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🎥
Short filmTranscript
00:00 [Music]
00:13 The Ladies' Paradise
00:15 [Music]
00:20 Good morning, Vittorio.
00:21 Good morning.
00:22 You arrived early this morning.
00:23 I see you too.
00:24 Yes, I have a little work to do. I'm late. The monthly budget, sales, requirements, and the contract with the company that will take care of the clothes for the pregnant women.
00:36 Are you trying to show me that we don't need the Mercafin 2000?
00:40 On the contrary, I can't wait to delegate part of my work to that machine and wake up an hour later.
00:46 Yes, we have many fronts open. Too many?
00:50 Even if it were, you don't have to give up.
00:52 No, of course.
00:53 By the way, how many models will the line have for pregnant women? I need specific figures to close the contract.
01:00 I would say no more than five. I'm just wondering if it's right to trust everything to Miss Rosie.
01:07 According to my children, her dress was better with difference.
01:09 Yes, without a doubt, Miss Rosie has great talent. Sometimes she looks for the pearl in the farthest ocean.
01:14 Being able to find it in the puddle next door.
01:16 I'm sorry. We'll have to see if she dares to go all out with a collection. A great challenge, since she's a total beginner.
01:25 If you're thinking of hiring an assistant...
01:28 We'll have to evaluate the costs, I know. Let's see how it goes first and then we'll decide.
01:33 I agree.
01:34 Yes?
01:38 Yes, it's me.
01:42 Of course. Ask for me at the entrance. In the ladies' paradise, exactly. See you later.
01:48 An Angelina Greco says she has news about Lisa.
01:54 So the ad in the newspaper works?
01:57 Thanks, Federico.
01:59 See you later.
02:02 See you later.
02:03 I'm sorry, we just opened and I don't have change. I'll buy you coffee, sir.
02:11 Thank you, Salvatore. Have a good day. And say hello to Miss Anita for me.
02:16 Of course. Thank you. Bye.
02:19 Bravo. You've improved with business. Congratulations.
02:24 I'm not going to make myself rich with a coffee, Tony.
02:26 I heard you arrived late last night.
02:31 We were celebrating Gabriela. Mr. Conti chose her to design a clothing line for El Paraíso.
02:39 Yes, Elena told me. She also told me she saw you on the couch.
02:44 Very good. Very good.
02:46 What's with that face?
02:47 What face?
02:48 That. That face you have.
02:50 Gabriela needed a hand to sew the dress and I...
02:54 I helped her and we fell asleep. That's all.
02:58 It's hard to imagine you with a needle and a thread.
03:01 She had the needle and the thread. I was just keeping her company.
03:06 Actually, it's not your job to keep the girls company.
03:09 I remember you used to go out for a walk, to the lake, cars, elegant clothes.
03:14 Women were at least two foreigners.
03:16 Maybe I've changed.
03:18 And you've changed for the better, my friend. I'm proud of my brother.
03:23 Gabriela is a friend to me.
03:26 A friend.
03:27 Yes, a friend. And I was sorry to leave her alone.
03:31 She has a thousand problems. She's a bit insecure.
03:35 I wanted to give her security, support her.
03:38 You worry too much about this friend.
03:41 Gabriela is a very pretty girl. You don't need me to tell you.
03:45 Besides, since we lived there...
03:47 Do you see how she looks at you?
03:49 She looks at you with eyes that only God knows.
03:52 Can you stop making up stories?
03:54 When was the last time you stayed up all night holding scissors for a girl who had to make a dress?
03:59 Do you know what you'd give her?
04:01 Why? Have you told her anything?
04:03 If she knows something, she gets in the way. You know that, right?
04:06 - Don't worry. I haven't told her anything. - She starts asking questions.
04:09 Of course, with all the worries you're giving her, Tina...
04:14 If you gave her that joy...
04:17 You know she wants us to sit down.
04:20 Sit down or happy? Because they're two different things.
04:24 Tina could sit down with everyone who's courting her.
04:27 But being happy is another thing.
04:29 - That doesn't get into Mom's head. - I know, but why?
04:32 In the end, Recalcati got divorced. Right?
04:35 He could marry Tina.
04:37 Toto, have you forgotten where we come from?
04:39 Partana, Sicily. You can't just walk out of the church and talk to someone who knows everything.
04:44 Mom was born and raised there.
04:46 And only six months in Milan won't change a person's mind.
04:50 Well, let me work. People are starting to come.
04:56 Does any of you have a fork?
04:58 I might have one.
05:00 As long as you tell me what you did to my brother.
05:04 Nothing. Nothing happened.
05:07 They slept in on each other last night.
05:10 And last night you waited for me to close the cafe to go home alone.
05:14 But...
05:16 - Did he kiss you? - Of course not.
05:18 - Why not? - Because we're friends, that's all.
05:23 - Okay, I admit we've gotten closer lately. - A lot, I'd say.
05:28 - But that doesn't mean anything. - You don't believe it either?
05:32 Finally, Salvatore has realized how wonderful a woman you are.
05:36 And maybe he's waiting for the right time to tell you.
05:40 That's impossible. We've known each other for a long time and he knows how I am.
05:44 Yes, but maybe he's changed.
05:47 - Men never change. - That's not true.
05:50 Let me guess. Mr. Recalcati has agreed to blackmail his wife?
05:54 I don't think that's the case. And he has gotten a divorce anyway.
05:58 - If you want to see it that way. - Why do you have to be so hateful?
06:02 - I still don't understand. - I'm just telling the truth.
06:05 - That's what hurts. - Then shut up.
06:08 I'm doing it for you. You think life is a road of roses.
06:12 Mine, for now, are just thorns, I assure you.
06:15 We're just trying to be a little optimistic.
06:17 - You could try it once in a while. - I prefer to be realistic.
06:21 And I thought you were too.
06:24 But since you were chosen as designer of the year, you've lost your mind.
06:27 Irene, that's not true.
06:30 - Salvatore is a Don Juan. - A born seducer.
06:33 He didn't even have sex with his brother's girlfriend.
06:36 And you think he's changed like that overnight?
06:39 - Irene, think about what you're saying. - Dina, calm down.
06:43 I'm telling you, it's not true. Men change.
06:47 - People change and get better. - Shall we do a test?
06:50 - What if we start working? - What do you think, Irene?
06:53 Before Miss Caligari calls us. Let's go, girls.
06:57 I'm coming.
07:13 - Yes? - Hello, may I?
07:16 - Miss Greco? - Yes.
07:18 Vittorio, a pleasure to meet you. Please, have a seat.
07:22 - May I? - Thank you.
07:26 - Have you been here before? - What was I going to do here?
07:30 I don't have money to spend on being a flirt.
07:33 With my husband's pension, I barely make it.
07:36 Besides, I have to take two trams to get here, so it's not a walk.
07:40 I'm sorry. If I'd known, I would have come.
07:43 Would you like some coffee? A cappuccino?
07:46 No, thanks. My stomach is so sour, coffee is a poison.
07:50 As you wish.
07:52 - Do you want to tell me what you know about Lisa? - I called her because I like helping others.
07:58 I'm anything but a meddler.
08:00 I wouldn't think about that.
08:03 Look, I need to know where I can find this girl.
08:08 She's someone I care about.
08:11 In my building, in the floor below mine, there's a pretty girl.
08:17 She's been working as a secretary.
08:21 I don't get into her business, but you know how it is.
08:25 We all know each other in my building.
08:28 Of course. What would this girl have to do with Miss Contero?
08:33 When I saw the picture, I saw her walking by the street twice or three times.
08:38 I think they live together.
08:41 If I may ask, what's her name?
08:45 Amanda Norcha. Do you know her?
08:48 Yes, I was introduced to her.
08:50 Look, I don't want to get into this. I don't like getting into other people's lives.
08:56 Don't worry, I won't tell anyone about your connections.
09:00 Can you give me her address?
09:03 Yes, Via de Icaduti 103.
09:06 I don't know if you know her, because she's not around.
09:09 I had to take two trains to get here on the 31st.
09:12 You know what? I'd love to go with you to her house so I can talk to Miss Norcha.
09:16 Don't get me in the way. I don't want people to think I'm a meddler.
09:20 You can trust me.
09:23 Listen, I don't want to get into your business, but what does that Lisa have in common?
09:30 She's my sister.
09:33 Let's go.
09:36 Waist 51, arms up.
09:40 Torso 43.
09:43 No, 43 is too much, Mrs. Agnes. A little more of a neckline.
09:47 But Elena, I don't understand. Do you want to go neck-to-neck to the altar?
09:51 But I don't want to be like a peasant, who's all covered up.
09:54 And there's the double layer of lace, you can't see anything.
09:57 That's why I'm wearing a double layer of lace. Do you think it's easy?
10:00 Do you want me to do miracles? I have two weeks.
10:03 For Nicoleta Cataneo, he did miracles. And for his wife, no.
10:07 You all agreed. I have to make the adjustments for paradise.
10:11 The dress for you, and now Don Hermano with the sotanas.
10:14 And I'm going to do Don Hermano's sotanas before my dress?
10:17 Antonio is the first son of his to get married.
10:20 You're right.
10:22 When Tina gets married, she'll have to make him a princess dress.
10:25 Of course I'll do it. If I find the right man.
10:29 Yes. You know who Tina has in her heart, don't you?
10:33 Elena, are you getting involved in this too?
10:36 I don't want to talk about that man anymore.
10:39 I've lowered it two centimeters, okay?
10:41 Yes, okay.
10:44 But you can't force her to stop loving him.
10:47 You know what they say? Eyes that don't see, heart that doesn't feel.
10:51 Listen, Tina is really hurt.
10:54 She's broken.
10:56 She's divided between the love she feels for that man and the love she has for you.
11:00 I know what it means to have the family against you.
11:03 You had me against me too.
11:06 I don't forget that, no.
11:09 Well, anyway, it's not the same, Elena.
11:12 You're going to marry Antonio, who is a free man.
11:15 He's good, honest, hard-working.
11:18 You know how lucky you are.
11:21 Yes, but my father doesn't forgive him.
11:24 He doesn't forgive him for being the son of Giuseppe Amato.
11:27 Nor that he took me away from Partana.
11:30 He's willing to lose his daughter for not forgiving.
11:33 It's not a matter of forgiveness, but of principles.
11:37 And by the way, as for your father, if he doesn't attend his daughter's wedding,
11:41 he'll regret it a lot.
11:44 Because for me, you only get married once in your life.
11:48 Okay, let it be three, okay?
11:53 Is that okay? Are you happy?
11:56 What were you talking about when you were talking about doing a test?
12:05 Nothing.
12:07 You're so happy about how things are going between you two that...
12:10 there's no need to talk about it anymore.
12:12 I want to know what you mean.
12:14 Let's make one thing clear.
12:16 I don't care about Salvatore.
12:18 I care about you, and I don't want to see you disappointed.
12:21 You give advice to Tina? You worry about me?
12:25 You haven't suddenly become nice, have you?
12:27 Believe what you want. You're the one who came to see me.
12:31 And why could I be disappointed?
12:34 Because you're too naive and too soft.
12:37 And someone like Salvatore is very cunning.
12:39 Are you jealous?
12:42 Don't be offended, but I'm a lot more jealous than a Sicilian waitress.
12:46 You don't know him.
12:49 In order not to see that he's eyeing everyone, you have to be very blind.
12:53 Or very in love.
12:55 Go to the cafeteria later and I'll show you.
12:59 Show me what?
13:01 That you're an illusion.
13:06 Excuse me.
13:09 Is everything okay?
13:16 Do you really think Salvatore hasn't changed?
13:19 What did Irene tell you? That he's a snake, you know that.
13:22 Maybe I've been imagining him being like that, and he's actually the same as always.
13:29 (Whispering)
13:32 Good morning, Mr. Norman.
13:40 Good morning, Mrs. Agnes. Am I bothering you?
13:42 No, please, come in.
13:43 I brought the sotanas. We have to do the double at three.
13:46 Playing with the children in the oratory garden, they've all been thrown out.
13:49 Don't worry, I'll take care of it.
13:51 Thank you.
13:52 Sit down.
13:53 No, I don't want to bother you. I see you're busy.
13:55 No, you never bother me. Sit down.
13:58 I made coffee. It's ready.
14:01 Besides, the time you spend with your brother is a blessed time.
14:06 And if I'm honest, I need some advice today.
14:10 Is it about the ceremony for your son?
14:12 No, we're on the right track with that.
14:14 The dress is missing, but I wish it was the only problem.
14:19 Is it about your daughter?
14:21 That's right.
14:24 I don't sleep at night because of this Tina thing.
14:28 I wanted to ask you if you think I'm wrong...
14:31 ...in wanting to separate this man from Tina.
14:34 Because they make me feel like a monster...
14:36 ...while I only want my daughter's happiness.
14:39 You want what every good Christian wants for a daughter.
14:43 Yes, that she marries a man who is not married.
14:47 As a man of the church, I cannot blame you.
14:50 Our Lord says it, doesn't He?
14:52 When a man and a woman get married, it's not two, but one flesh.
14:57 "So let the man not separate what God has joined."
15:01 Matthew 19.
15:03 So you think this divorce is worthless?
15:07 According to God's laws, yes.
15:09 But there are also those of the heart.
15:12 No, Father, the laws of the heart are the same...
15:14 ...that make us do stupid things.
15:17 But isn't it crazy to let a daughter leave her family?
15:22 Isn't it crazy to risk losing her?
15:25 Father, just thinking that I can lose her, I'm dying.
15:29 Sometimes it can happen that without realizing it...
15:32 ...we think more about our own happiness than about others.
15:36 You want to have a calm conscience, as it should be.
15:40 But salvation cannot be imposed.
15:43 We must find it, each one at his time, each one at his way.
15:48 Remember the parable of the prodigal son?
15:50 Of course.
15:51 The father does not oppose his son's request to have his share of the inheritance.
15:56 He lets him do it, he lets him go, he lets him make mistakes.
16:00 And then what does he do? He takes it.
16:03 But then you're telling me I should let him make mistakes?
16:08 You want to protect her, and I understand it, it's understandable.
16:12 But by doing it, you make her more stubborn.
16:16 Listen to me.
16:19 Make her be herself.
16:21 Get her, support her without imposing anything on her.
16:24 At least let her continue her music classes.
16:27 And let her be herself, who discovers what is right and what is not.
16:32 Above all, I have not said anything to him.
16:38 Do not worry, ma'am. She has my word.
16:40 Your help has been invaluable. Thank you again.
16:43 When you can do good, that's the house.
16:47 Thank you, thank you very much.
16:49 Thank you very much, ma'am. Goodbye.
16:58 Hello.
17:10 Mr. Conti? What are you doing here? How did you get my address?
17:14 I need to talk to you.
17:16 If it's for the money you lent me...
17:17 I don't want to sound rude, but I'd rather go in.
17:20 It's a very delicate matter.
17:22 I'm sorry, I'm still in a bad mood.
17:25 It's not convenient to let a man in the house, you know.
17:28 The neighbors do nothing but talk.
17:30 How can I help you?
17:32 I heard that Lisa, my sister, lives here with you.
17:36 No, no, you're wrong. I'm sorry.
17:40 Lisa is a friend of mine. She has come a couple of times. That's all.
17:44 Unfortunately, whoever told her should be better informed.
17:49 Can you tell me when was the last time you saw her?
17:52 I don't remember exactly.
17:54 Do you know if she's still in Milan?
17:56 I have no idea.
17:57 Don't you have a number, an address where you can find her?
18:00 Well, no.
18:02 The last time I heard from her, she told me she was moving to Turin.
18:06 I think she had an interview. I thought it was pretty safe.
18:10 Do you know what job it is?
18:12 She didn't tell me. I'm sorry.
18:14 Well, look, if she shows up again, call me.
18:20 Please, any time.
18:22 Here's my home number.
18:24 And as for the money you owe me, consider it a gift.
18:28 Thank you.
18:30 If I have any news of Lisa, I'll call you. Don't worry.
18:33 Thank you. Have a nice day.
18:35 Good morning.
18:37 [Sighs]
18:39 Are you already at rest?
19:07 Is something wrong?
19:09 Today is a bad day.
19:12 I'm sorry.
19:14 You don't have to apologize. Do you want something? Tea? A chamomile?
19:18 Thank you.
19:20 You're very kind.
19:22 But what's going on?
19:24 Did Miss Kaliharis scold you again?
19:28 You don't have to worry.
19:30 Because she wants everything to be perfect.
19:33 But she appreciates you.
19:35 That's not it.
19:37 What is it?
19:39 It's about my mother.
19:42 She's been sick for a long time.
19:47 And suddenly she's gotten worse.
19:50 The doctor...
19:53 The doctor said there's nothing else to do.
19:55 But you'll see, everything will be fine. Don't worry, okay?
19:59 You know, my aunt from Partana,
20:02 they told her she'd be in bed all her life.
20:04 And do you know where she is?
20:06 In the countryside, from morning to night.
20:08 I only have her in the world and without her...
20:10 Don't even think about it.
20:12 Come here.
20:14 Come here.
20:16 Good morning.
20:21 But what is he doing?
20:25 He was right. Let's go.
20:29 Now you have to be strong.
20:31 You'll see, everything will be fine.
20:34 Yes, it's been a moment of weakness.
20:37 Thank you.
20:39 Now I'll make you something. An apple?
20:42 A coffee would be better.
20:45 Come here, sit down.
20:47 Thank you.
20:48 I'll bring it to you.
20:50 If Vittorio finds me, I'm finished.
20:57 Finished.
20:59 I don't want to meddle, but you've asked for it.
21:02 Excuse me?
21:04 If you hadn't gone to spy on him out of paradise,
21:06 he wouldn't have thought he could stay in Milan.
21:09 And he wouldn't have put the ad in the paper.
21:11 The shops always close on May 1st.
21:14 How could I imagine they had a banquet and went out?
21:17 Yes, it's a shame that when you saw him,
21:19 instead of moving away, you stayed there, staring at him, embarrassed.
21:24 It's just that when I saw Vittorio, my heart sank.
21:30 I'll never understand why you let him spy on his sister.
21:34 I told you, it's a complicated story.
21:37 Women like us fall for it.
21:40 Of course, if he's come this far, he must feel something for me.
21:45 Yes, a warm fraternal affection.
21:48 Come on, Lisa, you said there's no hope.
21:51 It's better if you forget it.
21:54 That's what I'm trying to do.
21:56 If not, why would I be locked up here?
21:58 Yes, but if you decide to get involved in these complicated stories,
22:02 as you call them, you have to keep your feelings to yourself.
22:06 You know I've never done anything else in my life.
22:10 Otherwise, I wouldn't have survived.
22:13 Look ahead, then. And fast.
22:17 This story is so attractive, that's why you fell for it.
22:21 It's like when you're a kid and they tell you you can't do anything,
22:25 and you do the opposite.
22:28 Vittorio is completely different from all the men I've met.
22:33 He's the only one who's ever respected me.
22:36 He's the only one who's ever shown affection,
22:39 uninterested in me.
22:41 Well, it seems you can't be said the same thing.
22:45 But...
22:48 How did he know you live here?
22:51 That old hag, Mrs. Greco, must have told him.
22:54 I'm sure she spends days and nights looking for him.
22:58 If Vittorio suspects I'm here, he'll come back for me.
23:02 I'll have to go. There's no other way.
23:05 Lisa, Lisa, in the worst case scenario,
23:09 you tell him you don't want to know anything else about him, and good night.
23:13 He can't keep chasing you forever.
23:16 No, no, it can't happen.
23:18 Looking him in the eye would be too dangerous.
23:22 I'd risk betraying myself,
23:25 and the consequences would be dramatic for everyone.
23:29 This is getting interesting.
23:31 No, this is over.
23:34 I've told you too much.
23:37 As you wish.
23:41 I'm such a stupid, naive, stupid fool.
23:43 She was right.
23:44 Will you calm down, please?
23:47 You saw her too, didn't you?
23:49 Yes, I was hugging her, but that doesn't mean...
23:52 You barely know her.
23:54 She must have exchanged about 20 words since she started working here.
23:57 And she's stuck to him like a thorn.
23:59 And you know what's best? It didn't seem to displease him.
24:02 I'm sure there's a logical and rational explanation for everything we've seen.
24:06 Yes, the only logical explanation is this.
24:08 Irene has looked him in the eye, and he's fallen.
24:13 And I wanted to take the step.
24:15 I was sure of what I felt for me.
24:18 But he's Don Juan Granuja, and he's shameless as always.
24:23 Why don't you stop blaming yourself, please?
24:29 Salvatore's signals of interest to you were very clear.
24:33 If you had heard the words he said to me the other night,
24:37 if you had seen his look...
24:39 I also thought he was very honest this time.
24:41 No, it was just part of his script.
24:44 But someone who's flirting with Irene, how can they be honest?
24:47 That's it, Roberta. I've finished with Salvatore once and for all.
24:51 Don't rush, maybe I can explain it to you.
24:53 Explain what? That he's hooked on another woman?
24:56 There are things I don't even want to know.
24:58 What we've seen doesn't speak in his favor, I understand.
25:01 But you can't condemn a person without him being able to explain himself.
25:04 After work, you go to his house, talk to him,
25:07 and see if he has any motivation to do such a thing, right?
25:10 Not even talk? I'm tired of being humiliated.
25:14 This morning I went to the market early to buy fresh beans.
25:23 Mom, you can force me to go home because you're afraid
25:26 that I'll run away with Sandro to eat, but you can't force me to be happy.
25:30 I think you like to have a hot dish from time to time, right?
25:34 Yes, I like it when I decide.
25:37 I'll bring you some wine.
25:40 Can we stop this jail force already?
25:43 Do you think I'm okay like this?
25:47 That I don't suffer with this situation that you hardly greet me?
25:51 And how do I have to feel if you disapprove of everything I do?
25:56 I've talked to Don Hermano this morning.
25:59 Have you asked him to excommunicate me?
26:02 At first he didn't convince me, he seemed too young to me.
26:06 I was used to Don Saverio, but I must admit that he is very good.
26:12 So he's been right about everything?
26:15 No, not really.
26:18 In fact, he made me reflect.
26:21 He told me that I can't ignore what's in your heart.
26:27 And that I must respect your feelings, what you feel, and not break your dreams.
26:33 And since I know how much you care about singing,
26:36 the sacrifices you've made and are making for your career,
26:40 I thought we could find another producer to take you.
26:45 Another producer?
26:49 Mom, I already have a producer.
26:53 And it turns out that he is the man I love.
26:56 And I have no intention of giving up on him or my career.
26:59 Tina, that man can't give you any future.
27:02 Thank goodness you've talked to Don Hermano.
27:06 Someday you'll understand that I'm only doing this for your own good.
27:10 You don't want children, mom.
27:13 You want little soldiers.
27:15 And the first one to leave the line, we'll shoot him.
27:18 What are you saying?
27:20 You want us all handsome, irresistible, straight.
27:24 And if we take off, you'll like it.
27:26 How can you say such a thing?
27:28 You'll realize when you think about it again, Tina.
27:31 No, because I think with my head.
27:34 Not with yours, not with Don Hermano's, not even with Sandro's.
27:38 I have my feelings.
27:41 And maybe you should start respecting them.
27:46 [♪♪♪]
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29:58 [INDISTINCT CHATTER]
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30:15 [SPEAKING SPANISH]
30:35 [SINGING IN SPANISH]
30:39 [SINGING IN SPANISH]
30:43 [SINGING IN SPANISH]
30:46 [SINGING IN SPANISH]
30:50 [SINGING IN SPANISH]
30:53 [SINGING IN SPANISH]
30:59 [SINGING IN SPANISH]
31:16 [SINGING IN SPANISH]
31:19 [SINGING IN SPANISH]
31:22 [SINGING IN SPANISH]
31:28 [SINGING IN SPANISH]
31:32 [SINGING IN SPANISH]
31:37 [SINGING IN SPANISH]
31:47 [SINGING IN SPANISH]
31:50 [APPLAUSE]
31:58 [SPEAKING SPANISH]
32:06 [♪♪♪]
32:13 [♪♪♪]
32:16 [SPEAKING SPANISH]
32:22 [CHUCKLES]
32:25 [SPEAKING SPANISH]
32:30 [SPEAKING SPANISH]
32:40 [SPEAKING SPANISH]
32:43 [♪♪♪]
32:53 [♪♪♪]
33:03 [♪♪♪]
33:06 [KNOCKING ON DOOR]
33:14 [SPEAKING SPANISH]
33:19 [SPEAKING SPANISH]
33:22 [CHUCKLES]
33:31 [SPEAKING SPANISH]
33:34 [SPEAKING SPANISH]
33:38 [CHUCKLES]
33:42 [SPEAKING SPANISH]
33:46 [SPEAKING SPANISH]
33:49 [SPEAKING SPANISH]
34:00 [SPEAKING SPANISH]
34:03 [SPEAKING SPANISH]
34:09 [SPEAKING SPANISH]
34:15 [SPEAKING SPANISH]
34:19 [SPEAKING SPANISH]
34:28 [SPEAKING SPANISH]
34:31 [SPEAKING SPANISH]
34:35 [SPEAKING SPANISH]
34:39 [SPEAKING SPANISH]
34:43 [SPEAKING SPANISH]
34:46 [♪♪♪]
34:53 [SPEAKING SPANISH]
34:56 [SPEAKING SPANISH]
34:59 [SPEAKING SPANISH]
35:03 [SPEAKING SPANISH]
35:07 [SPEAKING SPANISH]
35:10 [♪♪♪]
35:15 [SPEAKING SPANISH]
35:24 [SPEAKING SPANISH]
35:27 [SPEAKING SPANISH]
35:31 [SPEAKING SPANISH]
35:36 [SPEAKING SPANISH]
35:39 [SPEAKING SPANISH]
35:44 [SPEAKING SPANISH]
35:48 [SPEAKING SPANISH]
35:53 [SPEAKING SPANISH]
35:56 [SPEAKING SPANISH]
36:01 [SPEAKING SPANISH]
36:05 [SPEAKING SPANISH]
36:10 [SPEAKING SPANISH]
36:14 [SPEAKING SPANISH]
36:18 [SPEAKING SPANISH]
36:22 [SPEAKING SPANISH]
36:25 [SPEAKING SPANISH]
36:29 [SPEAKING SPANISH]
36:33 [SPEAKING SPANISH]
36:37 [SPEAKING SPANISH]
36:41 [SPEAKING SPANISH]
36:45 [SPEAKING SPANISH]
36:50 [SPEAKING SPANISH]
36:53 [SPEAKING SPANISH]
36:57 [SPEAKING SPANISH]
37:01 [SPEAKING SPANISH]
37:05 [SPEAKING SPANISH]
37:09 [SPEAKING SPANISH]
37:13 [PHONE RINGING]
37:17 [PHONE RINGING]
37:20 [SPEAKING SPANISH]
37:25 [SPEAKING SPANISH]
37:29 [SPEAKING SPANISH]
37:33 [SPEAKING SPANISH]
37:37 [SPEAKING SPANISH]
37:41 [SPEAKING SPANISH]
37:46 [SPEAKING SPANISH]
37:49 [SPEAKING SPANISH]
37:53 [SPEAKING SPANISH]
37:57 [SPEAKING SPANISH]
38:01 [SPEAKING SPANISH]
38:05 [SPEAKING SPANISH]
38:09 [SPEAKING SPANISH]
38:14 [SPEAKING SPANISH]
38:17 [SPEAKING SPANISH]
38:21 [SPEAKING SPANISH]
38:25 [SPEAKING SPANISH]
38:29 [SPEAKING SPANISH]
38:33 [SPEAKING SPANISH]
38:37 [SPEAKING SPANISH]
38:42 [SPEAKING SPANISH]
38:45 [SPEAKING SPANISH]
38:49 [SPEAKING SPANISH]
38:53 [SPEAKING SPANISH]
38:57 [SPEAKING SPANISH]
39:01 [SPEAKING SPANISH]
39:05 [SPEAKING SPANISH]
39:10 [SPEAKING SPANISH]
39:13 [MUSIC PLAYING]
39:27 [MUSIC PLAYING]
39:30 [MUSIC PLAYING]
39:33 [MUSIC PLAYING]
39:36 [MUSIC PLAYING]
39:39 [MUSIC PLAYING]
39:42 [MUSIC PLAYING]
39:46 [MUSIC PLAYING]
39:50 [MUSIC PLAYING]
39:54 [MUSIC PLAYING]
39:58 [MUSIC PLAYING]
40:02 [MUSIC PLAYING]
40:07 [MUSIC PLAYING]
40:10 [MUSIC PLAYING]
40:14 [MUSIC PLAYING]
40:18 [MUSIC PLAYING]
40:22 [MUSIC PLAYING]
40:26 [MUSIC PLAYING]
40:30 [MUSIC PLAYING]
40:35 [MUSIC PLAYING]
40:38 [MUSIC PLAYING]
40:42 [MUSIC PLAYING]
40:46 [MUSIC PLAYING]
40:50 [MUSIC PLAYING]
40:54 [MUSIC PLAYING]
40:58 [MUSIC PLAYING]
41:03 [MUSIC PLAYING]
41:06 (upbeat music)
41:08 [BLANK_AUDIO]