Category
🎥
Short filmTranscript
00:00:00 [Music]
00:00:07 [Music]
00:00:14 [Music]
00:00:21 [Music]
00:00:28 [Music]
00:00:35 [Music]
00:00:42 [Music]
00:00:49 [Music]
00:00:56 [Music]
00:01:05 [Police radio chatter]
00:01:09 Yes sir, Wrigley Field, front of stadium.
00:01:12 Correct. We'll take care of it.
00:01:14 Los Angeles Police Department.
00:01:16 Captain Anderson, just a minute please.
00:01:18 Just a minute, I'll connect you.
00:01:20 [Police radio chatter]
00:01:23 [Phone rings]
00:01:27 Cordell Homicide.
00:01:30 Wrigley Field.
00:01:32 561.
00:01:34 Check.
00:01:36 Don't tell me somebody held up the ballpark.
00:01:38 Robbery and shooting.
00:01:41 They don't even give you a chance to digest your lunch.
00:01:44 Fine, you work better on a full stomach.
00:01:49 [Cheering]
00:01:58 [Police radio chatter]
00:02:00 It's going to be close.
00:02:02 There goes Williams. He slides.
00:02:04 [Cheering]
00:02:14 It's low and outside.
00:02:16 There's the throw to second base, trying to pick off Williams, but he's back in plenty of time.
00:02:22 Desmond steps out of the battering box.
00:02:25 Third on his hand.
00:02:28 Back in the box.
00:02:31 He's all set.
00:02:33 Here comes Hudson's next pitch.
00:02:35 Desmond swings. He hits it off right here.
00:02:37 It's a hit.
00:02:39 Here comes Williams. He's routing third.
00:02:41 He's heading for home.
00:02:43 Here comes the throw.
00:02:45 It's going to be close, but it's cut off.
00:02:47 The throw is at the second. Trying to get Desmond.
00:02:49 He slides. He's out.
00:02:51 That makes two outs and three runs in.
00:02:54 What's happened, Evans?
00:02:56 Nothing. We've been almost both alone.
00:02:58 How do you like that, another one?
00:03:00 Some crank is sure having fun with the taxpayers' money.
00:03:03 Rowley swings. It's a grounder. A grounder to shortstop.
00:03:06 He's up with a throw to first. He's out.
00:03:09 Sides retired.
00:03:11 The Bijoux Theater on Main Street.
00:03:13 Four hits and one error.
00:03:15 [music]
00:03:44 [cheers]
00:03:47 [music]
00:04:07 [cheers]
00:04:10 [music]
00:04:17 Hello, Dave.
00:04:19 I figured I'd find you here.
00:04:21 I thought you told me that you were all washed up with this thing.
00:04:24 Ah, it's the other way around.
00:04:26 And what do you hang around for?
00:04:28 Look, Dave, I know she's strictly high rent and I'm broke, but I can't forget her that easy.
00:04:32 You really got it bad, haven't you?
00:04:34 Yeah, bad. I loved her enough to marry her.
00:04:36 I still do. You blame me?
00:04:39 I suppose some guys might go for her.
00:04:42 Some guy did behind my back.
00:04:44 I don't know who the creep is, but I'd sure like to lay my hands on him.
00:04:48 Yeah, I know. You better lay your hands on some money first.
00:04:51 That'll take care of some of your problems anyway.
00:04:54 That'll take care of all of my problems.
00:04:56 Come on, I want to talk to you.
00:04:58 She comes high, but she's worth it.
00:05:00 Yeah, let's go.
00:05:02 [applause]
00:05:11 How about those guys you were going to line up?
00:05:13 I got them. Two of the best.
00:05:16 How much did you tell them?
00:05:18 Nothing. Just that it's big.
00:05:21 Good.
00:05:23 Have them at your place tomorrow night, ten o'clock.
00:05:26 Okay. I'll try to set it up.
00:05:28 If anything goes wrong, I'll call you.
00:05:30 I'll have a new number.
00:05:32 You gonna move again?
00:05:33 Yeah, tonight. The Valley Motor Court.
00:05:36 Sunset 7, 2-1-3-1.
00:05:39 I'm registered under the name of Martin Bell.
00:05:41 Don't write that down.
00:05:43 I'm gonna forget it. You move so often.
00:05:46 I don't like things written down.
00:05:48 Memorize it. Sunset 7, 2-1-3-1.
00:05:52 Okay. Okay.
00:05:56 Hey, Vonn. Wait a minute, Dave.
00:05:58 Baby, I want you to meet a friend of mine. Dave Purvis.
00:06:01 Hello.
00:06:02 How are you? The wife.
00:06:03 I've got to get right back, Benny.
00:06:04 Nice to meet you.
00:06:05 Oh, don't rush on my account.
00:06:07 I was just leaving anyway. See you later.
00:06:09 So long, Dave. Oh, please, baby. I want to talk to you.
00:06:13 Sit down.
00:06:14 I told you it's no use, Benny. Talk's no good.
00:06:16 No? What would you say if I hit the jackpot?
00:06:19 I wouldn't know what to say. It'd be such a shock.
00:06:22 Well, I'm on to something real big.
00:06:25 If you'll just be a little patient.
00:06:27 See what I mean? Talk, talk, talk.
00:06:29 For Pete's sake, Benny, why don't you stop bothering me?
00:06:31 Just a minute.
00:06:33 You seem to forget that we're still married.
00:06:36 As if I could forget.
00:06:38 [chatter]
00:06:41 [music playing]
00:07:03 [door buzzer]
00:07:05 Mind if I come in, honey?
00:07:18 What do you think?
00:07:20 I see your movie again.
00:07:30 That's right, tonight.
00:07:32 Why do you move so often?
00:07:34 It's a habit with me.
00:07:37 Like you are.
00:07:39 Say, these are good-looking shirts.
00:07:42 Why do you cut the labels off?
00:07:44 Same reason I keep moving.
00:07:46 I don't like labels. No loose ends, babe.
00:07:50 You're the careful type guy, aren't you?
00:07:52 Yeah, real careful.
00:07:54 And clean as a whistle.
00:07:55 No record, baby. Not even a parking ticket.
00:07:59 This time, I'm going to be extra careful.
00:08:01 This is the big one.
00:08:04 I think I like the careful type.
00:08:06 What are you doing about Benny?
00:08:14 At the moment, I happen to need him.
00:08:16 But he's expendable.
00:08:18 You're not.
00:08:20 I'm sorry I can't stay, Dave.
00:08:22 I'm late for the show now.
00:08:25 I'd better leave.
00:08:27 Okay.
00:08:29 It won't be long until we're leaving together.
00:08:33 Getting impatient?
00:08:34 You bet I am.
00:08:36 So am I.
00:08:38 Come in.
00:08:54 Hello, Benny.
00:08:55 Hi.
00:08:56 Meet the boys.
00:08:58 These are the guys I was telling you about.
00:09:00 Al Mapes, Ace Foster.
00:09:02 How are you?
00:09:03 Have a seat. Let's get acquainted.
00:09:04 Come on over here, fellas.
00:09:06 How do you take it? Straight or with soda?
00:09:12 I like it straight.
00:09:13 Okay.
00:09:14 I think we'd all like it straight.
00:09:15 He doesn't mean no whiskey.
00:09:17 I've been a little stingy with the words.
00:09:19 Okay.
00:09:24 The stake we're going for is about a half a million bucks cash.
00:09:27 Only it's a one-shot deal.
00:09:29 All or nothing in three minutes after the strike.
00:09:31 Never mind the build-up. Benny gave us that.
00:09:34 You, uh, planning on grabbing this dough from the bank?
00:09:37 You might call it that.
00:09:38 Only this bank happens to have wheels under it and very few guards.
00:09:42 Sounds like an armored car job.
00:09:45 I could be wrong.
00:09:46 You happen to be right.
00:09:48 Doesn't sound good.
00:09:51 I don't like the odds.
00:09:53 You can count me out, too.
00:09:54 I'm not ready for a fast 60-buck funeral.
00:09:57 Just a minute, Ace.
00:09:58 A guy got away with it back in Chicago about three years ago.
00:10:01 Yeah, I remember that.
00:10:03 But that happened to be Chicago.
00:10:05 And that was a Dave Purvis job.
00:10:07 Let me ask you a question.
00:10:09 Supposing it was Dave Purvis figuring this strike, would it sound better?
00:10:12 All right. So what would sound better?
00:10:13 Come from a guy who knows the ropes or what?
00:10:15 Don't you get it, you clucks?
00:10:17 Dave Purvis is figuring this job.
00:10:22 How about the odds now, Maves?
00:10:24 They sound much better. Keep talking.
00:10:30 First, you better know that I'm taking half of everything we get.
00:10:33 The rest of you go on equal shares.
00:10:35 That clear?
00:10:36 Check.
00:10:37 Where do we go from there?
00:10:38 I can show you better than I can tell you.
00:10:40 In here.
00:10:42 This is the layout.
00:10:43 Wrigley Field, where we pull the strike.
00:10:45 Plenty neat.
00:10:46 Why Wrigley Field? They haven't got that kind of dough there.
00:10:51 That's a good question.
00:10:52 The dough we pick up at the ballpark is not important.
00:10:54 What we're after is the ballpark.
00:10:56 And the ballpark is the place where we get the ball.
00:10:58 And the ballpark is the place where we get the ball.
00:11:00 And the ballpark is the place where we get the ball.
00:11:02 And the ballpark is the place where we get the ball.
00:11:04 And the ballpark is the place where we get the ball.
00:11:06 And the ballpark is the place where we get the ball.
00:11:08 And the ballpark is the place where we get the ball.
00:11:10 What we're after is the load on that truck.
00:11:12 The cash receipts from bank transfers, markets, and theaters.
00:11:17 Wrigley Field happens to be the last stop on their run.
00:11:20 Also, it's the easiest place for us to operate.
00:11:22 You can take my word for that. I checked them all.
00:11:25 We're still listening.
00:11:26 We've got three minutes to pull the whole deal.
00:11:29 Someone is going to spot us and send for the cops.
00:11:32 I've already timed that.
00:11:33 Suppose we haven't finished and there's still dough in the truck.
00:11:37 We leave it.
00:11:38 I don't want anybody to get sticky-fingered after the time is up.
00:11:41 Is that clear?
00:11:42 Yeah. Yeah.
00:11:44 When do you figure on going on this?
00:11:45 Next Tuesday.
00:11:47 We've got a lot of work to do.
00:11:49 You boys are going to study this routine till it comes out your ears.
00:11:52 Now, the armored car will be coming along here.
00:11:58 [indistinct chatter]
00:12:02 [truck engine]
00:12:06 [indistinct chatter]
00:12:10 [indistinct chatter]
00:12:14 [indistinct chatter]
00:12:17 [truck engine]
00:12:27 [indistinct chatter]
00:12:40 [truck engine]
00:12:43 [indistinct chatter]
00:12:48 [truck engine]
00:13:06 [indistinct chatter]
00:13:09 [truck engine]
00:13:18 [truck engine]
00:13:22 [indistinct chatter]
00:13:33 [indistinct chatter]
00:13:36 [truck engine]
00:13:40 [indistinct chatter]
00:13:45 [truck engine]
00:13:54 [indistinct chatter]
00:13:58 [truck engine]
00:14:01 Police Department. I want to report a hold-up.
00:14:08 Wrigley Field.
00:14:09 Units two-seven and two-eight.
00:14:14 In four-five district.
00:14:16 Investigate a five-six-one.
00:14:18 In four-five district.
00:14:20 Investigate a five-six-one.
00:14:22 Ballpark again.
00:14:24 You know what they say about lightning?
00:14:26 Well, I could be wrong.
00:14:28 Six will get you ten.
00:14:30 [truck engine]
00:14:33 Cops! Something went wrong. Get out!
00:14:44 [gunshots]
00:14:47 [gunshots]
00:14:50 [gunshots]
00:14:54 [gunshots]
00:14:58 [gunshots]
00:15:02 [gunshots]
00:15:07 [gunshots]
00:15:11 [truck engine]
00:15:16 [truck engine]
00:15:20 [groaning]
00:15:23 [tires screeching]
00:15:32 [truck engine]
00:15:47 [tires screeching]
00:15:50 [tires screeching]
00:15:54 [tires screeching]
00:15:57 [tires screeching]
00:16:03 Special Unit twelve. Cordell.
00:16:15 Code three.
00:16:17 Officer needs help. Wrigley Field.
00:16:19 A two-eleven major.
00:16:21 Notify all units.
00:16:23 Be on the lookout for black forty-six sedan.
00:16:26 License California.
00:16:28 First three numbers. Five, Jason, eight.
00:16:31 Heading east. Forty-first street at San Francisco.
00:16:34 Instruct all units. These men wanted for armed robbery.
00:16:38 And set up immediate roadblocks on all main arteries from city.
00:16:42 [truck engine]
00:16:45 I'd like to see Lieutenant Phillips, if I may go in, please.
00:17:04 Are you a member of the family?
00:17:06 I'm from police headquarters. I'm Lieutenant Cordell. He's a friend of mine.
00:17:09 Just a moment, Lieutenant.
00:17:11 [door opens]
00:17:14 I'm Dr. Leslie.
00:17:25 Go ahead. Tell me.
00:17:28 We couldn't save him, Lieutenant.
00:17:30 I'm sorry.
00:17:33 Was anyone with him?
00:17:35 His wife. She's in the waiting room. In there.
00:17:40 Thank you.
00:17:43 Tough break, Marsha.
00:18:02 For you, too?
00:18:06 Yeah.
00:18:09 I know how you feel, Jim.
00:18:12 You were partners for years.
00:18:15 Yeah.
00:18:18 You kind of get used to a guy.
00:18:21 I know.
00:18:24 Marsha, I just want to say...
00:18:29 I'm sorry.
00:18:32 Marsha, I just want to say...
00:18:35 Well, if there's anything you need, you know where I am.
00:18:43 Thanks, Jim.
00:18:46 How's she taking it, Lieutenant?
00:18:58 She'll be all right. What do you want, Ryan?
00:19:00 We found the getaway car.
00:19:02 They ditched it underneath the Slauson Avenue bridge near the riverbed.
00:19:05 Good.
00:19:07 And I better tell you the rest of it.
00:19:10 Well?
00:19:11 I've been assigned to work at the end of case.
00:19:14 So you're replacing Phillips, huh?
00:19:17 Yes, sir.
00:19:19 That's just dandy.
00:19:22 I'll be right back.
00:19:25 What did they leave us beside the getaway car?
00:19:40 Quite a bit. Gas masks, painters' coveralls.
00:19:43 Looks like they changed clothes down here.
00:19:45 What about fingerprints?
00:19:47 Some smudgy ones that nobody can read.
00:19:49 The guy wearing this got flood. Note the hole.
00:19:52 I see it. I put it there.
00:19:54 Hey, Lieutenant, you better take a look in here. Somebody lost a lot of blood.
00:19:58 Not enough to suit me.
00:20:00 We found some more blood over here, Lieutenant.
00:20:02 Apparently, whoever got shot rested against that wall.
00:20:05 It's bloodied up all right.
00:20:08 Somebody must have lifted him.
00:20:10 There's two sets of prints.
00:20:11 Footprints end over there, where they had another car stashed.
00:20:15 71 and 78 clear.
00:20:18 Numbers one and two, no warrant.
00:20:20 Did we get a rundown on the second car?
00:20:23 178, Sanchez and Cloverdale.
00:20:26 Tread quite worn. Front and rear wheels 116 inches apart.
00:20:30 Measuring the indentations on the ground, I'd say the weight was around 3,000 pounds.
00:20:35 That's a small car.
00:20:39 [Engine rumbling]
00:20:42 We got to do something about him. He's gawking out.
00:20:52 How is it now?
00:20:54 Got to get patched up, Dave. Can't we stop someplace?
00:20:58 We'll stop when we get to the shack in about ten minutes.
00:21:01 Hey, there's something up ahead.
00:21:06 That's a roadblock. Slow down.
00:21:08 I'm not going through any roadblocks.
00:21:10 Keep going.
00:21:11 You get nailed, not me. I'm turning around.
00:21:14 What's that? You can't turn around here.
00:21:21 I didn't want to get mixed up in that traffic.
00:21:24 We're a little late for our shift.
00:21:26 Get in that line and keep moving.
00:21:28 Okay.
00:21:31 [Engine rumbling]
00:21:34 Nice going, you knucklehead. Now keep in line.
00:21:39 They'll never get through that blockade. They'll spot Penny in a minute.
00:21:42 Come on. Snap out of it.
00:21:45 We're all in a jam. Do you hear me?
00:21:47 It's no use, Dave. It's no use.
00:21:49 Come on. Pull yourself together.
00:21:52 We got to bluff this out, all of you.
00:21:56 [Radio chatter]
00:21:59 He perversed. He's fooled.
00:22:10 Penny, hang on.
00:22:13 Okay.
00:22:16 [Radio chatter]
00:22:19 What's the matter?
00:22:23 Where are you heading?
00:22:24 Terminal shipyards.
00:22:25 Trunk open?
00:22:26 I don't know.
00:22:27 Let's have the key.
00:22:30 Anything wrong?
00:22:37 16-T, phone your station.
00:22:40 134, OK-7.
00:22:43 19, roger.
00:22:44 What's this all about, officer? You looking for something?
00:22:47 132-T, notification has been made.
00:22:52 13, come in.
00:22:53 All right, move along. Thanks.
00:22:57 [Engine whirring]
00:23:00 [Engine whirring]
00:23:03 [Engine whirring]
00:23:30 Come on, step on it.
00:23:33 Attention, all units. New bulletin on armored car bandits.
00:23:44 Description of car being used now as follows.
00:23:48 Small sedan, standard make, license not available.
00:23:53 Hey, Roe, what's that on your leg?
00:23:56 Must have come off that last car we checked.
00:23:59 Say, that's blood. How do you like that?
00:24:02 Hey, Chandler, that black sedan is the one we want, heading south.
00:24:07 [Engine whirring]
00:24:12 [Siren wailing]
00:24:17 [Siren wailing]
00:24:20 [Siren wailing]
00:24:32 Unit 11, roger.
00:24:43 That's your seventh cup of coffee. You'll be awake for a year.
00:24:46 Just put some fire under the pot. This is cold.
00:24:49 Yes, sir.
00:24:50 Unit 16, okay.
00:24:52 Unit 13, roger.
00:24:54 - Lieutenant Cordell? - Yes.
00:24:56 My name is Bronson. I represent Pacific State's insurance company.
00:25:00 I looked for you at the headquarters. They told me I could find you down here.
00:25:03 What's on your mind, Mr. Bronson?
00:25:05 Well, you see, my firm has the policy on the L.A. Armored Car Company.
00:25:08 And we stand to take a big loss...
00:25:10 You're worried about your money, is that it?
00:25:12 That's it exactly.
00:25:13 If they collect their insurance, it'll be the biggest claim that my company has ever had to pay.
00:25:17 You know, that's quite a coincidence.
00:25:19 A friend of mine, a police officer, he had insurance, too.
00:25:22 His widow is gonna collect it.
00:25:24 I heard about that. I'm sorry.
00:25:26 But as I was saying, my company stands to put out over $400,000.
00:25:31 So, you see, we're more than anxious to cooperate.
00:25:34 Isn't there something that we can do?
00:25:37 Yeah, come to think of it, there is something you can do.
00:25:40 Really? What is it?
00:25:42 Get out of our hair and let us work. We're doing everything we can.
00:25:45 Anything develops, we'll let you know.
00:25:47 Well, if there's anything...
00:25:48 Good night, Mr. Bronson.
00:25:49 Good night, Lieutenant.
00:25:51 Sorry I brought it up.
00:25:52 Yeah, that makes two of us.
00:25:54 What's his trouble?
00:26:01 Money. What's yours?
00:26:02 Lack of it.
00:26:03 They're bottled up inside that circle.
00:26:07 There's no way out.
00:26:08 Not unless the car sprouts wings.
00:26:10 I know for sure they couldn't get through San Pedro or Long Beach.
00:26:14 Or north or east.
00:26:16 Well, the next move's up to them.
00:26:20 It's all right.
00:26:21 [HORN BLOWING]
00:26:23 [HORN BLOWING]
00:26:38 [HORN BLOWING]
00:26:40 Take it easy.
00:26:53 How's Benny?
00:27:00 Not so good.
00:27:01 Come on, let's take a look at him.
00:27:04 [PANTING]
00:27:06 He's worse, Purvis. He needs a doc.
00:27:10 I don't care if he needs a hospital.
00:27:12 All he's gonna get is first aid.
00:27:14 Let's get out of here.
00:27:15 Dave, listen to me.
00:27:17 I can't go with you like this.
00:27:19 You've got to get me a doc.
00:27:20 I told you that was out.
00:27:22 Forget about it.
00:27:24 We'll get you patched up later.
00:27:26 Get him a slug of whiskey. We're wasting time.
00:27:32 Here, Benny. Have a drink of this.
00:27:34 Al, talk to Dave.
00:27:41 Make him get me a doc.
00:27:42 Yeah, I will.
00:27:43 Make him.
00:27:44 You take it easy. I'll be back.
00:27:46 I don't think he's gonna pull through, Purvis.
00:27:51 Well, that's his tough luck.
00:27:52 He knew the chance he was taken.
00:27:54 We stalled long enough.
00:27:55 We could have been halfway to Mexico and out of trouble if it hadn't been for him.
00:27:59 I'll light off a boat of jelly.
00:28:02 Will you quit holding the weight for the guy?
00:28:03 If he kicks off, we'll bury him at sea.
00:28:05 You can do your moaning then.
00:28:06 Don't move.
00:28:07 Any of you.
00:28:09 I want to get me a doc.
00:28:11 Don't try to stop me, Dave.
00:28:13 Hand over my share of the dough.
00:28:17 Hand it over.
00:28:19 You're making a bonehead play, Benny.
00:28:21 They'll pick you up shore.
00:28:23 You'll get us all in a jam.
00:28:24 I'm in a jam now.
00:28:25 I'm dying.
00:28:26 Hurry up.
00:28:27 Hurry up.
00:28:29 Okay, Benny.
00:28:30 Anything you say.
00:28:32 You'll get everything you're entitled to.
00:28:34 What are you staring at?
00:28:45 Pick him up.
00:28:47 What'll I do with him?
00:28:48 Put him in the car.
00:28:49 We gotta get rid of it anyhow.
00:28:51 It's hot and so is he.
00:28:53 No loose ends, boys.
00:28:55 You gonna ditch the car with him in it?
00:28:57 Maybe you'd rather bring him along for company.
00:29:00 Come on.
00:29:01 Don't be all night about it.
00:29:03 You better stay out.
00:29:26 Purpose has got all the dough.
00:29:27 Okay, but get back as fast as you can.
00:29:29 Get back.
00:29:49 What are you doing here?
00:29:50 I thought you were gonna help Foster.
00:29:51 Oh, he can handle that alone.
00:29:53 Besides, I want to find out something.
00:29:55 Yeah?
00:29:56 What about Benny's cut?
00:29:57 What about it?
00:29:58 Well, he's out, so I figured we'd split three ways.
00:30:02 Well, you figured wrong.
00:30:03 No, I did.
00:30:04 Well, maybe you can give me a good reason.
00:30:05 I can give you two good reasons.
00:30:07 First, Benny had a wife.
00:30:09 I'm gonna see that she gets his whole share.
00:30:11 Well, ain't that just dandy?
00:30:12 Big-hearted Purpose playing Santa Claus to his pal's widow.
00:30:16 A burlesque queen.
00:30:18 You got a big mouth, Mapes.
00:30:19 I don't like your conversation.
00:30:21 Oh, I hit the bullseye.
00:30:23 You know, she is a pretty slick number.
00:30:25 I understand her heart didn't exactly belong to Benny.
00:30:29 Maybe you owe her that dough, huh, Purpose?
00:30:31 I told you how it's gonna be.
00:30:33 Get used to the idea.
00:30:34 Wait a minute.
00:30:35 You said there was another reason.
00:30:37 There is.
00:30:44 Want any more reasons?
00:30:55 I'm gonna go.
00:30:58 [door opens]
00:31:00 [wind howling]
00:31:15 [splash]
00:31:18 [water splashing]
00:31:33 Dorchester Avenue, in the alley of 307.
00:31:36 573 Dorchester Avenue, in the alley of 307.
00:31:43 137A, no make.
00:31:47 1874577 Hamilton Way.
00:31:51 Need an officer.
00:31:53 4577 Hamilton Way.
00:31:56 Need an officer.
00:31:58 Car 6 to Control.
00:32:00 Car 6 to Control.
00:32:01 Go ahead, Car 6.
00:32:02 We're down at Pier 5.
00:32:04 A car just went off the pier.
00:32:06 Can you describe the car?
00:32:08 A small black sedan.
00:32:10 Stand by. We'll be right down.
00:32:12 Special Agent 11, repeat the second street only.
00:32:17 Do they match?
00:32:18 Well, for my money they do.
00:32:21 What do you think?
00:32:23 Well, they turned in here.
00:32:26 Follow these tire marks.
00:32:28 Not too fast.
00:32:29 Listen.
00:32:30 Kill the lights.
00:32:31 [music]
00:33:00 [motor]
00:33:04 Come on.
00:33:05 [motor]
00:33:15 [horn]
00:33:21 [thud]
00:33:25 [horn]
00:33:38 [horn]
00:33:45 [horn]
00:33:49 [horn]
00:34:02 We gotta make a run for it, one at a time.
00:34:04 You go first, Mavis. Get to the boat.
00:34:06 Foster, you go next.
00:34:08 Now be ready.
00:34:09 The minute you see me, start the motor.
00:34:11 Get going.
00:34:12 [gun cocking]
00:34:13 [thud]
00:34:15 [horn]
00:34:24 [horn]
00:34:34 [horn]
00:34:44 [horn]
00:34:54 [horn]
00:35:08 [gunshots]
00:35:18 [gunshots]
00:35:23 [gunshots]
00:35:32 Notify the harbor patrol.
00:35:34 [horn]
00:36:00 Morning paper, read all about the big robbery.
00:36:04 Morning paper, read all about the big robbery.
00:36:09 Just came in, Miss Ledoux. It's the midnight.
00:36:11 Thanks.
00:36:12 Morning paper.
00:36:13 Paper, mister.
00:36:15 Read all about the big robbery.
00:36:17 Morning paper.
00:36:20 [music]
00:36:35 [music]
00:36:56 Hello, baby.
00:36:57 Everything all right, Dave?
00:36:58 Yes and no. Did you read the papers?
00:37:00 Was it anybody I know?
00:37:02 One of them was.
00:37:04 I'm afraid to guess.
00:37:06 How does it feel to be a free woman?
00:37:09 Just the same.
00:37:11 Where will I meet you, Dave?
00:37:12 The new place.
00:37:14 Take good care of yourself, honey.
00:37:16 [music]
00:37:35 [boat engine]
00:37:55 [music]
00:38:12 Good to see you, baby.
00:38:16 Tell me what happened, honey.
00:38:18 I guess we had a little more excitement than we planned.
00:38:20 As long as you're here, that's all I care about.
00:38:22 I brought a little something back with me.
00:38:25 Sort of a souvenir.
00:38:27 [music]
00:38:35 Well.
00:38:37 Pretty, aren't they?
00:38:41 These are the prettiest pictures I've ever seen.
00:38:43 Yeah, and there's an awful lot of them, too.
00:38:45 You certainly made up. Where was your end of the deal?
00:38:48 As a matter of fact, that was the only end of the deal.
00:38:51 Don't tell me there wasn't a split.
00:38:53 We planned to have one.
00:38:54 We just didn't seem to get around to it.
00:38:56 And you know, I completely forgot to give Mapes my forwarding address.
00:39:00 Who's Mapes? One of your partners?
00:39:02 Yeah, you might say he's my only remaining partner.
00:39:07 I sure feel sorry for him.
00:39:10 Yeah, I bet your little heart is breaking.
00:39:13 Well, here's to money.
00:39:16 And time to spend it.
00:39:18 [music]
00:39:22 Too bad Benny won't be around for the big payoff, huh?
00:39:26 Yeah.
00:39:28 Yeah, isn't it?
00:39:29 What's the matter, honey? You look worried.
00:39:31 We've got to be awful careful from now on.
00:39:34 They've got nothing on me, but you might have a few uninvited guests,
00:39:37 the kind that wear badges.
00:39:39 You mean they might check up on me through Benny?
00:39:41 They probably will.
00:39:43 I can't risk seeing you anymore till we leave town together.
00:39:45 When do you get through with the theater?
00:39:47 In two weeks. I have to get them notice.
00:39:49 Don't. Wait till the last minute. I'll tell you when.
00:39:52 I hate to say this, but you better start getting used to being lonesome.
00:39:57 [music]
00:40:01 Hi, Lieutenant. Here's the stuff you wanted to see.
00:40:16 Criminal record of the late Benjamin McBride,
00:40:18 now cooling his heels in a county morgue.
00:40:20 Meet Benny.
00:40:22 Age 35, born in Seattle, grand theft daughter,
00:40:25 one at Portland robbery warehouse, two priors, same city.
00:40:28 Warrant issued San Diego, assault with deadly weapon, suspect.
00:40:31 If you want the rest of the stuff, we'll be here all night.
00:40:33 Spare me.
00:40:35 You'll be interested in this too.
00:40:37 Willie Mace Foster, before he was air conditioned.
00:40:39 Well, that's two out of the running.
00:40:43 This one's still running.
00:40:45 Albert Mapes, alias Rocky.
00:40:47 Benny's sidekick, Foster's pal.
00:40:49 They served time together, worked on jobs together.
00:40:51 He'd be worth questioning.
00:40:53 Okay, send out an all points on him, pick him up right away.
00:40:58 You don't seem very pleased, Lieutenant.
00:41:00 I thought my hunch on Mapes was pretty good.
00:41:02 If you want to call an obvious conclusion a hunch, that's your business.
00:41:05 But I figured...
00:41:06 Look, Sonny, these are petty hoodlums.
00:41:08 It's Benny Foster, Mapes.
00:41:10 A job like this was over their heads.
00:41:12 They need somebody to think for them.
00:41:14 That somebody's our fourth man.
00:41:16 Yeah, I guess you're right. But he's a complete blank.
00:41:18 Yeah, he's liable to remain one unless we get lucky.
00:41:22 Start with Benny.
00:41:24 -Local boy, huh? -Yes, sir.
00:41:27 Let's check some of these addresses.
00:41:32 (car engine rumbling)
00:41:33 Aged in a glass bourbon.
00:41:44 These friends of his, how many would you say there were?
00:41:47 Couldn't say.
00:41:48 This last week, the place was full of them.
00:41:51 Talking and drinking till all hours.
00:41:53 Hey, Lieutenant, can you step in here a minute, please?
00:41:56 (doorbell ringing)
00:42:00 (doorbell ringing)
00:42:01 Looks like Benny really was living.
00:42:08 Your loving baby.
00:42:10 Nice, huh?
00:42:11 Ever see her around here?
00:42:14 No.
00:42:16 Never seen any women here.
00:42:18 Theatrical photos should be easy to trace.
00:42:20 -Give me. -That's my department.
00:42:22 Okay, give it a rundown with the casting offices and the booking agencies.
00:42:25 I guarantee good results.
00:42:26 Wait a minute.
00:42:29 Yes, sir?
00:42:30 Put in a call for the fingerprint crew. Get them up here right away.
00:42:33 Yes, sir.
00:42:34 What happened to the shade? It's gone.
00:42:43 Well, that's funny.
00:42:45 He never told me it was busted.
00:42:47 He never told you a lot of things, Mrs. Page. I wish he had.
00:42:50 Well, I asked him a couple of times what he'd done for a living, but he never told me.
00:42:54 He was awful private about his business.
00:42:57 (car horn honking)
00:42:58 I'm sorry, Lieutenant. The place is so untidy.
00:43:14 You wouldn't let me in lately or I'd have cleaned it up.
00:43:16 Cleaned it?
00:43:18 Mrs. Page, I'm glad you didn't.
00:43:20 Valley Motor Court.
00:43:22 Valley Motor Court?
00:43:23 Thank you.
00:43:25 Thank you very much.
00:43:26 (door closes)
00:43:27 (car horn honking)
00:43:34 (car horn honking)
00:43:35 (car horn honking)
00:43:36 (car horn honking)
00:43:54 (car horn honking)
00:43:55 I think he's in.
00:44:13 I didn't see him go out anyhow.
00:44:15 (knocking)
00:44:21 Mr. Bell?
00:44:23 Mr. Bell, are you in?
00:44:24 There's a gentleman out here who wants to see you.
00:44:26 (knocking)
00:44:28 Here's your pass key.
00:44:30 Yes, sir.
00:44:32 Is this guy just checking in or just checking out?
00:44:44 Neither. He's been here about three days and he's paid up for a week.
00:44:48 (car engine rumbling)
00:44:49 Did he have a car?
00:45:01 No. Said he didn't drive. Always used cabs.
00:45:04 Say he checked in about three days ago.
00:45:12 I think so, but I can look it up.
00:45:13 Yeah, do that. I want to look at the register.
00:45:16 You can get that while I'm looking the room over.
00:45:17 Yes, sir.
00:45:19 Man who wore this stuff is about five feet ten or eleven inches tall,
00:45:38 blonde, curly hair, weighs around 175 pounds,
00:45:41 wears a size nine C shoe.
00:45:43 Pretty good dresser.
00:45:45 Doesn't mind putting out for shirts and socks at any rate.
00:45:47 What about this lipstick smear?
00:45:49 From its grease content, it looks like a theatrical brand.
00:45:52 There are only a few makes.
00:45:54 I'll try to identify the manufacturer.
00:45:56 Marshall speaking.
00:45:58 Yes, he's here.
00:46:00 For you, Lieutenant.
00:46:02 Thanks.
00:46:04 Miss Cordell?
00:46:05 Way hit pay dirt, Lieutenant.
00:46:07 The gal in question is Yvonne Ledoux, a barbeque queen
00:46:09 working out of the Bijou Theater.
00:46:11 But that's not all.
00:46:14 She's also the widow of the late Benny McBride.
00:46:16 Benny's wife, huh?
00:46:18 Yeah, you should see her in her working clothes.
00:46:20 Imagine a dish like this married to a mug like Benny McBride.
00:46:23 The naked and the dead.
00:46:25 Very funny.
00:46:27 Okay, Marshall, I guess that's it.
00:46:31 So you think it's theatrical lipstick, huh?
00:46:35 Mm-hmm.
00:46:37 You know, that's an interesting idea.
00:46:39 See you later.
00:46:41 All right.
00:46:44 (HORN HONKING)
00:46:45 (WHISTLING)
00:46:52 (WHISTLING)
00:47:00 Well, there she is with bells on.
00:47:12 Very few bells.
00:47:13 That's a lot of women.
00:47:15 (WHISTLING)
00:47:18 She'll be on another five minutes.
00:47:22 You want to kill time here?
00:47:24 You twisted my arm, Lieutenant.
00:47:26 (APPLAUSE)
00:47:29 (WHISTLING)
00:47:30 (HORN HONKING)
00:47:45 (HORN HONKING)
00:47:46 (HORN HONKING)
00:47:56 (APPLAUSE)
00:48:11 (APPLAUSE)
00:48:12 (WHISTLING)
00:48:26 Benny, yeah.
00:48:28 Isn't that our mapes?
00:48:30 Where?
00:48:32 Easy, take it easy.
00:48:38 I'll move till I get to the other end of the aisle.
00:48:39 (WHISTLING)
00:48:42 (WHISTLING)
00:48:47 (WHISTLING)
00:48:58 (WHISTLING)
00:48:59 Excuse me, you got the time, Mike?
00:49:09 Yeah, five minutes.
00:49:12 Hello, Mapes.
00:49:15 You're making a mistake, mister.
00:49:17 You make one sound and I'll break your arm.
00:49:19 Take it easy.
00:49:21 Yes, boy.
00:49:27 (WHISTLING)
00:49:28 The penalty in this state for murder is death.
00:49:34 When you kill a cop, they cut a few corners
00:49:37 to see that you get there in a hurry.
00:49:39 How many times do I have to tell you I didn't kill anybody?
00:49:42 This cop that was killed was knee-deep in friends.
00:49:45 Just so happens I was one of his best.
00:49:47 I made myself a promise.
00:49:50 I'd go all out to see that the murderer got paid off.
00:49:54 This face familiar?
00:49:55 Yeah.
00:49:58 He's the guy that drove the getaway car.
00:50:00 You sure?
00:50:02 Positive.
00:50:03 The other fellows were wearing painter's outfits.
00:50:05 Thanks.
00:50:07 Well, that does it, Mapes.
00:50:13 His identification, plus your fingerprints
00:50:16 in Benny's apartment.
00:50:18 I'm going to have to get you a ticket.
00:50:20 I'm not going to.
00:50:22 Your fingerprints in Benny's apartment's all we need.
00:50:23 You just took your first step to that gas chamber.
00:50:26 Oh, why don't you knock it off and stop saying that?
00:50:28 What do you want from me?
00:50:30 You want me to say I was in on a hold-up? Okay, I was.
00:50:32 That you can pin on me. But I didn't kill the cop.
00:50:34 Well, who did?
00:50:36 Who killed him?
00:50:39 Purvis.
00:50:42 Dave Purvis.
00:50:44 Purvis, did he ever go by the name of Bell?
00:50:46 I don't know. He could've had a million handles.
00:50:48 I knew him by the name of Purvis.
00:50:51 What are you looking for?
00:50:52 Where is he?
00:50:54 I don't know.
00:50:56 You think I'd have been hanging around that theater?
00:50:58 If I did, I was looking for his name, the Burlesque Queen,
00:51:00 hoping maybe she could tell me.
00:51:02 You mean Benny's wife, don't you?
00:51:04 Listen, copper, let me tell you something.
00:51:06 Maybe it was Benny's wife, but there was plenty going on
00:51:08 between her and Purvis.
00:51:10 Else, why did he want to give her Benny's cut of the dough?
00:51:12 How do you know he did?
00:51:14 I don't, but that's what he said.
00:51:16 Look, that's the only line I had on Purvis.
00:51:18 I thought maybe I'd introduce myself
00:51:20 to the girl in the square.
00:51:21 There's some question of that, Mapes,
00:51:23 but I see your point.
00:51:25 Take him out, boys.
00:51:27 Oh, if I knew where he was, I'd tell you
00:51:29 and be happy for the chance.
00:51:31 Get him out of here.
00:51:33 What's our next move, Lieutenant?
00:51:41 Anybody here know Purvis?
00:51:45 The girl does, that's for sure.
00:51:49 You want to pick her up?
00:51:50 No, no, no, no good.
00:51:52 She'd never cracked out of it involved Purvis.
00:51:54 Got to catch her off base.
00:51:56 Johnson.
00:51:59 Yes, sir.
00:52:01 Send a dictograph crew up here ready to work.
00:52:03 I want her followed day and night.
00:52:05 Right.
00:52:08 (suspenseful music)
00:52:09 (knocking)
00:52:28 It's okay.
00:52:30 (suspenseful music)
00:52:32 (horn honking)
00:52:33 Testing, testing.
00:52:44 Mobile unit 12 to relay car.
00:52:46 Picking us up okay?
00:52:48 You're coming in strong.
00:52:50 We're a block away on Flower Street, moving south.
00:52:52 You got your microphone covered.
00:52:54 I'll put it behind the fabric.
00:52:56 (horn honking)
00:52:59 Now how do I sound?
00:53:01 Great, we'll be right back.
00:53:02 Stand by.
00:53:04 (suspenseful music)
00:53:06 I won't ask you what's new, I can tell.
00:53:30 She comes in, hangs up her coat,
00:53:31 puts on her makeup, takes off her clothes.
00:53:33 How do you know that?
00:53:37 The zipper makes a noise.
00:53:39 She's back.
00:53:41 She just finished a show.
00:53:46 She's taking off her headdress now.
00:53:50 Here come the beads.
00:53:53 The clicking sound as her bracelet unclicks.
00:53:58 Now she's gonna put on her street clothes.
00:53:59 This is the kind of stuff you gotta televise.
00:54:01 (knocking)
00:54:03 Open up, Yvonne.
00:54:04 It's me, Kimball.
00:54:05 - Can you wait a minute?
00:54:06 - Say, what's this I hear about you quitting the show?
00:54:11 Nobody told me about it.
00:54:13 What's the idea?
00:54:14 - I'm quitting, that's all.
00:54:15 - As of tonight.
00:54:16 Can a girl quit if she wants to?
00:54:18 - Now wait a minute, Yvonne.
00:54:20 Take it easy.
00:54:21 You can't just up and quit me with no notice or anything.
00:54:23 - I'm not quitting.
00:54:25 - You're not quitting.
00:54:27 - I'm not quitting.
00:54:28 - You can't just up and quit me with no notice or anything.
00:54:29 I'm on the spot.
00:54:30 - Sorry, my contract's up tonight.
00:54:31 - All right, let's talk about a new deal.
00:54:33 As of now.
00:54:35 You know me, Yvonne.
00:54:37 I'm reasonable.
00:54:38 - Are you?
00:54:39 Well, I'm not.
00:54:40 - Now wait a minute, Yvonne.
00:54:42 You can't do this to me.
00:54:43 - There's our break.
00:54:45 We'll follow her and she'll take us right to Purvis.
00:54:46 - Maybe.
00:54:47 Maybe not.
00:54:48 If she starts traveling cross-country or over the border,
00:54:50 we're gonna have a pretty rough time tailing her.
00:54:52 - What are you gonna do, let her walk out of here?
00:54:54 - No, no, not exactly.
00:54:56 Maybe we can force her hand.
00:54:57 - How?
00:54:58 You can't hammer it out of her.
00:54:59 - Mapes was going to, remember?
00:55:02 - Yeah.
00:55:03 - He had the same problem, find Purvis.
00:55:05 Isn't that what you were doing in the same spot?
00:55:07 - Oh, sure, Lieutenant, but I'm not Mapes.
00:55:09 - That is, she doesn't know that.
00:55:11 - Oh, I see what you mean.
00:55:13 You want me to make like a Mapes, go undercover.
00:55:14 - Why not?
00:55:16 What do you think?
00:55:18 - I think it's a great idea.
00:55:19 I'd like a whack at it.
00:55:20 - Go ahead, what do we got to lose?
00:55:21 - Nothing.
00:55:25 - Only me?
00:55:26 - What's the idea?
00:55:39 - Take it easy.
00:55:40 I'm a friend of Dave Purvis.
00:55:42 - I don't care who you are, just let me alone.
00:55:45 - Did you ever hear of Al Mapes?
00:55:53 He and Purvis and your husband pulled off
00:55:55 a little deal together.
00:55:56 - Why tell me about it?
00:55:57 - I need your help to get in touch with Purvis.
00:55:59 He owes me dough.
00:56:01 - I feel real sorry for you.
00:56:03 - Where is he?
00:56:05 - I don't know.
00:56:06 Okay, if that's the way you want it,
00:56:18 I'll call him for you.
00:56:20 - That's better.
00:56:23 - Why the sudden change?
00:56:24 - Maybe I really am sorry for you.
00:56:27 Why do you care?
00:56:30 You want me to call him or not?
00:56:31 - Okay, but look at me, good no tricks.
00:56:33 I'll be just as close to you.
00:56:36 (dramatic music)
00:56:37 - Hello?
00:56:59 - Dave, I'm glad I caught you home.
00:57:00 - What's wrong, baby?
00:57:02 - Well, there's a guy here who says you owe him money.
00:57:03 Al Mapes.
00:57:05 He wants to see you.
00:57:06 - Listen, baby, don't lose your head.
00:57:07 That guy's not Mapes, that's a cop.
00:57:09 - What'll I do?
00:57:12 - Now listen, stall him as long as you can.
00:57:14 Then go out the back way and go fast.
00:57:16 There are probably cops out front.
00:57:18 You got it, baby?
00:57:20 - Yes, I have it.
00:57:21 - Okay, start stalling.
00:57:23 - But Dave, I told him I didn't want to call you,
00:57:29 but he kept insisting.
00:57:31 Uh-huh.
00:57:34 All right.
00:57:35 He says it's okay, he'll talk to you.
00:57:37 Here he is, Dave.
00:57:39 - I said no tricks, I said no--
00:57:55 - Oh, hey, up.
00:57:57 Turn around.
00:58:01 Turn around.
00:58:02 Around the car, get in the front seat.
00:58:09 Hey, look, Mac, shut up.
00:58:11 Keep your hands down.
00:58:13 Put your hands on the dashboard.
00:58:26 Take the alley, get going, baby.
00:58:30 (engine starts)
00:58:31 - Lieutenant.
00:58:36 The girl's car just started.
00:58:40 I'm picking up engine noises.
00:58:42 - Must have gone out the back way.
00:58:47 This deal's really working.
00:58:49 - You mind telling me where you're going, Purvis?
00:58:54 - That's Purvis with her, something must have gone wrong.
00:58:56 - It was a nice try, copper.
00:58:58 You almost got away with it.
00:58:59 Almost.
00:59:01 You beat that signal, it's gonna change.
00:59:03 - In such a hurry, why'd you take Figueroa?
00:59:05 - Shut up, nobody asked you.
00:59:07 - Figueroa, that's for our benefit.
00:59:09 Hit it.
00:59:11 - Next corner, follow that truck.
00:59:17 - Why'd you take Jefferson?
00:59:20 You don't live down here.
00:59:22 - No cracks, copper.
00:59:24 - Jefferson East, kid's all right.
00:59:27 - I don't know, but I don't trust this guy.
00:59:28 Or this car, either.
00:59:30 We're gonna get rid of 'em both.
00:59:32 Get off this street, and don't talk.
00:59:34 - What'd you turn down the alley for?
00:59:51 (grunts)
00:59:55 (car door slams)
00:59:56 - Coop.
00:59:58 - You cut us off, they've stopped.
01:00:02 Car 22, code three.
01:00:06 All units, stand by.
01:00:09 - What's the matter?
01:00:15 - We gotta ditch your car and get a cab.
01:00:17 - Where are we going?
01:00:19 - Metropolitan Airport, I got a plane chartered.
01:00:21 Sorry you won't be going with us, copper.
01:00:23 - Walk.
01:00:24 - Honey, don't do it.
01:00:26 - Look, Purvis, you're over your head now.
01:00:28 This isn't gonna help you.
01:00:30 - Shut up and walk.
01:00:32 (gunshot)
01:00:34 - Dave, stop it, please.
01:00:38 - No loose ends, baby.
01:00:40 Come on, let's get out of here.
01:00:50 (footsteps)
01:00:51 (grunts)
01:01:03 (engine rumbles)
01:01:14 (footsteps)
01:01:15 - Come on.
01:01:29 Ryan, code three, City Lumber Company.
01:01:36 - You heard him, get going.
01:01:40 - Yes, sir.
01:01:42 (engine rumbles)
01:01:44 (engine rumbles)
01:01:45 (tires screech)
01:01:53 (gun cocks)
01:02:07 (gun cocks)
01:02:08 - Danny.
01:02:19 Danny, it's me, Cordell.
01:02:22 - Hi, Lieutenant.
01:02:27 - An ambulance is on its way, don't talk.
01:02:29 - Listen.
01:02:31 Purvis and the girl,
01:02:33 Metropolitan Airport,
01:02:37 chartered plane.
01:02:38 - I got it, kid.
01:02:41 I got it.
01:02:43 Stay with him.
01:02:45 (car door slams)
01:02:55 (engine rumbles)
01:02:57 - Car 22, a 221 Major.
01:03:04 Contact Metropolitan Airport.
01:03:06 Keep all private planes on the ground.
01:03:08 Dave Purvis attempting escape.
01:03:10 - You clear the customs?
01:03:16 - Yeah, I could lose my license over this.
01:03:18 - They'll never know we're aboard.
01:03:20 Anyway, you're getting paid to take the risk.
01:03:22 Come on, let's move.
01:03:33 (car door slams)
01:03:34 - Fasten your seat belts, please.
01:03:40 (engine rumbles)
01:03:48 (engine rumbles)
01:03:49 - Tower to 12 on runway.
01:04:05 Are you carrying passengers, a man and a woman?
01:04:08 Verify.
01:04:10 - One-two to tower.
01:04:12 Yeah, I guess I am.
01:04:14 Something wrong?
01:04:16 - They're wanted.
01:04:17 Police instruct us to hold your plane.
01:04:19 Pull into the east runway.
01:04:21 Stand by for orders.
01:04:23 (engine rumbles)
01:04:25 - You stop, what are you waiting for?
01:04:32 - Orders from the tower.
01:04:34 - You're taking orders from me.
01:04:36 Get on that runway and take off.
01:04:38 - They're wise to you, mister.
01:04:40 I can't do it.
01:04:42 - You heard what I told you, take off.
01:04:45 (engine rumbles)
01:04:46 - Tower to 12.
01:04:53 Craig, keep that plane off the runway.
01:04:55 You're disregarding orders.
01:04:57 (engine rumbles)
01:04:59 - Tower to 12.
01:05:05 Pull her up.
01:05:07 Another plane coming in on main runway.
01:05:09 (engine rumbles)
01:05:11 - Now what are you doing?
01:05:13 - See for yourself.
01:05:14 You want a head-on crash?
01:05:16 - Dave, look, the police.
01:05:18 (siren wails)
01:05:20 (gunshot)
01:05:42 (gunshot)
01:05:43 (gunshot)
01:05:45 (gunshot)
01:05:47 - Harris, look out!
01:05:49 (engine rumbles)
01:05:51 (engine rumbles)
01:05:54 (engine rumbles)
01:05:55 - Oh, Miss Paxton.
01:06:17 - Oh, hello, Lieutenant.
01:06:19 - How's he doing today?
01:06:22 - We put him in a wheelchair this morning.
01:06:23 - Oh, better and better.
01:06:25 - He sure is, Lieutenant.
01:06:27 He gets more mileage out of that thing
01:06:29 than I do on the bus.
01:06:31 (laughs)
01:06:33 - Hello, Jim, what's doing?
01:06:41 - I can see you're back to normal.
01:06:43 - Well, I'm trying.
01:06:45 - You got quite a write-up, Danny.
01:06:47 How's it feel to be famous?
01:06:49 - What page?
01:06:51 - It's not often they pay a police officer a tribute.
01:06:53 - And a rookie at that.
01:06:55 - Yeah, but I don't see your name.
01:06:57 I sure don't see mine.
01:06:59 - Look, look, look, right here at the bottom of the page.
01:07:01 - Oh, yeah.
01:07:03 - This case was solved by Lieutenant James Cordell,
01:07:05 Los Angeles Police Department.
01:07:07 He was assisted by Officer Danny Ryan.
01:07:09 (laughs)
01:07:12 (laughs)
01:07:14 (dramatic music)
01:07:17 (dramatic music)
01:07:18 (dramatic music)
01:07:19 (dramatic music)
01:07:20 (dramatic music)
01:07:22 (dramatic music)
01:07:24 (dramatic music)
01:07:26 (dramatic music)
01:07:28 (dramatic music)
01:07:30 [BLANK_AUDIO]