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00:01:53I'm sorry the line's busy, was it something important?
00:02:05Yes.
00:02:06I wanted her to wish me luck.
00:02:08I've got a big fight on my hands this morning, Miss Williams.
00:02:10I know, and I hope you win, Mr. Martin.
00:02:13Thanks.
00:02:14Gentlemen, at our last meeting you made it very clear to me that there was no possibility
00:02:32of a compromise.
00:02:34Are you still of that opinion?
00:02:36We're not open to compromise, nor even discussion.
00:02:40In a fight of this nature between directors, there's only one weapon, money.
00:02:44That's all.
00:02:46All right, gentlemen.
00:02:47If you want a fight, I'll be happy to oblige you.
00:02:50But it seems to me in this case, as far as you all are concerned, that it is not only
00:02:55the weapon, but the whole object of this fight.
00:02:58It's a little different with me.
00:03:00This corporation bears my name.
00:03:02Your name isn't helping our dividends.
00:03:05My father founded this business, and I think that even you will concede that I have not
00:03:09merely sat back in the reflected glory of his name.
00:03:12I went out and I learned this business from the ground up, why I've sailed the seven seas
00:03:17in our ships, and there's not a department in our whole affair that I'm not familiar
00:03:22with.
00:03:23This is all beside the point, Martin.
00:03:24I'm coming to the point, gentlemen.
00:03:26Now you're dissatisfied, and you think you're going to force me out.
00:03:29Well, get this straight.
00:03:31I refuse to be forced out.
00:03:33Before you came in, Martin, we held a vote and decided unanimously...
00:03:37Yeah, to find me out, eh?
00:03:39Well, it can't be done.
00:03:41My interest is not for sale.
00:03:43I see.
00:03:46Perhaps you are planning on buying us out.
00:03:51You only need half a million dollars.
00:03:54That's all.
00:03:56Exactly.
00:03:57Gentlemen, it is my plan to buy you out for the sum of money just mentioned by Mr. Crittenden.
00:04:04May we inquire just what you're going to use for money?
00:04:09My lawyer is with Mrs. Martin at this very moment, drawing up the necessary papers.
00:04:15And the money will be ready within 24 hours.
00:04:17Well, Martin, it had to be one or the other.
00:04:21Yes, I gathered as much.
00:04:22Good afternoon, gentlemen.
00:04:23Well, good afternoon.
00:04:24I'm glad that's over.
00:04:38When he came to me with the crazy notion of mortgaging my property,
00:04:42I decided I could always get another husband.
00:04:45But where could I find another office building?
00:04:48I agree with you entirely, my dear.
00:04:51But after all, I'm his attorney and I had to discuss it with you.
00:04:54Of course, Alan.
00:04:55But I didn't have to take it seriously.
00:04:58But you are serious, dear.
00:05:00About us, I mean.
00:05:02What do you think?
00:05:04I think you're fascinating.
00:05:07That's nice.
00:05:09Look here.
00:05:10When are we going to tell him about us?
00:05:13There's no desperate hurry, is there?
00:05:15Yes, there is.
00:05:16I can't go on like this.
00:05:17I feel too much of a cad.
00:05:20All right.
00:05:21I'll tell him today.
00:05:22This money business will give me a good opportunity.
00:05:24Splendid.
00:05:25We'll tell him together.
00:05:26No.
00:05:27Very well.
00:05:37Hello, Alan.
00:05:38Hello.
00:05:39Everything fixed?
00:05:40Yes.
00:05:41Yes.
00:05:42You'll find Vera waiting.
00:05:43What's your hurry?
00:05:44I have a client waiting at the office.
00:05:46I must run along.
00:05:47Goodbye.
00:05:48Oh.
00:05:51Hello, darling.
00:05:52You should have heard me read the riot act to that crew of stiff neck.
00:05:55Why, when I told them that I had your property to back me up, though.
00:05:59You were lying.
00:06:00But you can't.
00:06:01It means my whole future, our future.
00:06:04I told them that...
00:06:05You shouldn't have been in such a hurry, my dear.
00:06:10You mean that you're not going to...
00:06:12That you're going to let them wipe me out?
00:06:17Oh, you don't mean that.
00:06:18You can't.
00:06:19I don't believe you.
00:06:23What's this?
00:06:24Open it.
00:06:25It'll give you the answer.
00:06:28What does this mean?
00:06:31It means a trip to Paris.
00:06:33Object?
00:06:34Divorce.
00:06:40Have you gone crazy or have I?
00:06:44Did you think your directors were crazy when they wanted to...
00:06:47get rid of you?
00:06:50No.
00:06:51No.
00:06:52No.
00:06:53No.
00:06:54No.
00:06:55No.
00:06:56No.
00:06:57We're in business together.
00:06:58If they feel that they're dissatisfied,
00:07:00it's their privilege to try and kick me out.
00:07:03All right, Dick.
00:07:05Marriage is a business.
00:07:07And it has the same privileges.
00:07:13Why didn't you tell me this before?
00:07:16Well, I wanted to, but Alan thought...
00:07:18Alan?
00:07:19Alan?
00:07:21You mean that...
00:07:22Yes.
00:07:23He's a...
00:07:24What is the word?
00:07:27Correspondent, isn't it?
00:07:29This isn't all a ghastly joke, is it?
00:07:32No, I'm serious.
00:07:35You're not going to be difficult, are you?
00:07:38No.
00:07:40On the contrary.
00:07:43You won't do anything desperate?
00:07:47Don't worry.
00:07:48You'll get your divorce...
00:07:50and I won't blow out my brains.
00:07:52I knew you'd be sensible, Dick.
00:07:55Oh, what is a divorce today?
00:07:58We can still be the best of friends.
00:08:06Where are you going?
00:08:08Back to the office.
00:08:10To tell my directors they've won.
00:08:25I'll be right back.
00:08:49More coffee.
00:08:50Make it strong.
00:08:55I saw you, you little swab you.
00:08:58I had a notion to swat you once.
00:09:00You're a liar.
00:09:01Oh, I am?
00:09:02Yes.
00:09:21Give me a drink, will you?
00:09:23Thanks.
00:09:24You big stiff.
00:09:26If you want to fight, why don't you pick on somebody your size?
00:09:31Now, you and I are going to have a drink.
00:09:44Hey, what are you?
00:09:46A sailor, a stoker, or a fighter?
00:09:50A white hope, I should say.
00:09:53What's the difference?
00:09:57Make it two, Ed.
00:10:01I ain't drinking with you.
00:10:04Okay.
00:10:05I'll drink them both.
00:10:07No offense.
00:10:08Tough guy, ain't you?
00:10:13Where you from?
00:10:15Where you heading?
00:10:19I'm just drifting.
00:10:23Down the hatch.
00:10:45Say, you don't look like the drifting kind, fella.
00:10:48A woman?
00:10:52Looking for a birth?
00:10:55You know, I could use a big strong fella like you.
00:10:58You could, huh?
00:11:00Want to take a whirl?
00:11:02You know, a long cruise never hurt nobody.
00:11:04Where you going?
00:11:06South America.
00:11:08Boy, they got plenty of...
00:11:12You know, just...
00:11:15You know, it makes it easy to forget.
00:11:19What do you say?
00:11:22Might not be a bad idea.
00:11:27Mate?
00:11:28Okay, pal.
00:11:30Okay, pal.
00:12:00I'd like to know what you got to be singing about.
00:12:23Why not?
00:12:24I'm happy.
00:12:25First time in my life.
00:12:27Nothing to worry about.
00:12:30It's so fun to keep up.
00:12:32That's three squares a day, boy.
00:12:36Yeah.
00:12:38They got us working like doves.
00:12:40Sure we do.
00:12:42It's a nice time to keep tired and to dream.
00:12:44What could be sweeter?
00:12:46Sure I do.
00:12:52Sure I do.
00:13:08Señorita Valdez.
00:13:10Señor.
00:13:11How are you today?
00:13:12Muy bien, Senor.
00:13:13Gracias.
00:13:14Just a little boy, Mr. Baker, but he's long-sleeved, and nothing to see.
00:13:19How about a game of deck cards or shuffleboards?
00:13:22Oh, no, I ain't so keen, but he's in a real place.
00:13:26These young people, always they seem to be real, huh?
00:13:33I think I would like to see him.
00:13:36Yes, I would like to see him.
00:13:39Come, I'll show you.
00:13:45There.
00:13:55How interesting.
00:13:57Oh, I would love to come down with you.
00:13:59Will you please?
00:14:00Oh, I'm sorry, senorita, but I'm afraid that's out of the question.
00:14:04Oh, please, Mr. Baker.
00:14:06It's impossible. You see, we've grown cold.
00:14:09It's filthy down there.
00:14:11Oh, I don't mind.
00:14:12Please.
00:14:13You'll spoil your pretty clothes.
00:14:15Oh, I don't mind.
00:14:16I wear what they call all over.
00:14:19All along.
00:14:23Okay, you win.
00:14:25Come along, I'll fix you up with some overalls.
00:14:36Hey!
00:14:37Hey, you!
00:14:39Hey!
00:14:40Hey, you!
00:14:42Hey!
00:14:44Hey, buddy!
00:14:47Hey, hey, you!
00:14:49Help me fasten your top.
00:15:05Okay, come on.
00:15:08Thank you, senor.
00:15:14You're welcome.
00:15:18Well, this is what you wanted to see.
00:15:20Oh, it's wonderful.
00:15:22Now, over there we have a compression valve.
00:15:25If you'll come along with me, I'll show you.
00:15:27No, no, I want to stay here.
00:15:29Okay, but stay right where you are.
00:15:32Now, don't move or she might get hurt.
00:15:35Good.
00:15:36I'll be right back.
00:15:42Do you mind if I watch you?
00:15:45What?
00:15:46Do you mind if I watch you?
00:15:49Sure, go ahead.
00:15:50Give it all you want.
00:15:52Come in.
00:15:54What do you mean?
00:15:56Well, it means that you, uh...
00:15:59You're sort of, uh...
00:16:01I'll let it go.
00:16:05Come on.
00:16:35You better go up on deck.
00:16:37Get him up.
00:16:38No, I won't.
00:16:44Oh!
00:16:45Oh!
00:16:46Oh!
00:16:47Oh!
00:16:48Oh!
00:16:49Oh, he's hurt!
00:16:50Look at me, please!
00:16:51Get a doctor!
00:16:53Get him on deck, quick.
00:17:06Good morning, Mr. Dixon.
00:17:08I hope you all are feeling better this morning.
00:17:11Oh, I'm feeling better, but they won't believe me.
00:17:18Why so fancy, Cliff?
00:17:20Why is that so, Whip?
00:17:21What are you dreaming about?
00:17:23About the girls waiting for me and Nick to rock.
00:17:26Oh, I see.
00:17:27I see.
00:17:28I see.
00:17:29I see.
00:17:30I see.
00:17:31I see.
00:17:32I see.
00:17:33I see.
00:17:34They're waiting for me and Nick to rock.
00:17:35Just three more days, and we'll be there.
00:17:38What a gal, Mr. Dixon.
00:17:40Her figure starts like this, and wiggles on down like this.
00:17:44There's one thing that I'm not interested in.
00:17:47That's women.
00:17:48Neither am I, Mr. Dixon, but they sure as hell are interested in me.
00:17:52I keep telling them I don't want nothing from them.
00:17:54But they just keep parading their charm before my eyes.
00:17:57What can I do about it?
00:17:59Why, say no.
00:18:01And stick to it!
00:18:03Eclipse, there's only one thing that I want from any woman.
00:18:07That's to be left alone.
00:18:09Oh, you ain't so in love with me, Mr. Dick.
00:18:12No, I'm not, Eclipse. I'm not even interested in you.
00:18:20Oh, excuse me, miss. Excuse me, boy.
00:18:22See you later, Mr. Dick.
00:18:24Good morning, senor.
00:18:26Good morning.
00:18:27I'm so happy to see you so much better.
00:18:30Well, I'll be going back to work now. Thank you.
00:18:33Oh, I forget.
00:18:35This is my uncle, senor Garvey.
00:18:37Mr. Martin, who was so brave.
00:18:39It is an honor to know you, senor.
00:18:42I do.
00:18:43Permit me to thank you, senor.
00:18:46It was very splendid of you.
00:18:48You are very brave.
00:18:50Oh, it was nothing.
00:18:51Anybody else can do the same thing.
00:18:54Please forget it.
00:18:55Oh, I forget, miss.
00:18:56I bring you these.
00:18:58I hope you don't mind.
00:19:02I have spoken to the captain,
00:19:04and arranged that you be transferred from the spokehold to the deck,
00:19:07where you want to work, senor.
00:19:09Well, thanks just the same.
00:19:11But I'd rather go back to my job.
00:19:16We will see you again before we dock at Quinto.
00:19:20So happy to see you so much better.
00:19:24Once more I express our gratefulness, senor.
00:19:27Adios.
00:19:32Adios.
00:19:44Mr. Martin is very interesting.
00:19:47He was not always so good.
00:19:49And he's sure.
00:19:51He is very charming.
00:19:57I like him.
00:19:58I am not surprised.
00:20:01Well, let's get going.
00:20:03Have you ever been here before, Joe?
00:20:05No, this is my first trip here.
00:20:07Last time we stopped here, we got cold.
00:20:09And you probably got well cold.
00:20:11And that's what I'm going to do.
00:20:13Come on, gang.
00:20:19What a time we're going to have.
00:20:21We're going to have a good time.
00:20:23We're going to have a good time.
00:20:25We're going to have a good time.
00:20:27We're going to have a good time.
00:20:29We're never going to have it.
00:20:31I suppose all those Spanish mothers are waiting for you.
00:20:59Come on.
00:21:17Oh, boy.
00:21:19Here she is.
00:21:21We're going to have a good time.
00:21:23We're never going to have it.
00:21:29Ha-ha-ha.
00:21:31I said, it's all right.
00:21:48Ha-ha-ha.
00:21:50We're happy.
00:21:52I'll be back.
00:21:54Hey, bull fighter.
00:21:56What's happened here?
00:21:58I don't know what you're saying, mate, but what I am saying is that if you're a girl,
00:22:25you're a girl.
00:22:28Oh, but surely she's a girl.
00:22:31Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:22:32ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:22:33ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:22:34ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:22:35ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:22:36ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:22:37ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:23:07ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:23:37ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:24:07ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
00:24:37ha ha ha ha ha ha.
00:24:42Who's the strong man?
00:24:44You.
00:24:45Me.
00:24:45Come.
00:24:46I don't know.
00:24:49Come on.
00:24:50Come on.
00:24:53Let's go.
00:24:56OK.
00:24:57Go.
00:24:58Go.
00:24:59A little bit back.
00:25:00A little bit back.
00:25:01I got it.
00:25:02I got it.
00:25:03OK.
00:25:04OK.
00:25:05Come on.
00:25:06I got it.
00:25:07Come on.
00:25:08Just a little more.
00:25:09A little bit more.
00:25:10Take it.
00:25:11A little bit more.
00:25:12A little bit more.
00:25:13A little bit more.
00:25:14Here we go.
00:25:15Ah.
00:25:16Come, I'll buy you one drink, eh?
00:25:20I'll buy my own.
00:25:24Hello, how many can I bring?
00:25:26Here, here, here, here, here.
00:25:28Are you from the Bronx?
00:25:30The Bronx, if you must know.
00:25:32I thought so.
00:25:33These mozopah ships won't give you a tumble unless you're a hot tamale.
00:25:38Say, give me a...
00:25:39How'd you get in a joint like this?
00:25:41Well, come to that, how come you could be here? You ain't new here.
00:25:44I'm a stoker.
00:25:45Stoker! Stoker, me eye!
00:25:48You're just a tramp, I got you.
00:25:50I guess you are.
00:25:51Oh, yes.
00:25:54Hey, hey, hey.
00:25:55Very pretty.
00:26:02A big, strong, big car, eh?
00:26:15Get out of the way!
00:26:17Get out of the way!
00:26:18Get out of the way!
00:26:19Get out of the way!
00:26:43Hey, David! Hey, David!
00:26:45I'll kill you!
00:26:50Quick, quick, quick!
00:26:52They're wrecking my place!
00:27:03Hey, you fight, we don't care.
00:27:06You take the chief of police, you go to the calabozo.
00:27:15You fight too, huh? Calabozo!
00:27:18Calabozo?
00:27:19Hey!
00:27:21I see.
00:27:22Hang on.
00:27:24Get out of the way!
00:27:25Get out of the way!
00:27:26Get out of the way!
00:27:27Get out of the way!
00:27:44Come on, Mr. Dick, we're showing them this mess.
00:27:54Let's get out of here.
00:27:55Come on.
00:27:56Let's go.
00:28:00Come on.
00:28:01Come on, Dick.
00:28:32Hello.
00:28:33What?
00:28:34Bananas again?
00:28:36My goodness, don't you never run out of banana?
00:28:39I love bananas, boss, but when you get them three times a day...
00:28:43Well, let me see.
00:28:46Three times seven is twenty-four, and twenty-four times six...
00:28:51Well, that's too many bananas.
00:28:53Well, that's too many bananas.
00:29:23My goodness, it's eating rain bananas down here.
00:29:44This here jail will sure make a lot of somebody.
00:29:51Who's that?
00:29:52The man that say, yes, we have no bananas.
00:30:03What's that, Mr. Dick?
00:30:04What's going on, Mr. Dick?
00:30:06Hey, General!
00:30:08Hey, General!
00:30:09What's all the excitement?
00:30:13What's it all about?
00:30:16The bank is shut off!
00:30:41Oh, Mr. Dick!
00:30:42Hey, wait a minute there.
00:30:45Oh, Mr. Jailor!
00:30:52Well, senor, how do you like our little calabuzo?
00:30:55Say, if I told you what I thought of it, I'd get life.
00:30:58Oh, Mr. General!
00:31:00You don't like, eh?
00:31:02How do you like the bamboos?
00:31:03You going to set me free?
00:31:05Oh, Mr. Dick!
00:31:07I decided to parole you on the custody of a prominent citizen.
00:31:11What do you mean?
00:31:13We take you from the calabuzo and place you on the plantation.
00:31:17You work.
00:31:18You stay in the fresh air.
00:31:20You sleep in a nice bed.
00:31:22You eat what you like.
00:31:23How do you like this parole, eh?
00:31:25Oh, Mr. Captain!
00:31:28How long do I have to stay on this plantation?
00:31:31When does my trial come up?
00:31:32Say, what's this all about?
00:31:34Sabe.
00:31:36Oh, Mr. Jailor!
00:31:38Oh, Mr. Jailor!
00:31:41You don't like, eh?
00:31:42Take him back.
00:31:44Wait a minute.
00:31:46I'll do anything to get away from bananas.
00:31:49Can Eclipse go with me?
00:31:51Well, maybe.
00:31:52See, play him.
00:31:57These men, he take you to the plantation.
00:32:00And remember, if you run away, he bring you back to the calabuzo.
00:32:06Eclipse, we're going to work.
00:32:09Going to work?
00:32:11Where?
00:32:12On a plantation.
00:32:14These men take you to the plantation.
00:32:16Mr. Dick, this impossibly my last confinement.
00:32:26So long.
00:32:28So long.
00:32:36Ya llegamos. Este es el lugar.
00:32:39Is this the place?
00:32:40Si, señor.
00:32:41Here we are, Eclipse.
00:32:44Gee, what a beautiful place, Mr. Dick.
00:32:47I think we'd want to like this.
00:32:55Oye, oye.
00:32:56Por este lado.
00:32:58Me?
00:32:59No, señor. El.
00:33:01What?
00:33:02Por este lado.
00:33:03Por este what?
00:33:05Te digo que por este lado.
00:33:07Oh, okay. Don't get angry. I get it. I get it.
00:33:10Would you have some more coffee, señor?
00:33:13This, señor, is a coffee plantation.
00:33:17We have in our warehouse many thousand sacks of coffee prepared for export.
00:33:23For three weeks now there is northbound no ship.
00:33:27We are afraid of bandits who rob the planters of their crops.
00:33:31Yes, they cleaned out the bank in Quito this morning.
00:33:34A fellow by the name of Santini.
00:33:35Santini?
00:33:36Oh, he is the most bad of them all, señor.
00:33:39Si, señor. If they steal our crops, we will have no money to pay the bank.
00:33:42Then I will lose this plantation.
00:33:44Well, why don't the police wipe out Santini and the bandits like him?
00:33:48Santini, he hide in the hills with his men.
00:33:51The police not even know who he is.
00:33:54Maybe he paid the police for the crops.
00:33:59Now we convoy the Americanos, señor.
00:34:04But where do I come in, señor?
00:34:06You are Americanos, señor.
00:34:08Margarita think perhaps you could demand protection from the Americanos soldiers if we were attacked.
00:34:18Si, señor. You stay here. We are safe.
00:34:20Oh. So that's why you had me paroled in your custody.
00:34:24Si, señor.
00:34:25I get you.
00:34:29You're a smart girl.
00:34:50Hey, what's the matter?
00:34:52One of Santini's men spying on us.
00:34:55Frightened?
00:34:57Oh, I might be frightened if you are not here.
00:35:02But if you stay.
00:35:08Okay. I'm going to stay.
00:35:11Oh, I'm so happy, señor Dick.
00:35:27Oh, Ernesto.
00:35:29Muy, muy bien. Muchisimas gracias, mi general.
00:35:33You have news of the pretty lady?
00:35:36I bring good news.
00:35:38You know, they followed me.
00:35:41Oh, I see.
00:35:43I see.
00:35:44I see.
00:35:45I see.
00:35:46I see.
00:35:47I see.
00:35:48I see.
00:35:49I see.
00:35:50I see.
00:35:51I see.
00:35:52I see.
00:35:53I see.
00:35:54I see.
00:35:55They followed me.
00:35:57I listened.
00:35:58A pig of a servant, he see me.
00:36:00But I get away just in time.
00:36:03Yes, but the pretty lady?
00:36:05Oh, she a señorita Margarita Valdez.
00:36:07She own a big warehouse filled with many sacks of coffee.
00:36:12She's very rich.
00:36:13Yes, but how many men?
00:36:15Thirty, forty.
00:36:17But many are your friends, mi general.
00:36:20The others, they was wrong.
00:36:22Ernesto.
00:36:23You have done good work.
00:36:25You have done very good work.
00:36:27But so much for business.
00:36:29Now tell me, you have more news for me, yes?
00:36:32I told you all, mi general.
00:36:34Except for the tall Americano who come from the Calaboos.
00:36:38But he is nothing.
00:36:40What?
00:36:41The Americano?
00:36:43You say that he is nothing?
00:36:45Idiot.
00:36:46You let him insult your general and you say that he is nothing.
00:36:49You fool, you.
00:36:52And he hit me.
00:36:53And he hit me like this.
00:36:54And like this.
00:36:55And like this.
00:36:56And still you say that he is nothing?
00:36:58I'll be such a good miser.
00:37:00I'll find out things for myself.
00:37:02Don't talk to me.
00:37:03You are one of those idiots, pigs and imbeciles.
00:37:06The Americano.
00:37:07You say that he is nothing.
00:37:09Very well.
00:37:10He shall be as nothing.
00:37:11I...
00:37:12Oh, Ernesto.
00:37:14I shall honor the beautiful lady myself, yes?
00:37:19Hey, wait a minute, Ernesto.
00:37:21I shall honor the beautiful lady.
00:37:23Here, gold.
00:37:24You help me search for the gold.
00:37:25And I shall go to the beautiful lady.
00:37:39I'm awfully sorry to trouble you like this, Pete.
00:37:41My uncle, he objected if I make you speak alone.
00:37:44Oh, that's all right.
00:37:47That's all right.
00:38:09Look out!
00:38:16Whoa!
00:38:32Whoa!
00:38:40All right now?
00:38:44I feel fine now.
00:38:47I think you'd better sit down and rest.
00:38:49You're nervous and shaky.
00:38:52Let's go over here.
00:39:06That's all right.
00:39:07That's all right.
00:39:18Where did you learn to ride?
00:39:21Back home.
00:39:22Back home.
00:39:23Where is that?
00:39:24Oh, it's...
00:39:28Why are you so...
00:39:30So hard to talk to?
00:39:34Are you feeling better?
00:39:37No, I...
00:39:38I feel faint again.
00:39:48That's much better.
00:39:53Tell me, Dick.
00:39:54Who are you?
00:39:56You're not always a stoker.
00:39:59Well, no, I wasn't.
00:40:02I, uh...
00:40:04We'd better go.
00:40:18You'll have to ride my horse.
00:40:20And you?
00:40:22Oh, I'll walk.
00:40:24Oh, no.
00:40:25We can both ride him.
00:40:27He carries double.
00:40:30Well, all right.
00:40:31Come here, boy.
00:40:33Come here.
00:40:35Come here.
00:40:57All right?
00:40:58Comfortable?
00:40:59No, I forget.
00:41:00I feel faint.
00:41:05Is that better?
00:41:09Perfect.
00:41:15Forty, fifty thousand acres.
00:41:16Oh, two, three hundred miles.
00:41:21I'm sorry, Uncle.
00:41:22Return so soon, huh?
00:41:24May I present Senior Roderigo?
00:41:27May I present Senior Roderigo?
00:41:30Margarita, my niece, Senorita.
00:41:33It is indeed fortunate that I sought your hospitality, Senor.
00:41:37Senor Roderigo has a plantation further inland.
00:41:40He rests with us until he continues his journey.
00:41:43We shall try to make him comfortable.
00:41:45You will excuse me.
00:41:46Oh, but, uh...
00:41:48You will not deprive us of your loveliness so soon, Senorita.
00:41:52Well, I...
00:41:57This is Senor Rodriguez.
00:41:59Senor Martin.
00:42:04I believe I've had the pleasure.
00:42:07Oh, yes, yes.
00:42:09A little misunderstanding.
00:42:11No.
00:42:13But we shall forget.
00:42:16Eh, Senor?
00:42:17It's all right with me.
00:42:19You will excuse me.
00:42:20Please.
00:42:32Are you here on business, Senor?
00:42:34Or pleasure?
00:42:39Maybe both, Senor.
00:42:42Can't you see?
00:42:44Hmm.
00:42:51Good evening, then.
00:42:54Oh, hello.
00:43:06You always work so much.
00:43:08You like to work?
00:43:10Sure.
00:43:11For how long? I'm busy.
00:43:14You're not very gallant, Senor.
00:43:18I'm sorry, but I've got a lot of things to do.
00:43:21Back home where you learned to ride.
00:43:23You know, learn to make pretty speeches?
00:43:26Well, that's something that I've forgotten.
00:43:29Well, that is a bad thing to do.
00:43:31All together.
00:43:32Maybe I teach you again.
00:43:34I'm afraid you'll find me a very dull pupil.
00:43:38I'm sorry.
00:43:40Maybe it reminds you of somebody back home?
00:43:45Well, as a matter of fact, it did.
00:43:49Please forgive me.
00:43:54You don't?
00:43:56I'm sorry.
00:43:58I'm sorry.
00:44:00I'm sorry.
00:44:02I'm sorry.
00:44:04I'm sorry.
00:44:05You don't?
00:44:08It isn't what you think, Margarita.
00:44:11Then there is no one waiting for you back home?
00:44:29It is my uncle.
00:44:31You will excuse me?
00:44:32Certainly.
00:44:43An Americano, soldier. Bring this now, Senor.
00:44:53Good evening, Senorita.
00:44:55You will excuse me? My uncle is waiting.
00:44:57Please, Senorita. It was I who sent you that message.
00:45:00You will forgive my little deception?
00:45:03You will excuse me, Senor?
00:45:04Please, Senorita.
00:45:12Oh, but you're being very unkind to me, Senorita.
00:45:18Good evening, Senor.
00:45:22We must see your uncle at once. I have word from the officer at Monoglow.
00:45:26You will excuse us, Senor?
00:45:45I have an important letter for you, Valdez.
00:45:48I thought it wasn't from you, Senor.
00:45:50It's from the American commander at Monoglow.
00:45:52I'll read it.
00:45:54Mr. Dick Martin, Kington, Nicaragua.
00:45:57Dear sir, we disclaim all responsibility for your safety
00:46:00as long as you willfully remain outside the zone of American occupation
00:46:03for the purpose of protecting the property of a native.
00:46:09We advise, moreover, that the band of Santini is extremely active,
00:46:13raiding outlying Hacienda, and we urge extreme caution.
00:46:18Under no circumstances, however, can American Marines be called upon
00:46:21to protect property unless it be that of an American citizen.
00:46:25Yours truly, Captain Charles Harris, Commanding Officer, Monoglow Division.
00:46:31Settle my caballo.
00:46:48Ah, Senor Rodrigo.
00:46:50I have instructed my servant to prepare for you a room.
00:46:53Oh, a thousand thanks, Senor, but I have changed my plans.
00:46:58I am returning to my plantation.
00:47:00Lo siento mucho, Senor.
00:47:03Senorita, I have enjoyed your brief hospitality.
00:47:08I hope we shall meet again soon.
00:47:12Adios. Adios, Senors.
00:47:14Adios, Senor.
00:47:15Adios, Senor.
00:47:29What's the matter?
00:47:31There's something mighty funny about that fellow.
00:47:33I don't like him.
00:47:34Oh, never mind. He's gone.
00:47:36I wonder.
00:47:45Please.
00:48:08Please.
00:48:10Don't, darling.
00:48:12Look at the moon.
00:48:18Pretty, isn't it?
00:48:23You'd better go to bed.
00:48:25Oh, no. It's too hot.
00:48:27I could stay here with you.
00:48:31Dick.
00:48:34Why are you so, how they say, snooty?
00:48:37You don't like me, no?
00:48:40I try not to, but I just can't help myself.
00:48:44Why you try not to like me?
00:48:47I've been hurt once. I don't want to be hurt again.
00:48:51Oh, I kiss the hurt and make it better.
00:48:53Oh, I don't mean that.
00:48:55That's healed long ago.
00:48:57It's a deeper hurt.
00:49:00The one back home.
00:49:02She be untrue to you?
00:49:03No, not exactly that.
00:49:05She just let me down, that's all.
00:49:07And I vowed I'd never let another woman make a fool of me again.
00:49:12Dick.
00:49:14I no hurt you.
00:49:16I no let you down.
00:49:20I promise.
00:49:22We be married soon, no?
00:49:25As soon as you like.
00:49:27Oh, Dick.
00:49:30Dick.
00:49:51Dick.
00:50:21Dick.
00:50:23Dick.
00:50:25Dick.
00:50:27Dick.
00:50:29Dick.
00:50:31Dick.
00:50:33Dick.
00:50:35Dick.
00:50:37Dick.
00:50:39Dick.
00:50:41Dick.
00:50:43Dick.
00:50:45Dick.
00:50:47Dick.
00:50:49Dick.
00:50:51Dick.
00:50:53Amigos mio.
00:50:55My friends.
00:50:57I have for you a great surprise.
00:51:02Senorita El Cortez.
00:51:05And Senor Aljerez.
00:51:08Will dance for you.
00:51:10La Jota.
00:51:21Hey.
00:51:23Hey.
00:51:51La Jota.
00:51:56La Jota.
00:52:00La Jota.
00:52:03La Jota.
00:52:05La Jota.
00:52:07La Jota.
00:52:09La Jota.
00:52:11La Jota.
00:52:13La Jota.
00:52:22La Jota.
00:52:36You are very tired, my little one.
00:52:39Why, yes, I'm tired.
00:52:42But it was so wonderful.
00:52:45I am so happy.
00:52:52So now you are Americana, huh?
00:52:55Senora Martins.
00:52:58Yes.
00:53:00I am Americana.
00:53:02Am I not smart?
00:53:04Now if we are attacked,
00:53:06we call the American Marines to protect our coffee shop.
00:53:09I told you I could fix it.
00:53:11Yes?
00:53:18But...
00:53:19But...
00:53:21I will not marry him just because he is American.
00:53:26I love him.
00:53:29I will marry him even if he is Eskimo.
00:53:32Eskimo.
00:53:47I hope he makes you very happy, my dear.
00:53:50I'm sure he will.
00:53:52And I will try to make up for the one back home who hurt him.
00:53:56Good night.
00:53:58Good night.
00:54:02Good night.
00:54:04You may go now, Countess.
00:54:06Good night.
00:54:08Hasta mañana, señorita.
00:54:10Perdóneme.
00:54:12Señora.
00:54:32Good night.
00:55:03Speak.
00:55:05Speak.
00:55:10What do you want?
00:55:12What is the matter?
00:55:14Nothing.
00:55:16You've got what you wanted, haven't you?
00:55:18You're an American citizen now.
00:55:20Sleeps together.
00:55:22Sleeps together.
00:55:24Sleeps together.
00:55:26Sleeps together.
00:55:28Sleeps together.
00:55:30Sleeps together.
00:55:32No problem.
00:55:33And your coffee is protected.
00:55:37Go back to your room.
00:55:38I'm through.
00:55:39I'm leaving tomorrow.
00:55:41But Dick, you're wrong.
00:55:43I love you.
00:55:45I won't go.
00:55:46No?
00:55:47No!
00:55:54I swore I'd never let another woman hurt me.
00:55:57I thought you were on the level.
00:55:59I'm just a poor sap.
00:56:01Oh, good morning, my dear.
00:56:27Oh, my dear, tell me, what is wrong?
00:56:43Senor Valdez, I'm leaving.
00:56:44You are leaving, senor?
00:56:45Your niece will explain everything.
00:56:46What's the matter with you?
00:56:47I'm leaving.
00:56:48I'm leaving.
00:56:49I'm leaving.
00:56:50I'm leaving.
00:56:51I'm leaving.
00:56:52I'm leaving.
00:56:53I'm leaving.
00:56:54I'm leaving.
00:56:55I'm leaving.
00:56:56You'll explain everything to her.
00:56:57But surely you don't...
00:57:00Senor, Margarita wished for me the protection of my nationality.
00:57:03I gave her that.
00:57:06Now I'm going.
00:57:08Goodbye.
00:57:09Senor, you.
00:57:10Fique.
00:57:11Fique.
00:57:12You are blind.
00:57:16You are a fool.
00:57:20Can't you see I love you?
00:57:21Isn't that a bit of an afterthought?
00:57:23Maybe you are right.
00:57:24I no longer love you.
00:57:26I hate you! I hate you! Go!
00:57:57Sir, the bandits attacked Ramon's ranch.
00:58:00They burned the house and took all the coffee.
00:58:03What?
00:58:04The bandits took all the coffee and burned Ramon's house.
00:58:09I don't understand you.
00:58:10Well, I don't have time to explain.
00:58:27Son, where's the fire?
00:58:30What?
00:58:33Stay, brother.
00:58:34Pardon, señor, but I'm in a hurry.
00:58:36Santini is coming. Run!
00:58:38What for?
00:58:39He'll kill you!
00:58:40Why won't you run?
00:58:41Be careful!
00:58:42He'll kill me!
00:58:43No, I won't.
00:58:44He's a good man.
00:58:45He's a good man.
00:58:47He's a good man.
00:58:48He's a good man.
00:58:49He's a good man.
00:58:50He's a good man.
00:58:51He's a good man.
00:58:52He's a good man.
00:58:53He's a good man.
00:58:55Well, why didn't you say so?
00:58:58Why?
00:59:25Yes, ma'am. I'm here with all the bandits.
00:59:56Senorita, they will kill me.
01:00:00Senorita, don't go.
01:00:03Senorita!
01:00:22Americano!
01:00:25Get him!
01:00:28Get him!
01:00:56Come on!
01:00:58Come on!
01:01:25Get him!
01:01:32Get him!
01:01:34Get him!
01:01:56Candidato!
01:02:03Take him away!
01:02:04Come on!
01:02:05Let's go!
01:02:23Senorita, what's going on?
01:02:26What can we do for you?
01:02:28I'll call the headquarters in Managua.
01:02:30You get the men together and have them guard the warehouse.
01:02:32All right.
01:02:33Cuauhto, look out!
01:02:36Adelante.
01:02:41Hello, hello!
01:02:42Get me the United States headquarters in Managua.
01:02:45Quickly!
01:02:48Oh, my dear, I'm so glad.
01:03:00United States Marines Headquarters, Sergeant Mulroney speaking.
01:03:04Help.
01:03:08The wire is cut.
01:03:09What will we do?
01:03:13Don't worry.
01:03:14We'll get help somehow.
01:03:17Get them into positions.
01:03:18Don't let him cross the clearing to the warehouse.
01:03:20I'll have them handle it.
01:03:26Take care of him.
01:03:43Get him!
01:03:46I want you to take this note through the lines to the American commander at Managua and give
01:04:06it to him.
01:04:07I want you to take this note through the lines to the American commander at Managua
01:04:29and give it to him.
01:04:30I want you to take this note through the lines to the American commander at Managua and give
01:04:31it to him.
01:04:32I want you to take this note through the lines to the American commander at Managua and give
01:04:33it to him.
01:04:34I want you to take this note through the lines to the American commander at Managua and give
01:04:35it to him.
01:04:36I want you to take this note through the lines to the American commander at Managua and give
01:04:37it to him.
01:04:38I want you to take this note through the lines to the American commander at Managua and give
01:04:39it to him.
01:04:40I want you to take this note through the lines to the American commander at Managua and give
01:04:41it to him.
01:04:42I want you to take this note through the lines to the American commander at Managua and give
01:04:43it to him.
01:04:44I want you to take this note through the lines to the American commander at Managua and give
01:04:45it to him.
01:04:46I want you to take this note through the lines to the American commander at Managua and give
01:04:47it to him.
01:04:48I want you to take this note through the lines to the American commander at Managua and give
01:04:49it to him.
01:04:50I want you to take this note through the lines to the American commander at Managua and give
01:04:51it to him.
01:04:52I want you to take this note through the lines to the American commander at Managua and give
01:04:53it to him.
01:04:54I want you to take this note through the lines to the American commander at Managua and give
01:04:55it to him.
01:04:56I want you to take this note through the lines to the American commander at Managua and give
01:04:57it to him.
01:04:58I want you to take this note through the lines to the American commander at Managua and give
01:04:59it to him.
01:05:00I want you to take this note through the lines to the American commander at Managua and give
01:05:01it to him.
01:05:02I want you to take this note through the lines to the American commander at Managua and give
01:05:03it to him.
01:05:04I want you to take this note through the lines to the American commander at Managua and give
01:05:05it to him.
01:05:06I want you to take this note through the lines to the American commander at Managua and give
01:05:07it to him.
01:05:08I want you to take this note through the lines to the American commander at Managua and give
01:05:09it to him.
01:05:10I want you to take this note through the lines to the American commander at Managua and give
01:05:11it to him.
01:05:12I want you to take this note through the lines to the American commander at Managua and give
01:05:13it to him.
01:05:14I want you to take this note through the lines to the American commander at Managua and give
01:05:15it to him.
01:05:16I want you to take this note through the lines to the American commander at Managua and give
01:05:17it to him.
01:05:18I want you to take this note through the lines to the American commander at Managua and give
01:05:19it to him.
01:05:20I want you to take this note through the lines to the American commander at Managua and give
01:05:21it to him.
01:05:22I want you to take this note through the lines to the American commander at Managua and give
01:05:23it to him.
01:05:24I want you to take this note through the lines to the American commander at Managua and give
01:05:25it to him.
01:05:26I want you to take this note through the lines to the American commander at Managua and give
01:05:27it to him.
01:05:28I want you to take this note through the lines to the American commander at Managua and give
01:05:29it to him.
01:05:30I want you to take this note through the lines to the American commander at Managua and give
01:05:31it to him.
01:05:32I want you to take this note through the lines to the American commander at Managua and give
01:05:33it to him.
01:05:34Yes.
01:05:39The clearing's full of them.
01:05:56I don't like this quiet.
01:05:58There's something up.
01:06:20Why do you look at me like that, Dee?
01:06:23Margarita, I haven't thanked you for saving me this morning.
01:06:27Oh, it's nothing. I'd do the same for anybody.
01:06:37I've been a fool, Margarita.
01:06:40I know that, Dee.
01:06:44Why did you risk yourself to save me?
01:06:47For the same reason I marry you.
01:06:49For the same reason I marry you. To keep you here to fight.
01:06:56Is that all you need me for?
01:07:00When I marry you, I not marry you to fight.
01:07:05I need you.
01:07:08I love you, Dee.
01:07:11Are you still blind?
01:07:19I love you.
01:07:49I love you.
01:08:20Keep going.
01:08:23Come on.
01:08:26Come on, Inge!
01:08:30Santos!
01:08:49Come on, guys.
01:09:03Goodbye, guys. Thanks a lot.
01:09:05Okay, guys. We need to work out.
01:09:07Call us anytime.
01:09:09Okay. Goodbye, guys.
01:09:11Come on, guys.
01:09:17Well, the excitement's all over.
01:09:21Oh, Dee.
01:09:23You are so dumb.
01:09:27It's just begun.
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