Category
🎥
Short filmTranscript
00:00:00 Where is it?
00:00:07 Where is it?
00:00:12 In the middle!
00:00:16 There!
00:00:17 There!
00:00:18 Yeah, I've got it!
00:00:21 I've got it!
00:00:24 Oh yes!
00:00:27 Yes!
00:00:30 Look at that!
00:00:33 Calm down, I can't concentrate!
00:00:39 That is a brassiere!
00:00:42 She's got a brassiere!
00:00:45 Take it off!
00:00:47 Take it off!
00:00:48 Transmit!
00:00:49 Tell her to take off her bra!
00:00:51 Take off your brassiere!
00:00:52 Concentrate, you bastards!
00:00:53 Concentrate!
00:00:56 Oh my God!
00:00:58 Oh my God!
00:01:00 I can't breathe!
00:01:02 Andy, grow up!
00:01:04 I can't see!
00:01:06 God, Eric, where's your camera?
00:01:10 Where's our picture?
00:01:12 Where's our photograph?
00:01:14 I could make a fortune with a photograph like that!
00:01:20 I could make a fortune with a photograph like that!
00:01:28 My doll, my doll!
00:01:30 That was terrific!
00:01:33 Mr. Peel, what would you want to eat?
00:01:37 Chicken sandwiches!
00:01:45 A lot of fuss over a bit of dirt, eh?
00:01:51 Hey look, the knickers!
00:01:53 Oh yeah!
00:02:03 (music)
00:02:32 (music)
00:03:01 (music)
00:03:07 See you, Gregory.
00:03:16 Terrible game, eh?
00:03:18 Bad.
00:03:19 Very bad.
00:03:21 Yeah.
00:03:22 I've got to laugh.
00:03:23 What have you got to laugh about?
00:03:25 Us.
00:03:28 Football is all about entertainment.
00:03:30 Give them a good laugh.
00:03:33 It's only a game.
00:03:34 It's only a game?
00:03:35 It's only eight games!
00:03:37 Eight games in a row you've lost!
00:03:39 Can't lose them all.
00:03:42 You push us really hard.
00:03:44 No mercy, lots of discipline.
00:03:47 Get tough.
00:03:49 We need goals.
00:03:50 It's your job to get them and you don't!
00:03:52 Nobody's perfect.
00:03:54 It's a tricky time for me.
00:03:57 You're doing a lot of growing.
00:04:01 Slows you down.
00:04:03 Five inches this year.
00:04:06 Remember last year?
00:04:08 I was a wee down here.
00:04:11 You growing a moustache?
00:04:13 I want to make some changes.
00:04:16 Good idea.
00:04:17 Make you look older.
00:04:18 In the team.
00:04:20 I want to make some changes in the team.
00:04:23 You're the boss.
00:04:25 I want to try out some other people.
00:04:28 Switch the team around?
00:04:30 Take some people out.
00:04:32 I was going to take you out.
00:04:35 You don't want to do that.
00:04:37 Yes I do.
00:04:38 You don't.
00:04:40 I do.
00:04:42 You don't.
00:04:48 What about Andy?
00:04:51 He's not even started growing yet.
00:04:53 He's going to be a real trouble.
00:04:55 I'll tell him.
00:04:56 I'll tell him.
00:04:57 A week's trial and goal for you, then I'll decide.
00:05:03 A jersey my size.
00:05:05 Andy's a lot smaller.
00:05:06 Never mind about the jersey.
00:05:09 A week's trial, then I decide.
00:05:13 You're the boss.
00:05:14 Who's taking over my position?
00:05:15 I want to try out some new people.
00:05:21 You won't regret this.
00:05:35 Okay, so Phil Mainsy's daft.
00:05:37 He's daft enough maybe to throw you out of the team.
00:05:39 I'm not saying that he will fling you out.
00:05:41 No, I didn't say that.
00:05:43 But he's daft.
00:05:44 He's daft enough to do it.
00:05:47 Look, I'll tell you what.
00:05:48 I'll tell you what.
00:05:50 If, just supposing, Phil Mainsy's is daft enough to throw you out of the team,
00:05:57 well, I'll resign.
00:06:00 Really?
00:06:03 Yeah, well, when I say resign, what I'm getting at, what it boils down to,
00:06:07 what I'm trying to say really is,
00:06:09 I'll resign myself to making a decision if it happens.
00:06:15 I'm not saying that it will.
00:06:16 It might, but it won't.
00:06:17 I don't think so.
00:06:18 Well, I'll see you later, Gregory, okay?
00:06:21 How are you going?
00:06:23 Well, I just want to stay here a wee bit longer and watch the traffic.
00:06:27 I like looking at the big trucks.
00:06:32 Do you know that at least 12 tons of cornflakes passes under here every day?
00:06:37 Really?
00:06:38 It's a well-known fact.
00:06:40 Gee, is it?
00:06:42 Never knew that.
00:06:44 I'll see you later.
00:06:45 See you.
00:07:11 I dreamt again last night.
00:07:13 So is traffic.
00:07:20 Hello, darling.
00:07:22 [Whistle]
00:07:42 [Whistle]
00:07:58 [Whistle]
00:08:26 [Whistle]
00:08:30 [Whistle]
00:08:43 [Whistle]
00:08:53 [Whistle]
00:09:03 [Whistle]
00:09:13 [Whistle]
00:09:23 [Humming]
00:09:51 Hello, Gregory.
00:09:54 [Whistle]
00:10:20 Two advantages about learning to drive in this new town environment.
00:10:24 Very obvious ones.
00:10:25 Up into Thirteer.
00:10:27 The absence of traffic lights.
00:10:29 Total absence of street pedestrians.
00:10:31 But you must remember that in other towns things won't be so controlled.
00:10:34 Mirror and brake.
00:10:36 That's the way. Relaxed position.
00:10:38 Brake.
00:10:39 [Tires screech]
00:10:40 That's the way.
00:10:43 Come here, you.
00:10:45 Is that an emergency stop?
00:10:46 Emergency stop? Unsimulated, yes.
00:10:50 Hi, Mike.
00:10:51 Call me Dad, Gregory, or Pop or something.
00:10:53 It makes me feel better when you call me Dad or Father.
00:10:56 Listen, I won't take up any more of your time.
00:10:58 I know what it's like when you're driving under instructions.
00:11:00 That was my first emergency stop, by the way.
00:11:02 Was it? Well, that was really good. Really good, Dad.
00:11:05 Okay.
00:11:06 Stay, Gregory.
00:11:08 I'm sure Mr. Clark would like a minute or two to cleanse his thoughts, anyway.
00:11:12 My name's Anderson.
00:11:13 Um, Mr. Scorer, are you going to school late or coming home early?
00:11:17 I'm braking neutral, Mr. Clark.
00:11:20 How are you, anyway?
00:11:22 Oh, fine. We're all very well.
00:11:24 Your mother. You remember your mother?
00:11:26 Yeah, I remember, Mum.
00:11:27 She was asking after you just the other day.
00:11:29 I told her we'd met briefly in the hallway last Thursday and you look fine.
00:11:34 Listen, I've got an idea.
00:11:36 Why don't we meet up later in the week for breakfast?
00:11:39 Say, eight o'clock in the kitchen?
00:11:41 Righty. Yeah.
00:11:43 Yeah, that sounds fine, yeah.
00:11:45 So, date, then?
00:11:47 Yeah.
00:11:48 Mission, mirror, signal, gear, Mr. Clark.
00:11:55 And we'll start the driving lessons when you've mastered the walking bit, okay?
00:12:00 (car engine)
00:12:02 (horse neighs)
00:12:16 (laughing)
00:12:18 Bloody one.
00:12:23 He's mad. He's in the lock-top.
00:12:25 Any teeth?
00:12:27 (laughing)
00:12:30 I think he's invisible.
00:12:32 Stupid bastard.
00:12:34 Who is it?
00:12:35 That daft boy in fourth year.
00:12:37 The one that's on your football team?
00:12:39 I heard they were awarded a corner last week and took a lap of honour.
00:12:42 Not him.
00:12:44 His days are numbered.
00:12:46 After next week, he's out. Kaput. Finished.
00:12:49 Going to get some new blood in the team. Big changes.
00:12:52 Yeah, I'm a sponge cake, pal.
00:12:54 A new regime. Signing a new striker this morning.
00:12:58 Who made these?
00:13:00 Oh, relax. It was Sandra and Alison three, eh?
00:13:03 Very nice girls. Very clean.
00:13:05 Oh, Sandra and Alison, eh?
00:13:07 Very nice girls, eh, Alistair?
00:13:09 Still getting appointments from me June as well, eh?
00:13:12 You'll get put away.
00:13:14 I like your moustache.
00:13:16 Was it show already? I've only been growing it two days. Thanks a lot.
00:13:19 Oh, yeah.
00:13:21 It's really nice.
00:13:23 Makes you look very, er...
00:13:25 grown up.
00:13:27 Thanks.
00:13:28 Very, very mature.
00:13:30 Yeah, right. I mean, you look at least 15 already.
00:13:33 Well, I've got to scram.
00:13:35 Got an important morning this morning.
00:13:37 One place in the team for the best striker.
00:13:39 I'll organise a trial. See what they're like under pressure.
00:13:42 Well, I'll see yous later.
00:13:46 Are you still getting those points from June?
00:13:53 Oh, come on.
00:13:56 It's not right to ask these sort of questions.
00:13:58 We are dealing with the emotions of a vulnerable, sensitive, 16-year-old redhead.
00:14:05 Oh, er... I may have some news for you by lunchtime, sir.
00:14:15 I'll keep you posted.
00:14:25 Right. You all know what I'm looking for.
00:14:28 A goal scorer. And that requires two basic skills.
00:14:31 Ball control, shooting accuracy and the ability to read the game.
00:14:35 Three things.
00:14:37 So, this trial will allow me to assess these two...
00:14:41 three basic aspects of your skills. Right?
00:14:44 What's the idea of the sand shoes, boy? You've no boots.
00:14:48 I'll get some, if I get in the team.
00:14:51 Oh, that's a dead loss, son. Go and get changed.
00:14:54 We play in real boots in this school.
00:14:57 From the wood, go.
00:14:59 Right. Basic ball control.
00:15:01 Trotting with the ball at your feet, 50 yards and back.
00:15:04 Two lines. Come on. Go!
00:15:06 Both sides of the foot now. Come on, I want to see complete control.
00:15:22 Come on! Faster now!
00:15:24 Come on! A little bit more pace. Anybody can walk with a ball.
00:15:34 Come on!
00:15:37 What do you want, lass?
00:15:39 Faster now!
00:15:41 What do you want, dear? I'm here for the trial.
00:15:44 Look, this is a football trial, dear.
00:15:46 Maybe Miss McAlpine's up to something with the hockey team.
00:15:49 I don't know, but this here is football. For boys.
00:15:53 That's right. Football trial's 11am.
00:15:56 I saw the notice.
00:15:58 Look, I'm sorry you picked it up wrongly, dear, but it was boys I wanted for the trial.
00:16:02 I didn't say so in the notice.
00:16:04 It just said "talented players".
00:16:06 Look, I'm sorry you picked it up wrongly, dear.
00:16:08 There's been a slight misunderstanding, obviously.
00:16:10 But there's nothing I can do about it now.
00:16:12 Come on!
00:16:15 You didn't say boys only. You're not allowed to anyway.
00:16:19 I want a trial.
00:16:22 It's not possible, dear. Not today.
00:16:24 Well, we don't have a spare ball.
00:16:26 Here's one.
00:16:30 [music]
00:16:33 [music]
00:16:36 [music]
00:16:39 [music]
00:16:42 [music]
00:17:08 OK, into twos now.
00:17:10 I want to see some penetration work on a shot for goal.
00:17:13 One attacker, one defender.
00:17:15 It's an open goal, so let's see who's first to score.
00:17:18 Right, you defend me then.
00:17:20 What's going on?
00:17:23 She's gorgeous.
00:17:26 She is absolutely gorgeous.
00:17:31 It's Dorothy.
00:17:37 You defend, same pairs.
00:17:39 Look at her funny ears.
00:17:52 Right, three shots each a goal now.
00:17:54 Let's see how you do against a real goalkeeper.
00:17:57 You first, dear.
00:18:04 [music]
00:18:06 Right, that's it.
00:18:12 Finished.
00:18:14 Stamina test.
00:18:15 Once round the playing field, back to the dressing rooms.
00:18:18 It's only a quarter of a mile and should be treated as a sprint.
00:18:21 Off you go.
00:18:23 [music]
00:18:25 [music]
00:18:27 Well?
00:18:52 I'll let everyone know in the fullness of time.
00:18:55 I'll pass the word on to Miss McAlpine.
00:18:57 I was the best.
00:18:58 You know I was the best.
00:19:00 It's not that simple.
00:19:02 It could be out of my hands.
00:19:04 We'll have to see.
00:19:06 If I was the best, I should be on the team.
00:19:08 The notice said so.
00:19:10 I said we'll see.
00:19:11 You might very well get into the team.
00:19:14 I'll work it out soon.
00:19:16 You've got to put me on the team list.
00:19:18 I want to sign something.
00:19:20 It's a dream.
00:19:22 Mr. Menzies, I want to sign something.
00:19:26 [moaning]
00:19:28 Mr. Menzies.
00:19:30 Open the door.
00:19:32 Look, Charlie, we've got to get some girls.
00:19:34 We've got to make a move.
00:19:36 Even Gregory's at it now.
00:19:38 We're falling behind.
00:19:40 I don't think there's any advantage of putting it off any longer.
00:19:47 Besides, it's making me depressed.
00:19:50 Sorry I'm late.
00:20:00 That's just paint there.
00:20:02 I'll get the basket mix started.
00:20:03 You go and put the oven on.
00:20:05 450 degrees.
00:20:06 Yes, boss.
00:20:14 Gregory, can you help me out with this pastry mix thing?
00:20:17 Pastry mix?
00:20:20 There's more than one kind, you know.
00:20:22 Shortcrust, flaky, rough puff.
00:20:25 Well, Margaret's doing strudel soup and I'm doing the pies.
00:20:28 It's eggs I'm not sure of.
00:20:30 Strudel soup.
00:20:31 I'd love to try some of that.
00:20:33 It's noodle soup.
00:20:35 You don't put eggs in a pastry anyway.
00:20:37 It's eight ounces of flour, four ounces of margarine.
00:20:40 A pinch of salt.
00:20:43 Put it in the oven for 15 minutes.
00:20:45 That's it.
00:20:46 No eggs, no strudels, nothing.
00:20:48 Okay.
00:20:49 That's simple.
00:20:50 Really easy.
00:20:51 There are five guys in fifth year crying themselves to sleep over that.
00:20:55 Six if you count the music teacher.
00:20:57 Take it easy.
00:21:02 Just take it easy.
00:21:04 Have you ever been in love?
00:21:08 I'm in love.
00:21:10 I'm in love.
00:21:16 Since when?
00:21:18 About half an hour ago.
00:21:20 It's great.
00:21:22 I feel restless and I'm dizzy.
00:21:24 It's wonderful.
00:21:26 I bet I don't get any sleep tonight.
00:21:28 That sounds more like indigestion.
00:21:31 No, I'm serious.
00:21:33 No, is it?
00:21:34 Is that a mature woman?
00:21:36 Did you wash your hands?
00:21:38 Don't be crude.
00:21:40 Someone in the football team.
00:21:43 Really?
00:21:44 Yeah.
00:21:45 Have you told anyone else about this?
00:21:48 Probably just a phase.
00:21:50 Who is it, Andy?
00:21:53 No, it's Dorothy.
00:21:54 She's a girl.
00:21:55 Oh, no.
00:21:56 She's got lovely long hair.
00:21:58 And she smells...
00:22:00 really gorgeous.
00:22:02 Even if she just walked past in the corridor.
00:22:05 She smells gorgeous.
00:22:07 She's got teeth.
00:22:09 Lovely white teeth.
00:22:11 White, white teeth.
00:22:13 That Dorothy.
00:22:16 The hair, the teeth and the smell.
00:22:18 That Dorothy.
00:22:20 And she's in the team.
00:22:23 Well, I think she's taking my position.
00:22:25 But she's a really good footballer.
00:22:27 Can she cook?
00:22:29 Can she do this?
00:22:30 Look, Steve.
00:22:32 When you're in love,
00:22:33 things like that just don't matter.
00:22:35 Give me the margarine.
00:22:37 Think she'll love me back?
00:22:43 No chance.
00:22:45 Watch you aren't mixing it.
00:22:46 It'll go stiff, Gregory.
00:22:48 How would you know no chance?
00:22:51 No chance.
00:22:55 [birds chirping]
00:22:57 [coughing]
00:22:59 [birds chirping]
00:23:01 [music playing]
00:23:18 [music playing]
00:23:20 [music playing]
00:23:23 [music playing]
00:23:25 [music playing]
00:23:27 [music playing]
00:23:30 [music playing]
00:23:33 [music playing]
00:23:36 [music playing]
00:23:39 [music playing]
00:23:42 [music playing]
00:23:45 [music playing]
00:23:48 [gasping]
00:23:54 [cheering]
00:23:56 Right, put it away.
00:24:05 You really get it, don't you?
00:24:08 This is a real farce.
00:24:10 Nine games lost in a row, and what do we do?
00:24:13 Sack the goalie and put a girl on the forward line.
00:24:17 It's a madhouse.
00:24:18 Watch the game, Andy. Watch the game.
00:24:20 She's good.
00:24:21 She can move.
00:24:23 It's not right. It's unnatural.
00:24:25 It doesn't even look nice.
00:24:28 It's modern, Andy. It's good.
00:24:30 Modern girls, modern boys.
00:24:32 It's tremendous look.
00:24:34 [cheering]
00:24:36 Girls weren't meant to play football.
00:24:51 It's too tough, too physical.
00:24:53 Tough?
00:24:55 Have you ever seen them playing at hockey?
00:24:57 They're like wild animals.
00:24:59 Even at 12 and 13, they'd kill you.
00:25:01 You know, hockey was invented by the Red Indians as a form of torture.
00:25:05 They used to make the cowboys play the squads.
00:25:07 Shite, that was lacrosse.
00:25:09 And anyway, if women were meant to play football,
00:25:12 they'd have their tits somewhere else.
00:25:14 They weren't designed for football.
00:25:16 Gregory!
00:25:19 Watch the ball. Go out and meet her.
00:25:21 Don't wait for her.
00:25:23 Watch the way you're coming up fast.
00:25:25 Wait for the cross.
00:25:27 [cheering]
00:25:29 Hey, Steven!
00:25:31 Come on, give us a ball.
00:25:33 What a prick.
00:25:44 Took my eye off the ball for a split second.
00:25:47 Two microseconds.
00:25:49 We need more women in this team.
00:25:52 More new blood.
00:25:54 Yeah, she's some girl.
00:25:56 [cheering]
00:26:17 Andy!
00:26:19 Andy!
00:26:21 What a goal!
00:26:23 Girl, she's got a nice pair of legs as well, eh?
00:26:26 Andy, please.
00:26:28 Look at that.
00:26:32 It's disgusting.
00:26:34 It's perverse.
00:26:36 In a football field.
00:26:38 With kids watching.
00:26:40 Come on, there's a football game to be played.
00:26:43 That's the sort of thing that gives football a bad name.
00:26:46 That is disgusting.
00:26:48 Oh, man.
00:26:50 That's a girl.
00:26:52 You're a genius, Robert. You're a genius.
00:26:54 Have you got any plasters in here?
00:27:09 There's none next door.
00:27:11 No. Maybe.
00:27:14 I'll get you some.
00:27:16 Don't panic. It's just a scratch.
00:27:18 I only want to save my tights getting blood on them.
00:27:21 A big gorilla on the left wing.
00:27:29 I got my own back.
00:27:32 I got my boot in his shin and scraped it right down.
00:27:35 Big animal.
00:27:37 You'll have a bruise there.
00:27:39 It's a bit of bleed. That's the idea.
00:27:41 I don't bruise easily.
00:27:43 I do.
00:27:45 I bruise like a peach.
00:27:47 Bruise.
00:27:51 See that?
00:27:53 I was only three when that happened.
00:27:55 I was chasing a wee boy on the beach.
00:27:57 I wasn't going to hurt him.
00:27:59 I fell on the bottom of him.
00:28:01 That'll never go away. I'm marked for life.
00:28:04 I'm imperfect.
00:28:06 No, no, it's nice. I like it.
00:28:09 Really?
00:28:10 Yeah.
00:28:12 I hurt my arm once at the join.
00:28:18 I can't get it any higher than this.
00:28:22 I used to be able to get all the way up here.
00:28:24 You just did.
00:28:26 Nah. This arm.
00:28:28 It's stuck.
00:28:30 Look at this thing.
00:28:31 My big brother threw a bike at me.
00:28:33 I was only seven.
00:28:35 I can only see it in the mirror.
00:28:37 It's quite nice, isn't it? Nice shape.
00:28:39 Yeah.
00:28:41 Yeah.
00:28:42 Ronaldo, that was a boy in Italy last summer.
00:28:45 He said it was like a new moon.
00:28:47 Very romantic.
00:28:48 La luna.
00:28:50 Ah, si, si.
00:28:52 Bella, bella.
00:28:54 Ah, parliamo italiano.
00:28:56 Nah, not really.
00:28:59 Just bella, bella.
00:29:01 Oh, I think it's a wonderful language.
00:29:03 It's so alive.
00:29:05 I want to live in Italy when I leave school.
00:29:07 Huh?
00:29:08 I can speak a day language.
00:29:10 I'm a quarter Italian and a quarter Irish.
00:29:13 And my mother sang.
00:29:15 Hey, I can speak Irish.
00:29:17 What's Ronaldo doing down there anyway?
00:29:25 He lives there.
00:29:27 No, I mean down there.
00:29:29 Ah, he was putting some suntan oil on for me.
00:29:32 Bella, bella.
00:29:34 Anything else to show me?
00:29:38 Any major wounds when you were 12?
00:29:41 14?
00:29:43 Oh, hi, Dorothy. Nice to see you.
00:29:45 Good game.
00:29:46 Look, I'd like to have a chat with you for the school magazine.
00:29:49 I want to interview you and that girl in 2A that had the triplets.
00:29:53 You're pretty famous now, you know.
00:29:55 I'm sorry, this is a dressing room. You can't come in here.
00:29:57 Eric, get the whole dressing room thing and some nice big close shots of Dorothy.
00:30:01 You don't mind if Eric flashes, do you?
00:30:04 This is no place for a camera, Eric.
00:30:09 People take their clothes off in here.
00:30:11 Yeah, you're better.
00:30:13 Look, can you stand in there?
00:30:15 Too many shadows. Just keep well in there, Eric. Thanks.
00:30:18 I like to interview people like this.
00:30:20 No preparation. Everything nice and natural.
00:30:23 But tell me, Dorothy, how are the boys taking it?
00:30:26 You being in the team now?
00:30:27 You guys are so predictable.
00:30:30 Always trying to cause trouble.
00:30:32 We're all very happy.
00:30:34 Dorothy's a very good player.
00:30:36 Slow down, Gregory. This is an in-depth interview.
00:30:39 Dorothy.
00:30:41 Things are fine.
00:30:42 I'm quicker than most boys, so I can keep out of trouble.
00:30:45 I take dancing lessons too. That helps my balance.
00:30:49 What you've got to remember is that my body's quite different.
00:30:54 Hmm. You've got a good body.
00:30:57 You must train a lot, keep in shape.
00:30:59 Do you have time for anything else?
00:31:01 I mean, what do you and your body do on a Saturday night, for instance?
00:31:04 Hmm. Saturday nights are special.
00:31:06 I like to do something special.
00:31:08 Right. How about doing something special this Saturday?
00:31:11 Come on, this is a dressing room.
00:31:13 You lot go and conduct your business somewhere else.
00:31:16 I'll go and change too.
00:31:17 OK, Dorothy.
00:31:18 You're an interesting girl, you know.
00:31:20 But I want to find a real Dorothy.
00:31:22 The one underneath the football strip.
00:31:25 Dorothy the woman.
00:31:28 OK?
00:31:29 OK.
00:31:31 Cheerio, Gregory.
00:31:32 Out of the dirt, Gordon. Hurry back.
00:31:36 Bella, Bella.
00:31:38 Bella, Bella.
00:31:40 Bella Rinaldo, Bella Gordon.
00:31:43 I like to do something special on Saturday night.
00:31:47 Bella, Bella!
00:31:50 What's the sudden need to speak Italian, Gregory?
00:31:52 Oh, it's not sudden.
00:31:54 I've been thinking about it for about three years.
00:31:57 It's just taken a while for me to make up my mind.
00:31:59 It's very late in the term to start.
00:32:01 I've got some free time. I'll catch up.
00:32:04 It's very important to me.
00:32:06 See, I want to live in Italy when I leave school.
00:32:08 Been there, have you?
00:32:09 No.
00:32:10 I've been to Ireland, though.
00:32:11 And I met some Italians there.
00:32:13 They told me all about it.
00:32:15 In English.
00:32:17 Rinaldo could speak good English.
00:32:18 Rinaldo? Is that your Italian friend?
00:32:20 Well, not just him. There was girls there too.
00:32:23 I just said Rinaldo because he could speak good English.
00:32:25 Well, what kind of work do you want to do in Italy?
00:32:28 Well, I'll just learn the language.
00:32:29 And then I'll see where it is going.
00:32:31 You know, you should think about taking a course in technical Italian.
00:32:34 Is that what it's to do with working engines and...
00:32:37 Mm-hmm.
00:32:39 I think I'd rather do the normal Italian and work my way down.
00:32:42 Well, we'll leave it just now.
00:32:44 I'll have a word with your form master, see what he can come up with it, OK?
00:32:47 I'm really pleased that you're interested.
00:32:49 It's a lovely country.
00:32:50 Oh, yeah. Wonderful language.
00:32:53 Don't you think it's so alive?
00:32:56 Did he manage to pick any of it up at all?
00:32:58 A couple of words.
00:32:59 Mm-hmm.
00:33:02 Um, Bella.
00:33:05 And Bella.
00:33:06 Do you know any words you could teach me just now?
00:33:08 Tello di ro.
00:33:11 Tello di ro.
00:33:13 Tello di ro.
00:33:16 It means I'll let you know, Gregory. OK?
00:33:18 Oh.
00:33:22 Tello di ro.
00:33:25 Tello di ro.
00:33:30 Tello di ro.
00:33:35 What about Alan? Do you think he's still a virgin?
00:33:41 Nah. He's been in the school orchestra for over a year now.
00:33:44 Pass the sulfuric acid, will you?
00:33:49 What's the pH on that?
00:33:52 Um, seven.
00:33:55 How's the football going?
00:33:59 Oh, it's good.
00:34:01 You need to cut that up a bit. It's a bit big.
00:34:04 What about the goalie, Gregory?
00:34:07 Hmm?
00:34:08 What do you make of Gregory?
00:34:11 Well, he's a bit slow.
00:34:13 And a bit awkward.
00:34:15 Yeah. Slow and awkward.
00:34:17 He's got a nice laugh.
00:34:20 Give me the broom, I think.
00:34:23 Hey. Room four.
00:34:31 Good afternoon.
00:34:45 Do you know that when you sneeze,
00:34:48 it comes out your nose at 100 mls an hour?
00:34:52 It's a well-known fact.
00:34:55 100 mls an hour.
00:34:57 Just like that.
00:35:00 Room 16.
00:35:13 Hurry up.
00:35:16 To l'eau de roi.
00:35:23 Here comes my messenger.
00:35:32 How now, mad spirit.
00:35:34 What night rule now about this haunted grove?
00:35:37 My mistress with her monster is in love.
00:35:40 Near to her close and consecrated boar,
00:35:43 while she was in her dull and sleeping hour,
00:35:46 a crew of patches, rude mechanicals,
00:35:48 that worked for bread upon Athean stalls,
00:35:51 were met together to rehearse a play
00:35:53 intended for great Theseus' nuptial day.
00:35:56 The shallowest thick skin of that barren sort,
00:35:59 who Pyramus presented in their spot,
00:36:01 forsook his scene and entered in a break,
00:36:04 when I did him a disadvantage take.
00:36:06 And forth my mimic comes,
00:36:08 when they him spy,
00:36:10 as wild geese that creeping fowl array,
00:36:12 sever themselves and madly sweep the sky,
00:36:15 so at his sight away his fellows fly.
00:36:17 Christmas!
00:36:18 Here over and over one falls.
00:36:20 He, murder cries, and help from Athens calls.
00:36:24 Their sense thus weak,
00:36:26 lost with their fears thus strong,
00:36:28 made senseless things begin to do them wrong.
00:36:31 For briars and thorns, and their pattern snatch,
00:36:34 some slaves, some hats,
00:36:36 from yielders all things catch.
00:36:38 I led them on...
00:36:39 Well, you said you'd come back and see me again.
00:36:44 Here I am.
00:36:45 Can I introduce my boss?
00:36:47 Miss Wilkes, this is Mr. Hall.
00:36:49 It's his own business.
00:36:50 Pleased to meet you.
00:36:52 Well, how's our Billy shaping up?
00:36:55 He's a good lad.
00:36:56 He's been telling me all about the characters in the school.
00:36:59 He likes you.
00:37:01 And he's washed a few windows as well.
00:37:03 I hope you're doing mine for free, Billy.
00:37:05 Well, for old time's sake.
00:37:07 Give us your glasses and I'll do them as well.
00:37:09 No charge.
00:37:11 Thank you.
00:37:12 See you outside at four, lads, eh?
00:37:17 Listen, why don't you come up and see me some time?
00:37:21 I'll do that.
00:37:22 I'll use the stairs, though.
00:37:24 I led them on in this distracted fear
00:37:26 and left sweet Pyramus translated there.
00:37:29 When in that moment, so it came to pass,
00:37:32 Titania waked and straightway loved in us.
00:37:35 Donuts?
00:37:42 Well, we're still doing the two kinds.
00:37:44 There's the jam-filled and the rings.
00:37:46 What kind of jam?
00:37:48 What would you like?
00:37:50 Blackcurrant?
00:37:52 That's no problem.
00:37:54 I'll have half a dozen, OK?
00:37:56 Half a dozen?
00:37:58 I'll tell you what, I'll throw in a couple of ring donuts.
00:38:00 There's usually some left on a Friday anyway.
00:38:02 Good.
00:38:04 Have you given the petite choux any more thought?
00:38:07 What was that again?
00:38:09 It was a basic choux pastry.
00:38:11 I've been working on it. I think I've got it perfect.
00:38:14 That's good. It's very good.
00:38:25 (FOOTSTEPS APPROACHING)
00:38:27 I'd like everything in my office by...
00:38:36 about three o'clock Friday. Is that understood?
00:38:39 Yes, sir.
00:38:41 I'm sorry I'm early.
00:38:43 Have a seat, Mr Manzies.
00:38:49 Yes, sir.
00:38:51 There's a girl in the football team.
00:39:02 Uh, well, yes and no.
00:39:04 Yes and no.
00:39:06 Yes.
00:39:08 What do you mean?
00:39:10 Well, we could have a girl in the football team if we wanted one.
00:39:12 Do we want one?
00:39:14 Well...
00:39:16 I think it's a wonderful idea.
00:39:18 Terrific.
00:39:20 Yes, and she's a great wee player. She won't hold the team back one little bit.
00:39:23 One possible problem area...
00:39:26 the showers.
00:39:28 What happens about the showers?
00:39:30 Oh, she'll bring her own soap.
00:39:32 And you'll undertake to keep everything above board.
00:39:40 Oh, oh, yes, sir. Most definitely.
00:39:42 Most definitely.
00:39:44 (WHISTLING)
00:39:47 Hiya.
00:39:49 Hello.
00:39:51 Can I have a bag for you?
00:39:53 I can't see you today. I've got to go up to the big school.
00:39:55 What for?
00:39:57 Oh, family trouble.
00:39:59 Is it Gregory?
00:40:01 Guess what. He's fallen in love.
00:40:03 That's big trouble.
00:40:05 Well, maybe I can see you later on.
00:40:07 Right. Bye-bye.
00:40:09 Bye.
00:40:12 (CHILDREN LAUGHING)
00:40:14 Say goodnight.
00:40:35 Goodnight.
00:40:37 Waiting for somebody?
00:40:47 Yes.
00:40:49 They're not giving much away. There's 2,000 people in there.
00:40:57 Gregory, fourth year.
00:40:59 Oh, Steve's pal.
00:41:04 But you Gregory's girl.
00:41:06 I'm Madeleine.
00:41:08 (BAND PLAYING)
00:41:15 (BAND CONTINUES PLAYING)
00:41:17 She's fancied me since first year.
00:41:41 I'm not a fan of her.
00:41:43 She's a bit of a pain in the ass.
00:41:45 I'm not a fan of her.
00:41:47 I'm not a fan of her.
00:41:49 I'm not a fan of her.
00:41:51 I'm not a fan of her.
00:41:53 I'm not a fan of her.
00:41:55 I'm not a fan of her.
00:41:57 I'm not a fan of her.
00:41:59 I'm not a fan of her.
00:42:01 I'm not a fan of her.
00:42:03 I'm not a fan of her.
00:42:05 I'm not a fan of her.
00:42:07 I'm not a fan of her.
00:42:09 There's something about window cleaners that just turns them on.
00:42:13 Especially up that Loganville estate.
00:42:15 You know, the private houses.
00:42:17 They spend too much time on their own up there.
00:42:19 So we turn up once a week,
00:42:21 singing songs,
00:42:23 telling jokes.
00:42:25 Washing the windows.
00:42:27 Right, washing the windows.
00:42:29 Then before you know it, round to the back door,
00:42:31 "Hello darling, could you give us some hot water?"
00:42:33 I don't get it.
00:42:37 Hot water? Is that a code?
00:42:39 No, it's for washing the windies.
00:42:41 But that's just to get the conversation going.
00:42:43 Anything can happen after that.
00:42:45 I suppose the worst thing that could happen is they give you some hot water.
00:42:49 Yeah, that sometimes happens.
00:42:51 We saw a great thing last week.
00:42:53 You know, a nurse up at the hostel
00:42:55 kicked this bum Fanny the lot.
00:42:57 I could see that 50 times a day through a window.
00:42:59 I could see that 50 times a day through a window.
00:43:01 It's contacts the thing.
00:43:03 Doing it.
00:43:05 Have you done it?
00:43:07 11 times.
00:43:09 In one night?
00:43:11 No, at different times.
00:43:13 But something new always crops up.
00:43:15 You mean stuff like foreplay?
00:43:17 Foreplay is important.
00:43:19 As long as you know it's leading up to something.
00:43:21 Otherwise it's just fooling around.
00:43:23 I'll see you guys later, right?
00:43:25 See you, Billy.
00:43:27 Bye-bye, Madeline.
00:43:29 If I don't see you through the week, I'll see you through a window, eh?
00:43:33 Ten years old with a body of a woman of 13.
00:43:35 Ten years old with a body of a woman of 13.
00:43:37 You need some new trousers.
00:43:43 Spaghet ones are awful.
00:43:45 I'll talk to Mum about it.
00:43:47 Blue ones, Italian.
00:43:49 If you're going to start falling in love, you'll have to start taking care of yourself.
00:43:51 Are Italians good dressers?
00:43:53 Yeah, they make nice trousers.
00:43:55 They've got style.
00:44:01 I was talking to Stephen's sister about Dorothy.
00:44:03 She's very attractive.
00:44:07 I knew you would fall for that type.
00:44:09 She's quartered Italian.
00:44:11 Don't get too serious about it if you could help it.
00:44:15 Have you asked her out yet?
00:44:17 I can help you. I can tell you things.
00:44:23 I'm a girl.
00:44:25 You were nice to me when other boys hated their sisters.
00:44:29 Okay, not enough brown, innit?
00:44:31 Yeah.
00:44:35 There's a dark brown.
00:44:41 Well, the grey was quite nice too.
00:44:43 You don't think about colours, do you?
00:44:45 If you don't take an interest in yourself,
00:44:47 how can you expect other people to be interested in you?
00:44:49 Talk to Dorothy.
00:44:53 Ask her out.
00:44:55 She won't say no, I'll bet you.
00:44:57 You're too special. You're too romantic.
00:44:59 You could scare a girl off.
00:45:01 What kind of things should I say?
00:45:03 For goodness sake, don't plan it.
00:45:05 Don't think about it. Do it.
00:45:07 So...
00:45:09 I should think less about love and more about colours?
00:45:11 You've got it.
00:45:13 What would you like?
00:45:17 Ginger beer and lime juice with ice cream, please.
00:45:19 But don't stir it.
00:45:21 Coffee, please.
00:45:23 Black or white?
00:45:25 Brown.
00:45:27 Good blue coffee's here, Madeline.
00:45:31 This isn't Italy.
00:45:33 No style.
00:45:35 Do you dream about her?
00:45:41 That means you love her.
00:45:43 The one that you have the dreams about that counts.
00:45:45 What do you dream about?
00:45:49 Just ginger beer and ice cream.
00:45:51 I'm still a little girl, remember?
00:45:53 I'm still a little girl.
00:45:55 That looks nice, doesn't it?
00:46:03 Yeah, the nicest part is just before you taste it.
00:46:05 Your mouth goes all tingly.
00:46:07 But that can't go on forever.
00:46:09 ...and then adding the proportionate amount of sugar,
00:46:13 which is two to one,
00:46:15 but I think that's going a little far.
00:46:17 Do you know anything about Italians?
00:46:19 Excellent seafood in the North West.
00:46:21 Some of the regional pasta dishes are good too.
00:46:23 Good with salads.
00:46:25 Very stylish all round.
00:46:27 Whoa, whoa.
00:46:29 Go easy with the sugar, lady.
00:46:31 Food, food, food.
00:46:33 Is that all you think about?
00:46:35 You're a natural, pal.
00:46:39 You're a freak.
00:46:41 You eat it, don't you?
00:46:43 I've never seen you turn your nose up at anything I've made.
00:46:49 Hours and hours I've spent
00:46:51 making you lovely, lovely things
00:46:53 and all it means to you in the end is food.
00:46:55 Look, pal, I don't know whether you've noticed
00:46:57 but I'm going through a crisis.
00:46:59 Of course I've noticed.
00:47:01 But what do you want me to do?
00:47:03 The whole world's got problems.
00:47:05 You're just obsessed by a beautiful young unattainable girl.
00:47:07 So what?
00:47:09 Stop saying things like obsessed and unattainable.
00:47:11 It's love.
00:47:13 OK, it's love.
00:47:15 Go and attain her then.
00:47:17 Sweep her off her feet.
00:47:19 Off her... You're the goalkeeper.
00:47:21 She's the sweeper.
00:47:23 Look, one key question.
00:47:25 Have you spoken to her?
00:47:27 Asked her for a date?
00:47:29 Anything?
00:47:31 Well, do it. Then complain.
00:47:33 If I get a date,
00:47:41 can I borrow your white jacket?
00:47:45 No.
00:47:47 Maybe that's her.
00:47:55 I wonder if Maddy's in?
00:48:03 You mean Madeline. She's out with her mother.
00:48:05 That's a shame. I thought we'd go for a walk.
00:48:07 Maybe I could wait.
00:48:09 Nah, no wages.
00:48:11 Maybe she could phone me later on. She has my number.
00:48:13 Who are you anyway?
00:48:15 You're talking about my sister.
00:48:17 And she doesn't go for walks with anybody.
00:48:19 What's the idea?
00:48:21 Come to people's doors, seducing people's sisters.
00:48:23 Act your age.
00:48:25 Go and break some windows.
00:48:27 Demolish some phone boxes.
00:48:29 See, when I was your age...
00:48:31 You're Gregory, aren't you?
00:48:33 How you feeling? Everything OK?
00:48:35 There's nothing wrong with me, son.
00:48:37 You're the one that should be worried.
00:48:39 Seducing children.
00:48:41 You're a freak.
00:48:43 You're heading for big trouble.
00:48:45 Underage walks, dates.
00:48:47 You'll run out of vices before you're 12
00:48:49 if you don't slow down.
00:48:51 Go on, piss off.
00:48:53 OK, Gregory. Fair enough.
00:48:55 Richard's the name.
00:48:57 Ask Maddy to call me anyway.
00:48:59 The name's Madeline.
00:49:01 Go on, piss off.
00:49:03 Get...
00:49:07 (tapping)
00:49:09 (squeaking)
00:49:35 (meowing)
00:49:37 (howling)
00:49:57 (howling)
00:49:59 (howling)
00:50:01 (howling)
00:50:13 (howling)
00:50:19 (howling)
00:50:21 Had that dream again last night.
00:50:35 That's four nights in a row.
00:50:37 That's really good, that.
00:50:39 (tapping)
00:50:41 (knocking)
00:50:47 Yeah, hold on. I'm in the dark.
00:50:49 What is it?
00:50:57 Can I come in?
00:50:59 You know, I'd make a lousy photographer.
00:51:03 I get scared in the dark.
00:51:05 What do you want?
00:51:07 I just wondered how the snaps turned out.
00:51:09 You know, the ones in the dressing room.
00:51:11 Oh, Dorothy.
00:51:13 I'm working on her just now.
00:51:15 She's a dream to photograph.
00:51:17 Very interesting.
00:51:19 I could really go for this girl in a big way.
00:51:21 Look at that nose.
00:51:23 Very pretty.
00:51:25 Some of the guys reckon that
00:51:27 she's too much like a boy.
00:51:29 I don't. I think she's wonderful.
00:51:33 Or like a boy?
00:51:35 Nah.
00:51:37 She's just modern.
00:51:39 You're right.
00:51:41 It's modern. It's the future.
00:51:43 In another million years,
00:51:45 there'll be no men, no women.
00:51:47 It'll just be people.
00:51:49 It's logical evolution. Evolution is a thing.
00:51:51 No more men or women.
00:51:53 Just a whole world full of wankers.
00:51:55 Drink.
00:51:57 Yeah, this is a modern girl.
00:52:01 Made to be photographed.
00:52:03 Boy, I'd love to get
00:52:05 my wide-angle lens on her.
00:52:07 A low-key light.
00:52:11 A soft fill.
00:52:13 Oh, the face and the body of the '80s.
00:52:15 Could really make that girl.
00:52:17 One elephant, two elephant,
00:52:25 three elephant, four elephant,
00:52:27 five elephant, six elephant.
00:52:29 If you don't put any elephants,
00:52:31 you don't get real seconds.
00:52:33 Ten elephant.
00:52:35 Each print needs an exact exposure.
00:52:39 Ten elephants.
00:52:41 Here she comes.
00:52:47 There you go, you beauty.
00:52:49 Look how quickly Gordon moved in.
00:52:51 He knows what he likes.
00:52:53 I timed it.
00:52:55 No, one elephant, two elephant.
00:52:57 One minute and 50 elephants,
00:52:59 and he had a date.
00:53:01 That's a record, even for him.
00:53:03 What a guy, eh?
00:53:05 What an absolutely incredible guy.
00:53:07 What a guy.
00:53:09 Absolutely.
00:53:11 Give us a photograph, will you?
00:53:13 Oh, I get it.
00:53:15 You fancy her too, eh?
00:53:17 No.
00:53:19 It's for a friend.
00:53:21 Someone really shy.
00:53:23 Just give us a photograph, eh?
00:53:25 This is really expensive.
00:53:27 The chemicals and the paper.
00:53:29 Really expensive.
00:53:31 Twenty pence.
00:53:33 Twenty-five.
00:53:35 No, take it where it is, thanks.
00:53:37 I'll give you a dry one.
00:53:45 Don't want you dripping down the corridor.
00:53:47 Tello.
00:53:51 Dero.
00:53:53 Tello.
00:53:55 Dero.
00:53:57 Hey, are you Gregory?
00:53:59 Yes, me sweetheart.
00:54:01 Who wants to know?
00:54:03 Dorothy.
00:54:05 That's what I said.
00:54:07 She'll be in room nine at break time, okay?
00:54:09 Give us your comb, eh?
00:54:23 No.
00:54:25 Give me your comb.
00:54:27 No.
00:54:29 Come on.
00:54:31 Out.
00:54:41 Tello.
00:54:43 Dero.
00:54:45 Hi, Dorothy. I got your message.
00:54:57 I just wanted to know what you're up to at lunchtime.
00:54:59 Nothing that can't wait a million years.
00:55:01 Will you help me out with some goal practice?
00:55:03 Yeah, sure.
00:55:05 It'll speed things up.
00:55:07 I want to practice some shots at different angles.
00:55:09 I'll bring my compass.
00:55:11 Good.
00:55:13 Well, I'll see you at half twelve then.
00:55:15 Fine.
00:55:17 Good.
00:55:19 See you.
00:55:21 Look at all these men.
00:55:23 Boys.
00:55:25 What's the difference?
00:55:27 Come on, come on. Stop.
00:55:29 I'm on the way, Steve.
00:55:35 It's off the ground. Romance.
00:55:37 It's in the air.
00:55:39 Hi, Paul.
00:55:41 Can I have your white jacket?
00:55:43 No.
00:55:45 I don't want to make a big thing about it.
00:55:47 It's just that the jacket would really help.
00:55:49 I'm not going to be able to get it.
00:55:51 It's just that the jacket would really help.
00:55:53 It'd put the affair off in the proper footing.
00:55:55 Just for one night, eh?
00:55:57 What are you raving on about?
00:55:59 Me. Dorothy.
00:56:01 They. It's in the bag.
00:56:03 She's after me.
00:56:05 She wants me to play with her at lunchtime.
00:56:07 My, my. She wants you to play with her, eh?
00:56:09 How do you do it, Gregory?
00:56:11 Football or playing.
00:56:13 I'm going to be in goals.
00:56:15 Not with my jacket, you won't.
00:56:17 Marlon Kelvin. How's business?
00:56:19 It's alright.
00:56:21 No, the jacket's for later. For the real Pete.
00:56:23 The doughnuts are going like hotcakes, Steve.
00:56:25 But the marzipan almonds don't seem to be as a nice cup of tea.
00:56:27 Tasteless psyllid.
00:56:29 Come on, Steve.
00:56:31 You gave Pete the jacket last week.
00:56:33 Why not me?
00:56:35 That's exactly why, Gregory, old son.
00:56:37 Did you see that jacket the day after?
00:56:39 Grass stains.
00:56:41 I don't know all what kind of stains.
00:56:43 Yeah, but with Dorothy and I,
00:56:45 things would be high class.
00:56:47 No stains. No.
00:56:49 Look, I'll make a deal with you.
00:56:51 You get the date,
00:56:53 sign sealed and delivered.
00:56:55 And then come and see me about the jacket.
00:56:57 Fair enough.
00:56:59 Just keep the doughnuts coming, Steve. We're on the gravy train.
00:57:01 But what the public says is, ease off on the marzipans.
00:57:03 It's a deal.
00:57:05 Do you want to throw in your brown shoes as well?
00:57:07 I could use a persuasive prick like you in the organisation.
00:57:09 Help me offload some marzipan
00:57:13 onto a non-caring population.
00:57:15 Go on, get.
00:57:17 I bought one of these this morning
00:57:19 and it cost me 25 pence.
00:57:21 Come on, I'll see you in a bit.
00:57:23 31 elephant.
00:57:25 32 elephant.
00:57:27 33 elephant.
00:57:29 34 elephant.
00:57:31 35 elephant.
00:57:33 36 elephant.
00:57:35 Don't touch that ravioli, it's garbage.
00:57:37 Ravioli, please.
00:57:39 Here.
00:57:41 Oh, bloody hell.
00:57:43 I'll get you a new one.
00:57:45 I'll get you a new one.
00:57:47 I'll get you a new one.
00:57:49 I'll get you a new one.
00:57:51 I'll get you a new one.
00:57:53 I'll get you a new one.
00:57:55 I'll get you a new one.
00:57:57 I'll get you a new one.
00:57:59 I'll get you a new one.
00:58:01 I'll get you a new one.
00:58:03 Oh, Brenda.
00:58:05 Why don't I join you?
00:58:07 How's lunch?
00:58:09 It's pretty usual.
00:58:11 Meat looks okay.
00:58:13 Uh, bleurgh.
00:58:15 Have you got a tissue?
00:58:17 Bleurgh.
00:58:19 Let's sweet-talk these two, eh?
00:58:23 Good afternoon, ladies.
00:58:29 Hello.
00:58:31 How's the roast beef?
00:58:33 It's veal.
00:58:35 Veal?
00:58:37 Do you know how they make veal?
00:58:39 They get the little baby calves,
00:58:41 and they hang them upside down,
00:58:43 and they slit their throats,
00:58:45 and let the blood drip out.
00:58:47 It's very interesting, isn't it?
00:58:49 Mm.
00:58:51 Mm.
00:58:53 Mm.
00:58:55 Mm.
00:58:57 Mm.
00:58:59 Mm.
00:59:01 Mm.
00:59:03 Mm.
00:59:05 This is great.
00:59:17 You really use it practice.
00:59:19 Thanks.
00:59:23 Good go.
00:59:25 Just kick it out in future.
00:59:27 It'll be much quicker.
00:59:29 Good idea.
00:59:31 Great idea.
00:59:33 Do that the next time, eh?
00:59:35 Great shot.
00:59:37 Got me that time.
00:59:39 Could you stop dancing around so much?
00:59:41 It's very distracting.
00:59:43 How can you judge a shot
00:59:45 dancing around like...
00:59:47 Bleurgh.
00:59:49 Great.
00:59:51 First class.
00:59:53 You know your son, girl.
00:59:55 Haven't got near the ball yet, eh?
00:59:57 Ha ha.
00:59:59 Oh.
01:00:01 Well held.
01:00:03 You OK?
01:00:05 Ha.
01:00:09 Come on, we've only got another hour.
01:00:11 Think I've broke my neck chain.
01:00:13 Come on, come out and tackle me.
01:00:15 Try and block.
01:00:17 Then move back and block some more.
01:00:19 And use your feet.
01:00:21 Don't grab for the ball.
01:00:23 OK.
01:00:25 OK. Keep them coming, Dorothy.
01:00:27 [footsteps]
01:00:29 [music]
01:00:31 [whistle]
01:00:43 [music]
01:00:45 [music]
01:00:47 Off you go, you small boys.
01:01:13 [music]
01:01:15 Of course, you know we're in the wrong place.
01:01:21 You know where we should be?
01:01:25 South America.
01:01:29 There's a town there, and this is a well-known fact,
01:01:33 but do you know the ratio
01:01:35 of women to men?
01:01:37 Eight to one.
01:01:41 It's eight women per one guy.
01:01:43 That's this lot of place for us, eh?
01:01:45 It's called Caracas.
01:01:49 [whistle]
01:01:57 Are you happy and go?
01:01:59 It's OK.
01:02:01 You waste a lot of energy.
01:02:05 No control.
01:02:07 I've got tons left.
01:02:09 Thanks for the practice.
01:02:11 No sweat.
01:02:13 Well, lots of sweat, actually.
01:02:17 But no sweat if you get my meaning.
01:02:21 I'm sorry you missed lunch.
01:02:23 It's OK.
01:02:25 Lunch means nothing to me.
01:02:27 Some nuts.
01:02:29 Some fresh fruit.
01:02:31 Double apple pie and custard?
01:02:33 That kind of thing.
01:02:35 I'm off for a shower.
01:02:37 [breathing heavily]
01:02:39 Dorothy!
01:02:49 I just wanted to say...
01:02:55 any time.
01:02:57 For more practice.
01:03:01 Any time.
01:03:03 Right. Ta.
01:03:05 Also...
01:03:07 would you like to come out with me?
01:03:09 OK.
01:03:11 I'm meaning a kind of date.
01:03:17 I said OK.
01:03:19 Come on, stop fooling around.
01:03:25 I mean a real...
01:03:27 If you're going to argue about it, forget it.
01:03:29 No, no. Fine.
01:03:33 When?
01:03:35 Tonight.
01:03:37 Half past seven.
01:03:39 At the cloakroom plaza.
01:03:41 [knocking]
01:03:57 Yeah?
01:03:59 [knocking]
01:04:01 I just wanted to check.
01:04:07 Yeah?
01:04:09 Tonight.
01:04:11 Tonight? Yeah.
01:04:13 Half past seven.
01:04:15 And you'll be there?
01:04:17 I'll be there.
01:04:19 At the cloak?
01:04:21 At the cloak.
01:04:23 [footsteps]
01:04:25 [knocking]
01:04:41 Yeah? What is it?
01:04:43 Has that boy been bothering you?
01:04:47 Nah. He's harmless.
01:04:49 [door closes]
01:04:51 How's the training been going?
01:05:03 I was practicing some turns on the ball.
01:05:05 I'm not very happy with it.
01:05:07 I think I'm using my feet too much.
01:05:09 That little remark tells me a lot about you, sweetheart.
01:05:11 Now listen.
01:05:13 When you trap a ball,
01:05:15 what you've got to do first and foremost
01:05:17 is kill the energy. You've got to tame it.
01:05:19 Now what do you use to kill a ball's energy?
01:05:21 My feet.
01:05:23 And what else?
01:05:25 My chest.
01:05:27 And?
01:05:29 This! Your gluteus maximus trap, my dear.
01:05:31 Now this is what you do.
01:05:33 Right? You've got a high ball
01:05:35 and a fast ball.
01:05:37 But it's behind you.
01:05:39 And you want to trap it and turn it.
01:05:41 So you let the ball bounce once,
01:05:43 kill the momentum, then...
01:05:45 What's the word?
01:05:47 Reverse up to the ball.
01:05:49 Catch it on the bounce with your...
01:05:51 fleshy paw.
01:05:53 Drop down low on it. And there it is.
01:05:55 But you don't waste time.
01:05:57 You're up on your feet. You turn.
01:05:59 Steady.
01:06:01 And it's yours.
01:06:03 Gee, so bumpy. No, that's really nifty.
01:06:05 Right. You try it and I'll walk you through it.
01:06:07 Ready?
01:06:09 Reverse.
01:06:11 Down. Trap.
01:06:13 Up. Turn. Steady.
01:06:15 Kick.
01:06:17 Reverse. Down. Trap.
01:06:19 Up. Turn. Steady.
01:06:21 Kick. Reverse.
01:06:23 Down. Trap. Up. Turn.
01:06:25 Steady. Kick.
01:06:27 Reverse. Down. Trap.
01:06:29 Up. Turn. Steady.
01:06:31 Kick. Reverse.
01:06:33 Down. Trap. Up. Turn.
01:06:35 Steady.
01:06:37 [Sounds of water]
01:06:39 [Sounds of water]
01:06:41 [Sounds of water]
01:06:43 Remember your neck?
01:06:45 Yeah.
01:06:47 And under your arms?
01:06:49 Yeah, yeah. Everything's under control.
01:06:51 [Sounds of water]
01:06:53 [Sounds of water]
01:06:55 [Sounds of water]
01:06:57 Think you should tell her some jokes?
01:06:59 Maybe.
01:07:01 [Sounds of water]
01:07:03 Do you know any jokes?
01:07:05 Don't tell her they're one of the Batman and Superman.
01:07:08 Sit still.
01:07:15 [laughing]
01:07:17 [drumming]
01:07:19 [drumming]
01:07:21 [drumming]
01:07:23 [drumming]
01:07:25 [drumming]
01:07:27 [drumming]
01:07:29 [drumming]
01:07:51 Hi there.
01:07:53 Oh, hi there.
01:08:03 [drumming]
01:08:05 [drumming]
01:08:07 [drumming]
01:08:09 [drumming]
01:08:11 (clock ticking)
01:08:13 (footsteps)
01:08:16 (footsteps)
01:08:18 (footsteps)
01:08:20 (footsteps)
01:08:23 (footsteps)
01:08:25 (footsteps)
01:08:27 (footsteps)
01:08:29 (footsteps)
01:08:32 (footsteps)
01:08:34 (footsteps)
01:08:36 (footsteps)
01:08:39 (footsteps)
01:08:41 (footsteps)
01:08:43 (footsteps)
01:08:46 (footsteps)
01:08:48 - Hi Gregory.
01:08:49 - Oh Carol.
01:08:51 - Waiting for Dorothy?
01:08:53 - Yeah.
01:08:54 - She's not coming?
01:08:55 - Right, thanks.
01:09:00 (whistling)
01:09:04 - Wrong way.
01:09:07 - Something's on that.
01:09:10 To do with her football, I think.
01:09:12 Is that Steve's jacket?
01:09:15 - No, no.
01:09:17 Steve's has got a stain there.
01:09:20 There's no stain.
01:09:22 - Thanks for the word about Dorothy.
01:09:23 - Ah, it's okay.
01:09:25 Couldn't leave you here all night.
01:09:27 What will you do now?
01:09:29 - Fancy a walk?
01:09:33 - Where?
01:09:34 - Could go up to the sports centre.
01:09:37 - Nah.
01:09:38 I'm pretty hungry though.
01:09:40 - We could go up to Capaldi's and I'll buy you some chips.
01:09:42 - Yeah, okay.
01:09:43 What's going up with you anyway?
01:09:46 (upbeat music)
01:09:49 (upbeat music)
01:09:52 - Gregory!
01:09:58 Hold on a minute.
01:10:00 (upbeat music)
01:10:02 (upbeat music)
01:10:05 (upbeat music)
01:10:07 (upbeat music)
01:10:10 (upbeat music)
01:10:18 (upbeat music)
01:10:23 (upbeat music)
01:10:29 (birds chirping)
01:10:38 - Well, I feel like a human being again.
01:10:41 - Look, I've got to go home.
01:10:44 I really enjoyed the walk.
01:10:46 You go that way, right, and I'll go this way.
01:10:48 See you.
01:10:49 - Hold it, Gregory.
01:10:50 Thought we were going for chips.
01:10:52 - Chips?
01:10:54 Okay.
01:10:56 There you are, 50 pence.
01:10:57 Got lots of chips with that.
01:10:58 Bye.
01:10:59 - Don't be stupid, come on.
01:11:00 You're worse than my dad and he's old.
01:11:02 At least he's getting an excuse for being a prick.
01:11:05 - I'm not a prick.
01:11:06 - You're worse than being a prick.
01:11:08 - Okay, okay.
01:11:09 Put your coat on.
01:11:11 - Oh, no.
01:11:12 Look, come on, Gregory.
01:11:14 All I'm asking for is a walk up to the chip shop.
01:11:17 I've got a date, I'm going away.
01:11:19 I've just got a funny feeling
01:11:21 that something nice might happen up there, so come on.
01:11:25 - Okay, walk ahead.
01:11:27 - Come on, Gregory, hurry up.
01:11:30 We haven't got all night.
01:11:33 (light music)
01:11:36 - Do you really fancy Dorothy?
01:11:46 - Yeah.
01:11:49 - Can you drive?
01:11:51 - No, but everyone's in the family, why?
01:11:53 - Well, it's just that Ricky's whisk got a car.
01:11:55 Dorothy knows him.
01:11:57 He's up at the physical ed college.
01:11:59 - Must be quite old then, eh?
01:12:00 - He's nearly 19.
01:12:02 - 19?
01:12:04 Has he got any hair left?
01:12:06 - Ricky Swift.
01:12:07 Sounds like something out of a comic.
01:12:09 Does he fly through the air like Batman?
01:12:11 (laughing)
01:12:13 Quick, Dorothy, to the rig mobile.
01:12:15 - Okay, calm down, don't wet yourself.
01:12:17 Well, lovely boy, I'm off.
01:12:22 Hey, Margot, there's Gregory.
01:12:24 Dorothy stood him up,
01:12:26 so he's buying everybody chips and telling jokes.
01:12:30 Have fun, Gregory, you can tell him all about it tomorrow.
01:12:33 By the way, pickled onions and dates don't mix.
01:12:38 You might have to do some kissing later on.
01:12:41 Bye.
01:12:42 Well, I'll buy my own chips.
01:12:49 You keep telling jokes.
01:12:50 (light music)
01:12:52 - What's going on?
01:12:58 - I don't know.
01:13:00 I think Margot's after me.
01:13:04 I get that feeling.
01:13:05 - It's a good night, Fran.
01:13:07 Are you taking her up to Country Park?
01:13:11 - I don't know.
01:13:14 I think I should.
01:13:14 - Aye.
01:13:15 - Yeah.
01:13:19 (phone ringing)
01:13:28 - Hello?
01:13:57 It's a fine night, pretty.
01:13:59 You know, there's definitely something in the air tonight, Charlie.
01:14:05 Something in the atmosphere.
01:14:10 (light music)
01:14:13 (light music)
01:14:41 - Relax.
01:14:42 - Where are we going?
01:14:47 - Relax, enjoy it.
01:14:48 - Um, hello.
01:14:52 - What are you up to?
01:15:05 - Nothing, nothing.
01:15:06 Look, what's going on?
01:15:11 - Where are we going?
01:15:12 Where are you and I going?
01:15:15 - I told you to relax.
01:15:16 You can't enjoy yourself if you don't relax.
01:15:20 - I'm just a bit emotional tonight, okay?
01:15:23 - That's okay.
01:15:24 It's fine, nothing wrong with a bit of emotion.
01:15:26 Come on.
01:15:27 (light music)
01:15:31 (light music)
01:15:33 - Hello, Gregory.
01:15:50 What are you up to?
01:15:53 (light music)
01:15:55 - We're just cruising.
01:16:03 - You're all dressed up.
01:16:07 Anywhere to go?
01:16:18 - I've got somewhere to go.
01:16:20 See you tomorrow, Susan.
01:16:22 Relax.
01:16:24 - I believe you're short of a date.
01:16:36 - There was a bit of a mix up earlier on.
01:16:38 It's okay.
01:16:39 - Would you like to spend some time with me?
01:16:45 On a kind of date?
01:16:47 - Look, I'm not very sure what's going on.
01:16:49 - Is this some kind of joke?
01:16:51 All this with Carol and Margot.
01:16:53 It's a joke, isn't it?
01:16:55 - Not a joke.
01:16:57 It's just the way girls work.
01:16:59 They help each other.
01:17:00 - Who's Dorothy?
01:17:02 - Dorothy's a good sport.
01:17:04 Anyway, how about it?
01:17:06 You and me, what do you say?
01:17:08 - Think about it.
01:17:15 Sit down over there and think about it.
01:17:18 - Okay, I can't wait to see you.
01:17:45 - A kind of date?
01:17:46 Did we start right away?
01:17:49 - Yeah.
01:17:50 We'll go to the country park.
01:17:54 It's too nice an evening to sit in a bar.
01:17:56 - Yeah, bar too nice.
01:17:58 - What we'll do is, we'll just walk and talk.
01:18:14 - And we don't even need to talk that much either.
01:18:17 We'll just see how it goes.
01:18:19 - Fine.
01:18:20 - I hope you don't think I do this kind of thing all the time.
01:18:23 - No.
01:18:24 Can we whistle too?
01:18:26 - Yes, we can whistle too.
01:18:27 - Good.
01:18:28 See, if we were going for a drink,
01:18:35 what would you have to drink?
01:18:38 - Ricardi and Coke with ice.
01:18:42 - Same here, with ice.
01:18:44 - There's definitely something in there tonight, Charlie.
01:18:49 That's three women in a row he's had.
01:18:52 - I like your jacket.
01:19:10 - I like your skirt.
01:19:12 - I like your shirt.
01:19:20 - I like your beret.
01:19:26 - Thank you.
01:19:28 - Do you want to swap?
01:19:39 - You know, this is really good.
01:19:41 I'm really enjoying myself.
01:19:43 - Good.
01:19:44 I'm glad we bumped into each other.
01:19:47 - Do you want to dance?
01:19:54 It's really good.
01:19:56 You just lie flat down and dance.
01:19:59 I'll show you what I mean.
01:20:00 I'll start it off and you just join in
01:20:02 when you feel confident enough.
01:20:04 - Okay.
01:20:06 (laughing)
01:20:08 - Just dance.
01:20:13 - Okay.
01:20:14 - I'll tell you something.
01:20:18 And not a lot of people know this.
01:20:19 - Mm-hmm?
01:20:21 - We are clinging to the surface of this planet
01:20:24 while it spins through space at a thousand miles an hour,
01:20:28 held only by the mystery force called gravity.
01:20:31 - Wow.
01:20:32 - A lot of people panic when you tell them that
01:20:34 and they just fall off.
01:20:35 - Oh.
01:20:37 - But I see you're not falling off.
01:20:39 That means you've got the hang of it.
01:20:41 That means that you have got--
01:20:43 - Natural ability.
01:20:45 - Yeah.
01:20:46 A thousand miles an hour, eh?
01:20:51 - Why are boys obsessed with numbers?
01:20:55 - No, they're not.
01:20:56 - They are.
01:20:57 - Don't stop dancing or you'll fall off.
01:21:00 (upbeat music)
01:21:03 (upbeat music)
01:21:06 (upbeat music)
01:21:35 - What are you two up to?
01:21:37 - What are you up to?
01:21:41 - I'm going down to the hospital to do the exposure test.
01:21:45 The flesh tone experiment.
01:21:47 - Oh yeah, the flesh tone experiment.
01:21:49 Of course.
01:21:51 Have you got the right equipment?
01:21:52 - Oh, of course.
01:21:54 400 millimeter lens.
01:21:55 It goes up to 2.8,
01:21:57 which with 700 foot candles, it's, say, 100 yards.
01:22:03 A falling speed of 360.
01:22:05 And a forced process in about 1.5 stops.
01:22:08 - Do you like numbers, Eric?
01:22:09 - Numbers make the world go round.
01:22:12 - How many elephants will you give it tonight?
01:22:19 - They can't have any time exposures.
01:22:21 That would ruin the image definition.
01:22:23 - Don't want to ruin the image definition, eh?
01:22:25 - Right, so that means a fast shutter.
01:22:27 Say at the outside, 120 foot of an elephant.
01:22:32 - Sounds fine.
01:22:33 - Thanks.
01:22:34 - You coming?
01:22:36 - Um, no.
01:22:38 I'd be quite interested in the results, though.
01:22:40 - Put me on advance order on some 8 by 10s.
01:22:43 - Yeah, put me down for six.
01:22:46 Nah, make it half a dozen.
01:22:48 - Listen, I want to tell you something.
01:22:56 Do you know when you sneeze,
01:22:58 it comes out your nose at 100 miles per hour?
01:23:00 - Really?
01:23:02 - Just like that.
01:23:04 - One more number.
01:23:16 11.
01:23:18 Home by.
01:23:19 I've got to be.
01:23:21 - OK, Mr. Spaceman.
01:23:23 I'll walk you home.
01:23:25 - Really?
01:23:30 I don't want to put you to any trouble.
01:23:33 - It's OK.
01:23:35 - If you just want to walk me to the bridge, that's fine.
01:23:38 - No, the way home, I don't mind.
01:23:41 - OK.
01:23:44 I'll do the same for you sometime.
01:23:48 [music]
01:23:50 [music]
01:24:17 - That's good.
01:24:19 You stopped kissing me like I was your auntie.
01:24:22 Nobody's looking.
01:24:24 - What's my auntie going to say when I kiss her at Christmas?
01:24:31 - Say something.
01:24:45 - 342.
01:24:47 - A million and nine.
01:24:53 - How come you know all the good numbers?
01:25:01 Thanks for seeing me home.
01:25:06 When can I see you again?
01:25:12 - Tomorrow, history.
01:25:14 10.30.
01:25:16 - I want a date.
01:25:26 - OK, Mr. Spaceman.
01:25:34 12.30.
01:25:36 Room 17 tomorrow.
01:25:38 We'll talk about it.
01:25:40 - OK.
01:25:42 - 10.40.
01:25:48 - Goodnight, Mr. Spaceman.
01:25:58 - 375.
01:26:09 - 5672.
01:26:11 - How did it go? Are you going to see her again?
01:26:26 - Who? Dorothy?
01:26:30 - Who else?
01:26:32 - Well, maybe Susan, for instance.
01:26:35 - Tell me. I'll hurt you.
01:26:37 - OK. - Tell me. - OK.
01:26:39 - Dorothy didn't show up, but I met Carol, and then Margot, and then Susan.
01:26:43 She's lovely.
01:26:45 We went into the park.
01:26:47 I think she likes me.
01:26:49 I'll see her tomorrow.
01:26:51 - Did you kiss her? - No.
01:26:53 Maybe tomorrow. - You liar!
01:26:55 I saw you. You kissed about 50 times.
01:26:57 - Shh, shh, shh. You'll wake the mate up and beat her.
01:27:00 - I'd better kiss you too, then.
01:27:04 - It's hard work being in love, eh?
01:27:06 Especially when you don't know which girl it is.
01:27:08 - Yeah. I'll work on it.
01:27:11 - Who's going to be Gregory's girl?
01:27:13 - You are.
01:27:16 - Oh.
01:27:18 [piano music]
01:27:33 [train whistle]
01:27:36 - Come on, Andy, let's go home.
01:27:50 That's not the way you spell "Caracas" anyway.
01:27:58 - What?
01:28:00 What do you mean?
01:28:02 - "Caracas" is spelt with an "A".
01:28:06 C-A-S, not C-U-S.
01:28:09 - Why didn't you tell me that before?
01:28:13 Could you not have told me that four hours ago?
01:28:16 We'd be standing here waiting here for you.
01:28:19 - Come on, let's go home.
01:28:28 - Come on, we can start again tomorrow.
01:28:31 There's some nice girls in third year.
01:28:35 They always go for the older guys.
01:28:38 At least the nice ones do.
01:28:41 There's even a couple of adults in second year.
01:28:45 I saw them in the dining hall.
01:28:47 June and Louise.
01:28:49 Andy, I think everything's going to be all right.
01:28:54 [music fades]
01:28:56 [upbeat music]
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