• 11 months ago
Transcript
00:00 [Music]
00:13 The Ladies' Paradise
00:15 [Music]
00:20 So Lisa is not your sister?
00:22 That's right
00:24 And after she told me herself, there is no doubt
00:27 And why has she lied to you all these months?
00:31 Have you asked her?
00:32 Sure, but she hasn't told me
00:34 The only thing I know is that she is not my sister
00:37 That she is naive and she has said that when she left here, it was because she had fallen in love with me
00:44 There are many things that don't fit in this story
00:48 All the evidence about my father and what he knew about my life
00:51 How could he have done it?
00:53 Maybe you gave them to yourself without realizing it
00:55 And besides, everyone in Milan knows you
00:57 People know more about you than you can imagine
00:59 I promise you I never told him anything about that
01:02 At least until he brought my father's letters
01:04 There is something behind all this
01:07 And how are you?
01:09 Destroyed and very hurt
01:12 How could I be so naive and so superficial?
01:16 No, you have not been superficial
01:18 There were specific elements that led you to the mistake
01:22 In addition to the fact that you want to have a family
01:27 You shouldn't blame yourself for anything
01:32 Maybe for something, yes
01:34 Marta
01:36 I try to warn myself a million times about Elisa
01:40 But I didn't believe anything
01:42 I thought she was jealous and from so much deafening hearing I forced her to leave
01:48 Actually, going to Paris was your decision, so ...
01:51 Yes, but I didn't give her another option
01:54 When I had to take sides, I defended Elisa
01:58 My imaginary sister
02:01 I have to talk to Marta immediately and apologize
02:04 But I don't know if that will be enough
02:06 You will find a way to get her to forgive you
02:09 I hope so, really
02:13 (Sighs)
02:15 Tell me who's behind this
02:23 You hurt me, let me go!
02:25 I fell in love with you, Vittorio
02:29 And I'm not lying to you
02:33 (Sighs)
02:35 Luca
02:47 Is everything okay?
02:51 No
02:53 Your mother?
02:55 She's dead
02:58 I'm sorry
03:01 Me too
03:03 Have you eaten? Do you want me to make you something?
03:07 No, I don't want to
03:09 I'm sorry, it's not your fault
03:12 I know
03:15 My mother was a very cheerful woman
03:18 I still remember when I was a child and I heard her laugh in the hall
03:23 But one day she stopped laughing
03:26 Have you been able to talk to her?
03:30 Before she died, she had a moment of clarity
03:33 And did she recognize you?
03:36 Even better
03:40 She read my mind
03:43 She told me things I didn't think I knew
03:47 She told me to move on
03:50 And to think about my life
03:53 And you don't think she was right?
03:59 No
04:01 Now you can forgive me
04:04 Of course
04:08 If you need me, you know where I am
04:14 Thank you
04:17 (Sighs)
04:19 (Sighs)
04:22 (Music)
04:25 (Music)
04:27 (Music)
04:54 (Speaking Spanish)
05:22 (Phone ringing)
05:24 (Phone ringing)
05:30 Hello?
05:31 Hi, Ricardo
05:32 I need to see you, it's an important matter
05:34 Why? Has something happened?
05:36 I called Marta in Paris
05:38 And I feel like she doesn't want to answer
05:40 Have you talked to her recently?
05:42 Not recently, but...
05:44 She could be at the museum at this time, or... I don't know
05:47 Maybe she went shopping with her aunt, to spend some money on clothes
05:50 But if she's still at the hotel, I suppose she'll answer you
05:53 She doesn't have to be mad at me, I'm her brother
05:56 How funny
05:57 I'm sorry, it was a joke
05:58 I've discovered something very important, and I need to talk to her
06:01 Why do you talk like you're a Soviet spy?
06:03 What have you discovered?
06:05 Okay, come to my office in an hour
06:07 No, an hour, I can't wait an hour, it's too long
06:10 You laughed, admit it
06:13 Call your sister
06:14 Okay, see you later
06:15 Thank you
06:18 And then she looks at me and says
06:20 Why don't you invite your representative to the wedding?
06:23 No, I knew that sooner or later she would do it
06:26 Yes, she said your representative, not your boyfriend, but...
06:29 Well, it's a first step
06:31 Yes, knowing him, it's a lot that he told you that
06:34 He needs his time, you'll see that little by little...
06:36 He'll accept it, and he'll give you his blessing
06:38 Let's hope so
06:39 I'm convinced that he will
06:41 You should be glad that he gave you permission
06:44 It's a very good sign
06:45 Elena will be very happy when she knows you're going
06:48 I know it would have hurt her a lot if you weren't there on her wedding day
06:51 Yes, me too
06:53 But now we'll all be there, and who knows, maybe Mr. Montemurro will show up
06:57 Yes, I hope so, it would be wonderful
06:59 Dinner is free, right?
07:01 Can you imagine? Husbands in front of the altar
07:03 Mr. Hermano about to recite the psalm
07:05 And suddenly the gate opens and Mr. Montemurro comes in
07:09 And says "This wedding cannot be celebrated"
07:11 You've messed up the story
07:14 I don't know him, but from what I understand, he would be able to
07:17 I think of Mrs. Montemurro and I don't understand how he could marry someone like that
07:21 It's the law of compensation
07:23 He's so bitter, and she's so sweet
07:25 The perfect couple
07:26 What are you saying?
07:27 Is he a capuchino?
07:28 Gabriela, no way, you're a romantic madwoman
07:31 Yes, laugh, but the ones who are lost in love are you, not me
07:35 It's so important what they say that they should comment on it
07:39 Now or can they wait for lunch?
07:41 I'm sorry
07:43 I'm sorry
07:44 [chatter]
08:13 Finally
08:14 I couldn't come earlier
08:15 I don't understand why we couldn't continue the conversation over the phone
08:18 Because when you talk about business, you have to look each other in the face
08:21 There's news
08:22 The fish has bitten the hook
08:24 But to act, I need your consent
08:26 Explain yourself
08:27 A couple of days ago, there was a robbery in Torin
08:30 First-class merchandise
08:32 Some medallions that apparently belonged to the queen
08:34 Enough, cut to the chase
08:35 Bacchini is your friend
08:36 He's not my friend
08:37 Whatever it is, it will end up falling
08:40 I proceed
08:43 Yes, okay, proceed
08:45 Do what you have to
08:46 Luchano
08:47 What are you doing?
08:52 Since when do beautiful women meddle like this?
08:55 And since when do criminals get together with decent people?
08:58 Maybe decent people aren't as much as they seem
09:03 Don't you think?
09:04 We'll see each other
09:11 I saw that man talking to Oscar a few days ago
09:14 And now I find him talking to you
09:16 Do you want to explain what's going on?
09:18 Nothing, I found him out here
09:20 Now you're talking to the man who tried to rob us months ago
09:23 And the one you yourself had arrested
09:25 Many things have changed, Glelia
09:27 I want to know what you were doing talking to him
09:29 I'm trying to lock up your husband
09:30 Have you gone mad?
09:31 Absolutely, in fact, I've never been so lucid
09:33 And don't try to make me change my mind, because you won't get it
09:36 Luchano, I already told you once, but apparently you still don't believe me
09:39 Oscar can be very dangerous when he wants to
09:43 You can't do it
09:44 I have to do it
09:45 If everything goes as I want, your husband will end up in jail
09:48 And you'll be free, free at last, free!
09:51 You have to leave him now, it's crazy
09:53 Miss Pellegrino
09:56 Yes, excuse me, your neighbor, Mrs. Colella, has called
09:59 Did something happen to her?
10:00 No, no, no, nothing serious
10:01 She fell and scratched her knee
10:03 I think the lady got scared and wants you to pick her up
10:06 Okay, I'll get you in my car
10:08 Miss, could you replace Clelia in the meantime?
10:10 Sure, no problem
10:11 I won't be long, I promise
10:12 Let's go
10:13 Okay, thanks
10:15 The car is there
10:21 Hello
10:29 Nora
10:30 In flesh and blood, may I?
10:35 I thought we didn't have anything else to say
10:37 Because we're officially divorced
10:39 And I can't come and visit my ex-husband?
10:43 Come on, Sandro, now I can't joke either
10:47 Since when are you so boring?
10:50 Since always
10:51 But you've realized now
10:53 See how when you want you're funny too?
10:57 Don't worry, I didn't come here to argue
11:02 In fact, I wanted to make up for it
11:06 And apologize
11:08 I'm sorry, but I can't believe you
11:12 Sandro, don't abuse my good humor and make things even more difficult
11:17 I've been thinking about it
11:20 And I have to admit that my behavior hasn't been the best
11:24 I was very hurt and I know I got the worst out of myself
11:29 It wasn't easy for me to accept the end of our marriage
11:32 You may not believe me, but you've been the love of my life
11:38 Please, let's not start
11:39 No, no, no, no
11:41 I'm just trying to explain why I blackmailed you in such a miserable way
11:46 I want to give you back your rights
11:51 What are you up to?
11:52 Nothing, I want to go back to London and try to start my life over there
11:57 And every time I sing it, I remember how much you love that girl
12:02 I'm sick of suffering
12:06 Why don't you believe me?
12:11 Because I know you
12:13 Do whatever you want
12:25 It hasn't been easy for me to make this decision and to take a step back, but I think it's the right thing to do
12:31 I don't want you to have a bad memory of us
12:40 Yes, it's been turbulent, but we had a beautiful love story
12:46 I'm sure of that
12:48 Now it's time for us to move on, vagina
12:53 [Music]
13:04 Nora, I hope you're very happy
13:08 Me too
13:11 [Music]
13:31 [Music]
13:55 Margarita de Santerasmo was a good and very loving woman
14:01 She raised her children by instilling love and respect in them
14:07 They don't deserve to be punished for everything Umberto Gagneri did
14:14 He divided us and humiliated us
14:17 He must pay for what he has done to us
14:20 [Music]
14:27 Dear Esther, I am aware that I will never be able to compensate you or your family for all the damage Umberto caused you
14:33 I am tormented by not realizing the kind of man I had by my side
14:38 [Music]
14:45 Dear Margarita, I am writing to tell you that I am sorry I realized so late that you have nothing to do with this story
14:53 Yes?
14:56 May I?
14:58 Come in, Ricardo
14:59 So?
15:03 Are you going to tell me that it was so important?
15:06 First of all, have you talked to Martha?
15:08 Yes, but I don't think she talks to you
15:12 I'm sorry
15:15 I managed to meet with Lisa so she could tell me the whole truth
15:19 And?
15:20 She's a swindler
15:23 Lisa is not my sister
15:25 What?
15:26 But why did she do it?
15:29 I don't know, but I'll find out
15:30 I have to talk to your sister, no matter what
15:32 Well, that changes everything
15:34 She suspected from the beginning that Lisa was not a clean whore
15:38 Yes, she also talked to me several times about the doubts she had
15:41 But I thought she was just jealous
15:43 And I?
15:44 I have undoubtedly made the worst mistake of my life
15:47 I should have trusted her
15:49 I owe her an apology
15:50 Well, I'll try to talk to her
15:53 But you already know her, she's very stubborn when she wants
15:57 Yes, but I am too
15:59 Do one thing
16:01 If necessary, explain the situation to her and convince her to talk to me
16:05 I don't envy you at all
16:07 Coming from you, you must be seeing me really bad
16:11 Bad, not fatal, you had to resort to me
16:13 Ricardo, convince her to talk to me
16:17 Or I'll have to go to Paris
16:19 Okay, as a last option, I have the address of your hotel
16:23 Thank you, dear friend
16:25 We must arrange things when we have time
16:31 It seems that time does not pass today, I'm very hungry
16:33 What luck, I have a closed stomach
16:34 Why? Are you not feeling well?
16:36 It's because of the exam
16:38 Analysis 2
16:40 Don't ask me what it means, because I don't know
16:42 The problem is that Professor Formicola is extremely strict
16:45 Which is good, but his exams are the worst
16:47 There are people who have repeated the same exam with the same answer
16:50 I don't know what to do
16:52 I don't know what to do
16:54 I don't know what to do
16:56 I don't know what to do
16:59 There are people who have repeated the same exam with him up to five times
17:01 Professor Formicola
17:03 Formicola?
17:05 You're really scared of a man named Formicola?
17:07 But that teacher has the name of clown Roberta
17:09 No, really, I don't find it funny, it's not funny
17:12 Look, a while ago, a boy was so scared that the poor boy started crying in front of everyone
17:18 Apart from not wanting to make me cry, I obviously want to go for the outstanding in this exam
17:23 Seen is seen, with approving it is okay, right?
17:27 No, because when I finish studying I want to ask him for the thesis, I have to do everything perfectly
17:31 Professor Formicola must think I'm a...
17:33 Formicola
17:35 Good morning, ladies
17:37 Good morning
17:39 What a surprise
17:40 Can I steal you a minute?
17:41 We were going to the cafeteria, see you later, Mr. Recalcati
17:44 Good morning
17:45 Has something happened?
17:55 I've been with Nora for a while
17:57 And what does she want now?
17:59 She has returned me the rights to love, impossible
18:02 Apparently when I sing it, she remembers I wrote it for you
18:06 And that makes her feel bad
18:07 I thought you were jumping for joy
18:12 I don't know, do you trust her?
18:14 You don't
18:15 Since I've known her, she's never done anything uninteresting
18:18 Why don't we give her a vote of confidence?
18:24 Well, let's do it, come on
18:25 I've also spoken to Enrico Pedrucci, who has very reluctantly agreed to meet with me today
18:32 I want to convince him to present the song in the opening, but this time sung by you
18:36 That would be fantastic
18:40 That's how I want to see you
18:42 I also have news
18:45 Good
18:47 My mother told me I can invite you to Antonio's wedding
18:50 Really?
18:53 Yes
18:54 That's great
18:55 Well, as my representative, not as a boyfriend, but something is something, right?
18:59 It's great, yes
19:01 So today I'll stop by your house to thank you
19:05 So I'll also tell you how it went with Pedrucci
19:07 Hey, doesn't it seem that little by little luck is taking our side?
19:13 You better not say it too loud
19:22 Don't take it off
19:23 It has to be well glued, otherwise...
19:25 Good morning
19:27 Well, did you get scared?
19:29 Of course, he's a very strong boy
19:31 But it's itching
19:33 Well, you're in the right place
19:35 Because here they have some very powerful antidotes against burns
19:39 What's an antidote?
19:40 It's like a medicine
19:42 Chocolate, for example, when it comes inside a beignet, works wonderfully for burns
19:48 Mom, can I order a chocolate beignet?
19:52 If you ask me like that, I can't say no, but only one
19:55 You have to choose well, the bigger the effect, the more
19:59 Will you come with me?
20:01 Of course, let's go
20:02 Dad!
20:04 Let's go get the beignet
20:06 Salvatore
20:09 How dare you pick up our son with that man?
20:15 It was an emergency
20:18 Mrs. Conela called the paradise to tell me Luchano was there and he offered to take me, nothing more
20:22 You have humiliated me
20:23 You have no idea the questions he has asked me
20:26 Now the whole building knows you have a lover and that you have the face to take him with you
20:29 Lower your voice, please
20:31 And now I come in here and you are all like a family, Feliz
20:34 What a shame
20:36 I'm not doing anything wrong
20:37 Get up, let's get out of here
20:38 You don't have to take me
20:39 Wait for me here
20:41 Look, you're going over my limits
20:43 What are you going to do? Hit me in front of everyone?
20:45 Bacchini
20:47 Are you ashamed?
20:48 I have here the master of good manners, who sits at the table with the wife and the son of another
20:52 Happiness is countable, it is very elegant on your part
20:54 In terms of elegance, you and I have nothing to do
20:57 Forget about my family, I swear I'll find his
20:59 Stop arguing, at least in front of Carlo
21:02 I'll talk to you at home
21:04 Aren't you going to eat the beignet, Carletto? It's delicious
21:16 Carlo, come here and eat it
21:17 Andreina, I wasn't expecting you
21:41 You look sad, is something wrong?
21:45 Last night I lost my mother
21:47 I'm very sorry, I know that pain
21:53 Thank you, did you bring what we talked about?
21:57 Yes
21:59 This is the new passport from Ada to Adam and Eti
22:04 And the ticket to Rio de Janeiro
22:07 As soon as you arrive at your destination, you will find a bank account with enough money to cover the first months
22:13 I took care of the passport, but as for the money, thank Mr. Spinelli
22:18 Thank you
22:21 Well, I'm leaving
22:26 Good luck
22:29 I'll need it
22:31 I'll help you with the luggage
22:34 No, I can do it alone, thank you
22:35 I hope you find some serenity
22:42 I wish you the same
22:43 Goodbye
22:57 Goodbye
23:00 Goodbye
23:01 It's over
23:14 Vittorio will never find out about the trap you set for him
23:19 And there's more
23:21 It's possible that Humberto has the hours counted
23:24 What do you mean?
23:27 There was a correspondence between my mother's things
23:30 Some letters that Marguerita de Santerasmo wrote to her
23:34 Humberto's wife?
23:36 Exactly, apparently she was trying to get us back to the villa
23:40 And you didn't know anything?
23:42 Nothing, when Marguerita found out that Humberto had reported us, she was devastated
23:49 Everything okay?
23:56 Yes, I was surprised by your reaction
24:00 I know how much this affects you
24:03 But now I see a ray of light
24:06 I must go to Liguria
24:09 Liguria?
24:11 The letters that my mother received came from Rapallo
24:14 I'm sure I'll find something useful in that villa
24:16 And what do you expect to find there?
24:18 A document, a diary, something that proves Humberto's guilt
24:23 I don't know, but everyone must know what he did
24:27 I swear I was shaking all over
24:37 Poor Miss Caligari, it must be terrible to be tied to a man like that
24:41 Please, Gabriela, don't tell anyone
24:44 Of course, and not to Nicoleta, it's not the right time
24:48 Tina, please, I told you not to insist, I don't want to go home to eat
24:52 Why? You'll rest and eat something healthy, you'll be fine
24:54 Yes, but if I go, I'll get nervous, and I'll lose my train of thought, or I'll fall asleep
24:59 I don't know, you don't see it
25:01 If you arrived a few minutes late, nothing would happen
25:03 How did it go with Sandro?
25:05 Good, good, and?
25:08 Good, and?
25:10 He's always right, he told me to be patient and not so impulsive
25:14 I've told you the same thing about 50 times
25:17 But he's much more convincing than you
25:19 Much, much, much more convincing
25:21 So he's only come to tell you to be patient?
25:24 No, not exactly
25:27 Nora has returned him the rights to love
25:31 The song is ours again
25:32 It's fantastic news
25:34 And?
25:36 He'll spend the night at home to thank my mother for inviting him to the wedding
25:40 Sandro is a gentleman
25:42 It seems that little by little, luck is starting to smile on us
25:47 You deserve it
25:50 Come here, give me a hug
25:51 You deserve it
25:52 Careful, careful, the bat, the bat
25:56 Why was dad so angry?
26:00 He wasn't angry, darling, he was worried that you'd hurt yourself, he was just scared, nothing else
26:05 Now mom has to go back to work, are you coming?
26:08 Mom, you hurt me
26:10 But the scare is over, right?
26:13 Come on, let's go
26:19 [Footsteps]
26:20 Where are you taking him?
26:24 To paradise with me
26:26 To paradise, what for?
26:28 He can be drawing while he waits for me, and the ladies will keep an eye on him, he won't be alone
26:33 The ladies or the prudent accountant Cataneo?
26:35 Our son is comfortable with him, what's wrong with him?
26:38 I don't want him to see that man
26:40 Carlo is not yours
26:42 You're wrong, he's my son and you're my wife, I decide who you're going to be with
26:46 Say bye to mom, we'll see her later
26:48 Bye mom
26:50 Bye, see you later
26:52 Goodbye, my love
27:04 The next time I see him with you, I won't stay still
27:11 Is that clear?
27:15 Luckily we'll be soon between this one
27:17 Far from here, from that clown
27:20 [Footsteps]
27:44 Ricardo told me he would explain the situation to him, but if that wasn't enough, I would leave for Paris today
27:50 What is this?
27:52 The expenditure report of the home sales distributor
27:56 Next season we'll have to get a better price
27:59 Yes
28:01 Luciano, if I leave in the end, you'll have to cover me for a few days
28:05 No problem
28:07 I appreciate it
28:09 Is everything okay?
28:11 Yes, why?
28:13 I don't know, has something happened? You seem distant
28:15 No, sorry, it's just that my head hurts a little
28:18 [Knock on door]
28:20 Yes?
28:21 Sorry, I didn't want to interrupt
28:24 Did you need me?
28:26 Nothing urgent, I'll be back later
28:28 Miss, come, sit down, we were done
28:32 Vittorio
28:35 When you know something, please tell me
28:37 You'll be the first, see you later
28:39 See you later
28:40 I wanted to thank you for intervening before
28:45 I can't stand that he treats you badly, especially in front of your son
28:50 This morning you said you were planning a plan to lock Oscar up
28:55 Yes, but...
28:57 I know, I got angry
28:58 I told you it was crazy and you should forget it
29:01 But I really didn't think what I was saying
29:04 The truth is I'm scared
29:08 I spent the nights thinking about what I could do to you
29:11 I was just trying to protect you
29:14 Don't you understand that for me it's much worse to know what he does to you
29:18 And to think that one day he could do the same to Carlo
29:20 That's why I decided to help you
29:23 Are you sure?
29:25 Yes, I can't keep living with this anguish
29:28 I can't walk around with my son, no
29:31 I can't even talk to someone calmly
29:36 And if one day I did the same to Carlo, as you say
29:39 If all this ruined my son's life
29:42 I couldn't stand it
29:44 I promise we'll do everything we can to end this in jail
29:47 But we'll do it together
29:49 No, you... you already have a lot on your plate, let me handle it
29:53 You don't understand
29:55 I'd be much worse off waiting in the shadows without knowing what you're doing
29:59 As you prefer
30:02 As you prefer
30:03 Clelia
30:08 Don't do it again
30:12 What?
30:14 Leave my office without giving me...
30:16 [Music]
30:32 Tell me about that business
30:34 Tony Mahoney is in charge of it, but he needs the right person
30:37 Tell me something else, because I might be the right person
30:41 What merchandise are we talking about?
30:45 Diamonds
30:46 Minority sale price, 6 million
30:48 6 million liras?
30:50 I don't have that much money
30:52 Tony wants 2, 2 million liras for perfect cut diamonds
30:56 Less than half of his value
30:59 And I'm telling you, this is a unique opportunity
31:02 And why has he only come to me?
31:04 Who told you I've only contacted you?
31:07 I understand
31:10 You'll understand too that we don't have much time
31:14 Tony doesn't like to take risks
31:15 It's an important number, he needs to give me time
31:18 I'll need a few days at least
31:20 Two days, not one more, or we'll go to someone else
31:23 Two days is fine, I'll tell him something
31:27 I hope so, because Tony doesn't like to be taken by surprise
31:32 And I don't like to waste time either
31:35 In two days he'll have news
31:38 [Music]
31:47 Good night, see you tomorrow
31:53 Don't worry, I'll close
31:56 Thank you
31:59 Nicoleta
32:04 Your mother asked me to come home late
32:07 Today they're putting on a TV show she wants to see
32:09 Very well, I'll try not to be late
32:11 I'll wait for you outside
32:13 Good night
32:15 Luciano
32:17 How's it going?
32:19 Better, thanks
32:21 And how's Miss Caligari?
32:24 Well
32:26 I thought she could stay until the fair
32:29 But I see it's impossible
32:31 It shouldn't be easy for her to move again
32:35 She might still be here for the fair
32:37 Has she delayed the trip?
32:40 We'll see
32:42 Guess, do you know something I don't?
32:45 I know she appreciates this job and will do everything she can to not lose it
32:49 So you've spoken to her?
32:52 Not directly
32:54 Hey Luciano, I know what she means to you
33:00 And I know you'd like to change a lot of things
33:04 About your husband and his situation
33:06 The only advice I can give you is to try not to meddle
33:10 You'd make things worse
33:12 Don't worry, I don't want to change the delicate family balance of Clelia
33:17 Good, one day you'll tell me the whole story
33:20 I'll disappoint you, trust me
33:22 How's it going with Marta? Have you managed to talk to her?
33:25 Ricardo has tried to call her several times
33:28 But he hasn't been to the hotel since this morning
33:32 I'm sure you'll be able to talk to her
33:34 Yes, that will be difficult, to find the right words
33:37 Difficult for you?
33:39 You'll find them
33:41 Tina, what's wrong? Why aren't you standing still?
33:51 No, it's nothing
33:53 I'm going over a song in my head and it has a happy rhythm
33:56 So I'm letting myself go
33:58 Come on, let yourself go while you do the housework
34:01 I'll go
34:02 Good evening
34:06 How are you, Tina?
34:08 Come in
34:10 Good evening, Mrs. Mata
34:12 Good evening
34:14 I'm sorry, I have to finish this
34:17 Good evening
34:19 What brings you here?
34:21 I wanted to thank you for inviting me to your son Antonio's wedding
34:25 It will be an honour for me to attend
34:28 I would like to thank your son
34:30 I'm sorry, but he's not here now. He'll come later with his fiancée Elena
34:34 Well, sit down
34:36 No, I don't want to bother you
34:38 No, it's not a bother
34:40 We also have news
34:43 News?
34:47 I hope this time they are good
34:51 Of course
34:53 Have you been able to talk to Petruchio?
34:56 Don't ask me how I did it, but next week you'll sing "Impossible Love" on his radio channel
35:01 Sit down, Tina, sit down
35:03 Yes
35:05 And I don't know that song
35:07 Sandro wrote it recently. He composed it thinking of a person he loves very much
35:13 Well, I'm not interested in those details
35:15 Your mother is right
35:17 The important thing is that it will surely be a commercial success
35:20 It has a perfect melody for Tina
35:24 It's good news, isn't it? And a great opportunity
35:27 Do you see how unpredictable life is?
35:30 And since it's so unpredictable, it's better not to get your hopes up
35:35 You're right, I won't do it
35:38 Now comes the most difficult moment. You have to concentrate and give your best
35:43 I'll try my best
35:45 When he says that, you have to worry, because I don't know if you know that when he gets something in his head...
35:50 I almost always get it
35:53 I've noticed
35:54 You say it as if it were something negative
35:56 Mrs. Amato, I want to thank you again for inviting me to such an important event for your family
36:04 And I hope that in the future...
36:07 Mr. Recalcati, we have no power over the future
36:10 You're absolutely right
36:13 Even so...
36:15 I wanted to thank you for what you're doing for my daughter
36:21 And now that you've come this far, I hope it's a success, because you deserve it
36:25 Without a doubt
36:27 I'll go with you
36:30 Good night
36:32 See you later
36:36 Do you see the broom?
36:45 Yes, the broom
36:46 Well, let's leave it there
36:47 Okay, yes
36:49 [Doorbell]
36:50 Hello
37:01 Can I come in?
37:04 Yes, of course. Sorry, come in
37:06 I spoke to your brother and he told me that you didn't want to talk to me
37:14 I asked Ricardo to cover for me
37:17 You arrived just in time. Half an hour later and I would have taken a flight to Paris
37:21 To tell me what?
37:23 That you were right about everything
37:27 And...
37:30 Why didn't you believe me from the beginning?
37:34 Or worse, why didn't you even try to understand me?
37:37 I think my past and the desire to have a family influenced my story
37:43 That girl showed up here so suddenly
37:46 And...
37:47 She had a complicated past
37:49 I don't intend to justify myself, I just want to explain it to you
37:53 And explain to myself how I could be so naive
37:56 Vittorio, you're not naive
37:58 Lisa was a tender, defenseless girl
38:01 And you never gave up on the idea of saving her
38:04 Because that's how you want to save everyone
38:06 And that's a virtue, but also a weakness
38:13 Even if this story has kept us apart
38:15 And has aroused doubts and differences
38:19 I've always been sure of one thing
38:22 I only love you
38:26 I made a huge mistake
38:29 And all these weeks without you have been...
38:32 With him or with me, you already had me, Vittorio
38:42 That's why I escaped from Paris
38:44 But now promise me one thing
38:49 That you won't treat me like a madwoman when I tell you about something or someone
38:54 And above all, that you'll listen to me
38:57 And you'll also take my words into account
39:00 Promise me
39:04 I swear
39:07 I love you
39:11 I love you, Martha
39:12 I love you
39:13 I love you
39:14 I love you
39:15 I love you
39:17 I love you
39:19 I love you
39:20 I love you
39:21 I love you
39:23 I love you
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