• 9 months ago
"Namulat ako sa maagang edad sa realidad... tina-try ko nang magdesisyon sa sarili ko nang walang guidance, na hindi ko alam kung tama o mali."

Ano nga ba ang kinalakihan at pinagdaanan sa buhay ng Kapuso actor na si Kelvin Miranda at bakit hindi raw siya takot magkamali?

Noong bata pa lang siya, mas pinahalagahan daw noon ng 'Batang Caloocan' na si Kelvin ang kapakanan ng pamilya bago ang sariling mga pangarap.

Kilalanin pa si 'Adamus' ng Encantadia Chronicles Sang'gre aka Kelvin Miranda sa video na ito!
Transcript
00:00 Yes, I'm less romantic.
00:02 For me, leaving is about sharing.
00:05 It's not just sharing material or sharing anything,
00:10 but also experience, stories, and many more.
00:14 How do you deal with heartbreaks?
00:16 I don't know what's right or wrong.
00:19 Did you grow up on the streets?
00:20 I was surprised at my early age in reality.
00:23 I tried to quit smoking at an early age.
00:28 I forgot who I was.
00:30 I had a lot of things I wanted to do for myself when I was young,
00:34 but I thought I needed to think about it more than myself.
00:41 Updaters, before we watch Adamus in Encantadia Chronicles Sangre,
00:53 let's listen to his movie, which after all, please welcome,
00:59 here it is, Sparkles Irresistible Charmer,
01:04 the Dashing Debonair, Kelvin Miranda.
01:08 That's Kelvin Miranda from the intro.
01:10 - That's so him. - That's so him.
01:11 Irresistible Charmer.
01:15 I don't know, it's the first time I've heard that title.
01:18 They're making fun of my moniker.
01:23 So it's okay, I'm happy. I hope it's really like that.
01:27 We're really irresistible.
01:29 But yeah, thank you so much for inviting me here.
01:34 And to the viewers, I just want to say hi and hello to all of you.
01:40 Have a great day.
01:43 Kelvin, do you consider yourself a charmer?
01:49 I can't say I'm a charmer.
01:53 It's just a personal opinion.
01:57 If they don't tell me that,
01:59 I won't insist that I'm a charmer.
02:05 If I'm just listening to them...
02:08 But you, do you think you're a charmer?
02:11 Sometimes, I know when I'm being charmed.
02:14 Sometimes, I don't know if I'm charming.
02:18 It's like that. We don't know.
02:19 But sometimes, we know when we're being charmed.
02:24 Sometimes, I know I'm being charmed but I don't know if I'm charming.
02:31 Because you have a certain smile that you know you're being charmed.
02:35 Yeah, there's that.
02:36 But sometimes, if we're not aware,
02:39 they say that's when we become charming.
02:42 What's your character in After All?
02:44 Two years ago, we shot this movie after Loving Miss Bridget.
02:50 Oh, Loving Miss Bridget was still fresh.
02:52 It was a follow-up to our project with Beauty.
02:56 But our schedules didn't match.
03:01 So, we had problems with editing and dubbing.
03:09 So, it didn't follow up.
03:11 By the way, my character here is Joey.
03:16 And Beauty's character here is Serena.
03:21 It's about unending love.
03:27 You don't expect to be alive again.
03:33 They say it's reincarnation.
03:35 Oh, wow! So, that's what the peg is about.
03:39 It's about reincarnation.
03:42 We can't stop loving if we can't feel it.
03:48 Love is just there.
03:51 It's alive and it will live.
03:55 So, that story is, to be short,
03:59 it's about reincarnation.
04:01 Two people who loved each other before.
04:05 - So, it's a continuation. - Yes, a continuation.
04:10 Do you believe in that?
04:11 - Do you believe in reincarnation? - Yes, I'm a believer of reincarnation.
04:15 Because we can't say what we remember.
04:22 Or what they say is deja vu.
04:25 There are scientific and biblical explanations.
04:28 I believe in reincarnation.
04:31 But yes, I'm a believer of reincarnation.
04:35 It's a long story.
04:37 It's a deep discussion.
04:40 But I believe in it.
04:41 I relate to the character of Joey.
04:45 He found his love again.
04:49 He found his love again.
04:53 He didn't let his memories go.
04:58 He thought it was just a dream.
05:02 But it was a sign that he was a real person.
05:07 Yes.
05:09 That's a very romantic take on what happened.
05:14 You're a romantic person.
05:16 I'm hopelessly romantic.
05:22 - It's true. - I'm hopelessly romantic.
05:25 This goes against your bad boy image.
05:28 We'll go to that later.
05:31 Is it true that you're hopelessly romantic?
05:34 I'm hopelessly romantic.
05:37 I used to be very vocal.
05:41 I'm quiet now, but I'm still like that.
05:45 What was the most romantic thing you did?
05:49 I gave flowers to different people.
05:55 For me, leaving is about sharing.
06:01 It's not just sharing material.
06:04 It's sharing experiences, stories, and many more.
06:14 I think that's romantic.
06:19 You're not sure of what will happen.
06:24 You tried to make people happy
06:27 when you didn't expect it to have a return.
06:36 Selfless love.
06:39 Updaters, this is a social experiment.
06:46 Kelvin gave flowers to MRT during Valentine's Day.
06:53 What did people say?
06:57 They were like, "He's so handsome."
07:00 Yes.
07:02 We asked questions on social media.
07:06 We collected questions.
07:10 Some of them are sexy questions.
07:12 Some are like dashing debonair.
07:15 How sexy is that?
07:17 Not that sexy.
07:21 I can't ask too sexy questions.
07:24 I'll read this.
07:27 One, what is the sexiest part of your body?
07:32 I can't answer that.
07:36 I can't answer that.
07:39 If I were to answer,
07:42 I'd be bragging about it.
07:45 We're just talking.
07:47 You're the only one looking at the mirror.
07:52 "My nose is perfect."
07:55 Maybe my eyes are the one
07:59 that show my emotions.
08:02 Once people understand my emotions,
08:04 I feel like that's sexy for me.
08:10 Once people understand me,
08:13 it's just based on my eyes.
08:15 That's sexy for me.
08:20 What is the sexiest part of a woman's body?
08:27 Probably the neck.
08:30 The neck?
08:32 Yes.
08:33 Or the armpit.
08:35 The armpit?
08:36 Why?
08:37 I don't know.
08:39 That's all for me.
08:43 When I'm cleaning,
08:45 I'll do my armpit.
08:48 That's the third one for me.
08:51 And the coconut on my feet.
08:56 I know.
08:57 When you see it,
09:01 you'll get dizzy.
09:03 When you see someone like me,
09:06 the nails are not long.
09:09 When you smell the coconut on your feet,
09:11 you'll get lost.
09:13 The coconut on my feet
09:16 is the sexiest part.
09:21 I feel like you're a neat freak
09:24 because you want to be neat.
09:26 You want to have a neat neck,
09:27 a neat armpit,
09:29 and a neat coconut on your feet.
09:31 But wait,
09:33 you usually don't see the neck.
09:35 You don't see the armpit.
09:39 You don't see the coconut on your feet.
09:41 What about that?
09:43 You don't see it right away
09:46 when you meet someone.
09:49 If it's the first meeting,
09:54 maybe the shoulders.
10:00 The shoulders are the promise.
10:02 We'll base it on the first meeting.
10:06 To be honest,
10:08 I find women's shoulders sexy.
10:11 Regardless of their body shape,
10:15 women's shoulders are certain.
10:19 The shoulders are not too big.
10:23 "Your shoulders are bigger than mine."
10:26 I think it's the way they carry themselves.
10:31 The right shape of the shoulders
10:34 makes them sexy.
10:36 What's your guilty pleasure?
10:40 For me,
10:45 listening to old songs.
10:47 I don't know.
10:49 How old?
10:51 It's really old.
10:53 Every time I listen to old songs,
10:56 I have a record on my phone.
11:01 What songs?
11:03 I'll show you an album.
11:06 I'm an old song.
11:08 To be honest,
11:10 my friends make fun of me.
11:12 This one.
11:14 It's like
11:16 Arctic Monkeys.
11:18 Sea Green.
11:20 Velvet Underground.
11:23 There's a lot.
11:25 Wait, Kelvin.
11:27 You're not yet in the prime of your life.
11:29 Doctor Who.
11:31 You're not yet in the prime of your life.
11:33 How did you fall in love with that?
11:35 I don't know.
11:37 Maybe because of my cousin.
11:42 I'm proud of him when it comes to music and arts.
11:45 I'm happy when I hear songs he listens to.
11:49 Or maybe it's reincarnation.
11:52 They say that.
11:54 It's possible, right?
11:56 Since you believe in it.
11:59 That's why the story of After All was made.
12:03 It was conceptualized
12:06 based on the writer's introduction.
12:10 He's an old soul.
12:12 He's a talented person.
12:15 Uncle Joey's concept is
12:18 Miss Gina.
12:20 She's one of his head writers.
12:23 I saw the potential in him
12:26 because he's very talented.
12:30 He's an old soul.
12:33 He can be young or old.
12:36 So, he's timeless.
12:40 Yes.
12:42 That's why he's my partner.
12:44 Yes.
12:46 Someone's asking,
12:48 "Kelvin, is it okay for girls to be the first move?"
12:53 Oh.
12:55 It's a big no for me.
12:58 For me?
12:59 Yes.
13:01 I don't mean to belittle them.
13:04 But I like girls who...
13:09 Chase after guys?
13:11 Not chasing.
13:13 I mean, they let guys move on their own.
13:19 Hmm.
13:21 It's a waste of your hopeless romanticism.
13:25 Yes.
13:26 It's not always romantic.
13:31 We're not sure if what's happening now is romantic.
13:35 And for some, it's not romantic.
13:37 We're not sure.
13:38 What you're doing now with your partners
13:43 is the most romantic to others.
13:45 To you, it's normal.
13:47 We can't say...
13:49 I'm saying I'm hopeless romantic,
13:54 but I don't know if I meet their expectations
13:58 when it comes to those things.
14:01 Here.
14:02 "What's the most embarrassing thing you did
14:05 to get noticed by your crush, Kelvin?"
14:08 I remember noticing my crush when I was a kid.
14:12 I made him write.
14:14 Wow.
14:15 I wrote.
14:16 That was back then.
14:18 Wait. This is a good old-fashioned letter.
14:20 Not a text.
14:22 I don't know what I felt.
14:24 Now, you can write through social media
14:30 and other platforms.
14:32 But the letter you wrote is still different.
14:36 I'm sure it's ugly.
14:38 For me, I appreciate that letter more.
14:44 So, that's what I did to get noticed when I was a kid.
14:49 Now, I'm an adult.
14:52 What's the most embarrassing thing I did to get noticed?
14:58 Wait. I'll go back.
15:00 You didn't write a love letter.
15:03 But for me, it's embarrassing because...
15:08 I don't know.
15:10 I don't know if you'll appreciate it.
15:15 I'm sure a lot of people will appreciate it.
15:17 I'm sure a lot of your fans will be thrilled
15:21 when you send them a love letter.
15:23 It's embarrassing.
15:25 It's embarrassing.
15:26 It's a good old-fashioned letter.
15:28 Wait.
15:29 What is the craziest thing you did for love?
15:32 Everything.
15:36 Everything.
15:37 The biggest one.
15:39 Did you close the whole cinema?
15:42 Just to watch the two of you?
15:45 No.
15:46 It was just a time.
15:49 It was a priority.
15:50 So, that's your love language?
15:53 Time.
15:55 Time.
15:56 So, before that, it was just time.
16:01 For me, time is like this.
16:05 Time is love.
16:06 That's true.
16:09 Wait.
16:10 Kelvin, did you get ghosted?
16:15 Of course.
16:16 Really?
16:18 Of course.
16:19 You're so handsome, you got ghosted.
16:21 We can't say when or what we experienced.
16:27 What and where.
16:30 We don't know.
16:31 I did this to a person or a few people.
16:36 Because of...
16:39 I don't know if it's reasonable.
16:41 But I don't know how to express my feelings.
16:45 So, I just chose to walk away.
16:51 So that I don't grow up.
16:56 I can't handle my emotions at that time.
17:00 That's it.
17:01 How do you deal with heartbreaks?
17:03 For example, you said you got ghosted.
17:06 Of course, you had breakups before.
17:08 How do you deal with it?
17:10 For me, it's hard.
17:17 You said it's hopeless and romantic.
17:20 It's really hard.
17:21 I have so many people.
17:23 Sometimes, I lose my momentum.
17:28 I get disoriented.
17:32 I get confused with my priorities.
17:37 I get confused with myself.
17:40 That's how I get heartbroken.
17:43 I don't know what's right or wrong.
17:46 But you snap out of it, of course.
17:48 Or it takes a while.
17:51 If there are people who can talk to me.
17:55 I can do and go through whatever I feel.
18:01 That's my mechanism as a person.
18:05 I need to embrace whatever I feel.
18:10 Because once I resist what I feel,
18:17 I get more difficult.
18:19 I get more disoriented.
18:21 I get more broken.
18:23 So for me, I just let it go.
18:28 And then, I close my grip.
18:34 So I can stay where I am.
18:38 And then, I distribute it.
18:41 What energy should be there.
18:44 What energy is for here.
18:47 What should I compose.
18:49 What should I dispose.
18:52 But wait, Kelvin.
18:54 What's the most romantic thing you've done for a person?
18:58 The most romantic thing I've done for me is
19:03 just simple, overlooking.
19:07 You went to an overlooking dinner?
19:09 Just overlooking.
19:10 We talked there.
19:13 It's considerable for me as a date.
19:17 Why not?
19:18 That's very romantic.
19:21 I can't forget that.
19:23 Just overlooking.
19:25 I'm happy there.
19:26 Why not?
19:27 In Antipolo, there are a lot of places like that.
19:30 We're just near a pickup truck.
19:33 And then, that's it.
19:35 Wow.
19:36 You know what? You shouldn't be a charmer.
19:38 You should be a sparkle lover boy.
19:41 There.
19:42 That's you.
19:45 Yes.
19:46 You go first.
19:50 Kelvin, I said earlier that you have a bad boy image.
19:55 Okay.
19:56 What is this?
19:58 Are you comfortable with that image?
20:01 Because being a boy next door is not the usual boy next door.
20:08 For me, I'm comfortable because I don't have anyone who's not me.
20:14 I'm just being true to myself.
20:17 Authentic self.
20:19 Yes.
20:20 I don't need to change myself.
20:24 I don't need to change myself.
20:30 This is where my supporters love me.
20:33 This is where I got to know myself.
20:36 This is me, Kelvin.
20:38 This is who I am in real life.
20:40 I don't have a bad boy image.
20:43 I'm not trying to be a bad boy to have that image.
20:49 I adapted to where I grew up.
20:54 This is how I move.
20:56 This is how I look.
20:58 I'm just comfortable with how I speak.
21:03 Tagalog.
21:04 And how I talk.
21:07 I'm just comfortable here.
21:10 Do you really like big bikes?
21:12 Actually, not big bikes.
21:14 I'm more comfortable riding a bike than a car.
21:20 Because it feels different when you're riding a bike.
21:26 You can feel the wind.
21:30 It's not that fast, but it's like adrenaline.
21:37 This is freedom.
21:40 I know what you mean.
21:42 This is where I feel intimate.
21:47 What do you think about when you're riding?
21:51 I need to be focused when I'm riding.
21:58 I enjoy the movement of the bike.
22:02 I know where I'm going and what I should do.
22:06 If you think too much about riding a bike,
22:09 you can get discouraged.
22:11 I've experienced that before.
22:13 I get discouraged when I think about it.
22:19 I realized that I should be focused.
22:25 No matter how long you've been riding,
22:27 you should be focused.
22:29 Once you're in the bike, you should be focused.
22:32 Once you're in the bike,
22:35 you should be focused.
22:37 You should be on the road, you should be in the cafe.
22:39 That's my lifestyle when I'm riding.
22:42 Enjoy the wind, the scenery,
22:44 and the road.
22:47 Once you've found your perfect spot,
22:51 you should stop and enjoy the moment.
22:57 Why do you do that often?
23:00 When I have free time.
23:03 I do that when I'm going to work.
23:07 You said that you've experienced that before.
23:09 I've experienced that when I was riding a bike in GMA.
23:12 Even when I'm working, I ride a bike.
23:14 Especially when I don't have much to carry.
23:18 I ride a bike because I'm less likely to get in traffic.
23:21 But you're a safe rider.
23:23 I'm a safe and defensive driver.
23:26 But of course, when there's a free road,
23:31 you should enjoy the road.
23:35 You should be careful.
23:37 What's the most far you've come when you're riding a bike?
23:41 I used to ride a bike when we were taping.
23:46 That's the only service I used.
23:49 I've been to Bulacan,
23:53 Sagaray,
23:56 I've been to...
24:01 This is what I've been doing in terms of taping.
24:05 In Rizal, there's a lot.
24:07 I've been riding only on service roads.
24:09 Especially when it's a pandemic.
24:11 Cavite, Pampanga,
24:14 I'm just enjoying riding a bike.
24:16 I use that service road to work.
24:19 Really?
24:20 Isn't that dangerous?
24:22 Because sometimes you get caught in taping.
24:25 Yes, what I do is,
24:27 when I have a big bag,
24:29 I have a place to sleep.
24:33 So when I have free time,
24:34 I'll sleep for 1-2 hours before I ride.
24:39 Really?
24:40 At least you got that system, right?
24:43 Of course.
24:44 If you're not happy,
24:47 if you're not in a bad mood,
24:49 there's no problem with that.
24:51 It's more convenient.
24:54 Kelvin, let's say we're in a story conference,
25:00 and we're going to tell your life story,
25:04 and you're going to do it.
25:05 Who do you think Kelvin is now?
25:08 At this point.
25:10 Kelvin is a person who continues to fight.
25:19 He's still fighting for whatever fight the world is giving him.
25:29 We don't know what the future holds.
25:36 So for me,
25:38 what I'm fighting for today,
25:40 I should be thankful for it.
25:42 That's what the country should do.
25:46 Is Kelvin's life challenging?
25:50 It's really challenging.
25:53 I don't care about other people's lives.
25:57 Because there's no life that's not challenging.
26:01 There's nothing that can happen to a person's life
26:05 that's easy.
26:06 All of that is hard.
26:08 For me, I'd rather choose
26:11 the hard way over the easy way.
26:17 Because the hard way,
26:20 it's easier to learn.
26:24 If it's right, then it's right.
26:28 If it's wrong,
26:30 it has a connection to be right.
26:33 It has a lot of knowledge for a person.
26:40 That's his gift.
26:42 It's called delayed gratification.
26:45 You'll get it if you try.
26:48 Or you'll get it if you try to solve the problem.
26:53 But once you go through the consequences,
26:58 the success you get is the knowledge
27:02 that you can't get anything in return.
27:07 It's a gift.
27:10 You'll experience it yourself.
27:14 If you had to choose,
27:16 what would you like to expose about Kelvin's life
27:20 so that people can learn from him?
27:24 I want to grow.
27:27 Where?
27:28 In my heart.
27:30 How I lived as a child.
27:40 I'm intrigued.
27:43 You were telling me earlier.
27:45 What was your life like in Caloocan
27:47 that made it challenging,
27:49 that made it beautiful?
27:51 For me,
27:53 my life before was full of sacrifices.
28:01 Because every single second,
28:04 you have to be sure of your clues.
28:07 You have to be sure of what you're saying.
28:13 Because if you don't,
28:16 you'll be left behind.
28:18 You can't leave it behind in terms of daily life,
28:24 in terms of learnings on the streets.
28:29 If you leave what's happening in front of you to be left behind,
28:37 tomorrow, you'll be gone.
28:39 You'll be gone.
28:40 You'll be outdated with what's happening.
28:43 I don't want to assume.
28:45 Did you grow up on the streets?
28:47 Yes.
28:48 I look like a rich kid.
28:51 They say I'm a rich kid.
28:53 It's not that I'm poor.
28:55 I didn't experience...
28:58 Okay,
28:59 to make it easier to understand.
29:01 I didn't experience having things that I like
29:07 when I was young.
29:10 Like toys.
29:14 I tried to explore when I was young.
29:18 I started writing when I was young.
29:24 I tried to start early.
29:28 I started early because I didn't have a reason.
29:32 Out of curiosity, I just asked myself,
29:35 "What will I achieve in life?"
29:39 That was my question.
29:43 What did you do at that time?
29:46 You said you wanted to explore.
29:50 You said, "I don't want to live like this anymore.
29:53 I want to move."
29:55 What was your first step?
29:58 Acceptance.
30:01 Because if you force yourself to do something
30:06 that you can't do,
30:09 you won't be able to move forward.
30:12 You won't be able to move forward.
30:14 If you don't accept that,
30:16 that's your first step.
30:18 That's the first thing you'll look at.
30:20 That's the first thing you'll do.
30:22 That's the first thing you'll build.
30:27 I just accepted the truth of what happened to me that day.
30:32 And slowly,
30:34 not too fast,
30:36 I accepted all the decisions I made in my life
30:40 and made the right decisions.
30:44 I salute you.
30:48 Because for one,
30:50 I can relate to that.
30:52 I grew up on the streets.
30:54 I know that.
30:56 Where did you grow up?
30:59 I grew up in Retiro.
31:01 Retiro?
31:02 Yes.
31:03 I grew up in Calavite.
31:06 I grew up in poverty.
31:08 I'm not afraid of life
31:11 because I'm used to not being able to eat.
31:15 To be honest,
31:17 Nelson,
31:20 we're still who we were before.
31:22 Exactly.
31:24 What we're saying now,
31:27 in our present life,
31:29 we don't want to go back to the past.
31:31 We can't go back to who we were.
31:35 The problem we need now is
31:39 how we can understand what's happening now
31:45 so that it can be a lesson for the future.
31:48 And you have a lot of burdens.
31:50 Our present life is just like a crosshair for me.
31:58 You see the past
32:03 or the translator.
32:05 My present life is a crosshair translator.
32:08 As a present life.
32:10 And then,
32:11 he translates the future
32:14 so that it can be a message and a learning.
32:17 Wow, Kelvin.
32:18 I didn't expect you to be so deep.
32:20 I know you're just deep in art.
32:22 But you have a lot of...
32:26 You have a lot of burdens.
32:28 I don't know.
32:30 I enjoy studying.
32:32 Not just academics.
32:37 I learned in my early life.
32:40 At an early age.
32:41 At an early time.
32:43 I learned a lot.
32:46 I saw a lot.
32:53 I learned things that I didn't know before.
32:57 I'm not saying that others are small.
32:59 But at the age of 10 or 11 years old,
33:05 I tried to make my own decisions without guidance.
33:11 Until then, I learned and accepted the challenge of myself
33:16 when I was the only one making decisions.
33:18 I didn't know if it was right or wrong.
33:21 I didn't know if there was a way or not.
33:24 I was used to being...
33:29 I was used to being...
33:33 I was used to being intimidated.
33:35 So, whatever happens, I said, "Let's try."
33:39 Kelvin, wait.
33:41 I'm intrigued.
33:43 If you were to detail,
33:45 what was the most challenging thing you experienced when you were a kid?
33:53 The most memorable thing?
33:57 Maybe...
34:01 I forgot who I was.
34:07 How?
34:08 I had a lot of things that I wanted to happen to me when I was a kid.
34:16 But...
34:20 I thought that I needed to think about this more than myself.
34:26 So, were your dreams like that?
34:29 Yes.
34:30 When I was a kid, I didn't dream of...
34:36 First, they asked me, "What do you want to be when you grow up?"
34:39 I always answered, "I want to have a house."
34:45 Second, "I want to be a grandfather."
34:49 I didn't want to be an architect or a doctor.
34:54 I wanted those things, but the first thing that really answered my heart was,
35:05 "I want to have a house. I want to have a grandchild."
35:09 I didn't dream of being rich.
35:15 I didn't want that.
35:16 Just enough?
35:18 I wanted to be happy.
35:21 You're really deep.
35:23 You're a deep person.
35:25 Maybe not deep.
35:28 I'm just a bit confused.
35:30 How old are you now?
35:32 25.
35:34 I've talked to a lot of 25-year-olds who are not that deep.
35:38 I think your real age is 70.
35:41 70?
35:43 Yes.
35:44 Maybe you're a real grandfather.
35:46 No, to be honest,
35:48 because the knowledge you share is so deep.
35:52 I mean, you know that.
35:54 You have friends who are your age, right?
35:57 That's my goal and my dream in life.
36:02 I have a few letters that I'm holding onto.
36:07 I discovered that that's the process I'm doing.
36:12 Why am I here, where I am now?
36:17 B, B, N, W, S, S.
36:22 What's B, N, W, S, S?
36:24 I say this a lot.
36:26 But I realized that that's the process I'm doing.
36:30 B is for Believe.
36:34 N is for Never Quit.
36:37 W is for Work Hard.
36:41 S is for Sharing.
36:43 And another S is Surrender.
36:46 That's the process I'm doing.
36:48 Not necessarily surrender.
36:50 It's like, "That's it. Give up."
36:52 You're just surrendering yourself to the right state
37:00 of being where you should be.
37:02 For example, to your neighbor, to your family,
37:05 or to where you believe you need to surrender
37:10 so you can think of new things.
37:13 To recreate yourself, to reinvent yourself
37:16 so you can get to know yourself better.
37:18 So you can accept what's happening to you.
37:22 Wow.
37:24 You know, personally,
37:29 I can say that you're an old soul.
37:32 You're a very old soul.
37:33 Because a lot of people will realize that later on in life.
37:39 They're 50, they're 60.
37:41 But you, at the age of what?
37:43 I'm sure before you turned 25,
37:46 you realized all of the B, N, W, S, S.
37:50 I realized this when I achieved my goal of having a house.
38:01 I'm not...
38:04 I'm a reclamator.
38:06 I'm a reclamator of what I feel.
38:09 Because I need to express what I feel.
38:12 Because if I don't say it,
38:14 it will continue to go around in my head.
38:17 And I won't be able to change.
38:21 That's what happens to me.
38:23 So I'm like, "Gara, this and that."
38:25 I'll say it.
38:26 Because I'm throwing away the bad energy I have in my mind.
38:29 Because once I say it,
38:33 my mind will process it.
38:36 I'll think of a solution.
38:38 "What's happening is so bad."
38:40 I'll say it.
38:41 My mind will hear it.
38:42 It will process it.
38:44 My whole body will change.
38:46 Because you're going to correct the bad energy that's happening in my mind.
38:51 That's why I'm a reclamator of everything that's happening to me.
38:56 Not just in a bad way,
38:58 but also in a good way.
38:59 "Oh, my life is so good now."
39:01 "What's happening to me now."
39:04 I'm really letting myself hear it.
39:06 So that I can be aware of what's happening.
39:08 So it's an affirmation.
39:09 You're affirming yourself that something good is happening to you.
39:13 That's a good thing.
39:14 Yes, no matter how bad or good it is.
39:16 Because before, I was critical of myself.
39:19 I was always bad.
39:22 I was always thinking that I can't do anything good.
39:26 But now, I've learned that when I got older,
39:29 I need to tell myself that what I did was good.
39:34 "You're good at that."
39:35 "You look good in that."
39:37 Without being boastful.
39:41 While you're the only one who's telling yourself that.
39:44 Yes.
39:45 Because no one else can recognize you,
39:48 but yourself.
39:50 That's why you have the right to judge yourself.
39:56 Because you've seen it.
39:58 You know if you're good at it or not.
40:01 You know if you're just being boastful or not.
40:05 Because you know.
40:06 You can tell yourself that.
40:08 And then, if you're in that state,
40:12 and you know that you gave your best,
40:14 and other people noticed,
40:15 "Oh, that's not okay."
40:19 That's when you realize that it's okay.
40:21 That's the room for mistake.
40:25 That you can adjust to the next one.
40:29 Because there's still tomorrow.
40:30 I can try again.
40:32 Because I thought that was my limit.
40:35 But there's more.
40:36 Right?
40:37 I'm just trying to render.
40:40 You know what, Kelvin?
40:41 To be honest, I'll call Sparky.
40:43 I'll tell him,
40:44 "You know what? Change Kelvin's moniker."
40:47 "Old Soul Charmer."
40:49 "Irresistible Charmer."
40:52 I can't deny that...
40:59 That you're really old soul.
41:01 That's one of the reasons.
41:03 But I can't deny that I can still make mistakes.
41:07 Oh, yes.
41:08 I can still make mistakes.
41:09 Yes, that's life.
41:11 Even if you're 90 years old,
41:12 you can still make mistakes.
41:14 Of course.
41:15 And I guess, you know, as I grew older,
41:19 that's when I realized that when you make mistakes,
41:21 that's the beauty of life.
41:23 Because that's where you learn.
41:25 And that's where you grow.
41:27 Because if you don't make mistakes,
41:30 you'll be afraid.
41:32 Because there's no room for growth.
41:35 That's right.
41:36 A big example is,
41:38 when you're not comfortable,
41:41 that's when you see progress.
41:44 For example, when you're working out.
41:47 It's painful, right?
41:49 It's really painful.
41:50 You work out, your body hurts.
41:52 You work out, you work out.
41:53 But something happens.
41:55 You see progress.
41:57 But that doesn't mean it's painful.
41:59 If you're comfortable,
42:00 you just rest,
42:02 you'll suffer from obesity.
42:07 You know the drill.
42:08 Choose your heart.
42:09 Don't just do that.
42:10 Choose your heart.
42:11 It's hard.
42:13 Yes, choose your heart.
42:15 Because there's no rush.
42:17 You should learn everything.
42:21 You should always learn.
42:23 You can't just be stagnant.
42:26 I'm proud of myself
42:28 because I've already reached this point.
42:30 I'm not nervous anymore
42:33 because this is it.
42:34 I'm already working out.
42:36 I'm not nervous anymore.
42:37 I'm not afraid anymore.
42:38 It's okay to make mistakes.
42:40 Are you nervous?
42:42 Yes.
42:43 Especially when I perform.
42:45 I'm really nervous.
42:49 Really?
42:50 I don't know.
42:52 Does the kid still come out of his shell?
42:54 Yes.
42:56 Because you know,
42:58 a few seconds or two seconds
43:01 before the red light
43:04 on the live,
43:06 the kid comes out of his shell.
43:08 Right?
43:10 Yes.
43:11 Sometimes I try to calm him down.
43:13 "Go away."
43:16 "Go away."
43:17 "I'll do it later."
43:18 Yes, because sometimes he's more powerful.
43:21 Sometimes, you know,
43:24 I know what I'm going to do.
43:26 I've been doing this for decades.
43:28 But when he's there,
43:30 I get disoriented.
43:32 Really.
43:34 It happened to me earlier.
43:36 So, be thankful.
43:38 Not all,
43:40 but I know people who are really confident.
43:43 There are people like that.
43:46 But be thankful that you have that in you.
43:49 Because that's what reminds you
43:52 that you've grown.
43:54 You know, Kelvin,
43:55 over the years,
43:56 I've noticed how deep your art is.
44:00 In fact, you're one of those who consider
44:02 that you're a deep artist.
44:04 What is it,
44:06 simply,
44:08 in all your roles,
44:10 what's your favorite?
44:12 My favorite?
44:14 My favorite is really...
44:17 the...
44:19 (I can't remember)
44:21 The...
44:23 Chef Harvey.
44:25 He's my favorite.
44:28 I also like to cook.
44:30 And...
44:32 It's my first time to be a chef
44:36 in a show.
44:39 And then, I feel like
44:41 my dream came true
44:43 because I want to be a chef.
44:45 That's a lost recipe, right?
44:47 Yes, it's a lost recipe.
44:49 Yes.
44:51 I'm sure you've expressed all
44:53 the things you wanted to express.
44:55 Do you have a dream role?
44:57 Yes, for now, I want to be...
45:00 I want to be in a historical film.
45:06 I want to be in a role of a disabled person.
45:11 I want to be in a role
45:18 that's the opposite of my personality.
45:22 Another thing I want is...
45:24 I'll ask myself,
45:27 "How is that?"
45:28 Because we don't know who we are
45:30 because of the roles we play.
45:33 It's easy to enter the world of other characters.
45:36 But when you talk about yourself,
45:40 you break down.
45:42 "What am I really?"
45:43 "What are my characteristics?"
45:46 I thought about it.
45:48 It's true.
45:49 Like, I'm not an artist.
45:52 But if you ask me to act,
45:54 "Okay, you act like Kelvin."
45:57 It's easy because you can see it.
46:00 But you can't see yourself.
46:03 Yes, that's it.
46:04 It's just challenging for me.
46:07 "You're not like that."
46:10 For me,
46:12 if you can see other people,
46:14 it's easier to portray.
46:18 Because you can see and hear it.
46:21 You can smell it.
46:23 It's easier because you can see yourself.
46:26 But what are you trying to do?
46:28 What are my characteristics?
46:30 It's easy.
46:32 Yes.
46:34 But if you're the one,
46:35 what are my characteristics?
46:37 I can see other people
46:38 but I don't know how I'm doing it.
46:40 Unknowingly.
46:43 It's hard for me to accept myself.
46:47 I'm doing my own character.
46:55 Kelvin,
46:56 I will end this podcast
46:57 by turning the tables around.
46:59 You're the one who will ask me questions.
47:01 And I will try to answer it.
47:03 I actually wanted to ask you questions earlier.
47:06 But I can't do it because
47:09 you might change your mind.
47:12 No, it's okay.
47:14 I have questions.
47:16 Do you have a recording?
47:20 You're recording this.
47:22 How's your processor?
47:24 To make a report.
47:26 Did you watch this again?
47:28 Did you listen to it again?
47:30 Did you write it?
47:32 How did you learn?
47:34 Okay.
47:35 I, being the reporter that I am,
47:40 I've been doing this for 20 years.
47:43 So, now, when I'm interviewing,
47:46 I remember what I'm saying
47:49 or what I was told
47:51 when I was interviewed.
47:53 Even if you say that it was 10 years ago,
47:56 I think I developed that skill.
47:59 You told me that when I was interviewed.
48:02 I remember the conversation.
48:04 I don't remember names.
48:06 I don't remember places.
48:09 But what you told me,
48:11 I remember that.
48:12 You know, my husband and I
48:14 always fight.
48:15 You told me that before.
48:17 And when you told me
48:19 if it's in a conversation,
48:20 I remember that.
48:22 So, that's my process.
48:25 I remember.
48:26 So, now, I know what I'm going to write.
48:30 I don't need to come back to the video
48:35 or review the conversation.
48:38 Because I know.
48:39 Even the intonation,
48:41 how he said it,
48:42 if there's a double meaning,
48:43 I know that.
48:45 Okay.
48:46 I'm just curious.
48:47 Because every time you report,
48:49 I don't know what's going on behind it.
48:53 So, I asked him out of curiosity.
48:56 Not because I wanted to.
48:58 That's his process.
49:00 There are also certain people
49:04 whose memories are very bad.
49:07 "Oh, this is how it is."
49:09 I remember everything you told me.
49:12 All of this.
49:13 It's a skill.
49:14 It's a skill that you develop.
49:18 When did you say that?
49:21 When did you say that
49:24 you developed those skills?
49:27 Actually, I don't know when.
49:29 But when I was young,
49:31 I remember that.
49:34 When my mom told me,
49:36 for example, she told me
49:38 not to do this.
49:40 Or she scolded me
49:41 because of a certain...
49:42 Suddenly, she was surprised
49:45 after so many years.
49:46 I'll say, "You said that,
49:48 mom, at that time."
49:50 And I think I have developed that.
49:53 Or I don't know if she's really
49:55 innate to me.
49:57 So, that's it.
49:58 And I'm still using it until now.
50:01 That's great.
50:02 It's like...
50:05 That's great.
50:06 It's just amazing that...
50:11 You can't say that
50:13 you can't do it.
50:15 Because if you have the time
50:18 and the right time to be serious
50:21 in what you're doing,
50:23 you'll have skills that you can't
50:26 imagine that you can do.
50:29 No, because, for example, Kelvin,
50:31 I interviewed you two years ago.
50:33 And you said something again.
50:36 Contrary to what you said two years ago,
50:39 I should remember that.
50:40 I should say, "Hey, Kelvin,
50:41 you said that
50:43 you're wearing white.
50:45 Why is it red?"
50:47 Something like that.
50:49 Although it's not like that,
50:51 yes, he's on the bench.
50:53 But you still have certain words
50:55 that you remember from the interviews.
50:57 Yes.
50:58 That's a lot.
50:59 It's a lot.
51:00 As in, there are thousands.
51:02 So, how do you handle that?
51:04 You don't get confused.
51:07 No, I told you,
51:08 I'm not good at names.
51:10 I'm not good at directions.
51:12 I'm not good at faces.
51:15 But when I remember a conversation,
51:17 for example, years down the line,
51:19 I can't remember you anymore.
51:21 I'm Kelvin, you said.
51:23 Then, okay,
51:25 I told you that.
51:28 Then I said, "Oh, yes."
51:30 Yes, sometimes I'm like that.
51:33 I'm so weak at remembering
51:34 the name of a person.
51:36 But the looks,
51:38 and what they're saying.
51:40 So, as a person,
51:42 you're an auditory person.
51:45 Yes, I'm an auditory person.
51:47 Auditory, okay.
51:49 Because some are visual.
51:51 Visual, yes.
51:52 Because I remember,
51:54 even if I read it,
51:56 I can't remember.
51:58 But when I heard it,
51:59 I remember it.
52:00 You're the type of person
52:02 who when you're sitting by the sea,
52:04 "Oh, the sound of the sea is so nice."
52:06 "It's so relaxing."
52:07 Like that, right?
52:08 Yes, I can notice the sea
52:10 more over the sunset.
52:12 Oh, the sound of the sea.
52:14 You can relax, right?
52:15 Then, what's next?
52:18 Your feelings or what you see
52:20 before your feelings.
52:22 It's a symphony of all the things.
52:27 Of course, you know,
52:29 when I'm at the sea,
52:32 what I do is I'm closed.
52:34 That's it.
52:35 I want to feel what I'm hearing.
52:37 So, you're a feeler.
52:39 Auditory feeler.
52:41 Before the visual.
52:43 Before the visual.
52:45 So, last time visual.
52:47 Okay.
52:48 So, that's why every time,
52:50 that's why your recall is like that.
52:52 Because when you're listening to a person,
52:57 then the next person is a feeler,
53:02 they'll really be backwards to you.
53:04 They'll stay with you.
53:06 But you don't remember.
53:07 That's why you don't remember the name.
53:09 Because it's not that important
53:11 how you felt it.
53:13 That's why I said, even the intonation.
53:15 And this,
53:16 I may not remember who you are
53:18 or I may not remember your face
53:20 and your name.
53:21 But I remember how you felt me.
53:27 Yes, that's it.
53:28 Because you're auditory.
53:29 That's where it goes.
53:30 Because I have a lot of office mates before,
53:32 I can't remember their names.
53:34 But when I see them,
53:35 I remember this person.
53:37 Okay.
53:38 I remember that.
53:39 I remember that.
53:40 I said it.
53:42 I said it.
53:43 I was unlocked earlier.
53:47 I said, maybe Nelson is an auditory.
53:49 Because, okay.
53:51 But I also remember that
53:53 they're also hard to...
53:55 What did you say again?
53:56 What did you say again?
53:58 They're the ones who need to see the actions.
54:01 I know a lot of people like that.
54:03 I have a small amount of patience when it comes to that.
54:08 I said it.
54:10 I'll repeat it.
54:12 Right?
54:13 There.
54:14 Kelvin, thank you.
54:15 Thank you very much.
54:17 To be honest,
54:18 in the whole hour we've been talking,
54:20 I've proven that you deserve the irresistible charmer.
54:26 But to be honest,
54:27 he should be an old school charmer.
54:30 Yes.
54:31 We're old school.
54:33 Everything is new.
54:34 Nelson, thank you very much for the chance
54:36 to have this kind of opportunity.
54:39 This is a different kind of opportunity.
54:42 This is a different kind of learning.
54:45 This is a different way of learning.
54:47 This kind of conversation.
54:50 And of course, to Sparkle,
54:53 who set this up.
54:56 And to the bosses,
54:59 who continue to support my dreams.
55:02 They're behind me.
55:03 My managers,
55:04 my supporters,
55:06 my friends,
55:07 my family.
55:09 Thank you very much.
55:12 And to you,
55:13 because of you,
55:14 I'm here in this video,
55:17 in this interview.
55:19 This is my longest interview with you.
55:21 Yes.
55:22 But I enjoyed the conversation.
55:26 It was very casual and natural.
55:28 And we learned a lot about you.
55:30 I'm like that too.
55:32 I'm just a small expert in birds.
55:36 Thank you very much.
55:38 And next time, if we have a chance.
55:41 Next time, for sure.
55:42 Kelvin, thank you.
55:43 Thank you.
55:44 Thank you.
55:45 [Music]

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