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00:00:30© BF-WATCH TV 2021
00:01:00© BF-WATCH TV 2021
00:01:30Tokyo, Japan
00:01:35© BF-WATCH TV 2021
00:01:40© BF-WATCH TV 2021
00:01:45© BF-WATCH TV 2021
00:01:50© BF-WATCH TV 2021
00:01:55It was hard to realize that a war was raging in Korea, only 600 short air miles away.
00:02:02But even here, death was on the march, and it was headed straight for me.
00:02:39Hello, Mr. Matsudo.
00:02:40Hello, Jim.
00:02:41He hasn't shown up yet, huh?
00:02:42Not yet.
00:02:43I don't understand why he wanted all three of us to meet him.
00:02:46That is a question only he can answer.
00:02:48Well, we haven't long to wait. He said to be here by 12.
00:02:51There's less than a minute to go.
00:03:10What was behind that suitcase with its death-dealing contents?
00:03:16For me, it started two weeks ago at Tokyo's Haneda Airport.
00:03:21As we say in Army intelligence, I was reporting on a spot job.
00:03:39So far, the commies in Japan had given us little trouble.
00:03:43The G2 had just uncovered information they were getting ready to bust things wide open
00:03:49and what they could do to our supply lines to the Korean front had headquarters plenty worried.
00:03:55Our boys were going through enough hell, even with everything we could send them,
00:04:00and there were too many coming back this way already, or not coming back at all.
00:04:08They're for a friend.
00:04:24So?
00:04:29Seven and a half.
00:04:31Eight.
00:04:33Eight and a half.
00:04:36Nine.
00:04:38Your friend has many size feet.
00:04:41You know how changeable women are.
00:04:43Your name, please.
00:04:44Jim Carter, a writer for the National Weekly Indicator.
00:04:47Oh, so? You'll come with me, Mr. Carter.
00:04:51To anybody watching, it looked like I was in a jam, which was just what we wanted.
00:05:03I found out why I'd been picked for this spot job when Colonel Groves handed me a picture of a communist rally.
00:05:09The leader of the group, Taro Mitsudo, had been my roommate back in college.
00:05:15It was quite a surprise, because his father was one of Japan's most prominent cabinet ministers.
00:05:21According to Sergeant Yamamoto of CIC, Taro hung out in a commie rat's nest down by the Shimbashi Canal,
00:05:28and the plan was for me to bump into him accidentally, renew our old friendship,
00:05:33and try to learn who was the number one comrade in Japan.
00:05:37If I could do that, we'd bust things wide open before they did.
00:05:42If.
00:05:52Inasmuch as I was posing as a correspondent, reservations had been made for me here.
00:05:57And while I was talking to Colonel Groves, my luggage had been sent ahead.
00:06:13♪
00:06:37♪
00:06:57♪
00:07:26Hello.
00:07:27Hello.
00:07:29I just had the most wonderful dream.
00:07:32I thought I was the one who was dreaming.
00:07:34I'm Stephanie Novak.
00:07:35I'm Jim Carter.
00:07:36I know. I saw your name on the register.
00:07:39I've been waiting for you.
00:07:40Somebody should have told me.
00:07:42I didn't realize these rooms were so well furnished.
00:07:45Oh, you're American, always making jokes.
00:07:48We do that to cover confusion.
00:07:51You'll pardon my curiosity, but don't you find it a bit risky taking naps in strange rooms?
00:07:56Risky?
00:07:57What could happen to me?
00:07:59Somebody might steal your shoes.
00:08:01Well, if somebody wants my shoes, I will give them to them.
00:08:09Now, shall we talk business?
00:08:13What kind of business?
00:08:15You write for the National Weekly Indicator, no?
00:08:17Yes.
00:08:18But how did you find out?
00:08:19There are some letters in your suitcase.
00:08:21Oh, of course.
00:08:23How stupid of me.
00:08:24You are here to make the survey, no?
00:08:26Go ahead. I have no secrets.
00:08:28Well, in Japan you are what you say, the babes in the woods.
00:08:32And Stephanie can be very useful.
00:08:34So we shall make the survey together.
00:08:36Sounds chummy.
00:08:37You will wish to meet many people, go to many places.
00:08:41Stephanie can arrange it.
00:08:42She knows everything.
00:08:44She knows how to get nylons anyway.
00:08:47That smells like Russian.
00:08:49That building is where the Russian staff members live.
00:08:53Right next door, huh?
00:09:07He is very angry because there was a fly in his room.
00:09:12He is very angry because there was a fly in his borscht.
00:09:16Capitalist fly, no doubt.
00:09:19So you speak Russian?
00:09:22Uh-huh.
00:09:23And French, Spanish, Chinese and Japanese.
00:09:25And I write shorthand and operate a typewriter.
00:09:28You are quite a talented young lady.
00:09:30That's what Stephanie has been telling you.
00:09:32How come you don't get yourself a good job instead of working the tourist trade?
00:09:37Those who are citizens of some country get a first choice at what you call the good jobs.
00:09:43And I have no country anymore.
00:09:47But Stephanie is not complaining.
00:09:49She would rather work for many people than just one.
00:09:51And Americans pay more money.
00:09:53When do we start?
00:09:59I haven't said I'd hire you yet.
00:10:01But you will.
00:10:03Yeah, I guess you're right.
00:10:05The first thing you can do is show me some nightlife.
00:10:07Stephanie's specialty is nightlife.
00:10:09Okay, leave your phone number and address and...
00:10:11You will find one of my cards in each of your pockets.
00:10:17You don't overlook a bet, do you?
00:10:19Bets which are overlooked do not pay off.
00:10:21I'll remember that.
00:10:23Thanks for dropping in.
00:10:24Oh, it was a pleasure.
00:10:25Thanks for putting my stuff away.
00:10:27Oh, that is a service for which I will not charge you.
00:10:31For which I will not charge you.
00:10:37Goodbye.
00:11:02I'm making this look like a sightseeing tour.
00:11:04But you know the place I want to see.
00:12:02What are you stopping for, Joe?
00:12:05I'll show you.
00:12:06You come with me.
00:12:11This is a good place to see.
00:12:13Most of them are in Tokyo.
00:12:15Oh, so?
00:12:16I look, huh?
00:12:17Oh, Jim.
00:12:18We can't disappoint Joe.
00:12:19Come on, then we'll call it a night.
00:12:21You be sure and wait now.
00:12:23Well, I'll wait.
00:12:24You'll get a big taxi bill.
00:12:25You not pay yet?
00:13:27Two scotch and sodas, huh?
00:13:29Hi, Wolf Tatsu.
00:13:30Hi, Wolf Tatsu.
00:13:31How do you want them?
00:13:33We do not have scotch and soda.
00:13:35Excuse me.
00:13:37You can get that at the bar down the street.
00:13:39Oh, that's all right.
00:13:40It doesn't make any difference.
00:13:41Give us whatever you got.
00:13:42The bar down the street is much better.
00:13:45Try to get rid of us, huh?
00:13:47OK, we'll go after one drink.
00:13:59This place is off-limits to occupation personnel, sir.
00:14:13Yes, I know.
00:14:14I saw the sign outside.
00:14:15May I see your identification, please, sir?
00:14:23OK, Mr. Carter, but if you'll take a tip from me,
00:14:25you'll get out of this joint.
00:14:27It smells for more reasons than one.
00:14:29Thanks.
00:14:36He's right, Jimmy.
00:14:37Let's go.
00:14:38In a minute.
00:14:42Let's have some more of that singing.
00:14:44You know this one?
00:14:45As tech men, we will ever sing in fair or stormy weather.
00:14:50No matter what the years may bring, we'll always stand together.
00:14:55College friends remain through life, sharing joys and sorrows, too.
00:14:59Helping hands in peace or strife, such is the pledge of old Tech U.
00:15:03Rah!
00:15:04Rah!
00:15:05Tech!
00:15:06Tech!
00:15:07Rah!
00:15:08Rah!
00:15:09Taro.
00:15:22Taro.
00:15:23Taro.
00:15:26You will go.
00:15:27Please.
00:15:28I want to see that man who went in here.
00:15:29I know him.
00:15:30Many people look like many other people.
00:15:32You have made a mistake.
00:15:34Oh, no, I haven't.
00:15:35I know that.
00:15:50On second thought, maybe you're right.
00:15:51Must have been a couple of other guys.
00:15:56Come on.
00:16:08Come on, let's go.
00:16:26You boys waiting for us?
00:16:27Just wanted to make sure we didn't lose a taxpayer, sir.
00:16:30Thanks.
00:16:56If you wish a drink, just help yourself.
00:16:58Thanks.
00:17:09Dozo.
00:17:25Hey.
00:17:26Your maid just slipped me a cold towel.
00:17:28What should I do with it?
00:17:29It is a Japanese custom to wipe your fatu hair clean.
00:17:33Very refreshing.
00:17:34Oh.
00:17:37Nice custom.
00:17:41Nice maid, too.
00:17:48Well.
00:17:49Another custom?
00:17:50In Japan, comfort comes first.
00:17:53Haven't got a spare kimono, have you?
00:17:57I was just thinking, Jimmy.
00:17:59You said you thought that man in the bar was somebody you knew.
00:18:02I'm sure he was.
00:18:03Maybe you should tell Steffi more about him.
00:18:05She can find out for you.
00:18:08No, thanks.
00:18:09It's not that important.
00:18:10You were so excited.
00:18:11I thought it was very important.
00:18:13Wouldn't you be excited if you thought you saw an old friend in a foreign country?
00:18:17Maybe.
00:18:21Pretty girl.
00:18:22Who is she?
00:18:23My sister Christine.
00:18:24Now, this picture doesn't do her justice.
00:18:26She's very beautiful.
00:18:29She's in North Korea, huh?
00:18:32How did you know?
00:18:33Photographer's name and address is right on the back.
00:18:38You are very observing.
00:18:41Yes, she's in North Korea.
00:18:43And she will be with me soon.
00:18:45Yeah?
00:18:46How's she going to get out?
00:18:48Please, Jimmy.
00:18:49Jimmy, you have kept Steffi up very late and she's getting sleepy.
00:19:06Maybe another pair of nylons would wake you up.
00:19:08Oh, these are still like new and I can only wear one pair at a time.
00:19:13Good night, Jimmy.
00:19:20So long.
00:19:35What do you know about Steffi Novak, Joe?
00:19:37Steffi Novak?
00:19:38Oh, very smart girl.
00:19:40I get the feeling she's a little too smart.
00:19:42Any police record?
00:19:44No, no police record.
00:19:45Suspect her of black market, but never catch her.
00:19:48Well, there's a picture of a girl on the living room table.
00:19:51Photographer's address is in the folder.
00:19:53Get a snapshot of it and give it to Colonel Groves.
00:20:19I know her.
00:20:21Hi there, Joe.
00:20:22How was the smoke pot this morning?
00:20:24Brand new smoke, but gold-licked and spooly.
00:20:28That's some contraption.
00:20:32You want a taxi?
00:20:33No, thanks.
00:20:34That bull burner's too hard on clean shirts.
00:20:36I'll take a bicycle this shop.
00:20:48Wait here.
00:21:19Jimmy!
00:21:43Jim!
00:21:44Jim Carter!
00:21:46Mr. Mitsudo!
00:21:48Oh, Jim.
00:21:49Come.
00:21:50We will talk in the open.
00:21:52Even the walls of the diet building might have ears.
00:21:56Have you talked to my son yet?
00:21:58No.
00:21:59I saw him, but apparently he wanted no part of me.
00:22:01That shows how he has changed.
00:22:04But I can understand it,
00:22:07for I watch the change take place.
00:22:12Not only towards you,
00:22:14but towards me, and everything else
00:22:17that was once important to him.
00:22:21You see, Taro was trained to be a kamikaze pilot.
00:22:27Day after day, hour after hour,
00:22:30he sat in a classroom studying just one subject,
00:22:33how to die.
00:22:35Not how to die in the manner expected of a soldier,
00:22:38or how to die in the manner of a soldier.
00:22:41Not how to die in the manner expected of a soldier,
00:22:44but how to commit suicide.
00:23:05In planes loaded with high explosives,
00:23:08they were trained to hurl themselves into a bell
00:23:11with only one thought in mind,
00:23:13to reach their objective.
00:23:15That their own lives would be forfeited was unimportant,
00:23:18for they were taught that self-destruction
00:23:21was the only real glory.
00:23:39One more time.
00:23:45Good.
00:23:49Hiroshi, go back to your seat.
00:23:58It was a fantastic training, but deadly sorrow.
00:24:01Nothing was overlooked which would play on their emotion
00:24:05and obtain the desired result.
00:24:08Good.
00:24:38Good.
00:24:59When an ordinary student graduates,
00:25:01he is given a diploma.
00:25:03When a kamikaze student graduates,
00:25:05he is given funeral rites,
00:25:07which enshrine him as a Japanese god.
00:25:10Fingernail clippings and locks of hair
00:25:13were placed in the envelopes
00:25:15as symbolic remains of the living dead.
00:25:18And they drank a portion of sacred wine
00:25:21to give them immortality.
00:25:23After that, they were ready for their first mission
00:25:26and their last.
00:25:28Congratulations.
00:25:35Congratulations.
00:25:49But Taro found it unnecessary to complete the rites.
00:25:53Japan had surrendered.
00:26:06Taro never came home after that day,
00:26:09and I had no idea where he was
00:26:12until I saw his picture in the paper.
00:26:15I have told you this,
00:26:17so you will not judge him too severely, Jim.
00:26:21Yes, I know.
00:26:36Is it hot?
00:26:37I could sure go for one of those cold towels you made dishes out.
00:26:40You will find one on that tray.
00:26:42Now, that's what I call service.
00:26:49How are you coming on the dictation?
00:26:51It is almost finished.
00:26:55I didn't think I gave you so much.
00:26:57Steffi has added a few touches of her own,
00:26:59so your magazine will think that we are working very hard.
00:27:02If you get a raise, Steffi will divide it with you.
00:27:05And what if I get fired?
00:27:07Then Steffi will get a new boss.
00:27:10Nothing could be fairer than that.
00:27:13Oh, there is a telegram for you on a dresser.
00:27:15Yeah? What does it say?
00:27:17It is sealed and I didn't open it.
00:27:19Couldn't you see through the envelope?
00:27:21No, the paper is too thick.
00:27:57When did this come?
00:27:58About half an hour ago.
00:28:02You are going out again so soon?
00:28:04Yeah, for a little while.
00:28:06Do you want Steffi to go with you?
00:28:08No, I can handle this myself.
00:28:10Oh, Jimmy.
00:28:16What was that for?
00:28:17Steffi needs a new pair of nylons.
00:28:22And she cannot find where we have hidden them.
00:28:24Haven't you heard?
00:28:26Heard what?
00:28:27The price of nylons has gone up.
00:28:32The price of nylons has gone up.
00:28:35The price of nylons has gone up.
00:29:02Anoshima.
00:29:06Anoshima.
00:29:08Kanda.
00:29:12The first train is bound for Tokyo.
00:29:15The first train is bound for Tokyo.
00:29:36The second train is bound for Tokyo.
00:29:44The second train is bound for Tokyo.
00:29:48The second train is bound for Tokyo.
00:29:51Please wait for the next train.
00:30:06Kanda.
00:30:24Machi.
00:30:25Machi.
00:30:42Thanks.
00:30:45That's my car.
00:30:55Machi.
00:30:56Machi.
00:30:57Machi.
00:30:58Machi.
00:30:59Machi.
00:31:00Machi.
00:31:01Machi.
00:31:02Machi.
00:31:03Machi.
00:31:04Machi.
00:31:05Machi.
00:31:06Machi.
00:31:07Machi.
00:31:08Machi.
00:31:09Machi.
00:31:10Machi.
00:31:11Machi.
00:31:12Machi.
00:31:13Machi.
00:31:14Machi.
00:31:15Machi.
00:31:16Machi.
00:31:17Machi.
00:31:18Machi.
00:31:19Machi.
00:31:20Machi.
00:31:21Machi.
00:31:22Machi.
00:31:23Machi.
00:31:24Machi.
00:31:25Machi.
00:31:26Machi.
00:31:27Machi.
00:31:28Machi.
00:31:29Machi.
00:31:30Machi.
00:31:31Machi.
00:31:32Machi.
00:31:33Machi.
00:31:34Machi.
00:31:35Machi.
00:31:46Come to the big shrine in 10 minutes.
00:31:54Go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go away, go
00:32:24away, go away, go away, go away, go away.
00:32:37It's time to go home, I'm going to bed, I'm going to bed, I'm going to bed, I'm going
00:33:06to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm
00:33:36going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:33:56I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:33:57I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:33:58I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:33:59I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:00I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:01I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:03I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:04I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:05I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:06I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:07I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:08I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:09I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:10I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:11I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:12I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:13I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:14I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:15I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:16I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:17I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:18I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:19I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:20I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:21I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed, I'm going to bed,
00:34:22I'm going to bed, I'm going to bed, I'm going to bed,
00:34:23I'm going to bed, I'm going to bed, I'm going to bed,
00:34:24I'm going to bed, I'm going to bed, I'm going to bed,
00:34:25I'm going to bed, I'm going to bed, I'm going to bed,
00:34:26I'm going to bed, I'm going to bed, I'm going to bed,
00:34:27I'm going to bed, I'm going to bed, I'm going to bed,
00:34:28I'm going to bed, I'm going to bed, I'm going to bed,
00:34:29I'm going to bed, I'm going to bed, I'm going to bed,
00:34:30I'm going to bed, I'm going to bed, I'm going to bed,
00:34:31I'm going to bed, I'm going to bed,
00:34:32I'm going to bed, I'm going to bed,
00:34:33I'm going to bed, I'm going to bed,
00:34:34I'm going to bed, I'm going to bed,
00:34:35I'm going to bed, I'm going to bed,
00:34:36I'm going to bed, I'm going to bed,
00:34:37I'm going to bed, I'm going to bed,
00:34:38I'm going to bed, I'm going to bed,
00:34:39I'm going to bed, I'm going to bed,
00:34:40I'm going to bed, I'm going to bed,
00:34:41I'm going to bed, I'm going to bed,
00:34:42I'm going to bed, I'm going to bed,
00:34:43I'm going to bed, I'm going to bed,
00:34:44I'm going to bed, I'm going to bed,
00:34:45I'm going to bed, I'm going to bed,
00:34:47you will stay away from him as he requested.
00:34:50Please accept my apologies for this intrusion.
00:35:16How do you feel, Jimmy?
00:35:21At least I can still feel that something.
00:35:26Where did you come from?
00:35:27The desk clerk said you were in,
00:35:29but you didn't answer the phone,
00:35:30so I came to see why.
00:35:32I arrived just after Jeffrey found you.
00:35:34Jeffrey?
00:35:35Sure thing, old boy.
00:35:36Heard you moaning,
00:35:37roused my curiosity,
00:35:39so I got the room clerk to let me in.
00:35:41There you were, stressed on the floor
00:35:42with that chair on top of you,
00:35:44and a couple of bumps on your beam.
00:35:46Should switch on the lights
00:35:47before you go prancing around the room, old boy.
00:35:49Broke my toe once doing the same thing.
00:35:51Taught me a lesson.
00:35:52Well, nothing more I can do,
00:35:53so I'll toddle along.
00:35:55Steffi will look after you.
00:35:56Competent female, Steffi.
00:35:58Cheer.
00:36:15And by the looks of things,
00:36:16they got into my room
00:36:17from that building next door.
00:36:19Did you see anything about them
00:36:20you would recognize again?
00:36:21No, sir.
00:36:22With that flashlight in my face,
00:36:23I was as blind as a bat.
00:36:25What impression did you get
00:36:26from your talk with Taro?
00:36:27He was colder than a tax assessor.
00:36:29There was just one time
00:36:30when I got a spark,
00:36:31and that's when I mentioned a girl
00:36:32he was going to marry
00:36:33before he went haywire.
00:36:34Yes, Mr. Matsuda
00:36:35brought in some pictures
00:36:36of her this morning.
00:36:37We're making a check on her.
00:36:39Uh, what do you know
00:36:40about a man named Taro?
00:36:42We're making a check on her.
00:36:43Uh, what do you know
00:36:44about a man named Oyama
00:36:45who runs an import and export company?
00:36:47Oyama?
00:36:49He's a big businessman.
00:36:51Made a lot of money during the war
00:36:52and is still doing all right.
00:36:54Well, Steffi Novak
00:36:55has made arrangements for me
00:36:56to meet him in connection
00:36:57with my survey.
00:36:58He's giving a party to Tommy
00:36:59and I've been invited.
00:37:00It may be legitimate.
00:37:02Then on the other hand,
00:37:03I'll get in touch with you
00:37:04when I return.
00:37:06Goodbye, sir.
00:37:12Goodbye.
00:37:43Oh.
00:37:50It's a nice-looking hotel.
00:37:52What's the name of it?
00:37:53Atami Onoya.
00:37:55It's the best in town.
00:37:57Atami is a celebrated place
00:37:58for its hot springs.
00:38:00Also for honeymoons
00:38:02and romance.
00:38:04It's too bad I'm here on business.
00:38:06Your business doesn't start till dark.
00:38:13Excuse me.
00:38:15My business starts right now.
00:38:34I am fortunate that we have
00:38:35such excellent entertainment tonight.
00:38:37Ichimaru is the number one
00:38:38geisha of Japan.
00:38:40Ichimaru is the number one
00:38:41geisha of Japan.
00:38:42Is that so?
00:39:10Tokyo Station
00:39:14To Tokyo Station
00:39:34Sorry I'm late, Mr. Oyama.
00:39:36Lost my way.
00:39:37Usually do when I'm sober.
00:39:39Not at all, chap.
00:39:40I never knew you were a friend
00:39:41of Mr. Oyama's.
00:39:43Great host.
00:39:44Never miss one of his parties
00:39:45if I can avoid it.
00:39:46I was wondering
00:39:47who that place was for.
00:39:49You met Mr. Joffrey
00:39:50at the correspondence club,
00:39:51no doubt.
00:39:52That's right.
00:39:53I also met Miss Novak there, too.
00:39:55Yes, I know.
00:39:56Pardon me.
00:39:57Just happened to remember
00:39:58something that I should have
00:39:59done at the office.
00:40:07I understand you have
00:40:08a finger in many things,
00:40:09Mr. Oyama.
00:40:10Many things?
00:40:11A lot of different businesses.
00:40:13Oh.
00:40:15Yes, I have a finger
00:40:16in many things.
00:40:17How do you feel about
00:40:18the political setup here?
00:40:19I never give much thought
00:40:20to politics.
00:40:22I always figured
00:40:23big business and politics
00:40:24went together.
00:40:25You see,
00:40:26I'm an opportunist,
00:40:27Mr. Carter.
00:40:28Like the bamboo,
00:40:29I find it much more profitable
00:40:30to bend with the wind.
00:40:34Mr. Carter,
00:40:35someone will be wanting you.
00:40:37You're wanted on the telephone,
00:40:38Mr. Carter.
00:40:39The correspondence club
00:40:40had it transferred here,
00:40:41as it is very important.
00:40:50Excuse me.
00:41:03Hello?
00:41:04This is Inspector Tabuchi
00:41:05of the Metropolitan Police.
00:41:07Yes?
00:41:08Something important
00:41:09has occurred.
00:41:10Your intelligence office
00:41:11requests that you report
00:41:12to them immediately.
00:41:15Hello?
00:41:16Hello?
00:41:34Hello?
00:41:52I saw you leave the party.
00:41:53Who called you?
00:41:54He said it was
00:41:55Inspector Tabuchi.
00:41:56He told me to report
00:41:57to my office right away.
00:41:58It's a trick to expose you.
00:42:00When you return to the party,
00:42:01be careful what you say.
00:42:03There will be poisoned food
00:42:04for the wrong answer.
00:42:06Not to eat
00:42:07would also prove fatal.
00:42:31You look troubled,
00:42:57Mr. Carter.
00:42:58I trust nothing is wrong.
00:43:00No.
00:43:01I was just thinking.
00:43:02I am relieved.
00:43:04I thought perhaps your car
00:43:05might take you away
00:43:06before the party is over.
00:43:07It would if it had been for me,
00:43:08but they got the wrong man.
00:43:10So?
00:43:12Please take this.
00:43:15You must try this meat.
00:43:17It is delicious.
00:43:21I don't believe I...
00:43:25Well, I'll try a little.
00:43:29How about you?
00:43:39No, thank you.
00:43:44Do you have some meat?
00:43:49Thanks, Oprah.
00:44:06The telephone service in Japan
00:44:07has much room for improvement.
00:44:09I must apologize
00:44:10for the operator disturbing you.
00:44:12Oh, it wasn't the operator's fault.
00:44:14No?
00:44:15No, they just got me mixed up
00:44:16with somebody else.
00:44:18Who do you mean by they?
00:44:19Pardon?
00:44:20I said, who do you mean by they?
00:44:22They?
00:44:23Oh, the Tokyo police.
00:44:25Inspector Tabuchi
00:44:27or something like that.
00:44:29I know Inspector Tabuchi quite well.
00:44:31Did he say who he thought you were?
00:44:33Yeah.
00:44:34An intelligence officer.
00:44:36He said to call my office right away
00:44:37and then hung up
00:44:38before I could put him straight.
00:44:40That is odd.
00:44:42Inspector Tabuchi
00:44:43is a very careful man.
00:44:45I do not see how he could make
00:44:46such a careless mistake.
00:44:47Anybody can make a mistake
00:44:48once in a while.
00:44:50That's why they put erasers
00:44:51on lead pencils.
00:44:53Oh, you've even got one on yours.
00:44:56That's very amusing.
00:45:02No, thanks.
00:45:03Boy, you must have some beans.
00:45:05The sauce is excellent.
00:45:25Have any more such incidents happened
00:45:26since you have been in Tokyo?
00:45:28As a matter of fact, yes.
00:45:31There's something going on
00:45:32I don't understand
00:45:33and I seem to be
00:45:34right in the middle of it.
00:45:35Sounds interesting.
00:45:37I enjoy a good mystery.
00:45:39Go on, Mr. Carter.
00:45:40Well, the other night
00:45:41I ran across a fellow
00:45:42I went to college with.
00:45:43But instead of the glad hand,
00:45:44he gave me the cold shoulder.
00:45:46Cold shoulder?
00:45:47The brush off,
00:45:48the anti-social business.
00:45:49And back in my room
00:45:50I was hit over the head
00:45:51and given the third degree.
00:45:53Light in my eyes,
00:45:54knives up my throat,
00:45:55the full treatment.
00:45:57You do seem to be in the middle.
00:45:59And did you report it
00:46:00to the authorities?
00:46:01Yes, but
00:46:02they're as much in the dark as I am.
00:46:04Somebody's got me mixed up
00:46:06with somebody else
00:46:07and frankly, Mr. Ooyama,
00:46:09I'm worried.
00:46:10I can understand your concern.
00:46:13But perhaps
00:46:14tonight will be the end of it.
00:46:17I hope it's a happy ending.
00:46:19Come, we'll drink to that.
00:46:26Oh, excuse please.
00:46:28Your sake has grown cold.
00:46:42To the end of your troubles,
00:46:44Mr. Carter.
00:46:48Yeah.
00:46:58To the end of your troubles, Mr. Carter.
00:47:20Hello?
00:47:21Yes, this is Jim Carter,
00:47:22the National Weekly Indicator.
00:47:24Yes, I completed that article.
00:47:27I'll see you in the morning
00:47:28and discuss it with you.
00:47:30Goodbye.
00:47:58Oh, Carter,
00:47:59I was just slipping a letter
00:48:00underneath your door
00:48:01from the box of my mail by mistake.
00:48:03Thanks.
00:48:04That's all right, old boy.
00:48:27The End
00:48:58THE END
00:49:02THE END
00:49:26Hello, Namiko.
00:49:29Remember me?
00:49:30Jim!
00:49:31Jim Carter!
00:49:32I can't believe it's really you.
00:49:34It's me, all right.
00:49:35Mr. Macedo said
00:49:36you kept in touch with him
00:49:37for a while and then stopped.
00:49:39I told him you must be married.
00:49:41No.
00:49:42I'm not married.
00:49:43Well, I'll bet you're engaged anyhow.
00:49:45Who's the lucky fellow?
00:49:47Praise Jim.
00:49:51Still carrying the torch for Taro, huh?
00:49:53No.
00:49:54I hate him.
00:49:55I hate him.
00:49:57You know,
00:49:58I've got a hunch
00:49:59he feels the same way about you.
00:50:01You have seen him?
00:50:03Where is he, Jim?
00:50:04Take me to him.
00:50:06It's not quite that simple.
00:50:07He's mixed up with some pretty bad company.
00:50:11I was afraid that would happen.
00:50:14He was so...
00:50:16so confused when the war ended.
00:50:18He's like a man
00:50:19walking in his sleep, Namiko.
00:50:21He can't see
00:50:22what's going on around him.
00:50:24But I think you and I
00:50:25can wake him up.
00:50:26Oh, Jim,
00:50:27I'll do anything.
00:50:28It might be a little risky.
00:50:29You might have to take a chance.
00:50:31I'm not afraid.
00:50:33Good girl.
00:50:44Watch her.
00:50:45Don't let anything happen to her.
00:50:54Goodbye.
00:50:55Goodbye.
00:50:56Goodbye.
00:50:57Goodbye.
00:50:58Goodbye.
00:50:59Goodbye.
00:51:00Goodbye.
00:51:01Goodbye.
00:51:02Goodbye.
00:51:09You sang very well today.
00:51:11Please take this flower.
00:51:25Oh!
00:51:26Oh!
00:51:27Oh!
00:51:28Oh!
00:51:29Oh!
00:51:30Oh!
00:51:31Oh!
00:51:32Oh!
00:51:33Oh!
00:51:34Oh!
00:51:35Oh!
00:51:36Oh!
00:51:37Oh!
00:51:38Oh!
00:51:39Oh!
00:51:40Oh!
00:51:41Oh!
00:51:42Oh!
00:51:43Oh!
00:51:44Oh!
00:51:45Oh!
00:51:46Oh!
00:51:47Oh!
00:51:48Oh!
00:51:49Oh!
00:51:50Oh!
00:51:51Oh!
00:51:52Oh!
00:51:53Oh!
00:51:54Oh!
00:51:55Oh!
00:51:56Oh!
00:51:57Oh!
00:51:58Oh!
00:51:59Oh!
00:52:00Oh!
00:52:01Oh!
00:52:02Oh!
00:52:03Oh!
00:52:04Oh!
00:52:05Oh!
00:52:06Oh!
00:52:07Oh!
00:52:08Oh!
00:52:09Oh!
00:52:10Oh!
00:52:11Oh!
00:52:12Oh!
00:52:13Oh!
00:52:14Oh!
00:52:15Oh!
00:52:16Oh!
00:52:17Oh!
00:52:18Oh!
00:52:19Oh!
00:52:20Oh!
00:52:21Oh!
00:52:22♪♪
00:52:32♪♪
00:52:42♪♪
00:52:52♪♪
00:53:02Taro.
00:53:03Namiko.
00:53:05I've been praying to you.
00:53:07Your injuries are very serious.
00:53:09Are you going to be all right?
00:53:10Everything's going to be all right now that you're here.
00:53:14Who are those men?
00:53:16And what did they want?
00:53:19They asked me questions about Jim Carver.
00:53:23They said they are the police.
00:53:25The police?
00:53:26That's what they said, Taro.
00:53:28♪♪
00:53:32So you're responsible for Namiko being here.
00:53:34I told you there's no place in my life for her.
00:53:37You know better than that or you wouldn't have come.
00:53:40You tricked me into coming.
00:53:42Both of you.
00:53:43There's no trick about her injuries, Taro.
00:53:45Or how she got them.
00:53:47The police wouldn't do this to Namiko to find out about me.
00:53:49It is typical of police methods to commit violence and blame it on others.
00:53:53Sure, sure.
00:53:55If you listen to that brunch you're in with, it's always law and order that starts trouble.
00:53:58No matter what the incident, it's the same old tune.
00:54:01Even to what's going on in Korea.
00:54:03Please, Taro.
00:54:05You think we are blind.
00:54:07But it is you who cannot see.
00:54:10In the old Japan, did the farmer ever own his land?
00:54:15Could the worker demand fair treatment?
00:54:19Was the voice of the lowest as strong as that of the highest?
00:54:24Those things are good, Taro.
00:54:26Why would you destroy them?
00:54:29Your father has invited me to his home until I'm well again.
00:54:34Come with me, Taro.
00:55:05Come in.
00:55:07There are my typewriters on the fence.
00:55:09Do you mind if I address an envelope on yours?
00:55:11Not at all, old boy. Have at it.
00:55:14Just finished my report on the Korean situation.
00:55:16Been over there a couple of days.
00:55:18Couldn't see much there in that blasted rain.
00:55:20I was fired at, you know.
00:55:22Frightened me out of my wits.
00:55:25In fact, I'm still in a panic.
00:55:34What did you do? Make a mistake?
00:55:51Yeah, I made a mistake.
00:56:02Jimmy!
00:56:05About time you showed up.
00:56:07How long have you been waiting?
00:56:08Too long.
00:56:09How do you like Stephanie? She has been shopping today.
00:56:12She did all right for herself.
00:56:13How do you like the new bracelet?
00:56:16That's a coincidence. I brought you some myself.
00:56:19You did?
00:56:20Yep.
00:56:21Oh, Jimmy, how nice. Let me see them.
00:56:23Close your eyes.
00:56:35Those are not as nice as yours, but they're the best I could do.
00:56:39Jimmy's making a joke like a policeman just to tease Stephanie, no?
00:56:43No. Jimmy's paying Stephanie off for the work she's done.
00:56:47It took me a little time to figure out what you had coming, but...
00:56:50I think these will cover it.
00:56:52You really are a policeman?
00:56:53Yep, I really are.
00:56:55And you would really take Stephanie to jail?
00:56:58Just as sure as Stephanie would take me to Oyama's party where I was liable to be poisoned.
00:57:03I don't know what you mean.
00:57:05I was just helping with a survey.
00:57:07Yeah, only I was the one to be surveyed.
00:57:09I suppose I should tell you that I'm sorry about this, but...
00:57:13I never apologize for my job.
00:57:15You are making a mistake, Jimmy.
00:57:17Stephanie made the mistake.
00:57:18And here's another one.
00:57:19This note you put on Jeffrey's nail, telling me where I could find Namiko.
00:57:24Note? I do not know of any note.
00:57:27No?
00:57:29See how the E and the K are a little off-line?
00:57:32Well, this was written on your typewriter.
00:57:34There's a sample right below that matches identically.
00:57:37That doesn't mean that I did it.
00:57:39Anybody could use my typewriter just like you did.
00:57:43All right, we'll keep going.
00:57:45You said that was your sister in North Korea.
00:57:47She is.
00:57:48And that you write each other once a week.
00:57:50We do.
00:57:51Are these some of the letters?
00:57:55Yes.
00:57:56Where did you get them?
00:57:58That doesn't matter.
00:57:59They've been examined in their code letters,
00:58:01concerning military strength and movements.
00:58:04Code letters?
00:58:06I don't know what you are saying.
00:58:08I say you're using the sister routine as a front
00:58:10to pass military information back and forth.
00:58:13The woman you're writing to looks no more like her than I do.
00:58:15She's been dead for six months.
00:58:18That is a lie.
00:58:19You are only saying that to make me talk.
00:58:23Here's a report that was just received.
00:58:25The full description of her and the way she died.
00:58:36Body found floating in the Imjin River.
00:58:49They have killed her.
00:58:51They have killed my sister.
00:59:19Are you on the level with this sister act?
00:59:23Take over these and I will prove it.
00:59:26How?
00:59:28I will kill O-Yama.
00:59:48Wait.
00:59:54Wait.
01:00:01You'll stand a better chance with this.
01:00:19Goodbye, Jimmy.
01:00:23Just a minute.
01:00:32Why did you give me an empty gun?
01:00:34I had to be sure who you wanted to use it on.
01:00:38I'm sorry about your sister, Steffi.
01:00:40I didn't mean to hurt you.
01:00:42I didn't mean to hurt you.
01:00:44I didn't mean to hurt you.
01:00:46I'm sorry about your sister, Steffi.
01:00:48But if you want to settle with O-Yama, do it my way.
01:00:52Tell me what to do.
01:00:54First, you tell me everything you know about him.
01:00:56I don't know anything I can prove.
01:00:59He's very clever.
01:01:01What was your job with him?
01:01:05I had to check on people he suspected.
01:01:08Like you.
01:01:10Sometimes carry messages to different cities in Japan.
01:01:15I knew it was wrong, Jimmy.
01:01:17But it was for my sister.
01:01:19I would have killed to get her out of North Korea.
01:01:22I tried everything, begged everyone to help me.
01:01:26But I have no country.
01:01:28And no one could offer any help until I met O-Yama.
01:01:30And he promised to help you if you'd help him.
01:01:34Yes.
01:01:35He was kind and sympathetic.
01:01:37I thought at last I had found a friend.
01:01:39I didn't care who he was or what he did.
01:01:42Did he give you these letters?
01:01:44I would give him mine and he would give me hers.
01:01:49But it's all so confusing.
01:01:52If she's dead, how could I have been her handwriting?
01:01:55There's nothing new about forgery.
01:01:57Or treachery either with that outfit.
01:01:59Do you know Taro Matsudo?
01:02:02I know who he is.
01:02:04Well, he thinks Namiko's kidnapping is a trick of the police.
01:02:07Can you get in touch with him and tell him the truth?
01:02:10I need him on our side too.
01:02:13I will do it.
01:02:14Okay, and you keep on going just as you were with O-Yama.
01:02:18See if you can learn where he keeps his records.
01:02:20We need evidence, Tepi.
01:02:21And when we get it, you'll get your revenge.
01:02:25Taro Matsudo
01:02:38I would like to meet Mr. Taro.
01:02:40Mr. Taro?
01:02:42Mr. Taro!
01:02:43Mr. Taro!
01:02:45We have a visitor.
01:02:55What brings you here?
01:02:57Something you should know about Namiko.
01:02:59She's not in a hospital because of the police.
01:03:02But because of your own comrades.
01:03:04Senji, Kato, and Oda.
01:03:07Did Jim Carter ask you to tell me that?
01:03:10Yes.
01:03:12It has been suspected that you are more interested in him than your work.
01:03:17And this proves it.
01:03:19That truth is lost when a woman finds love.
01:03:22You are a fool, Taro.
01:03:23And you are a traitor.
01:03:24I have but to raise my hand and you will not leave here alive.
01:03:28Go ahead and raise your hand.
01:03:30What happens to me makes no difference now.
01:03:33But it will not change the truth.
01:03:35If you do not believe me, find out for yourself.
01:03:38I found out too late.
01:03:53I found out too late.
01:03:57I found out too late.
01:04:22Well, Miss Novak.
01:04:23Oh, good morning.
01:04:24I did not expect to find you here.
01:04:26I came to see if there was anything you wanted me to do.
01:04:30Your willingness to cooperate is commendable.
01:04:32But if there was anything, I would have contacted you in the usual manner.
01:04:38Where is my secretary?
01:04:40I brought her a gift of a pair of nylons.
01:04:42She's putting them on.
01:04:44That was a very generous gift.
01:04:46Which reminds me, I have a gift for you.
01:04:49Another letter from your sister.
01:05:01Oh, thank you.
01:05:03I believe it won't be long now before the two of you are together.
01:05:07Your words are very encouraging.
01:05:09I shall never forget what you have done, Mr. Oyama.
01:05:12I received my greatest pleasure from aiding those in distress.
01:05:16And now, if you'll excuse me.
01:05:18Certainly.
01:05:52Taro!
01:06:18The situation in Korea has reached a critical stage.
01:06:21I have just received instructions
01:06:23that something must be done immediately to disrupt the interference coming from here.
01:06:28But...
01:06:30we'll be careful.
01:06:37It must be something that will direct the enemy's attention
01:06:40without its true purpose being suspected.
01:06:43So, we will use that great democratic privilege.
01:06:47The workers' strike.
01:06:51They are planning a general strike of transportation industry.
01:06:54It is to start in Tokyo and spread throughout Japan.
01:06:58The man who will lead it is your son, Taro.
01:07:01The shame my son has brought on the name of Matsudo
01:07:05is only exceeded by my concern for my country.
01:07:11As my son, his word will carry the burden of the world.
01:07:15His word will carry much weight.
01:07:17You must stop him.
01:07:19He'll be doing nothing illegal.
01:07:21And if we arrest him on some trumped-up charge,
01:07:24it'll just make a martyr of him.
01:07:27Then...
01:07:28I shall stop him.
01:07:30Myself.
01:07:45He seems to be getting your support.
01:07:59Strike!
01:08:01Strike!
01:08:02We have no time to waste.
01:08:06Let's go!
01:08:24Everyone!
01:08:25If you have any complaints, please tell me.
01:08:30I will do my best to answer your questions.
01:08:34Everyone!
01:08:36Please stop the strike that is destroying Japan!
01:08:45Mr. President!
01:08:46You should see what the reactionary forces are capable of!
01:08:53Everyone!
01:08:54I will not allow my son, Taro, to not believe my speech.
01:09:00Because he can't trust his comrades.
01:09:05And he doesn't trust his comrades either.
01:09:07In other words, they don't trust each other.
01:09:10Everyone!
01:09:21Everyone!
01:09:22You have violated the rights of the people!
01:09:26You have violated the rights of the people!
01:09:51You have violated the rights of the people!
01:10:01You have violated the rights of the people!
01:10:11You have violated the rights of the people!
01:10:21You have violated the rights of the people!
01:10:31You have violated the rights of the people!
01:10:42So you call them your comrades.
01:10:45Do you still think the police kidnapped Nanako?
01:11:01So you call us out your comrades.
01:11:14You are a fool, Taro.
01:11:16I found out too late.
01:11:18Do you still think it was the police who kidnapped Nanako?
01:11:21Please, Taro.
01:11:23You think we are blind.
01:11:26But it is you who cannot see.
01:11:29You are a fool, Taro.
01:11:31A fool, Taro.
01:11:32A fool, a fool, a fool, a fool!
01:11:57Nanako.
01:11:59I've come to ask you to forgive me.
01:12:03Remember how we used to watch for the clouds to lift so we could see Fujiyama?
01:12:08And how suddenly the sun would shine through and day was?
01:12:12Well, that is the way the clouds have suddenly lifted for me.
01:12:16I see things so different now that I cannot even find a good excuse.
01:12:22I will never hurt you again.
01:12:24I will go to my father.
01:12:29Nanako.
01:12:30Nanako.
01:12:35Nanako.
01:12:54Hello, Jim.
01:13:09This is Taro.
01:13:11Yes, Taro.
01:13:13I want to help you.
01:13:15What can I do?
01:13:18Yes, I will.
01:13:20I don't know how, but I will.
01:13:30We have been looking all over for you, Taro.
01:13:33Mr. Oyama wishes to see you.
01:13:40He's angry about what happened last night.
01:13:43He's not pleased.
01:13:44Come.
01:14:14I have great plans for you, Taro.
01:14:43I have great plans for you, Taro.
01:14:45You could have gone far in the organization.
01:14:48But your behavior at the strike meeting last night showed you were unfit to be a member,
01:14:53that you do not have the necessary heart for your work.
01:14:56Or I should say, perhaps you have too much heart.
01:15:04By your traitorous action, you have made us lose face.
01:15:07It is fitting that your final act should help restore it.
01:15:14Come to the window.
01:15:23Do you see that man down there with the suitcase?
01:15:28That is your suitcase, Taro.
01:15:30What it contains will be very forcefully disclosed at exactly 12 o'clock.
01:15:36Now, if you look down there by that waiting bench, you'll see your father.
01:15:42He has come in response to a note from you.
01:15:45Senji is very clever at imitating handwriting.
01:15:50Ah, there comes Mr. Carter, also in response to a note from you.
01:15:54And he has brought Miss Novak as you requested.
01:15:59There is also another note in your handwriting, a note of confession,
01:16:03that you alone are guilty for what is to happen down there.
01:16:06But it will not be found until tomorrow,
01:16:08when your body is discovered floating in the palace moat.
01:16:14Now they are together,
01:16:17undoubtedly surprised and puzzled that you should ask them all to come.
01:16:24Well, they have not long to wait for the answer.
01:16:32Even if you were successful in getting out of here,
01:16:35you could not reach them in time to save them.
01:16:38See, already the man is leaving the suitcase.
01:16:43In a few seconds, it will be over.
01:16:47And no one will ever suspect the truth.
01:16:59You are right.
01:17:01It is a perfect plan.
01:17:03They will never suspect the truth.
01:17:31Go!
01:17:54I'll get a couple of policemen quicker to follow me.
01:18:24I suppose you have a ready explanation.
01:18:43A very simple one.
01:18:47Harold Malstow, who worked in my shipping department, committed suicide.
01:18:51That's a little too simple, isn't it?
01:18:55If you are referring to the explosion,
01:18:57it is as much a mystery to me as it is to you, Mr. Carter.
01:19:01I didn't say it was a mystery to me.
01:19:03So we'll skip that for the moment.
01:19:05But what about this?
01:19:08I tried to stop him from jumping, but he tore away from me.
01:19:12For once, Mr. Oyama, I believe you, at least partly.
01:19:16But I don't think the law will.
01:19:18You see, the evidence indicates you pushed him.
01:19:21That is not true.
01:19:23Is it, Shinji?
01:19:25No.
01:19:28It's not me you have to convince, but the law.
01:19:31If you tried to stop him, his torn clothing would have been in your hand,
01:19:35instead of yours in his.
01:19:37What is the penalty for murder in Japan, Mr. Oyama?
01:19:41I did not push him. He jumped.
01:19:43Why?
01:19:44Because he...
01:19:55There are many reasons for such an act.
01:19:58Business troubles, mental imbalance, a lost love.
01:20:04Who knows what's in a seaside's mind?
01:20:07I think I know what was in Taro's.
01:20:10And although you can't hear him,
01:20:12I have a hunch he's laughing at this moment.
01:20:15Do they hang a man for murder in Japan,
01:20:18or do they use that quaint method of making them kneel
01:20:21and putting a bullet in their head?
01:20:43I once told you, Mr. Carter,
01:20:45that I always bend with the wind, like the bamboo.
01:20:48Must be quite a breeze coming through that broken window right now.
01:20:52You Americans are stern, but you are just.
01:20:56So I shall throw myself upon your mercy and make a bargain.
01:21:00The truth about everything, for my freedom.
01:21:03No!
01:21:05This is not the time to be an idealist, Shinji,
01:21:08but a realist.
01:21:12You too must make a bargain.
01:21:21Perhaps you are right.
01:21:24But it is a matter we should first discuss.
01:21:42Very well. Go ahead and talk,
01:21:45my realist comrade.
01:22:12Northwest Airline, Overland Flight Number 801.
01:22:16All aboard, please.
01:22:18Goodbye, Mr. Masudo. I'm sorry about Taro.
01:22:21It is better to die honorably than to live dishonorably.
01:22:26Japan is very fortunate, sir, to have a man like you working for it.
01:22:33Goodbye, Steffi.
01:22:35Goodbye, Mr. Masudo.
01:22:38Goodbye, Steffi.
01:22:40Goodbye, Jimmy. Steffi is going to miss her boss.
01:22:43And Steffi's boss is going to miss her.
01:22:49There was a lot more I wanted to say to Steffi, but it would have to wait.
01:22:53I still had a job to do, and she had some music to face.
01:22:57But I knew I'd be coming back to Tokyo.
01:22:59And I also knew what size Nile would bring.
01:23:07THE END