Deniz is the daughter of a wealthy family as a child. She is so special for her school because of her beauty and popularity. Yiğit is the short and fat kid with glasses that everyone is making fun of at school. These two cross paths with each other while they are in middle school. Even though Yiğit is frozen out by everyone, Deniz takes him under her wing. They build up an unforgettable bond. Deniz becomes Yiğit's first friend and childhood crush.
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
However, when Yiğit turns 15, he has to move to the USA, and they get separated from each other. Then, Deniz has other changes in her life. First, her family's printing company goes bankrupt. Then, she loses her beautiful genes from her mother, and her father's not-so-beautiful genes emerge. Deniz loses her fascinating beauty. Deniz, who goes through a streak of bad luck, can't find a job after university. When she turns 29, she, with her own words, misses her life. Meanwhile, Yiğit loses weight and becomes a very handsome man, and on top of that, he has a constantly growing career.
Actors: Zeynep Çamcı, Gökhan Alkan, Gonca Sarıyıldız, Yiğit Kirazcı
Credits:
Yönetmen: Yusuf Pirhasan
Script: Aksel Bonfil, Hakan Bonomo, Rüya İşçileri
Category
📺
TVTranscript
00:00:00Can you check which bus the bus number 37 is in?
00:00:04I'll check it right away.
00:00:20You asked for your bag.
00:00:21Okay, thanks.
00:00:22Can you leave this in my room?
00:00:23Of course, ma'am.
00:00:30Okay.
00:00:58Dennis?
00:01:00Dennis?
00:01:15Yigit, what are you doing here?
00:01:20I think I should be asking you this question.
00:01:26Weren't you in London?
00:01:28Well, I...
00:01:37I'll tell you.
00:01:41There were so many things.
00:01:43So many things happened.
00:01:45All of a sudden...
00:01:48What would you say if I bought you a coffee?
00:01:51Ms. Mirem, your card.
00:01:56Is this your car?
00:01:58Yes, sir.
00:02:01I'll be right back.
00:02:02Don't go anywhere.
00:02:04I'm right here.
00:02:18You shut your mouth because you're new, right?
00:02:20Your head doesn't work because you're new.
00:02:22You forgot Turkish because you're new.
00:02:24Is that it?
00:02:25You're an incompetent, poor-quality, amateur worker.
00:02:32Who are you?
00:02:34Who are you?
00:02:35Who?
00:02:36You'll get what you deserve.
00:02:37You know, I won't resign.
00:02:39I'm ready to fight you if I have to.
00:02:41I'm that kind of woman, you know?
00:02:42You'll get what you deserve.
00:02:43Smart.
00:02:45Take it.
00:02:46Take it.
00:02:51Dennis.
00:02:55They're looking for you from the Paris Louvre Museum.
00:02:58They said they saw your work.
00:03:00They liked it a lot.
00:03:01They want to put it in the Mona Lisa gallery.
00:03:04What do you say?
00:03:05Thank you for stopping me from resigning.
00:03:07But get used to seeing me like this.
00:03:09Because you'll see more of me like this.
00:03:12They can't come to the phone right now.
00:03:14You said you didn't know.
00:03:16But somehow...
00:03:21Yes, I'll tell them, sir.
00:03:22Okay, thank you very much.
00:03:25Exactly.
00:03:43Yes, Dennis, I'm listening to you.
00:03:47Now you're going to tell me...
00:03:50You're going to say, I went to London for training, right?
00:03:53Exactly.
00:03:55You even sent me a photo from there.
00:03:58You'll say.
00:03:59Right.
00:04:00Then what are you doing in Istanbul, here, in this hotel?
00:04:03What happened to my training in London?
00:04:05What are you doing here?
00:04:06You're going to ask me all these questions.
00:04:09Right?
00:04:10Yes.
00:04:12Then I need to know the answer to these.
00:04:19Yigit.
00:04:23Yigit.
00:04:28Yigit, I'm homesick.
00:04:31I'm homesick.
00:04:32Yes, I...
00:04:33I mean, I miss my homeland.
00:04:35I miss my country.
00:04:36Can I tell you that?
00:04:38No.
00:04:40Then let me explain it like this.
00:04:42My family is here.
00:04:45I'm in exile.
00:04:46Without them.
00:04:47It didn't happen.
00:04:49Deniz.
00:04:50It's been two days since you left.
00:04:52How long did you stay abroad?
00:04:5515 years.
00:04:57Yes.
00:04:58Two days is a very short time, but...
00:05:00And ask me, Yigit.
00:05:01I mean, those two days were like a thousand years for me.
00:05:06Even my homeland's sheep looks at me differently.
00:05:08Do you understand?
00:05:09I mean, I...
00:05:10I couldn't do it in another country.
00:05:14I couldn't do it anyway.
00:05:16I wrote not to do it.
00:05:17I saw not to do it.
00:05:19You left your high school education halfway and found a job in a hotel here.
00:05:25Is that so?
00:05:27I mean, everything developed very quickly.
00:05:31Luck.
00:05:33I mean, fate.
00:05:48I wish you had told me.
00:05:50I can't believe it.
00:05:53I can't believe it.
00:05:54Right now...
00:05:56Look, my hair is so messy.
00:05:58Do you see?
00:05:59I was going to call you today.
00:06:00I was going to call you today.
00:06:02So...
00:06:03It just so happened.
00:06:07I was also very surprised that you started a job in a hotel.
00:06:11Yes.
00:06:12I was also very surprised that you started a job in a hotel.
00:06:16I was also very surprised that you started a job in a hotel.
00:06:27But how do you know that?
00:06:30I don't remember telling you.
00:06:39How can I know that?
00:06:42How can I know that, Yiğit?
00:06:45I would be surprised if you didn't tell me.
00:06:47You told me this at dinner.
00:06:49Do you remember?
00:06:53I don't remember.
00:06:56Anyway.
00:06:57I liked you very much, by the way.
00:06:59Do you know that?
00:07:00I mean, we couldn't spend much time last time.
00:07:04Now we'll see each other for a long time.
00:07:07We'll miss you, right?
00:07:09Yes.
00:07:11We'll see each other for a long time from now on.
00:07:13We'll see each other for a long time.
00:07:40If someone doesn't answer the phone, I'll hang up.
00:07:42Don't hang yourself, dear.
00:07:44I'll answer the phone.
00:07:48Interesting.
00:07:49Zuzu.
00:07:53Yes, Zuzu.
00:07:54We're screwed.
00:07:55We're done.
00:07:56We're ruined.
00:07:58You can't believe what you just saw.
00:08:00Oh my God.
00:08:01What kind of desert is this?
00:08:03Why is the ice melting everywhere?
00:08:08Deniz.
00:08:09Zuzu.
00:08:11Who are you?
00:08:12Sir, I'm Ms. Deniz's secretary.
00:08:14If you have any further questions, I'll take care of it.
00:08:18I've been talking for two hours.
00:08:20Tell me from the beginning, brother.
00:08:22For God's sake, tell me who you saw.
00:08:24Give me Deniz.
00:08:26I want 100 million pounds.
00:08:29Give me your name.
00:08:31Is this an offer?
00:08:33If I see you when I visit Deniz, you'll see what happens.
00:08:37Is this an offer?
00:08:38Close it.
00:08:39Close it.
00:08:43Yiğit.
00:08:44What are you doing in our hotel?
00:08:47Deniz will get mad when he hears it.
00:08:53The shift is over.
00:08:59Good evening.
00:09:00I'll go out, too.
00:09:01See you.
00:09:02Cemo, wait a minute.
00:09:04I'll wait.
00:09:08I'll wait.
00:09:19You don't know me yet.
00:09:21I'm not someone to be crushed.
00:09:22I'm Deniz Aslan.
00:09:23Do you know who my son is?
00:09:25No, you don't know.
00:09:32Michael, you're still reading the same newspaper.
00:09:34You know that, right?
00:09:39I'll tell you something.
00:09:41What?
00:09:42Can you help me?
00:09:43What?
00:09:44Huh?
00:09:45Can I hit you?
00:09:46What?
00:09:47Can I hit you?
00:09:49I'm fine right now.
00:09:51My tea is ready.
00:09:52Thank you.
00:09:53I'm very comfortable.
00:09:54Of course.
00:09:55Whenever you want.
00:09:59Good evening.
00:10:00Good evening.
00:10:01By the way, Michael.
00:10:03What?
00:10:04I talked to Zuzu.
00:10:05She's a very good person.
00:10:06What?
00:10:07I talked to Zuzu.
00:10:08She's a very good person.
00:10:09Wait a minute.
00:10:10Did you mess up my phone or something?
00:10:12Of course.
00:10:13Whenever you want.
00:10:14Where does this comfort come from?
00:10:16Are you ticklish?
00:10:17Huh?
00:10:19Good evening.
00:10:20Ms. Neşe.
00:10:21Here are the files you asked for.
00:10:22Thank you.
00:10:28Ms. Neşe.
00:10:29I never thought you'd be good at your garbage collection site.
00:10:38One of my friends lost it.
00:10:40I was going to close it anyway.
00:10:42You don't have to be ashamed.
00:10:44I mean, it's normal at your age.
00:10:48Meral.
00:10:49Eda.
00:10:50Ela.
00:10:51I don't want to hear the slightest joke about this.
00:10:53Do you understand?
00:10:54I don't even want you to talk about this in any way.
00:10:58Okay.
00:10:59Good evening.
00:11:00Good evening.
00:11:02I'm going to die.
00:11:04Girl.
00:11:07I'm going to die.
00:11:09I don't want to hear that.
00:11:10I'm going to die.
00:11:11I'm going to die.
00:11:28Look at this guy.
00:11:29He's everywhere.
00:11:30Welcome.
00:11:32Something's wrong?
00:11:33Nothing.
00:11:34Okay.
00:11:35I'm not asking for forgiveness, I'm not asking for forgiveness.
00:11:39No, Zuzu, I mean, is something wrong? You're not telling me.
00:11:42I'm telling you, but you're not listening.
00:11:45I mean, it's great.
00:11:47He came to me in front of so many people.
00:11:49No, Mercury retro started today. Is that why?
00:11:52I'm having a lot of communication problems.
00:11:55Deniz, look, today I...
00:11:57Let me tell you something, I'm not a person to ask for forgiveness.
00:11:59I mean, I don't. I didn't.
00:12:01We understand that, but why did you change your mind?
00:12:06You know, I...
00:12:16Pull the car, pull, pull!
00:12:18What are you doing?
00:12:20You were saying something this morning.
00:12:24What happened all of a sudden?
00:12:26Psychopath, psychopath.
00:12:27Maniac, maniac.
00:12:29Damn it.
00:12:30My head turned, Deniz.
00:12:32My God.
00:12:33He's taking everyone down.
00:12:35Who are you?
00:12:37How can you change so much?
00:12:38How can a person change so much?
00:12:40Tonbişkan was sweeter.
00:12:41I think people shouldn't gain weight.
00:12:43Yes.
00:12:44I'm getting uncomfortable now.
00:12:45I'm getting uncomfortable talking.
00:12:46I don't want to talk about Yiğit.
00:12:48First love or something.
00:12:49I mean, there's no such thing anymore.
00:12:51It's over.
00:12:52Okay, I have to say one last thing before I put this rule.
00:12:55No, no, it's over.
00:12:57I don't want to hear it, but I don't want to talk about it.
00:12:59Okay, but I have to say something.
00:13:04If you love me, don't bring this up again, okay?
00:13:08It's over.
00:13:11I love you, but I can't say it.
00:13:17So, you were saying hotel.
00:13:19Tell me, what happened?
00:13:20You're a little crazy, tell me.
00:13:23Today at the hotel.
00:13:27What happened?
00:13:30Today at the hotel.
00:13:33Is there a new one?
00:13:45Today at the hotel.
00:13:47One of our employees stole something from the minibar.
00:13:50What?
00:13:52Oh, poor thing.
00:13:55Good.
00:13:56Yes.
00:13:58Good.
00:14:02I'd rest, but I need to rest a little, okay?
00:14:06Okay.
00:14:07Come on.
00:14:08I love you.
00:14:17No, the girl has just started working.
00:14:20She's already stressed.
00:14:22And if I tell her, she'll lose her mind.
00:14:25I can't tell her.
00:14:27That's the truth.
00:14:29That's the truth right now.
00:14:54I love you.
00:14:56I love you.
00:15:24I love you.
00:15:54I love you.
00:16:17Your coffee, sir.
00:16:24Thank you.
00:16:55I love you.
00:16:57I love you.
00:17:24Richard!
00:17:30Richard!
00:17:51Richard!
00:17:55Why did you say that?
00:17:58Nothing, I just wanted to say that.
00:18:03Okay.
00:18:05What do you say to red light?
00:18:08Red light.
00:18:25Good morning.
00:18:26What is the probability that the Go Flamingo magazine is in the red light?
00:18:31I mean, if I don't have a clue, it's low.
00:18:36It sounded like I heard your voice just now.
00:18:39No, no, I mean, I'm at home.
00:18:43Okay.
00:18:44What is the probability that the Go Flamingo magazine is in the red light?
00:18:50Low.
00:18:51I'm at home.
00:18:52Okay.
00:18:53Do you have anything to do today?
00:18:55I have something to do today.
00:18:57Yes, I have something to do today. I'm very busy.
00:19:01Okay.
00:19:02Next time then.
00:19:07Okay, have a nice day.
00:19:11You too.
00:19:17What am I going to do?
00:19:21Hello.
00:19:22Hello.
00:19:23I left a few things here to clean up. I'd appreciate it if you'd take care of them.
00:19:26Of course, sir.
00:19:27Have a nice day.
00:19:33He's like a cocoa. Look at him.
00:19:35Mr. Yiğit is too young. They're going to give this man grandfather roles.
00:19:39Come in.
00:19:40Who printed Robert Downey Jr.?
00:19:42Not that much. Of course, Mr. Yiğit is more handsome.
00:19:45Oh, look, your eye doctor has an appointment.
00:19:48Oh, cover.
00:19:49What do you mean, cover?
00:19:51I mean, can't Mr. Yiğit be the cover of our magazine?
00:19:54That's what I meant.
00:19:56I'll tell you something. Did the name of the magazine change?
00:19:59Did the name of the magazine become High Egon and Low Tiras?
00:20:02What happened? I don't know.
00:20:04Did it become angry and impolite?
00:20:06What happened?
00:20:07Oh.
00:20:08He made a high entrance.
00:20:10Exactly.
00:20:11Because I'm being crushed.
00:20:13You're being crushed.
00:20:14We're being crushed, guys.
00:20:16Are you aware?
00:20:17Today is the day of unification.
00:20:19Today is my manicure day.
00:20:21If we unite tomorrow...
00:20:23I'll tell you something.
00:20:24Do you have miop in your eyes or something?
00:20:26I mean, don't you see? For God's sake.
00:20:28Look, this is handsome, okay?
00:20:30A handsome person.
00:20:31So what is this?
00:20:33Coordinator.
00:20:34So this is your coordinator.
00:20:36I mean, where is handsome, for God's sake?
00:20:39When you do your hair like this, do you look handsome?
00:20:41Yes.
00:20:42When you look at it seriously, when you put pressure, do you look handsome?
00:20:45What are you going through?
00:20:46Do you have Stockholm syndrome or something?
00:20:48What is this? I don't understand.
00:20:49No, I'm trying to make sense.
00:20:50Because afras, tafras...
00:20:52I mean, it's not attractive at all.
00:20:53Can I explain?
00:20:54It's just a tickle.
00:20:55Don't extend it if you want.
00:20:56I'm sorry, Ms. Neşe.
00:20:58But you know too.
00:20:59It was rejected.
00:21:00It was rejected.
00:21:01It was rejected.
00:21:02It was rejected.
00:21:03It was rejected.
00:21:04It was rejected.
00:21:05It was rejected.
00:21:06It was rejected.
00:21:07But there must be a limit to rejection.
00:21:09You are aware, Ms. Neşe.
00:21:11For God's sake, don't do it.
00:21:12I mean, it's come this far.
00:21:14Really.
00:21:15I mean, he takes the iPad in his hand.
00:21:17His hair is like this.
00:21:18He came from America.
00:21:19The boss is like this.
00:21:20Can I say it in a cool way?
00:21:21That's why he should have a voice like this.
00:21:23He should be an authority.
00:21:24After that, his walk or something.
00:21:26You're playing too big.
00:21:27Feel it a little.
00:21:29Oh, and the hour hand.
00:21:30This is a very important detail.
00:21:32So much.
00:21:33What is this?
00:21:34A little sincerity.
00:21:35What is this?
00:21:36Is this the authority?
00:21:37Half an hour.
00:21:38Is this the authority?
00:21:39Is it the voice?
00:21:40Is there violence in the authority?
00:21:41A little love.
00:21:42What is this?
00:21:43What is a little communication?
00:21:44Like this?
00:21:45Without love?
00:21:46Like this.
00:21:48Coordinator.
00:21:53Intern.
00:21:54Intern.
00:21:56Intern.
00:21:57If you're like a robot, they'll take the man out.
00:22:00A little sincerity.
00:22:01Good morning, for example.
00:22:06Intern.
00:22:07I can't do it quietly.
00:22:08I couldn't find it.
00:22:09Because my voice is thin.
00:22:10Good morning.
00:22:12It's not exactly like that.
00:22:13He had a little love in him.
00:22:15More like that.
00:22:16He's trying to crush it.
00:22:19Good morning.
00:22:20More like that.
00:22:21Good morning.
00:22:32Terminator.
00:22:33I swear you won't have this girl.
00:22:36We don't need to look for a comedian in our 20th year party.
00:22:42Ma'am.
00:22:46Mr. Yiğit.
00:22:48I'm going to Mr. Yiğit's room.
00:22:50But only for business.
00:22:51No misunderstandings.
00:22:53Just business.
00:22:54Do you hear me?
00:22:55So?
00:22:57What do I care?
00:23:00I'm hungry.
00:23:01I'm hungry when I think about it.
00:23:05Mr. Yiğit.
00:23:13Did you find the book I told you about?
00:23:16I couldn't find it.
00:23:17It's nowhere.
00:23:18Because it's out of print.
00:23:20Actually, there is one in the common library of our plaza.
00:23:23But I couldn't find it.
00:23:24It's a little confusing.
00:23:26If you want, I'll tell the Elas.
00:23:27Let them look at it, too.
00:23:29No need.
00:23:30Give me the code of the book.
00:23:31I'll take care of it.
00:23:33That's exactly what I thought you were going to say.
00:23:35I wrote it before.
00:23:37Let me present it to you.
00:23:42Thank you.
00:23:43You can leave.
00:23:45I was just leaving.
00:24:08Cemal.
00:24:09I'll tell you something.
00:24:10Look.
00:24:11Mr. Yiğit is writing bad things about me.
00:24:13I mean...
00:24:14If you want, just shut up.
00:24:17You know...
00:24:18He's protecting me.
00:24:21What does it matter to me?
00:24:23What does it matter to you?
00:24:24What does it matter to me?
00:24:41I'm sorry.
00:24:51I'm sorry.
00:24:54I'm sorry.
00:24:56I'm sorry.
00:25:11I'm sorry.
00:25:12I'm sorry.
00:25:13I'm sorry.
00:25:14I'm sorry.
00:25:15I'm sorry.
00:25:20I'm sorry.
00:25:21I'm sorry.
00:25:22I'm sorry.
00:25:23I'm sorry.
00:25:35Grandpa.
00:25:37Could you bring us some water, Gazi?
00:25:39Are you a maniac? Are you? What are you doing?
00:25:41What are you doing? Why are you scaring me and hurting me?
00:25:43I thought something happened to grandpa because of you.
00:25:46Oh, it happened.
00:25:54If you're done having fun, meet me in the meeting room in 10 minutes.
00:25:57I want to publish the news in the magazine by taking into account the innovations in cardigans.
00:26:10Cardigan? Who's your brother?
00:26:13What?
00:26:14We've passed the order for crepe tops, by the way, but it hasn't arrived yet.
00:26:17It'll arrive on Monday.
00:26:18Crepe tops? Even if it does, it's forbidden.
00:26:22How about an article about the transition of farmers from wedding dresses to daily wear?
00:26:28What is Tatan? What did he say?
00:26:30We can do something like this about the crepe top t-shirts.
00:26:33What top? What?
00:26:35What are they talking about? I don't understand.
00:26:38Rejected.
00:26:39Oh, I'm so sorry.
00:26:41It just came out of my mouth. I'm so sorry, Mr. Yiğit.
00:26:44But I can present you the file I told you about earlier.
00:26:49All rejected.
00:26:51Neşe, I'm listening to you.
00:26:54We can use the fashion trends in old movies, for example.
00:26:58Like the Le Garson movie made in the 1920s.
00:27:01Le Garson? What's that?
00:27:03How do you know the 1920s movie?
00:27:06It created a big trend in Europe at that time.
00:27:10I think we can create a fixed corner by using these trends.
00:27:14A new movie every month, for example.
00:27:17Audrey Hepburn's Breakfast at Tiffany's.
00:27:21We can find other movies.
00:27:22Actually, I prepared a collage about this.
00:27:27Deniz, can you open the second monitor?
00:27:29Here it is. Second.
00:27:32What's second monitor, for God's sake?
00:27:34Say something in Turkish. They all have Turkish.
00:27:36We don't understand. Then they write.
00:27:37Garson, Garson. What have we done?
00:27:52I don't know what I'm talking about.
00:27:57I'll open it.
00:28:00I'll open it, of course.
00:28:03I'll open it.
00:28:04I'll open it.
00:28:11We'll be ready in a minute, Mr. Yiğit.
00:28:12I'll be ready in a minute.
00:28:23FOUR MONTHS LATER
00:28:33Come on, come on.
00:28:35Oh, God.
00:28:39I guess there's a problem with communication.
00:28:48My dear Michael.
00:28:53Intern.
00:28:57The controllers...
00:28:59They put too many controllers.
00:29:01I mean, it's not my fault.
00:29:03I don't have coordination.
00:29:05I mean...
00:29:14I guess that's it.
00:29:23It happens.
00:29:24When the carpet comes in front of the controller, it doesn't work.
00:29:27There's no battery.
00:29:28Is there a small battery in the drawer?
00:29:29If you ask Gazi here...
00:29:31Deniz, this is the controller.
00:29:33You press here.
00:29:34We'll be ready in a minute, Mr. Yiğit.
00:29:39I saw it. It's off.
00:29:46I was going to turn it on.
00:29:48Turn it on.
00:29:52A musical opening.
00:29:54It's on.
00:29:56You're nothing but a waste of time, intern.
00:30:13Yes, Mr. Yiğit.
00:30:14This was our last image.
00:30:18Thank you for listening, Mr. Yiğit.
00:30:23Great.
00:30:27We came after a useless meeting.
00:30:36Who came up with these useless ideas today?
00:30:41Pack it up and bring it to my room in ten minutes.
00:30:47Deniz.
00:30:49You were so funny.
00:30:51You were so funny.
00:30:55Cemo.
00:30:56Women like men who make them laugh.
00:30:59You know that, don't you?
00:31:00What's it to me?
00:31:01You were so funny.
00:31:03You were so funny.
00:31:16I have a question for you.
00:31:17Yes, I'm that kind of person.
00:31:18We accepted it. Yes, you know that.
00:31:20No problem.
00:31:23Why are you so afraid of this Yiğit guy?
00:31:26What does it have to do with him?
00:31:27No, what does it have to do with him?
00:31:28Do you understand?
00:31:29What does it have to do with him?
00:31:31Deniz Aslan.
00:31:33Under normal circumstances,
00:31:34in a room temperature,
00:31:36you're a person who can talk, walk,
00:31:38and even think properly.
00:31:41But whenever Yiğit asks you something, you don't say anything.
00:31:43It's like you did something,
00:31:45but you're ashamed of him
00:31:47and you run away as if you were guilty.
00:31:48Why is that?
00:31:50Because.
00:31:52Because you're blind.
00:31:54You're blind.
00:31:55Move.
00:31:56I'm so sorry.
00:32:02First comes anger, then Yiğit.
00:32:07That's how it is.
00:32:14God, help me.
00:32:15Bring the notes in order, he said.
00:32:18God, help me.
00:32:19Bring the notes in order, he said.
00:32:37My notes are neither good nor in order.
00:32:43God, help me.
00:32:44He's going to kill me.
00:32:48God, help me.
00:32:49He's going to kill me.
00:32:51God, help me.
00:32:53He's going to kill me.
00:32:54God, help me.
00:32:56He's going to kill me.
00:32:57God, help me.
00:32:59He's going to kill me.
00:33:00God, help me.
00:33:02He's going to kill me.
00:33:03God, help me.
00:33:05He's going to kill me.
00:33:06God, help me.
00:33:08He's going to kill me.
00:33:09God, help me.
00:33:11He's going to kill me.
00:33:12God, help me.
00:33:14He's going to kill me.
00:33:15He's going to kill me.
00:33:16He's going to kill me.
00:33:18He's going to kill me.
00:33:36Notes.
00:33:45Notes?
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