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00:00A FEW HOURS EARLIER
00:03The ojaldres are selling well lately.
00:06We don't know how successful they are.
00:08Yes, I've noticed.
00:09I'll talk to Pietro to make sure he's aware and that we don't miss them today.
00:13Good morning.
00:14Good morning.
00:16It's nice to see you so focused working.
00:19In fact, you can already see the change in attitude in the accounts.
00:22You're partly responsible, Trinidad.
00:26Me?
00:27Yes, you and the rest of your colleagues.
00:30You're doing a great job, as I told you.
00:32So, congratulations for your part.
00:35Thank you very much.
00:36Well, I was just telling Mrs. Teresa that the ojaldres and almendrados are selling very well.
00:41Yes, I was about to talk to Pietro to ask him to double the production.
00:46What were you going to do?
00:49I remind you that this is the manager's competence.
00:52I'm the one who has to ask the worker for an increase in production.
00:56Well, Mrs. Teresa was just trying to do the best for the salon.
01:00Yes, yes, I think it's very good.
01:02As long as she doesn't exceed her obligations, which are limited to supervising the good functioning of the salon.
01:10I see.
01:11Well, I think we're out of gender.
01:13Trinidad.
01:14Don't worry.
01:16You're right.
01:18It won't happen again.
01:20I hope so.
01:22And speaking of obligations, I want to tell you that I have already contacted the surveillance company.
01:27And tonight they will send some extra guards.
01:31I'll be informed.
01:32Very good.
01:34Well, Tris, put the showmen that we have to open now.
01:45Good morning.
01:46Teresa, please come in.
01:47Good morning, enjoy.
01:49Good morning, Matilde.
01:50Good morning.
01:51How are you?
01:53I didn't know photographers got up so early.
01:56Well, the news is great.
01:57And sometimes we have to go to bed very late and get up very early.
02:01But today, today I come as a distributor.
02:12My God.
02:14The report made by the Iberian correspondent.
02:17Two whole pages covering the reopening of Madrid-Cabaret.
02:20Well, and the rest of the newspapers don't fall behind.
02:22All of them.
02:23All of them have echoed the event.
02:26Look what it says here.
02:28The American writer Hemingway and the BD Celia Gámez in the reopening of Madrid-Cabaret.
02:34The presence of both was a success.
02:36But it's not just about the celebrities.
02:41Look.
02:43The owner of Madrid-Cabaret, Íñigo Peñalver,
02:45after being unjustly pointed out as guilty of murder
02:49and having suffered a shooting in his place,
02:51has been able to cover up the incident.
02:54With a firm hand, he has once again taken control of the most emblematic place of the Madrid night.
03:00You did it, my love.
03:03You have managed to clean up the image of Madrid-Cabaret as your own.
03:07Well, but not all the credit has been mine.
03:09These photographs, Celia, are incredible.
03:12They match the wonderful thing that happened last night.
03:15Thank you very much.
03:17I'll leave you breakfast.
03:18Thank you very much for everything, Celia.
03:20Congratulations.
03:29I'm very proud of you.
03:31Someone else in your place would have hidden their head and you have shown your face.
03:35And you have organized a stunning reopening.
03:39You have taught them a lesson.
03:40Sometimes there is no choice but to endure and trust that the storm will stop.
03:45As long as she keeps quiet about what she thinks about the vampire,
03:47a hole will end up coming out of her stomach.
03:51Look, Trini, I know you shouldn't speak ill of your superiors,
03:53but with this woman, with this woman, I'm going to get an ulcer.
03:56And with me, she doesn't need to contain herself.
03:58If she knows that I feel the same price you feel for her.
04:01Come on, none.
04:02Always trying to miss everyone.
04:04My goodness.
04:06And it seems like she's coming for me.
04:07She wants to keep me away from all my obligations and my commitments.
04:11I really don't know what she's up to.
04:12You don't know what she's up to?
04:13Well, I'll tell you.
04:15What she's up to is for you to feel like a zero on the left,
04:17so that she gives up her position.
04:20Yes, well, she makes it clear.
04:22Now, whatever your intentions are, I can't do anything.
04:25Because now she's going to split a pinion with Don Fermín.
04:28I don't understand how Don Fermín is letting you seduce for this lady.
04:35Let's pretend I didn't say anything, please.
04:37Well, you did say it, Trini.
04:39Hey, I'm really telling you to shut up, don't say anything to anyone,
04:41and go, and I'll tell you right away.
04:44Don't go too far.
04:46No, no, no, no, no.
04:47I wouldn't be able to say anything under torture.
04:50Well, under torture, I would say something, I guess.
04:53And besides, all this is my interpretation, I have no proof.
04:58Well, I'll tell you one thing,
04:59open your eyes wide, because this woman is not going to stop.
05:05Okay.
05:25Yes, yes, I deserve this welcome, one or worse.
05:28Because I've gone all the way to Correjón.
05:30I'm sorry, Miguel.
05:32Really, but hey, don't tell me you read Jadas, you're a coward.
05:35Because I've come here to confess my fault.
05:37That a waiter asked Don Salvador to take notes
05:40of one of the orders from La Fajete.
05:42Well, what took you so long to come with the story,
05:44and with all the luxury of details, you have to see.
05:46Man, Elías, taking into account that we were using the warehouse
05:49of his store for our business ...
05:51Well, but the truth is that I am very happy to see you here,
05:54because that means that he has not fired you.
05:56Luckily, I have managed to save my skin and my job.
05:59At least for the moment.
06:02It's just that my job is on the loose
06:04because of a scoundrel like him.
06:06But of course, if he doesn't even come to work,
06:08how does Narices want him to deserve it?
06:10What do you mean, Miguel?
06:12Here it is.
06:13Good morning, Miguel.
06:18What a mess, huh?
06:20There is no day that his time passes, huh?
06:22You are already unlucky.
06:23Leave it, I'm not interested.
06:25Go to the warehouse, take boxes and start ordering books
06:27in the shelves, we are already late.
06:29I thought that the job of a bookseller
06:31consisted of selling books.
06:33Man, he has some reason.
06:35Kid.
06:36Very good, Mrs. Julia.
06:38I'm with you right away.
06:39Don't worry, Miguel.
06:40I'm just curious around here.
06:42Let's see, Salvita.
06:44I say that to sell books,
06:46at least we have to keep an eye on them, right?
06:49And it wouldn't be bad if you knew
06:51what books we have, which ones we can order,
06:53what titles are romantic comedy, which ones are history ...
06:55Well, that's going to be much more complicated
06:57because I understand a lot about selling,
06:59but books ...
07:01That's my father's thing.
07:03Well, we're screwed.
07:05Don't worry, he's a man
07:07that I tell him to sell for a while.
07:09Look and learn, Miguel.
07:15Good morning, Mrs. Julia, right?
07:17Indeed, Julia is my name.
07:20Mrs. Julia, what are you looking for?
07:22Only then can I help you.
07:24Well, look.
07:25In a few days it's my nephews' birthday
07:27and I don't know what to give them.
07:29I've been through the gallery and I've thought
07:31that a children's book would be a good option.
07:33I agree with you.
07:34You have come to the right place.
07:36Here we have the best stories you can imagine.
07:39Oh, a lovely greeting to the educated park.
07:44Ah, close.
07:46But without losing shape.
07:48I, who am a great observer of human behavior
07:50and the relationship with customers,
07:52I know how to appreciate a good reception
07:54when I have it in front of me.
07:56If that's enough,
07:58it's going to sink as soon as the client asks for a recommendation.
08:01I agree with you not to take it to the shelves of the encyclopedias.
08:06My nephews are twins.
08:08Ah, well then,
08:10instead of recommending you a book,
08:12I'm going to recommend you two,
08:14so you don't get lost among them.
08:16You don't know how envious I am
08:18to have an aunt as painterly as you
08:20It's just that...
08:22Who would have that luck?
08:23What are you saying?
08:25What an attitude this kid has.
08:27Attitude and salesmanship.
08:28As if he didn't care about two or three books.
08:30You can't panic, Miguel.
08:32If it doesn't work out, you have to quit.
08:34Well, goodbye.
08:40And...
08:41Are you new here?
08:43Yes, I'm new, but...
08:45I think I have a future as a bookseller.
08:46Yes, yes, no, I'm telling you, yes.
08:48Yes, no, look, these three will be options.
08:50Perfect.
09:13I want us to start from scratch.
09:15I want us to fulfill the dream we always had,
09:17to have a jazz club in New York,
09:19or in California,
09:20or wherever, I don't care.
09:22You deserve it, Maria,
09:23to make you the happiest woman in the world.
09:28I don't need any of that, César.
09:31I only need you.
09:34But it's just that...
09:35I know it's very complicated.
09:37You have a comfortable life in Madrid,
09:39and you can't be away from your uncle and your sister.
09:41I'm sorry I can't give you more days.
09:44I only have two.
09:47That lieutenant is looking for me.
10:00Good morning.
10:01Good morning.
10:04Do you know what time I got home last night?
10:08Well, I think it was already dawn.
10:11But then, did you have a good time?
10:14Better than good.
10:15Celia Gámbez and Ernesto were in Jarana all night.
10:18We even went to a flamenco table because Ernesto insisted.
10:22What confidants.
10:24They called Mr. Hemingway by his name.
10:28I hope it's not Celia who's coming to throw me out of bed.
10:37What are you doing here?
10:39That's what I could ask you.
10:41I live here.
10:43But you live here.
10:45I thought this was Inés Balbuena's house.
10:48Come in.
10:49What do you have to do with my sister?
10:54Your sister?
10:57I didn't know Inés had a sister,
10:59unless it was you.
11:04Right.
11:05To another dog with that bone.
11:07You were already laughing at me about the cinematographer
11:09and you've come to keep showing off.
11:11Miss, I'm being completely honest.
11:13I've come to look for Inés and I've come across you.
11:15There are no bad intentions on my part.
11:17Right.
11:20Agustín, what a surprise.
11:24What do you mean, Agustín?
11:25Do you also know the owner of Cine Guerrero?
11:29No, I didn't know it was his.
11:31Laurita, he's Agustín Comas,
11:33the theater producer who asked me to appear in The Pharaoh's Court.
11:37Wow.
11:38We're both a box of surprises.
11:41You're a fan of the cinematographer,
11:43niece of my good friend Don Fermín
11:45and sister of my leading actress.
11:48Well, your former leading actress.
11:51Look, that's a lot of information in a very short time
11:55and I don't have my head.
11:58We'll talk later.
12:02Don't take it to heart.
12:03He doesn't have a very good awakening.
12:11Do you allow me, Don Fermín?
12:13Of course.
12:15I was reading the success of the reopening of the Madrid-Cabaret.
12:21Yes.
12:23But you and I have another conversation pending, right?
12:27To be precise, you owe me an answer.
12:30That's true, I owe you an answer and I'm going to give it to you.
12:32Sit down, please.
12:35Matilde, I think your project is a great idea.
12:40But even so, I have some reservations.
12:44Tell me, what exactly worries you?
12:46I don't doubt your ability to organize all those events that you propose in the hall.
12:51But I can't ignore that you are a young woman
12:56with hardly any experience in these leads.
13:00You're worried that I don't know how to handle businessmen and businessmen.
13:04As always, you take them on board, Matilde.
13:08Sincerely, Don Fermín, I also feel a lot of vertigo.
13:12But at the same time, I see myself capable of dealing with those men.
13:15And I think that my work will consist of offering them a place where they can meet,
13:19get to know each other, get in touch and exchange ideas.
13:23They will be the ones who separate each other.
13:26Yeah, but a woman alone among so many men...
13:32You know better than anyone that contributing to changing the established order
13:35has always motivated me to give my best.
13:38You don't have to swear it.
13:39I have suffered in my own skin your desires to see the world change.
13:45Look, Don Fermín.
13:47I can't promise you that this will go well in the first round,
13:50or that there won't be any problems.
13:52But I can tell you that I will work very hard to get the best out of it.
13:57And I am aware that I still have a lot to learn.
14:00But I am willing to do it.
14:03I can't tell you anything else.
14:23Honey, what are you doing there doing nothing?
14:26With all the documentation I gave you from the company,
14:28you have work for hours.
14:30I have already reviewed everything and I have nothing to object.
14:33Besides, you were the one who told me that you would talk to Fabio.
14:37That's right.
14:39I have talked to him and he has not put me in any trouble
14:41to raise the rents in Seville.
14:43I knew you would get it.
14:45And tell me, how is the issue of the hotels in Bilbao and Barcelona going?
14:49Well, regarding that matter,
14:51everything is going to be slower than any issue for the blind.
14:56I have no doubt that he will get it.
14:59He has Fabio eating out of his hand.
15:02Yeah.
15:04But his honesty is going to be a difficult choice to save.
15:08Honestly, I don't see him using his influences to make a law benefit him.
15:12He has to do it.
15:14I trust you, don't disappoint me.
15:17I never disappoint you, daughter.
15:19I hope so.
15:20As you told me, business has to go well so that I can culminate my revenge.
15:26I need you to have your mind clear
15:28so that our plans go right.
15:32I have been thinking about everything
15:35and I have come to a conclusion.
15:40Which one?
15:42That I don't need anyone.
15:45Not even Iñigo.
15:47I am enough and I have enough to get what I want.
15:52You don't know how happy I am to hear you say that, daughter.
15:56Forgetting that bastard is a big step.
15:59I have said that I don't need him.
16:02Not that I am going to forget him.
16:04And much less to forgive.
16:14I present that this is the beginning of a beautiful and fruitful alliance.
16:18I hope so.
16:19Life makes me smile, Mr. Fermin,
16:21and I am going to make an effort so that it continues to be so.
16:24Very well.
16:29Oh, sorry, I didn't know you were here.
16:31You are excused, Mrs. Lazaraí.
16:33Please, stay.
16:35Since you are here, I inform you that from now on,
16:38Matilde will be in charge of organizing business events in the upper room.
16:44Well, I think it's a great initiative.
16:46Great.
16:48And I am very pleased to have Matilde under my command.
16:51Such a smart and responsible girl.
16:53Her fame precedes her.
16:54I thank you.
16:55But she will not have to worry about having more employees in her position.
16:58Mr. Fermin and I have agreed that I will not be part of the squad.
17:02Ah, yes.
17:03Yes, yes, that's right.
17:04Matilde will not be part of the organigram of La Moderna.
17:07She will simply be a foreign collaborator
17:09who will only have to respond to me.
17:11I think it's best for everyone.
17:14That's it.
17:15Well, Fermin, thank you very much.
17:18I'm glad to see you, Mrs. Lazara.
17:21I say the same.
17:28And that's what the doctors say.
17:30But they don't assure me that I can sing again.
17:33You know, sometimes the doctors' perceptions
17:37don't coincide with the patients'.
17:40Agustín, I'm just not in a condition to sing
17:43and I don't know if I'll be back.
17:45My extensive experience has shown me
17:48that regaining your voice is very difficult,
17:51but not impossible.
17:53You just need time.
17:56Agustín, I...
17:57Don't close yourself in madness, Inés, please.
17:59I want to move forward with the court of Pharaoh.
18:02I've been doing tests.
18:04I've seen like a hundred girls.
18:06Some more or less good.
18:09But none of them have what you do.
18:11Don't be silly, Agustín.
18:13There are millions of wonderful girls out there
18:15waiting for your opportunity.
18:17But I want one who can embellish me with her voice
18:19just like you did.
18:21And that is impossible.
18:25I'm willing to wait for whatever it takes.
18:27But I don't want you to waste your time waiting for me.
18:31You should find your new protagonist.
18:33You are my protagonist.
18:35I don't want to find anyone else.
18:38But you don't have to answer me now.
18:40Look, I've brought you a copy of the notebook
18:44so I can take a look at it.
18:47Okay?
18:51Okay.
18:56Don't bother, okay?
18:57Sorry, I'm not here anymore.
18:59I'm leaving.
19:00Inés, take the time you need.
19:04I'm willing to wait for you.
19:07Inés.
19:09Why did she say she's willing to wait for you?
19:11What does she want?
19:12Because I don't accept her as your protagonist.
19:15No, that's not the point.
19:16Laurita, she wants to wait for me to get my voice back
19:19so she can set up the court in Farón.
19:21Well, let her wait sitting down.
19:23Because you can't make this effort now
19:25and much less because of a scoundrel like him.
19:27The only thing he's done is make fun of your sister.
19:29Wait.
19:30Wait.
19:31Wait.
19:32Wait.
19:33Wait.
19:34The only thing he's done is make fun of your sister.
19:36Wait.
19:37Maybe he was just fooling around with you.
19:40Inés, don't joke because it's not funny.
19:44Look,
19:45I'm glad he wants to count on you
19:47so you can be his leading actress at any price.
19:53Aren't you glad?
19:55Yes, yes, I'm glad.
19:56But I need to think about it
19:58and maybe some fresh air will help me.
20:00Of course.
20:01No, no, no.
20:02No.
20:03Laurita, I'd rather go on my own if you don't mind.
20:06See you later.
20:07Bye.
20:18I'm starting to get used to the company's affairs.
20:21It's not easy, but
20:23let's say I'm making good progress.
20:27Don't you miss those political entanglements you liked so much?
20:31Sometimes I do.
20:32No, but
20:34I think I've made the right decision.
20:36And since it's been my experience with political parties,
20:39I don't see much room for me.
20:41Besides,
20:42I can't imagine having to deal with your daughter's company
20:46while facing other challenges.
20:49I'm very grateful for the commitment you're showing to the company,
20:53but I feel responsible for disrupting your political career.
20:56Wouldn't there be any way to combine the two?
21:01I've already told you, dear.
21:02Neither of them allow me to be half-baked.
21:05And I don't want to do anything half-baked.
21:09I'm afraid you're going to need your friends to boost the business.
21:16I don't know what you mean.
21:18And I'm not sure I want to know.
21:20Well, you've told me you're getting an idea of the company's situation.
21:25So you must have seen
21:28that building hotels in Bilbao and Barcelona is fundamental to the accounts.
21:32Yes, yes.
21:33It would be an important push.
21:37But that's not feasible at the moment
21:39because there's a law on the ground that prevents it, dear.
21:42Yes, yes, darling.
21:45And that law couldn't be changed.
21:47Well, I guess so.
21:48But it's very difficult.
21:50Well, that depends on the key you touch.
21:53And you, with your contacts.
21:55Barbara, my ability to influence doesn't reach that level.
21:59A law can't be changed overnight.
22:02That requires a very long process
22:05and a lot of consensus and many parts.
22:10Building those hotels was my daughter's last wish.
22:14I'd like to make her dream come true.
22:17And I wouldn't like to have to go beyond the law to do it.
22:21Then don't do it.
22:22I'm just looking for a way to make Carla's last wish come true.
22:28But don't worry.
22:29I won't force you to do something you don't want to do.
22:33Yes, everything is perfectly within everyone's limits.
22:41She gives us an idea of the celebrities there.
22:44And I'm one of them.
22:45My God, how brave.
22:47It must be hard to be in front of singers and actors.
22:51It's me and I leave without Celia Gámez's autograph.
22:55Don't be so brave, Antonia.
22:57I did it because Laurita pushed me.
23:00I almost threw soda on her.
23:03Good thing you didn't.
23:05I would have died of shame.
23:08Actually, I was in a hurry
23:10because Laurita went to talk to that American writer
23:13and left me there.
23:14Well, it's good that it ends well.
23:17Although I also tell you that it could have ended a little earlier,
23:20that you almost arrive when the rooster sings.
23:22You like to exaggerate, don't you?
23:24I'm not a child anymore, Antonia.
23:25I know, I know, darling.
23:27But there is no age to arrive at a prudent time.
23:30Okay?
23:31Okay.
23:34Hey, aren't you going back to the salon today?
23:36I hope so.
23:37If I have the last shift and it closes.
23:39But I trusted to take advantage of this moment
23:42so that Pietro would tell me
23:44how it went with Don Braulio's children.
23:48I hope the news is that we can go to the Garcés' house
23:51when you get married.
23:53I hope so.
23:58I'll open, Antonia.
24:05Pietro, come in.
24:06Hi, Marta.
24:08Hi, Antonia.
24:10Oh, what a bad face you have.
24:12You're in a bad mood.
24:14They have closed the deal.
24:15They don't want to negotiate.
24:17They demand three months in advance,
24:20one as a fiancée
24:21and in addition to the increase in the rent.
24:24But...
24:25But how is that going to be?
24:26Those are abusive conditions.
24:28Who can face that?
24:31Well, maybe you can look for something smaller and more affordable.
24:34I already told you that I can look for...
24:36We already told you that that was not going to happen.
24:38Marta, the three of us are going to live here together.
24:40And even if it's...
24:41We'll squeeze in.
24:43But...
24:44But neither but nor but.
24:45Come on, take these to the room.
24:48Well, okay.
24:56Pietro, it's better that we don't talk about these things in front of the girl
24:59because then she'll get mad and she'll give us a bad taste.
25:02And...
25:03And speaking of bad taste, Pietro,
25:05I think we should solve the godparents thing.
25:08The godparents thing, I think, right?
25:10You know what I think.
25:11And couldn't you reconsider it?
25:14She's very excited to take you to the altar
25:16and I don't...
25:17I don't think I'm capable of saying no.
25:19No, Antonia, I'm sorry.
25:21I can't change my mind.
25:22And if you want, I can talk to Esperanza.
25:24No, no, no.
25:26No, I know you and in the end you'll end up in trouble.
25:28No.
25:31Okay, I'll talk to her later.
25:32In the living room.
25:33Soon, please.
25:35The more excitement there is, the worse.
25:38Okay?
25:39Okay.
25:49Cesar, thank God you showed up.
25:51I thought something had happened to you.
25:52I'm very sorry about the bad taste.
25:54But there was police at the place where I'm sleeping
25:56and I had to wait for them to leave.
25:57But what if they're following you?
25:59What if there's a patrol around here?
26:00Well, they'd stop us.
26:02But don't worry, that won't happen.
26:03I've taken precautions.
26:04I don't know, Cesar.
26:05I think you shouldn't take any risks.
26:07Because of you, I'm willing to take all the risks in the world.
26:12Listen to me.
26:14I don't have much time.
26:16One thing is to take risks
26:17and another is to put a bullet in my back.
26:19I need you to tell me if you've made a decision.
26:22Cesar, leaving Spain like this, so hastily, well...
26:28Look, I've had some horrible days
26:32thinking you were dead and that I'd never see you again.
26:37But now life has given me the chance to be with you again.
26:44And I'm not going to waste it.
26:50And what does that mean?
26:52That I'm going with you.
26:54That I'm going with you to America, China or wherever.
27:03Listen, you're not going to regret it.
27:08But Cesar, I want you to leave behind the life you had in Marseille.
27:12Your past stays here.
27:14Please.
27:17Do you promise me?
27:18I'm going to do everything in my power to make you the happiest woman in the world.
27:23I promise you.
27:25I want to start from scratch with the woman I love the most.
27:37Yes.
27:46I'd ordered a coffee.
27:48Since when do waitresses serve drinks?
27:51Since husbands' health can go to hell.
27:53Besides, look how your hand is shaking.
27:55To have another coffee now?
27:57No, what do you want?
27:58I remind you that my job is in the wire
28:01because of the tarampala of Salvita.
28:03If I can't straighten it, I'll end up on the street.
28:06Well, that's why I brought you a blanket.
28:08To calm you down.
28:09To clear your mind.
28:11To see if you can come up with a plan to get this boy on the street.
28:14If that will help.
28:16You know the success our plans have.
28:18None.
28:19Yes, you're right.
28:20None of them work.
28:21Starting with Salvita and ending with our plan to fall in love.
28:26So Esperanza hasn't noticed, has she?
28:28She hasn't noticed anything.
28:30She's always acting up.
28:31She knows all the gossip.
28:33She knows everything.
28:34And when you serve her a plate of silver, she doesn't even notice.
28:37Maybe that's the mistake.
28:39Because Esperanza is unique.
28:41Detecting gossip.
28:43But ours, after so long of marriage,
28:45even if she doesn't know it,
28:46has lost the essence of gossip.
28:48It's not a pure gossip.
28:49You have to get rid of the gossip.
28:51What are you saying?
28:52Hello.
28:53I'm sorry if I interrupt something,
28:55but I have something important to tell you.
28:59She just used me as bait for your entanglements.
29:03With everything we've done for you, damn it.
29:05I know, Trini, I know.
29:07And it hurts my soul.
29:08But I can't do everything.
29:10The vampire has put me to measure the time
29:12that each waiter spends attending the tables.
29:14And she wants a detailed report.
29:15And what for?
29:17I guess to annoy me.
29:19But in addition to watching the waiters,
29:21I have to be aware of suffocating Teresa's anger.
29:24And I can't do it.
29:25Friends, I can't do it.
29:26Well, when bad times come, they all come at once.
29:29But there's something we have to do
29:30to straighten this mess, I say.
29:32You'll tell me how.
29:34We have to be more aggressive.
29:35Much more aggressive with our strategy
29:37so that Esperanza catches us.
29:39Of course, if we do it right,
29:41no one will doubt that you and I are crazy about each other.
29:49Your wife is starting to scare me, Miguel.
29:52And me, Cañete. And me.
30:02And me.
30:11So you're going to invite me to a coffee?
30:13Just like that?
30:15I don't know what you're surprised about.
30:17I like to have details with my colleagues.
30:20You say so.
30:21Well, and so I also take the opportunity to read you
30:25what I wrote for Antonia's wedding.
30:27I already said that so much kindness
30:29couldn't be just like that.
30:31And why do you have to say a few words at Antonia's wedding?
30:34Because I'm the godmother, Leñe.
30:36Oh, my God.
30:38I'm going to start with Erfina, who is the most sensible.
30:41You're the godmother, you command.
30:44And even if you don't have to eat perdiz,
30:47I know you're going to be very happy.
30:50Especially you, Pietro,
30:52who wears a jewel of a woman
30:55and of a person like Antonia.
30:59I love her like the sister I've never had.
31:04So...
31:05No, so what?
31:06So for the account you bring her,
31:09it is better that you respect her as you make her suffer.
31:13Even if it's one of mine,
31:15I take the roller that she has in the work
31:20and I bite it.
31:24What's wrong with you, aunt?
31:27Man, Antonia.
31:30I didn't know you were coming.
31:32What a surprise.
31:33If I hadn't prepared you a coffee, too.
31:35Surprise?
31:36Are you still surprised that I did my shift?
31:39Well, woman, you know how Esperanza is,
31:41you don't have to listen to her.
31:43Well, without fail.
31:44On top of that, I gave her a slap.
31:46Well, don't fight,
31:48because I know exactly what you were reading.
31:52What a godmother I am.
31:54I can't keep a surprise.
31:56Oh, my God.
31:57Well, on the day of the wedding,
31:59you pretend you didn't hear the speech.
32:02That's exactly what I wanted to talk to you about.
32:08Well, I'm going to have this coffee,
32:11I, quietly, in the living room.
32:25Flaurita.
32:26But I thought you were working.
32:29Inés, have you lost your mind?
32:31When were you going to tell me that César is alive
32:33and that you are still seeing each other?
32:35Are you dedicated to following me now or what?
32:37Yes, and thank goodness I did.
32:39Inés, do you realize that you can end up in jail
32:41as an accomplice to a criminal?
32:44I'm sure it's Lieutenant Lorenzo.
32:54It's him.
32:55He saw you with César and that's it.
32:57It's all over.
32:58But it can't be, it can't be.
32:59He was very careful.
33:01Yes, yes, you were very careful.
33:02So much so that your sister, who is not a professional,
33:04could follow you and you didn't realize it.
33:07No, no, no, wait a minute, wait a minute.
33:21Good afternoon, Lieutenant.
33:23Good afternoon, Miss.
33:25I hope I haven't come at the wrong time.
33:27Have you taken your time to open me?
33:29No, no, come in.
33:39Is there a problem?
33:41No, no, Lieutenant Lorenzo, none.
33:43He caught us in the middle of a game
33:45and he doesn't know how competitive we are.
33:47Then I won't go around.
33:49You still don't know anything about César?
33:51Nothing, nothing.
33:52And I hope he continues to be like this for a long time.
33:55What I hope is that he is not lying to me.
33:58His friend is very dangerous and could put his life at risk.
34:02Lieutenant, César is not a criminal.
34:05He has made mistakes, yes, but he wanted to correct them.
34:08Although he didn't have the opportunity to do so.
34:11Opportunities, miss, are earned based on effort.
34:15Not by sewing a person to pieces.
34:18You can't start from scratch with a corpse behind you.
34:22The dead end up dying.
34:26Anything else to add?
34:28No, nothing else.
34:32So I don't steal your time anymore.
34:34Although I hope you will give me some advice.
34:37Your friend is a criminal.
34:40And as such, he will commit a crime again.
34:42Sooner rather than later.
34:45So if he appears again in your lives,
34:50it is better that you leave as soon as possible.
35:08Inés, head.
35:10Do you know how lucky you are to be healthy and safe?
35:13César's entanglements almost cost you your life.
35:15But what do you expect, seeing him again?
35:17Laurita, really, you have to trust me.
35:19I'll be fine.
35:21All this is about to end, I promise you.
35:28Don't tell me anymore. I can see it in your face.
35:31Don't you like the speech?
35:33Of course, I have put in something funny.
35:35But come on, if you want, I can change it and remove the knee thing.
35:38No, no, yes, it's perfect.
35:40It's a beautiful speech.
35:42It's funny, isn't it?
35:48I don't know how to tell you the truth.
35:52Well, to the brave and sincere.
35:54As we have always spoken, you and me.
35:57Very well.
36:01Well, the first thing I want to tell you is that ...
36:04you are also a sister to me.
36:08We have had a lot of fun, you and me.
36:12And ...
36:14Good woman, let it go.
36:16It won't be so bad.
36:21I'm sorry to tell you, Esperanza, that you can't be the godmother of the wedding.
36:33And why is that?
36:35Because Pietro and I have decided that ...
36:40that you are one of the witnesses.
36:45Witness?
36:46Yes.
36:49Nana is from China.
36:51I don't go where I'm not loved.
36:57And tell the Italian that he can save my blanket.
37:09I love you.
37:11I love you too.
37:41Please, don't wait until the end of the day.
37:43And don't come from your house on purpose.
37:45I could wait until tomorrow, Mr. Fermin.
37:47Well, if you can't wait until tomorrow, you'll have to ...
37:51Mrs. Lázara?
37:52Yes.
37:53I thought you had already left.
37:55No, I was just checking that everything was in order.
37:58Then every day before leaving.
38:00It's a good habit, but please, as soon as it's over, go home, it's not time anymore.
38:05Of course, Mr. Fermin. Good night.
38:07Good night.
38:11Let's see, Pietro, what is so important that you can't wait until tomorrow?
38:17The money, Mr. Fermin.
38:19Always the money.
38:21Don't tell me you're in a hurry.
38:23No, but ...
38:25it's just that with my salary, I can't move in with Antonia.
38:28Well, well.
38:30Mrs. Lázara told me about an increase and ...
38:32And you want me to make cash, of course.
38:35Please.
38:36You know well that if the accounts don't come out, they don't come out.
38:39If they don't come out, they don't come out, no.
38:41Give me some time to think about it, I'll check the finances, but be sure it will be possible.
38:47I am very happy that you have stayed with us,
38:50so I plan to help you in everything I can in this new stage of yours next to Antonia.
38:55Thank you, Mr. Fermin.
38:56That's what I want and ...
38:58life goes by so fast that sometimes we forget ...
39:01what is truly important, right?
39:05And according to you, what is truly important?
39:08Affection, Mr. Fermin.
39:09Affection.
39:10Affection, yes.
39:11Yes.
39:13Excuse me, I think I left my bag inside.
39:16Does it matter if ...
39:18Are you going to look for it?
39:20Yes, yes, yes, of course.
39:22Excuse me.
39:25I'm leaving, Mr. Fermin.
39:26Thank you very much for everything.
39:27Okay.
39:29Let Mrs. Lázara help you.
39:31Four eyes see more than two.
39:33Thank you very much.
39:34Let's see.
39:36Where?
39:39Well, here it is.
39:40Yes?
39:41Yes.
39:42I have it in my head.
39:43It's all there.
39:44Well, I guess the day has passed me by and I'm tired.
39:48I'm going to go home now, it's time.
39:50Yes, yes, of course it's time.
39:52Of course.
39:53Excuse me, Mrs. Lázara.
39:54Thank you.
39:57This door, I don't know why it doesn't open.
40:01I can't believe it.
40:04Well, I just closed the sliding door from the outside.
40:08It can't be.
40:09Yes.
40:22Maybe Pietro hasn't left yet.
40:24Pietro, are you still there?
40:27Pietro, are you still there?
40:33For the success of Madrid Cabaret.
40:35And for the success of La Moderna,
40:37that it continues to be a prosperous business,
40:38since my wife goes back to work there.
40:41I'm afraid then the toast is incomplete.
40:44But you didn't include yourself.
40:46And if I go back to work with Don Fermín,
40:48it's because you encouraged me to talk to him.
40:49No, no, not at all, my love.
40:52The credit is all yours.
40:53The idea is very good and Don Fermín would have realized it sooner or later.
40:57Thank goodness it was soon,
40:59because I don't like to be hand in hand.
41:02Let's see how it goes.
41:04Any doubts about your project?
41:06No.
41:07It's not that, it's just that...
41:10Well, it gives me respect to enter a world dominated entirely by men.
41:16Do you think it will make me respect?
41:21If there is someone who can put those businessmen firm,
41:25it's you.
41:29Oh, well.
41:30Thank you for always supporting me
41:32and trusting me when I have doubts.
41:36Of course, my love.
41:38What kind of husband would you be if you weren't by my wife's side?
41:43I love you. Go.
41:47I had a nightmare.
41:51My love, come here.
41:53Come here.
41:55It's okay.
41:56That's it.
41:58That's it.
41:59Come here, come.
42:00Sit here.
42:03Sweetie, dreams are just dreams.
42:06And you don't have to give them importance because they are not real.
42:10I see.
42:11But now I can't sleep.
42:13I'm scared.
42:14Oh, my little one.
42:16Tell us what you were dreaming about.
42:20I don't remember.
42:21But I was very scared.
42:24It happens to me too.
42:26I don't remember what I dreamed, whether it was good or bad.
42:30But, well, maybe we could take this opportunity,
42:33since Clarita is awake,
42:34and talk about some things that worry us.
42:39I'm not worried about anything.
42:42Well, I am.
42:44Your studies.
42:46I think it's time for you to go back to school.
42:48Don't you think?
42:50Iñigo will no longer be in the newspapers
42:52and no one is going to mess with you.
42:55What you want is to get rid of me.
42:57That's why you want me to go to school.
42:59To get rid of me.
43:01Hey, Clarita, what I want is the best for you.
43:04And the best thing is that you study.
43:06Don't forget what Mother and Father said.
43:09I'm not going to school.
43:11I'm going to stay at home.
43:13Hey, Clarita, we haven't finished...
43:19Well, we have finished.
43:23I don't know what's wrong with her.
43:25I don't know what to do.
43:28But don't worry, my love.
43:31We'll give her time.
43:32We don't solve problems.
43:34Okay.
43:35I'll give her time.
43:37But tomorrow I'm going to school, I suppose.
43:44Nothing.
43:46There's no way.
43:47Are you sure?
43:48Very sure.
43:49I would have to dismantle the frame or the lock,
43:51but I don't have tools here.
43:54Well, since we can't open it,
43:57I think we'll stay here all night.
43:59Well...
44:01Well, I'm afraid we don't have a choice.
44:06If someone was worried about my delay,
44:08I could come and see what happens and get us out of here,
44:11but that's not the case.
44:13Well, I don't care.
44:19Well, let's not think about the worst, Don Fermín.
44:22At least neither of us have a family
44:24that is saddened by our absence, right?
44:27Yes.
44:29It would be better to think it that way.
44:31Of course, yes.
44:34Well...
44:37Because you don't have more family than your nieces, right?
44:40No.
44:42No, no.
44:43I'm not widowed, if that's what you're asking.
44:46I'm sorry, I didn't mean to be indiscreet.
44:48No.
44:49It's just that it strikes me that someone like you
44:51hasn't passed by the altar.
44:52Well, maybe I've found the woman who can put up with me.
44:57Please, Don Fermín.
44:58What a thing you have.
45:00Even here, locked up,
45:02you manage to find time for your soul.
45:08The truth, Mrs. Lázara, is that...
45:11I think love is as risky as the game,
45:13and I haven't had good cards.
45:16Well, maybe what happens is that you're very demanding.
45:19No, I don't think that's it.
45:21No.
45:23I think it's more like...
45:25I'm a loner.
45:27There are people who say...
45:29that falling in love is...
45:32getting tired of being alone.
45:35And you haven't gotten tired yet?
45:40I'm very committed to my...
45:42to my lonely life.
45:43I'm a man of customs.
45:46Well, but everyone can change, including you.
45:50You know what I think?
45:55That you're afraid of being touched in the heart.
45:58Am I wrong?
46:01I'm sorry.
46:02You shouldn't have said that.
46:03No, no, no.
46:05Don't worry, it's nothing.
46:08Don't worry.
46:15Even so, we agreed that...
46:18we were going to...
46:19keep the forms.
46:21And that our...
46:22work relationship was going to be...
46:24aseptic.
46:25And yet...
46:27here we are talking about intimacy after I told you...
46:30what my feelings were.
46:31I'm sorry.
46:33Well, here we are out of our work schedule.
46:37Besides...
46:42we have a...
46:44a conversation pending, right?
46:46No, no, no, no, no.
46:47No, I already said everything I had to say.
46:49Even more.
46:52Unless you have something to tell me.
46:59I...
47:00I can only tell you that I have a very high esteem...
47:03as a professional, as a person...
47:09and...
47:10as a woman.
47:17I really appreciate your words, Mr. Fermin.
47:21And I also appreciate that...
47:23you had the courage...
47:25to share your feelings with me.
47:29And well...
47:31I think the best thing is that we get comfortable...
47:33because it's going to be a very long night.
47:35Very long.
47:44The correspondence you're still receiving...
47:46even though you're dead.
47:48I guess that the news of my death...
47:50hasn't reached everyone yet.
47:52And those newspapers?
47:54Any news you want to tell me?
47:56I don't know.
47:57I haven't had time to look at them.
47:59I brought them so you know what's going on in the world.
48:02Life goes on, daughter.
48:05And you're a living example of that.
48:07I haven't had much luck...
48:09if you have so many commitments...
48:11that you can't even read the press.
48:13Well, the truth is that I've had a very busy afternoon.
48:15Fabio insists on getting up to date with your business...
48:18at a dizzying pace.
48:21I can't believe it.
48:24I'm rotting in this hole...
48:26and meanwhile she's making a big deal out of it.
48:28Don't tell her.
48:30I'm not the only one who has to be up to date with the news.
48:33Calm down.
48:34Do you know how she intends to take revenge on them?
48:36This has only been a set-up.
48:38I promise I'll take revenge on all the harm they've done to you.
48:41I'm fed up with their promises.
48:44They're nothing but words.
48:45Nothing is going well.
48:47That's enough.
48:48It's not like that.
48:49Everything is going as planned.
48:51If we continue with the plan...
48:52The plan? What plan?
48:53To hell with the plan!
48:56What's the plan?
48:57To give them a free pass so they can be happy?
49:00Calm down, daughter.
49:01She's going to hurt you.
49:02I'm not going to calm down.
49:03I want solutions and I want them now.
49:05And if you're not capable of carrying them out...
49:07I'll do it.
49:09And I swear my heart won't beat.
49:16It's been...
49:17a special night.
49:22Very special, yes.
49:26Good morning.
49:27Good morning.
49:28What are you thinking, daughter?
49:29You shouldn't have committed any atrocities.
49:31Don't talk to me like I'm crazy.
49:32I'm going to show you what it's like to suffer.
49:35But you don't see what happened here.
49:37Do you think there was a fight here last night?
49:39You're really naïve, Cañete.
49:41Do you think he's capable of cheating on her?
49:43I'm just saying, Trini, that loneliness is very bad.
49:46And Mr. Fermin is more alone than ever.
49:48Yes, that's true.
49:49We'd talk about how we could get women to vote.
49:52I don't know if that kind of event is...
49:56appropriate for Madrid Cabaret.
49:59And why not?
50:00Why not?
50:01He's against women's voting.
50:09What a surprise.
50:10Wow, wow.
50:11With the happy couple.
50:14Are you going for a walk?
50:15Yes, to the...
50:16Retiro Park.
50:17No.
50:18You don't know how long it took the tram.
50:20Apparently, it had an electrical failure or something like that
50:24and I had to walk for 20 minutes.
50:27He asked me to teach you how to work and to straighten you up.
50:30And since my name is Miguel Ruiz, I'm going to straighten you up.
50:33And do me the favor of crossing your pants.
50:35To me, love...
50:36Bah.
50:37It doesn't suit me.
50:39Does it hurt because I told you that you're not going to be the godmother of our wedding, Pietro?
50:42What did I say?
50:43What can I help you with, Brenda?
50:45Don't get so confident with me.
50:47I know you're the owner's son and they won't fire you,
50:49but I don't have to put up with your nonsense.
50:51What a character.
50:52I was just trying to be nice.
50:54Well, you need practice.
50:55You need a godfather.
50:57Don Fermin.
50:58I heard that you're coming to Mrs. Carla's office
51:01and that means that Mrs. Barbara asked for help to manage the company.
51:05So what?
51:06This morning, Iñigo Peñalver showed up at the office.
51:10Inés, are you sure you're okay?
51:12Yes, yes, I'm fine, I'm fine.
51:13Really, I'm fine.
51:14You're the best sister anyone can have.
51:17But my heart belongs to Cesar.
51:20I must be by his side.
51:22Even if that separates me from you and Uncle Fermin.
51:25Maybe forever.
51:27Take good care of yourself.
51:29And take care of Uncle Fermin.
51:31As much as you've taken care of me.
51:35Forever.
51:36You have to come running home, Antonia.
51:38They're going to evict us.
51:39What do you mean they're going to evict us?
51:45Miss Balbuena.
51:47Stop her.
51:49Don't touch me.
51:57You're a real gentleman.