53No?
23:55No. In fact, the eldest granddaughter is quite a woman.
23:58Her name is Carolina and she is a kind and sweet young woman.
24:03I taught them to read, to write, history, art ...
24:08And well, to be up to the task, I had to train myself.
24:13That shows that you have a lot of ambition.
24:16It shows that it has come this far, but that's another story.
24:20Well, we have time.
24:21We have time.
24:23Besides, I want to meet her.
24:25Well, that girl, Carolina, had lived outside of Spain for a long time.
24:29And she barely had friends.
24:31That's why my wife got her granddaughter to go to the feast of the Duchess of Frezuelos.
24:36The one that Martino went to.
24:38That's right. But Carolina was not there to attend.
24:42She only came if I accompanied her.
24:45I see. But that reception was only for young ladies.
24:49That's why we agreed that I would pretend to be one of them.
24:53At first I didn't think it was a good idea.
24:56But then I found out that Martina de Luján was also invited to the feast.
25:00And by then you already knew the relationship you had with Manuel.
25:04And with me it was Pedro Luján, right?
25:06That's right. So I agreed to play his game and ...
25:10I stopped being Matilde of the Institute and I became Miss Julia.
25:15I understand.
25:18I only went to the feast to meet Martina.
25:22And so I could get to you.
25:24I needed to talk about Paco.
25:27To know everything about his death.
25:30There's only one thing I don't quite understand.
25:35You came to this palace to give Martina the pendant, right?
25:40Did you steal it?
25:42No, please, no.
25:44No, no, no.
25:45I took advantage of a moment of carelessness in which he kept the pendants in his bag
25:50and I borrowed one.
25:52And so I could make an excuse to visit La Promesa.
25:56An immeasurable excuse.
25:59Just like all those who came later to extend their stay in La Promesa.
26:02Their dizziness, the trip of their parents, restoring the painting ...
26:07I already told you that I hate lies.
26:10But I had to do one.
26:12For Paco.
26:16Yes.
26:35Come in.
26:39What are you coming for, Petra?
26:41To bring me another bouquet, as if it were for me?
26:43I'm sorry, ma'am.
26:45That was just a carelessness.
26:47One of many.
26:49Ma'am, I actually ...
26:51Petra, I'm almost ready to go down to have a snack.
26:54So whoever has to wait, let them wait.
26:56Actually, ma'am, I came for another matter.
27:02And why should I not be interested in your needs?
27:05The truth is that I still think about it.
27:08Yes, it was a mistake to ascend to the key master.
27:10Yes, you have told me that on several occasions, ma'am.
27:13But when we both have the answer,
27:16the mistake would have been to ascend.
27:21Tell me what you came for.
27:24What is this?
27:26A notebook?
27:28It is the proof of my efficiency as a key master.
27:31Read it yourself and you will see.
27:41Vera, I've left the soufflé half-cooked.
27:43The soufflé can wait. We can't.
27:45I just put it in the oven. I need to know it goes up well.
27:48Lope, it always goes up perfectly.
27:51That's why you're Lope, the best cook in the region.
27:54Vera, I'm just a simple cook.
27:56The soufflé is a very complicated dessert.
27:58Look, that's exactly what I wanted to talk to you about.
28:00The soufflé?
28:02No, the one you always miss, Lope.
28:05And it's not fair that you treat yourself like that.
28:07Vera, I know what I am and the place I occupy in the world.
28:10And what about the place you occupy in my heart?
28:13Because what demoralizes me is that we have already talked about this before
28:16and no matter how much I repeat it to you, it seems that you don't finish believing me.
28:19It's not about believing or not believing.
28:21No, you're right there.
28:23The really important thing is if I'm willing to keep insisting.
28:27What do you mean?
28:29That I'm tired, Lope.
28:31And that I can't continue with this loose thread.
28:34So what do we do?
28:36No, the question is what are you going to do.
28:38Are you going to keep pretending to be the victim
28:40or are you going to accept once and for all
28:42that for me you are just as worthy as any of the gentlemen?
28:45Lope, I'm very clear who I was, who I am and what I want to be.
28:49And if my past makes you feel inferior,
28:52you may not be prepared for the present.
28:54Much less for what comes next.
28:57So if that's the case, it will be better if we leave it as soon as possible.
29:02I can't be with a person who feels inferior to me.
29:05My love, it's not you.
29:07What do you mean it's not me?
29:08No, it's everything that surrounds you.
29:11Everything that I have abandoned, you mean.
29:18Forgive me.
29:22You forgive me.
29:24I love you more than my life.
29:26And I promise you that I will not doubt again and that I will be up to it.
29:30Well, let's see if it's true.
29:39At Lope's level,
29:41it's hard for me to believe that there is a cook who has as much art in the kitchens as he does.
29:44Well, it's the truth.
29:46He is one of the best cooks in Madrid
29:48and he will take care of the banquet of our wedding.
29:50Well, I share Margarita's skepticism.
29:52I don't think he cooks better than Lope.
29:54That's right.
29:56Come on, there is no guest who has ever left
29:58without dedicating a compliment to one of his dishes.
30:00Not to mention that you would realize more than that Madrid cook.
30:02Money is not a problem.
30:04And yes, I do not doubt that Lope is excellent,
30:06but he does not have the prestige or the name that I propose.
30:09Don't tell me that your cook is going to sign menus.
30:12That he is an oil painter.
30:15You can laugh at everything you want, Cruz.
30:17But the truth is that it has been very difficult for him to access to cook for us.
30:20In fact, it has been almost a miracle.
30:22Oh yeah?
30:24And how has the miracle been left over?
30:26Well.
30:28Through a good friend.
30:30Who?
30:32For discretion, I prefer to keep the name a secret.
30:33I will only tell you that he works for the Royal House.
30:36Please, how fantastic.
30:39And why would Ignacio have to invent something like that?
30:42To give importance, for example.
30:44No, because my fiancé does not need to do that.
30:47Leave it, Margarita.
30:49It's not worth it.
30:51When you tell us the specific identity of that genius of the stoves,
30:54I will believe you, Ignacio.
30:56Cruz, that's it, please.
30:58Yes, that's fine.
31:00We are organizing our wedding with the greatest excitement.
31:01I don't understand why you can't share our joy.
31:04Yes, what should I be happy about?
31:06Margarita, don't push yourself.
31:08It is obvious that you are resentful of something.
31:10Resentful of me?
31:12What nonsense.
31:14We better talk about something else.
31:16Or we don't talk about anything at all, and that's it.
31:18Lately, in La Promesa, it seems that everyone is very upset.
31:21What do you mean?
31:23Well, that even young people behave in a strange way.
31:26If you mean my son Manuel, I remind you that he has just arrived from a war.
31:29I mean Manuel.
31:31Catalina, who is closed all day.
31:33Are you going to compare me being in the front with the leg of a spoiled little girl?
31:37Now you are going to attack my daughter.
31:39Let her mature at once.
31:41Stop it, Cruz.
31:43You are going to take her side, as always.
31:45Catalina is making a lot of effort with the issue of the jams and she is a little upset.
31:48You should understand her.
31:50You seem to understand everyone, except me.
31:52I wish I could, dear, but you don't let yourself.
31:54You don't want anyone to understand you.
31:59Come on, miss.
32:01Give the snack a try.
32:03We have prepared it with a lot of love.
32:05I appreciate it, but I wasn't kidding when I said I wasn't hungry.
32:09Oh, oh, oh, Miss Catalina without hunger.
32:14The thing is serious.
32:16Let's see if you're going to have a little temptation.
32:19No, no, I'm fine.
32:21Yes, yes, you don't look bad.
32:24Well, I don't know.
32:25Very good.
32:27Yes, yes, you don't look bad.
32:30And how is the jam business going?
32:33Any news?
32:35Well, I have barely had time to review the accounts and analyze the state in which it is.
32:41Yeah, but with everything you told us, I'm sure the business will go ahead, no matter what.
32:48Yes, we will have to adapt to the current market and the new times.
32:52The market in Plaza de Ato?
32:55Well, they haven't changed their place, have they?
32:57No, Candela, I don't mean that market, but a more global market.
33:01Well, as soon as you know the news, let us know that we will be delighted to get down to work,
33:07even with more common flavors.
33:09Take care, Lope.
33:11And I guarantee you that we will not diminish your creativity, even if we have to focus it in another way.
33:16Yes, of course.
33:17The thing in the world as it is ...
33:19Yes, offering a product as innovative as the one we offered will be difficult to sell now.
33:24Excuse me, Miss Catalina, but I don't quite understand.
33:28Well, because of the situation we are in, we are at war.
33:32People don't have rooms or are up to date.
33:35They want things to be like before.
33:37Sure, people want strawberry jam to be strawberry jam.
33:41That's right.
33:42That's right.
33:44Don't worry, Lope.
33:46We'll find a way to make the jam we used to make.
33:49No, no, Miss Catalina.
33:51Those are very logical arguments.
33:53Now is the time to do things as God commands, with quality products.
33:57Very well said.
33:59Have you already heard from Lope?
34:01When he has news, let us know.
34:03Yes.
34:07Lope, Candela, don't you have to go to Alacena to do some inventory?
34:10Us?
34:12But if it's yesterday ...
34:14Yes, because these days we have had a lot of trajín.
34:17Miss Simona, be careful, we're going now.
34:19So, come on, Miss Candela.
34:21Don't be stubborn.
34:23Let's go, let's go, let's go.
34:25So we'll meet, Miss Catalina and I, alone for a while.
34:27I wasn't going to stay much longer either.
34:29Nothing, just a little while, to give her the humidity.
34:31It will have to be at another time.
34:33As you wish, Miss.
34:35Thank you very much for the snack.
34:37You're welcome.
34:47Something's wrong with this girl.
34:49I told you, she's been weirder than a green dog today.
34:52It's normal that she hasn't eaten the snack.
34:55No, what's not normal is that she hasn't told me what's wrong with her.
34:58Well, then, are we going to Alacena, Lope and I, to do the inventory or not?
35:02Candela, it was just an excuse.
35:04I knew it.
35:06Come on, you look like you're about to play Moose.
35:07I'm not playing with a couple, I'm playing.
35:09Come on, you're both so smart.
35:12Come on.
35:14So much smartness around here.
35:28Olé!
35:32Olé!
35:34What beautiful things are there, huh?
35:37Let me see.
35:40Olé!
35:42We had a great time.
35:46Let's go, let's go.
35:48To the square.
35:55Let's go.
35:59Olé!
36:00Olé!
36:06Marcelo.
36:08Come here for a moment.
36:12What's up?
36:14Me?
36:16But I was just shaking the carpets.
36:18Yeah, and what were you shaking them with?
36:20With your tongue?
36:22Why do you say that?
36:24I say it because I'm not Leila and I know perfectly well what you were doing.
36:27Camelart a la Trini.
36:28I didn't do any of that.
36:30Well, that's not what my little eyes have seen.
36:32I was shaking some carpets and it turns out that one of them was so small that it almost looked like a crutch.
36:38I see.
36:40Yes.
36:42It's not my fault.
36:44The girl made her laugh, don't you think?
36:46We're here to work, not to make others laugh.
36:48Because to laugh, the clowns are already in the circus.
36:50Hey, it was an innocent joke, woman.
36:52Well, you seem less innocent to me anyway.
36:54So work and concentrate, you've had enough of that.
36:58I'm sure you don't want me to slap you too.
37:00I'm jealous of Joselito the Rooster.
37:02Don't even think about it, Marcelo.
37:04Don't even think about it.
37:06But why are you so angry with me, woman?
37:08Come to work.
37:29The potatoes are ready to fry.
37:32Lasha, some eggs for Lupe's dessert.
37:36Oh no, I'm coming right now.
37:38You told me that five minutes ago.
37:40As soon as it burns, the mess the boy is going to get is going to be anthological.
37:44You're right, Candela.
37:46I'm sorry.
37:48I'm very sorry, but the one who's going to get close to the oven is me.
37:50Hmm.
37:57Nothing, it's missing a trunk.
37:59Let's see, it wasn't that big of a deal.
38:01It wasn't that big of a deal either, but it had that.
38:03Can you tell me what's wrong with you?
38:05Why are you so upset?
38:07I can't get my head off of Miss Catalina.
38:09Listen, that's bad.
38:11But we have a job to do.
38:13Yes, yes, yes, of course.
38:15Yes, of course, of course, but there is none.
38:16But I'm heartbroken.
38:18Have you seen the little enthusiasm when I asked her about the jams?
38:21Of course, she's not.
38:23She's unrecognizable.
38:25Look, look, what a bad omen the captain has.
38:28You see what he's done to the business.
38:30Yeah, but I don't think that's why.
38:32I think something else is wrong with him.
38:34Why?
38:36Well, that's what I'd like to know, Candela.
38:39But it has to be something very big so that he doesn't trust me and tell me.
38:42But it has to be something very big so that he doesn't trust me and tell me.
38:46Will he have something to do with Cosne Dañi?
38:49It could be.
38:51Can you imagine if after having settled in the palace,
38:53having convinced him to come here,
38:55in the end the girl is not in love?
38:57It could happen.
38:59But Miss Catalina has to tell the truth.
39:02It's hard for her, like everyone else, but in the end she does.
39:05So?
39:07So it has to be something very big.
39:11But I don't feel like it at all.
39:19As you can hear, I was taking him for a walk, as if he were a bullfighter.
39:23And Trini was laughing at him.
39:26Isn't Trini supposed to know he's married?
39:29The one he's supposed to forget is him,
39:31who wanted to take me for a walk.
39:33Really?
39:35And the worst part, hold on.
39:37According to him, he wasn't doing anything wrong.
39:38He must be shameless.
39:40Are you sure you're exaggerating?
39:42Not a little bit, Hanna. Not a little bit.
39:44Well, maybe all this we're imagining doesn't exist.
39:47Yes, of course. I would have imagined I was doing a Veronica to him.
39:50Maria, maybe he likes gossip and gossip.
39:53Well, yes, he likes it. I'm telling you.
39:55Besides, you told me he was flirting with Josefa, right?
39:59Maybe he's just a good partner, that's all.
40:02Well, yes, he may be a good partner, yes.
40:04What surprises me is that Teresa is interested in that man.
40:08I'm also quite surprised.
40:10Yes.
40:13Teresa, what are you doing here?
40:16Well, I came to pick up the iron, but I happened to hear my name.
40:21Oh, really?
40:23Yes.
40:25No, no.
40:27Oh.
40:29We were saying that Hanna couldn't use the iron because I'm sure you were coming for her.
40:37And that she couldn't use it, so yes, Hanna.
40:40Sure.
40:42Well, if you're using it, I'll come for her later.
40:44No, take it if you want.
40:46Are you sure?
40:48Yes, of course.
40:52To the iron.
40:54Why didn't you tell her?
40:57Who, me?
40:59You, who's going to tell her?
41:01Hanna.
41:03Because you're right and the boy was flirting.
41:06Well, even so, I think she should know.
41:10Besides, I've already told her a few times that Marcelo was going too far.
41:16And what did she tell you?
41:18She gave me the impression that she didn't care too much, really.
41:23I don't know.
41:41What do you want now, Petra?
41:43Ma'am, I've heard that you didn't finish your lunch.
41:50And I was wondering if you needed anything.
41:53No, I don't need anything, much less you.
41:57If I may ask, have you had the opportunity to read the notebook I gave you?
42:04And why would I waste my time on that nonsense?
42:06Because I have the feeling that you have information that would be very interesting for you, ma'am.
42:12Well, once again you're wrong.
42:14Before going down to have a snack, I could take a look at it.
42:17And I've only found absurd ripples and childish stories.
42:21Well, maybe, ma'am, it's just that ...
42:26you haven't read the pages of Mas en Julia.
42:29Where do you want to go?
42:31Nowhere, ma'am.
42:32Nowhere, ma'am.
42:34But I insist that I should give you a second chance.
42:39As it is another waste of time, you will be responsible for it.
42:43I assure you that lately the idea of degrading you to Fregona is the most attractive thing to me.
42:48Let me show you the most succulent fragments.
42:53And read it yourself, ma'am.
43:03Once she got sick and had to go for a season to a retirement home.
43:14And he suffered a lot from his absence.
43:18It could be said that they loved each other more in the distance than in the proximity.
43:26But does this have to do with me?
43:28I think so, ma'am.
43:29Tell me yes, ma'am.
43:31That fable dared to write about me and in this tone?
43:35I assure you that I'm going to kick her in the street.
43:38And no one in the region, no decent house, will hire her.
43:42Before doing that, ma'am, I would continue reading.
43:46Because there is other information.
43:49Even more interesting.
43:51And who could imagine that those two maidens, united by chance, would find love in the same palace where they lived?
44:12The first fell in love with a ...
44:16Sir, son of a Marquis.
44:19A young, brave, capable of flying in the sky.
44:29The two friends organized their wedding.
44:32The first in intimacy because no one could find out about their romance.
44:37What is this?
44:39You can deduce it yourself, ma'am.
44:42That gentleman, son of a Marquis, capable of flying in the sky, is none other than his son Manuel.
44:50But then?
44:52Then who the hell is the bride?
44:55Don't you guess, ma'am?
44:59Pull the expose.
45:09Leave this notebook where you found it.
45:12And pretend no one has ever seen it.
45:24You intrigue me.
45:25What is so secret that you have to tell me?
45:28You'll see, more than secret, it's serious.
45:31So I need your maximum discretion.
45:33You'll see, more than secret, it's serious.
45:36So I need your maximum discretion.
45:39Manuel, you're scaring me.
45:41Tell me, what is it about?
45:45Catalina, do you remember that time you turned to me to cover your back when you went to visit Pelayo?
45:50Of course. And I am very grateful to you.
45:55Do you remember what I told you?
45:57I need you to return the favor.
46:00What are you up to, brother?
46:04None right now.
46:06But everything will change tomorrow.
46:09What are you talking about?
46:12Sister, do you trust me?
46:14Of course I trust you, but I don't understand why there is so much mystery.
46:17I can't tell you anything else.
46:21Then you're not going to tell me anything you expect from me.
46:29I need you to defend me no matter what happens tomorrow.
46:32Will you do it?
46:34I've always done it.
46:36But what's going to happen tomorrow?
46:40Nothing bad. I give you my word.
46:43But I need you to defend me.
46:46And please, sister, I know this is very strange.
46:49But I need you to give me your word.
46:53I beg you.
46:55Okay, okay, I will.
46:56You have my word, I will defend you no matter what happens.
47:15First of all, thank you for coming so early.
47:19Thank you for letting me know.
47:21I assume it's something important.
47:23That's right.
47:24Something you forgot to tell me this morning.
47:27I'm afraid so.
47:29I'm sorry for the inconvenience.
47:31You won't be if you manage to shed some light on Mr. Castillo's death.
47:36I understand that I have not advanced in your investigation.
47:40Do you really want to be the one to ask the questions?
47:43No, no, no, for God's sake, no. I'm sorry.
47:46But no, unfortunately we still have no clues.
47:49That's why I'm here, because I hope you give them to me.
47:55I lied to you.
47:59What do you mean?
48:01I didn't tell you the whole truth. I was scared.
48:04I didn't know the implications of revealing the name of the owner of the envelope.
48:11Do you know who did it?
48:13Who put Gregorio Castillo's name on it?
48:17I did it.
48:19I was the one who sent the envelope to Mr. Castillo.
48:22You?
48:24Yes, there was a note inside that said to meet me.
48:29I don't understand. Why did you want to meet Mr. Castillo?
48:35I wanted to convince him to leave Mrs. Adarre alone.
48:45Mrs. Adarre?
48:47Your wife?
48:51I understand it less and less.
48:53Didn't you tell me that Mrs. Pia Adarre had died?
48:59I also lied to you.
49:02Mrs. Adarre is alive, fortunately.
49:22And that rose?
49:24It's an attempt to make up for not having arrived in time to talk to the cooks about the jams.
49:31Don't worry.
49:33I'm very sorry, Catalina. I approached Juan and the saint went to heaven.
49:38It doesn't matter. I already went down and explained the situation to them.
49:43And what did they say?
49:45Well, what they already told us, that they are at our disposal.
49:47Lope seems a little more convinced of the decision to make more conventional jams.
49:52I'm very happy.
49:57Honey, will you forgive me?
50:00There is nothing to forgive.
50:04No, no.
50:05Catalina, what's going on?
50:11No, no, no, no.
50:13You're not going anywhere without telling me what's wrong with you.
50:16Talk at once.
50:25I'm sorry.
50:27I'm sorry.
50:29I'm sorry.
50:31I'm sorry.
50:33I'm sorry.
50:36I'm pregnant.
50:49Mrs. Adarre, do you mind if I register the cabin?
50:56No, of course not.
50:59Although I already told you that I'm not going to find anything.
51:02Where do you have the money?
51:05What money?
51:07Don't play dumb, Mercedes.
51:10And above all, don't take me for a fool.
51:12You know perfectly well what money I'm talking about.
51:15You are wonderful.
51:26I want this closet to be ordered tomorrow and not the day after tomorrow.
51:30The thing is that tomorrow is my day off.
51:33And?
51:35It's my day off today.
51:37That's an excellent plan.
51:39Since you've gotten up in such a good mood, maybe you'd like to join me this afternoon.
51:43Well, yesterday I tried to assign him a task for this afternoon.
51:47And he already said that it was his day off.
51:52I have proposed to my son a plan for this afternoon, but he has come up with the most absurd excuse.
51:57It is clear that you are hiding something, ma'am.
52:00And now all that remains is for Father Samuel to give us his blessing.
52:04Yes.
52:05He shouldn't be here.
52:07At the last moment I asked him to go in search of the photographer from Luján.
52:10You wanted a memory so that our children could see it.
52:13But you don't want to go out in the picture with that cape covering all the dress you're wearing underneath.
52:17Today is the day.
52:19Or there are many possibilities that it is.
52:23All we need is to know where that pair of fools are going to get married.
52:33For more UN videos visit www.un.org