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00:10:30You had better go to the master, Hitchcock.
00:10:32He will be rising shortly.
00:10:33At once, Peter.
00:10:34At once.
00:10:35♪♪
00:10:55♪♪
00:11:15♪♪
00:11:30Oh.
00:11:31Oh, you did give me a turn.
00:11:33Oh, sorry, Jill.
00:11:34Bit late tonight, aren't you, Jill?
00:11:36Well, I've been to the pictures.
00:11:37Anything good?
00:11:38Humphrey Bogart.
00:11:39Oh, I do think he's lovely.
00:11:41Wouldn't hurt some of them movie stars
00:11:42to do a small night work.
00:11:44Well, they do, by all accounts.
00:11:48Creepy sort of jointness, isn't it?
00:11:50Very damp.
00:11:52What's the matter?
00:11:54So you've noticed it, too.
00:11:56Noticed what?
00:11:57This place.
00:11:58You said it was creepy.
00:11:59Oh, I do feel peculiar.
00:12:01Where?
00:12:02I mean about this place.
00:12:04I think they've all gone loopy in there.
00:12:06Ah, don't be silly, Tilly.
00:12:08Tilly, Tilly.
00:12:26I trust you rested well, Master.
00:12:28Very well, Hitchcock.
00:12:30Now on, there will be little rest for any of us.
00:12:33Will you be working in the laboratory tonight, Master?
00:12:36Of course.
00:12:38Master?
00:12:39Yes?
00:12:40I'm curious to know why you always sleep
00:12:42in your evening clothes.
00:12:44Really?
00:12:45Yes, Master.
00:12:48I was buried in them.
00:12:52Sleeps in a coffin?
00:12:54Don't be daft.
00:12:55I tell you he does.
00:12:57I've seen it.
00:12:58Where?
00:12:59In his bedroom.
00:13:00He hasn't got a bed in there.
00:13:01He's only got a coffin.
00:13:03Listen, my old Aunt Agatha likes sleeping in a rocking chair.
00:13:05Nothing unusual about that.
00:13:07The old boy prefers a coffin.
00:13:09Well, that's his funeral.
00:13:10Funeral?
00:13:11Now look here, let me tell you something.
00:13:13Don't go poking your nose into other people's business
00:13:15because it only causes trouble.
00:13:17And trouble's the one thing we all want to avoid.
00:13:27What's that?
00:13:28I don't know.
00:13:29But I'll catch it if they find you hanging around.
00:13:37There is the Master, my dear Frida.
00:13:39I think it's...
00:13:40Have you brought Miss Loretta?
00:13:42No, Master.
00:13:43There is a general alarm.
00:13:45It was not safe to bring her straight away.
00:13:47So?
00:13:48I will bring her later in the usual way.
00:13:50That is good.
00:13:55Unfortunately, she appears to have conducted
00:13:57a romance during the voyage with a British naval.
00:13:59We had to take the young man, too.
00:14:01Is she attractive?
00:14:02She seems to have everything in the right place.
00:14:04Good.
00:14:05Very good.
00:14:06All right, all right.
00:14:07Leave us, Hitchcock.
00:14:12My dear Anton,
00:14:13the time has come
00:14:15when I have to acquaint you
00:14:16with my latest achievements and my future plans.
00:14:19I am honored, Master.
00:14:21Until now,
00:14:22I have existed in the minds of the people
00:14:25as a legend,
00:14:27a vampire created by evil.
00:14:30But the years have not changed.
00:14:32Your long life has allowed you
00:14:34to outstrip the forces of science.
00:14:36I know.
00:14:37Now, at last,
00:14:39I, Van Heusen,
00:14:41am ready to fulfill my destiny.
00:14:46I have created weapons
00:14:48by which the armies and machines
00:14:50of our enemies can be destroyed.
00:14:52For instance,
00:14:53look at this, Anton.
00:14:55A turn of the dial.
00:14:57So,
00:14:58another turn,
00:14:59and ten battleships can be blown up at sea.
00:15:02Unbelievable.
00:15:03And what is this for?
00:15:05This is the robot control.
00:15:07I intend to build 50,000 robots.
00:15:1050,000?
00:15:11Yes.
00:15:12But how many have you built so far?
00:15:14Uh, one.
00:15:16To build the rest,
00:15:17I need an almost unlimited number of robots.
00:15:2050,000?
00:15:21Yes.
00:15:22But how many have you built so far?
00:15:24Uh, one.
00:15:25To build the rest,
00:15:26I need an almost unlimited supply
00:15:28of uranium,
00:15:30and Miss Loretty
00:15:32is the key to that.
00:15:38Ah.
00:15:41And if I'm not mistaken,
00:15:42it's the news of my robot.
00:15:46Yes.
00:15:47It has left our secret factory in Ireland
00:15:50and arrived in Liverpool.
00:15:52It is being sent here by road.
00:15:54My friends,
00:15:56this is a great moment.
00:15:58Our victory is in sight.
00:16:02You have chosen a queer nom de deux,
00:16:04Professor Dr. Riley.
00:16:15Cheers.
00:16:16Yeah, we want some scorecards.
00:16:18Yes, that'll do.
00:16:19Give us a down, Bert.
00:16:20There.
00:16:21That's about it.
00:16:24That's it.
00:16:25That's it.
00:16:26That's it there.
00:16:27That's it.
00:16:28That's it.
00:16:29I owe you a double.
00:16:36Ah, will you get a...
00:16:37Here we are, lads.
00:16:38Come on, come on.
00:16:39Oh, stick your quenches back.
00:16:40Hey, Bert, stick that in the case.
00:16:42Get the book to sign, otherwise...
00:16:44Come on, Riley.
00:16:54Packing case, Dr. Riley.
00:16:56I will send somebody to help you.
00:17:00Rita.
00:17:02The robot has arrived.
00:17:03Tell Muggsy to help the driver.
00:17:04Good.
00:17:07The robot is here, Master.
00:17:09Wonderful.
00:17:11Excellent.
00:17:12Excellent.
00:17:16Be careful.
00:17:17It's a bit dangerous.
00:17:18It's a bit dangerous.
00:17:19It's a bit dangerous.
00:17:20It's a bit dangerous.
00:17:21It's a bit dangerous.
00:17:22It's a bit dangerous.
00:17:23Be careful.
00:17:24It's fragile.
00:17:25It's up.
00:17:30Fool!
00:17:31Sorry, Gabby.
00:17:32Let us in, Dan.
00:17:33It wasn't my fault.
00:17:34Who do you think I am?
00:17:35Yes.
00:17:36Yes.
00:17:37Yes.
00:17:38Yes.
00:17:39Yes.
00:17:40Yes.
00:17:41Yes.
00:17:42Yes.
00:17:43Yes.
00:17:44Yes.
00:17:45Yes.
00:17:46Yes.
00:17:47Yes.
00:17:48Yes.
00:17:49Yes.
00:17:50Yes.
00:17:51Yes.
00:17:53It's enough.
00:17:55It's enough.
00:17:57My friends,
00:17:58this is the greatest moment of my life.
00:18:02For the first time,
00:18:03you will see
00:18:04my finest creation,
00:18:06the perfect man-made man.
00:18:10Now, Frankenstein,
00:18:12with all the weaknesses of the flesh,
00:18:15this electronic marvel
00:18:18is a super robot
00:18:19of all times.
00:18:21This indestructible god of man
00:18:26is great, great,
00:18:30this great...
00:18:36What is this?
00:18:38It must be human.
00:18:51What's the matter with me?
00:18:55Have I gone insane?
00:18:58Is this a nightmare?
00:19:01Where is my robot?
00:19:03My beautiful robot.
00:19:07Maybe it ran out of juice.
00:19:09We are the victims of strange events.
00:19:12We are the victims of strange events.
00:19:15We are the victims of strange events.
00:19:18We are the victims of strange events.
00:19:21Strange events?
00:19:22Yes.
00:19:25Listen.
00:19:27To Mrs. Riley,
00:19:2814 ration row,
00:19:29SE 19.
00:19:31Dear madam,
00:19:32as per your late uncle's will,
00:19:34we send here with the family plate, etc.
00:19:37Yours faithfully,
00:19:39fleasome, fleasome, fleasome,
00:19:41and grabbed.
00:19:42Solicitors.
00:19:44Master,
00:19:45was that your nom de tum, Riley?
00:19:47Perhaps there has been some mistake.
00:19:48I see what you mean.
00:19:49You mean
00:19:50someone has done this to Mrs. Riley?
00:19:52Perhaps.
00:19:53Yes.
00:19:54We have to think.
00:19:56We have to plan.
00:19:58Come on.
00:20:17How much do I have?
00:20:18You still have time.
00:20:19Come on, Jerry.
00:20:26Shut up, shut up, shut up.
00:20:28It will cost you a lot of money.
00:20:29Cost me a lot of money?
00:20:30What are you talking about?
00:20:31I'm going to pay the rent.
00:20:32I wonder where it came from.
00:20:33I wonder what it's for.
00:20:34I wonder what's inside.
00:20:35I hope it's all right.
00:20:36Riley.
00:20:37Riley, that's me.
00:20:38For you.
00:20:39Special delivery.
00:20:40Special delivery.
00:20:41That's why you put it through the window
00:20:42instead of putting it through the letterbox.
00:20:43Couldn't get that through the letterbox.
00:20:44Well, what is it anyway?
00:20:46I know.
00:20:47The family plate.
00:20:48What?
00:20:49Me fortune from me Uncle Jerry Meyer.
00:20:50Well, don't stand there.
00:20:51We've got to get round there.
00:20:52Let's get it upstairs.
00:20:53Come on, now.
00:20:54Over there, everyone.
00:20:55Come on, give me your hand.
00:20:56Good old hand.
00:20:57You've got a good hand.
00:20:58Up, up, up.
00:20:59Now, this way.
00:21:00That's it.
00:21:01That is good.
00:21:02Through there.
00:21:03Through there.
00:21:04We've never been up these stairs.
00:21:05The bannister's in the way.
00:21:06Well, we'll soon put that right.
00:21:07Come on, now.
00:21:08All together.
00:21:09Now.
00:21:10Property, Miss.
00:21:11Property.
00:21:12Don't put it down to me.
00:21:13I'll put it down to you, all right.
00:21:14Pick your end up, Charlie.
00:21:15Charlie!
00:21:16Hey, look.
00:21:17Look, how you're going to get up there.
00:21:19Good.
00:21:20Up, up.
00:21:21To you.
00:21:22Up!
00:21:23What happened in there?
00:21:24Look out, look out.
00:21:25Hey!
00:21:26Hey!
00:21:27Now, take it easy.
00:21:28Now, mind down you go there.
00:21:29Mind the paint on the door.
00:21:30Look what you're doing.
00:21:31It's quite simple.
00:21:32Get it round there, come on.
00:21:33Come on.
00:21:34All round to the left.
00:21:35All together.
00:21:37Bend your little head.
00:21:38Forward.
00:21:39That's it.
00:21:40Come on.
00:21:41Come on.
00:21:42Steady. Gently. Gently. Gently.
00:21:47How do we get open this thing?
00:21:48I'll get something.
00:21:49Who's got a knife?
00:21:54Don't touch it.
00:21:56Now, ladies and gentlemen, now that I'm a wealthy lady,
00:22:00I want to say that I forgive you all
00:22:02for the catty things you said about me.
00:22:04I also want to say that I forgive you all
00:22:07for the catty things you said about me.
00:22:09I also want to say that I forgive you all
00:22:11for the catty things you said about me.
00:22:13I also want to say that I forgive myself
00:22:16for casting distortions upon your catty.
00:22:18Yes, yes, we know all about that,
00:22:19but we want to see what's in the box.
00:22:21And it had better be good,
00:22:22or it'll cause a damage to the copper.
00:22:24You, be careful.
00:22:27Now, boys and girls, stand back and leave the rest to me.
00:22:31Now, come on, this way.
00:22:36Ah.
00:22:39Oh.
00:22:41Come on, don't be all day.
00:22:47It's true.
00:22:48Glory be.
00:22:49It's me uncle, Jerry Meyer.
00:22:51And look what they've done with him.
00:22:52They've canned him.
00:22:53And me without a tin in the house.
00:22:55What's the matter with you?
00:22:57That's all it is, tin.
00:22:58I trouble you to treat the lady party with respect.
00:23:01What a fell.
00:23:02And now with our heirs and graces.
00:23:04Ooh.
00:23:05Ooh.
00:23:06Ooh.
00:23:07Ooh.
00:23:08This is nothing but a home made by this.
00:23:10That's all it is?
00:23:11I mean, see this.
00:23:12Go on, get out.
00:23:13I know that you have.
00:23:14Go on.
00:23:15Get out.
00:23:16There's nothing more to it.
00:23:17Let's go.
00:23:18Let's stand this until the news.
00:23:19Let me have my news alone with this thieving,
00:23:21good nightingale.
00:23:22Did you hear what he called me?
00:23:23That's reformation of character.
00:23:25Old, he called me.
00:23:27Me, that's in the prime of me life.
00:23:29And the middle of me sorrow.
00:23:31I don't want any of this stuff moved.
00:23:33That crystal set, I'll fetch of it.
00:23:35So you'd love me uncle Jerry Meyer, would you?
00:23:37You pink-eyed, blue-nosed, rattleneck old.
00:23:39You're getting out of here tomorrow
00:23:41and I'm coming round with an order of possession.
00:23:43It was announced in Washington this afternoon.
00:23:45What's that?
00:23:46It was announced in Washington this afternoon.
00:23:48Mean.
00:23:49Henry Hinton's jittled by a done-up dog's dinner.
00:23:52Done by a thickness old faggot.
00:23:54Jittled by a jinned up old...
00:23:56As we're talking personalities,
00:23:59I've a few things I'd like to say to you.
00:24:02You're a poor creature.
00:24:04Ooh.
00:24:06Here is a special announcement.
00:24:08Scotland Yard is now following up information
00:24:11which it is hoped will lead to the arrest
00:24:13of the person known as the vampire
00:24:15whose identity remains a mystery.
00:24:18Speculation continues as to who will be the next victim.
00:24:28Southeast 19, master.
00:24:3114 degrees.
00:24:33Excellent, my dear Anton.
00:24:35We're dead on 14 Ration Road.
00:24:39Midnight.
00:24:41The van should be there by now.
00:25:00I think I'm in direct contact with the robot.
00:25:03I should get a reaction at any moment.
00:25:06There's a response. We're in contact.
00:25:09Switch on to voice. I will give it instructions.
00:25:15Master calling robot Mark One.
00:25:18Master calling robot Mark One.
00:25:22Can you hear me? Over.
00:25:26Excellent.
00:25:28Now listen to me carefully, Mark One.
00:25:31You will go in search for the woman Riley.
00:25:35You will pick her up.
00:25:37But do not injure her.
00:25:39You will take her to the pad outside the hub.
00:25:46What are you doing here?
00:25:48I just stopped for a rest.
00:25:50What are you talking about? Come on, get moving.
00:25:52Say, look here, copper.
00:25:54Are you moving or have I got to run you in?
00:25:56Make up your mind now.
00:25:58You will keep hold of the woman until you're brought here.
00:26:03Now record instructions and signal.
00:26:07Right.
00:26:09Nothing can stop it now.
00:26:11My dear Anton, this is power.
00:26:29Kaiser! Kaiser!
00:26:31Put that mouse down!
00:26:40Uncle Jeremiah! Uncle Jeremiah!
00:26:43What do you think you're doing?
00:26:45What do you want?
00:26:47I mean, I'll see you in the morning.
00:26:49I'll see you in the morning.
00:26:51Go back to your master, Mark One.
00:26:53Go back to your master, Mark One.
00:26:55I'll see you in the morning.
00:26:59He's alive.
00:27:04He killed him. He killed him.
00:27:09Sorry, Boss. I had a scrabble.
00:27:11The place was lousy with cops.
00:27:13You imbecile! Quick, the local control!
00:27:17Mark One. Mark One.
00:27:19Can you hear me? This is the master.
00:27:22Uncle Jeremiah.
00:27:24What are you doing?
00:27:28Thank you, Mr. Clark.
00:27:42Oh, oh, my old man, old me.
00:27:58You all right?
00:28:01Oh, very well.
00:28:06Anton, I have done the impossible.
00:28:09I have created a robot with a living brain.
00:28:12It can think for itself.
00:28:16Mark One, can you hear me?
00:28:19Master calling Mark One.
00:28:22Follow the beam.
00:28:24Is the beam set?
00:28:25Yes, Master.
00:28:26Mark One will follow it.
00:28:27Take over.
00:28:32Where do you want to go to?
00:28:34Oh, oh, take me back to Clark.
00:28:38Clark?
00:28:39Clark?
00:28:42That strikes a familiar note.
00:29:08Oh, oh, my old man, old me.
00:29:39Oh, oh, my old man, old me.
00:29:56You're sure you're still on the beam?
00:29:58Yes, Master.
00:30:00Wait.
00:30:01Some fool has reversed.
00:30:02I agree.
00:30:03We are.
00:30:04Make control.
00:30:06Contact.
00:30:07We found him.
00:30:08Yes.
00:30:10Mark One, Mark One.
00:30:12You're on the beam again.
00:30:14Now follow it home.
00:30:16Follow it home.
00:30:18Drop me just round the bend, old man, will you?
00:30:36Thank you very much.
00:30:38That's jolly decent of you, sir.
00:30:43I didn't take you too far out of my way, did you, I hope?
00:31:01He's on the way.
00:31:03Anton, scatter the others around the house to help it when it arrives.
00:31:07I'll take the control.
00:31:10He should be here by dawn.
00:31:12Yes, Master.
00:31:13Master, I think there is something you should...
00:31:16What is that, Anton?
00:31:17It must be dawn breaking, Master.
00:31:21Oh, I must be out!
00:31:23I must be out!
00:31:24Let me out!
00:31:25Let me out!
00:31:26Oh, Mother Mother, where am I?
00:31:28I don't know where I am.
00:31:29I'm in the bag.
00:31:30Oh, let me out!
00:31:31Let me out!
00:31:32Oh, I like that.
00:31:34He looks well, Master, doesn't he?
00:31:37What is this?
00:31:38Oh, you are frightened!
00:31:39Don't!
00:31:40Don't!
00:31:41Put me down!
00:31:42Put me down!
00:31:43I want to get out!
00:31:44I want to get out!
00:31:45I want to get out!
00:31:46I want to get out!
00:31:47Let me out!
00:31:48I want to get out!
00:31:49I want to go home!
00:31:51I want to go home!
00:31:51Come to my laboratory.
00:32:00Wonderful creation.
00:32:02Wonderful.
00:32:06Every time a woman disappears now, it's attributed to the vampire.
00:32:09And yet we don't even know for certain if the man really exists.
00:32:11We're doing everything we can to trace him, sir.
00:32:13The entire fort, down to the loneliest constable, is on its toes.
00:32:16How is the woman, Riley?
00:32:18She's quieter now. I've given her a sedative.
00:32:23This man of Miss Loretta's, for the time being, we must keep him locked up.
00:32:27And what about Miss Loretta? She's lovely.
00:32:30I'm going to deal with her when Anton brings her in the morning.
00:32:33Will she be arriving with the dummy?
00:32:34Of course.
00:32:36Do you wish to see Mrs. Riley?
00:32:38Yes.
00:32:38Here's her chart.
00:32:39A poor specimen.
00:32:41But the right group.
00:32:44An excellent vintage.
00:32:46Finished?
00:32:47In the dining room.
00:32:48Splendid.
00:32:50I feel a need of a tummy.
00:32:53I'm going to look at her.
00:33:01I'll tell you, there's something queer going on in this house.
00:33:04What is it?
00:33:05I don't know.
00:33:06I'll tell you, there's something queer going on in this house.
00:33:09Only last night, and I couldn't have been dreaming,
00:33:12a man all made a tin come in, making a noise like a motorcycle backfiring.
00:33:16You want to be careful what you eat.
00:33:18Especially before you go to bed.
00:33:20All right, smarty, but you'll see.
00:33:22Something's going to blow up in this house one of these days.
00:33:25That's silly too.
00:33:29Blimey, you can't half put that stuff away, can't you?
00:33:33Well, thanks for the beer, doctor.
00:33:35See you at tea time.
00:34:06Oh!
00:34:08You gave me quite a start, creeping in like that after what I'd been through.
00:34:12What are you looking at me like that for?
00:34:14Ain't me hat on straight.
00:34:16My dear lady, are you feeling better?
00:34:20We found you in the garden a little tipsy.
00:34:23Tipsy?
00:34:24Me tipsy?
00:34:25Why, that's an insult to us Rileys.
00:34:27Do you know there isn't enough of this stuff in the world to make me dizzy?
00:34:30Never mind tipsy.
00:34:31Won't you sit down?
00:34:34You must be tired.
00:34:35Oh, you're a real gentleman, you are.
00:34:37Do you know you're the first man that's ever been nice to me
00:34:40since the curate took us girl guides out camping?
00:34:44When I came in, I saw you looking at that painting.
00:34:50Do you like bats?
00:34:53Oh, I hate them.
00:34:54They give me cold shivers up and down me brisket.
00:34:58It's a great pity.
00:35:00It's a great pity.
00:35:03That happens to be my brother.
00:35:20Well, I shall have to be going now.
00:35:22You see, I let me bit of scrag out to simmer.
00:35:25Wouldn't you prefer a nice juicy steak?
00:35:28About two inches thick.
00:35:32Underdone.
00:35:34Lovely and red in the middle.
00:35:36Oh, lead me to it, lead me to it.
00:35:38And I promise you, I won't split on you butcher.
00:35:41Liver for breakfast.
00:35:43Plenty of liver.
00:35:45With the blood running out of it.
00:35:48Oh, my darling man.
00:35:50Do you want me to make you some?
00:35:52Oh, I want you to stay here and work for me.
00:35:57We shall have steak and liver every day.
00:36:02All day.
00:36:05You need feeding up.
00:36:08Oh, yes, I'd love to, I'd love to.
00:36:10But I must be going now.
00:36:12It's Mr. Higgins.
00:36:13It's me rent.
00:36:15Great.
00:36:16If you work for me,
00:36:18I'll pay you.
00:36:21If you work for me,
00:36:24here.
00:36:26You'll be able to buy a row of houses.
00:36:28Fibers.
00:36:29Fibers.
00:36:30And not a book inside to drop them.
00:36:32Then it is settled.
00:36:34My housekeeper will look after you.
00:36:37This is not enough.
00:36:38I mean, it's too much.
00:36:39Thank you, sir.
00:36:40Thank you, sir.
00:36:41And don't strain yourself,
00:36:43my lovely little group three.
00:36:47Well, may I be bitten,
00:36:49if he's not smitten.
00:36:51A click.
00:36:57What's happening to the lights?
00:36:59While you are here, Mrs. Riley,
00:37:01you will see a great many things
00:37:03that you will not understand.
00:37:09To leave this is, Mrs. Riley,
00:37:11you will share your room.
00:37:13How do you do?
00:37:15What a very nice room it is, ma'am.
00:37:17A very nice room, indeed.
00:37:20And a nice bit of cold comfort, too.
00:37:22I hope you will be very happy with us, Mrs. Riley.
00:37:24I'm sure I shall, ma'am.
00:37:26I'm sure I shall.
00:37:27And may the saints sprinkle you with sailors on shore leave.
00:37:30I have to make myself at home.
00:37:35Well, I shouldn't bother it, ma'am.
00:37:37As you won't last long, none of them does.
00:37:39Oh, so they doesn't, do they?
00:37:41Well, let me tell you something.
00:37:44I'm here for keeps.
00:37:46And another thing.
00:37:48The boss has got a crush on me.
00:37:50So put that in your smoke and pipe it.
00:37:52Well, old crackpot stuck on you
00:37:54don't make me laugh.
00:37:58You laugh on the other side of your face
00:38:00one of these days, my fine lady.
00:38:02And don't you call that darling man a crackpot.
00:38:06Well, it's time you got your mind off men.
00:38:08It's your time of life.
00:38:10It's my time of life?
00:38:12I may look a bit of a thug-end on the outside
00:38:14but on the inside
00:38:16I have a heart like a girl
00:38:18going to the Palladiounts for the first time.
00:38:22Excuse me.
00:38:26What makes you think the governor's got a crush on you?
00:38:28You ought to have seen him
00:38:30pleading for me to stay on his bare knees
00:38:32when I told him I was going home.
00:38:34Well, how'd you get here?
00:38:36It was a dream.
00:38:38In fact, it was worse than a dream.
00:38:41It was a horrible nightmare.
00:38:43I dreamt I was being kidnapped
00:38:45by a tin man.
00:38:47A tin man?
00:38:49Yes, that's what he was.
00:38:51A man all covered in tin line?
00:38:53Yes, all dressed up and done up
00:38:55like a tin of Russian crab.
00:38:57Oh.
00:38:59Ah, go on.
00:39:01It was only a dream brought on
00:39:03by too much of that lovely leafy water.
00:39:05No, it wasn't
00:39:07because I've seen it too.
00:39:10Have you?
00:39:12Crikey.
00:39:14You're not going to take any chances, are you?
00:39:24What's that?
00:39:26That's my tin of man.
00:39:28Blimey.
00:39:40I don't like being watched
00:39:42when I'm having my breakfast.
00:39:44Why don't you go and play with your tom?
00:39:46Master's orders.
00:39:48He told me to see that you eat it all up.
00:39:50Ah, that darling man.
00:39:52He said I wanted building up
00:39:54in my satellite area.
00:39:56You're being got ready.
00:39:58You ought to get that seen to
00:40:00before it becomes a habit, Lumpty.
00:40:02Are you sure?
00:40:04Yes.
00:40:06I'm sure.
00:40:08Are you ready for your light task, Mrs. Riley?
00:40:10Light task?
00:40:12I am so full of underdone
00:40:14I could scrub every overdone doorstep
00:40:16from Lam's End to John O'Groats.
00:40:18Oh, no, the master doesn't wish you to wear yourself out.
00:40:20Just lightly dust the dining room.
00:40:22Lightly dust?
00:40:24Lightly dust.
00:40:26Just a flick here and there?
00:40:28That is all.
00:40:30Goody, goody, I'm going to love this job.
00:40:32Oh, sorry.
00:40:34Hee, hee, hee.
00:40:38Hee, hee, hee.
00:40:40Hee, hee, hee.
00:40:42Hee, hee, hee.
00:40:44Hee, hee, hee.
00:40:46Hee, hee, hee.
00:40:48Hee, hee, hee.
00:40:50Hee, hee, hee.
00:40:52Hee, hee, hee.
00:40:54Hee, hee, hee.
00:41:08I don't get it.
00:41:38What's a professor do with all these women?
00:41:41It is better for you not to know, Muggsy.
00:41:43Yeah, but I've been...
00:41:45It might upset your very delicate mental balance.
00:41:48Shh!
00:41:51I don't get it. I just don't get it.
00:42:04Here is your liver, Mrs. Riley.
00:42:06Here is your liver, Mrs. Riley.
00:42:08Oh, me liver's all right today,
00:42:10but yesterday I had a terrible time with me floating kid.
00:42:12I said here is your liver.
00:42:14I said, how is it?
00:42:16For your elevenses.
00:42:17I'd rather have a bottle of stout.
00:42:18The master's orders. You are to have liver.
00:42:20See that Mrs. Riley finishes up her liver, Hitchcock.
00:42:22You bet I will, ma'am.
00:42:24Actually, liver for me elevenses.
00:42:26You're being got ready.
00:42:28Being got ready for what?
00:42:30You'll see.
00:42:32I thought I'd seen everything.
00:42:36Specially prepared for you by the master.
00:42:38Eat it.
00:42:41What are you doing here?
00:42:43I'm on my beat, ma'am.
00:42:45Does your beat include the kitchen?
00:42:47He's beaten a little bit in the front.
00:42:49Now he's going to beat the little bit at the back.
00:42:51Aren't you, Freddy?
00:42:53Yes, ma'am.
00:42:54Eat it.
00:42:55Yes, ma'am. Yes, ma'am.
00:42:58One old bag full, ma'am.
00:43:01Blood, if you weren't right, the boss must have fallen for you.
00:43:05Yes, I don't know how he held his passion back.
00:43:07His eyes were all aglow.
00:43:09And they were so hot.
00:43:11He scorched me collarbone.
00:43:13You're being got ready.
00:43:22You're telling me.
00:43:26Lovely day.
00:43:28Yeah, swell.
00:43:30Nice and fresh.
00:43:32Yeah, I hope so.
00:43:34And the funny thing about all these girls disappearing.
00:43:37Yeah.
00:43:39Just seem to vanish into thin air.
00:43:41Makes you think, don't it?
00:43:43Haven't found out yet where they get to, have they?
00:43:45No.
00:43:47Investigations are proceeding.
00:43:49Where are all these things?
00:43:51Say, why don't you scram and knock off a motorist for parking?
00:43:54I'm not doing any harm, am I?
00:43:56Not yet.
00:43:57They're for an experiment of the professors.
00:43:59He don't like people tampering with them.
00:44:01All right, keep your hair on.
00:44:03I was only interested.
00:44:08Say, let's get this locked in before the cop comes back.
00:44:14Oh, this is too much.
00:44:17I only want a teeny-weeny piece.
00:44:19Just a snack.
00:44:21Cleda says you've got to eat it all up.
00:44:23But I'm full up to me high watermark already.
00:44:26Brought you back again?
00:44:28Funny things to have around the house, I must say.
00:44:30Are you looking at me?
00:44:32They look like Egyptian mummies.
00:44:34Still, every one to his own taste, I suppose.
00:44:37What are you talking about?
00:44:39There's a van outside there unloading a lot of mummies.
00:44:42I could have sworn they were dead bodies, myself.
00:44:48Well, a mummy is a dead body, isn't it?
00:44:51I tell you, there's some queer things going on and I don't like it.
00:44:55Say, am I glad to see the last of these.
00:44:58There's a cop snooping around.
00:45:00Don't bother about the cop, I'm not going to see him.
00:45:03I'll take care of him.
00:45:07Blimey.
00:45:09Oh, me heartburn.
00:45:11Oh, I don't know how I got through it.
00:45:13I don't know how you're going to get over it.
00:45:16Oh, I don't know how I got through it.
00:45:18I don't know how you're going to get over it.
00:45:45Ha, ha, ha, ha.
00:46:15Dead.
00:46:17Dead.
00:46:19And they won't lie down.
00:46:46Shoot!
00:46:48There he is!
00:47:08What is it? What is happening?
00:47:10He came from here, master.
00:47:13Don't move. Don't run away. I'll be back.
00:47:21Julia.
00:47:23Julia, darling.
00:47:28What is it, Anton?
00:47:30You had better lock that young man up somewhere.
00:47:33Until we can dispose of him.
00:47:35He's liable to become tiresome.
00:47:43She'll be all right.
00:47:45Rita.
00:47:47Let me know when she is fully recovered.
00:47:49And move her to the laboratory.
00:48:02Chum! Chum!
00:48:04I want the station.
00:48:06Do you want the old station or the new station?
00:48:08I don't mind whether it's an old station or a new station.
00:48:11The station!
00:48:13We've got a very nice fire station.
00:48:15I don't want the fire station.
00:48:17I want the police station.
00:48:19Will that one do?
00:48:32Oh, I've come to report the theft of our car.
00:48:35It was stolen by some fellow from behind the iron curtain.
00:48:38Oh, wait here, will you please?
00:48:43Alfred! You can't drink that here.
00:48:46Can't I? I'm going to have a jolly good try.
00:48:48Whacko!
00:48:52Police! Police!
00:48:55Snakes alive!
00:48:57Have I been christened or lodged?
00:48:59I'm sunk! I'm swamped!
00:49:01I'm adrift!
00:49:04Police! Police!
00:49:06What do you think you're doing?
00:49:08Come at once! Come at once, all of you!
00:49:10Let me go!
00:49:12Take your hands off that officer or I'll run you in for contempt.
00:49:15But I tell you, I found him.
00:49:17I'm the girl you're looking for.
00:49:19He'll do her in, I tell you.
00:49:21Come and save her before he turns himself into a bat like his brother did.
00:49:24Are you crazy?
00:49:26Yes, no, I mean hurry, hurry!
00:49:28Bring her over here.
00:49:30Excuse me.
00:49:32Excuse me.
00:49:34This is no time or place for slap and tickle.
00:49:36I want you to come and get him before he does her in.
00:49:38Who's going to do who in?
00:49:40That vampire and that girl, Miss What's-her-name.
00:49:42He's got her tied up like a mummy in his lap, lap, lap.
00:49:45In his chemist shop.
00:49:47Oh, save her, save her before he does her in and turns her into a real mummy.
00:49:51Sergeant, she smells of gin.
00:49:54Of what?
00:49:56Gin.
00:49:57Who does?
00:49:58You do.
00:49:59Are you addressing your remarks to me?
00:50:01Yes, I am.
00:50:02Why, I've never touched a drop.
00:50:04Why, you're pickled in it.
00:50:05Say that again, say that again.
00:50:07You're pickled in it.
00:50:08Are you aware to whom you are addressing those insulting remarks?
00:50:11I'm a lady, I am a lady, and I defy you to prove it.
00:50:14Sergeant, take her whiff yourself.
00:50:17Blimey, you could wring her out like a bard cloth.
00:50:20Don't be so insulting, I'm personal.
00:50:22Drunk and disorderly.
00:50:24Drunk and disorderly?
00:50:25Me, drunk and disorderly?
00:50:28Why, I've never drawn a soberer breath in my life.
00:50:31I came here to tell you to get your vampire before he turns himself into a bat.
00:50:36Your bat's all right.
00:50:37I'm going to run you in for assaulting an officer.
00:50:39Drunkenness and insubordination.
00:50:41Oh, you are?
00:50:42Are you?
00:50:43Yes, I am.
00:50:44Oh, no, you're not.
00:50:46Oh, yes, I am.
00:50:47Oh, no, you're not.
00:50:48No, I'm not.
00:50:49Now, get off of me.
00:50:50Now, get off of me.
00:50:51Now, get off of me.
00:50:52Now, get off of me.
00:50:53Now, get off of me.
00:50:54Now, get off of me.
00:50:55Now, get off of me.
00:50:56Silence.
00:50:57Name?
00:50:58Riley, and don't you shout at me.
00:50:59Silence.
00:51:00Address?
00:51:0140 Russian Road.
00:51:03I'll settle your loan.
00:51:04Give me my money.
00:51:05What are you doing, Ollie?
00:51:06Order, order.
00:51:07Order.
00:51:08Order.
00:51:09Let it go to me.
00:51:10What do you mind about that?
00:51:11Let me out.
00:51:12Enough.
00:51:13Well, it's a false alarm.
00:51:14Call yourself policeman.
00:51:16I'll teach you to manhandle an old woman like me.
00:51:19You blue-nosed baboons.
00:51:21I'll savor meself.
00:51:23Hello.
00:51:44She'll come to about midnight.
00:51:46Yes, master.
00:51:54You're among friends.
00:51:56Among friends.
00:51:58Now, try and remember.
00:52:00Where did you leave the chart?
00:52:03You know the chart, I mean.
00:52:05Your father gave it to you to take to the British Foreign Office.
00:52:08There it is.
00:52:09The copy.
00:52:10All nice and strong.
00:52:13Oh, say, doesn't this room smell stuffy?
00:52:15Mrs. Riley, please go to bed.
00:52:18There is a good song.
00:52:19A good song?
00:52:20And yesterday I was your little group friend.
00:52:22Please go.
00:52:23You're disturbing my patient.
00:52:25To bed.
00:52:34You were going to tell me where you left the chart.
00:52:37Now, where is it?
00:52:38There you are.
00:52:39All the winners.
00:52:40And a nice new murder in Mortlake.
00:52:42Get out.
00:52:43Get out and stay out.
00:52:45I don't ever want to see you again.
00:52:47Go, woman.
00:52:48Go.
00:52:57Where is it?
00:53:02I've never been so insulterated in all my life.
00:53:05That man's a monster.
00:53:07A monster.
00:53:08I thought he was keen on you.
00:53:10Leading me up the garden path with his steaks and his liver.
00:53:13The devil took it.
00:53:15And now he's been and gone and sacked me.
00:53:17Sacked you?
00:53:18Oh, Mrs. Riley, don't say I've got to sleep on me own again.
00:53:21Jenny, look.
00:53:22It's her.
00:53:23Are you sure?
00:53:24I'm sure.
00:53:25I'm sure.
00:53:26Read it.
00:53:27I've broken me glasses.
00:53:28Riddle of missing girl.
00:53:30Miss Julia Loretti was bringing with her a chart
00:53:33of an important uranium deposit.
00:53:36He says, right, I heard him.
00:53:37It was all about the chart.
00:53:38He was trying to excavate inclination from her.
00:53:41You listen to him.
00:53:42The chart.
00:53:43Yes.
00:53:44Where is it now?
00:53:45I haven't got it.
00:53:47I know.
00:53:48But where is it?
00:53:49The police are looking for a man named Anton Daschamp,
00:53:53who they believe may assist their inquiries.
00:53:56They...
00:53:57They're all in it.
00:53:58They're all in it.
00:53:59Fear for Freda and that monkey Mugsy.
00:54:01They're all in it.
00:54:02Every man Jack of them.
00:54:03They're locked.
00:54:04They're...
00:54:05Hello, Freda.
00:54:06Oh, you're just in time.
00:54:08They're locked.
00:54:09They're...
00:54:10Hello, Freda.
00:54:11We were just talking about you.
00:54:14Where are you going, Mrs. Riley?
00:54:16I'm going home.
00:54:17I've got the shower and I've got the sacks in.
00:54:20The master has changed his mind.
00:54:22You can't stay.
00:54:23Oh, no, I can't stay.
00:54:24I've been sacked.
00:54:25And once sacked, I stay sacked.
00:54:26Nobody's going to mess about with me.
00:54:28Besides, I'm glad I'm sacked.
00:54:30I like being sacked.
00:54:31I do.
00:54:32Me too.
00:54:33Nevertheless, you will stay.
00:54:34But I can't stay.
00:54:35I'm not going to stay.
00:54:36I belong to a union.
00:54:37I belong to a union, I do.
00:54:38And I work 24 hours a day.
00:54:40Not counting months to fry this.
00:54:44Here.
00:54:45You can't work 24 hours a day if you belong to a union.
00:54:48Because I can't.
00:54:49How?
00:54:50Because I belong to 24 unions.
00:54:51And I work one hour a day for each union.
00:54:54Oh, I see.
00:54:57Ma?
00:54:58Where is it now?
00:55:00I haven't got it.
00:55:01I know.
00:55:02But where is it?
00:55:07Yes, master.
00:55:08We tried a shock treatment.
00:55:12Billy and the woman Riley have seen the evening paper.
00:55:14There is a picture of Miss Loretty in it.
00:55:16They know too much.
00:55:17Lock them up.
00:55:18I have.
00:55:21I will deal with them after Miss Loretty has spoken.
00:55:24They may have taken Dick Barton off the air,
00:55:26but the memory lingers on.
00:55:28How do you know?
00:55:29It's going to lead to a secret passage.
00:55:31A bloody lecture.
00:55:34After this, I'll never lock a mouse up in a wardrobe again.
00:55:37How are we going to rescue Miss Loretty?
00:55:39I'll let you up to the front door.
00:55:41I'll cop the girl.
00:55:42You'll cop the collar.
00:55:43And we'll cop the latch.
00:55:46Wait a minute.
00:55:47Wait a minute.
00:55:48Wait a minute.
00:55:49I'll tell you about it.
00:56:03This way.
00:56:24It's solid brick.
00:56:25Anyone got a pick?
00:56:32Oh, a fire.
00:56:34Oh, Mrs. Riley.
00:56:38Oh, Mrs. Riley, where have you gone?
00:56:40Where have you been?
00:56:41I'm coming with you, Mrs. Riley.
00:56:44Oh, Mrs. Riley.
00:56:45I can't see you.
00:56:46Riley.
00:56:50Right, come on.
00:57:01Oh, I'm getting scared.
00:57:02Scared?
00:57:03Scared?
00:57:04I'd like to see a lot of men scare me.
00:57:05I remember the time down at the old bullet.
00:57:09Tilly, if anything happens to me,
00:57:11you'll find my shoes caught in the tea caddy.
00:57:21The window.
00:57:22The window.
00:57:27Proceed, my dear Anton.
00:57:29Connect these.
00:57:31This will make her talk.
00:57:36Did you hear that?
00:57:37Will I ever forget it?
00:57:39Oh, if I was only back in Russian rule.
00:57:43It must be somewhere else.
00:57:50Oh, look.
00:58:09If I get out of this,
00:58:10I'll never bring it back out again.
00:58:14Yoo-hoo.
00:58:18Yoo-hoo.
00:58:24This way, Tilly, this way.
00:58:25No, Mrs. Riley, don't go this way.
00:58:27No, no, no.
00:58:28This way, Tilly.
00:58:29No, no.
00:58:30This way.
00:58:31Come on, come on.
00:58:32This way, this way, this way.
00:58:33No, this way.
00:58:42Oh, Mrs. Riley.
00:58:44Mrs. Riley.
00:58:57Pardon me.
00:58:58Excuse me.
00:59:07Pardon me.
00:59:08Excuse me.
00:59:21Excuse me.
00:59:31Excuse me.
00:59:42Pardon me.
00:59:54Excuse me.
01:00:01Excuse me.
01:00:11Excuse me.
01:00:22Excuse me.
01:00:36Right down there.
01:00:37He's coming, Miss.
01:00:40Sam, it's...
01:00:48Hurry up.
01:00:58Going up.
01:01:01Mrs. Riley, come down from up there.
01:01:03Don't leave me, Mrs. Riley.
01:01:05Oh, he's coming.
01:01:11Oh, he's coming.
01:01:17Oh, he's coming.
01:01:23Oh, he's coming.
01:01:30Oh, he's coming.
01:01:33I'll stop him.
01:01:34I'll stop him.
01:01:56Oh, what's this?
01:01:58It's his coffin.
01:01:59That's right.
01:02:00Go hide it.
01:02:01It's not me.
01:02:02It's probably full of mummies.
01:02:03Come on, out of there.
01:02:04Mummy, mummy.
01:02:05Open the door, Missy.
01:02:06Daddy.
01:02:07Come on, let's get out the window.
01:02:08Quick.
01:02:13Come on, open up.
01:02:16Break up through the window.
01:02:17Head them off.
01:02:19The Riley woman has disappeared, master.
01:02:22Yes?
01:02:24The chart.
01:02:26I left it on board.
01:02:29It is in the person's safe.
01:02:33At last.
01:02:35Nothing can stop us now.
01:02:38We leave for the Fernwood at once.
01:02:40Fernwood.
01:02:41That's the ship that Miss Loretti came on.
01:02:44Yes, it is.
01:02:47Order the car, Freda.
01:02:49Before we go, we must destroy all evidence, master.
01:02:52Of course.
01:02:57He's nothing but an old vampire.
01:03:00A vampire?
01:03:02Yes, a vampire in wolf's underclothing.
01:03:05He told me his brother was a bat.
01:03:07Oh, well, I'll go and fetch my Freddy.
01:03:10And you go and look for Miss Loretti.
01:03:14Well, I'll go and fetch my Freddy.
01:03:16And you hang on here and keep guard.
01:03:18Come and help me over the wall.
01:03:22Come on, hold this.
01:03:24Come on, give me a leg, huh?
01:03:26Hold this.
01:03:40I realize, Miss Loretti, that I must dispose of you.
01:03:43But I have a horror of bloodshed.
01:03:46It's such a waste.
01:03:47What are you going to do?
01:03:49Look at this fuse.
01:03:51When it reaches the destructor unit,
01:03:53you will know no more.
01:03:56I can assure you it will be quite painless.
01:04:01Goodbye.
01:04:07Quick, help!
01:04:08Shh.
01:04:09Don't go away.
01:04:10And I'll have you out of that in a couple of weeks.
01:04:12A nanny goat's tale.
01:04:13If I can find a nanny goat.
01:04:19We'll take care of Mrs. Riley if she's still here.
01:04:23Won't you, Mark One?
01:04:29A perfect murder, my dear Freda.
01:04:32A woman found killed by a robot.
01:04:35An iron man.
01:04:36Yes.
01:04:38We make history.
01:05:05There they go.
01:05:06I've never heard so much poppycock in all my life.
01:05:08You've been seeing too many films.
01:05:10I tell you, there's murder in that house.
01:05:12Well, are you going to break in or not?
01:05:14Well, without a search warrant, it's as much as my job's worth.
01:05:17It'll be more than your job's worth if you don't.
01:05:19Poor Mrs. Riley, she might be dying.
01:05:21She might be in need of a blood transfusion.
01:05:24Oh, all right.
01:05:25Well, be quick.
01:05:26Well, you come up to the station with me.
01:05:28The sergeant wants to poke his nose in.
01:05:29Well, then that's up to him.
01:05:31Well, be quick, then.
01:05:59Go away.
01:06:00Go away.
01:06:01Don't follow me.
01:06:02I don't want you.
01:06:03I don't want you.
01:06:04I'll never touch anything.
01:06:05It tickles.
01:06:06I've got too many voices.
01:06:07Go away.
01:06:12I've told you twice.
01:06:13I won't say it again.
01:06:27Oh.
01:06:28Oh.
01:06:29Oh.
01:06:30Oh.
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01:10:51Division. Proceed at once to Tilbury Docks. A man known as Professor Von Husen, believed
01:10:56to be begging for S.S. Burnwood. He is dangerous. Stop and detain. That is all.
01:11:01Do you know who wrote you, sir?
01:11:31I don't know.
01:12:01I don't know.
01:12:31There's no sign of it here. You've been tricked, bastard.
01:12:53The police!
01:12:55Orlando, look out!
01:12:57Wait for me! Wait for me!
01:13:04Drop the gun, boy.
01:13:34This is the end!