Category
📺
TVTranscript
00:00It can't be! It can't be!
00:02Help! Help!
00:06Matilde, let's go inside.
00:08I've prepared a canvas for you.
00:10I'm sure it will ease your nerves.
00:12I saw Mrs. Carla.
00:14I had stayed with Cesar to go together.
00:16She was a few meters away from me
00:18when I realized that Lieutenant Lorenzo
00:20and other police officers were following me.
00:22And I had to turn around.
00:24I didn't know what to do.
00:26I didn't know what to do.
00:28I didn't know what to do.
00:30And I had to make a decision.
00:32I turned around...
00:34so he could escape.
00:36so he could escape.
00:38I won't say anything,
00:40but I won't do it for you,
00:42I will do it for Don Fermin.
00:44It's all right.
00:46To be honest,
00:48it's not the first time
00:50I see her.
00:52A few days ago,
00:54I thought I saw her
00:56We have to be happy, because the Cupid plan works.
00:59And I want to continue.
01:01Well, it's true that it's working,
01:03but we could also take it a little more calmly, right?
01:06Not at all, no, no, no, no, no, no.
01:07We have to continue until the end,
01:09because now I'm already living a life without lies,
01:12without, without falsehoods.
01:15Do you think you can do anything?
01:16Because here, apart from a partner,
01:18you have someone you can always count on.
01:21You know that, right?
01:22I can't imagine a friend better than you.
01:26Yes.
01:28What's with your little conservative?
01:30Let's see.
01:31I've seen you talking to him once, twice, more than twice.
01:35No, no, nothing, little conservative, nothing.
01:38No, we talk from time to time to pass the time
01:40and because he works next door, but...
01:43But that's it, nothing else.
01:45And these tickets?
01:46They're to watch a movie.
01:48Sometimes an apology is not enough.
01:51Grateful, but I have a business to start.
01:55And sometimes, an apology isn't enough.
01:58How did it start, the bookshop and you?
02:00I didn't know.
02:01Me neither.
02:02But we were talking about Antonio and Pietro's wedding gift.
02:06Yes, yes, but it's up to you, Trini.
02:08So start telling us. Get out, please.
02:10Yes.
02:11What were you doing yesterday?
02:14Where were you going with a suitcase?
02:17Lieutenant, I don't know anything.
02:18I'll be frank with you, Miss Inés.
02:21We have the border police on alert.
02:23It's a matter of time before we meet him.
02:25I can't get my head out of my head
02:29about yesterday's farewell party.
02:32I'm sorry. It won't happen again.
02:34If I didn't like the farewell party, I'd have told you.
02:37It was very nice of you.
02:39Stop treating me like a child.
02:40I know what I saw, and I saw Carla.
02:44Where are you going at this hour?
02:46I'm going for a walk.
02:47Why can't I take it anymore?
02:53SEPTEMBER 4th, 1989
03:02Are you going over your list of businessmen?
03:05Yes.
03:06I'm planning my agenda to meet them.
03:09I don't want my workload to be accumulated.
03:11Yes, sometimes it's hard to focus, huh?
03:16Yes.
03:17I have... I have my mind set on something else.
03:20And I see you are tired. You didn't sleep well last night.
03:26Everything you can sleep in these circumstances.
03:33My love, let me.
03:40I can't be like this with you.
03:43Really, everything I told you was to take the iron out of the matter.
03:47Forgive me, I didn't want to bother you.
03:52I know.
03:54I should also apologize to you.
03:57My reaction was a bit exaggerated and the slap I gave was more.
04:04You see, regarding what you said...
04:11It's impossible, my love, because Carla's body has been identified.
04:17I believe you. I know you've seen something, but there has to be a logical explanation.
04:24It can't be, Carla.
04:26Don't talk to me like that.
04:28And don't treat me like a child.
04:31And don't tell me I didn't see something when I'm sure I did.
04:35The sight hasn't played a trick on me, Iñigo.
04:38Carla was there.
04:40My love, I believe you, but there has to be a rational explanation for all this.
04:47I'm late for school, I don't have time for breakfast.
04:50No, no, no, you can't leave with an empty stomach.
04:54I'm not hungry.
04:56Well, I'll have some milk.
05:01Matilde?
05:03Yes?
05:06No, nothing.
05:08Clarita, I know you and I know you want to ask me something.
05:13Come on, ask me.
05:14Since when does a Garcés turn around to ask for something?
05:19Do you remember the letter we received from Pablo and Aunt Concha?
05:24Yes, and it was very nice.
05:28Pablo and Aunt say they really want to see us.
05:35And the two of us, them?
05:39Matilde, I'd like to go to Jerez.
05:44I miss you a lot.
05:49That's what I wanted to tell you.
05:59To Jerez?
06:02To spend a few days with Pablo and Aunt Concha.
06:09But...
06:11But you're going to miss class again and it's a very long trip to do it alone.
06:17Please.
06:19But aren't you okay with us?
06:22It's not that, I miss you a lot.
06:35Very well.
06:36Very well.
06:38Very well, I'll prepare the trip, I'll talk to Aunt, okay?
06:45Thank you.
06:48Come on, finish the milk, we're going to school.
06:58Come on, I'll go with you.
07:07Honey, don't you take your things?
07:11No, I won't need them today. I'll work at La Moderna.
07:36My love is in your heart
07:40Like in a chess game
07:42You and I don't know
07:44We're playing love
07:48There are dreams that are for life
07:52And they're always an eraser
07:55You and I are more
07:58We want to fly
08:00Our thing is a trip to the sun
08:05Forever you and I
08:09Dreaming in a room
08:13We are seagulls that stop us
08:17In La Moderna love is possible
08:21Forever you and I
08:25A single heart
08:29We are brave
08:31If you don't understand
08:33In La Moderna there is a better world
08:37La Moderna wrote
08:40Our love poem
09:02Well, sleepyhead, it looks like you slept well in your new bed, huh?
09:07Well, yes, I'm not surprised that the beds were always so beautiful.
09:11How comfortable the mattresses are.
09:13Well, yes.
09:14Oh, and having the asylum so close, you don't have to go down the stairs at night.
09:19Well, and they have so many windows that it looks like we were in a skyscraper hotel.
09:23Well, let's not get used to it, huh?
09:25This is only as long as the works last.
09:28Well, but you tell the workers not to hurry up either.
09:32What we have to tell the workers is if we need something from home so that they can bring it to us.
09:36I don't think I've left anything.
09:39That's the good thing about not having a lot of things, that everything fits in one hand.
09:48And all this is telegrams, Antonia?
09:51It looks like this whole list of emails.
09:54They are from my relatives and they tell me which train they are going to arrive on, or which hotel they are going to stay in.
10:03The illusion that you are going to make of meeting them.
10:06Oh, yes. The truth is, I'm a little nervous, huh? I haven't seen them in a long time.
10:10Do they all come here?
10:12Well, I don't know if all of them, because there are some who have not responded to me.
10:16The people who are going to be at the wedding, Antonia.
10:18Relatives, all the staff of La Moderna.
10:22Well, not all of them, because I haven't invited Mrs. Alasdaira.
10:25And Teresa neither.
10:27They haven't invited Teresa?
10:29No, it's not that we have anything against her, neither Pietro nor I, but ...
10:33We agreed that they were going to be the closest, and she is not.
10:38Good morning.
10:39Good morning, what are you doing here? Shouldn't you be at the worker?
10:42I don't have good news.
10:45Pietro, what happened?
10:46It's the snack, Antonia.
10:48The one we booked a few days ago?
10:50Yes, it seems that they did not take a good note of the date.
10:53But, but I saw perfectly how they pointed it.
10:56I know, I know.
10:58It's just that this morning I went around to confirm a matter of the cake.
11:03Of how they would come to pick it up and ...
11:06It turns out that they noticed it wrong.
11:09Well, what a relief that he realized in time, Pietro.
11:12No, Marta.
11:13The problem is that the snack is busy at all hours on the day of the wedding.
11:18It has no room for us.
11:20But then where are we going to celebrate the wedding?
11:22I don't know, Antonia, I don't know.
11:23We have to find another place.
11:25And that it is not so expensive ...
11:27Because in a banquet hall we cannot pay for it.
11:30Where are we going to find a place now, three days from getting married?
11:33Yes, it is that every day I am clearer that a fool has not looked at us,
11:37but he has looked at us and looked back.
11:42Well, and here you have your fabric, Miguel.
11:45Double, as you asked me.
11:47Now, if it is not an indiscretion ...
11:50Elías, if I had to forgive you all your indiscretions, it would not be enough.
11:53Yeah, but you're always coffee, you're not fabric.
11:56And now you give me double.
11:57Can you tell me what makes you so nervous?
11:59It is ...
12:00It is the love I feel for Trini.
12:02I am with the feelings and I am like that, I cannot control them.
12:05I am so in love with Trini that ...
12:07that even tachycardia gives me.
12:09Wow, I didn't tell you so passionate, Miguel.
12:12Sure, this must have been hidden there in the priesthood for so long,
12:15accumulating, accumulating, accumulating, and suddenly there is a day that ...
12:18Boom, it explodes.
12:19Yes, it does.
12:20To cholón.
12:21But to cholón.
12:22And well, what do you tell me about Cañete?
12:24This virtue that he has as Celestino.
12:26Because you have to see what eye you have when you see that yours with Trini ...
12:29Yes, you should have noticed it all, Elías,
12:32that mine with Trini seems a bit sudden,
12:35but my feelings come from afar.
12:37Yes? Well, man, I must have guessed something,
12:39but I haven't really noticed.
12:41I'm telling you no.
12:42And look, I have a good eye for these things.
12:44Very good, yes.
12:45Yes, yes. Well, thank goodness Cañete noticed and saw him coming.
12:48You have to see what a heart of gold.
12:50If it is that ...
12:51What an honor to have him as a friend.
12:57Mr. Ruiz.
12:58Elías.
12:59Mr. Peñales, can I help you with something?
13:02Yes, look, I was looking for ...
13:04Matilde, I don't know if you've seen her.
13:06No, I haven't seen Mrs. Peñales all day.
13:09Are you sure?
13:10Because he told me he was going to come here to work at La Moderna
13:13to finalize his last details of the project.
13:15Ah, well, he hasn't arrived yet.
13:17I can assure you of that.
13:20Well, I must have misunderstood.
13:22Well, since I'm here, I'd like to be able to talk to Pietro
13:25to find out how many guests are going to be exactly
13:27for the celebration of his farewell at Madrid Cabaret.
13:30Ah, well, if that's the reason,
13:32we don't have to bother Mr. Pietro.
13:34As the head of the marriage link celebrations
13:37between Pietro and Antonia,
13:39I am able to solve the list of guests
13:41and to receive and give any information that is necessary.
13:57Excuse me, Mr. Fermin.
14:00Can I ask you what you are so interested in?
14:02Because since you arrived, you haven't taken your eye off the newspaper.
14:06Well, the news in general.
14:09Everything that is happening is so exciting.
14:14Do they say anything about the elections?
14:16It's just that this morning I came in a hurry.
14:18I wanted to finish the accounts.
14:19The truth is that I haven't been able to read even the headlines.
14:22Yes, yes, here it is, here it is.
14:24The results of the elections to constituent courts.
14:27Look.
14:30Let's see.
14:31It seems that there have been no big surprises.
14:37No, there haven't been, no.
14:40Well, everyone says they have won.
14:43Or they feel that they have won.
14:46Well, these are things of politicians.
14:49In the end, everyone interprets it in their own way.
14:52In cases that no one will ever accept that they have lost.
14:55Yes, the important thing is that the people, with their votes, have spoken.
14:58There is a 90% coincidence between the results of the elections and the provisional government that we had.
15:05And despite everything that is happening in the country,
15:09there is a certain excitement for the new times that are coming.
15:13Well, you never know when something that excites you is going to happen.
15:16Right?
15:20Good morning.
15:22If you allow me.
15:29So?
15:31Can you tell me why you are here? Because I don't remember calling you.
15:36Yes.
15:38I wanted to talk about how the wedding of Pietro and Antonia affects the quadrant of the shifts.
15:43Because there are many employees who want to...
15:45I'll leave that to you, Teresa.
15:47I am convinced that it will be the best solution for everyone.
15:51As you wish.
15:53One moment.
15:54One moment.
15:56Well, since you are here, let's talk about more urgent issues.
16:00How is the refrigerator that I asked you to inaugurate for the gramophone store?
16:05There are only a few hours left and I would not like them to be delayed because of us.
16:11Everything is ready, there will be no delay.
16:13I hope so.
16:15And is there anything else you want to tell us?
16:17I don't know, the last time I spoke to you, I had the feeling that you wanted to tell us something, Mr. Fermin.
16:22What is it that you wanted to tell us, Teresa?
16:27Nothing, nothing, you can wait.
16:29I'm going to take care of the refrigerator for the inauguration.
16:32I don't want any problems.
16:34Very well.
16:42Look, Mrs. Lázara, there is also a review in the newspaper of the last premiere of the circus.
16:49Well, I've heard that this woman is a prodigy.
16:52Yes.
16:53And I was thinking of going to one of the performances of these days.
16:57Really?
17:00And well, if you feel like it and want to accompany me ...
17:06Really?
17:09Well, I would love to be able to see Margarita Circus and much more in her company.
17:13Well, then ...
17:15But no ...
17:17No, it won't be possible, Mr. Fermin.
17:20I have to reject the invitation.
17:22Excuse me.
17:23Wow.
17:24And that?
17:26Why?
17:27Well, for ...
17:29For many reasons.
17:31You have to take care of La Moderna, the inauguration of your niece's store is taking place,
17:36and I have to remind you that you are Pietro's wedding godfather.
17:39No, no, no, no.
17:40Well, I'm sure if I get organized, I'll find a gap in the agenda, so ...
17:45Fix it.
17:46Yes, yes, fix it, I insist.
17:47If you want, the circus is waiting for you.
17:53Well, fine, I accept, but ...
17:55But on one condition.
17:56I'll take care of the tickets.
17:59I don't want to waste any more time.
18:00Perfect.
18:01As you prefer.
18:17There it goes, I can't believe it.
18:19I forgot one of the most important.
18:21Oh, yes, I'm a nail and flesh.
18:23Mr. Fermin.
18:25What?
18:26Mr. Fermin.
18:27Besides being my boss, he is the godfather of the wedding.
18:29I forgot to tell him I was invited.
18:32Well, gentlemen, I'll leave you.
18:35Elías, please, if you see Matilde, tell her to call me.
18:37Yes, of course, I'll tell her.
18:39By the way, how is she doing?
18:41Because after what happened yesterday in the gallery ...
18:44Good.
18:45She is very well.
18:48Well.
18:50Well.
18:51No, it's just that I also know something about these things.
18:53Because my grandfather, Jeremías III,
18:55the whole town laughed at him,
18:57that everyone accused him of being crazy.
18:59Because whenever he crossed a bridge, he saw a ghost.
19:01Of a lady.
19:02Yes.
19:03Until it was proven to be true.
19:05Was it proven that there was a ghost?
19:07No, Miguel.
19:08It was proven that my grandfather was a little crazy.
19:11Good morning, gentlemen.
19:14Elías, how many things do you have to learn from Don Fermín
19:16to be quiet, for example?
19:18Eh?
19:39Tomorrow my friends have organized a mass for you.
19:44For my soul?
19:45How kind.
19:48Since you have had the detail, I cannot miss it.
19:51I have to leave home at six.
19:54And the service?
19:57I will order them to accompany me.
19:59And if there is time, I give them the afternoon off.
20:03Therefore, you have the house empty for you.
20:13I will destroy you.
20:15This has only just begun.
20:30But hey, Uncle Fermín.
20:33Thank you very much for all the soda you have prepared.
20:37The truth is that everything looks great.
20:40It is the luck of having the owner of the model as a partner.
20:44So let's toast to the new business,
20:48which we hope will give us a lot of joy.
20:51Well, it has already given us the first joy,
20:53because this call has been a success.
20:56By the way, Mr. Fermín, I am curious.
20:59What is your opinion on the result of the elections?
21:02Well.
21:03Yes, tell us, because I already know the answer.
21:05Well, I'm very happy,
21:07because I think this result can bring us universal suffrage.
21:10It seems to me that you are in a bit of a hurry, Miss Ceria.
21:14I have to tell you that I am very happy that the situation has calmed down.
21:18Many hoped that the world was going to collapse with the change of regime.
21:23And it's not like that.
21:25But you know what?
21:26You can't be afraid of change,
21:28because that means turning your back on the future.
21:30And the future is already here.
21:32I'm here too.
21:34Ines, have you seen the book?
21:36I couldn't miss it.
21:38I love the party.
21:40You can see the dedication you have put in.
21:42Well, our dedication, but also the help of Uncle Fermín.
21:45Without him it would not be possible.
21:50Wow.
21:51It seems that someone has been self-invited.
21:53Congratulations, ladies.
21:55I'm sorry to contradict you, but I was invited.
21:58Your other partner made me come to an invitation.
22:01Thank you, Mr. Fermín.
22:02And now, if you allow me,
22:04I would like to toast with you for your new business,
22:07to which I wish you a great future.
22:09Thank you.
22:12I already apologized to you,
22:13but I don't mind apologizing every time I need to.
22:16I behaved ...
22:18What I did was a little thing.
22:20Yes, it was.
22:21But don't think about it anymore.
22:22It seems that the one who is behaving like a little girl is you.
22:26If you'll excuse me.
22:29Take the report.
22:31Don't pay much attention to me.
22:33You already know that I speak from ignorance.
22:36But I have written down a couple of suggestions.
22:39They will seem ridiculous to you.
22:41You already know that my knowledge of finance is little,
22:43not to say zero.
22:45I am sure that all your suggestions will be very sensible.
22:48You master these subjects better and better.
22:51I have good professors.
22:53And why?
22:56I have good professors.
22:58And from what I can see,
22:59a great mind for finance.
23:01You just had to activate it.
23:03Well,
23:04you haven't told me anything about the elections yet.
23:08What do you think?
23:09Me?
23:10That we have to accept the democratic game,
23:12and therefore the result, whatever it is.
23:16I trust that this will help to achieve stability
23:19and prosperity for our country.
23:22I see you are very optimistic, Fabio.
23:24Although I don't know if so much as to consider going back to politics.
23:27No, no, no.
23:29I am clear that no.
23:32Although,
23:33returning to diplomacy,
23:35look,
23:36there I already have my doubts.
23:38And why do you tell me that?
23:41I haven't had time to tell you,
23:43but they have contacted me to...
23:46to test me with a diplomatic position.
23:49And the destination is tempting.
23:51London.
23:53And are you going to think about the proposal?
23:56Well,
23:58with the smile I see on your face, I see that you have already done it.
24:01And once again, dear Barbara,
24:03you are right.
24:05Yes, yes, I have thought about it.
24:06London is a destination that I have always aspired to.
24:09You know it.
24:10Imagine it.
24:11London.
24:24You have to be optimistic, Inés.
24:27Everything is going to be fine.
24:28But being optimistic would be a way to deceive myself.
24:31No, no, no, that's not it.
24:32I have been consulting with an expert and he has confirmed to me
24:35that with discipline and sacrifice, yes,
24:37miracles can be achieved.
24:39Well, then I see it complicated.
24:41Because I understand singing, but I don't know how to pray.
24:43Don't worry, Inés.
24:45There are solutions.
24:46I thought my sister's optimism was inexhaustible,
24:49but yours is not short.
24:51If you don't mind, I'm going to get a drink.
24:57You have a special power.
24:59I get that talking to my sister makes me in a good mood.
25:02So you get the opposite effect,
25:05because you get angry when you see me.
25:07Before, when I saw you,
25:09I thought I was going to throw the glass in your face.
25:12Don't think about it, I've thought about it.
25:14But then I thought it was better to kick your ass.
25:17Laura, your glass.
25:19Thank you.
25:21Gentlemen, I ask you for a moment of silence.
25:26First of all, thank you for attending the inauguration
25:29of this new gallery store.
25:32I said store, in singular,
25:34I would still have to have used the plural,
25:36because it will not only be a gramophone store,
25:39as it has been so far,
25:41but also a photographic studio
25:43and sometimes an advertising agency.
25:46As you can see, a multidisciplinary business,
25:49as are the two new partners
25:51with whom I have the good fortune to count.
25:55My niece, Laurita Balbuena,
25:57and the illustrious photographer Celia Silva.
26:00So, please, I would like us to welcome
26:03these two new and young businesswomen
26:05with a round of applause.
26:12Excuse me, I'll get going.
26:19Here you go.
26:21Yes?
26:22And now, if you come with me,
26:24I can show you where they sell
26:26abundant meals at a good price.
26:28Here you go.
26:35No, I didn't expect it.
26:37Really.
26:38I didn't know that my name
26:40was among those who fought
26:42for the embassy in London.
26:44And have you already given an answer?
26:47No, not yet.
26:49What do you advise me?
27:07Well, if you are so excited
27:09to be an ambassador in London,
27:11then do the job.
27:15Although, if I tell you like this,
27:17I would be lying to you.
27:19Lying?
27:20Yes, lying.
27:23Because, actually,
27:24I would like you not to accept it.
27:28Because if you do,
27:29you're going to break my heart.
27:32I no longer understand my life
27:34if it's not with you by my side.
27:36Every morning I wake up with you.
27:45The one who was lying was me.
27:47I would never accept that position
27:49because I would not want to leave you
27:51for anything in the world.
27:53Fabio, you don't have to make
27:54that sacrifice for me.
27:55No, no, no.
27:56I would not leave you alone.
27:57And less at this moment
27:59with Carla's loss
28:01and in charge of the company Morcuende.
28:04You don't know how grateful I am.
28:08Well, and now that we have solved this matter,
28:12it would be best if we left.
28:14The mass in honor of Carla is about to begin.
28:17Yes, let's go.
28:20I know what I've said now may seem frivolous,
28:23but after the mass we're going to have dinner
28:25at a restaurant.
28:26The reservation is already made.
28:27I will not accept a no in response.
28:29But a dinner?
28:31A dinner.
28:33A dinner.
28:35A dinner?
28:37But if I'm in a rigorous mourning.
28:40So what?
28:41Even so, you will be the most beautiful woman
28:43in the whole restaurant.
28:47Let's go.
29:05Let's go.
29:35Let's go.
29:40Esperanza.
29:41Antonia has already told me that maybe you have solved
29:44the task that you have done with the snack.
29:46Oh, that's what I'm on now.
29:49It's just that this of being a godmother is very tiring.
29:51It never ends.
29:53With the snack.
29:55I couldn't buy Antonia a gift yet either.
29:58And I couldn't even talk to Don Fermín,
30:00that we have to agree on many things.
30:02Well, calm down, because there are three days left.
30:04Don't make me nervous.
30:05Think of something else.
30:07But how can I think of something else
30:08if all you do is ask me about the wedding?
30:10And why do you want me to ask you?
30:11Because of the results of the elections?
30:13Oh no, not that.
30:14Because we can't even vote.
30:17Besides, we, being poor,
30:20what else do we have?
30:22What more of one or what more of the other?
30:24Live to work and work to live.
30:27Well, to survive.
30:29You have risen more to vinegar than the crystals.
30:33Good afternoon.
30:34You tell me.
30:36I came to have a coffee,
30:37but seeing that you are the ones responsible for so much work,
30:40I didn't want to miss the opportunity to approach you
30:42and thank you.
30:44What was missing?
30:46And what's that about thanking us?
30:48What gives me that you have the same funny thing as Tunante?
30:52Well, Tunante I don't insult,
30:54because you belong to the tuna, don't you?
30:56Yes, that's right.
30:57So that, Tunante,
30:59why are you thanking us?
31:01For having the cleanest crystals in the gallery.
31:05It even hurts my eyes to look at them.
31:07Ah, well,
31:09since you haven't told us how you see the crystals,
31:11I'm going to tell you how I see you.
31:15You are a smartass
31:16who wants to take advantage of Marta, of course.
31:18It's just that all the tuna are the same.
31:21I'm sorry, but I think you're mistaken.
31:23No, no, you're the one who doesn't know.
31:24You must have been deaf from all the talking.
31:27Let's see,
31:28you don't have anything to do with the girls, do you, Marta?
31:31Nothing.
31:33Well, you have a lesson learned today.
31:36You can't fish in a sea that isn't yours.
31:39As far as I know, the sea doesn't have an owner,
31:42and I don't like fishing, but
31:44if I had to do it,
31:46I would fish a beautiful mermaid.
31:48A jellyfish is what you're going to fish.
31:50But I would set her free,
31:52because mermaids must swim freely
31:54so that we can all hear her voice
31:57and enjoy her beauty.
32:00Vinegar.
32:03What did you say?
32:04That if what you want is to clean the windows of the bookshop,
32:06you should use vinegar.
32:08And now, please, if you'll excuse us,
32:10we would like to continue cleaning.
32:12Some of us here are not the owners' daughters,
32:14and if we don't work, they fire us.
32:18Ea, throw the hook somewhere else.
32:21Air.
32:27Air.
32:36Hello.
32:37Here's the latest edition of the newspapers,
32:39as Teresa asked me.
32:41Well, thank goodness, because the clients are
32:43killing each other for the newspapers
32:45with this election thing.
32:47So, how many more?
32:49Well, look, more for us.
32:51Yes, and a little more,
32:53and we'll be on today's cover.
32:55We've been lying for a long time,
32:57and we're finally caught in their trap.
32:59As if we didn't have the experience of lying.
33:01Good thing Cañete is capable of selling any bitch.
33:04Saved at the last moment.
33:06Well, let's look at the bright side.
33:08Now everyone has found out about our relationship
33:11and believed it.
33:12Yes.
33:13And with the bright side of Esperanza and Elias.
33:16My goodness, they run the news faster on the radio.
33:20Well, phase one of the Cupid plan
33:23has been successfully completed.
33:25Mr. Fermin.
33:26Yes?
33:27Just now I was commenting with Trinidad
33:30the success of the inauguration of the new store.
33:33Congratulations for the part you have.
33:35Exclusive merit of my niece and her friend Celia.
33:37But yes, yes, it has been a success.
33:39Now we just have to wait for the business to be too.
33:42Well, here's the new edition of the newspaper,
33:44in case you're interested.
33:46Yes, yes, I'm interested,
33:47although I don't think the news I would like to confirm
33:50comes to the newspapers.
33:52I don't know if I'm explaining myself.
34:00Let's toast to the success of the inauguration.
34:08It has gone very well, hasn't it?
34:10Well, yes, the truth is that more people have come than we expected.
34:14That store is going to be a success, girls, I assure you.
34:17Well, on the first day we have already sold two radios and several records.
34:20And I haven't stopped taking pictures in the studio all morning.
34:24Of course, we have been so busy that I have not been able to go through the printing.
34:28To see the brochures of La Moderna and I have to give them to the guy tomorrow.
34:31Well, you'll see, everything will be fine.
34:33Yes, I know.
34:34But I would have liked to check at least one.
34:37If it's not like working blind,
34:39as if you were taking pictures without looking through the visor.
34:42I don't think the guy ignores your services
34:44because he doesn't like how a brochure has turned out.
34:46Well, I hope so.
34:47Because I need my job as an advertiser.
34:49That the salary is good for us to invest in promotion or in store items.
34:53Laura, we have already talked about it.
34:55If at some point you are very overwhelmed to have to combine your work in La Moderna with the day-to-day of the store ...
35:00No, don't worry, that's not going to happen.
35:02Yeah, but if it happens, let me know and period.
35:05You are the important thing, not the money we are going to make or stop making.
35:09Thank you, Celia.
35:10You are the best partner you can have.
35:13And we are also going to toast because I finally wanted to go out.
35:18Really?
35:19Yes, well, thank you very much for the effort.
35:22I couldn't miss the inauguration.
35:25And in passing, I give a little work to my spies.
35:33No, I don't think he's explaining it to me.
35:36Anyway, a certain rumor has reached my ears
35:39and since I'm not at all a friend of gossip, I'm going to face it directly.
35:44Is there anything you want to tell me, Trinidad?
35:48Well, I would have to be a little more specific with this rumor
35:53because you know that gossip is very treacherous.
35:56And there are people who have a lot of imagination.
36:00It has reached my ears that you two are a couple.
36:03Is that true?
36:04Oh yes, yes, yes, yes, yes, yes.
36:06We are a couple, yes.
36:09Sudden.
36:10Recent.
36:11Recent, yes, yes.
36:12I am grateful, I am grateful, Mr. Fermín,
36:14for having put in front of me the most beautiful of all women.
36:18You didn't know it, but when I gave Trinidad the job in this room,
36:23I made a decision that changed my destiny.
36:26It will be less, Mr. Ruiz, it will be less.
36:29Anyway, since I'm not a friend of gossip,
36:32I just wanted to confirm the news, congratulate them and hope they are happy.
36:37We are happy.
36:38We are, we are.
36:39Yes, Trinidad is an excellent worker and a better person.
36:43And I can only say positive things about you.
36:45Now, I'm going to dare to give you just one piece of advice.
36:48Go slowly, please.
36:50No rush.
36:52Little by little.
36:53Well, little by little.
36:55Or fast, right?
36:56Because it's also fine, right?
36:57I mean, every relationship is a world
36:59and each world has its own speeds, right?
37:03In the case of feelings, I don't know if rushes are good advice,
37:07but anyway, you are adults and sensible and you will act in the most convenient way.
37:16Well, I'm going, I'm going, I'm going, I'm going to the worker.
37:18I'll be back later.
37:20And I'm going back to the bookstore.
37:22Good afternoon.
37:23Mr. Ruiz, please stay a moment because now that we are alone,
37:28I would like to talk seriously with you.
37:32Well, what do you have to tell me, alone?
37:36You are not a kind of Don Juan, are you?
37:39One of those who is seducing women as entertainment.
37:43Me?
37:44I am a man of a single woman.
37:46My heart has been occupied by Trini for a long time.
37:49Well, not for so long, because I still remember that not long ago I was courting Teresa.
37:53Ah, that.
37:55Well, but that was something temporary.
37:57Temporary?
37:58I don't think my client considers him temporary.
38:00I assure you that nothing serious happened.
38:04He just got into a relationship.
38:06He was a magician.
38:07She can confirm it herself.
38:09We were not made to be a couple.
38:11And how do you know that you and Trini are?
38:16Because she is the woman of my life.
38:18She is a man, you know?
38:20Trinidad is the person I want to spend the rest of my life with.
38:26And you are a good person, you can see it in your face.
38:29Well, I'm just going to tell you something that I already warned you when Teresa ...
38:32I appreciate my employees a lot.
38:35So I hope Trini is happy and that she takes care of her.
38:38If so, she will have a friend in me.
38:40But if it is not so ...
38:43Let's hope you never have to see me angry, Mr. Ruiz.
38:49Let's hope.
38:50Don Fermin, let's hope.
38:58What do you mean by giving work to your spies?
39:01It's just that going to the galleries ...
39:04I felt that several people were following me.
39:07Inés, what are you saying?
39:09Have they done anything to you?
39:10No, no, just follow me.
39:12But I know very well who gave them the order.
39:14Lieutenant Lorenzo.
39:15Oh my God.
39:17That man doesn't give up.
39:18No, and I don't know how to make him understand that I have no idea where César is right now.
39:23But let's see, are you okay? Are you afraid?
39:25Well, of course I'm afraid.
39:28I don't know, I understand that feeling spied on is not a very pleasant feeling, right?
39:33No, it's not.
39:34It's not, but I'll have to hold on until all this passes.
39:37Or not.
39:38Maybe we can ... I don't know, talk to Uncle Fermin.
39:41But what would we gain from that?
39:43I don't know, maybe he can intervene and stand up to him.
39:46No, look, I prefer to keep him at bay because ...
39:49It would be a less worrying thing for him and for me.
39:52Are you sure, Inés?
39:53Yes, sure. Right now.
39:55Besides, I'm already quite nervous. I'm waiting for the results of the stomach tests.
39:59I'm going to make something to eat.
40:16You're very quiet today, Salvita.
40:18Not to mention that that plumber has a great ally in you.
40:20He's never going to get dirty, because he doesn't even touch the dust from the shelves.
40:24What?
40:25Yes, yes, the plumber.
40:28Are you thinking of something, Salvita?
40:30Yes, the plumber, I'll pass.
40:32No, the plumber who sees you from afar, you.
40:35What do you mean? That I don't like to work?
40:37No, you don't need to say that.
40:40But there is one thing that you really like.
40:42The modern one.
40:43That you have been using a lot lately.
40:47It's just that it has very good coffee.
40:49And besides, you always tell me that I don't fall asleep at work, right?
40:52Well, I'll have to do something.
40:53Something tells me that it's not precisely because of the coffee,
40:56because you go to that tea room a lot.
40:59Rather, I would say that it is ...
41:01because of Marta.
41:03I didn't know that hobby of yours.
41:05The gossip.
41:06Miguel.
41:07A mere capacity for observation.
41:09From this very glassware, I have been able to see how you looked for it yesterday and how you have looked for it today.
41:15Does that mean that yesterday I left the glasses very clean?
41:18And more than I'm going to leave them from today, because before they gave me advice to do it.
41:22With vinegar.
41:23I give you another piece of advice.
41:26I don't think you have much future with Marta.
41:28Doesn't it seem that the girl is very happy when she sees you?
41:31At least this is what I perceive from here.
41:33You don't give Marta's for lost.
41:36That if there is something good about being in this bookshop, it is that the girl makes me happy in the mornings.
41:40Well, let's see if you take note of her, who is very hardworking.
41:42Let's see if by looking at her so much, something stays with you.
41:53The account of the 6, Teresa.
41:57Any news with Mrs. Lázara?
42:00Why do you ask me that? Have you seen anything?
42:02What I have seen is that you are still going back to the matter.
42:06Do you still believe that it was she who urinated everything to stay locked up all night with Don Germín?
42:10Man, I have it clear as water, come on.
42:14And she doesn't try hard not to cut it either.
42:17What I've seen this morning, come on,
42:19I've realized that she's capable of using all her charms to seduce Don Germín.
42:24But have you caught her in a committed situation?
42:28Well, not committed, but everything will work out, you'll see.
42:33How deceived that woman had us.
42:36Well, I've had her locked up for a long time, and that's why she wants to kill you with me.
42:40Well, she doesn't go there and tells me, well, she puts me in front, to deceive me, Mario.
42:46I'm sorry, what did he say that? What were you talking about? Why did he say something like that?
42:52Your things. Well, I'm going to turn you around.
42:59Well, in that thing about Mario, he was right, because come on, how stupid I was.
43:04Now they don't catch me in another one, huh?
43:07In matters of love, it's already fleshed out, but fine.
43:10Take it.
43:12Well, I'm still counting on you, right?
43:17Are you counting on me?
43:19Well, let's see, I need an accomplice.
43:21Someone who is an eyewitness in all this matter of Mrs. Lázaro and Don Germín.
43:24Ah, that. Yes, yes, of course.
43:26Yes, yes, of course.
43:38Oh, by the way, is it true that rumor that is going around among the colleagues that you have made of Celestino between Trini and Miguel?
43:45Ah, well, yes.
43:48It looks like ... well, the thing goes with me, I didn't even realize it.
43:51But when it comes to seeing love between two other people, I catch it first.
43:57Teresa, for God's sake, please help me.
44:00But hey, what voices are these? What's wrong with you?
44:03It's just that I need to talk to Mr. Fermí as soon as possible.
44:06Since they have closed in his office, there is no one there.
44:09Well, if it's a work matter, you know you don't have to tell me first.
44:13No, it's not about work, it's about Antonio and Pietro's wedding.
44:16Look, what day are we on and we still don't have a place to celebrate the invitation.
44:20Well, that's a job.
44:22You see.
44:23And of course you will understand that, being the godmother, I have to talk directly to the godfather, Don Fermín.
44:29Come on, even in the Vatican they give hearings with the Pope more easily.
44:34Well, being Doña Lázara in the way, I don't know how I can help you.
44:38And when do you think I can catch Don Fermín without the vampire in the way?
44:44Well, daughter, I don't know, I don't know.
44:46Well, here I am.
44:48Oh, Cañete, now that I'm seeing you, I had to tell you something.
44:52Oh, what was it?
44:54Oh, wait, I look at it in my godmother's notebook, I have it all here.
44:58Oh yes, accommodate an assistant in the church.
45:01You told me you were going to help me, right?
45:03Do I still trust you?
45:05Yes, I already told you yes, Esperanza, you don't have to ask me again.
45:08Man, I ask you, of course I ask you.
45:10Because you are a man and those things are easily forgotten.
45:13So, accommodate an assistant, Cañete, I'll put the cross on you.
45:18Are you okay at eight?
45:20At eight for what?
45:22Man, to think between the two of us where we sit people.
45:25Of course, it is still a matter of great responsibility.
45:29Because it is not the same to sit friends, than to work colleagues, than to family.
45:35Or for example, where do you sit the godmother?
45:43Don Salvador, good afternoon, how are you around here?
45:46Good afternoon.
45:48I'm on my way, I'm not going to entertain you much.
45:51I wanted to take advantage of the fact that I was here to ask you about the progress of my son Salvita.
45:57Great progress, Don Salvador.
46:00Salvita is making great progress.
46:04He is a perfectionist, tenacious, he is an inexhaustible boy.
46:09By telling him that I had to take this pen out of his hands so that he could rest a little,
46:13right now he was telling me that he wants to clean the glasses with vinegar.
46:18Vinegar?
46:19Are you kidding me, Miguel?
46:21No, no, no, no, no. It seems that vinegar is the best for ...
46:23That's not it.
46:25He is telling me that in the few days that he has been with you, Salvita has become like this,
46:30overnight, in a formal and hardworking boy.
46:34Incredible, right? It's just that he's a boy who puts a lot of effort into it.
46:37Well, what I was missing to hear, that they take me for a fool.
46:40Salvita, it is clear that I have to take you to another bookstore where the manager does not have to lie to me in order to get rid of you.
46:48Well, Don Salvador, you will excuse me.
46:51Maybe I haven't chosen the best words, you know that hyperboles are my literary figures.
46:56Well, look, Miguel, I'm leaving.
46:58One thing I have clear, I have to make a decision.
47:04Did you have to exaggerate so much?
47:07Because I don't want to go to another bookstore. I have to stay in this one.
47:10Near the modern one, near the ...
47:14Look, I'm going to look for my father to see if I can fix what you were spoiling.
47:21If you always open your mouth, Miguel ...
47:29And will you bring me some souvenirs?
47:31Of course. Pablo and Aunt Conchita have told me that they will take me to the beach of La Caleta, in Cádiz.
47:38I'll bring you all the shells they find.
47:40Great!
47:42Hi Clarita.
47:43Hi Susana.
47:44Hi Marta.
47:45Marta, you don't know what. I'm going to Jerez to see Pablo.
47:49To Jerez? And how do you know you're going to Jerez?
47:52Pablo is going to teach me how to ride a motorcycle. He told me.
47:56Well, he'll be there to teach you how to ride a motorcycle, having a leg like he still has.
48:01Let's go see the works. Come on.
48:11Is that true? He's going to Jerez?
48:13Yes. Clarita misses Pablo and Aunt Conchita a lot.
48:18So she's going to spend a few days there.
48:20I don't. Because I wouldn't miss his wedding for anything in the world.
48:25Well, I can see that they are installed. I really like to see this house alive again.
48:30Well, it's a provisional thing. It's a detail of Don Braulio's children.
48:34And what are you doing here?
48:37Well, it's for Petra, the neighbor.
48:40Serena's wife?
48:41Yes. She told me that today she was leaving for Puerto Real, in Cádiz.
48:45And it's the same train that passes through Jerez.
48:47So I asked her if it was okay for Clarita to accompany her.
48:51It's very sudden and I don't know. But it's the best.
48:54Well, it's very good because the girl is not going alone, it's a very long trip.
48:57If it weren't for Petra, I would take her.
48:59Now she stays with her and then Iño comes and picks her up to take her to the station.
49:03Well, will your Aunt Conchita be notified?
49:05Yes. She will wait for her there.
49:07Matilde, I'm going to Jerez for ten days.
49:10Because Marta says she doesn't believe it.
49:13Of course, you're going for ten days.
49:15You see? Ten days. If I go back with Andalusian accent and everything.
49:18Ten days, really?
49:20Aren't you going to miss a lot of school days?
49:22I don't know. But Clarita needed it and...
49:26Besides...
49:28Besides what?
49:29Well, I couldn't deny it, Antonia.
49:31Can't you see how happy she is?
49:33Yes, yesterday she was very happy, now she has so much.
49:36What's going on?
49:38You can tell me whatever you want, you know that, right?
49:43Here you go.
49:45Here you go.
49:46I think this obsession you have with the fabric is not good.
49:50I'm telling you.
49:51It's double.
49:52Honey, I think you should look at the medical books.
49:55These ones you have in the library.
49:57To see if so much fabric is good.
49:59And that would be the last book I would look at in that library.
50:02Because I see myself in the street, Trini.
50:04Honey, don't be so dramatic.
50:06With the time you've been working there and the consideration Don Salvador has for you.
50:10Honey, I had never seen Don Salvador biting dogs like that.
50:14And between this and the fabric, well...
50:16I'm going to the street.
50:17No, you won't.
50:19You'll see how...
50:20For now, we've sorted out all the problems that life has put in front of us.
50:24I haven't sorted Salvita out much, let's say.
50:27Rather, I've collided with him face to face.
50:29You'll see how good it's going to be.
50:31You know why? Because we're together.
50:33And you and I get along.
50:35And there's no one who beats us.
50:36Yes.
50:37Yes, you and I are together in love.
50:40And in lies.
50:41And in sickness, too.
50:42Because these nerves are going to end my health.
50:45I wish Antonia and Pietro had the marriage you and I have.
50:49Because, look, you know what?
50:50I'm more in love than the first day.
50:52I'm also more in love.
50:54Nervous, but very in love.
50:57A kick?
50:58How can it be a kick? They're gases, Miguel.
51:01Come on, come here.
51:02Come here, you're dumber.
51:08What's wrong?
51:09I've lost the button.
51:12What are you looking at?
51:13Nothing, the button. It fell.
51:16The button.
51:18Both buttons.
51:21Is it because of what they say happened in the gallery that you saw...
51:25Mrs. Carla.
51:27Yes. Do you think I'm out of my mind?
51:29How could I think that? Don't be silly.
51:31Antonia, I know it's impossible.
51:33But I swear, it was so real.
51:36A guitar and a flamenco suit.
51:38I'll bring you all of that.
51:42No, Clarita, I'm fine with some chestnuts.
51:44Besides, you're not going to take such a big suitcase to bring so many things back.
51:49But, well, I don't want to bore her with my things.
51:53It's just that I haven't seen her so happy in a long time.
51:58I don't know, it breaks my heart.
52:00They owed it to her.
52:01I don't know, I think I failed Clarita.
52:03What are you saying? How are you going to fail your sister?
52:05If you fall for her...
52:06Yes, but I have the feeling that I haven't helped her get used to this new situation.
52:10And I feel guilty, I can't help it.
52:12Guilty? But she did everything she could.
52:16And in your situation, with everything you've been through, I wouldn't have done it better.
52:19If I had done it better, Clarita would have been more affectionate with me.
52:26I don't know, I have to go.
52:28Thank you for everything. See you.
52:30See you.
52:34Hey, Clarita.
52:40I have to go.
52:41You go to Petra's house. Do you remember where it is?
52:44Yes, it's that one up there.
52:46Then Iñigo will come to pick you both up.
52:48I'm going to La Moderna to do some management.
52:51But I'll do everything I can to get to the station on time, okay?
52:56But if it wasn't possible...
52:59I want to tell you that I'm going to miss you a lot.
53:04Will you give me a kiss?
53:17I'm going to miss you a lot too, Natalie.
53:21Oh.
53:31Thank goodness I got to the station.
53:34I didn't want that train to leave without saying goodbye to Clarita.
53:37And look, you've already said goodbye.
53:39Or at least that's what Clarita told me when I went to pick her up at La Corrala.
53:42Yeah, but it's not the same.
53:44Besides, I promised her that I would do everything I could to get to the station to say goodbye to her.
53:48She's getting old here at home with you,
53:51but I'm sure she would have liked to see you there saying goodbye.
53:54You know, being at that age, sometimes a woman and sometimes a girl.
53:58Well, I'm sure that as soon as you get on the train,
54:02she will have missed you a lot.
54:05Half as much as I miss her, really.
54:08What's wrong?
54:09Look, you're dramatic in the Garcés family, really.
54:13Don't worry.
54:14She's not going to be alone.
54:15She's going to be with her aunt, with her brother.
54:18I'm not going to be alone either.
54:20I'm going to be with you.
54:27Do you hear that?
54:29What?
54:31The silence.
54:35And I don't know if you know, Mrs. de Peñalver,
54:38but we're alone at home.
54:43I don't know what you have in mind, gentleman,
54:45but I remind you that I am a married woman.
54:47Well, if it's not a problem for you, it won't be for me either.
54:53Wait for me, I have a surprise for you.
55:13Come on.
55:26Come on, I'll go with you.
55:32Honey, don't you take your things?
55:35No, I won't need them today.
55:38I'll work in the modern one.
55:43Come on.
55:48Matilde?
56:00Honey, is something wrong?
56:04I was calling you.
56:07It's Carla.
56:09Carla has been here.
56:13Carla has been here.
56:16Fabio already knows what he has to do,
56:18but I can't insist anymore.
56:20And what about me, mother?
56:22Maybe you're being too soft with him.
56:24I'm sorry to disappoint you, but I've come as far as I can.
56:27From now on...
56:29From now on, we'll have to take less correct paths.
56:33Everyone has a price.
56:35Carla has come in here and moved my notebook
56:37and left it on the terrace.
56:38Honey, could it be that she was your sister?
56:40Look, Inigo, if you don't want to believe me, don't believe me.
56:42Carla is dead.
56:43I can't stop thinking about what will happen
56:45if they tell her she can't sing again.
56:47I'll get the test results tomorrow.
56:49I'm sure they'll be favorable.
56:51Yes, we all are.
56:52Yes, I think it's great that you're so convinced,
56:55but I don't think anyone understands what I'm going through.
56:59My God.
57:01No one can stop you, Antonia.
57:03You're going to be my wife.
57:05I'm going to make you happy.
57:06Look, I'd like to participate in the wedding gift,
57:09but if you're not invited, you don't have any obligation.
57:12Well, what's the big deal?
57:13They are lifelong companions and I appreciate them a lot.
57:16So I insist on participating.
57:18How much is it?
57:19If a miracle doesn't happen, we're out of guests.
57:23And what am I going to tell the people who come from Andalusia to see, right?
57:26Pietro, don't you see her eating or drinking, at least?
57:29For once, I ask you not to see me as your cleaning boss,
57:33but as an equal.
57:35Because I'm here to talk to you about godmother, godfather.
57:38Godmother?
57:39That three days before the wedding, Antonia and Pietro have nowhere to celebrate it.
57:43But that's terrible.
57:45That's why I thought of you.
57:47Today is the farewell of Antonia and Pietro.
57:49And what are we going to do, shout their protagonism?
57:51Well, it's true, I don't know, you're right.
57:52Well, I'll think of something.
57:54I don't know.
57:55I'll tell you one thing.
57:56We're going to do it before your wedding.
57:58Are you sure?
57:59Yes, yes.
58:00By the way, I've already bought the tickets to go see Margarita Sirvo.
58:05Here...
58:06Here's yours.
58:07I can't wait to see the show.
58:09The critics say it's brilliant.
58:11Why don't you keep them?
58:13Because they're separate locations.
58:15You're in the patio of the Butacas.
58:16It's the best entrance I've been able to get.
58:18I'm in the kitchen.
58:20In the kitchen?
58:23I thought it was about going together.
58:26If I didn't find out you just got married, I'd think you're married.
58:30And how have you been looking at each other for a long time?
58:32Nervous.
58:35What's wrong?
58:36Why are you so nervous?
58:37How did you realize...
58:41...that Antonia was something more than a co-worker?
58:45I mean, how...
58:47How did you know...
58:48...that what you felt for her...
58:51...was...
58:53...was love, Mr. Fermin?
58:54How?
58:55I don't know.
58:56It's as if someone wanted to drive me crazy.
58:58Someone?
58:59Who, darling?
59:00Who?
59:02Well, Mrs. Carla.
59:03Or rather, her ghost.
59:06I don't know.