• 3 months ago
Transcript
00:00♪♪
00:30-♪♪
01:01-¡Ah!
01:02I know perfectly well that you're taking revenge
01:04because I came to the kitchen.
01:06But I don't care, huh?
01:08Even if I have to throw up every day,
01:10I'm going to keep selling the promise until you give up.
01:12I didn't care if she stayed a few days,
01:14but this is taking too long, isn't it?
01:16Well, I can talk to Julia,
01:18but I'm afraid she'll have to stay a few more days
01:20to... to restore the painting.
01:23Ah, right. The painting.
01:26So no, I don't have to talk to Julia.
01:29No, better not.
01:31So we'll have to put up with her a little longer.
01:33I've been postponing my wishes for all my life
01:35because of social conventions,
01:37because of my parents' wishes,
01:39because... because of the good of the family,
01:42because of the Marquesado, and I'm fed up.
01:44It's over.
01:47From now on, I'm the owner of my life,
01:50and I want to spend it with you.
01:53It's time to stop hiding and face it.
01:56It's stupidity. That's what it is.
01:58Maybe not.
01:59Maybe it makes sense to adopt that brave stance.
02:02So you're going to support this stupidity now?
02:04The truth usually finds its way out.
02:12What I'm talking about is that all this is destroying me inside.
02:16That before, I wasn't well enough to have to face this now.
02:23I love you very much and you know it.
02:26But I can't go on.
02:29Lying like this is destroying me.
02:31Having her in front of me makes me very uncomfortable.
02:33I don't know why, but your mother intimidates me.
02:37Don't worry, Lope.
02:39You won't have to put up with her for much longer.
02:41I'm sure that when she realizes she's broken a bone,
02:44she'll leave so she doesn't have to come back.
02:46Yeah.
02:47Yes, La Verilla has found her place in the promise.
02:51She's also found a hole in the heart of someone I know.
02:55Wait a minute.
02:56Does Vera have a boyfriend?
02:58Yes, Lope.
02:59Lope?
03:01Our cook.
03:03Ah, yes. Lope.
03:08Vera and Lope are dating?
03:10Yes, ma'am. And they come and go.
03:12They're a solid couple, like a yunkee.
03:14Are you surprised, ma'am?
03:16Well, the truth is yes.
03:17At first glance, I wouldn't have said those boys had anything in common.
03:21Well, yes, they do.
03:23In fact, they seem to have been born to be with each other.
03:26And they're not sticky.
03:28They've been together all day, making out like a yunkee.
03:31Yes, it's nice to see them so affectionate and such a good couple.
03:36I see.
03:37Who was going to tell you, right?
03:38The maid and the cook.
03:40Well, you see.
03:41You never know where you're going to find your shoehorn.
03:45Speaking of the king of Rome, who appears through the door.
03:49Were you talking about me?
03:51The lady didn't know you were dating.
03:54Come on, Lope.
03:55Stay with us for a while and join the chat.
03:58No, I can't, because I have a lot of work in the kitchen.
04:01No, no, no.
04:02Take five minutes off.
04:05The cooks tell me that you and Vera are like soulmates.
04:09You've found your half-orange in that girl.
04:12Well, uh ...
04:14Well, boy, don't be shy.
04:16It's the same for you.
04:17I'm a little embarrassed to talk about something so personal,
04:19but it's such a beautiful story that everyone loves to hear it.
04:23But it looks like you've already told her everything, right?
04:26It's not strange that these couples arise among their companions.
04:30It's normal.
04:31They spend all day here.
04:33Where else are the boys and girls going to meet?
04:36Sure.
04:37Well, I don't think the lady is interested in those gossip.
04:40Yes, yes, yes.
04:41Of course I'm interested.
04:43You see, we like these entanglements as much as the lords.
04:46And so much.
04:47It seems that the avatars of love are equal to all of us, right?
04:51Oh, and so many avatars.
04:54Has Lope himself had another adventure before meeting Vera?
04:57Mrs. Candela, please.
04:59Ah, so you're in love with Don Juan.
05:01It's not that, ma'am.
05:03Well, the same is a little exaggerated.
05:05The fact is that first Lope is in love with María Fernández, another of the maidens.
05:09But María fell in love with Salvador.
05:11I guess he's another cook.
05:13No, a lackey.
05:14But also the partner of the service area.
05:16But until recently, because he has gone to work in another house.
05:19I don't think the lady is interested in all those details.
05:22Yes, yes, yes.
05:23Of course she is.
05:24Well, maybe we're going a little too far.
05:28And we're giving her the impression that Lope is a flowerpot.
05:32And nothing further.
05:33Lope's only love affair is Vera.
05:36The fact is that this story seems beautiful to us.
05:38And we love it.
05:40It's nice to see you in love.
05:44How beautiful is love.
05:46As long as it is sincere, of course.
05:49I hope you take care of that maid as the cooks say.
05:53What do you mean, ma'am?
05:55What are you going to refer to?
05:56Does the lady want to know if there is a wedding in sight?
05:59Am I wrong?
06:00That's it.
06:02Do wedding bells ring?
06:05I don't know, ma'am.
06:08It's all very premature.
06:43It's all very premature.
06:44It's all very premature.
06:45It's all very premature.
06:46It's all very premature.
06:47It's all very premature.
06:48It's all very premature.
06:49It's all very premature.
06:50It's all very premature.
06:51It's all very premature.
06:52It's all very premature.
06:53It's all very premature.
06:54It's all very premature.
06:55It's all very premature.
06:56It's all very premature.
06:57It's all very premature.
06:58It's all very premature.
06:59It's all very premature.
07:00It's all very premature.
07:01It's all very premature.
07:02It's all very premature.
07:03It's all very premature.
07:04It's all very premature.
07:05It's all very premature.
07:06It's all very premature.
07:07It's all very premature.
07:08It's all very premature.
07:09It's all very premature.
07:10It's all very premature.
07:11It's all very premature.
07:12It's all very premature.
07:13It's all very premature.
07:14It's all very premature.
07:15It's all very premature.
07:16It's all very premature.
07:17It's all very premature.
07:18It's all very premature.
07:19It's all very premature.
07:20It's all very premature.
07:21It's all very premature.
07:22It's all very premature.
07:23It's all very premature.
07:24It's all very premature.
07:25It's all very premature.
07:26It's all very premature.
07:27It's all very premature.
07:28It's all very premature.
07:29It's all very premature.
07:30It's all very premature.
07:31It's all very premature.
07:32It's all very premature.
07:33It's all very premature.
07:34It's all very premature.
07:35It's all very premature.
07:36It's all very premature.
07:38It's all very premature.
07:54♪
07:58Your wedding ring.
08:00♪
08:06I love you very much too, Teresa.
08:08♪
08:12You're all I have.
08:13♪
08:16And that's why it hurts to see you
08:17with so much pain because of me.
08:19My heart breaks.
08:22I know you're honest, Marcelo.
08:25But unfortunately, love has very little to do
08:26in this situation.
08:28Does it help?
08:29What would really help
08:32is for you to get more involved in your tasks.
08:34I'm getting involved?
08:35Well, even more.
08:37I need you to pay attention
08:39as if it were the most important thing in your life.
08:41I need you to strive to the limit of your abilities.
08:43I'm telling you, I'm already doing that.
08:44But not enough.
08:48Don't you realize that I've interceded for you
08:49among the service leaders?
08:52And that every time you make a mistake,
08:53you not only put yourself in the spotlight,
08:55but also me.
08:58I need you to think about me.
09:02You don't know how hard it is to have to face you
09:04every two, every three.
09:06I'm sorry.
09:11And to top it all off,
09:14to top it all off, everyone thinks
09:15I replaced Feliciano too soon.
09:18And the more comparisons they make between you and him,
09:21the more pain it causes me.
09:25This is too much.
09:28You'll see how all this will change.
09:30I promise you I'm doing my best.
09:37Please, Teresa.
09:44No one should have another complaint about you.
09:47No one. Do you hear me?
09:50No one will have another complaint about me.
09:52I will do my best to do things right and delicately.
09:57But please, don't leave me.
10:01I need you to be by my side.
10:09I hope you enjoyed today's visit, ma'am.
10:12If you have learned something from the recipes
10:14of these humble cooks, I am satisfied.
10:17I really appreciate your time and your dedication.
10:20And I have to say that yes,
10:22I have enjoyed this unconventional snack.
10:26And forceful, huh? You'll see how much energy it will give you.
10:30López, we can also prepare a basket for the lady, right?
10:33With some of the meat that's left over.
10:35Yes, and you can eat them in the palace when you want.
10:38Of course, I'll make you a basket myself.
10:41No, no. There's no need. I've eaten too much.
10:43And besides, I don't think I can taste a bite again.
10:47This is easy. López has caught it in a parakeet.
10:50Yeah, but you don't have to abuse even the good stuff.
10:54Wise words, ma'am.
10:56Well, if you don't have anything else to offer ...
11:00Have you forgotten something, ma'am?
11:03Yes, I thought I saw Vera and I would like to talk to her
11:06about the notes we took today.
11:08Of course, ma'am. Vera!
11:10Come closer, please.
11:14Is something wrong?
11:16No, the Duchess wants to see you.
11:18Yes, that's right.
11:24Well, thank you very much, it has been a pleasure.
11:26The pleasure has been ours, ma'am.
11:28Come in.
11:38They are delighted, Mrs. Candera and Mrs. Simona.
11:41Yes, and that López is too.
11:45What is that, that you are the girlfriend of a cook?
11:48Who told you that?
11:50The cooks, who are charming and gossipy.
11:53I see.
11:54And the servant himself has also confirmed it to me.
11:57López is not a servant. He is the cook of the palace.
11:59What else? He is a nobody.
12:02And you are the daughter of a duke.
12:04No, I'm not that woman anymore.
12:06Can't you give up your identity?
12:08Can't you give up your lineage?
12:10Yes, I can. And I have already done it.
12:13Please.
12:15I beg you, go home with me.
12:18Mother, I remind you that for a father I am simply the person
12:22who almost takes him to ruin and puts him in jail.
12:25But everything has a remedy.
12:27Yes, and I have already found it here, in the promise.
12:30No.
12:32Like a vulgar maid, no.
12:34You can't say those nonsense.
12:36A vulgar and happy maid.
12:40And you know what?
12:42I don't regret the decision I made,
12:44no matter how hard you try and how much you change your mind.
12:47So don't insist.
12:49And leave things as they are.
12:53Do you want me to accompany you to the exit, Duquesa?
12:56No.
12:59I already know the way.
13:10I already know the way.
13:20A man got off the horse and approached me.
13:25And he demanded that I give him my brother.
13:28I thought they were going to kill me.
13:31Just like they had done with my mother.
13:34But I thought they wouldn't be able to kill a baby.
13:41That's terrible.
13:44Yes, Manuel.
13:48But what's even worse
13:51is that the person who killed my mother
13:54belongs to this palace.
14:03The same ring that your grandfather, the Baron of Linaja, left you in inheritance.
14:11Manuel.
14:16I'm going to see Mrs. Pia.
14:18I just finished my homework and Mr. Robles gave me permission to go.
14:23What's wrong?
14:26Are you okay?
14:29Yes.
14:30Manuel, what's on your hand?
14:36A table.
14:39Come on.
14:48So you haven't stopped thinking about the suspicions I told you about your grandfather, the Baron.
14:56I can't get it out of my head.
15:01Manuel, we said we had to leave the past behind.
15:04I know, but ...
15:08I've taken out the ring and I've had a lot of sudden memories.
15:16Who would have imagined that behind a ring there could be so much pain and suffering?
15:25You know what?
15:27It's over.
15:29I'm never going to wear it again.
15:32But it's a ring.
15:34And it's a jewel, so it's not to blame for anything.
15:37I suspect it won't be pleasant to see it every day, right?
15:45I'm not going to let anything get in the way of us.
15:49And let nothing spoil our happiness, my love.
15:53I want to get married and spend the rest of my life with you.
15:59And me too.
16:01But I don't know why I feel like you're worried.
16:08A little.
16:10But it's not because of us.
16:13The issue of Doña Pia has me in a dead end.
16:18You see, I can't stop thinking about the conversation I had with Rómulo about Gregorio.
16:22What you're still thinking about is the possibility of meeting him.
16:28I know it's dangerous, but I think I can find a way to leave Pia once and for all.
16:34Yeah, but to do that, you have to find him first, and it's not that easy.
16:41Do you have something in mind?
16:45What makes you think that?
16:47Manuel, I know you perfectly well.
16:49And I know what each of your smiles means.
16:56And this one makes you think I'm imagining something?
17:03I can't lie to you.
17:05That's the way I think.
17:07Then why don't you tell me what you're thinking?
17:14Let me mature it a little more.
17:17I have to give it another thought. I still don't know if it's something feasible or ...
17:21or an illusion as a result of my desire to end this as soon as possible.
17:26Okay, but keep me informed.
17:29Yes.
17:31No matter what you're going to do, count on me.
17:36Yes.
17:40This kiss is for me to let you ask questions.
17:43No.
17:52Honey, I swear that when I arrived, they had already left and told your mother everything.
17:56Well, with how gossipy you are, Mrs. Candela was to be expected.
17:59And Mrs. Simona is not to be left out either.
18:01It was an imprudence to have left her alone with your mother.
18:03Lope, you haven't done anything, so don't blame yourself.
18:06No, Vera, I should have foreseen it.
18:08Not only have they told her that, don't believe it.
18:10What else have they told her?
18:14Well, they started to get hot and told her my story with María Fernández.
18:17Really?
18:18Yes, really.
18:20Vera, I love those two very much, but they are big mouths.
18:22Your mother is going to think that I am not a man to be trusted and that I go from flower to flower.
18:25Come on, Lope, don't exaggerate.
18:26I'm not exaggerating.
18:28I have to talk to them because they have put me at the feet of the horses.
18:30They said I was a Don Juan.
18:32A Don Juan.
18:34What is your mother going to think now?
18:36She has had to take a horrible image of me.
18:38Lope, she was going to take it anyway.
18:41Even if you were the best person in the face of the earth.
18:43You will never be enough for my mother.
18:46And you don't care about that?
18:48All I care about is you.
18:50Yes, Vera, but ...
18:51No, but nothing.
18:52Sooner or later she will find out.
18:55In any case, I'm going to talk to them and I'm going to tell them that they are corrupt.
18:58Come on, don't tell them anything.
19:00I'm sure they have done it with the best of will.
19:02To talk about something.
19:04It is not easy to have a conversation with a whole duchess.
19:08I guess.
19:09And with all the affection and all the effort they are putting into it,
19:11the last thing they deserve is to take a rag to dust.
19:14If the poor knew how little they care about my mother's cooking,
19:17it's more than disgusting.
19:19You saw the face he made when he heard the recipe for the callos.
19:23Lope, let him be.
19:28And did he say anything else about me when he left?
19:31Well, what was to be expected.
19:34That is to say, nothing good?
19:36No, nothing good.
19:38My mother, Vera.
19:39But Lope, all this matters to me at the very least.
19:43Now this is my new life and neither my mother nor my father have anything to say about it.
19:49I am no longer the daughter of the dukes of Carrera.
19:51Now I am Vera.
19:53A maiden and a woman happily in love.
19:57But I am the only thing that wants to be with you.
20:01And it is better that my mother finds out about all this.
20:04So the cards are on the table and everyone knows what to expect.
20:09Seen like this?
20:11No, this is how it should be seen.
20:13I love you.
20:20I love you, love.
20:22And me.
20:35I just met Manuel.
20:38Yes, we finished Villar's game.
20:41We had left half this morning.
20:44And because of your expression, I guess you have lost.
20:47Well, you're wrong.
20:49I hit him hard.
20:51Well then, I don't understand your attitude.
20:54Lately, there have been reactions from you that have upset me a bit.
20:58If you say it's because of Julia, it's better, right?
21:00Well, yes, yes. I say it because of Julia.
21:03It's just that you can't answer in such an abrupt way to a guest.
21:07The poor thing was stunned.
21:08I was fed up, Martina.
21:10Because apparently, that girl doesn't know how to talk about anything other than that damn war.
21:14Yeah, yeah, but that doesn't justify your tone.
21:18I don't think she wants to bother you.
21:20No, no.
21:21Well, I should have been more tactful.
21:25She's trying to be kind.
21:27Well, I don't know, Martina, but she got the opposite.
21:31In fact, I've always tried to be polite.
21:35To answer in a kind way.
21:37But not anymore.
21:38Not anymore because I made it very clear how much I was uncomfortable with her questions.
21:42That we're talking about war.
21:44Not about the fashion of Paris, or the last premiere of the theater.
21:48It's irritating.
21:57Do you see how he puts you?
21:58Yes.
22:01Curro, I ...
22:06I know that that war has affected you a lot.
22:09And that it still affects you.
22:12I know you've had to live terrible experiences.
22:16And I can't even imagine the amount of horrible images you'll have in your head.
22:23And that will probably accompany you for the rest of your days.
22:31That's right.
22:33I'm going to have to live with those images.
22:36Yes, I know.
22:42I get on your skin.
22:44And I get hot.
22:47Really.
22:52But I think you also have to get on Julia's skin.
22:57Because she is completely oblivious to your pain.
23:01And without eating or drinking, she's been in a good mood, right?
23:07It's just ...
23:08Can you imagine?
23:11That you're the guest in a house and they talk to you like that.
23:19It's okay.
23:20Yes, I admit that ...
23:22My ways went beyond Curro's.
23:27I'm sorry.
23:28What? No, no, no.
23:30You don't have to apologize to me.
23:33It's her.
23:35No?
23:37It's okay, it's okay.
23:39I'll do it as soon as I can.
23:44And she will understand your reasons perfectly.
23:49She's very smart.
23:52A lot.
23:58Well ...
24:00I'm going to leave your clothes clean around here.
24:02Thank you for doing the laundry for me on the promise.
24:05You're welcome.
24:07It is true that if you did it, then ...
24:10It would be an unnecessary risk.
24:12That, of course.
24:15Anyway, try not to get obsessed.
24:19Here, thank you.
24:20If I had my son closer ...
24:23I've been hiding for weeks and this is making me eternal.
24:26Well, don't worry because your son is fine.
24:28Mr. Baeza and I will take care of getting in touch from time to time with Veni
24:32so that he can tell us how it is going.
24:34And I thank you because I know it's not easy.
24:37What's more, you have to put yourself at risk with that ...
24:39scoundrel out there.
24:42If Gregorio showed up, he would attack anyone.
24:45And he's going to show up sooner or later, but he's going to show up, I know.
24:50Unless ...
24:52we meet him before.
24:55I thought it was very clear that he would not look for that man again, Hanna.
24:58Yeah, but ...
25:00But what?
25:03I don't know. Manuel is planning something.
25:06Something like what?
25:08I tell him I don't know what it is, he hasn't given me details, but ...
25:11I'm convinced that if it's about him, it's a good idea.
25:15Besides, Manuel won't stop until he threatens Gregorio.
25:18I don't want him to put himself at risk for me.
25:21Well, don't worry. Manuel knows what he's doing.
25:25Anyway, I have to go now.
25:30I'll leave you here.
25:34Take care.
25:48I love you.
26:02Well, a friend of the count is going to compose a waltz in our honor.
26:05Will it be the dance that will open your wedding?
26:07Of course, what better than to start dancing a waltz composed by an ex-professor for the two of us.
26:12Right, dear?
26:13Yes.
26:14And can I know the name of the composer who will take care of the piece?
26:17His name is Gaetane Chauvigny.
26:19He is a French composer that I met on one of my trips.
26:22And I have a certain friendship with him.
26:24He is the same one who composed a piece for the link of His Majesties Alfonso XIII and Doña Victoria and Eugenio.
26:31I thought you were preparing an intimate ceremony, but I see that you shoot high.
26:35Well, being intimate does not mean that we give up giving it the relevance that a moment like this deserves.
26:41After all, a wedding is something you do once in a lifetime.
26:44Well, in the case of Margarita, more than one.
26:46But I'm putting her the same illusion as my first wedding.
26:51And not only will we share a composer with the royal family.
26:54Also, and thanks to the mediation of one of my sisters, we will have the presence of Orfeón Pamplonés.
26:59Who also sang at the wedding of the kings.
27:01I hope that the similarities between the two links remain there.
27:04You don't need me to remind you of the tragic end of the wedding of the kings,
27:08with that undesirable anarchist of Mateo Morral attempting against their lives.
27:12Fortunately, we do not have enemies of that style.
27:16At the moment, but from time to time.
27:21Are you still awake at this time?
27:23Well, pleasant tertulia after dinner.
27:27Besides, we were waiting for you.
27:30For us, why?
27:32Man, I'm dying to know your impressions after returning to social life.
27:38I hope you haven't had a bad time.
27:41You have worse drinks with your own family, I assure you.
27:45So it went well?
27:47It was fun, right Pelayo?
27:50That's right.
27:51And who attended that request?
27:53Authorities or members of the royal house?
27:56Yes, not in vain. The groom is a relative of Queen Victoria Eugenia.
28:00Oh yeah? Is he English?
28:01Half English.
28:02There were also members of the European royal houses.
28:05They will be the ones who are fighting us right now, but there are not many.
28:08There was even a photographer and a journalist to immortalize the moment.
28:12And ... or portray it together?
28:14Well, I don't know. Of course, I haven't done anything to avoid it.
28:17I don't want to hide.
28:18My intention is to behave normally and whoever doesn't like it, well, don't look.
28:39Santos!
28:42I'll go now.
28:45Where are you supposed to go without the regulatory uniform?
28:48Sorry Mrs. Petra, but my father has sent me to collect firewood.
28:52And do you have to go? Why doesn't Marcelo do it, who has just arrived?
28:55He is also coming. It seems that many hands are needed.
28:58They have hired a truck to collect as much firewood as possible and restore the warehouse,
29:03which is practically empty.
29:05And they have hired a truck just for that?
29:07Well, in fact, they are also going to transport straw and fodder bullets for the animals.
29:13And when will you be back?
29:15Well, I don't know. In fact, I don't even know where we are going to collect firewood.
29:19I understand that it will be the small forest next to the river.
29:22It may be. If so, if everything goes well, we should be back in the afternoon.
29:30I wasn't aware of this.
29:33You weren't aware of this?
29:35No. As always, I am the last to find out about things.
29:39Although the truth is, I admit that the lackeys are not in my competition.
29:46The truck is already here.
29:48Come on, don't make them wait. And the sooner you leave, the sooner you will return.
29:53Do you want me to bring you a gift from the forest? A flower, a stick, a song?
29:59Even if you are very careful, I will be satisfied.
30:02That's always Mrs. Petra. Don't worry about me.
30:06Come on.
30:23So you got up early this morning.
30:26I wanted to go horseback riding for a while.
30:29I guess you arrived late from that party last night.
30:32That's right. I haven't slept much, but it pays off.
30:36I love the first hours of the day.
30:39I like the freshness of the earth before the sun comes out.
30:43Me too. Everything seems new. And even the countryside smells better.
30:50How was it last night to Pelayo and you?
30:53Good. Very good.
30:56Did you enjoy the evening?
30:58A lot.
30:59I'm glad.
31:03It seems that this morning you don't really want to talk to me.
31:08Are you still upset about the jam business?
31:12I prefer not to talk about it, father.
31:14Yes, daughter, but I prefer that you make an effort and we try to get closer.
31:21I'm going to be late to go horseback riding.
31:23Catalina, please.
31:25All right. What do you want?
31:27To explain my reasons for not leaving you in charge of the business.
31:35I know that in a way I'm being a little unfair to you.
31:39And you still keep your 13.
31:41I have my reasons.
31:42Yes, Cruz. Those are your reasons.
31:46Always Cruz. Stop being afraid of your wife.
31:50No. It's not fear.
31:52No?
31:53No.
31:54Then what is it?
31:59Look, father.
32:01I understand that you will keep me away from the business as a punishment for everything that happened with the guns.
32:06Or because I abandoned it overnight.
32:09I even understand that you like the way Lorenzo manages it.
32:13Because after all, it does not give losses.
32:15What makes me desperate is that he does all this so as not to upset his wife.
32:18For the love of God.
32:21Father, you have what you have chosen.
32:42Simona, do you read the letter in full?
32:44Don't you want to assemble everything?
32:46That. I also want to know how Virtudes is doing.
32:48A little patience. I want to give him a wink first.
32:53I'm happy like a worm.
32:56Well, you can tell. He has a smile that does not go out of the circus.
32:59And what is that due to?
33:01Well, I have to meet Salvador, which is his day off.
33:03And I feel like kissing him.
33:05But don't cheat more than the bill, huh?
33:07No way. Not even if I broke one of his ribs.
33:09What time did you meet Salvador?
33:11Well, he talks to Petra and as soon as he finishes eating, I go out for a walk.
33:15Good. Well, perfect, because that way we have time to finish the cookies.
33:19And you take them.
33:21Really?
33:22Yes.
33:23Of course, we are making cookies here for a laugh.
33:25A wonderful detail, because they are also his favorites, the chocolate ones.
33:28Of course, there are a lot.
33:29Well, where is the meeting of the couple going to be?
33:33In Luján Square.
33:35Do you want me to tell him something about you?
33:37Well, yes.
33:38If possible, tell him that when he has free time, he should come to see us at La Promesa.
33:41I miss him.
33:42Yes, we love him very much.
33:44I was going to tell him, but now also on your behalf.
33:49Is something wrong, Simona? Are you okay, virtuoso?
33:51Yes, yes. Everything he tells me in the letter is good.
33:54Then why are you sighing?
33:58Can I read the letter?
34:00No, they are personal things.
34:02Oh, how mysterious.
34:04No, something can be told, right?
34:06Come on, get out of that mouth.
34:09Well, it's fine.
34:11Let's see.
34:12Do you remember that in the last letter, my virtuoso told us that he was working for a seamstress?
34:17Yes, of course.
34:18Well, apparently he has made great progress.
34:21And every time they make him more complicated orders.
34:24He doesn't just make patches.
34:26The truth is that Teresa's teachings have gone very well for him.
34:29And what about the child of Isiargo? How is Dorfito?
34:32He's about to eat him.
34:34He is very happy there in the field.
34:36And my in-laws too.
34:38They are very happy to have him there.
34:41They don't know how envious I am of them.
34:43But that's wonderful, Mrs. Simona.
34:45In the end, everything has gone well.
34:47And that child is going to have a very happy upbringing, you'll see.
34:50Yes, that's the most important thing.
34:53Maria, a man has brought this for you.
34:56For me? Really?
34:59Bring it here.
35:05Candies!
35:06And who sends you those delights?
35:08Well, there's a note.
35:17Salvador.
35:19Oh, what a detailer, the boy!
35:22That's love of the good.
35:28Yes, love of the good, but ...
35:31But he's not coming.
35:33I don't know why, what happened?
35:35Well, nothing, a surprise came up to the count of Matesán.
35:38And he can't take the afternoon off.
35:40Oh, my God.
35:42With the desire that I had to fuck him.
35:44Well, I know it's not the same, Maria.
35:46But if you want to hug us ...
35:48One after the other.
35:52Can we put our hands in the candies?
35:54That the pains with sweets are less.
35:56Well, yes, I know.
35:59Do you like them?
36:00No, thanks.
36:01I do.
36:02Come on, I'm going to kiss you.
36:07Take these letters to the box office as soon as possible.
36:10The one that arises the most is the one addressed to my friend José María Lavilla,
36:13admiral of the Spanish Navy.
36:15The poor man has just gotten widowed.
36:17Oh yes, yes.
36:18I remember perfectly his wife, Mrs. María Cristina.
36:21An elegant and generous woman.
36:23I know.
36:24It leaves an impossible void to fill.
36:26And since I already had news of the sad event,
36:29I have gone ahead.
36:30And I have ordered your luggage to be prepared,
36:32because I suppose the burial will take place in San Fernando.
36:35Rómulo, you are as efficient as ever.
36:37But I'm afraid that this time I'm not going anywhere.
36:40I thought you would like to convey your condolences directly to Don José María.
36:45It would make sense if it were with my wife.
36:47But as things are, I don't think she wants to accompany me anywhere.
36:51I understand.
36:52That is why it is important that the missive arrives on time.
36:54Because it is precisely to excuse my presence.
36:59And ...
37:00And changing the subject ...
37:02Do you have any news about Doña Pia?
37:04How is she doing in that cabin?
37:06Precisely.
37:07Yesterday he was visiting Miss Expósito and he found her well.
37:10Taking into account her circumstances, of course.
37:12Yes.
37:13Every time I think about how bad it will be for her.
37:15Yes, the truth is that she lives in a very suffocated state.
37:17She is dead of fear, knowing that this man is out there.
37:21Well, she is a strong woman.
37:22She can handle it.
37:23I hope you are right, sir.
37:25I put myself in her place and I doubt that I have the same strength.
37:28Well, no.
37:29I rectify.
37:30I'm sure I wouldn't have it.
37:31I get the impression that something worries you.
37:34Something, Rómulo?
37:35Everything worries me.
37:37As long as I have few disagreements with my wife,
37:39I do not stop arguing with my daughter Catalina.
37:41But surely the waters will soon return to their course.
37:44Today I have tried to get closer and it has been of no use.
37:48In a way, I feel that I have failed you.
37:50I know, sir.
37:52I'll take care of it.
37:53Really?
37:54Well, I don't know the specific details of the conflict you have with your daughter,
37:59but I dare to say, without fear of making a mistake,
38:02that sometimes one is forced to do what is not correct.
38:07And he has to sacrifice his own principles to avoid greater evil.
38:12Are you trying to tell me something?
38:14No, I was just philosophizing, sir.
38:17I thought this could still help you.
38:20Fine.
38:22You can go now.
38:24Excuse me.
38:43Why is this tea so dark today?
38:45Have they left the herbs longer than usual?
38:48No, I understand that they have prepared it the same.
38:50In fact, I don't see any strange color.
38:52Am I making it up? If I say it is darker, it is darker.
38:57Can I tell them to prepare it again?
38:59No, pour a good splash of milk to see if it clears up a bit.
39:14Ma'am.
39:19This is colder than an ice cream.
39:22I can assure you that both the tea and the milk were hot.
39:26Are you going to take me the opposite of everything?
39:29Of course not.
39:30Right now I'm telling them to heat it up again.
39:33I just want a tea, like every day.
39:35It's not that hard, I say.
39:37Good morning.
39:39Good morning.
39:41What's the matter, mother? Why are you so relieved?
39:43I'm tired of useless maidens.
39:47Mother, being upset won't get you anywhere.
39:50Look around you, it's a beautiful day. Why don't you take advantage of it?
39:54Weren't you going to leave the palace?
39:56Yes, but I'll do it after lunch.
39:59I've met with some engineers.
40:01I have doubts about the new design of my project.
40:04You mean your little plane, right?
40:06Exactly. It's the one you care so much about.
40:09Damn fools.
40:11Ma'am, I asked them to heat it up again.
40:15You know what, mother?
40:17I think I'm going to sit here with you for a while.
40:20Let's see if I can get that to work.
40:22Hanna, please, can I have a cup of that tea?
40:25Don't even think about it.
40:26It's loaded and cold. It's better in cold water.
40:30You know what?
40:32That's making me want to sing it even more.
40:35You know what?
40:38That's making me want to sing it even more.
40:41Please.
40:46Mother.
40:50Put aside your bad mood.
40:52You're more beautiful when you smile, I knew it.
40:55I'm not even kidding, Manuel.
40:57What I'm telling you is completely true.
40:59Look, in reality,
41:01you get ugly when you frown.
41:04You lose part of your natural charm.
41:10I'm sure that if you smile,
41:12the next tea will taste better.
41:15Manuel, even if you look at me like that,
41:17that tea is horrible.
41:18And you're not going to convince me otherwise.
41:21Mother, I do it for you.
41:24And for those around you.
41:28And I'm particularly talking about father.
41:31I don't know what happened between you two,
41:33but I assure you that father is wrong.
41:35Really wrong.
41:36Manuel, leave him.
41:39I'm sure everything can be fixed if you put a little good will.
41:42If you're going to continue with this nonsense,
41:44let's leave this conversation right now.
41:47Besides, you're not the most suitable person
41:49to teach me what an exemplary marriage is.
41:52Or do you want me to remind you how yours ended?
41:54Ma'am, do you want a napkin?
41:56Don't interrupt me.
41:58Did I ask you for anything?
42:00No, forgive me.
42:03No.
42:20Hey, Teresa.
42:22What?
42:26I'm sorry.
42:29What?
42:31What?
42:33I'm sorry I questioned your relationship with Marcelo.
42:38And I'm sorry if my comments have hurt you.
42:43Do you forgive me?
42:47Of course, Maria.
42:49Don't worry, everything is fine.
42:55Maria, what are you doing here?
42:57Isn't today supposed to be your day off?
42:59Yes, it was.
43:01I was supposed to meet Salvador,
43:03but it's known that his boss has asked him for a task
43:06and we had to cancel the appointment.
43:09I'm going to have to put up with the urge to hug him for a while.
43:13That's for another time.
43:15Because very soon he's going to start hitting on you.
43:20Tira, come on.
43:23What happened to you? You're naked.
43:26We fell into the river.
43:28But it looks like they threw a barrel of water on you.
43:31Wait a minute, how did you fall?
43:33If you ask your little husband.
43:35Yes, I tripped and fell. It was a stupid accident.
43:37No, a stupid accident, Marcelo.
43:39And thank goodness there was a rock.
43:41If I don't drown, and Santos tried to help me, he fell too.
43:45Next time I won't move a finger for you.
43:47The water was frozen.
43:49Yes, it was.
43:50And the guys took a long time to get us out of there.
43:54A cut, useless all.
43:56Come on, come on.
43:58You're shaking, boy.
44:02Better?
44:03Yes, thank you, Mrs. Arcos.
44:06Thanks to you, I'm much better.
44:08You should take a little more care, Feliciano.
44:10You can catch pneumonia.
44:12If you're right.
44:18Do you see what I'm telling you? Do you see it?
44:23Yes.
44:37You're beautiful.
44:41What are you doing here, Manuel?
44:43And you?
44:45I came to get some fresh air.
44:49Well, we're lucky to have met.
44:54I come from Lujan.
44:57And I can't wait to tell you.
45:00My management is giving results, Hanna.
45:03I don't know what management you're talking about.
45:06I know how to attract Gregorio.
45:10But have you located him?
45:11Not exactly, I haven't located him.
45:13But I've found out that from time to time he drops by the Lujan tavern.
45:18So I left him a note in an envelope, quoting him in a remote place.
45:22So in the end you're going to meet him.
45:26But what are you going to tell him?
45:28Because I don't know how you're going to get them to let Mrs. Pia pass.
45:31I have a plan.
45:33Manuel, I need you to be careful.
45:37He's a very dangerous criminal and I can't let anything happen to you.
45:40I have everything under control.
45:44Look, I've managed to locate a man who was in the same prison as Gregorio.
45:49And he has confirmed the same story that Mr. Baeza told us.
45:52You mean...
45:53Yes.
45:54Yes, the death of that inmate in strange circumstances
45:56and whose evidence pointed to Gregorio being behind it.
46:00Hanna, he has given me a series of decisive details
46:03that can take that man back to jail.
46:06But let's see, Manuel, what kind of details are you talking about?
46:11I prefer to keep you out of this for the moment.
46:14I promise I'll tell you everything when this is over.
46:18Let's see, and why do you think Gregorio is going to quote you
46:21just because you are Don Manuel de Luján?
46:25It is true that you made the possibility that he does not go,
46:27but I have left him a bait that it is difficult for him not to bite.
46:31I made it very clear in the note that I wanted to talk about Pia Adarre.
46:35And I hope that's enough to attract the curiosity of that bastard.
46:40Manuel, please, I need you to tell me where you quoted him.
46:45In the old slaughterhouse in Ruinas.
46:48I'm going with you.
46:49No.
46:52Hanna, and no one can find out about this.
46:55And when I say no one, it's no one, not even Mr. Baeza.
47:01Hanna, give me your word.
47:06Okay, I promise you.
47:09But promise me that you will take care of yourself, Manuel.
47:12Please.
47:14I promise you.
47:19Hanna, you have to be patient with my mother.
47:23I'm sorry.
47:25I feel her ways.
47:27But please be patient.
47:30You know she has argued with my father and she is quite irascible.
47:33Yes, for one thing or another, she is always irascible.
47:36And in the end, she always ends up paying with us, the servants.
47:41I'm learning a lot about the relationship and my parents.
47:45Above all, what I don't want to happen to us.
48:15Be careful.
48:19There has been a change of plans, Mrs. Arcos.
48:22In the end, Mr. Marqués will not go to the burial of the wife of his friend, Admiral La Villa.
48:27No need to prepare the lady's luggage.
48:30If I'm honest with you, Mr. Baeza, it was something I already imagined.
48:33Because it was not normal that Mrs. Cruz had not told me anything about it.
48:37That's all, Mrs. Arcos.
48:39I will be in charge of transmitting the menus we have agreed to the kitchens.
48:41And I will also tell you the budget they have for the meal of the week.
48:46Okay.
48:48By the way, Mr. Baeza.
48:50Do you know if the visits of the Duchess of Cádiz and the kitchens will be prolonged?
48:55If I'm honest with you, I don't know.
48:57I know the same as you.
48:59The Duchess will come from time to time to sign the palace recipes.
49:04Neither the Duchess nor the Marquess have been able to confirm the periodicity of these visits.
49:09In other words, the visits can be prolonged indefinitely.
49:14That's right.
49:16Do these visits bother you?
49:20Well, the truth, Mr. Baeza, yes.
49:23It bothers me that a lady from the court of the Duchess of Carril passed by the service floor.
49:28But it still bothers me more than a semi-office.
49:31Well, but you offered it yourself.
49:34It was a matter of courtesy, Mr. Baeza.
49:36But that doesn't mean that I can't use my office for months without knowing if I can or can't.
49:41Because I don't know when the Duchess will need it.
49:44Yes, I understand.
49:46I also find all this extravagant, so to speak, in some way.
49:49But, although I agree with you,
49:52Mrs. Marquess has given her good opinion and we have no choice but to obey.
49:58Obey and shut up.
50:00That's right.
50:02Excuse me, but have you called me?
50:04Yes, come in. I have to give you some instructions for tomorrow.
50:08Well, if you don't need anything else from me, Mr. Baeza.
50:16Are you feeling well, Santos?
50:19More or less.
50:23But you are burning.
50:26You have a high fever.
50:29It was the fall in that damn river.
50:31What happened?
50:32We went to the woods for firewood and we didn't fall into the river.
50:36Well, it was Marcelo who fell into the river.
50:39And Santos, to rescue him, fell too.
50:42And that useless Marcelo doesn't even know how to walk.
50:45Does it hurt?
50:47A little, the head.
50:49And my throat bothers me a lot when I swallow.
50:53Oh my God. Let's hope it's nothing and you recover with a little rest.
50:57That Marcelo doesn't even look where he steps, Mr. Baeza.
51:01It's a danger to everyone.
51:04I'm sure it's nothing.
51:06Tomorrow I will wake up and I will be perfectly.
51:10Well, I leave you alone so that you can discuss your matters.
51:26Well, the two of them came delighted with that request.
51:28That request.
51:30It's a shame I didn't find them to tell me first hand.
51:34Well, or second hand, what I have told you is what happened.
51:37Sister-in-law, Pelayo and Catalina enjoyed that party a lot.
51:42And they are not around.
51:44I think Catalina went out early this morning.
51:47She has always liked the company of animals more than that of people.
51:51Don't be malicious, sister-in-law.
51:53Rejoice a little for your stepdaughter.
51:55It is true that Catalina was very relieved to have attended a social event after so much confinement.
52:01And above all, that everything would have gone perfectly.
52:04Well, the truth is that it surprises me.
52:07Because those publications did not leave neither Catalina nor the count in a position in pink, let's say.
52:12You already know how high society works. One rumor covers another.
52:15The gossip about Catalina and Pelayo will have been old.
52:18In addition, according to your own stepdaughter, that request was full of members of the European royal families.
52:24So they would have much more juicy gossip.
52:26And who was the boyfriend?
52:28Because all he said was that he was a relative of Queen Victoria Eugenia.
52:31He would be a grandson of Queen Victoria of England.
52:34He had at least nine children and they all gave him grandchildren.
52:37So there are plenty of candidates.
52:39And at your wedding? Is any member of the royal family going?
52:42Again with our wedding, captain?
52:44Because I would say that you are going to pay for your invitation.
52:45It makes me curious. I have never been to a wedding of such ...
52:51Not so young people.
52:57Who will call at this time of night?
53:03House of the Marquises of Wuhan.
53:06That gentleman is here.
53:08Right now, sir.
53:09Right now, sir.
53:14It's for you, captain of the battalion.
53:26Tell me.
53:30Yes. Yes, my commander.
53:40First thing tomorrow, I want you available to make some phone calls.
53:45Very well, sir.
53:47The captain is not going to say anything.
53:49But we are going to find out what is so important that Commander Alcaraz wanted to communicate to you.
53:53I'm going to call the doctor.
53:55Because I don't want to risk that cold grabbing your chest.
53:58I'm not a child anymore, father.
54:00Given your background, the precise thing is to act with prudence.
54:04They will suspect something if they have called you.
54:06At the moment they are that.
54:07Only suspicions.
54:09For your sake, I hope they are never confirmed.
54:11I will investigate what was the origin.
54:13Do it, yes.
54:15But do it discreetly. Alonso can't know this.
54:17Your husband won't find out.
54:19This time I'm going to be the one who decides the recipes.
54:22And we're going to start with the desserts.
54:24Well, at this point, Lope can help you more than me.
54:28The boy has a lot of work.
54:31How timely.
54:32What are you doing?
54:34Since you are well, you will be in charge of replacing Santos
54:37in the care of Mr. Curro while Deva remains in charge.
54:40You have been in charge of his training.
54:42I say that he will be prepared, right?
54:44Yes, but he still has many things to learn.
54:47It will have to be enough.
54:49Among the guests, on the part of the groom, the couple formed by Count de Añil
54:53and Mrs. Catarina de Luján stood out.
54:55The two young men were the center of attention throughout the evening.
54:59We already know why.
55:00But we don't know where Gregorio is, right?
55:03Anon has located him.
55:05In fact, he has mentioned him in the old slaughterhouse.
55:08Couldn't he have mentioned him in the town square?
55:10With all the people?
55:12Bad news, Hanna, huh?
55:14Marcelo!
55:17You have nothing to say?
55:19Hi, Teresa.
55:21But you're in a bad mood.
55:23I thought...
55:24No, I've seen this better, don't think.
55:26Go with Mr. Curro.
55:27What?
55:29What? If you do it unintentionally, I didn't notice.
55:31That's your problem, that you don't realize anything.
55:33Before I asked you about Manuel and I want to know how everything is.
55:36It seemed to me that I saw a certain fear in your gaze
55:39and it seems to me that it has to do with Gregorio.
55:42It is possible that...
55:44that this afternoon the whole nightmare ends.