Category
😹
FunTranscript
00:00You
00:22The chef hot really
00:24What's the problem?
00:25This is my restaurant opening and this feels a little lazy to be honest
00:29Or maybe you don't care because you're only here temporarily. Ouch
00:33Look, no one at Savoir cares more about this restaurant opening or you more than I do
00:37It's all I've been doing for the past week
00:39I don't know how you've been helping the restaurants, but I've been propositioned by out of women in Paris. Well, you're welcome
00:46and we've also reached out to tastemakers influencers bloggers and every food publication in France and
00:53Created a highly curated guest list for tomorrow night
00:57No more than 50 covers. That's all the restaurant can handle. I know I've got it under control
01:11Meets our newest clients
01:16Vespa, I love it. You know when I was 15 my mom and I took one on a fudge tour around Mackinac Island
01:22It was awesome. Oh, that's nice
01:25See quite a fudge
01:27Well, this Vespa is an exclusive limited release designed by the creative directors of jaws women's collection
01:34Beautiful they want to market it as the next must-have accessory for women. Yes, and they've given us quite a budget
01:41So we should market it like we'd market any high fashion bag. It's like a purse you can ride
01:47I'll make a list of all the photographers. We've shot woman straddling things. Yeah, I'm surprised you don't have that already
02:01I'm going to see Pierre French drug is doing a piece on him and he wants moral support
02:05You know, that's publicity right not marketing. You don't have to do that. Don't be jealous. You're lucky
02:10You won't have anything we to do with you is so high maintenance
02:14What are those Oh
02:16Just photos from the show part party, please delete anything with me and Benoit. I don't want to be reminded of the humiliation
02:36We that go okay. Okay. Bye. Have you seen our show part pictures?
02:43I think our Baton Rouge photographer had a little crush on you. I saw you two getting familiar
02:49Thought there might have been a Bato smooch. He's way too young and young people tend to annoy me
02:59Anything else no
03:14Eric oh, yes, it's Sylvie Rato from Savoie
03:18Sylvie, how are you? I'm fine. I was just looking at the photos from the show power event. I hope you're not disappointed
03:25Oh, no, no, no, but I seem to have gotten in the way of your camera on quite a few occasions
03:32Those are my favorite ones
03:34Well, we'll see what the client has to say. We're speaking with them later today. You'll have to let me know
03:40Maybe over a drink
03:42tonight
03:44Of course, yeah, we'll we'll discuss the feedback. I hope you don't mind coming to Saint-Germain
03:51It'd be my pleasure
03:53Okay
03:55Oh
04:22My
04:26Polar tickler
04:35Sorry, it's taking such a long time no apologies necessary mrs. Von and that you are so amazing
04:41Absolutely. Love your work. Thank you. Look for line made me appreciate breasts for the first time
04:50Is there a problem not at all
04:52It's a fan, ah, I see I'm god Ellen's agent a word
05:03Fawning makes us all uncomfortable
05:05Your peers assistant. No, I work for his marketing firm savoir. We just wanted to come and take a look
05:12and
05:13Looks good
05:15free
05:16good
05:17bomb time
05:22I
05:43Savoir is looking for someone to shoot a Vespa campaign for us
05:46Otis the scooter way in collaboration with yours very chic as long as it ends in Paris
05:53Do you think she might be interested?
05:57Ellen's extremely busy, but
06:00Send me the information. I will and just so you know, there's quite a budget
06:05with Alan it's always about the
06:07creative
06:09Not the budget
06:17Salu mon binom s'appelle Alfie Alfie and a Donald Hampshire
06:23He let wafer a and Shankey s'appelle Clover
06:27Alfie travail dans une banque et il adore le football
06:31Alfie a la diminutif to Alfred
06:34mercy
06:40Emily a loan a job in marketing Emily import them from all amuse on
06:47Emily, I'm Trevor a
06:50Emily Nampa Samuse a
06:59Excuse me
07:00That was your presentation after everything that I told you that my clothes are amuse on
07:05Did you know that that means funny-looking and more importantly I do like to have fun
07:10Okay, I am a fun person which had you gotten to know me at all, you would know
07:15No, I apologize
07:19Do you want to ride what no you can't fit two people on that thing just like I said no fun
07:35So they were happy with the pictures they were
07:41You're very talented
07:42Did they say that or are you saying that well actually I am I
07:49Used to be photographer in a past life
07:52Really? Mm-hmm. I
07:54Used to take candid shots of people in Santa Fe. That was a very long time ago
08:00Well, I'd love to see your work sometime. Oh, you're a fan of vintage photography
08:05Actually, I am
08:12I
08:26Only one reason Sylvie breaks the no food at work rule, it's if she's at sex the night before
08:33Oh, I think it might be Eric the Baton Rouge photographer half the photos. He took at the event her really
08:43Antoine has added some guests for the restaurant's opening tonight. I forwarded to you. Great. Thanks
08:56We really shouldn't be discussing Sylvie's private life
09:13Um
09:16We're supposed to have 50 reservations tonight, this is like a hundred and fifty
09:20We can't possibly see this many people for dinner
09:22Well, not everyone will be coming to eat some come to drink and some probably won't come at all
09:27Okay, I guess we can just deal with it when we get there
09:31Now my work for the restaurant is done. You can handhold your chef on opening night. I have plans
09:37Wow, I really hope you enjoy your plans you deserve plans Sylvie
09:45So don't worry about tonight it's under control
09:58Cuckoo
10:00Cabin, it's a cannon. Oh, yeah, come on
10:03Oh
10:33Me too.
10:35I hope that means you're coming tonight.
10:37Yeah, I don't want to miss it.
10:41See you tonight.
10:43See you tonight.
11:03It's an attractive crowd.
11:05It sure is.
11:06And so far, all the guests we've booked have arrived.
11:09Okay, so the blog Paris by Mouth is here.
11:12They're seated next to 24 Hours in Paris.
11:14And then over there is Sybil and Mathilde Echu,
11:17the sisters and models who have a combined following of 140,000.
11:22In the corner is Mr. Kim from Mr. Kim Shoots Food.
11:24His Instagram is art.
11:27And he was shortlisted in the Pink Lady Food Photo Awards 2020.
11:31How do you keep all this in your head?
11:33It's my job.
11:34And at your two o'clock is Madame Monge.
11:36She's been food blogging since food blogging started.
11:39She is old school.
11:41I'm not really sure who she's dining with,
11:42but the two of them look twice serious.
11:44Hmm.
11:45I'll go say hello.
11:46Good idea.
11:49Alfie?
11:51Emily, what's going on?
11:52Listen, I feel really bad about what happened the other day.
11:55You were telling me about what got wrong about you and...
11:58What?
11:59You were telling me about what got wrong about you and...
12:01Well, I cut you off.
12:02So I was thinking, maybe you come down to the pub
12:05and I buy you a beer.
12:07I'm actually at a work event and I think it's going to run late.
12:10I see. I knew it.
12:12No fun.
12:13My work is fun.
12:21I spoke to Madame Monge.
12:22Her guest is Caroline Duclos, the reviewer for Le Figaro.
12:25What?
12:26Oh, my God. No way.
12:27Wait, I thought that they were supposed to be anonymous.
12:30Some people find me charming, Emily.
12:31Hey, lady.
12:34Wow, this place looks great.
12:36Antoine, this is my friend Mindy.
12:38Enchanté.
12:39How have you been keeping this beautiful woman from me?
12:42Oh.
12:43Delightful to meet you, Mindy.
12:44Okay, you're a charmer.
12:47What was I saying?
12:50Wait, that's Antoine?
12:52The Antoine?
12:53Yep.
12:54Well...
12:56Okay, I'm going to go check on Gabrielle.
12:57I'll meet you at the table.
12:59Okay.
13:02Ooh, that looks beautiful.
13:04How are you feeling?
13:05I feel good.
13:06You look good.
13:07I mean, like, you look...
13:09like you're in a good zone with the food.
13:11What are you doing back here?
13:13The reviewer from Le Figaro has joined us this evening.
13:15She snuck in with Madame Monge to give better sauce for Duclos.
13:18You know what I mean.
13:20What table?
13:21Let me show you.
13:23There she is.
13:26It looks like she's enjoying her appetizer.
13:28Not appetizer, entree.
13:30But it's her first course.
13:31Exactly.
13:32Oh, I'm so confused.
13:33What a success already.
13:34Mindy.
13:36Hi.
13:39You can be brought over cases of our family champagne this morning.
13:41Oh, that's so nice.
13:42Oh, you're doing a great job with this opening.
13:45It's so crowded.
13:46I thought there were only 50 reservations.
13:47This doesn't feel like that.
13:49Antoine added a few more people than we were expecting.
13:51Without consulting me.
13:52Restaurant openings are always crowded,
13:53especially when the place is hot.
13:54Well, we won't be hot for long if people can get a table.
13:58Um...
13:59Why don't I give out complimentary champagne
14:01to the people who are waiting?
14:02Oh, my God, that's brilliant.
14:04Thank you, Camille.
14:05You're welcome.
14:13Who are you?
14:15Camille. Let me give you a hand.
14:16Nathalie, I'll take it.
14:17Finally.
14:19Sorry, it's been crazy.
14:20Well, now you've got to catch up.
14:21So, guess who's super not gay?
14:24Benoit.
14:25He's not into men, he's into me.
14:27Ha, ha, ha, ha, twist.
14:30But I'm not going to do anything
14:32that's going to, you know, ruin the band dynamics.
14:34Yeah, no, take it from me.
14:35If there's any concern that it will disrupt the workplace,
14:37I'm not going to do it.
14:38I'm not going to do it.
14:40I'm not going to do it.
14:41I'm not going to do it.
14:42I'm not going to do it.
14:43I'm not going to do it.
14:44I'm not going to do it.
14:45I'm not going to do it.
14:46If there's any concern that it's going to disrupt the workplace,
14:48don't do it.
14:49I'm not so sure because my workplace
14:52could use some disrupting.
14:53I haven't been done in a while.
14:55I'm going to...
14:56Whoa.
14:58These drinks are strong.
14:59How is everyone?
15:00So good.
15:01But, um, the food should probably come here soon
15:04because the drinks came and went.
15:06Ha, ha, ha.
15:07Am I screaming?
15:09Uh, yeah.
15:10Did it get a little loud in here?
15:11No, no, no.
15:12It's getting fun, not loud.
15:13Look around.
15:14People are enjoying themselves.
15:15Oh.
15:17Oh.
15:18Uh, maybe a little too much.
15:19Excuse me.
15:20Okay.
15:26Hi.
15:27I can barely hear the orders.
15:29What's going on?
15:30I thought you had everything under control.
15:31I do.
15:32I just don't have control over the volume.
15:33But you're doing great.
15:34And it looks like Caroline from La Figaro is almost finished,
15:37so now might be a good time to say hi.
15:38Okay.
15:39Okay.
15:40Okay.
15:41Okay.
15:42Okay.
15:43Okay.
15:45This is ridiculous.
15:47It's opening night.
15:48Maybe we just treat it more like a party.
15:50I may have a lot of talent,
15:52but no dish should be served in such chaos.
15:54Please excuse us.
15:59This isn't a restaurant.
16:00This is a fucking nightclub,
16:01which is exactly what Antoine wanted all along.
16:03You know what?
16:04I'm done.
16:06Gabrielle, wait.
16:07Uh...
16:08Did my chef just walk out the door?
16:10He's pretty upset.
16:11Upset?
16:12What's that?
16:13Well, you can tell him to keep walking.
16:16Chefs are a dime a dozen in Paris.
16:20What's going on?
16:21Well, Gabrielle just quit,
16:23and I think Antoine just fired him at the same time.
16:25This is a mess.
16:26Um...
16:28I've been there before, okay?
16:29It's a combination of ego and fear.
16:31It will pass.
16:32You talk to Antoine.
16:33I talk to Gabrielle, right?
16:35Gabrielle!
16:38Antoine is driving me crazy.
16:39He doesn't know what he's doing.
16:41He's arrogant.
16:42He has no idea what it's like to run a restaurant.
16:43Okay, okay.
16:44You're right.
16:45You know how to run a restaurant better than Antoine,
16:46that's for sure.
16:47But you need him.
16:49Don't waste your chance, Gabrielle.
16:50Since I've known you,
16:51this is what you've always wanted.
16:52Unless it's changed.
16:53I don't think so.
16:55Hey, listen.
16:58The worst mistake would be to let go of something
17:00you hold dearly,
17:01just because right now,
17:02it's hard.
17:09Look, Antoine.
17:10I just don't want you to make a mistake.
17:12You could have bought any building
17:14and hired any cook and pumped music in,
17:16but you bought this place because of Gabrielle.
17:19Maybe he's too young
17:20and this isn't something he can handle.
17:22Or maybe he wants a quiet little restaurant.
17:24But this is what I want.
17:26Your friend seems to like it.
17:31We have a sexy, fun crowd.
17:33This is the Labo brand.
17:35Okay, here's an idea.
17:37We keep it a restaurant until 11.
17:40And then it's a club.
17:41It's the best of both worlds.
17:44That sounds reasonable.
17:45If Gabrielle ever decides to come back,
17:47we'll have something to discuss.
17:49Okay.
17:54Get down.
17:56Oh, shit.
18:07I was taking a break outside.
18:08The kitchen is too hot.
18:10I understand.
18:12What a successful night, right?
18:14Yeah, so many more people than we were expecting.
18:16Yes, but the music is too loud.
18:18I was just telling the DJ to turn it down.
18:20And from now on,
18:21it won't get turned up until the dinner service ends at 11.
18:25I like that idea.
18:26Yeah.
18:27Great.
18:33Thank you so much for being here.
18:35Of course.
18:39I'm sorry.
18:53I like your apartment.
18:55I like you in my apartment.
19:00Is that you back when you were modeling?
19:03No, that's not me.
19:05I took that.
19:07A friend of mine opened a motorcycle cafe in Amsterdam,
19:10and, yeah, he asked me to take some pictures of him
19:14to display.
19:16You touched, like, your coffee and your bikes, huh?
19:20It was also the first time I got paid taking photos,
19:22so I displayed.
19:26You know what? We have a fashion shoot next week,
19:29and we're still looking for someone.
19:31Oh, yeah?
19:32Yeah.
19:34It's Best Buy in collaboration with Dior.
19:36It's a very big budget.
19:38You think you can handle that?
19:40I think I could.
19:43And it's yours.
19:46Really?
19:48That's amazing, Sylvie.
19:52You're welcome.
20:03Pictures of opening night came out,
20:05and, voici, I guess it went well.
20:07Oh, I know. No complaints.
20:09How was your night?
20:16Pain au chocolat and a chausson aux pommes.
20:20Ah.
20:21She must be very satisfied.
20:31Hello, Julien.
20:33What's up?
20:34Guten tag.
20:35Bonjour.
20:36Wasn't easy, but I convinced Ellen to do the shoot.
20:39Merci.
20:41That's wonderful. I'm so happy.
20:42I know. And I already called Vesper to check about the budget.
20:45Not that Ellen cares, but it's suitable.
20:47So the client's on board?
20:49Yeah, of course they are.
20:50Yeah, where would they be?
20:51Oh, yeah. Julien?
20:52Yes?
20:54You must come to Hamburg sometime.
20:56It's an absolute treasure.
21:05I've got some very big news.
21:08I ran into Ellen von Unwerth at Pierre's magazine shoot
21:11and talked her into doing the Vesper campaign.
21:14Really?
21:16That's huge.
21:17Ellen was on my list.
21:19She shot Adriana Lima straddling a broom.
21:21Sorry, I forgot to tell you.
21:23We already have a photographer for the shoot.
21:25Who?
21:26Eric the Groot.
21:28You mean the party photographer from the Batoumouche?
21:30Yes.
21:31But I have Ellen...
21:32I believe I made myself clear.
21:34Why on earth would Sylvie choose that amateur
21:37over Ellen von Unwerth?
21:39He's one step up from a paparazzi.
21:41The Viennoiserie.
21:43Did you see what she brought this morning?
21:46Is she sleeping with him?
21:48Unbelievable.
21:50Ellen's agent thinks it's a done deal.
21:52He's already called Vesper.
21:55Where are you going?
21:56To throw myself in the sand.
22:04Yes, what is it?
22:05I just wanted to follow up on that photographer discussion.
22:08What discussion?
22:09Well, given that we might have Ellen von Unwerth,
22:11I would just hope that your judgment isn't being clouded
22:14by the obvious interest that another,
22:16less world-famous photographer is taking in you.
22:20Careful, Emily. I don't like what you're implying.
22:23Sylvie?
22:24I have Vesper on the phone, line one.
22:30Hello, how are you?
22:32Hello, Sylvie. We're so excited about the campaign.
22:34Yes, so are we.
22:36And you should know we've had a lot of discussions internally
22:39and we found the perfect photographer for the shoot.
22:42We heard. Ellen von Unwerth.
22:44We couldn't think of a better person to shoot the scooter.
22:47She's sexy and feminine, just like the bike.
22:49Yes. Can you give me a minute?
22:55How do they know about Ellen?
22:59Are we making in here?
23:01All of you, out!
23:15Yes, it's me again.
23:17Yes, I'm glad you're happy because we're thrilled about Ellen, too.
23:21Super. It's really great.
23:25Yeah, you better enjoy it now because we are not getting any more.
23:32Valentina, Valentina
23:37Hey, sorry I'm so gay. I couldn't decide what to wear.
23:42Did I say gay? I meant late. Sorry I'm so late, God.
23:45Don't worry about it. You always look amazing.
23:48And you usually are late.
23:52Sorry, I don't know. I'm so nervous.
23:54I think the nerves will go away when you start singing.
23:56Yeah.
23:58How about we try this one?
24:02Really? We only rehearsed this, like, once.
24:06Yeah, but we nailed it.
24:08Okay.
24:09Cool.
24:17I don't know you
24:20But I want you
24:23All the more for that
24:28And words fall through me
24:31And always fool me
24:34And I can't react
24:41And games that never amount
24:45Do more than they're meant
24:48Will play themselves out
24:52Take this sinking boat
24:56And point it home
24:59We've still got time
25:04Raise your hopeful voice
25:09You have a choice
25:12You'll make it now
25:17Falling in love
25:21Falling slowly
25:24Eyes that know me
25:27And I can't go back
25:33I know you wanted to talk about the shoot, so I brought some storyboards.
25:37Yeah, well, about that, Eric, the client wants to go in a different direction.
25:41I'm very sorry.
25:42Oh, I see.
25:45No, but I do think you're very talented, and I'm very sorry
25:48we won't be working together, really.
25:51I am, too.
25:55But I hope that doesn't mean we won't see each other again.
26:05Well, no, it doesn't have to mean that.
26:07Take this sinking boat
26:10And point it home
26:13We've still got time
26:18I don't know where to start
26:22The best part's here. Come look.
26:28Very sexy.
26:30Okay, take my picture.
26:32Gerard is going to love it.
26:40May I?
26:49Oh.
26:51What are you doing?
26:52I'm late for friend's class.
26:57Oh, be careful!
26:58This is not Mackinac Island!
27:19Want to ride to class?
27:22Super.