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00:00What's up Wolfpack Fam, it's your boy Kid back at it again, hope you're doing well.
00:15Grab your snacks ladies and gentlemen, because snacks is not included, damn it, you gotta
00:19bring your own, come kick it with me and my boy Matt Berry, slice of toast on this one.
00:24Just looking forward to another episode really quick, don't forget to like, comment, subscribe
00:27if you already do those things, thank you so much, appreciate you all, and shout out
00:31to the Patreons, thank you for your support, let's get it, let's get this one started.
00:35Snacks not included, let's freaking go.
00:38Mumble, mumble, blah.
00:42It's really good Steven.
00:45Right, okay the bit where it says mumble mumble, am I meant to mumble something in an incoherent
00:55manner or am I meant to actually say mumble mumble?
00:58Well what did you do there in the last take?
01:00I said the words mumble mumble, but I mumbled them.
01:04Hi Steven, this is Clem Fandango, can you hear me?
01:08Yes I can hear you Clem Fandango.
01:09We just have to phone head office in New York to get a clarification on this.
01:12Oh for God's sake, I'll let him know, okay bye.
01:17Steven?
01:18Yeah?
01:19Say the actual words mumble mumble.
01:20Does he want me to say mumble mumble so it's obvious that's what I'm saying?
01:24That would be great.
01:27Blah, mumble mumble, blah.
01:33Ridiculous.
01:35So what was that Steven?
01:36I said I think it's ridiculous, what the fuck is this for?
01:40Steven, we're going to phone New York again.
01:43Are you kidding?
01:44For fuck's sake, fuck man.
01:50Steven, there seems to be a bit of a disagreement about how to play this.
01:53Yeah, I should say so.
01:54We're getting a differing opinion from New York.
01:56Okay, well in future why don't you speak to New York, find out exactly what they want from you.
02:01Otherwise you're just completely wasting my time.
02:03Yeah.
02:04Sorry, sorry Steven.
02:06These fucking guys man.
02:07Bloody waste of time.
02:09That's the best one yet.
02:14I've forgotten my pencil.
02:18What were you laughing at?
02:19Just recording some laughter for a radio play.
02:29Record that.
02:31You pricks.
02:49It's all done at high pressure.
02:51It's very intense and highly controversial.
02:54I suggested once to an old girlfriend that we try doing that.
02:57I thought she'd be up for absolutely anything because she'd been in Tipping the Velvet with Anna Chancellor.
03:01But when we got into the bedroom, her tastes proved to be disappointingly conventional.
03:06No, I was talking about fracking.
03:08What?
03:09Fracking.
03:10It's the same thing.
03:11It's the same thing.
03:12It's the same thing.
03:13It's the same thing.
03:14It's the same thing.
03:15It's the same thing.
03:16It's the same thing.
03:17It's the same thing.
03:18Fracking.
03:19Induced hydraulic fracturing.
03:21Or hydrofracturing.
03:22Commonly known as fracking.
03:24Oh.
03:25You seem to think it was something quite different.
03:27I must have misheard you, Toast.
03:29Are these your crisps?
03:32Who's this prick?
03:34Old style country farm crisps have been manufactured on our family farm in Devon for 200 years.
03:41As if.
03:43Sterling Porridge is the prat's name.
03:45I don't think they had crisps 200 years ago.
03:48No, they didn't, Ed.
03:49It's all bullshit.
03:50It's not very subtle or subliminal.
03:52Quite as you say.
03:53No one has any time these days for anything subtle or subliminal.
03:56I know.
03:57And I'd rather see my old father eating younger than I can eat.
04:00It's a new thing.
04:01Big Cheese, determined to associate himself with his product, gives us a cock and bull
04:05history of his life and sticks his own mugshot on the packet he's going out with your ex-wife.
04:11What did you say, Ed?
04:12Hmm?
04:13You slipped something on the end of that last sentence which wasn't connected to the point
04:16you were making.
04:18Holy...
04:19I was trying to break it to you gently, Toast.
04:20In a subliminal fashion.
04:21In case you might take it badly.
04:23What the hell are you talking about?
04:25Your ex-wife, Ellen, is going out with a Devon crisp manufacturer called Sterling Porridge.
04:31I presume it's the same chap.
04:32How the hell do you know that?
04:34Social Diary and The Standard.
04:35They were at Silverstone together.
04:38I tell you, this crisp fellow must be super, super rich.
04:41Super, super rich.
04:43Super, super, super, super rich.
04:45Alright, Ed!
04:46Fucking asshole.
04:49Hello?
04:50Yes, Toast, please.
04:52It's for you, Toast.
04:55Jane?
04:56I've just negotiated something rather marvellous for you that I guarantee is going to blow
05:02your socks off.
05:04Well, that's great news.
05:05I'll be there as quickly as I can.
05:07It's terribly irritating you've lost your phone, Toast.
05:10What if a job came up or a nuclear war or something?
05:13I wouldn't know where you were.
05:15What's this job that's going to blow my socks off?
05:17Anyway, you're in luck, Rephone.
05:19Those nice people at 023.
05:21Do you remember?
05:22You did a voiceover for them last month.
05:24Total cunts.
05:25What's this job that's going to blow my socks off?
05:27They've given you a little bonus gift because they were so pleased with you.
05:32The 023E17.
05:34Perfect sound.
05:36Amazing signal no matter where you are.
05:38You could use it on the moon if you have to.
05:40What's this job that's going to blow my socks off?
05:43Even has.
05:44Look at this.
05:45A mini fire extinguisher.
05:49And a tiny oxygen mask.
05:53That's ridiculous.
05:54What possible circumstance would that be of any use to anyone?
05:58What's this job that's going to blow my socks off?
06:00You don't have to use them.
06:02Shush.
06:03Take it.
06:04Take it.
06:05I've got some super, super news for you.
06:09Have you ever wanted to star in a major Hollywood film?
06:15Is Ray Purchase the biggest bellend in London?
06:20Of course I want to be in a Hollywood film.
06:22Now's your chance.
06:23And when I tell you who your co-star is,
06:25you're going to fall off your chair.
06:30I haven't told you yet, Toast.
06:33Sorry, Jane.
06:34Who is it?
06:35Is it Daniel A. Lewis?
06:36No.
06:37Daniel's given up acting to build shoes again.
06:39Again?
06:40What an idiot.
06:41Well, who is it, then?
06:43Max Gland.
06:45Bloody hell.
06:46Well, I know who he is.
06:47Yes, even you,
06:48who has the tiresome characteristic of saying you've never heard of anyone,
06:51knows who Max Gland is.
06:52He's over here shooting a movie.
06:54He wants you to be in it.
06:55Well, he's asked for me personally.
06:57He's aware of my work.
06:58Of course.
06:59He selected you specially
07:01from the pages of the Spotlight Actors Directory.
07:05There are literally a million actors in Spotlight.
07:09He didn't just flick through it randomly
07:11and stop where his finger came to rest.
07:13He chose you.
07:16OK.
07:17There are a few minor stipulations
07:19about working with Max Gland.
07:21Very minor.
07:23You're not allowed to look at him,
07:25talk to him,
07:26mention his name,
07:27or eat or drink within two miles of him.
07:30It doesn't sound too unlike my last marriage.
07:34There will be a problem,
07:35or at least a problem
07:36that two million pounds won't fix.
07:39Two million?
07:41I'm going to ask them for two million.
07:43They're loaded!
07:44Hurrah for Hollywood!
07:46When is it?
07:47Tuesday.
07:48Shit!
07:49I've got a voiceover on Tuesday.
07:51They want you in the morning,
07:52voiceover in the afternoon.
07:53So, tickety-boo, my money's on you.
07:55I'll probably send you a limousine.
08:05Brilliant.
08:07Hi, you're Stephen?
08:09Stephen Toast.
08:10Is the director around?
08:11I'm Lindy Maycast.
08:12I'm the third assistant director.
08:13OK.
08:14Here's the casket.
08:15Climb in, buddy.
08:17What?
08:18You want to climb into the casket?
08:20Why?
08:22Yeah, the guy's here, yeah?
08:23Yeah, just get him to the casket.
08:24OK.
08:25Just climb into the casket, dude.
08:27And you'll need this wig.
08:29Why do I need this?
08:30Max thought you should wear it.
08:32Well, shouldn't I go to
08:33costume or makeup or something?
08:34You just need the wig.
08:35We'll be on long shot,
08:36so we won't see much of your face.
08:37If you could just pop it on.
08:39Great.
08:42Well, does Max dig me up?
08:43Will I get rescued or something?
08:45You ask a hell of a lot of questions.
08:47I haven't even seen the script.
08:49Well, Max doesn't like
08:50the other actors seeing the script.
08:53I have no idea what my character is.
08:55Well, Max doesn't like
08:56the other actors knowing
08:57anything about the character.
09:01Yes, Roger,
09:02I just saw him run past.
09:04That's Max's plan, isn't it?
09:05Please don't look at him
09:06or say his name.
09:10Hey, you!
09:12Don't look up.
09:13Just say yes.
09:14Yes!
09:15Get me a dog.
09:20Stephen, Max wants you
09:21to get him a dog.
09:22What the fuck are you talking about?
09:24Max has been having
09:25a bit of a tough time recently.
09:26What, he wants me
09:27to get him a dog?
09:28Well, why don't you do it?
09:29Well, Max wants you to do it.
09:31It's a good sign.
09:32It means he likes you.
09:34How?
09:35I don't know.
09:36Just borrow one.
09:42Fuck's sake.
09:45Fucking weird, man.
09:48There's one.
09:49Pull over, man.
09:52No way.
09:58Yoink.
10:12How long will I be in here?
10:14Oh, not long.
10:15Well, how long exactly?
10:16I can't clarify that
10:17until everyone's back from lunch.
10:18Oh, man.
10:23Yes, I'll tell him.
10:24Hey there, little pal.
10:25How's it going?
10:26Max, we need you
10:27back on set.
10:28And Roger says
10:29you have to give the dog back.
10:32Did you say something?
10:33Roger needs you on set
10:34and he says
10:35you have to stop
10:36playing with the dog.
10:37No, I'm going to play
10:38with this dog.
10:39And if you don't let me
10:40do that, I'm going to kill you.
10:41I'm going to kill you.
10:42I'm going to kill you.
10:43I'm going to kill you.
10:44I'm going to kill you.
10:45I'm going to kill you.
10:46I'm going to kill you.
10:47And if you don't let me do that,
10:48I'm going to shoot the dog
10:49and then shoot myself
10:50in the head.
10:51Roger says...
10:52You think I'm jerking around?
10:56Holy shit!
11:02Roger, hi.
11:04Just an update
11:05on the Max situation.
11:08Holy shit!
11:11I said, when will I be done up?
11:13Oh, man.
11:15Wow.
11:17Wow.
11:22This is ridiculous.
11:24What?
11:28Fuck's sake.
11:34Let's go.
11:37It's Zack Moore's fault.
11:42Hello?
11:43Jane?
11:44I've been buried alive.
11:45What's that taste?
11:46I can't hear you.
11:47The music's quite loud here.
11:49I've been buried alive.
11:51What?
11:52How can that happen?
11:53I thought you were on that film.
11:55I am.
11:56I've been here for three hours.
11:57Something must have gone wrong
11:58above ground.
12:00I'm not back in the office
12:01until tomorrow.
12:02Can you wait until then?
12:03I don't really want to spend
12:04the night buried alive
12:05underground, Jane.
12:07Well,
12:09I'm sure someone will come along
12:10and dig you up shortly.
12:12Give it another hour or two.
12:14I'm not going to give it
12:15an hour or two, Jane.
12:16I'm buried alive.
12:18She sucks.
12:19My turn.
12:22Unbelievable.
12:27There she is.
12:36This is Ed Houser Black.
12:37Please contact my agent.
12:40Fuck you, Ed.
12:41I'm buried alive.
12:44Fuck you, Ed.
12:45What?
12:47I love you, Ellen.
12:49What, Ellen as in my ex-wife?
12:52But I haven't heard from her
12:53in ages.
12:55Ellen.
12:56She still loves me.
12:58Oh, Ellen.
13:00It was my wife
13:03who suggested
13:04we hold the wedding
13:05in this beautiful country
13:06of Thailand
13:08rather than my initial idea
13:10of Putney Registry Office.
13:11My parents
13:12and brother
13:13couldn't afford to be here.
13:15Oh, they would have
13:16enjoyed this occasion
13:17especially my father
13:18who I know
13:19would have taken
13:20full advantage
13:21of the free bar.
13:23I mean,
13:24what alcoholic
13:25wouldn't take advantage
13:26of a free bar?
13:29Yes.
13:31Um.
13:33Hey.
13:34You're Clem Fandango,
13:35aren't you?
13:37Yes.
13:39I'm Clem Fandango.
13:40Yes.
13:41I'm Clem Fandango.
13:42I'm Ellen.
13:43I'm getting married
13:44to Toast here on the beach.
13:45Not Stephen Toast.
13:47I assume you're not invited.
13:49He fucking hates you.
13:51No.
13:52It's a total coincidence
13:53that I'm here.
13:54Oh.
13:55Would you like a drink?
13:58Hmm.
14:01Like any actor
14:02I've suffered setbacks.
14:03Many, many,
14:04many people
14:05have fucked me over.
14:08Bear with me.
14:09Jeez.
14:11Tom Conti.
14:13Tim Pickock-Smith.
14:15Colin Firth.
14:16Oh, yes.
14:18Hugh Bonneville.
14:20Nigel Havers.
14:22Michael Fassbender.
14:25Patrick Stewart.
14:28Chazel Day.
14:30Charles Dance.
14:32The staff at TVAM.
14:35Trevor Eve.
14:37Noel Edmonds.
14:39Martin Short.
14:41Everyman Jacobin.
14:45But on this glorious day
14:48on the beachfront
14:49surrounded by friends
14:51and my beautiful
14:53almost virginian wife
14:56I really think
14:58things are looking up
14:59for Stephen Toast.
15:09Lovely, lovely Ellen.
15:11Oh, really?
15:12Even a tsunami
15:13on our wedding day
15:14couldn't destroy our love.
15:18Hi, Stephen.
15:19This is Clem Fandango.
15:20Can you hear me?
15:21Yes, I can hear you,
15:22Clem Fandango.
15:23Even though I'm buried alive
15:24in a fucking coffin.
15:26What's that, Stephen?
15:27I'm in a coffin
15:28which is buried underground.
15:30He says he's in a coffin
15:31which is buried underground.
15:34Stephen?
15:35I'm expecting you in
15:36for a voiceover.
15:37I've got Sterling the Client here.
15:38Clem says you're buried
15:39in a coffin underground.
15:40That's right.
15:41That's a very clear line.
15:42You don't sound like
15:43you're buried underground.
15:44Oh, I'm buried
15:45underground, all right.
15:46Are you using
15:47the new 023E17?
15:48I've got one of those.
15:49They're mega.
15:50Who gives a shit?
15:51I think you'll probably
15:52be all right to do
15:53the voiceover from there
15:54so I've just got to
15:55put you on speakerphone.
15:59Hey, how'd you have the script?
16:00It shouldn't take too long.
16:01I've got a rehearsal.
16:03I'm one of the torch
16:04relay carriers
16:05for the Commonwealth Games.
16:07The Commonwealth Games?
16:08Who gives a monkey's
16:09about that?
16:10Do you have the script, Stephen?
16:11I've got Sterling
16:12the Client here.
16:13We're old mates,
16:14actually.
16:15He just wants a few words
16:16before we begin.
16:17All I need you to do
16:18is say exactly
16:19what it says
16:20in the scripts.
16:21Don't mess with it
16:22or change any of the words.
16:24And I'm not too
16:25fucking impressed
16:26that you're buried
16:27in a coffin
16:28instead of being here.
16:30Is there anything
16:31wrong with your voice?
16:32You sound like a robot.
16:33There's nothing wrong
16:34with my fucking
16:35voice, matey boy.
16:36Just do your job.
16:37That's what
16:38you're getting paid for.
16:39Right?
16:40Sure.
16:41Good God.
16:43Old style
16:44country farm crisps
16:45have been
16:46manufactured
16:47on our family
16:48farm in Devon
16:49using techniques
16:50dating back
16:51200 years.
16:53Are you putting
16:54on an accent?
16:55No.
16:56You'd better not
16:57be putting on
16:58some country bumpkin
16:59accent.
17:00Just because
17:01I'm from Devon
17:02doesn't mean
17:03I'm a member
17:04of the fucking
17:05assholes.
17:06No, I wasn't.
17:07Stop interrupting.
17:08Just do your job.
17:09You can't.
17:10I was just...
17:11Just read what
17:12it says on the script.
17:14Only...
17:16Come on.
17:17Only the finest
17:18quality crisps.
17:19Just read
17:20what it says
17:21on the script.
17:22I'm running out
17:23of oxygen.
17:24I'm in a coffin.
17:25Give me a second.
17:30How you doing
17:31there, Stephen?
17:32I'm alright.
17:33I've just used
17:34a tiny oxygen mask.
17:35That's great.
17:36Shall we crack on?
17:37Alright.
17:39Only the finest
17:40quality potatoes
17:41are chosen.
17:43That's why
17:44porridge...
17:45Hold on a second.
17:47You're that prick
17:48that's been fucking
17:49my ex-wife Ellen.
17:50No, I didn't.
17:51Not you, Clem Fandango.
17:53Porridge.
17:54That's funny.
17:55She never mentioned you.
17:57She still loves me.
17:58She's just sent me a text.
17:59Well, she never
18:00mentioned you to me.
18:01Not even once.
18:02Hey, Stephen.
18:03Well, that went really well.
18:04I'm all very happy with that.
18:05So I think we are done.
18:06We will see you again soon.
18:07Yeah?
18:08I've been buried alive.
18:09Can you call
18:10the fire brigade or someone?
18:11Yeah.
18:12Thank you, Stephen.
18:13I'm buried alive!
18:14Thank you, Stephen.
18:15And I'm going to
18:16marry Ellen next week.
18:18Over my dead body.
18:20I've got to get out of here.
18:22I'll phone the emergency
18:23services myself.
18:25Oh, no.
18:28Nine.
18:30Nine.
18:35Low, low, low, low.
18:37Low, low, low, low.
18:39Low, low, low, low.
18:41Low, low, low, low.
18:44I'm the most unlucky guy.
18:47Never felt so low.
18:49Tears will never dry.
18:51Oh, no.
18:54He's the most unlucky guy.
18:56He's never felt so low.
18:58His tears will never dry.
19:00Oh, no.
19:02Low, low, low, low.
19:04Low, low, low, low.
19:06Low, low, low, low.
19:08Low, low, low, low.
19:10Low, low, low, low.
19:15Mustn't scream.
19:16Must preserve oxygen.
19:18And I can't breathe.
19:19I can't breathe!
19:28No!
19:36I'm saved!
19:37I'm saved!
19:39Let's go!
19:44Stephen.
19:45Managed to get out, then,
19:46from being buried alive
19:47in that coffin.
19:48I was saved
19:49due to fracking
19:50on the exact spot.
19:51Where's Sterling Porridge?
19:52I'm Porridge.
19:53What the fuck's
19:54it got to do with you?
19:56Well, he looks nothing
19:57like the man on the crisp packets.
19:58Oh, I'm him, all right.
20:00And I'm getting married
20:01to Ellen,
20:02so screw you.
20:03Really?
20:05Give me that bat.
20:22I did it.
20:27I did it.
20:52Ouch.
20:57Oh, wow.
20:58What's up, Stephen?
20:59It's from Ellen.
21:01Soz
21:03that that last message
21:04was meant for someone else.
21:09She probably meant
21:10to send it to Sterling.
21:11Probably, yeah.
21:14Excuse that.
21:21It's not even him,
21:22you know.
21:23It's some other farmer.
21:25Still,
21:26good news
21:27about the fracking,
21:28eh?
21:29Very lucky.
21:30Damn lucky.
21:31They started drilling
21:32at six in the morning
21:33to avoid the protesters.
21:34And the doctor
21:35reckoned
21:36they only had
21:37another ten seconds
21:38worth of oxygen left.
21:39Ten seconds?
21:40Just cutting it pretty fine.
21:42So,
21:43Porridge is still
21:44going to marry Ellen,
21:45I presume,
21:46once he's recovered
21:47from his injuries.
21:48This is a big blow
21:49for me, Ed.
21:50It's going to take me
21:51a while to get over it.
21:56It's been two months now, Toast.
21:59Ease.
22:00God, I hate
22:01Sterling Porridge.
22:06You're just going to have
22:07to get over it.
22:08No, I suppose
22:09you're right, Ed.
22:10You're only feeling
22:11bad because
22:12you gave a man
22:13in a wheelchair
22:14a severe thrashing
22:15with a baseball bat.
22:16I don't regret that, Ed.
22:17Any man
22:18in my position
22:19would have done the same.
22:20I just can't stomach
22:21the fact that
22:22he's still going
22:23to marry Ellen.
22:24Look, Toast.
22:25You've got to get out
22:26into the world again.
22:28Think positive.
22:30Do something useful.
22:33Now, what could you do?
22:35Well, actually,
22:37there is something else
22:38that's been playing
22:39on my mind.
22:40What?
22:41I did a great wrong
22:42that I'd like
22:43to put right.
22:48Sorry.
22:53This is for you.
22:55You don't know
22:56what a shock that was, right?
23:16So take my hand
23:18and disappear
23:20to a place far
23:22too far from here.
23:25Oh, I don't know you
23:27and you don't know me.
23:29I just had to talk
23:31to you, you see.
23:33So say no,
23:35please don't go.
23:37You could be the one
23:39for all I know
23:41and I don't know you.
23:43Oh, man.
23:45My boy Toast
23:47saved by a frocking miracle.
23:49Hold on a second, ladies and gentlemen.
23:51Dope episode.
23:52We got to talk about it.
23:55Ladies and gentlemen,
23:56I thoroughly enjoyed
23:57this episode, man.
23:59Toast, don't disappoint,
24:01you know,
24:02and for a man
24:03buried alive,
24:04he just needed
24:05a frocking miracle
24:06and I'm glad
24:07that he's okay.
24:08Who knew
24:10that essentially
24:11this Zack Morris
24:12kind of phone
24:13will come in
24:14through the clutch
24:15and, you know,
24:16everything that he said,
24:17oh, what the hell am I
24:18going to use this for,
24:19you know, with the oxygen shit?
24:20Well, that shit
24:21came out,
24:22you know, came in
24:23through the clutch.
24:24Looking like
24:25a baby pacifier,
24:27you know,
24:28and, hey,
24:29he's A-OK there.
24:31I got to say,
24:33I think this was
24:35at least one of them
24:36Toast's best
24:37studio session
24:38with those guys.
24:39Those frocking guys
24:40just cracked me up,
24:41especially Clem
24:42and them
24:43just calling back
24:44and forth between
24:45the New York.
24:46There's been a couple
24:47of other funny,
24:48you know, studio sessions,
24:49but I really enjoyed
24:50this one.
24:51I can't put
24:52a finger on it,
24:53but, yeah,
24:54it was really good
24:55and now you get
24:56to know a little bit
24:57more
24:59about Ellen.
25:00You see a little bit more.
25:01You see definitely
25:02that I would probably
25:03call her a merry-go-round
25:04at this point
25:05because who hasn't
25:06had a round
25:07on Ellen
25:08there?
25:09And the Chris bit
25:10was great.
25:11You know,
25:12when you're seeing
25:13this guy on the picture
25:14and he's like,
25:15fucking hell,
25:16you know,
25:17you get the 4-on-1
25:18from Ed.
25:19Fuck you, Ed.
25:20You know,
25:21you're like,
25:22you know,
25:23she's already
25:24slamming another guy
25:25and shit,
25:26so, yeah,
25:27she definitely
25:28gets around.
25:29So the marriage
25:30scene was crazy
25:31as hell.
25:32She's like,
25:33ah, ah, ah.
25:34Everybody,
25:35well, at least
25:36we were hearing it,
25:37maybe a few others
25:38because they did
25:39turn their heads
25:40a little bit
25:41right there
25:42and she came
25:43back on point.
25:44He had to have
25:45probably the most
25:46boring speech
25:47that he was doing
25:48there,
25:49you know,
25:50for his wife at least
25:51fucking Clem Fandango, man.
25:52We cannot stand
25:53that guy,
25:54but man,
25:55for comedy purposes
25:56he's funny as hell
25:57on this show
25:58and
25:59this Parrot Alive shit,
26:01just some crazy-ass
26:02shit right there.
26:03Oh, guys,
26:04Max Glenn
26:05fucking madman
26:06there.
26:07What the fuck,
26:08man?
26:09That guy was crazy
26:10when,
26:11you know,
26:12he's talking to
26:13I guess the
26:14third director
26:15or whatever
26:16and he's like,
26:17I'll shoot this dog
26:18and then I'll shoot
26:19myself
26:21and then he pulls out
26:22the freaking gun
26:23and you're like,
26:24man,
26:25damn,
26:26oh my god,
26:27that's some crazy-ass
26:28scene.
26:29That's a jaw-dropper
26:30moment,
26:31a holy shit,
26:32holy fuck out of
26:33moment there.
26:34Yeah, Max Glenn
26:35was a madman
26:36there
26:37stealing the dog,
26:38man.
26:39Poor little girl,
26:40man.
26:41That was weighing
26:42on my conscience
26:43because he took
26:44that little girl's
26:45dog, man,
26:46so I felt so bad
26:47in that scenario,
26:48so he got plenty
26:49of laughs,
26:50laughing moments,
26:51I guess
26:52a,
26:53uh,
26:54you know,
26:55traumatized,
26:56I guess traumatized
26:57with that dog
26:58killing and then
26:59himself,
27:00blood everywhere
27:01there,
27:02um,
27:03then you got some
27:04just fucking
27:05crazy shit
27:06again,
27:07um,
27:08with,
27:09uh,
27:10damn,
27:11Jane,
27:12shit,
27:13she sucks,
27:14man.
27:15She fucking sucks,
27:16man.
27:17She was definitely,
27:18you know,
27:19a little cheeky here,
27:20uh,
27:21you know,
27:22Jane there,
27:23you know,
27:24all asses out,
27:25who knows what else
27:26with the,
27:27you know,
27:28with the reverse scenario,
27:29I'm definitely glad
27:30there's no showing
27:31of that shit,
27:32um,
27:33I'm glad for that,
27:34you know,
27:35the ass cheeks
27:36was enough for me.
27:37She fucking sucks,
27:38but man,
27:39the conversation
27:40that Tulsa and her
27:41were having,
27:42uh,
27:43with the phone bit
27:44and,
27:45you know,
27:46her bitching at him
27:47because she didn't,
27:48she was just crazy
27:49as shit.
27:50So,
27:51uh,
27:52this show blows
27:53my mind,
27:54uh,
27:55blows my sock off,
27:56whatever you want
27:57to phrase it,
27:58uh,
27:59plenty of laughs
28:00every time Tulsa
28:01is reading
28:02in the studio session,
28:03we enjoy it,
28:04um,
28:05and again,
28:06I've said this
28:07many times,
28:08even from when
28:09we watched
28:10the IT crowd,
28:11that guy,
28:12Matt Berry
28:13has an incredible
28:14voice that
28:15he can,
28:16you know,
28:17uh,
28:18you know,
28:19always impressed
28:20with Matt Berry's
28:21performance,
28:22and man,
28:23nobody picking up
28:24from my boy.
28:25Um,
28:26did Tulsa have false,
28:27did Tulsa have
28:28hope
28:29that helped him
28:30in that buried
28:31alive situation
28:32with him thinking
28:33that Ellen
28:34was talking to him?
28:35Did that lead
28:36him to
28:37last a little longer?
28:38Let me know
28:39your thoughts
28:40in the comments
28:41down below
28:42on that.
28:43He definitely
28:44seemed a little
28:45disappointed,
28:47um,
28:48but,
28:49but,
28:50but,
28:51but,
28:52but,
28:53but,
28:54but,
28:55but,
28:56but,
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