Relic Hunter S01e14 Nine Lives
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TVTranscript
00:30I'm not sure if this is a good idea or not, but I'm going to do it anyway.
00:35I'm not sure if this is a good idea or not, but I'm going to do it anyway.
00:40I'm not sure if this is a good idea or not, but I'm going to do it anyway.
00:45I'm not sure if this is a good idea or not, but I'm going to do it anyway.
00:50I'm not sure if this is a good idea or not, but I'm going to do it anyway.
00:55I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:00I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:05I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:10I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:15I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:20I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:25I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:30I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:35I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:40I'm not sure if this is a good idea or not, but I'm going to do it anyway.
01:45I'm going to do it anyway.
02:02Am I pity the thief, I do?
02:05But as cursed you know.
02:09You're Egyptian, aren't you?
02:12Then you believe it, right?
02:14Die by the claws of the cat.
02:18Well, I've traveled the globe in Her Majesty's service
02:21and seen a lot of local mumbo-jumbo prove true.
02:25So I say it again.
02:28I pity the thief.
02:31Alexandria Station. Alexandria Station.
02:34Now, sir, my friend, what brings you to Alexandria?
02:37I'm sorry.
02:39My English is very little.
02:44Alexandria Station.
03:14Oh, my God.
03:44Ah!
04:11Ah!
04:21Ah!
04:22Ah!
04:23Ah!
04:24Ah!
04:25Ah!
04:26Ah!
04:29Jasmine!
04:32How are you?
04:34Good to see you.
04:36How are you?
04:38Good to see you.
05:04Ah!
05:33Ah!
05:37Ah!
05:54You know what, Claudia?
05:56Astronomy is absolutely fascinating.
05:58I know. And practical, too.
06:03I didn't know you were interested in astronomy.
06:06Of course.
06:07Like, this guy I was seeing, he was a total Sagittarius.
06:11But then he started to get moody, and I took it personally.
06:14But then I found out that his moon was rising in Scorpio,
06:16and I realized it really had nothing to do with me,
06:18because I'm a Virgo,
06:19and we are so completely supposed to be together.
06:22Yeah.
06:23You're talking about astrology.
06:26I'm talking about astronomy.
06:32You know, if you're interested,
06:34you could join me at the observatory this Wednesday
06:36to witness the appearance of the Beaumont Comet.
06:39Thanks, but I've got a low-impact class on Wednesday.
06:42I'll just catch it next week.
06:47Claudia, the Beaumont Comet
06:49only appears for a few days every 3,000 years.
06:53Yeah, well, my butt appears at least twice a week
06:55at some of the hottest clubs in town,
06:57so this whole comet thing,
06:58I'll just have to take a backseat to Bumburner's Level 3.
07:00Thank you very much.
07:05Ancient Studies.
07:10It's the new curator from the Crawford Institute in New York.
07:13Put him through.
07:15Her.
07:20Hello?
07:21I can't believe you won't give up an exercise class
07:24to see one of the most fascinating events of the century.
07:28Ricky Martin is the most fascinating event of the century,
07:31not the comet.
07:34A comet?
07:37A comet is magnificent.
07:41Huge masses of ice and rock,
07:43which, when they get too close to the sun, begin to evaporate,
07:46forming trails of dust and gas millions of miles long
07:50and all the way from the Earth.
07:54Okay, let's get security up here quick
07:56before Luke Skywalker goes over the edge.
08:02The statue is Mafted, the Egyptian cat goddess.
08:05And, uh, it's been stolen?
08:08Yes, from a sacred temple.
08:09I found it and returned it to the Bubastis Collection in Cairo.
08:12It's supposedly cursed.
08:14Cursed?
08:15Well, whoever steals the statue will die by the claws of the cat.
08:19Die by the claws?
08:20The man who took it was found dead a few weeks later.
08:23Unusual lacerations covering his body.
08:25Rare!
08:27I don't mean to be presumptive.
08:29Presumptuous.
08:30That, too.
08:31But, uh, should I be booking a flight?
08:32New York.
08:33Right.
08:34If you can make it there.
08:37I'll make it anywhere.
08:44The statue's on tour.
08:46That's right.
08:47This month it's at the Crawford Institute in New York.
08:48They've got a new curator.
08:49She invited me to the showing.
08:50She must have known about your connection with the statue
08:52and thought you might like to see it again.
08:53That's what I thought.
08:54But she invited me to her home, not the museum.
08:56Why?
08:57That's what I'd like to know.
09:18Thank you for coming, Professor Fox.
09:20I'm Sydney.
09:21Elizabeth.
09:22Nigel.
09:23Hi.
09:24I guess you're wondering why we're here.
09:27Well, the thought had crossed my mind.
09:30When the pieces for the exhibit arrived,
09:32I brought the statue home to study it.
09:35You took it out of the museum?
09:37It was stupid, I know.
09:40But it was only for one night, and I was drawn to it.
09:45It's powerful, isn't it?
09:47I knew you would understand.
09:49You've held it.
09:53The statue was stolen in the middle of the night.
09:57My God.
09:59What did the police say?
10:02You never called them.
10:04It's two days before the exhibit opens.
10:07I just got this job a few weeks ago.
10:09If we could just get the statue back before someone finds out.
10:14There's the curse.
10:17Yes.
10:18The curse?
10:20Anyone who steals the statue.
10:22Oh.
10:27He's English.
10:29Elizabeth, has anything else gone missing?
10:32Not really.
10:33I mean, nothing of importance.
10:36One of my shoes is missing.
10:38They were both at the entrance.
10:40One?
10:41You mind if I take a look at the other one?
11:01I bought them for a costume ball a few years ago.
11:06So whoever it was took only the left one.
11:11What?
11:12I know who broke in here.
11:17She doesn't seem to be the curator type, does she?
11:20No.
11:22So are you going to tell me who broke in?
11:24Archie Brogan.
11:25He's a cat burglar.
11:26A cat burglar stole the cat?
11:28Yes.
11:30He also has a shoe fetish.
11:32A shoe fetish?
11:33Lefts only.
11:34Right.
11:35Very good.
11:36As a burglar or a shoe fetishist?
11:38Burglar, of course.
11:39But he did break up my favorite pair of pumps.
11:44Let's catch a cab at the corner.
11:46It's an absolute steal at the price.
11:49I think we survived, honey.
11:51Well, I'll be dogged if I know.
11:54Who was it you said painted this again?
11:56Oh, Jessup Gilmore.
11:57One of the masters of neo-modern expressionism.
12:01You don't say.
12:03It almost breaks my heart to part with such a masterpiece.
12:07Honey.
12:09Well, sugar pie, if it means that much to you, I reckon we'll take it.
12:14Hello, Lagerfeld.
12:16Sidney.
12:17Sidney, it's been such a long time.
12:21I'm in the middle of a transaction.
12:23Just give me a minute, will you?
12:24This here was painted by Jessup Gilmore.
12:27This fellow seems to think it's neat as cat's whiskers.
12:29What do you think?
12:32Hmm.
12:36It's almost as neat as the one that Gilmore painted himself.
12:40You mean this ain't an original?
12:44Uh, thank you very much, Sidney.
12:46Yes, it's even more original than original.
12:49It's a post-modern original.
12:51Post-modern original.
12:53Now, what kind of gobbledygook is that?
12:55Did Gilmore paint this thing or didn't he?
12:57Of course he did.
12:58In the sense that painters paint these days.
13:01Warhol had all his assistants to do the actual painting.
13:06The important point is the concept.
13:09The genius, the joie de vivre, inspired by the master himself.
13:13This post-modern original is based on what most aficionados believe to be
13:19the actual inferior original post-modern original.
13:25Well, I declare.
13:28Come on, honey bunch, let's lie to Shook.
13:36I am angry.
13:38And when I get angry, Sidney, I get, uh, hello, who's that boy?
13:44He's my teaching assistant.
13:46Lucky you.
13:50Don't tell me you came all this way just to make me envious.
13:53I'm looking for Archie.
13:55Archie Brogan.
13:57Whatever do you want with that pervert?
14:00He pulled a job on someone I'm helping.
14:03I didn't even know he was in town.
14:05He is, and I know that you know he is.
14:08Um, Lagerfeld, and you?
14:11Nigel, Nigel Bailey.
14:13Nigel Bailey.
14:14Lagerfeld, where's Archie?
14:16Oh, darling, why would you think that I would know?
14:20If he's in town, he's up to his old tricks,
14:23which means he'll be bringing you whatever it is he stole
14:25so that you can fence it.
14:26Fine, yes, I'll be with you in just a moment.
14:33This is the last address I have of his.
14:35It's a loft down in Soho.
14:38He did tell me he had something special,
14:40but I haven't heard from him in days.
14:44Thanks.
14:50Ah! I'm...
14:52I'm very glad that you're looking at this one,
14:55because this is a pièce de resistance, as we like to say.
15:14Hello?
15:16Mm, Lagerfeld.
15:19You're getting impatient in your middle age.
15:22Well, I'm glad you called.
15:24That something special that I promised was...
15:29Mm, way easier to acquire than I ever imagined.
15:32Yeah, this woman from the museum, she took it home.
15:36Yeah.
15:38Yeah, this woman from the museum, she took it home.
15:43Sydney Fox, I don't understand what she...
15:48I'll call you back.
15:58Who's there?
16:08Who's there?
16:38Who's there?
17:02Sid.
17:08Oh.
17:38Oh.
17:49I never realized fan blades could be so sharp.
17:52Neither did I.
17:54It's possible the circuit malfunction overloaded with current.
17:57It's possible.
18:00Take her pump back.
18:02Let's get out of here.
18:08What now?
18:09We find that masked figure.
18:11How do we do that?
18:12I know who it is.
18:13You do again?
18:14She took me out with a sit-a-ban-do back kick.
18:16It's a classic Balinese martial arts move.
18:18It's certainly one of my favorites.
18:20There's only one woman I know that's mastered that move.
18:23Rosalind Lamb.
18:25I thought she and Rosalind must have teamed up.
18:28They had a little cat fight over the statue.
18:31Oh.
18:37Lagerfeld Gallery?
18:39Archie's dead.
18:41Oh.
18:42Such a young man.
18:45Now give me some real news.
18:47Where's Nigel?
18:48Lagerfeld. Archie's been murdered and the statue's been stolen.
18:51Sydney, I don't mean to be callous, really,
18:53but if I was to mourn every thief that promised to bring me something,
18:56I'd be a daily wreck.
18:58Rosalind Lamb.
18:59That name mean anything to you?
19:01No.
19:02Listen to me, Lagerfeld. Listen good.
19:05Someone or something wants that statue bad.
19:08Whoever has it is in mortal danger.
19:11Sydney, this is New York.
19:13We're in mortal danger every time we walk down the street.
19:16But to put your mind at ease,
19:19I assure you I have no idea where Rosalind Lamb is.
19:23Ciao, Sydney.
19:28Ciao.
19:52Now can we talk money?
19:55You saw the statue, but the man who stole it from me is dead.
19:59And it's been taken again.
20:01Sydney believes it's in the possession of a woman named Rosalind Lamb?
20:05Why does that name sound so familiar?
20:08Rosalind Lamb.
20:10Shall we call the police now?
20:12No.
20:13Not yet.
20:14Sorry.
20:24What?
20:54Rosalind Lamb.
20:56I knew that name sounded familiar.
20:59When we were granted the Bubastis exhibit,
21:01we added several new docents, all volunteers.
21:04Rosalind Lamb was one of them.
21:06It's a great way to pull an inside job.
21:08But I brought the statue home.
21:10Rosalind was spying on you and told her partner about it.
21:13Your left-shoe-sniffing cat friend who double-crossed her.
21:17Sorry.
21:19Elizabeth, would you happen to have an address for her?
21:25Ah!
21:28What was that?
21:30Get over here.
21:32Come on, let's go.
21:38So it's slashed just like Archie's?
21:40She did fall out of the window.
21:42That's true.
21:44And then there's the curse.
21:46Die by the claws of the cat?
21:48You think the cat's in the bag?
21:49Find out.
21:52Oh, yeah.
21:56It's been sold.
21:59Do you actually think it's possible we're...
22:01We were killed by some sort of cat creature?
22:03Cat god is seeking revenge.
22:05Maybe.
22:07Maybe it's one of those self-fulfilling prophecies.
22:09Someone doing the fulfilling because they believe it has to be fulfilled.
22:12Exactly.
22:16Guy's been following us.
22:18You sure?
22:20She's sure.
22:33Hey, what's up?
22:35Ow!
22:37Let me go!
22:39What are you doing?
22:41Let me go!
22:43Let me go!
22:45Let me go!
22:47Let me go!
22:50What's that?
22:52It's Egyptian with hieroglyphs.
22:58The symbols are of the utchat, or sacred eye.
23:01There is a legend that the utchat is a symbol of a tamaran.
23:05That's an ancient Egyptian spiritual order.
23:09They were sworn to attend to their pharaoh's soul in the afterlife.
23:13It was always led by a high priestess of unparalleled power and influence.
23:18Unparalleled power and influence in Egyptian society.
23:22That's right. The order's oath was to protect the pharaoh for eternity.
23:27But the order would have ended with the ancient Egyptian civilization.
23:32I mean, how would they be in New York today?
23:37Let me pour you another.
23:40It's actually a drink made from an authentic ancient Egyptian recipe.
23:45Very nice.
23:51Do you think the deaths were accidental, or do you think it was the curse?
24:01That drink packs a punch.
24:05That drink packs a punch.
24:11Are you okay, Nigel?
24:12I just have a little too much...
24:15You're going to be just fine, Nigel.
24:20I shouldn't have had the second news. Is there a...
24:24The door, in the hall.
24:35He'll be all right. I've seen this before with unaccustomed palates.
24:40Sydney, what if the Tamaran order wasn't extinct?
24:45What if it exists to this day to protect the pharaoh's soul in the afterlife?
24:51What have you given us?
24:53The Egyptian high priest of Arsag used some of her libation to relax their sacrificial victims before they were killed.
25:05Home...
25:15Where am I?
25:17Somewhere underneath her house.
25:21I have been entrusted with a sacred duty, Sydney.
25:25Does it involve trick-or-treating?
25:28Tonight, when the Beaumont Comet streaks across the northern sky,
25:32I will perform a ceremony that will allow the soul of the pharaoh to ascend to the next level.
25:38The Moff Gat statue is essential to the ceremony.
25:41I'm afraid I can't do it.
25:44I will allow the soul of the pharaoh to ascend to the next level.
25:48The Moff Gat statue is essential to the ceremony.
25:51Yes. It will be melted down and mixed with an ancient formula to be used in the ceremony.
25:57After pharaoh ascends, my followers and I will serve as his ministers in our afterlives.
26:05How do you know that's what Moff Gat wants?
26:07It is what pharaoh wants.
26:09So this is some sort of supernatural power trip?
26:12It is a sacred calling.
26:14Yeah, right.
26:16You're not Elizabeth Rockeiser.
26:18No, I'm not.
26:21Elizabeth was an unfortunate victim.
26:25And a poor dresser.
26:28Let him go.
26:30The ceremony will take place tonight.
26:33I need you to bring Moff Gat to me.
26:36Nigel will remain here.
26:39And if you don't provide the statue, I'll have to find another way to appease the pharaoh while he waits for the next window of ascension.
26:48Egyptian culture didn't include the sacrifice of victims.
26:52Let's call it a ritual disembowelment, then.
26:57The sacrifice actually sounded better to me.
26:59You have until midnight to get the statue.
27:03Where is the statue?
27:05Anger doesn't become you, Sydney.
27:07Look at you.
27:08It doesn't become you.
27:09Archie and Rosalind are both dead.
27:10You're next if we don't get that statue back.
27:13You're not going on about that silly curse again, are you?
27:16I'm talking about something deadlier than a curse here.
27:18I'm talking a crazy woman in a bustier.
27:21Now, if you want to live, you'll tell me what you know.
27:27I have never seen you get so worked up, Sydney.
27:31What kind of bustier?
27:33If we don't get that statue back by midnight, Nigel's in trouble.
27:36Nigel Bailey?
27:39Rosalind sold that statue before she was killed.
27:41I know.
27:42I saw the money.
27:43You were her fence.
27:45Oh, fence, Sydney.
27:46It's such a ghost term.
27:47Where is the statue?
27:49I can't tell you anything when you keep mauling me.
27:52How can I?
27:53Ethically speaking, this is against everything I stand for.
27:58Rosalind sold it.
27:59She sold it.
28:00And I represented her interests.
28:04Who has it now?
28:08Juan Escovedo, the cultural attaché to the United Nations.
28:13He buys art, resells it in Europe,
28:15using his diplomatic immunity to eat it.
28:20Has he left the country yet?
28:22He leaves tomorrow morning for Madrid.
28:24He'll have the little kitty cat with him.
28:26So it's at the embassy.
28:28Probably in his house.
28:30Where's that?
28:32Where's Nigel?
28:34Believe me, you don't want to know.
28:36Well, maybe you don't want to know where the statue is.
28:38Lagerfeld, this is not a game.
28:40Yes, I know.
28:41The curse, mortal danger, blah, blah, blah.
28:43Give it up, Sydney.
28:44Just give it up.
28:46The curse, mortal danger, blah, blah, blah.
28:48Give it up, Sydney.
28:49Just tell me where he is.
28:51Tell me.
28:52I'll take you to him.
28:53We will go together.
28:54No.
28:55No, no, no.
28:56It frees the crowd.
28:58Okay.
28:59Upper West Side.
29:00I will give you the address if you don't go until after midnight.
29:02Promise?
29:04Scout's honor.
29:06Scout's honor.
29:17Hi.
29:39Ah, good evening, good evening.
29:40What an absolutely charming house.
29:44I'm here to see Nigel Bailey.
29:48A good, good friend of mine told me he was here.
29:51Nigel Bailey?
30:14Nigel Bailey?
30:45Party.
30:47But if I'd have known, I would have worn Egyptian motif and things.
30:51Lovely, lovely.
30:52What do you want?
30:54I'd like to see Nigel Bailey, please.
30:59You would, would you?
31:01Yes, I would.
31:05Come with me.
31:15Oh.
31:29Lagerfeld said you might be dropping by.
31:38I must say, when Sidney told me where you were hiding, I was delighted.
31:43Oh, but this.
31:45This is not a game, Lagerfeld.
31:47No, of course it's not. Not a game.
31:50I've seen you at the city bar, haven't I?
31:52Raoul, right?
31:53Is he Raoul?
31:55Is he?
31:56Beast, don't rush things.
32:02This isn't funny.
32:05Yes, it is.
32:07Listen, Mr. Escavero, we both know this is stolen.
32:10If I tell the police it's in your possession...
32:12You won't be telling the police nothing, my dear.
32:26Will you stop grabbing at my hands?
32:29You're such a tease.
32:31You don't want to play handsy. What are you doing back there?
32:34I'm trying to get us untied before they come back and kill us.
32:38Kill us?
32:41What are you talking about?
32:43I've been trying to tell you, this isn't some kind of twisted role-playing game.
32:47This is for real.
32:49If Sidney doesn't get back here by midnight with that statue,
32:51they're going to go with plan B and sacrifice us.
32:55Sacrifice?
32:57What kind of fun way?
32:59In a fun kind of disemboweling way.
33:04You really are afraid, aren't you?
33:07To be so ridiculous.
33:09Here we go.
33:20The incisions must be precise.
33:23We must remove one organ at a time.
33:40No!
33:43The bloodletting must not proceed...
33:46until midnight.
33:48You see, nothing to worry about.
33:50Knife's just a prop, anyway. It wouldn't cut a thing.
34:00Professor Fox has approximately five minutes.
34:10Quick, take me to the Upper West Side.
34:13I no speak English well.
34:17The West Side.
34:2134th Street?
34:24Polish?
34:25Mówisz po polsku?
34:31What is she doing with that harpoon?
34:33Now you're talking.
34:36What is she doing with that harpoon?
34:38Now, if there's no need to be hasty,
34:40I'm sure Sidney will be back at any moment with that statue and...
34:50What?
35:06Madam, that's a brother's shirt!
35:14Hungarian. Magyar waj.
35:20It is time.
35:22Go to the roof and prepare for the comet.
35:25Time?
35:29Romanian.
35:30Do you speak Romanian?
35:32Yes, I am Romanian.
35:33My family came here a year ago.
35:35It's such a pleasure to find someone who speaks Romanian.
35:39Please, go to the East Side. Right now.
35:42Okay.
35:43Hamu...
35:44Peer...
35:46Sehtot.
35:47What is she talking about?
35:49I don't think we want to know.
35:51Waftet...
35:53Hamu...
36:02Hamu...
36:08It is time.
36:09Time? For what?
36:11You can't be serious about all this.
36:14It's a joke, right?
36:18The Pharaoh's soul is all that matters.
36:21Without Waftet, you must be our offering.
36:24I don't think I'd make a decent offering.
36:26I'm not a good person. You see, I'm actually rotten to the core.
36:28Yes, yes, that's right.
36:29I'm horrible. I'm the worst.
36:30I disgust anyone. In fact, I'm disgusting.
36:33Stop!
36:34I've got the statue.
36:36Give it to me.
36:37No.
36:38No?
36:39Cindy, are you mad? We're running out of time here.
36:42You let them go, and I'll give you the statue.
37:01Go.
37:02I was hoping to stay and watch the ceremony.
37:06Get out of here.
37:08That's an excellent idea.
37:10Absolutely brilliant. Brilliant.
37:31How long must Waftet wait?
37:37Cindy, there are too many strange things going on in this house.
37:40Let's get out of here now.
37:41We'll all feel much better after a good meal.
37:44We're not going.
37:45What?
37:46We need to get the statue back.
37:47What are you talking about?
37:49She's going to destroy the statue during the ceremony, Nigel.
37:51Excuse me.
37:52Who cares?
37:54I do.
37:55Why?
37:56Just because.
37:57Come on, be serious, Cindy.
37:59Dead serious.
38:00Littles are dead.
38:01We're going back.
38:02Well, they've just locked the doors.
38:04Doors are locked, case closed.
38:06I know this wonderful little espresso bar,
38:08but we've been through tougher locks than that before.
38:13Don't encourage her, Nigel.
38:16Shut up, Lagerfeld.
38:17You're not even supposed to be here yet.
38:19Waftet, bra, ned, botet.
38:22Waftet, bra, ned, botet.
38:26Waftet, bra, ned, botet.
38:29Stop! Don't do that!
38:31Out.
38:32I told you you couldn't stay.
38:34You can't destroy that statue.
38:36Why not?
38:37Because Maftet doesn't want it destroyed.
38:40She wants her image and spirit to remain for people to see and admire.
38:44I serve Pharaoh, not Maftet.
38:47Exactly.
38:48You want to destroy it for your own selfish gain
38:50so you can have power with the Pharaoh.
38:52You don't need to do this.
38:54You are correct.
38:55I want to do it, and I will.
38:58Pharaoh has his loyal servants.
39:02Maftet has none.
39:05She has me.
39:25Ah!
39:26Ah!
39:27Ah!
39:28Ah!
39:29Ah!
39:30Ah!
39:31Ah!
39:32Ah!
39:33Ah!
39:34Ah!
39:35Ah!
39:36Ah!
39:37Ah!
39:38Ah!
39:39Ah!
39:40Ah!
39:41Ah!
39:42Ah!
39:43Ah!
39:44Ah!
39:45Ah!
39:46Ah!
39:47Ah!
39:48Ah!
39:49Ah!
39:50Ah!
39:51Ah!
39:52Ah!
39:53Ah!
39:54Ah!
39:55Ah!
39:56Ah!
39:57Ah!
39:58Ah!
39:59Ah!
40:00Ah!
40:01Ah!
40:02Ah!
40:03Yeah!
40:04heaven, come on, that's over.
40:08Ow!
40:09Ow!
40:10Ow!
40:11Ah!
40:12Ow!
40:13Ow!
40:14Ow!
40:15Ow!
40:16Ow!
40:17Ow!
40:18Ow!
40:19Ow!
40:20Ow!
40:21Ow!
40:22Ow!
40:23Maybe not.
40:37So you've taken an interest in the comet after all?
40:39Well, after you got all worked up over it, I went to the planetarium to check it out.
40:44It was great.
40:45You enjoyed the comet, did you?
40:48Never actually got to see it.
40:51The new astrology professor?
40:53Astronomy.
40:54Whatever.
40:55He is out of this world.
40:57Pardon the pun.
40:59I got a date for Saturday night.
41:01Oh, speaking of dates, yours called, but she cancelled.
41:06What?
41:07Why?
41:08Well, I can't say that I blame her.
41:11I mean, an art opening at a museum, Nigel?
41:14Way to sweep a girl off her feet, Romeo.
41:17Gloria, some women actually appreciate a more intellectual evening
41:20than waving a glow stick round a meat-packing warehouse
41:22listening to ear-piercing techno music.
41:24Well, lucky you.
41:27Someone else called, wondering if you were free,
41:30and I told them you were available tonight.
41:36You got me another date, did you?
41:39You could say that.
41:47What's wrong with her?
41:50Well, there's nothing wrong with her,
41:55except that she's...
41:58Except she's a what?
42:00Nige.
42:02A he.
42:04It's fate, my boy.
42:06You see, Frieda Lundstein,
42:09is my favourite, favourite, favourite
42:11post-modern abstract expressionist.
42:14There she is.
42:19You don't seem too well. What's wrong?
42:24I think the excitement's got to him.
42:26It gets like that.
42:27He's wonderful.
42:28I think so, too.
42:35There's someone here to see you, too.
42:44Oh, my God.
42:54Your name wouldn't be Moffdet, would it?
42:58Let's just hope that high priestess
43:01doesn't have another eight lives, huh?
43:14Oh, my God.
43:16Oh, my God.
43:18Oh, my God.
43:20Oh, my God.
43:22Oh, my God.
43:24Oh, my God.
43:26Oh, my God.
43:28Oh, my God.
43:30Oh, my God.
43:32Oh, my God.
43:34Oh, my God.
43:36Oh, my God.
43:38Oh, my God.
43:40Oh, my God.
43:43Oh, my God.
43:45Oh, my God.
43:47Oh, my God.
43:49Oh, my God.
43:51Oh, my God.
43:53Oh, my God.
43:55Oh, my God.
43:57Oh, my God.
43:59Oh, my God.
44:01Oh, my God.
44:03Oh, my God.
44:05Oh, my God.
44:07Oh, my God.
44:09Oh, my God.
44:12Oh, my God.
44:14Oh, my God.
44:16Oh, my God.
44:18Oh, my God.
44:20Oh, my God.
44:22Oh, my God.
44:24Oh, my God.
44:26Oh, my God.
44:28Oh, my God.
44:30Oh, my God.
44:32Oh, my God.
44:34Oh, my God.
44:36Oh, my God.
44:38Oh, my God.
44:40Oh, my God.