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00:00:00So, you're saying that I'm the culprit, Mr. Keiji?
00:00:20No, not at all, Mr. Matoba Ikko.
00:00:24Mr. Keiji.
00:00:28However, it's true that it hasn't been a month since the murderer,
00:00:33who was recommended by a well-established company,
00:00:37was brutally murdered.
00:00:43Is that so?
00:00:45A month...
00:00:47But no matter how good-looking he looks,
00:00:50he's not always good-natured.
00:00:53That's true.
00:00:56You don't know anything.
00:00:58We came all the way from Shizuoka
00:01:01because we found this.
00:01:05It's a copy of the SNS diary written by one of our employees.
00:01:11If you read this,
00:01:13you'll see that there are many suspicions that you're involved in this murder case.
00:01:20A secret diary...
00:01:23A secret diary...
00:01:26A secret diary...
00:01:28A secret diary...
00:01:30A secret diary...
00:01:32A secret diary...
00:01:35A secret diary...
00:01:47This is Sanetomo Shouji,
00:01:51It is one of the largest and most populous buildings in Japan.
00:01:57The main building is always shining in the sunlight,
00:02:00like a magnificent glass castle.
00:02:05The employees are all smart and talented,
00:02:09and fit for such a castle.
00:02:13However, the inside is full of ugly desires.
00:02:17Desire for success,
00:02:19desire for honor,
00:02:21desire for domination,
00:02:23desire for love,
00:02:25desire for approval,
00:02:27desire for self-disclosure.
00:02:31The glass castle is a labyrinth of glittering desires,
00:02:34which may be broken at any time.
00:02:48That's why you were killed.
00:03:13I am the winner.
00:03:15I am working as a winner.
00:03:19The number of female employees has increased,
00:03:22but the number of male employees is still 70%.
00:03:27I am the sales director of the flower department.
00:03:31In other words, agile development requires flexibility rather than adaptability.
00:03:37We are the generation of waterfalls.
00:03:39You are a role model for women.
00:03:43Don't flatter me.
00:03:45I'm already working too hard,
00:03:47and I'm about to get a company logo on my eyes.
00:03:50I can see that.
00:03:54Mr. Sugioka is an elite in the company.
00:04:00He has a long overseas career,
00:04:02and has a high sense of beauty,
00:04:04while he has a brain that acquires MBA.
00:04:06He always wears an order suit gracefully.
00:04:10There are two directors,
00:04:12Mr. Tomizaki and Mr. Nomura.
00:04:16Mr. Tomizaki is just a follower of the director.
00:04:20He knows that I can't get married,
00:04:23so I should at least be successful.
00:04:29Director, that birdie putt was really good.
00:04:33It's just luck.
00:04:37Hello, Mr. Tomizaki.
00:04:39I've been taking care of you.
00:04:41Mr. Nomura, my direct superior,
00:04:44joined the company with Mr. Sugioka,
00:04:47but he's too serious,
00:04:49and he's already out of the race.
00:04:56Let's eat a lot today.
00:05:00Izumi.
00:05:01Yes.
00:05:02There's also Beluga, which just arrived from France.
00:05:05Wow, this looks delicious.
00:05:07This quiche is really great.
00:05:09Izumi, you're a good cook.
00:05:11Mr. Tomizaki, you're a good cook as always.
00:05:14If Mr. Sugioka is promoted as rumored,
00:05:18Mr. Nomura should be the next director of our department.
00:05:23But...
00:05:25Mr. Tomizaki,
00:05:26I heard that the director took you to a drinking party with Yamane.
00:05:30Ma'am, I'll take care of that.
00:05:33Yamane, do you want some meat?
00:05:35Hey, cat.
00:05:37Do you want some meat?
00:05:38Yes.
00:05:39I'm sorry.
00:05:40Thank you.
00:05:42Mr. Tomizaki even used his own horn
00:05:46to grab the thread of his promotion.
00:05:52I see.
00:05:55I got a wrong spell again.
00:05:58Okay.
00:05:59I'll back Mr. Tomizaki up.
00:06:01Thank you.
00:06:03Taguchi, who became the chief executive officer after returning from London,
00:06:07is always calculating which director will have an advantage in his promotion.
00:06:11Mr. Tomizaki, this is yesterday's email.
00:06:13Oh.
00:06:14If it's that, I'll do it.
00:06:15Oh, thank you.
00:06:19Mr. Nomura, can you check yesterday's documents?
00:06:22Instead of Mr. Tomizaki, who only talks about work,
00:06:27I think Mr. Nomura is more suitable for the position.
00:06:31Thank you.
00:06:32Besides, Mr. Nomura's promotion has a lot to do with my promotion.
00:06:38Mr. Sasaki.
00:06:39Yes.
00:06:40Fix the data on the documents.
00:06:41Data.
00:06:43Shino Suzuki stands out as a female employee.
00:06:46She's a beautiful bilingual.
00:06:48She's ambitious.
00:06:49She's confident that she can be more successful than other male employees.
00:06:58Keiko Hashimoto, who is also beautiful,
00:07:01is always aware that she is the flower of the workplace.
00:07:04I just wanted to drink it, so I'll eat it with you.
00:07:07Thank you.
00:07:08However, she is a general employee.
00:07:11Yes.
00:07:13No matter how talented a general female employee is,
00:07:16there is no promotion or change.
00:07:18On the other hand, she doesn't have to work abroad,
00:07:21and she doesn't have to take responsibility for her work.
00:07:24Instead, she can spend time on raising children and self-improvement.
00:07:30Among them, the one who stands out is Ikuko Matoba.
00:07:37As a general employee, she has been a veteran for 10 years,
00:07:40and her work is quick and accurate,
00:07:42but she is plain, gloomy, and unsociable.
00:07:47Her identity is probably money.
00:07:57Rumor has it that she is stingy and has a lot of savings.
00:08:03In my company, even if she is a general employee,
00:08:05she probably gets a decent salary,
00:08:08but she doesn't wear makeup,
00:08:10and she doesn't care about her clothes.
00:08:16Thank you.
00:08:18She is a lonely woman.
00:08:20Well, if a woman gets old, money is the only thing she can rely on,
00:08:25so her way of life is not wrong at all.
00:08:30Next Energy is held in Shizuoka this time.
00:08:33I have a job that is worth doing,
00:08:35and I get paid so much that I can't use it all.
00:08:39Why do I have to ruin such a comfortable life with marriage?
00:08:49I am satisfied with my life.
00:08:54What?
00:08:56One night in Shuzenji?
00:08:58That's right.
00:09:00I haven't had a business trip for the past 10 years,
00:09:02and after the Shizuoka exhibition,
00:09:04I would like to stay with everyone who participated.
00:09:06Everyone?
00:09:07No way!
00:09:08Are we going to stay there, too?
00:09:11Sounds fun!
00:09:12Let's ask my husband to take care of the kids.
00:09:14Sounds good.
00:09:15Is there a hot spring?
00:09:17Of course.
00:09:18I don't want to.
00:09:19Wow!
00:09:22Why am I so tired after the exhibition?
00:09:32She doesn't want to go any further than me.
00:09:36There is no one in the company who gets along with me.
00:09:49In the case of clean energy,
00:09:51the cost of generating electricity is low,
00:09:53and the amount of electricity generated is large.
00:09:55On top of that,
00:09:56there is no need to worry about noise when generating electricity.
00:10:00We have a deal.
00:10:02Thank you very much.
00:10:04Thank you.
00:10:05This is the base structure that supports the wind turbine.
00:10:07We have succeeded in making it smaller,
00:10:09so we don't use heavy equipment at all.
00:10:11So, based on a few surveys,
00:10:13it is a renewable energy source.
00:10:15This is the conference hall.
00:10:17If you don't mind...
00:10:20Efforts are being made at the national level.
00:10:22In the U.S. and Europe,
00:10:24geothermal power development is also...
00:10:30The conference has already started.
00:10:33Yes.
00:10:36Thank you, everybody. Thank you.
00:10:42Well done, Professor Smith.
00:10:44It was delightful.
00:10:45I heard many gasps of amazement from the audience.
00:10:48Arigato.
00:10:54With the cooperation of each and every one of you,
00:10:57I think our Sane Tomo Shouji
00:11:00has shown a global attitude
00:11:03that opens up new possibilities all over the world.
00:11:06Tonight, I would like to express my gratitude to you...
00:11:09The destructive power of the vice-president's yukata is amazing.
00:11:12I see.
00:11:13This is what you call an adult's eroticism.
00:11:16Everyone, please drink to your heart's content tonight.
00:11:20Well then, cheers!
00:11:22Cheers!
00:11:40Thank you for your hard work.
00:11:41Thank you for your hard work.
00:11:42Thank you.
00:11:43I'm sorry. Thank you.
00:11:45I'm sorry. The vice-president must be tired.
00:11:48No, not at all.
00:11:49Vice-president Sugioka, your yukata really suits you.
00:11:51No, not at all.
00:11:53I'm really glad I did a good job.
00:11:57Don't cry.
00:11:59Ms. Suzuki, would you like a drink?
00:12:01I'm fine, too.
00:12:02What are you talking about?
00:12:03Excuse me, one more beer, please.
00:12:05Yes, please.
00:12:06Hey, Ms. Matoba, where are you going?
00:12:09I just finished eating.
00:12:11Don't say such a sad thing. Let's have a drink.
00:12:14No, thank you.
00:12:19Oh, she's always so bad-tempered.
00:12:23All right, let's do it.
00:12:26Ms. Matoba, you really don't care about anything but money, do you?
00:12:29Well, don't say that.
00:12:31Everyone has their own happiness.
00:12:34As expected of the vice-president.
00:12:35Everyone has their own happiness.
00:12:38That's true.
00:12:40I don't want to stay at a drinking party like this for a long time.
00:12:45It's so refreshing.
00:13:08It's so refreshing.
00:13:09It's so refreshing.
00:13:38What?
00:14:04I saw the vice-president's passionate scene.
00:14:08I saw the vice-president's passionate scene.
00:14:18That yukata.
00:14:20Is that the furin he wore on his trip to the company?
00:14:25Who is the other woman?
00:14:30Today's lodging is a private room for all the employees under the president.
00:14:35The girls are divided into three rooms.
00:14:39Can you read me a book?
00:14:43Okay.
00:14:45You're a good girl.
00:14:48Good night.
00:14:53Shino Suzuki is not here.
00:14:56Welcome back, Ms. Mikami.
00:14:59I was talking to my son.
00:15:01I'm sorry to bother you.
00:15:02Not at all.
00:15:03Is Mr. Suzuki not back yet?
00:15:07Everyone is fine.
00:15:10I see.
00:15:27Shino Suzuki is back.
00:15:33Shino Suzuki is back.
00:15:51I can't wait to see their faces the next morning.
00:15:57The next morning
00:16:02However...
00:16:12The vice-president is not here yet.
00:16:21Shino Suzuki is back.
00:16:24Good morning.
00:16:26Good morning.
00:16:29What time did you have a party last night?
00:16:32It was past 10 o'clock.
00:16:35There was something interesting.
00:16:37Really?
00:16:38Mr. Sasaki was so drunk.
00:16:41He said that the vice-president was a weirdo.
00:16:44Then the vice-president got angry and grabbed him.
00:16:49No way!
00:16:50I wanted to see it.
00:16:52Good for you, Mr. Sasaki.
00:16:55But I'm sleepy.
00:16:57Mr. Hashimoto came home very late last night.
00:17:00So I woke up.
00:17:02Did he go on a date with someone?
00:17:05No way.
00:17:07Keiko Hashimoto was not at the inn.
00:17:12Mr. Taguchi, where is the vice-president?
00:17:15The vice-president is on leave.
00:17:17He went back to Tokyo last night.
00:17:19He wants to see you.
00:17:20Why didn't he stop?
00:17:22I don't know.
00:17:33Does this have anything to do with what happened last night?
00:17:41Thank you for the meal.
00:17:46Everyone, come closer.
00:17:48Smile, please.
00:17:51Cheese.
00:17:53Let's take another one.
00:17:57Everyone, have fun.
00:18:00But I have to go to work tomorrow.
00:18:02I have to go. Take care.
00:18:05I'm going to Ito.
00:18:08I'm tired of working with people on leave.
00:18:13I'm sorry.
00:18:16The only interesting thing was...
00:18:18...the fact that the vice-president was not at the inn.
00:18:26A lover at the inn?
00:18:28That's outrageous.
00:18:30Who would take such a risk?
00:18:44Mr. Matoba?
00:18:50Mr. Matoba?
00:19:13Mr. Matoba?
00:19:22I took a different train to go to work.
00:19:28ITO
00:19:41I looked for you on the website yesterday.
00:19:44I found you at a good place.
00:19:46Alone?
00:19:47That's so cool.
00:19:49What did you do?
00:19:52I went straight back to Tokyo and brought my sister a souvenir.
00:19:56I'm getting old.
00:19:58I have to take it easy.
00:20:02Age is a lie.
00:20:04Mr. Nomura is always serious.
00:20:10By the way, Mr. Sugiyoka is late.
00:20:14He has a meeting with the director.
00:20:18Really?
00:20:20He hasn't come back and he hasn't called his wife.
00:20:24Really?
00:20:25His wife?
00:20:26He hasn't come back?
00:20:28He said he came back on Saturday night.
00:20:31Does that mean he doesn't know where he went?
00:20:33Yes, I understand.
00:20:34I'll call you as soon as I find out anything.
00:20:37Yes, thank you.
00:20:44He hasn't come back and he hasn't called his wife.
00:20:49That's strange. What's wrong with him?
00:20:51I'll go to the meeting.
00:20:54Ms. Mikami, can you go with Mr. Suzuki?
00:20:57Yes, I understand.
00:20:58Do you have a list of test subjects?
00:21:00Yes, this is it.
00:21:01Thank you.
00:21:02Let's go.
00:21:03Yes.
00:21:08The director didn't show up that day.
00:21:14And the next day, and the day after that,
00:21:19we didn't know where Mr. Sugiyoka was.
00:21:36Finally, we received a letter from a missing person.
00:21:41Excuse me.
00:21:42All the employees who stayed at Shuzenji were questioned by the police.
00:21:47It's not a case yet, is it?
00:21:51Can you tell us about what happened that day?
00:21:55Of course.
00:21:57I told them in detail.
00:22:01But...
00:22:03I didn't tell them about the witness.
00:22:08I didn't tell them about the witness.
00:22:17I was surprised.
00:22:20I'm sorry. I was called the next day.
00:22:23Oh, I see.
00:22:30I wonder what happened to the director.
00:22:34He's been absent for four days.
00:22:39Could it be...
00:22:41a provocation?
00:22:44No.
00:22:45It's impossible for a person who is confident in his work to commit a provocation.
00:22:51He can't even think of committing suicide for the same reason.
00:22:54If that's the case...
00:22:56He was killed.
00:22:59What?
00:23:03No.
00:23:05Just kidding.
00:23:06Excuse me.
00:23:07If he was killed, what was the motive?
00:23:12What?
00:23:13If that's the case, where is the body?
00:23:17If it hasn't been found yet, it may be hidden somewhere.
00:23:22Shuzenji is almost in the middle of Izu Peninsula.
00:23:25The location of the body is spread in all directions.
00:23:28There is also a sea.
00:23:29The east coast of Izu Peninsula, the south coast, and the west coast.
00:23:32You can get there in a few hours.
00:23:35Especially the west coast.
00:23:37If you go through Iruwa, Mera, and Kouro,
00:23:40you can see the steep cliff of Hagachizaki and the east coast of Matsuzaki.
00:23:44Excuse me.
00:23:45Mr. Matabashi.
00:23:48You know a lot, don't you?
00:23:51I like fiction novels.
00:23:54So...
00:23:56You don't know anything.
00:24:04I'm sorry.
00:24:05I laugh when I'm nervous.
00:24:09It's my first time to be investigated by the police.
00:24:13I see.
00:24:16I didn't hear anything important.
00:24:20Is that so?
00:24:21Thank you.
00:24:24I'm sorry.
00:24:30Why does she look so happy?
00:24:33She is a strange woman.
00:24:55Huh?
00:24:56It's me.
00:25:15What happened to the police?
00:25:18Chief Sugioka was found near the Shuzenji Temple.
00:25:23What?
00:25:24What do you mean by found?
00:25:27He was killed by someone.
00:25:31No way.
00:25:32Why?
00:25:33I don't know the details yet.
00:25:35But it's been about 10 days since he died.
00:25:38The night we stayed at the Shuzenji Temple,
00:25:41it's likely that he was killed the next day.
00:25:44That day?
00:25:46I pray for your safety,
00:25:48and hope that the culprit will be found as soon as possible.
00:25:53It will be announced sooner or later,
00:25:55but please keep in mind our honor.
00:26:16At around 9 a.m. today,
00:26:18Chief Sugioka was found dead
00:26:20at the construction site in Izunokuni City, Shizuoka Prefecture.
00:26:26The Shizuoka Prefectural Police Department
00:26:28is investigating the murder as a suicide.
00:26:34The site is at the construction site near the Shuzenji Temple.
00:26:38The ground where the body was buried
00:26:40had been piled up two weeks ago.
00:26:42According to the police,
00:26:45the culprit probably killed the victim
00:26:49by strangling him with a rope.
00:26:55So what did the people at the company say?
00:26:58The elite in Tokyo.
00:27:00There's no trouble in the company or outside.
00:27:03The chief is not someone who can be hated.
00:27:06He was a good person.
00:27:07There's no trouble.
00:27:10They all said the same thing as if they were having a meeting in secret.
00:27:15Even with all that glassware,
00:27:17it's still unclear what's inside.
00:27:19It's like a secret police station.
00:27:21I think the culprit is in the company.
00:27:24Well, there's still a possibility of a robbery.
00:27:28Check the enquiries to the people in charge of the construction
00:27:31and the surveillance footage from Izuzen.
00:27:33Yes, sir!
00:27:39Should I go to the police?
00:27:42About that secret meeting.
00:27:44Even if it's not related,
00:27:46the existence of a female employee with a special relationship
00:27:49should be a reference for the investigation.
00:27:52I feel sorry for my wife.
00:27:54I can't believe this happened.
00:27:57Hey, Eiko, wait!
00:28:01Why are you leaving?
00:28:03Let me go!
00:28:04Please, leave me alone!
00:28:10Tomizaki-san's wife has left.
00:28:17Hey, you!
00:28:18I want a Chateaubriand.
00:28:20Even though they seemed to get along well.
00:28:24It seems that Tomizaki-san's relationship with his wife is not going well.
00:28:28What?
00:28:29I know!
00:28:30Only the appearance is good.
00:28:32Is that so?
00:28:33Senpai, don't say that.
00:28:36On the night of Shuzenji,
00:28:38you were the one who heard that the director was going back to Tokyo, right?
00:28:43Yes.
00:28:46Was there a train that could go back to Tokyo at that time?
00:28:50No.
00:28:52Did you arrange a taxi or a car?
00:28:56No.
00:28:57I was wondering if there was anything.
00:29:00I see.
00:29:02It's a secret meeting between men.
00:29:10I wanted to know the truth about the director's death.
00:29:32Shuzenji
00:29:37This is the place where the director was killed.
00:29:42Why did he go to the construction site?
00:29:44And how did he get 6.5 km from Shuzenji to here?
00:29:50I don't think he walked on a dark road with little tradition.
00:29:56Excuse me.
00:29:57I'm sorry to bother you.
00:29:59I'm Mikami from the same company as the one who died here the other day.
00:30:07I'm very sorry to bother you.
00:30:12The body was buried here.
00:30:15Here?
00:30:17Why didn't I know it was here?
00:30:20At that time, I was doing another basic construction.
00:30:23When I started digging,
00:30:27I was surprised to find a hand.
00:30:35I didn't know you wanted this kind of soil.
00:30:40What?
00:30:41Soil?
00:30:42Yes.
00:30:43A strange woman came here.
00:30:46She asked me a lot of questions about the case.
00:30:49She asked me to divide this soil into plants.
00:30:57She asked me to divide this soil into plants.
00:31:07Please slow down.
00:31:12She asked me to divide this soil into plants.
00:31:19She asked me to divide this soil into plants.
00:31:22We're going to kill her.
00:31:29I knew it.
00:31:36If she's dead, what's the motive?
00:31:46I'm still investigating the murder of the director.
00:31:59Mr. Kurasu.
00:32:01After all, there is no eyewitness information of a person like a foreign company.
00:32:05There is no surveillance camera around Izu or Kaido.
00:32:08There is no record of using a taxi or rental car before and after the estimated time of murder.
00:32:13It's not coming out.
00:32:18Could this be...
00:32:20Could this be...
00:32:22Could this be what?
00:32:25A week after I found out that the director was killed.
00:32:29A message arrived in my SNS diary with the key.
00:32:40Who?
00:32:52I apologize for the inconvenience.
00:32:56Someone noticed me.
00:33:07What about the director's severance pay?
00:33:09I thought the director would get a lot of money, but there was a debt.
00:33:13He took almost all of the severance pay.
00:33:17A few thousand?
00:33:18The director was in debt?
00:33:20It was a lot of money, but I didn't think it was a debt.
00:33:23On top of that.
00:33:25It's Mr. Matoba.
00:33:27What?
00:33:28He asked the director to return the 3 million yen he lent him.
00:33:323 million yen?
00:33:33Wait a minute.
00:33:34Mr. Matoba lent it to the director?
00:33:37That's right.
00:33:38His wife was crying on the phone.
00:33:41I'm sorry.
00:33:43That Matoba Ikuko lent 3 million yen to the director?
00:33:483 million yen?
00:33:503 million yen is impossible.
00:33:53My husband is dead.
00:33:57So what is it?
00:33:59What?
00:34:00I've been working at a much lower salary than the director.
00:34:04It's not a luxury.
00:34:06I borrowed money from my subordinates and died.
00:34:10That's cowardice.
00:34:11What is cowardice?
00:34:14Anyway, I can't give it back.
00:34:21I won't lose a penny.
00:34:24I'll come here as many times as it takes until you give it back.
00:34:35This is just my imagination.
00:34:43So she's investigating the case for money?
00:34:49No.
00:34:50Why did that stingy woman lend 3 million yen to someone else?
00:34:58No way.
00:35:11No.
00:35:13No.
00:35:16It's impossible for the director to choose Ikuko Matoba.
00:35:22That's right.
00:35:25Someone is trying to stop me from investigating.
00:35:30I'm getting closer to the truth.
00:35:39Two types of soil?
00:35:41Yes.
00:35:42The black one is a soil with a lot of particles.
00:35:47The red one is a soil with a lot of particles.
00:35:53Do you know where the red soil is from?
00:36:00Do you know where the red soil is from?
00:36:04I guess it's from Mt. Yamanashi in the north of Mt. Fuji.
00:36:12Mt. Yamanashi?
00:36:15Thank you.
00:36:19I'm sorry to ask you this.
00:36:21Did someone else come here?
00:36:24Yes.
00:36:26Did someone else come here?
00:36:29The soil is exactly the same as this one.
00:36:31Two types of soil.
00:36:33There is a possibility that the soil was brought from somewhere else.
00:36:41Yes.
00:36:42I think it's possible.
00:36:45In other words, the victim was killed in another place,
00:36:49and the body was brought with the soil there.
00:36:54He said something like that.
00:36:57What is Mikami's company developing now?
00:37:05Another place?
00:37:11I see.
00:37:13This is what Ikiko Matoba thinks.
00:37:18Chief Sugioka met a woman in a yukata in Shuzenji.
00:37:22She said she was going back to Tokyo and checked out the inn.
00:37:25She moved to Mt. Yamanashi by some means.
00:37:28The culprit was killed there, and the body was covered with the soil of Mt. Yamanashi.
00:37:33The culprit carried the body near Shuzenji,
00:37:37and buried it in the forest soil of the construction site.
00:37:41Since all the female employees were in the inn from midnight to morning,
00:37:45it was impossible to go to Mt. Yamanashi.
00:37:48The woman in the yukata was not the culprit.
00:37:51There is a high possibility that the woman was involved in the incident.
00:38:00Thank you for your hard work.
00:38:01Thank you for your hard work.
00:38:06The woman in the yukata is Keiko Hashimoto, a member of the Suzuki family.
00:38:10But why did the culprit return the body he killed in Mt. Yamanashi to Shuzenji?
00:38:16And the method of carrying the body is also unknown.
00:38:20There are too many mysteries.
00:38:24I'm sorry.
00:38:25It's okay.
00:38:32Why don't you share the information about the incident with her?
00:38:40No, she herself is suspicious enough.
00:38:48The culprit may have sent that message.
00:38:56Thank you very much.
00:39:08Yes, this is Mikami.
00:39:11What?
00:39:18Chief.
00:39:20I'm sorry to have you here.
00:39:24I'm sorry to bother you.
00:39:27I'll make tea for you now.
00:39:28Mother, please sit down.
00:39:33This is for you.
00:39:35Yes.
00:39:36This is for you.
00:39:37Thank you very much.
00:39:39I'm sorry to bother you.
00:39:42If there is such a thing in the club, it is natural.
00:39:45Rather, it's strange that everyone is normal.
00:39:49Mr. Hashimoto said loudly,
00:39:52Who is the next chief?
00:39:56Is that so?
00:39:58It's like Mr. Hashimoto.
00:40:01Speaking of which, that night in Shuzenji...
00:40:04What?
00:40:06Actually...
00:40:09When I tried to ask Yurika about Keiko Hashimoto's alibi in the morning,
00:40:14I found out a surprising fact.
00:40:17Mr. Hashimoto too?
00:40:18After that party,
00:40:20Keiko Hashimoto and Shino Suzuki...
00:40:22It was clear that they were fans of the same popular anime.
00:40:26Unmei-ko!
00:40:29The two suddenly became friends.
00:40:31They called each other Oshikatsu.
00:40:33Until late at night, the anime stage was in full swing.
00:40:39Keiko Hashimoto and Shino Suzuki also established an alibi.
00:40:43Then, who was the woman in the yukata?
00:40:49Excuse me, please wait.
00:40:52Oh, I'm sorry.
00:40:56Um...
00:40:58Is it true that Reiko, the wife of Mr. Tomizaki, suddenly passed away?
00:41:06What?
00:41:08Mr. Tomizaki's?
00:41:11No, I didn't...
00:41:15Oh...
00:41:18Thanks to Reiko, my daughter was able to enter Sanetomo Shouji.
00:41:24I'm working at a restaurant far away, so I can't say hello.
00:41:28Please tell Mr. Tomizaki.
00:41:33Oh...
00:41:35Yes.
00:41:38The wife of Mr. Tomizaki...
00:41:41died?
00:41:49Is there any connection to the death of Mr. Tomizaki?
00:41:55He suddenly passed away at home...
00:42:00I can't believe it.
00:42:02Why is it always like this?
00:42:27Where is the home of Mr. Tomizaki's wife?
00:42:30Yamanashi.
00:42:33I think it's around Yamanashi.
00:42:37Yamanashi?
00:42:46I see.
00:42:49Now we're connected.
00:42:52I'm glad I went to Asano Yurika's hospital.
00:42:56Now the truth of the death...
00:43:00The culprit who killed the director...
00:43:03It's coming to my mind.
00:43:08If I'm right...
00:43:11It's a scary story.
00:43:13To confirm it...
00:43:16I'll ask him.
00:43:19I'll ask him.
00:43:26I'm tired.
00:43:42I'm finally here.
00:43:45It's almost over.
00:43:50I...
00:43:53I'll find the truth.
00:43:58Absolutely.
00:44:04Two days later, Mr. Tazuko Nikami disappeared.
00:44:10He left the company for several days...
00:44:15When his mother opened the door...
00:44:19Only a hungry cat was inside.
00:44:25Yes, that's right.
00:44:30Mr. Mikami wrote this diary.
00:44:36He wrote a lot about me.
00:44:39I'm a simple, dark, stingy, lonely woman.
00:44:43I'm glad I was able to defeat him.
00:44:48I was surprised that you were so eager to investigate.
00:44:52And now I feel the same way about you.
00:44:58Mr. Matoba.
00:45:00It seems you've been investigating for a long time.
00:45:04I don't deny that I investigated the director's case.
00:45:08But I don't know anything about Mr. Mikami.
00:45:12But...
00:45:15The person you wrote about...
00:45:21Isn't that Asano Yurika's mother?
00:45:26Yes.
00:45:28A little while ago,
00:45:30she said she was glad to be at Asano Yurika's hospital.
00:45:34That's what we thought.
00:45:37Then you were already confirmed by Asano Yurika's mother, weren't you?
00:45:46That's right.
00:45:49So, did you visit her?
00:45:56Yes.
00:45:58The day after I uploaded the last diary,
00:46:02I went to Otsuki, Yamanashi Prefecture to see Ms. Emiko.
00:46:08Yamanashi Prefecture?
00:46:11So, what did you ask Asano Yurika's mother?
00:46:16And after that, where did you go?
00:46:18But I don't know.
00:46:21The Otsuki station surveillance camera hasn't been filmed since then.
00:46:26Then it's like we're being investigated by you.
00:46:32Please lend me Mr. Mikami's diary.
00:46:37What?
00:46:39Mr. Mikami wrote that it would be terrible if my theory was correct.
00:46:45Maybe Mr. Mikami encountered the culprit and was imprisoned for sealing his mouth.
00:46:51What are you talking about?
00:46:54I want to know.
00:46:56I want to verify Mr. Mikami's thoughts and find out who the culprit is.
00:47:07Is that so?
00:47:10Well, that's fine.
00:47:14Mr. Kurata!
00:47:16What?
00:47:25Are you sure?
00:47:27You want to give information to such a suspicious woman?
00:47:30It's okay. I've got all the important information.
00:47:34And you, follow that woman from today.
00:47:37What? Me?
00:47:39You might find something interesting.
00:47:44Interesting?
00:47:46Yes.
00:47:54The death of the director, the death of his wife, and then the disappearance of Mr. Mikami.
00:48:02There was an ominous atmosphere in the club.
00:48:07Mr. Mikami, who joined the club after the bubble collapsed,
00:48:11is a woman with a little pain, as if she had drawn the word baricade in a picture.
00:48:18Whether her job is identity or not, she was always very enthusiastic and worked with wrinkles on her forehead.
00:48:36I don't think there was a lover in that state.
00:48:46She described me as a lonely woman, but she also looked like a lonely woman.
00:48:57The truth of death, the culprit.
00:49:01It's interesting.
00:49:03It's like a mystery novel.
00:49:06Mr. Mikami was investigating the murder of the director and grasping the truth that I didn't know.
00:49:14Why was he so enthusiastic?
00:49:19Maybe she was the same as me.
00:49:25I don't know.
00:49:31Kurata-san is so forced.
00:49:55What?
00:49:59Wait a minute.
00:50:01Ms. Ikuko Matoba?
00:50:05I knew it.
00:50:07I didn't know who it was for a moment because the atmosphere was different.
00:50:11Well, I thought it would come.
00:50:13I'm going to follow Mr. Mikami's actions.
00:50:15Is that so?
00:50:17I'm sorry, but I'll go with you.
00:50:19What?
00:50:21Am I a suspect after all?
00:50:24I don't know.
00:50:33Did you get along with Mr. Mikami?
00:50:36No.
00:50:38That's right.
00:50:40I don't think so as long as I read it.
00:50:43But I took the same train and went to the same place on the same day.
00:50:49I haven't talked to him except for business contacts.
00:50:52Now I feel a sense of comradery for the first time.
00:50:57OL is complicated.
00:51:01OL is the sound of Showa.
00:51:04How old are you?
00:51:06I'm the same age as you.
00:51:08I'm the same age as you.
00:51:10Let me ask you this.
00:51:12Ms. Matoba.
00:51:13Aren't you the woman in the yukata?
00:51:18I'm still not sure if you're the culprit or not.
00:51:24There was also such a testimony.
00:51:26It was Ikuko Matoba who killed Sugioka.
00:51:31I thought that if my husband died, I would be able to get insurance and food.
00:51:36That's why I killed him.
00:51:40I see.
00:51:42There are times like that.
00:51:44I see.
00:51:46What's your reaction?
00:51:48I don't know.
00:51:50I don't have a sense of comradery with you even if I'm the same age as you.
00:51:53I don't have a duty to talk to you.
00:51:55What?
00:51:56That's not the problem.
00:51:58I'm a detective.
00:52:00Right?
00:52:03Please.
00:52:05I'm sorry for asking you so many times.
00:52:07It's okay.
00:52:08Mikami-san was sitting over there.
00:52:12Were you with Tomisaki Reiko as a family?
00:52:17That's right.
00:52:19She was a bright and caring person.
00:52:23So, did you get a job?
00:52:26Yes.
00:52:27But it suddenly turned out like this.
00:52:31I'm really sorry.
00:52:35I'm sorry.
00:52:58Matoba-san?
00:53:01Um...
00:53:03Is this a dahlia?
00:53:05Yes.
00:53:06I got it from Reiko-san's family.
00:53:09Her relatives run a big flower shop in Shizuoka.
00:53:13I got it because it's Reiko-san's favorite flower.
00:53:18I see.
00:53:20I've never seen a dahlia like this before.
00:53:25By the way, Mikami-san asked me
00:53:29where I could buy a dahlia like this.
00:53:32People in Shizuoka are curious about flowers.
00:53:37Excuse me.
00:53:39Where is your relative's flower shop?
00:53:42I think it's in Ohito, Izu.
00:53:45Ohito?
00:53:48It's near the scene of the body.
00:53:50Ohito, Izu
00:53:55Otsuki Station is not only JR, but also Fuji-Q.
00:54:00From Fuji-Q, go to Kawaguchiko Station.
00:54:03Then, go to Mishima Station by Fuji-Q City Bus.
00:54:06From Mishima Station, go to Izu Hakone Railway.
00:54:10Mikami-san didn't go back to Tokyo that day.
00:54:13She went to Ohito, Izu on that route.
00:54:16You know the route too well.
00:54:19But I had a hunch.
00:54:21I asked Fuji-Q and Izu Hakone Railway for security cameras.
00:54:25I found a video of Mikami Tazuko-san on Fuji-Q City Bus.
00:54:31So I'm asking them to analyze it in detail.
00:54:34I knew it.
00:54:38Mikami-san also got on this train that day.
00:54:42Mikami Tazuko-san
00:54:47Where did Mikami-san disappear?
00:55:04Thank you.
00:55:12Thank you very much.
00:55:28Hey! Why did you barge in here?
00:55:31This isn't a tourist attraction!
00:55:33We're busy!
00:55:35Excuse me.
00:55:36I have something like this.
00:55:39Um...
00:55:40We're getting married soon.
00:55:43What?
00:55:45I heard that this dahlia is very popular.
00:55:49So I thought we could use it at our wedding.
00:55:52So I came to see it.
00:55:59Here.
00:56:01Oh, really?
00:56:02Congratulations.
00:56:04I'm sorry.
00:56:06A strange woman just barged in here.
00:56:10A woman?
00:56:11Yeah.
00:56:12Oh, um...
00:56:14Is this the woman who came here?
00:56:18Yeah, that's right.
00:56:20What?
00:56:21Do you know her?
00:56:23No.
00:56:24So who is this woman?
00:56:26I don't know.
00:56:27I just kicked her out.
00:56:30Hey!
00:56:31Can you get me a bottle of Dearness?
00:56:33Yes.
00:56:35I'm busy.
00:56:36So I'm hiring young people from other farms.
00:56:39Oh!
00:56:40In this season, we have more plants than flowers.
00:56:44Plants?
00:56:45Yeah.
00:56:46The trees over there are from Nagano.
00:56:50This area is from Yamanashi.
00:56:53Yamanashi?
00:56:54Yeah.
00:56:57How do you transport trees from so far away?
00:57:00It's a truck.
00:57:03See?
00:57:04It's a truck for transportation.
00:57:08Here you go.
00:57:09Take your time.
00:57:12So that's how you transport trees.
00:57:14Thank you for waiting.
00:57:16Thank you.
00:57:17This is it.
00:57:19It's a new variety that just came out this year.
00:57:23It's beautiful.
00:57:26I only have a son,
00:57:28but I have a daughter in Tokyo.
00:57:32She's a cute girl.
00:57:35But I can't say she's a good wife.
00:57:40Let me go!
00:57:41Please!
00:57:42Let me go!
00:57:47I hope you're happy.
00:57:52In the end,
00:57:53after leaving Hayashida Farm,
00:57:55we didn't know where Mikami was.
00:57:57Oh!
00:57:58That's the main shrine.
00:57:59That's right.
00:58:00Next, we headed to the main shrine.
00:58:08Is this where Mikami saw the crime scene?
00:58:15There's no security camera.
00:58:17The culprit may have known about it.
00:58:20But you're a strange woman.
00:58:23Oh, I see.
00:58:25It was a time when women and men couldn't go anywhere easily.
00:58:28It was a time when women and men couldn't go anywhere easily.
00:58:30Detective, please stand over there.
00:58:34You're a strange woman,
00:58:36but you're not a bad person.
00:58:39I found that out today.
00:58:42Well, there are many mysteries.
00:58:45Thank you.
00:58:48If you were the chief,
00:58:51would the women on the yukata stand like this?
00:58:56I don't know.
00:58:57Raken, please be careful.
00:59:00In the process of being manipulated by an amateur like this,
00:59:04Mikami Tazuko disappeared.
00:59:08You may be erased, too.
00:59:15That's right.
00:59:27Please be careful.
00:59:29It's dangerous.
00:59:32I'm sorry.
00:59:36There's a step here.
00:59:40It's a step.
00:59:57Detective, please stand over there.
01:00:03Now, the truth of the death...
01:00:06The figure of the culprit who killed the chief
01:00:09is floating in my head.
01:00:14The truth of the death...
01:00:18Oh, it's rare.
01:00:21It's rare, isn't it?
01:00:23Where can I buy it?
01:00:30Well, it's a flower shop near my house.
01:00:36I want it, too.
01:00:41Can you show me around the flower shop?
01:00:51Here.
01:00:53I think I can see it soon.
01:01:13I'm sorry. I thought there was a flower shop around here.
01:01:17That's strange.
01:01:19You bought it yesterday, didn't you?
01:01:23Mitoba, do you know something?
01:01:28Something?
01:01:30What do you mean?
01:01:33That flower...
01:01:37It belongs to the Hayashida family, doesn't it?
01:01:41We asked the police to show us Mikami's diary.
01:01:47I was surprised, but I was also convinced.
01:01:51I think Mikami was so obsessed with the case
01:01:56because he had a relationship with Sugioka.
01:02:07You felt the same way, didn't you, Mitoba?
01:02:10Yes.
01:02:15The woman in the yukata that Mikami saw on the night of Shuzenji...
01:02:21Wasn't it you?
01:02:27Because he was so obsessed with women.
01:02:31Obsessed with women...
01:02:35I see. I understand.
01:02:38The woman in the yukata that Mikami saw on the night of Shuzenji...
01:02:43Wasn't it you?
01:02:47Yes.
01:02:49Every time you went out to a party,
01:02:53you were called by your wife.
01:02:57You didn't try to protect her.
01:03:02At that time, you called your wife.
01:03:05Stop it.
01:03:07Your wife was seduced by the chief.
01:03:12I told you to stop it.
01:03:14Is that so?
01:03:17On that night of Shuzenji,
01:03:20didn't your wife come to see Chief Sugioka secretly?
01:03:27And she told the chief about her whereabouts
01:03:31through her friend's daughter, Yurika Asano.
01:03:35Mr. Asano was taking care of his wife every day,
01:03:39so he would obey her.
01:03:44And the chief left the inn with the intention of returning to Tokyo.
01:03:54Shut up!
01:03:56Stop making strange assumptions.
01:03:58If that's the case,
01:04:00Chief Tomizaki,
01:04:02you had a motive to kill Chief Sugioka.
01:04:05You're saying that I killed him?
01:04:08There's also your wife's relative, Kadan Hayashida, around the scene.
01:04:13Mr. Hayashida's uncle may have helped you.
01:04:17But your wife, who lost her loved one...
01:04:21Shut up! I told you to shut up!
01:04:24What are you doing?
01:04:27Chief Tomizaki...
01:04:30Why?
01:04:32Why?
01:04:33I didn't do anything!
01:04:40Are you all right, Mataba?
01:04:43Why are you here?
01:04:45Chief Tomizaki was acting strange today.
01:04:48I was worried, so I followed him.
01:04:59Why did you do such a dangerous thing?
01:05:04I...
01:05:06I was just back in Shizuoka.
01:05:10But now we know that Chief Sugioka and Chief Tomizaki's wife were in the dungeon.
01:05:16This is a big discovery.
01:05:18Chief Tomizaki has a motive to kill...
01:05:21Chief Tomizaki has a motive to kill Chief Sugioka.
01:05:24Maybe so.
01:05:26But you did that...
01:05:28Listen to me.
01:05:29This is what I thought.
01:05:31And this is what Mikami thought.
01:05:37Chief Tomizaki found out about Chief Sugioka and his wife's affair.
01:05:42The next day, he called Chief Sugioka to Hayashida's house and killed him.
01:05:49At that time, a pile of dirt stuck to Chief Sugioka.
01:05:55Chief Sugioka's body was carried by Hayashida's truck...
01:06:00and was thrown away at a construction site nearby.
01:06:03Considering that, I can understand why two types of dirt were found at the site.
01:06:08In other words,
01:06:10Chief Tomizaki and his wife's uncle, Hayashida Tokuji,
01:06:13cooperated to kill Sugioka and carried the body to the construction site.
01:06:19No, that's impossible.
01:06:22Tomizaki has an alibi that he was at Atami until 8 o'clock the next day.
01:06:28Is that so?
01:06:30Also, until the day the body was found on the day of the disappearance,
01:06:34there was an inspection on that street.
01:06:36Even if Sugioka was able to kill him, it was impossible to carry the body.
01:06:41That's right.
01:06:44Hayashida didn't look like that kind of person.
01:06:47And in the first place,
01:06:49the reason why the body was thrown away at a construction site that is easy to find, not deep in the mountains or the sea...
01:06:55Matoba-san.
01:06:59I'm sorry.
01:07:00The reason why the body was thrown away at a construction site that is easy to find, not deep in the mountains or the sea...
01:07:01Matoba-san.
01:07:06I'm sorry.
01:07:08I'll contact you again when the ramen is ready.
01:07:11Why did you do that?
01:07:14You,
01:07:16and Tazuko Mikami.
01:07:21I don't know.
01:07:23Why?
01:07:25I don't understand.
01:07:31Anyway,
01:07:33we'll proceed with the investigation here,
01:07:35so please don't do anything selfish.
01:07:44Excuse me.
01:07:46You were talking to someone.
01:07:47A lover?
01:07:49No, no.
01:07:51A police officer.
01:07:54A police officer?
01:07:56But Tomizaki-kun is confused right now.
01:07:58He's confused.
01:07:59It's better not to get too close.
01:08:01And Mikami-kun might disappear.
01:08:04Yes.
01:08:05I understand.
01:08:16The reason Mikami-san was so obsessed with the case
01:08:20was because she had a relationship with Sugioka-san.
01:08:24You were like that too, right?
01:08:26Matoba-san.
01:08:29As Tomizaki-san said,
01:08:32two years ago,
01:08:34I had a relationship with Sugioka-san.
01:08:39Please give it back to me.
01:08:41I'm not that greedy.
01:08:59Thank you.
01:09:01You're my only ally.
01:09:09I was happy.
01:09:13Sugioka-san, who was too proud and self-conscious,
01:09:17was spending a lot of money on fashion and Miyano Kousai.
01:09:21He was spending a lot of money.
01:09:26But he kept lying to me.
01:09:35I learned about the greatness of money
01:09:38and the weakness of people.
01:09:44And I kept lending him 100,000 or 200,000 yen.
01:09:47He kept lying to me.
01:09:49The moment he spent half of his savings,
01:09:54he said goodbye to me.
01:09:56Wait!
01:09:58Ikuko!
01:09:59Wait!
01:10:01He looked so miserable.
01:10:04I don't have money to lend you anymore.
01:10:09Ikuko!
01:10:11Well,
01:10:12Ikuko!
01:10:13I was miserable too.
01:10:17After that,
01:10:18I decided to decorate myself
01:10:20with the rest of my savings.
01:10:24I didn't want to show it to anyone.
01:10:27I wanted to save my miserable self.
01:10:29It looks good on you.
01:10:30But
01:10:31I didn't want to show it to anyone.
01:10:34I didn't want to show it to anyone.
01:10:36It looks good on you.
01:10:37But
01:10:38a month later,
01:10:41Someone
01:10:43killed him.
01:10:47He died.
01:10:50He was so miserable.
01:10:54Even though
01:10:56I was in love,
01:10:59I didn't know why he was killed.
01:11:02He gave me happiness and pain.
01:11:06I really wanted to know the reason.
01:11:10Thank you.
01:11:13I went to the manager's house.
01:11:17But I didn't know anything there.
01:11:22You were broke for four days.
01:11:25What happened to you?
01:11:29She seemed to live only for her job.
01:11:34Did she fall in love with the manager?
01:11:42Wait!
01:11:43Wait!
01:11:44Wait!
01:11:45Wait!
01:11:46Wait!
01:11:47Wait!
01:11:48Wait!
01:11:49Wait!
01:11:50Amatoba.
01:11:51Amatoba.
01:11:52Amatoba.
01:11:53Oh, my God!
01:11:54Oh, my God!
01:11:55Oh, my God!
01:11:56Oh, my God!
01:11:57I found it.
01:12:00Is that a cat?
01:12:03It's Mikami's cat.
01:12:05I asked Taguchi to take care of it.
01:12:08But my mother had an allergy.
01:12:11Then Suzuki took it.
01:12:18Where did Mikami go?
01:12:23I didn't like him.
01:12:26I'm lonely.
01:12:29Me, too.
01:12:31Me, too.
01:12:34It's hard to get a job.
01:12:37It's hard to get a job.
01:12:38Suzuki is going to quit.
01:12:41Don't say that.
01:12:47I...
01:12:50I want to help someone.
01:12:54It's...
01:12:57I thought it would be worth it.
01:13:00I thought it would be worth it.
01:13:01I thought it would be worth it.
01:13:04I wanted to do that kind of work.
01:13:07But it's not like that at all.
01:13:12I tried hard to make the head of the club happy.
01:13:16And I'm excited to make the manager happy.
01:13:19The manager was the president.
01:13:21The president is so desperate to get the analysts and the I.R. to evaluate the company.
01:13:29What is this?
01:13:31What am I working for?
01:13:37Of course, it's for your own good.
01:13:41I guess so.
01:13:44It's a good company. The building is beautiful.
01:13:48But I feel like I'm doing something stupid.
01:13:54What?
01:13:56I book a conference room and make coffee for people like you.
01:14:00I want to do a more simple job.
01:14:03Making coffee is more useful for people.
01:14:07I want to work for people more.
01:14:13People?
01:14:14Yes.
01:14:16Not for the company, but for people.
01:14:21What are you talking about? It's a luxury.
01:14:25Well, even if the president is gone, the company is still running.
01:14:36Why are we talking about this?
01:14:40It's true.
01:14:42I'm sorry.
01:14:46Let's go.
01:14:51What am I working for?
01:14:58I'm thinking about it, too.
01:15:00I make a contract that I can get fired if I see it once.
01:15:04I make a contract that I can get fired if I see it once.
01:15:06I make a contract that I can get fired if I see it once.
01:15:11I make a contract that I can get fired if I see it once.
01:15:16But if I work hard, I can get paid.
01:15:20If I have money, I can live comfortably.
01:15:25That was important to me.
01:15:31This big company is full of desire.
01:15:34That job.
01:15:36Maybe many of them are empty.
01:15:39Maybe everyone is working with an empty heart.
01:15:44Yes, this is Nomura.
01:15:47Yes.
01:15:49Yes.
01:15:52Thank you very much.
01:15:54Here it is. It's a call from Jinji's secretary.
01:15:57The new director is Nomura.
01:16:00Thank you very much.
01:16:02Director Tomizaki must be shocked.
01:16:06He's worried about his wife.
01:16:09After all, a serious and honest person wins.
01:16:16Director Nomura is always serious.
01:16:31Director Nomura is always serious.
01:16:34Director Nomura is always serious.
01:16:37Director Nomura is always serious.
01:16:41Director Nomura is always serious.
01:16:46I think Nomura is more suitable for the director than Director Tomizaki.
01:16:53He didn't say anything about that witness.
01:16:56He didn't even call his wife.
01:16:58It doesn't seem to be going well.
01:17:01Now, finally, the truth of the death.
01:17:03I was worried about it, so I followed you.
01:17:05The figure of the culprit who killed the director...
01:17:07Yes, this is Mikami.
01:17:09...is vaguely floating in my head.
01:17:12Yamanashi?
01:17:18Could it be that the culprit...
01:17:28Yamanashi?
01:17:36Mr. Matoba.
01:17:42I'd like to talk to you for a moment.
01:17:45Mr. Matoba, did you read Mikami's diary?
01:18:02Yes.
01:18:04What did you think?
01:18:06Especially about Tomizaki.
01:18:10Yes.
01:18:12I've noticed something.
01:18:17There's something hidden in Mikami's diary.
01:18:23Something hidden? What is it?
01:18:29Why didn't Mikami talk about seeing a woman in a yukata during the police investigation?
01:18:39That's...
01:18:42Well...
01:18:44I think it's to protect the company's reputation.
01:18:47It's her way of thinking.
01:18:50Her way of thinking...
01:18:52Is that so?
01:18:55Another thing I've noticed is that the flow of the diary has changed.
01:19:03It started when I went to see Mr. Asano.
01:19:07Suddenly, Mr. Asano, his mother, and the wife of Mr. Tomizaki came out of nowhere.
01:19:16And it gradually became related to Mr. Tomizaki's case.
01:19:21That sudden flow is different from the flow of the past.
01:19:28It's not interesting.
01:19:33It's unnatural.
01:19:36Unnatural?
01:19:38That's what I thought.
01:19:40Mr. Mikami may have been manipulated to suspect Mr. Tomizaki.
01:19:52Was it you who manipulated him?
01:19:57Mr. Momura.
01:20:03The person Mr. Mikami loved wasn't Mr. Sugioka.
01:20:09It was Mr. Momura.
01:20:15That's right.
01:20:20Ten years ago, we only had one relationship.
01:20:23We were both young.
01:20:26At that time, I had a wife, so I was alone.
01:20:30But she was always worried about me.
01:20:37She wanted to climb to the top of this glass castle with me.
01:20:43She was a kind woman.
01:20:47Where is Mr. Mikami?
01:20:53Let's go see her.
01:20:55I have something to report to her.
01:20:59What is it?
01:21:04A few years later.
01:21:29Tomizaki's case.
01:21:44This way.
01:21:51Where should I start?
01:21:54First of all, I found out about Tomizaki and Sugioka's relationship a year ago.
01:22:04Did you see it?
01:22:06It's cute.
01:22:13After that, Sugioka started to like me.
01:22:19But Sugioka didn't want me to succeed.
01:22:25She wanted me to move to a remote place.
01:22:30At that time, I found out that Sugioka was dating Tomizaki's wife.
01:22:41So the woman in the yukata that Mr. Mikami saw...
01:22:44No, it's not Tomizaki's wife or Asano's wife.
01:22:53It's me.
01:23:06I didn't expect to be seen by Tazuko.
01:23:10A few years later.
01:23:12There was a gap in that place.
01:23:17Mr. Mikami thought that Ms. Nomura was a woman.
01:23:22Yes, I was lucky.
01:23:25That night, I called Sugioka out and said this.
01:23:30Tomizaki noticed that his wife was cheating on him.
01:23:33Are you kidding me?
01:23:35Does that mean it's me?
01:23:37No.
01:23:39I'm just going to be there tonight.
01:23:44It's hot.
01:23:47I think we should go back to Tokyo.
01:23:52Sugioka trusted me completely.
01:23:57I'm sorry. This is the only car I have.
01:24:01It's okay.
01:24:04I'm sorry to come to Tokyo at this hour.
01:24:10Thank you.
01:24:20The driver let Sugioka sleep as I ordered.
01:24:34The next day.
01:24:39Who are you?
01:24:41I'm hired by another farm.
01:24:47Let me introduce you.
01:24:49This is my sister.
01:24:53She works at this farm.
01:24:56As I told the police,
01:24:59she came back to Tokyo and visited her sister.
01:25:13Good morning.
01:25:14What is this?
01:25:24Did you kill the director?
01:25:27Yes.
01:25:29With this hand.
01:25:33I wanted Tomizaki to take the blame.
01:25:38Tomizaki has enough motivation to kill.
01:25:42But the director...
01:25:44Yes.
01:25:46Tomizaki can't kill.
01:25:49He is a true successful politician.
01:25:53He pretended not to notice.
01:25:55But he pretended not to notice.
01:25:59He pretended not to notice.
01:26:04I can't believe it.
01:26:06He is a man who deserves to be punished.
01:26:10I knew that Tomizaki's wife was doing a big business.
01:26:16I helped my sister to work at Hayashida.
01:26:20I bought a tree.
01:26:22It was a big tree.
01:26:25After I killed Sugioka,
01:26:28I buried the director's body in the ground.
01:26:35Thank you for your cooperation.
01:26:38I took the body to Shuzenji.
01:26:41I chose a place where the body could be found.
01:26:47I buried the body.
01:26:50I buried the body.
01:26:58I see.
01:27:00I don't think the director was killed in Tokyo.
01:27:04I don't think the director was killed in Tokyo.
01:27:08I think he was killed near the scene.
01:27:11I think he was killed near the scene.
01:27:13Tomizaki's wife died.
01:27:16I was shocked that Sugioka died.
01:27:20But it was convenient for me.
01:27:25Then why did you kill the director?
01:27:31Because I hate him.
01:27:36I was in the same class as him.
01:27:39We went to the same high school.
01:27:42He was a really greedy man.
01:27:45When I joined the same company as him,
01:27:47I regretted my fate.
01:27:52Even after he joined the company,
01:27:54he did everything to get rid of the people around him.
01:27:57He ran away and complained.
01:28:01You know that, don't you?
01:28:05I hate him, too.
01:28:09My sister was dating him when she was young.
01:28:13What?
01:28:14She was in love with her classmate's sister.
01:28:17She left him as soon as he died.
01:28:21I dropped out of high school.
01:28:25My life has changed.
01:28:28But in a big company,
01:28:30people who only look up
01:28:32are recruited by people like my brother.
01:28:36I'm an idiot.
01:28:39I feel like...
01:28:42I'm living a serious life.
01:28:44Don't I look like an idiot?
01:28:49You gave money to Sugioka, too.
01:28:54I feel sorry for you.
01:29:09But...
01:29:11The police were more strict than I thought.
01:29:15So...
01:29:17Tatsuko's appearance...
01:29:20I consulted with the police before the investigation.
01:29:23The head of the department was dating a woman?
01:29:26Maybe I should talk to someone in our department.
01:29:31No.
01:29:33Let's look at the company's situation.
01:29:36There are many factors.
01:29:39That's right.
01:29:45I found her password.
01:29:48She was looking into the murder of Sugioka.
01:29:53I thought it would lead to me and my own success.
01:29:59I warned her not to get involved anymore.
01:30:03But she didn't want to quit.
01:30:08So...
01:30:09Yes, this is Mikami.
01:30:13What?
01:30:17You two had a meal together?
01:30:19A diary on social media?
01:30:22Someone wrote that he was going to kill me.
01:30:26I was scared.
01:30:29I see.
01:30:31This is interesting.
01:30:33No.
01:30:34Don't read it.
01:30:36It's interesting.
01:30:38I admire Mikami's insight.
01:30:41This will be useful for police investigation.
01:30:45Why don't you look it up?
01:30:47Oh, and ask Asano.
01:30:53I'm sorry.
01:30:59She's not the kind of woman you think she is.
01:31:07You're right.
01:31:10She's not the kind of woman I thought she was.
01:31:18I read her diary.
01:31:21It was special, but curious.
01:31:26It was humorous.
01:31:29I could feel her love for you.
01:31:38You used it.
01:31:43Yes.
01:31:44I used her brain.
01:31:47What?
01:31:48What?
01:31:50You suspect Tomizaki?
01:31:52Yes.
01:31:54I think it's related to his wife's death.
01:31:59I thought so, too.
01:32:02I see.
01:32:04If...
01:32:06If...
01:32:08If the case is solved and Tomizaki is acquitted,
01:32:13I might become the director.
01:32:15Then you...
01:32:18I might become the director?
01:32:23Yes!
01:32:25No.
01:32:33What's this?
01:32:37If everything is solved,
01:32:40Tatsuko,
01:32:42will you marry me?
01:32:46No way.
01:32:48No way.
01:32:50I can't believe it.
01:32:52I can't believe you and I are getting married.
01:33:01She's done enough for me.
01:33:04She's done enough for me.
01:33:08She's a woman I thought she was.
01:33:14Where is Mr. Mikami?
01:33:16Please let me see him.
01:33:23I told you he's here.
01:33:34Here.
01:33:39Here.
01:33:44Tatsuko is sleeping here.
01:33:56Tatsuko.
01:33:57Tatsuko.
01:34:03Thank you.
01:34:08I became the director.
01:34:14Thank you.
01:34:20Did you kill Mr. Mikami?
01:34:23No.
01:34:26Why did you do that?
01:34:30Tatsuko was too close to the truth.
01:34:35But I didn't expect you to follow her and pretend to be a detective.
01:34:43And you ignored my instructions and tried to find the truth.
01:34:52You can't do that, Mr. Matoba.
01:35:01You shouldn't work too much.
01:35:07You should take a rest with Tatsuko.
01:35:22Let's go.
01:35:52Let's go.
01:36:10What's wrong?
01:36:12Nothing.
01:36:14But this is the last time. Please listen to me.
01:36:22I've never talked to anyone since I joined the company.
01:36:31The company was a place to make money.
01:36:35It's different from Mr. Mikami's way of life.
01:36:39But...
01:36:41If so...
01:36:43I want to be killed.
01:36:44Tatsuko.
01:36:46What?
01:36:48What?
01:36:51No.
01:36:53Just kidding.
01:36:55Excuse me.
01:37:05It was fun.
01:37:09I was shocked when Mr. Sugioka died.
01:37:13I felt like I found something worth doing.
01:37:17I was determined to find out the truth of his death.
01:37:23Then...
01:37:25I didn't know Mr. Mikami was doing the same thing.
01:37:31The diary was interesting.
01:37:36He said he understood.
01:37:39I thought he was different from me.
01:37:44But I sympathized with him.
01:37:52I regretted that I didn't try to walk with anyone for the first time.
01:38:04So...
01:38:05So...
01:38:09If...
01:38:11If I could meet him again...
01:38:16I was going to talk to him.
01:38:22I was going to tell him that our company's diversity is stupid.
01:38:27I was going to tell him that men are really stupid.
01:38:32I was going to tell him that we are stupid, too.
01:38:40More...
01:38:43Various...
01:38:45A lot?
01:38:52I see.
01:38:57Then...
01:38:58Then...
01:39:01Let's laugh in the dirt.
01:39:14Catch him!
01:39:17Hey!
01:39:28Hey!
01:39:33You shouldn't have called me.
01:39:37You shouldn't have done such a dangerous thing.
01:39:42I'm sorry.
01:39:49Kamura Shinji!
01:39:50I'm against the murder case.
01:39:53I want to hear the story of the murder and the death.
01:39:57Find my sister!
01:39:58Find my sister!
01:40:27Mr. Matoba!
01:40:32Mr. Matoba!
01:40:33Are you okay?
01:40:56Mr. Matoba.
01:41:08So...
01:41:10The case is over.
01:41:14I think I'll hear the story again.
01:41:17Thank you.
01:41:18Thank you.
01:41:19Thank you.
01:41:22Mr. Matoba.
01:41:24The car is here.
01:41:26Yes.
01:41:53It's over.
01:41:54It's over, Mr. Mikami.
01:42:05Thank you for your hard work.
01:42:24Thank you for watching.