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Short filmTranscript
00:00You're going to return her position.
00:02Does she think it's wrong?
00:03No, no, no. On the contrary.
00:05In fact, I wanted to show her my support and offer her my help.
00:08If necessary, of course.
00:10I would also give up being part of the business if that makes you feel more at ease.
00:15Salvador, I sent you a telegram and you didn't tell me?
00:17Because there wasn't much to tell.
00:19You've arrived just in time.
00:21And?
00:22And I'm going to be the one to tell you.
00:24You're going to be the one to tell me.
00:26You're going to be the one to tell me.
00:27You've arrived just in time.
00:29And?
00:30And I'm going to be the one to tell you.
00:31Well, María, you know that telegrams are very expensive.
00:34Yes, but it was hard to put a I love you very much or a roof of less.
00:38Well, look, exactly twice as much.
00:40My father is considering putting me in charge of the jam business.
00:43But when he says regain control, does he mean you alone?
00:49Well, my plan is also for Pelayo to be reinstated.
00:53I understand her perfectly.
00:55She wants the best for you and I've hurt you in the past.
00:59But I want to see you again with good eyes.
01:02Okay, I'll talk to her and I'll earn her appreciation again.
01:06Was that what he did in the war? Air combat?
01:10No, we ended up in the infantry.
01:14I'm sure they have a lot of very interesting stories to tell.
01:19Sorry, I just realized it's something I don't want to remember.
01:23I'm sorry for my lack of tact.
01:25You have no right to meddle in my marriage.
01:29Your marriage should have been with my son.
01:33You've already forgotten about him.
01:35I swear to God that I haven't stopped thinking about Feliciano for a single day.
01:39It is impossible that you will love my son and return to the little time hanging from the arm of anyone.
01:44Doña Petra has a little bit of reason.
01:47María.
01:48It's what we all think.
01:50That we were stunned when you appeared in La Promesa with that man in the arm.
01:55Don't look for it, María. It just happened that way.
01:58And that pessimism?
02:00It is clear to me that this marriage is something new for you.
02:03But I'm sure Margarita knows what I mean.
02:05Didn't you have any crisis with Fernando?
02:08Of course I had them, but we always solve them.
02:11Of course I had them, but we always solve them.
02:15Yeah. Until one day comes when they are no longer solved.
02:20It's my mother. She's back.
02:22But since she's back this time ...?
02:24I don't know. Don Rómulo attended her and apparently he had a snack with Mrs. Marquesa.
02:28And if he told her anything about you?
02:29No, my mother hasn't told me.
02:31How are you so sure?
02:33Well, because if Mrs. Cruz knew who I am, I wouldn't be here.
02:36And it wouldn't have taken long for me to leave La Promesa, don't you think?
02:39I'm going to repeat it. And I hope this time you put a little more interest.
02:42It was not out of disinterest, I promise.
02:44Well, then you put it worse.
02:45I'm not surprised that he got married.
02:47What surprises me is that he married that man.
02:50Don't you think it's weird that no one has seen him kiss her or make out with her, huh?
02:54That marriage is weirder than a green dog. I don't know if they are discreet or not.
02:58Or if they miss each other.
03:00I understand that Santos respects you. Because he is very strict.
03:04But you can always ask me.
03:07I know, Teresa. Calm down.
03:09I can't calm down, Marcelo.
03:12One more mistake like this and the job will last you less than a sigh.
03:16You are so beautiful, my friend.
03:20Although he is not the man I care about right now.
03:23Well, you say that because he has a beast like a cousin.
03:26I just hope nothing changes when I tell him all this.
03:30Of course not.
03:32And you'll see how he's going to take a weight off your shoulders.
03:35A weight that I'm going to put on him.
03:38Hanna, you're giving me a lot of wrinkles.
03:42Tell me whatever it is. I'm not going to be scared.
03:45I wouldn't be so sure.
03:47Okay, now you're worrying me.
03:51What's going on, Hanna?
03:53My name is not Hanna, Manuel.
03:59The time has come for you to know the truth about me.
04:06As I told you, my name is not Hanna.
04:10My real name is Mariana.
04:13Mariana?
04:16Manuel, I ...
04:18I didn't make the promise by chance.
04:24Do you remember ...
04:26Do you remember Dolores?
04:29Dolores?
04:31Mrs. Carmen's personal maid, my father's first wife.
04:35That's her.
04:38What does she have to do with all this?
04:41She just left with her children through a ravine.
04:44I know that's what they said, but that's not true.
04:47It's not entirely true.
04:51She did die.
04:54But it wasn't in a ravine, and it wasn't an accident either.
05:00Her children did survive.
05:08Where do you want to go?
05:13Dolores was my mother.
05:16I love you.
05:27The day she died, my mother took us out of the house, very scared.
05:31She took us running through the woods.
05:33Suddenly we heard some dogs and saw some men on horseback chasing us.
05:37They wanted to kill us, Manuel.
05:39That's why we ran even more with all our strength.
05:43They were going to catch up with us.
05:45So my mother put my brother, who was just a baby in my arms,
05:50and told me to run.
05:52And he stayed there, trying to catch up with those men.
05:58Hold him tight, okay? Very tight.
06:01Do you understand?
06:02Yes.
06:06Run.
06:08Run!
06:16The...
06:19The wood.
06:23Yes.
06:26I could see how they shot her.
06:29And how they killed her mercilessly.
06:37My brother cried and they found us, so...
06:40I ran with him in my arms until we got to a ravine.
06:46I had no other escape.
06:50A man got off the horse and approached me.
06:54He demanded that I give him to my brother.
06:58I didn't want to jump with him because I didn't want him to get hurt, so...
07:04He left me on the ground.
07:10And before the man could react, I ran to the edge of the ravine
07:15and jumped into the murky waters of the river.
07:18I thought they were going to kill me,
07:21just like they did to my mother.
07:24But I thought they wouldn't be able to kill a baby.
07:32That's terrible.
07:34Yes, Manuel.
07:37But what's even worse
07:41is that the person who killed my mother
07:44belongs to this palace.
07:48The man who approached me was wearing a moustache,
07:52but he was wearing a ring with the initials of the promise.
07:59The same ring that your grandfather, the Baron of Linaja, left you in inheritance.
08:07The ring of my grandfather.
08:16Manuel, what are you doing here?
08:18We're waiting for you to have dinner.
08:20Yes, Father, I was just going to...
08:22Yes, I see you. You're not even dressed.
08:24Come on, your mother is going to get mad.
08:27Yes.
08:28Sir, tomorrow, when I return to the hangar, everything will be as clean as it should be.
08:32Thank you, Hanna.
08:35Thank you, Hanna.
08:39Are you okay?
08:42Yes.
08:44Yes, Father, I'm sorry, I'm...
08:48I'm thinking about the design of my last airplane.
08:52Put your feet on the ground, Manuel.
08:55Let's go.
08:56Yes.
09:00Let's go.
09:02Yes.
09:04Let's go.
09:34In the promise, there will be particles of love in motion.
09:39There will be secrets that will never come out.
09:43It will be as beautiful as the flight of a bird.
09:50In the promise, the farewells are turns on the ground.
09:56Even the flowers will dance in their own way.
10:00Equilibrium is close to fear and passion.
10:06We are like a jump to the D3.
10:10We are love when you live life to death.
10:14A long way to go.
10:18In the promise, you will be a matter of luck.
10:22We are like a jump to the D3.
10:27We are love when you live life to death.
10:31A long way to go.
10:35In the promise, you will be a matter of luck.
10:49Was the door locked with furniture?
10:52Yes.
10:53In case Gregorio thought of coming here.
10:56First I would have to find her.
10:59Yes, well, no one assures me that they can't do it.
11:02I see that you are not very safe here.
11:05Well, no.
11:06As long as Gregorio is free, I don't feel safe anywhere.
11:09I would like to bring you interest and courage,
11:11but the only thing I can bring you is some milk and some food.
11:14Thank you very much.
11:15Sit down, please.
11:17And look, I'm going to put some ...
11:19some raw lentils.
11:21No, but I'm already having dinner.
11:22Are you going to say no to some lentils with deer chorizo?
11:26Anyone who says no to a dish like that, right?
11:29Although then I will have a bad night.
11:31Well, my nights are all bad.
11:33Eat what you eat.
11:36Well, tell me, how about the palace?
11:39Any news?
11:40No, no, no.
11:41My God, no.
11:42No news.
11:43Are you referring to the matter of Hanna and Manuel?
11:47Yes.
11:48Have you already spoken to them?
11:50Yes.
11:51I have already told them that nothing will come out of my lips about their relationship.
11:54Well, they will have been calm,
11:56because the news would have been made up by God.
11:59The apocalypse would have been made up, yes.
12:01And I confess that I am about to tell Mr. Marqués,
12:04but well, after talking to you, my doubts were dissipated.
12:07Well, I'm glad that he had the arrests to face a situation like this,
12:11because those two needed it.
12:14Well, nothing.
12:15You can breathe easy, yes.
12:16The one who is not going to be calm is going to be me,
12:18because I have betrayed you, sir.
12:19You have done well, Mr. Baeza.
12:21Look, it's a true love story.
12:24And love is such a precious thing that you have to cultivate it.
12:26Yes, I think so too, but ...
12:28But nothing.
12:29What would it be useful to tell Mr. Marqués?
12:31Tell me.
12:32But it is my obligation, I must do it.
12:34Well, they say that the faults for love have a hundred years of forgiveness, right?
12:37Well, that's it.
12:38It seems to me that you are changing the saying to your convenience.
12:42Well, maybe I've heard it from María Fernández, but it's true.
12:47Shall we have dinner?
12:48Dinner again?
12:50Dinner again?
12:51Well, I don't think I'm going to feel well.
12:53You're not going to feel bad, these lentils are so delicious, it's impossible.
12:56Well, yes, look.
12:58Maybe having dinner twice is fine,
13:01and hiding things from the gentlemen is appropriate.
13:04That's it.
13:05So you have a plan.
13:06That's it.
13:08Delicious.
13:11They are cooked over low heat.
13:13I have nothing else to do here.
13:18I have to go.
13:32At last alone.
13:35Why do you say that?
13:39Because lately it seems that you and I cannot be together without Julia appearing, suddenly.
13:47Well, I think she's a very nice girl.
13:50Don't you like her?
13:52No, it's not that.
13:55It just bothers me.
13:57But is there any reason for that discomfort?
14:03Well, I don't know how to tell you.
14:05It's a feeling of mine and that's why I can't give you any reason.
14:13Or maybe yes.
14:15Maybe it's because that young woman is more striped than that record.
14:20Always with the same Montserrat.
14:24Let's see, which one is it?
14:27Martina, I've already told you a couple of times.
14:30Julia doesn't stop talking about the war.
14:33And not only does she talk, but she also asks questions.
14:35And I assure you that it is the last thing I would like to talk about.
14:37I can't think of it.
14:38Well, the next time I bring up the subject, you tell her to stop.
14:40Yeah, as if that would help.
14:44No, and there's something else I don't quite understand.
14:50Let's see, what?
14:54I don't understand why she's still here.
14:58Well, because she wanted to avoid that trip to see her brother-in-law.
15:02And how she did me the favor of coming here to give me back the pendant.
15:05You invited her, it's been a few days.
15:07Of course.
15:08I think it's great.
15:09Don't you think you gave her your hand?
15:11And she took your arm?
15:14I just don't get the feeling that she's any use.
15:16Ah, no.
15:17No.
15:18And how long are her parents going to spend in San Sebastián?
15:22I don't know.
15:24Let's see.
15:25Would you be excited to go on vacation with your father?
15:27With the captain of the Mata?
15:29No.
15:30Even if they are family, they are not forced to get along.
15:32They don't have more, don't be suspicious.
15:34Yes, yes.
15:36But don't you think it's strange that even if her parents are not in that palace, she doesn't come back?
15:41Her servants are waiting for her there, right?
15:44Maybe.
15:46Well then.
15:48Maybe it's time to tell her kindly that she has to go.
16:06Look.
16:08Let's put this one.
16:09This one looks good.
16:11Isn't there another one out there?
16:16Mozart, but maybe not this one.
16:19If you like it.
16:21So, have you finally told her the truth?
16:24Yes.
16:27And what did she say?
16:29Well, she didn't say anything to me either.
16:31She just stood there.
16:33And I don't know, María, I don't think she expected it either.
16:35How could she expect it?
16:38I don't know.
16:39I don't know.
16:40I don't know.
16:41I don't know.
16:42I don't know.
16:43I don't know.
16:44I don't know.
16:45I don't know.
16:46I don't know.
16:47I don't know.
16:48I don't know.
16:50Well, and what did she tell you when you told her that you thought it was her grandfather,
16:54the baron of Linaja, who killed your mother?
16:56I didn't tell her that exactly.
16:58Besides, Mr. Márquez just arrived at that moment.
17:01But you did tell her that Mr. Curro is your brother, right?
17:05Neither.
17:06So what?
17:07So what did you tell her?
17:08That after Tuesday comes Wednesday?
17:10Let's see, María, what gave me time before I became her father.
17:13With what it has cost you to start, I don't know if you will be able to continue.
17:17Let's give time to time.
17:19Well, I think it's better to finish.
17:21I told you little by little.
17:23And remember that you were very upset every time I told you one thing.
17:26Well, as if I didn't want to.
17:29Right?
17:30Maybe.
17:32But well, let's continue with this.
17:47Tuesday
17:57Can I help you?
17:58No, thanks. I'll take care of it myself.
18:01I'm looking for a source to serve breakfast to the gentlemen.
18:05What have you prepared for them today?
18:07Well, some crispy torrijas with lemon zest and a touch of cinnamon.
18:11They must be about to suck their fingers.
18:13Yes, that's what they say.
18:14Everyone says that there are scandalous kitchens.
18:16And rightly so.
18:17I have never eaten as well as here.
18:20Thank you very much.
18:21But ...
18:22That is also the merit of Mrs. Simona and Mrs. Candela.
18:25But I don't even know how to fry an egg.
18:27And Teresa is worse.
18:28Once she wanted to make some tortillas and she cooked them so much that they looked like crutches.
18:33Well, the times I've needed Teresa to help me in the kitchen have been very effective.
18:38Well, I don't know what she did, but I'll tell you.
18:40That looked like a mess.
18:41Besides, it was disgusting.
18:42I have not eaten such a bad dish in my life.
18:46Marcelo, we all mess up a dish sometime.
18:48Even those of us who spend all day in the kitchen.
18:50No, no. If you're wrong, you're human.
18:52And we are all human, right?
18:54Some more than others.
18:56And where did you learn to cook?
18:58Well ...
18:59You know what? I would love to learn to make a dish.
19:01It would be nice if I could go through the kitchens.
19:03It would be great.
19:05I don't think so, Marcelo.
19:06In the kitchen we always have a lot of work.
19:08And whoever doesn't work, gets in the way.
19:10I wouldn't get in the way, of course.
19:12Marcelo, I'm going to be very honest with you.
19:16I think you should take care of doing your job well.
19:20Which is what they are paying you for.
19:22Why do you say that?
19:23What did they ask you to do?
19:25Review the dish for breakfast, right?
19:27And that means that the dish has to be bright and without soap or grease stains.
19:31Right?
19:36How is this dish?
19:39Is it lustrous to put it on the table?
19:42Well, yes and no.
19:43No.
19:45This dish has rags on the cloth.
19:51And how is this other dish?
19:53Because it has ...
19:54the fingerprints of your fingers.
19:56Do you think we can put this dish on the dining table?
19:58That must have happened to me.
20:00Come on, Marcelo, a lot of things happen to you.
20:03I really don't understand how they have hired you,
20:05with how demanding they are with the service.
20:08Hey, you can always learn.
20:09No one does it knowing.
20:10Already.
20:11Yes.
20:13But to learn, you need attitude.
20:15For example, you should already know that to light the dish you need a dry cloth.
20:19How is your cloth?
20:21It's wet.
20:24Well, you know what you have to do.
20:41Good morning.
20:42Good morning.
20:44I was reading a piece of news about ...
20:45If you're going to tell me another nonsense about the war,
20:47I ask you to save it.
20:48I have no desire to live something like that.
20:51I wasn't going to talk to you about that.
20:53So?
20:55Do you remember the Orestes?
20:57Yes, they have been here as guests more than once.
20:59I just read that your son fell while riding
21:01and broke both legs.
21:03We should send him a letter.
21:05Yes.
21:06Very good.
21:07Well, tell him the usual.
21:08That we feel for him a lot
21:09and that we hope he has a quick recovery.
21:12It is that you are the one who always takes care of those matters.
21:16Alonso,
21:18things have changed a lot in this marriage.
21:20From now on, we will take care of each of his affairs.
21:24This is not good for both of us.
21:26The Orestes are your friends.
21:27They seemed charming to you.
21:29No, I never put up with them.
21:31That man,
21:33he's a bastard.
21:34I couldn't stand him.
21:36That man
21:37bites his teeth with a toothpick.
21:39And she, what a womanizer.
21:41Every two by three, she says a word in French
21:43and doesn't even know the language.
21:44I will write that letter.
21:46I don't want us to argue again.
21:48Neither do I.
21:49Or do you think I like to argue?
21:51What happens is that I have the feeling
21:52that you are always looking for a way to annoy me.
21:54But what have I done now?
21:55Tell you that we have to send a letter?
21:57It has nothing to do with the letter.
21:59But then what's wrong with you?
22:00What have I done that bothers you so much?
22:02Let's just leave it.
22:03No.
22:04Don't throw the stone and hide your hand.
22:06Tell me.
22:10Lorenzo has told me that you want to take away
22:12the marmalade business
22:13to give it to your little daughter Catalina.
22:15I haven't made a decision yet.
22:17But yes, I'm thinking about it.
22:18Can you tell me why?
22:20Lorenzo has given up on that business
22:22during the last few months.
22:24Lorenzo giving up on something.
22:26Come on, Cruz.
22:27Well, who has taken care of the marmalades?
22:29Lorenzo.
22:30But maybe he hasn't taken care of it very well.
22:33In any case, I already tell you that the decision
22:35is not yet taken.
22:36Well, look, for once,
22:37it will be better for you to continue like this,
22:39without making a decision, as you always do.
22:41Alonso, for God's sake.
22:42Catalina can't even take care of a doll house.
22:45If I had been like that,
22:46I would not have raised that business,
22:47almost without help.
22:48Well, it seems that the money from the smuggling
22:50came in handy to clear the accounts.
22:52That's too much water.
22:56And what happens if he suddenly decides
22:57to return another season to the hangar?
22:59What would happen to the company?
23:01You know very well why he left.
23:03And on top of that,
23:04he's going to see the unpretentious Pelayo
23:05and bring him back here.
23:06And without warning.
23:07I know the story very well.
23:08You don't have to tell me.
23:09Well, it doesn't seem like it, dear.
23:11It doesn't seem like it.
23:12I just don't understand
23:13why you want to put the business of the marmalades
23:15in his hands and the hands of that...
23:17used man.
23:19Catalina has had a very bad time.
23:21So what?
23:22Does that mean she has to do whatever she wants?
23:24Your daughter is older.
23:26She's an adult.
23:27And adults,
23:28even if we have a bad time,
23:29we don't behave like kids.
23:44Tell me what you've come to tell me.
23:45I'm very busy in the kitchen.
23:47Look, I wanted to talk to you
23:48because I know how much you value Catalina.
23:51Yes.
23:52To me, she's almost like a daughter.
23:54I know.
23:55And...
23:56She sees you as the mother she lost as a child.
23:59I also know that your opinion is very important
24:01for the rest of the service.
24:02And?
24:03Well, for Catalina, the service is part of the family
24:06and this palace too.
24:08Mrs. Catalina knows our problems,
24:10lives our reality,
24:11and cares about us.
24:13And you care about her.
24:15Specifically, you.
24:17And that's why I know how bad she has had to go through
24:19seeing her suffer for the damage I caused her.
24:22Not even half as bad as she has.
24:24I assure you that.
24:25I know, Simona, I know.
24:27And you don't know how ashamed I am.
24:29Or how hard it is for me to know
24:30everything she has cried, Catalina, because of me.
24:35That's why I want to make up for all that pain.
24:37Leave it behind.
24:39And that happens by apologizing to you.
24:41Apologize?
24:42That's it.
24:44Simona, I wanted to apologize
24:46for making her go through that ordeal.
24:49Catalina already knows that my love for her is sincere.
24:52And I want us to build something new, together.
24:55Now I just need to convince you.
24:57And believe me, I'll do whatever it takes.
24:59I see, I see.
25:01Simona, I'm not a bad person.
25:03I've just made bad decisions.
25:05Let me prove it to you.
25:06And if I were a bad person,
25:08I wouldn't admit it, would I?
25:11That's also true.
25:15Tell me, do you have Catalina for a fool?
25:18Of course not.
25:19Mrs. Catalina is very awake.
25:21Awake and a noble soul, right?
25:24Then I say that she will have found something good in me
25:26so that we can still be together.
25:28Love sometimes blinds us.
25:30Come on, Simona, grant me the benefit of the doubt, please.
25:34I really want to improve as a person.
25:37Not to make more mistakes again.
25:39And above all, I want to make Catalina happy.
25:42Yeah, but so far, she has been made a wretch.
25:45I don't know if I have gone away from her.
25:48That's why I don't want us to separate anymore.
25:51And that's why I'm here, talking to you
25:53and telling you everything I want about your Catalina.
25:57Simona, can you forgive me for the bad thing I did to you?
26:00Because she has already forgiven me.
26:04Look, think that she is in front of a man who loves her madly
26:07and would do anything for her.
26:10Anything?
26:11Yes, that's what I said.
26:14Okay.
26:16Come to the kitchen.
26:22SIX MONTHS LATER
26:47Are you coming for firewood?
26:48Or have you seen me?
26:49And you needed any excuse to get closer.
26:53It's a bit of both.
26:55And Mrs. Simona kicked me out of the kitchen.
26:57And I have nothing to do.
26:59Really?
27:00And why is that? Are you angry?
27:02No, no, no, no, no.
27:05I don't know.
27:06They will bring something in between.
27:09And what could it be?
27:11Well, look, honestly, I didn't want to ask.
27:13Because whenever I ask, you end up next to me.
27:16I love seeing you smile.
27:18And you don't do it enough.
27:21Well, it's just that lately it hasn't been my best days
27:24with my mother walking around here when she felt like it.
27:28Let's hope that from now on she has understood that it is useless to return.
27:31Yes, I hope so.
27:33That's why I'm a little calmer.
27:36And you laugh and dream?
27:38Still, I can't get my head out of my head
27:40about what they could have talked about
27:42the last time the Marquise and my mother saw each other.
27:44Vera will know.
27:47Well, today I met the Marquise and she looked at me, as always.
27:50Come on, she didn't even look at me.
27:52Well, that only means that your mother has not betrayed you.
27:55That she was right.
27:56Yeah, but then why did she come?
27:58To apologize for standing here without announcing herself?
28:01Or to enter the service area?
28:03Well, it could be.
28:04The Marquise must have found it very strange.
28:06Well, I guess Mr. Rómulo will have told him
28:09and the Marquise will have asked for explanations.
28:11Well, that's why I'm back.
28:13So let it be.
28:14Yeah, but I doubt the Marquise has swallowed the excuse
28:17that she wanted the cake recipe.
28:19What lady is she interested in cooking?
28:22They are more interested in eating well.
28:24Yes.
28:25Go find out what excuse he used to get her out of trouble.
28:30You have to stop turning her around.
28:32Vera, what you have to do now is enjoy your new life.
28:38And I love this new life.
28:40Above all, you are the most important part.
28:44Are you going to blush?
28:46That's what I'm looking for.
28:47You are very funny when your ears turn red.
28:50Me?
28:51My ears don't turn red.
28:52It doesn't happen to you here.
28:53No.
28:54Yes, you turn red like a tomato.
28:57You are very beautiful.
28:59And it's very difficult for me to control myself, you know.
29:02Oh yeah?
29:03And why is that?
29:06Well, because I really want to kiss you.
29:09And we are in the courtyard.
29:12Come on.
29:13Help me hang this sheet.
29:15Now.
29:17You help me, fool.
29:20Come on.
29:31Clip.
29:39Clip.
29:45I don't see anyone.
29:58I'm telling you, she's going to come down.
30:00I don't know, she must be busy.
30:01Maybe I should go up and look for her.
30:03What are you saying?
30:04If Mrs. Petra catches you at the noble plant,
30:06those curls of your hair will be stiff.
30:08Look, there she comes alone.
30:11María Fernández told me you wanted to see me.
30:13What happened?
30:14No, nothing, miss.
30:16Don't worry, don't worry.
30:18We have the pleasure of inviting you to have a snack.
30:20Simona is always teasing me.
30:22Let's see, what have you prepared today?
30:24We haven't prepared a dinner.
30:26So who was it?
30:29Well, believe it or not, I prepared all this myself.
30:32No, I can't believe it.
30:35Yes, I just came down to apologize to Simona.
30:38And nothing, I got tangled up.
30:40And what happened?
30:41Now nothing.
30:42But what happened at the time not only affects us.
30:46Also the people who love you.
30:48And there are many in the service.
30:50All of us, basically.
30:53Yes, the point is that I told Simona
30:55that I was willing to do anything to show her my love for you.
30:59And she asked me to start cooking,
31:01so that she could experience her reality a little.
31:03What a coincidence.
31:04Yes, I think Pelayo has never used a frying pan in his life.
31:07Until today.
31:08Well, he has taken a rod and dared to light the oven.
31:12And did he do well?
31:14Let's say he has done what he has been able to.
31:16No one can deny that.
31:18And he has also been chatting with us for a long time.
31:21Yes, the man has a very good sass.
31:24He knows everything, man.
31:26I know these women are very important to you.
31:28And I wanted to show you that they will also be for me.
31:30Well, yes, they are.
31:33Simona has raised me, as they say.
31:35She and Candela.
31:37Wow, yes.
31:40Yes, this is my paradise.
31:42The kitchen.
31:43And now I understand better why.
31:45You are grateful for the fulfillment.
31:47But it is not Menester who will cook again,
31:49that you have just made a mess.
31:52Well, it's true.
31:53I'm going to have to send everything straight to the laundry.
31:55Let's see, I think it's just some flour.
31:58I don't know if that's going to be enough.
32:01Look.
32:04It looks like the cooks are abandoning us.
32:08Maybe they want to leave us a little privacy, right?
32:33There is a time for everything.
32:35And there are always people willing to measure that time.
32:39For example, there is also a time for mourning.
32:44But your people don't agree.
32:48Is half a year enough to get a boyfriend
32:51if you have lost the other one?
32:54Or a whole year?
33:04And for secrets,
33:06how long can you keep a very fat secret
33:09that a friend has told you?
33:18You can't even tell your boyfriend?
33:20It seems not.
33:34What are you doing, María Fernández?
33:38I'm sweeping the sheets.
33:40Sheets that I didn't see you sweeping.
33:43Because I stopped a little to thread the needle.
33:46It was already threaded.
33:48Or because I threaded it, Mrs. Petra.
33:50Needles are not threaded alone.
33:53Come on.
33:54Go upstairs to fix the ladies' bedrooms.
33:57They have already gotten up from the nap.
33:59Now?
34:00Of course now.
34:01You'll regret that later.
34:06María Fernández, what are you waiting for?
34:08I'm coming, Mrs. Petra.
34:14María!
34:16I'm coming, I'm coming.
34:17Go!
34:18Go!
34:31Well, this cake is not bad.
34:33This one is safe, but the first one was straight to the trash.
34:37No one has taught you.
34:39And you have made a double effort.
34:41Cooking and talking to Simona.
34:43I did it because I know how important Simona is to you.
34:46I want to be happy with you, but also with the people you love.
34:50You're on the right track.
34:52Although the cake didn't turn out very well.
34:55The intention is what matters.
34:57Although it would not have been bad if it wasn't so hard.
35:00Is it really that edible?
35:01It looked like it was made of sand.
35:02What a mess.
35:03I have already told you that what matters is the intention.
35:06And yours is very good.
35:08Unbeatable.
35:17How I missed your lips.
35:19Doesn't it taste like sand?
35:21Stop making fun of me.
35:23It's okay, it's okay.
35:24I won't laugh anymore.
35:26You know what?
35:27To make up for my laughter, I want to take you to the confectionery in Luján one day.
35:31I also want to take you somewhere.
35:33Oh yeah? Where?
35:34I have received an invitation from my friend, the composer Don Eugenio Santiago,
35:37for his engagement party.
35:38The truth is, I was surprised.
35:39I hadn't received invitations in a long time.
35:41Imagine me.
35:43We fell out, yes.
35:45But hey, I think it's time to leave all that behind.
35:49Would you accompany me to his party?
35:53If I'm honest, I don't really want to.
35:56But Catalina, it could be a good way to return to a normal life.
35:59We don't have to keep hiding.
36:01We have been criticized so much and we have been made so much fun of.
36:04Maybe if you see us together you will realize how little we care about those girls.
36:09Come with me, please.
36:11Okay, I'll go with you.
36:16I will write to you today to confirm that we will go.
37:12Dad.
37:14That horse was already limping last year.
37:16It seems that he has not recovered at all.
37:19What's wrong with you, son? Are you sick?
37:22I'm sorry, father. I have a headache somewhere else.
37:25I guess it's because of some news I read about the war.
37:32Do you like the painting, Juan?
37:34It excites me. It has everything.
37:36Good stroke, colorful, harmonious ...
37:39And the model, of course. What a lady.
37:43Yes, she is my first wife.
37:45The mother of my daughter Catalina and my late son Tomás.
37:49I didn't know, I'm sorry.
37:51No, don't worry. Life is like that.
37:55It's a good painting.
37:57From Enguidanos, a very fine painter.
37:59I know him.
38:01But it is a pity his state of conservation.
38:05Ah ...
38:07Does he look deteriorated?
38:09He's been here for years, but I think he looks perfect.
38:12At first glance.
38:14Do you see those wrinkles? He's starting to wrinkle.
38:19I see it normal.
38:22Normal if he were 200 years old, maybe.
38:25But that's not the case, is it?
38:27No, it's not. I'm not that old.
38:29And look closely. This white ...
38:32If I'm not mistaken, it should be pure white.
38:35That's the effect of the smoke, the dust ...
38:38I'm worried about what you're telling me.
38:40Because I really appreciate this painting.
38:43It's nothing you can't fix.
38:46A good restoration would fix all these problems
38:49and leave the painting as new.
38:52But you would have to take it out of the promise.
38:54It would not be necessary.
38:56Although I have never restored a complete work by myself,
38:59I know a lot about the subject
39:01and I could leave the painting as new.
39:03I thank you, young man,
39:05but I have heard very unfortunate stories of restorations.
39:09In a church in Murcia, an amateur
39:11left a painting of great value, made an excehomo.
39:14Yes, I also know that story.
39:16But I assure you that nothing like that would happen to me.
39:18I have studied and a couple of valuable paintings
39:21of friends of my parents have already passed through my hands.
39:24Also, think that in this case you do not have to repaint.
39:28It would be better to clean the dirt and give a varnish.
39:33And that does not entail any danger?
39:35None, sir.
39:36It would only be about removing the dust that is between the cracks
39:40and changing the varnish.
39:42And the original colors would be recovered?
39:44That's it.
39:45And with the new varnish, it will be more protected
39:47and will recover the lustre.
39:49I don't see that restoration badly.
39:51And it seems that Miss Julia knows what she is talking about.
39:55So I could thank you for everything you have done for me.
40:00I would need, however, to order a few materials
40:04and a quiet space to work.
40:07The hangar.
40:09My hangar, I think it is perfect.
40:11A lot of light comes in.
40:15Well, there is no more talk.
40:17Do it in the hangar.
40:18Prepare a list with everything you need
40:20and a servant will take care of getting everything.
40:24And now, would you like to join us for a drink?
40:40Well, the new priest, Don Samuel, has organized a contest for fried eggplants.
40:44And what does religion have to do with fried eggplants?
40:47I think it has to do with fried eggplants.
40:50And I had thought of participating.
40:52The prize is a handful of ham.
40:54Or two, it's not a bad prize.
40:56And how would we do it? With honey or without honey?
40:58As you prefer.
40:59I like them anyway.
41:01I think we could make the batter
41:03and put a jar of cane honey next to it,
41:05since you like it to soak.
41:07Leave that for a moment and go up to the music room.
41:10Mrs. Marquesa is waiting for you.
41:11And that?
41:12What happened?
41:13Well, she's worried.
41:14Did they do something wrong?
41:15No, not that we know,
41:17but whenever Mrs. Marquesa calls you upstairs,
41:19it's to throw a rag at you.
41:21And it couldn't be to congratulate them for a dish,
41:23for a good dessert, for example.
41:25Excuse me, Mr. Pellicer.
41:27I think you've been in the palace for a short time.
41:30López, how many times has Mrs. Marquesa called you
41:33since you've been here to congratulate you?
41:36I don't remember any.
41:37And me less, Mr. Pellicer.
41:39And I've been in this kitchen all my life.
41:40But that doesn't mean that now she's going to scold you.
41:45Mr. Pellicer, when she said it, she meant it seriously.
41:50Maybe she didn't like the soup last night.
41:52López, what did I tell you? It was too spicy.
41:54Well, stop speculating and go up at once.
41:56I'm sure it's not a bad thing,
41:58but it will be if you don't go soon.
42:01Let's go.
42:03Let's go.
42:04Come on, López.
42:05Come on.
42:07Excuse me.
42:15No.
42:42Nothing.
42:43Telegram?
42:44No.
42:47Hello.
42:48I'm going to light some matches.
42:50Very well.
42:58Are you okay?
43:00Yes, but...
43:02Words are very expensive.
43:08What did you say?
43:10I'm here.
43:12Well, nothing.
43:15The telegrams charge a lot for words,
43:18and my boyfriend has sent me one.
43:20And he barely tells me anything.
43:22But he's not far, is he?
43:24No, but he's not here.
43:26And I miss him.
43:28They offered me a very good job in the palace of the Count of Matesán.
43:32I signed it and that's it.
43:34And how could I refuse?
43:36Sure.
43:37Well, I'm sorry you're sad, but ...
43:41It's a very good job, isn't it?
43:43Well, yes.
43:44You're making a lot of money.
43:46And who knows?
43:47Maybe God doesn't want it, but these things happen.
43:50And the same thing happens to you.
43:52It can happen.
43:53Yes.
43:54Well, the thing is that I miss him a lot,
43:57because I was used to seeing him all the time.
43:59I'm going to tell you, right?
44:01Me?
44:02Why?
44:04Well, because you have Teresa here.
44:06Ah, yes, yes, of course.
44:08But if you want to go far, it doesn't matter.
44:12Now what we have to do is work, earn a living and save.
44:17For what?
44:20Because we are thinking of getting married.
44:23And we want to buy a small farm,
44:25to live in the garden and that no one sends us.
44:28And we want to have animals, chickens, rabbits ...
44:31I don't know.
44:32Even a donkey, his name is Ernesto, I want to have.
44:35It seems like a very good idea.
44:38Well, I'm going to show you what you have.
44:42Hey, Maria, can I ask you a question?
44:44You seem very excited.
44:46Well, of course.
44:47Your question.
44:48That in the vice of asking, there is the virtue of remaining silent.
44:51Could you tell me how to illustrate the routines?
44:53I'm sure you know how to do all these tasks.
44:55It's ugly for me to say it, but I know how to do everything.
44:59And the first thing you have to do ...
45:04is put on the sleeves.
45:07And the second thing, you have to take the brush ...
45:12Kid, but take off your jacket.
45:16Sorry.
45:20You pass the brush ...
45:24removing the dirt.
45:30May I?
45:33Mrs. Marquesa?
45:34Mrs. Marquesa?
45:36There's no one here, Lope.
45:39They told you to come here, right?
45:43Oh my God, Mrs. Simona, we may have arrived late.
45:45We already saw it, I saw it.
45:47What do we do?
45:48Do you want me to go get the Marquesa?
45:50No, I think it's better to wait here.
45:52You think?
45:54If you want, I can call Mr. Pellicer.
45:57Oh, you're here.
45:58Yes, Mrs. Marquesa, I thought we didn't know ...
46:00Come in, Mrs. Amalia.
46:02Where is Vera?
46:04The Duchess of Carril has asked to see her.
46:07Mr. Pellicer informed us that we would go up, but ...
46:10I don't lie to Vera.
46:12Well, she should be here.
46:15Well, if you want, I can go tell her.
46:29Hanna.
46:31I've been looking for you all over the palace for a long time.
46:34You have to finish telling me that story.
46:37Manuel, right now I have to finish the job and be in that place.
46:43Hanna, please.
46:45I can't stop thinking about it.
46:48I need to know everything.
46:54Please!
47:05It was this, the ring the man wore, that ended your mother's life.
47:16Manuel, it's not the time or the place.
47:19No one is coming.
47:21My cousin has gone with his mother to take a walk and will be back soon.
47:25Hanna, please, let's talk.
47:27Hanna, please, let's talk.
47:33Okay, what ...
47:36What do you want to know?
47:38What will it be?
47:40You insinuated that my own grandfather could have something to do with your mother's death.
47:46I want to know everything.
47:51Manuel.
47:53I think your grandfather is to blame for my mother's death.
47:57But not only for his death.
48:00I think he is also to blame for the death of your brother Tomás.
48:08It can't be.
48:11It can't be my grandfather.
48:14It can't be.
48:17It can't be.
48:23And why did it take you so long to tell me, Hanna?
48:27Why, after all the time you've been in La Promesa?
48:31Manuel, because I was afraid for you.
48:35Let me explain.
48:37The first night I arrived at La Promesa, I talked to your brother.
48:41And I told him everything you know now.
48:46But then he appeared dead.
48:48My brother didn't know who you were.
48:52Manuel, you have to understand that I didn't tell you because I didn't want to put you in danger.
48:58Manuel.
49:04What does my brother have to do with all this?
49:07And why did you tell him everything?
49:10Well, because your brother surprised me at the library.
49:14While I was looking for a photograph and he thought I was stealing, so ...
49:18I had no choice but to tell him who I was and why I had come here.
49:22So my brother was aware of absolutely everything?
49:25But the most curious thing about all this, Manuel,
49:29is that he didn't take it again.
49:31What do you mean?
49:33That Tomás suspected the truth.
49:35And he promised to help me so that everything would come to light.
49:39I know that's why they killed Manuel.
49:43And yet, how do you accuse my grandfather of the death of my brother?
49:47Why?
49:49What do you mean why, Manuel?
49:51Because he was able to kill an unprotected woman in front of his children?
49:55Assuming what you say is true, Hanna.
49:59Assuming it's true.
50:01Do you have any proof to prove it?
50:03Something against him?
50:06No.
50:12Well, no. And at this point I don't think I can have it.
50:15Your grandfather took his secret to the grave.
50:20Hanna, it can't be.
50:21It can't be.
50:23Manuel.
50:25Tomás suspected something.
50:27And he promised he would tell me everything, but first he had to see someone.
50:32Who?
50:34I don't know.
50:36In fact, I didn't finish believing it.
50:39So he gave me something as a gift.
50:43He gave me his wedding ring.
50:47He gave you his own ring on the day of his wedding?
50:51And then he killed him.
50:59But my grandfather wasn't here that night, Hanna.
51:02Or that's what made us believe, Manuel. And that's why we don't consider it suspicious.
51:07But everything points to him.
51:09My grandfather, a murderer.
51:14And my brother.
51:15Manuel.
51:20Manuel, I'm so sorry.
51:23I knew all this was going to hurt you.
51:27But there's one thing you still don't know.
51:30What?
51:33I found my brother.
51:36I found him years after they took him.
51:43And he's alive.
51:46He's in this house.
52:01My brother, eh?
52:04My brother Escurro.
52:16And when is the Duchess's visit expected?
52:20As far as we know, it could be this afternoon.
52:23Then we'll have to have everything ready.
52:26No, no, no. The lady doesn't want anything special to be done.
52:29The idea is for her to see the kitchens in their usual environment.
52:33Except for one thing.
52:35Vera.
52:36This is nonsense, Lope.
52:37Where have you seen a Duchess entering the palace and the kitchen of a Marquis?
52:41Well, the promise is going to begin to see.
52:43Are you sure my mother doesn't care about the kitchen at all?
52:47What I don't understand is, what does she want to achieve with all this?
52:51What if I've ruined everything, Maria?
52:53But you're not going to ruin everything, Hanna.
52:55That's it, eh?
52:56Stop whining about the milk you spilled.
52:59And if I'm taking advantage of your wedding, it's because your love wasn't as strong as you thought.
53:02And it does you a favor.
53:03Maria.
53:04I've heard that you've offered to restore the portrait in the tea room.
53:08That's right.
53:09It will be a way to compensate for the kindness of your family to welcome me here these days.
53:14We won, I assure you.
53:16We all have a lot of appreciation for that painting.
53:18It's a memory of my dear mother.
53:20I can't take it anymore with that spoiled brat Catalina.
53:23You have to get her out of here as soon as possible.
53:25If it were up to me, I would do it and with pleasure.
53:27She has exceeded all my limits.
53:29Come on, she's even giving me urticaria.
53:32Doesn't that friend of Martina have an allergy to nuts?
53:34Well, I have Catalina.
53:36What happened to you, Teresa?
53:39You were so desperate to forget my son that you had to sleep with the first idiot who crossed your path.
53:45For God's sake, don't be vulgar.
53:46No.
53:48You are the vulgar one.
53:50I don't understand why you want to favor Lorenzo by going over a member of the Lujan family.
53:54I remind you that Lorenzo is married to my sister.
53:56So he's also part of the family.
53:58But of course, it's mine, which may not be as important as yours.
54:01Excuse me, why is that?
54:03Why?
54:04I'm convinced that his experience on the front has generated very strong friendships and unbreakable bonds.
54:10You know, we also talked about that this morning.
54:13I admit that Julio makes me nervous whenever he asks a question.
54:17Well, I think he's a tremendously curious person.
54:19Yes, especially when it comes to war.
54:22Which is precisely what I'm trying to forget.
54:24That fool is not going to do anything right.
54:27He doesn't even know where the wind blows him.
54:29He's useless.
54:31So Teresa is trying to cover up for her husband.
54:35I'm sure of it.
54:38She has changed my son Feliciano for an incompetent who doesn't even wear the sole of his shoes.
54:44You are an insult to everything he represented.
54:47And to all the dignity that there is in this world, unworthy and sinful.
54:51Really, Mrs. Alcos.
54:52That you have taken his place in Teresa's heart only shows that she was not up to his level.
54:56But I'm not going to let you take his place in this house.