• last year
Transcript
00:00Pajaro soñador
00:30-♪ ♪
00:36-♪ ♪
00:38Dime, Zanem.
00:40Hola, Deren. ¿Cómo estás?
00:43No muy bien.
00:44Um, oye, ¿estás ocupada?
00:45Claro que no, Zanem.
00:47Creo que no voy a estar ocupada durante una temporada.
00:49Puedes llamarme cuando quieras.
00:51Deren, nada de eso.
00:52A partir de ahora vas a estar muy ocupada,
00:54porque tenemos que preparar un nuevo proyecto
00:56para una campaña.
00:58for a campaign.
00:59I don't...
01:00I don't understand.
01:01What campaign?
01:02Who is it for?
01:03We have to create a new
01:05promotion campaign for Red Mode.
01:07And...
01:08we need your help.
01:10Sanem, Jan would never trust me
01:11for a campaign.
01:13Get out of there.
01:16Um, she doesn't know anything.
01:18We're going to create a new campaign.
01:20We'll get Makino to give us more time,
01:22and then we'll introduce her to Jan,
01:24what do you think?
01:25What did you say?
01:27Wait a second.
01:28Can we do that?
01:30Yes, of course we can.
01:31Why do you say no?
01:32Well, I don't know.
01:33It's just that...
01:34Um, listen, listen.
01:36We can't lose another second.
01:38Deryl, we've decided to all meet
01:40at my house to work on it.
01:42I'll send you the address, okay?
01:44Well, you're right.
01:46I have nothing to lose by trying.
01:48I think it's a good idea, Sanem.
01:50See you at your house.
01:51I know the address.
01:53Okay, see you later.
01:55He agreed to work with us.
01:57Great.
01:58Now it's Makino's turn.
01:59I'm sure you'll convince him, friend.
02:01I hope so.
02:02Jan, can you come to the kitchen for a moment?
02:05Yes, what is it?
02:06I want to ask you something.
02:07Sure.
02:08Let's see if you can help me.
02:09Yes, I'm coming.
02:10Oh, very good.
02:11Severset, wish me luck, okay?
02:13Yes, of course, of course.
02:14Good luck.
02:15Good luck.
02:22Hello.
02:23Hello.
02:25Hello, Mr. Makino.
02:27I'm calling from the FICRI Arica agency.
02:29I'm Sanem.
02:30I need to talk to you.
02:32I don't know if you have a moment to talk.
02:34I'm listening.
02:37I won't take up much of your time.
02:39If you'll allow me, I'll get straight to the point.
02:41I'm asking for one last chance on behalf of my company.
02:44If you don't like how we prepared the campaign,
02:47then do whatever you want.
02:49Okay.
02:52All I'm asking is that you give me one day.
02:55You can't prepare a campaign in one day.
02:57It's impossible.
02:58Yes, I know.
03:00It's hard.
03:01I mean, I know it's hard.
03:04But it's not impossible.
03:05You can keep talking to your lawyers.
03:07And if you don't like the campaign,
03:08everything will go on.
03:10Listen.
03:12The person I trust the most told me,
03:15the highest cliffhanger is trust.
03:18But now we're all together.
03:21Trying to get out.
03:22And we'll never fall for him again.
03:25Please, I'm asking you to...
03:27to give us...
03:28to give us one more chance.
03:30Okay.
03:31I'll give you the 24 hours you want.
03:34Amazing!
03:35Okay.
03:36Okay, perfect.
03:37He won't regret it.
03:38Really.
03:39Thank you very much.
03:40I appreciate it.
03:41That's great.
03:43Wake up.
03:44Get up.
03:46I think it could be great.
03:47I agree.
03:49What happened, Zanem?
03:50Something bad.
03:51What happened?
03:52What?
03:53Zanem, Zanem, Zanem, Zanem, Zanem.
03:55If you shut up, I'll explain it to you.
03:58Zanem.
04:02Maquinon accepted!
04:03We have more time!
04:06Amazing!
04:08Great!
04:10I convinced him with my natural talent.
04:12Sure.
04:13Very well done, Zanem.
04:14Great.
04:15JJ, we have to go to the butcher shop, right?
04:17Well, we're all going together,
04:19but then we're going home.
04:20Don't forget.
04:21Okay, let's go.
04:22Come on.
04:23Please.
04:24Let him sleep here.
04:32I still can't believe Dad lied to Mom.
04:35Well, maybe Uma is lying.
04:37I don't think she's lying about that.
04:39How do you know?
04:40It could be an excuse for leaving me.
04:42I know perfectly well how much Dad loved Mom.
04:45I was there, you see?
04:46It took a long time for him to recover when he left.
04:49Yes, but love doesn't avoid betrayal.
04:51Everyone can make a mistake.
04:53And I think Mom is telling the truth.
04:55Actually, I don't care.
04:57That doesn't change anything.
04:58And it doesn't change the years we've spent apart.
05:01Does it replace them?
05:02It can help us understand her.
05:05Brother, I know you're hurt and angry with her,
05:08but she's our mother and we can all make mistakes.
05:11There are things that can't be changed.
05:13But if something happened to her, you'd feel the same way.
05:19All set, guys.
05:20You warmed up?
05:21Buddy, please.
05:22Don't you see how much I've trained?
05:23I'm very marked and very inflated.
05:25I want you to put me up against a good rival.
05:26And you?
05:27Because I'll tell you something.
05:28He asked me not to hurt him.
05:29So give him a relaxed routine.
05:31Okay.
05:34And by the way, did you talk to Erkan?
05:38Well, yes.
05:39I met with him and he told me that we have a case with the recordings.
05:42He will also file a complaint against Fabri.
05:44Yes, but he doesn't have enough evidence against him.
05:46Besides, he won't accept the accusation.
05:48If I had enough evidence against him,
05:50I assure you that I would take justice into my own hands.
05:52But I...
05:54Someday I'll have my chance and then he'll meet me.
05:57Are you ready?
05:58You'll talk after the training.
06:00You'll stay there?
06:01That's right.
06:02You'll train us both?
06:03Exactly.
06:04Just think it's Fabri.
06:05Imagine we hit him between the two of us.
06:07Good.
06:08Now you're a thug.
06:09Up.
06:102, 3, 2.
06:11Kick.
06:12Very good.
06:13Now you.
06:142, 3, 2.
06:17Up.
06:181, 2.
06:191, 2.
06:21Ayhan, why are we going to the butcher shop now?
06:24Because I want to welcome you to the neighborhood.
06:26And also because you're my boyfriend.
06:28Oh, look at them.
06:29What are you doing?
06:30People are looking at us.
06:31We're on the street.
06:32Please govern yourself.
06:33Don't say that in public.
06:35Well, that's not good.
06:37What's going on?
06:38You're coming to the neighborhood and you're worried about what they'll say?
06:40I'm going to make you some welcome meatballs.
06:43Meatballs?
06:44How romantic.
06:45Meatballs.
06:46And do you think maybe, I don't know, you could make them in the shape of a little heart?
06:51Well, if that's what you want, we'll throw them in the butcher shop.
06:55It's true.
06:56It's yours.
06:57Here you go.
06:58Hello, how are you?
06:59See you later.
07:00Hello.
07:01Goodbye.
07:02Good luck, sir.
07:03Ayhan, JJ, welcome to the neighborhood.
07:04Welcome.
07:05Yes, thank you very much.
07:06Dear Osman, Osman's friend, Osman's brother, Mr. Osman, Mr. Osman, it's too formal.
07:13I'll just call you Osman, okay?
07:15Hey, by the way, I've been watching your show for a couple of weeks and you're very good at the blows.
07:20You look very professional.
07:22Of course, in real life you would beat everyone, of course, but the interpretation is about that.
07:28I, as a professional spectator, see that you transmit through the screen things that maybe...
07:34Hey, JJ, have you finished the move?
07:36Yes, almost everything is set.
07:38Thanks to Ayhan and Sanem, who helped me a lot.
07:41This neighborhood is very nice, it has style.
07:43Although there are things that could be fixed, like...
07:49Welcome to the neighborhood, JJ.
07:51Thank you, dear Osman.
07:52I mean, Mr. Osman.
07:54Osman, I want to give JJ a welcome package with meatballs, fillets and others.
07:59Good idea, make the meatballs and I'll make the fillets.
08:02Very well.
08:03Is it normal for them to make me a welcome package?
08:05The truth is that I had not heard.
08:07But Ayhan is very creative, he comes up with very good ideas.
08:10You don't have to bother.
08:12Of course.
08:13You're going to work all night, you need energy.
08:16Oh, Sanem told me.
08:18It's for the McKinnon campaign, right?
08:20Well, yes Leila, we'll go to work at your house.
08:22Yes, but why are you going to work at home?
08:24I don't know, we could call Emre...
08:28Mr. Emre to open your office.
08:31Impossible!
08:36That's not necessary, is it?
08:38You can work at home comfortably.
08:40Besides, Mr. Jan doesn't know anything about this.
08:42And Emre...
08:43I'm sure he would end up telling him everything.
08:46Why do you trust that man so much?
08:48Maybe he was the one who informed Aylin of the previous project.
08:50I say it because if you need some kind of technical support,
08:53there are the computers.
08:57Why does he always have to hit the meat so much?
09:00He hits it so hard that the meat says, Moo!
09:04This is too much.
09:05When will we eat everything?
09:06Don't believe it.
09:07After all, a lot of people will come.
09:09Yes, I know.
09:10But not everyone eats meat in the office.
09:12There are also a few vegans.
09:14Well, if they don't eat everything, you put it in the fridge
09:16and you eat it another day.
09:18Hi, Deren.
09:19Yay!
09:20Welcome to your humble neighborhood.
09:22Thank you, I'm glad to see you.
09:24How's everything going?
09:25Welcome to our neighborhood.
09:26Come on, friends.
09:27This is our beautiful neighborhood.
09:29Very welcoming for creative minds.
09:31Ah, Zengis!
09:33Look who I brought you.
09:34Oh, guys, you're the best.
09:36Thank you for coming.
09:38How nice to meet you.
09:39I'm sorry I didn't consider you creative,
09:40but I found you wandering around and I told you.
09:42Have you lost your browser?
09:44Don't worry, I know the address.
09:46Follow me.
09:47Come with me now.
09:51Well, thank you very much.
09:53Follow me.
09:54A lot of bright minds are coming to our neighborhood.
09:56Last month...
09:57Yay, yay!
09:58Who called me?
09:59I was sure we were missing someone, and here you are.
10:03Hi, how are you?
10:04Yes, it's true.
10:05Ulis, hello.
10:06How are you?
10:07I'm glad to see you.
10:09Welcome.
10:10Hi.
10:11Welcome.
10:12If the creative team is complete, get to work.
10:14Yes, the team is complete.
10:15Everyone get to work.
10:16Full of energy, positive energy.
10:18We're going to get it, gentlemen.
10:20Everyone get to work.
10:21Come on, let's go now.
10:23Look, this man is a natural.
10:25We're close.
10:26We're close, Adam.
10:27Bring the bottles for everyone.
10:29Ah, great.
10:31The Joe Marsanem must be in there.
10:38I think we should use these colors.
10:40Yes, okay.
10:41Great.
10:42I think we have them archived.
10:43Good.
10:44This will work better.
10:45Okay.
10:47Here you have it.
10:48Here.
10:50Very good, guys.
10:51You have it.
10:52Of course.
10:53Yes, it's very nice.
10:56But I like this one better.
11:11Very good, guys.
11:12This is a great office house.
11:14It combines the professional world of the person
11:17with their family and more human environment
11:19in great harmony.
11:20Yes, I also liked it a lot.
11:22Hey, do you want me to tell Leila?
11:24I'm sure she's close to Osman.
11:26No need.
11:27It's not necessary because this is the creative team
11:29and Leila is in the finance section.
11:31So you don't need her.
11:33Yes, no need.
11:34We don't need her.
11:36Look how well you've been working.
11:38And you were complaining.
11:40What are you saying?
11:41I wasn't complaining.
11:42I was just worried that so many people
11:44weren't comfortable.
11:45I didn't know you guys would work so well.
11:47Good luck, guys.
11:48Keep working.
11:58Mom, Dad, don't worry.
11:59We're going to work in silence.
12:00Go to sleep.
12:01I promise you won't notice we're working.
12:03Yes, daughter, no problem.
12:04Yes, don't worry.
12:05I'll take care of everything.
12:06I'll make sure no one breaks anything in the house.
12:08Good night.
12:09Good night.
12:10Very good.
12:11You can take the floor if you need to.
12:12Of course.
12:13Come on, stop talking.
12:14You have a lot of work to be done.
12:15Good night, guys.
12:16Good night.
12:17Good night.
12:18Hang on.
12:19Hang on.
12:23By the way, you may not know that at the agency everyone
12:26considers me kind of a superhero.
12:29I am able to keep everything under control,
12:32all areas of work, keeping a global view.
12:35If anything unexpected happens, I keep calm and
12:38and analyze the situation coldly in my brain.
12:40And then I make the best decision based on that.
12:42Calmly?
12:43Yes, always calmly and calmly.
12:49What are you doing?
12:50What the hell are you doing?
12:52Sticking papers on the wall?
12:54Take them off right now! Take them off now!
12:56But what did I do, J.J.? I'm just trying to work.
12:58What do you mean you're just trying to work?
13:00You're sticking posters on the wall!
13:01Shh!
13:02Silence!
13:03What?
13:03We're guests in this house.
13:05Yes, that's why.
13:06What kind of guest is he?
13:07He's sticking posters on all the walls of the house!
13:10I promised the man that we wouldn't damage his property.
13:13J.J., shut up!
13:14It's unacceptable!
13:16Calm down and sit down.
13:18Deren, I like this color.
13:19We can leave it as the main one, right?
13:21Yes, I agree.
13:22Write it down on the list, okay?
13:24Very well.
13:25I think it looks good.
13:26Uh... uh...
13:28Uh, Zanem.
13:31Listen, I'd like to tell you something, okay?
13:35You were right.
13:37About what?
13:39About the slogan.
13:40The slogan chosen for the Red Mode campaign was yours.
13:44But I had no idea.
13:46Aileen stole it from your notebook,
13:49and then she gave it to me as if it were her idea.
13:52And I don't know why I believed her.
13:54I was embarrassed.
13:55And at the time, I didn't admit it.
13:57But I want to apologize.
13:59I mean it.
14:00I'm really sorry about what I did.
14:02It doesn't matter.
14:03You know, when you said you showed her the files of the Aileen project,
14:07I understood everything.
14:09We should thank her, right?
14:12Why are we going to thank her?
14:13No, of course not.
14:14What I mean is that,
14:16thanks to her, we're together again.
14:19And when we're together, we're stronger.
14:21We'll find an even better slogan.
14:23I think so too.
14:25We'll all find it together.
14:27Good.
14:28Uh...
14:30I want to show you something.
14:32Is this okay?
14:34Yes.
14:35Come closer.
14:36Good.
14:37Like this?
14:38Yes.
14:39Did I do it?
14:40Yes.
14:41Good.
14:45Tonight will be inspiring.
14:47You're doing a great job.
14:52I'll take note of the color.
15:00I'm tired.
15:01It's the last time I come to train with you.
15:03It was a good workout.
15:04And tomorrow your whole body will hurt.
15:06You'll see.
15:07You should move more.
15:08If you spend all day sitting, it's normal that you have no condition.
15:12I don't need so much exercise.
15:14I'll take a bath at home.
15:15I'll see you there?
15:17No, I'll take a bath here and then I'll go to the cabin.
15:20Don't worry.
15:21Are you sure?
15:22Yes.
15:23Good.
15:24Well, goodbye.
15:25Take care, brother.
15:26Goodbye.
15:28Goodbye.
15:29See you.
15:58Let's see.
15:59Mommy?
16:01Mommy?
16:02Mommy!
16:04Go to the printer and ask them to take you to the first part of the project.
16:08Meanwhile, don't forget to check the glossary.
16:11Everything has to be in A1 format.
16:13And don't fall asleep while you check it.
16:16Yes, Miss Deren.
16:18Please!
16:21What?
16:22Do you want me to make you hot milk with cookies?
16:24Hey, wake up!
16:25Didn't we come here to rest?
16:27Friends, close the water.
16:28We're wasting it.
16:30This guy is dead.
16:34I brought you tea and cookies so you don't fall asleep.
16:37Hey, you're sleeping everywhere.
16:39Look at him.
16:40He's deeply asleep.
16:41Can you wake him up?
16:42Come on, we don't have much time.
16:44And I'm sorry, Sané, but we can't finish this like this.
16:47You're very tired.
16:48I think it's normal.
16:50Hi, how are you?
16:51What's up?
16:52Don't welcome me.
16:53Only thanks.
16:54I came to cheer you up.
16:56I bring you real happiness.
16:58I always go to places where no one loves me.
17:01And they don't wait for me either.
17:02But this time I brought you a tray of tartar meatballs.
17:06And now smile because the meatballs are delicious.
17:09Musa, this is not a party.
17:10I know, guys.
17:12It's not a party and people are getting bored.
17:15That guy over there even fell asleep.
17:17Look at him.
17:18He's lying on the floor, drooling.
17:20Well, we can't let this party fall.
17:22You need a little action.
17:23Sorry, we're trying to work.
17:25Miss Deryn, I'm nervous and you're calm.
17:28I'll use my mother's friend's technique.
17:30In five minutes I'll wake up these people and you'll see.
17:33But first I'm going to leave the meatballs on this table.
17:36Wait, what are you going to do?
17:38Be careful.
17:39You're scaring me.
17:40Don't worry.
17:41I just have to press a button.
17:42Let's dance.
17:48Get up.
17:49Leave the hassle.
17:50Let's dance.
17:51Wait.
17:52Don't create music.
17:53Let's dance.
17:54Come on.
17:55Let's dance.
17:56That's how it's done.
17:57Come on.
17:58Move that mustache.
17:59Come on, dance.
18:00Come on, guys.
18:01Yes.
18:02That's it.
18:03Move those hips.
18:04Don't get rusty.
18:05You know we have to work.
18:06That's it.
18:07We can't get up.
18:08Listen to me.
18:09Come on, girls.
18:10That's it.
18:11Cheer up, kids.
18:12That's it.
18:13Let's dance.
18:16It's okay.
18:17Not everything.
18:22Now open your mouth.
18:23That's it.
18:24Now you.
18:25It's incredible.
18:28How are you?
18:29Oh, what are you doing?
18:30Bravo, Jan.
18:31You're great.
18:32Can we turn down the volume?
18:33Why are they dancing like that?
18:34Because they're going to get in trouble.
18:35Get them out of the way.
18:36Come on.
18:37Come on.
18:38Come on.
18:39Get ready to move.
18:40Come on.
18:41Come on.
18:42Get moving.
18:43What are you doing?
18:44Let's dance.
18:45Come on.
18:46Move it.
18:47Move it.
18:48Here we go.
18:49Let's dance.
18:50Let's dance.
18:51Come on.
18:52That's it.
18:53That's it.
18:54What are you doing?
18:55Dance.
18:56Come on.
18:57Let's dance.
18:58Why are you dancing like that? We're guests.
19:00Aren't you ashamed to make so much noise?
19:03Mr. Nihat will come to scold us.
19:05It's okay, Peggy. Mr. Nihat can come. There's plenty of room.
19:09Everybody dance!
19:11You're going to wake up my parents.
19:13Hey, this is too much.
19:14And I'm sorry, but I don't approve of what you're doing.
19:17Yes, miss, I don't approve of it, but you're dancing like Shakira.
19:20Move your hips.
19:22That has nothing to do with it. It's just a reflex movement.
19:25Well, I like those reflexes. Everybody dance!
19:28Move your hips.
19:30Move your hips.
19:36Pause.
19:40Mom.
19:49What's wrong with you guys?
19:52Oh, what a shame!
19:55We're sorry. It's not what it looks like, Mrs. Mephzibet.
20:04Oh, ma'am.
20:11Why didn't you call me to dance?
20:13Well said. Let's continue the party. Let's dance!
20:21Mrs. Mephzibet!
20:25What a great party!
20:28You don't dance?
20:29What?
20:30Come here. Dance with me.
20:32Oh, yes.
20:33I'm going to kill your mustache.
20:35Dance!
20:42Oh, how fun!
20:50What's going on?
20:55Mephzibet?
20:57Shh!
20:58Calm down.
21:13Mr. Nihat, we're working on the ad.
21:16That's why we're here.
21:18We have a brainstorm, which in Spanish means brainstorm.
21:23That's what it means.
21:24Be careful. Don't lose your head in that storm.
21:27That would be a shame.
21:29Here, don't forget to bring paper.
21:31So you can write down your ideas.
21:40I was wondering why the ads are so weird.
21:43Now I understand everything.
21:45Okay, continue with your work.
21:47Really? Well, if there's no problem for Nihat,
21:50we'll keep dancing. Let's dance!
21:52Moyo, stop that music!
22:13Are you looking at me?
22:14Yes.
22:15Oh, I'm tired and my hip hurts.
22:18Okay, guys, that's enough. Turn that music off.
22:20A sexy move and we turn it off.
22:23The music is over, guys.
22:25I think we're awake now, right?
22:27And once again, I apologize.
22:29We still have a big problem and we don't have the slogan yet.
22:32It's true. We're wasting time dancing and we don't have a slogan.
22:36A slogan?
22:38Give us the product. Maybe we can help.
22:41Come on, Nihat. What do we know about advertising?
22:44Don't talk like that, Mephzibet.
22:46Maybe we'll give you an idea. Who knows?
22:48A perfume.
22:49We're working on a campaign about a perfume.
22:51Perfume?
22:56That idea has transported me many years ago.
23:00Just the day I met your mother.
23:04Yes, your mother smelled very good.
23:07When I saw her, I thought,
23:09she'll never fall in love with you.
23:11Impossible.
23:14At that moment, she seemed unattainable.
23:19Yes, that's it.
23:20Exactly. Look at you.
23:22No, not that.
23:24The other one.
23:26It's unattainable.
23:28Great!
23:29Unattainable!
23:31That's it, sir!
23:33You see?
23:34You see? You said we didn't know anything about slogans.
23:37So you thought it was unattainable.
23:39Yes, but I got you.
23:41I mean, you liked me too,
23:43so you didn't make it very difficult for me either.
23:45Don't you think?
23:46Unattainable.
23:47I'd like to feel as much passion as they do.
23:50Well, guys, we're going to bed.
23:52We're very tired.
23:54Keep working.
23:55I'm leaving too.
23:56It's very late.
23:57Well, good night.
23:58Get some rest.
23:59Let's go.
24:00Walk soon.
24:01See you.
24:02I'm tired.
24:03It's very late.
24:06Ready?
24:07Play the music!
24:16We got the slogan!
24:17We got it!
24:38It's Jan.
24:39Jan is calling.
24:40Shh!
24:41Stay focused at work.
24:43Tell me, honey.
24:44What are you doing, honey?
24:45I'm preparing a surprise for you.
24:47A surprise?
24:48Wow.
24:49Won't you give me a clue?
24:51It's a trap.
24:52You'll have to wait.
24:53Wait?
24:54Well, there's no problem.
24:55Given the way things are at work,
24:57it's better if you give me patience.
24:59Wait, Jan.
25:00Everything will be fine.
25:01I'm convinced.
25:02And tomorrow when you get to the agency,
25:04you'll have your surprise.
25:05Very good.
25:06Okay.
25:07Hey, honey.
25:08What are you doing?
25:09I'm preparing a surprise for you.
25:11A surprise?
25:12Hey, honey.
25:13Um...
25:14There's one thing that worries me.
25:16What is it?
25:17I'm thinking...
25:19Maybe I was too hard on Deryn.
25:22What do you think?
25:23I think so too.
25:25When I calmed down, I felt really bad.
25:27It's all Eileen's fault.
25:29Deryn didn't want to hurt us.
25:31Eileen even cheated on my brother.
25:34How could I not cheat on her?
25:35It's normal.
25:36Yes.
25:37You're right.
25:38It was a mistake.
25:39I'll call her tomorrow morning.
25:41She'll understand.
25:42Don't worry.
25:43Didn't you always say that the agency is our ship?
25:46Well, that's right.
25:47Because we're a strong team that can overcome anything.
25:50You're right.
25:52Well, I'll see you tomorrow.
25:54So you can continue with my surprise.
25:56Okay.
25:57I love you, honey.
25:58I love you too, honey.
25:59Bye.
26:00Bye.
26:09Um...
26:10Jan...
26:11I think it wasn't fair to you.
26:13Yeah?
26:14Did he really say that?
26:16Yeah.
26:17And he said he'd call you tomorrow to apologize.
26:21But that won't be necessary because he'll see you at the agency.
26:25Zanem...
26:27I want to tell you that I'm very grateful.
26:30Thank you very much.
26:34Aren't you tired?
26:36I had enough coffee to stay awake for another 72 hours without blinking.
26:41So tomorrow we'll do the presentation together, okay?
26:46We'll do it together.
26:48It's a deal.
27:06Let's go.
27:24We're here.
27:25Take this, Gülis.
27:26Put it there.
27:27Okay.
27:34Well, guys.
27:35Is everyone ready?
27:36Yes.
27:37Yes.
27:38Yes.
27:42There he is.
27:43There's the boss.
27:44There he is.
27:45It's Murat.
27:47Good morning, everyone.
27:48What's going on here?
27:49Good morning.
27:50Good morning.
27:51Hello.
27:52Is there a meeting?
27:53Why is everyone here?
27:54Good morning, honey.
27:55Hey, can we talk for a minute?
27:57Of course.
27:58But don't get mad at me, okay?
28:01I told you I had a surprise for you.
28:04Yesterday I talked to McKinnon and asked him for one last chance.
28:08Chance?
28:09And he agreed to give us that chance.
28:11So if we can present a better campaign than the previous one, he'll reconsider going back to the agency.
28:19Deren?
28:20I told him to come.
28:25I was going to call you today.
28:26Jan, if you don't mind, we'll do the presentation first.
28:30We're on schedule and with the idea of taking advantage of that last chance,
28:35we've all been working on a new campaign for Redmond.
28:39Tonight?
28:40That's right.
28:42Well, let's see it.
28:44Very good.
28:45Go ahead.
28:46Let's do it, guys.
28:48This way.
28:49Okay.
29:18What did you think?
29:19Good.
29:24Well...
29:27The truth is that you've outdone yourselves.
29:35It's better than the previous one.
29:36So, should we present it?
29:39He gave us another chance.
29:42Let's present it.
29:43He's a genius!
29:45Friends, you've worked very hard.
29:47It's been a magnificent presentation.
29:49Congratulations to everyone.
29:50It's a fantastic job.
29:51If McKinnon agrees to work with us again,
29:55the biggest difficulty will be not making mistakes again.
30:00And if he doesn't accept the project,
30:04he'll be the one to lose.
30:06I hope he's ready for his own good.
30:09Now there's a lot to do.
30:12If you agree, I'll call McKinnon.
30:14Do it.
30:15Of course.
30:22Yes!
30:28Spoh...
30:30Spohlen?
30:32It's not true.
30:36Hi.
30:38Hi.
30:41Hi.
30:42How are you?
30:49Salud, Sanem.
30:50How are you?
30:51All good?
30:52Yes, I'm fine.
30:53Thank you very much.
30:54I mean, I feel very good.
30:56Both physically and spiritually.
30:58I feel great, Spohlen.
31:01Watch that breath.
31:02I'd say it's an allergy.
31:04Let's go to my office.
31:05Yes, of course.
31:06I'll stay here.
31:10I don't think you want to come.
31:11Bye.
31:12Salud.
31:14Adios.
31:16She barely leaves one and returns to another.
31:18Why do you think Miss Spohlen came?
31:20I think she wants to get her boyfriend back.
31:22Shut up! Don't start with the gossip!
31:24Don't worry, JJ. Leave her alone.
31:26Yes, yes. I'll calm down.
31:27Let's see. Let's see.
31:29Sanem, what are you doing?
31:30You're hurting me.
31:31Sanem, Sanem.
31:32Stop squeezing me.
31:33Please, let me go.
31:34You're going to break my shoulder.
31:35It hurts.
31:36You have a heavy hand.
31:37Let's see what you're doing.
31:39Well, Spohlen,
31:40I'm really surprised to see you here.
31:42I thought you were in London.
31:43What brings you to Istanbul?
31:46I came for work.
31:47I got here a week ago.
31:49I was walking around here,
31:50and I thought I'd stop by to say hello.
31:53I see. Very well.
31:55As you can see, we're very busy.
31:57And you, how are you?
31:58As usual, you know.
31:59Everything's fine.
32:00Working and everything else.
32:02Very calm. I'm still with my life.
32:04Well, yes. Like everyone else, right?
32:12What are you doing here?
32:14No day is complete without a little action.
32:17What did you say?
32:18Adrenaline is good for keeping us young,
32:21so let's go.
32:22Let's go.
32:23What did you say?
32:24Adrenaline is good for keeping us young,
32:26so let's go.
32:27Every day keeps us young.
32:29Yes, well, I think that with so much stress,
32:31I'll end up dying at an early age.
32:33Don't say that!
32:34Don't talk about death, okay?
32:36What did you say to Jan?
32:37Wait ...
32:38I can't smell the lips because I can't see them.
32:41It's right in the back.
32:42If I was more up front,
32:44I could see his lips on the side.
32:45But it's impossible. I'll shut up.
32:47Look at my boyfriend.
32:48He keeps a healthy minimum distance
32:50of two arms with her.
32:51Yes, a safe distance from the motorcycle.
32:53One, two.
32:54Ah!
32:55What's wrong with you?
32:56Do you need some tea or something?
32:57Let's see if it works.
32:58Okay, you calm down, I'm nervous.
33:01Well, thank you very much.
33:04Hey, Jan, there's a new show at the opera.
33:08I went last week.
33:09And it's great.
33:10The Queen of Swords.
33:12The Queen of Swords by Tchaikovsky?
33:14I love it.
33:15I know.
33:16Sorry.
33:18I think the colors on the fourth poster are a little weird.
33:21Could you check them?
33:22Maybe there was a mistake.
33:25Okay, keep me informed.
33:28I'm sorry.
33:29I had to talk.
33:30Sure.
33:31What else do you do?
33:32Nothing extraordinary.
33:34The same as always.
33:35I'm a person of routines.
33:37By the way, now that I remember,
33:39there's an agency in London
33:41that's looking for a photographer
33:43to do a report in the Balkans.
33:46Hmm.
33:47What do you think?
33:48Are you interested?
33:49Well, in other circumstances, I would think so,
33:51but right now I can't move from here.
33:53I have a lot of work.
33:55So thank you, but I can't.
33:57Oh, okay.
33:58Well, I'd better go.
34:00I see you're very busy with your work.
34:03I'm sorry, but the truth is, yes.
34:05Don't worry.
34:06I also have things to do.
34:08We'll see each other another time.
34:10If you want, call me.
34:11Yes, we'll see each other.
34:12Take care.
34:13Goodbye.
34:15He's coming.
34:16Yes, hide.
34:17We've collected everything
34:18and we've also archived everything.
34:20Of course.
34:25Hypocrite.
34:26Why did he smile at you?
34:28I think he's trying to be nice.
34:30It's an evil smile of satisfaction,
34:32as if he was planning something.
34:35What do you mean, Jeje?
34:36You haven't seen Jan?
34:38You haven't noticed my boyfriend?
34:41He was firm all the time.
34:43It's true.
34:44He's kept his distance.
34:45Why don't we talk about that?
34:46Yes, you're right.
34:47He did well.
34:48Excellent.
34:49Yes.
34:50She's so unfriendly.
34:51Yes, it's true.
34:52She's very unfriendly.
34:54A lot.
34:55She has a repulsive face.
34:56And her body too.
34:57Disproportionate.
34:58I don't like her soul.
34:59She has a very dirty soul.
35:05Of course.
35:06They are very good products.
35:08They are of first quality.
35:09All organic.
35:10All organic.
35:11All organic.
35:12All organic.
35:13All organic.
35:14All organic.
35:15All organic.
35:16This is a piece of shit.
35:17I'll pay this one for you.
35:18Wait a minute.
35:19I'll give this to him.
35:20Yes, we have a new promotion for loyal customers.
35:23And you can get a lot out of it.
35:26What are you talking about?
35:27President, I just thought of it last night.
35:29It's an amazing system.
35:30Everyone wins.
35:31And it's exact.
35:32Neighbors win, win.
35:36I'll explain.
35:37For your first purchase, a 10% discount.
35:39of discount. For the second, 20% plus a discount for the client you bring with you. For the third
35:44purchase. If you come alone, nothing. But if you come with four people, 30%. Or were five people,
35:49wait a minute, I'm going to review it. Wait, I have it written down on this paper. Well, that's right,
35:54here it is. 70% discount on that purchase and then 90% on the next. Wait, what calculation did I do?
35:59I can't remember anymore.
36:00What's going on, Reginald?
36:02Please explain to us so we can understand.
36:05I'm sure I did well. But now I don't understand anything I wrote. Let's forget it and go back to the traditional system.
36:11Oh, what are you saying? You look like a swindler, Musa.
36:13I did my math right. When I went to school, I got five out of everything. Five!
36:17Son, at our age, all those numbers are very confusing.
36:21Help me get a glass of water.
36:23Tell me what you like.
36:25What's going on there?
36:27They set up a stand in the street?
36:29Look, Izul, the level of this neighborhood is getting lower and lower. Look, what a nasty picture.
36:33Oh, who's selling in the street? How can they be so ordinary?
36:37How can they be selling in the street? We pay taxes and licenses.
36:41And now they come here and want to take advantage of us?
36:45Want to take advantage of us?
36:47Yes, that's what I said.
36:49We pay...
36:50Yes?
36:51Taxes and licenses. You're right. Give me the phone.
36:53What are you going to do?
36:55Give me the phone. You'll see what I do.
36:57Take it.
36:59Is it on?
37:00Yes, here you go.
37:02Who are you calling?
37:03You'll see.
37:04Don't talk too much. I don't have much money.
37:15Jan, I talked to Makino. He wants us there at noon. There's no problem with that.
37:21Okay, Deryn. Thank you.
37:23You're welcome.
37:24Deryn.
37:25Yes, tell me.
37:27I want to apologize.
37:30Don't say it. There's no need.
37:32Yes, you are important because you are fundamental to this agency.
37:39And I was very rude.
37:42I was very angry and everything happened to me.
37:45I know.
37:47Jan, I made a very serious mistake and not even I am able to forgive myself.
37:52But I didn't do it with bad intentions.
37:55I know. I have no doubt about that. You can stay calm.
37:59I'm glad to hear that.
38:01Did we forget everything?
38:03Yes, let's forget everything.
38:05Come.
38:08Are we friends?
38:09Always. Of course we are friends.
38:13Well, everything was forgotten and as always, I'm going back to work.
38:17Okay.
38:25Did everything go well?
38:27Yes, I think so.
38:28McKinnon agreed to meet with us today and Jan just apologized to me.
38:33Great.
38:34Yes.
38:35I'm very happy.
38:37Let's eat.
38:42Really, thank you very much for everything.
38:46You're welcome.
38:48There is nothing to thank for.
38:50Your relationship has always been very close.
38:54Anyway, that's what should happen.
38:56Good. Would you like to have some tea?
38:58What do you mean tea? I never drink tea.
39:01Some things never change.
39:03I want a coffee.
39:08I'm even half-cold.
39:17I see that things are starting to work.
39:19Of course. How are they not going to work while you're around?
39:24It's normal. When you do your job with love, things always go well.
39:29You've been sneezing a lot lately. Is it because of your allergy to pollen?
39:33Yes. I've had a strange feeling in my nose. It bothers me a lot.
39:37Oh yeah? Suddenly?
39:38It's a nasal problem.
39:39And do you feel better now?
39:40Let's see.
39:44Yes, I feel much better now.
39:45Good. I'm very happy.
39:46What did pollen want?
39:48Nothing. She just came to say hello.
39:52She just came to say hello?
39:53Yes.
39:54It's normal because Istanbul and London are very close.
39:56Yes, exactly.
39:58Well, she saw that I was busy and she left.
40:00Of course.
40:01Has she returned for work reasons?
40:03I'm sure she has, right?
40:06Forget about that now. I don't want to talk about her.
40:08Talk to me about you. Now you have work.
40:12Well, of course. I have a lot of work.
40:14Good. And what do you do?
40:15I have a very important position. I'm an editor at an advertising agency. That's what I do.
40:21Really? And what kind of work do you do?
40:23Advertising campaigns.
40:26I'm preparing a presentation that I'll have very soon. It's important.
40:31You know, every day I meet a different Sanem and I'm very proud, very proud of you.
40:39You are no longer that childish girl I met.
40:43Didn't you like how I was?
40:45No, I didn't mean that. You've always liked me.
40:48In all your weird and strange facets.
40:54But now I look at you and I perceive, I don't know, more confidence.
40:58It seems that now you are more sure of yourself.
41:02You are a determined and professional woman in your work.
41:05Do you really say that?
41:06Yes.
41:08They have hearing problems. They are sitting very close to each other.
41:12I'm going to keep working.
41:14In fact, it seems that you forgot that you are at work.
41:18What do you want?
41:19I'm leaving. Excuse me.
41:22I heard that you are preparing a new project for McKinnon and that you are going to present it. I'm glad to know.
41:27Sanem prepared it.
41:28I hope you do well. Good luck.
41:31Of course it will be fine. I'm leaving.
41:33Goodbye, son.