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00:00:00♪♪
00:00:11♪♪
00:00:41♪♪
00:00:52♪♪
00:01:05Joe! Places, everybody! Get over there and clash them.
00:01:08Yes, sir. Places, everybody!
00:01:10♪♪
00:01:12Places, please, Miss Wallace.
00:01:14♪♪
00:01:16All right, she said...
00:01:17♪♪
00:01:18Places, everybody!
00:01:20♪♪
00:01:22Come on, you dames, get the lead out of your heels.
00:01:26♪♪
00:01:28A few hours of this, we'll perhaps dance all night.
00:01:30Well, you asked for work, didn't you?
00:01:32Yeah, but I didn't ask for all I had.
00:01:35Now, who could be sending me flowers?
00:01:37Yes, who could?
00:01:39These are for Miss Wallace.
00:01:41From the boss.
00:01:42The war is over.
00:01:44Well, it was a great battle while it lasted,
00:01:46but it'll take more than a basket of flowers to squirt.
00:01:48I'm glad I got a song having him yell at me like that.
00:01:50That's right, girlie.
00:01:51Stick in the chorus and he won't even speak to you.
00:01:54Say, if he ever howled at me like he did her,
00:01:56I'd call out the Marines.
00:01:57Yes, and you're the gal who can do it, too.
00:01:59Name by name.
00:02:01Why, you...
00:02:02Attention, everybody.
00:02:03Place is going up.
00:02:05Thanks.
00:02:08Warning.
00:02:10Take it away.
00:02:12♪♪
00:02:22Miss Bedford, I'm here.
00:02:23What?
00:02:25Miss Bedford here?
00:02:26Miss Bedford here.
00:02:27Mary, come home.
00:02:28Well, you tell her that I...
00:02:30Don't send her away.
00:02:31Please, sir, don't send her away.
00:02:33Please let her stay.
00:02:35Well, all right.
00:02:36Show Miss Mary in.
00:02:38Yes, sir, colonel.
00:02:42Come in, Miss Mary.
00:02:47Come in, Miss Mary.
00:02:49Well, well, where is Miss Mary?
00:02:52Come on, Miss Wallace.
00:02:56Hey, Steve.
00:02:57What the devil do you mean by rigging up without Miss Wallace?
00:03:00I called her, Mr. Hart, and the maid said okay.
00:03:03I called her, too.
00:03:04I'll have her right here.
00:03:06Me, too.
00:03:10Miss Wallace, Miss Wallace, we're up to you.
00:03:13You're on, you're on.
00:03:14Come on, please.
00:03:16She said she won't come out.
00:03:18What?
00:03:19She said she won't come out.
00:03:20She's going away.
00:03:21Miss Wallace, please, you're holding us up.
00:03:23We're waiting for you.
00:03:24Please.
00:03:25Come on, Stuart.
00:03:28Oh, come on, Miss Wallace.
00:03:30All right, everybody, pick it up once more from just before Miss Wallace enters.
00:03:35And remember, everybody, you're all dying to see her.
00:03:40Mary's come home, and she's lovely, she's beautiful, she's gorgeous.
00:03:46All right, pick it up.
00:03:49All right, show Miss Mary in.
00:03:52Come in.
00:03:57Come in, Miss Mary.
00:04:01She won't come out.
00:04:02Oh, so she's playing that one again, eh?
00:04:05Well, this time she won't get away with it.
00:04:10Take it easy, boss.
00:04:11Remember what happened the last time.
00:04:12I'm running this show.
00:04:14Relax, girls.
00:04:15It looks like a long, hard season.
00:04:19Pat?
00:04:24Pat Wallace?
00:04:32Where's Miss Wallace?
00:04:34She was here, but she ain't here now.
00:04:36I know that, but where is she?
00:04:38You know, sir, when you and she had that terrible fight last night
00:04:41and you bawled out in front of the whole company,
00:04:43she kind of felt mighty bad about that.
00:04:46She kept feeling bad until she got home.
00:04:48And then she kind of felt better.
00:04:50I'm not interested in all that.
00:04:52All I want to know is, where is she now?
00:04:55Well, sir, I'm coming to that.
00:04:57When she comes to the theater this morning, she felt good.
00:05:00But when she reminds herself how you bawled out last night,
00:05:03she felt bad all over again.
00:05:05I know that I bawled her out.
00:05:07I know that she felt bad and then felt good and then felt bad again.
00:05:10But now I know that we're having a dress rehearsal,
00:05:13and I know that my show must go on in a couple of days,
00:05:15and I know that Miss Wallace is my leading lady
00:05:17and that she's due on the stage out there right now
00:05:19and that she's not there.
00:05:21And what I'm interested in knowing is,
00:05:23where is she because she's not here?
00:05:25Yes, sir, I know that.
00:05:27But she can't be here and there at the same time.
00:05:30Here and where?
00:05:32I didn't say here and where.
00:05:33I said here and there.
00:05:37All right, have it your own way.
00:05:39Here and there.
00:05:41But where is there?
00:05:43In the taxi cab.
00:05:44In the taxi cab going where?
00:05:46All right, there.
00:05:48But where is she going in the taxi cab?
00:05:51To the railroad station.
00:05:52You mean she's leaving my show?
00:05:54No, sir, she's already left.
00:05:56For where?
00:05:57To christen the train.
00:05:58To christen?
00:05:59Have you gone crazy?
00:06:00No, sir, I'm telling you straight facts.
00:06:02She's going to the railroad station to christen the new steam line train.
00:06:05But why does she have to christen that train?
00:06:08Because Mr. Arnold asked her to.
00:06:10Arnold?
00:06:11Who's Mr. Arnold?
00:06:12That's the man she's going to meet at the station.
00:06:14To christen the train?
00:06:16That and other things.
00:06:18What other things?
00:06:19Well, sir, you see, Mr. Arnold's that Santa Barbara man from California.
00:06:23And his folks live there.
00:06:25So his folks live in California.
00:06:27But I'm asking you about Miss Wallace.
00:06:29I'm not interested in Mr. Arnold's folks.
00:06:32But Miss Wallace is.
00:06:33For what reason?
00:06:35Lord, he thinks, Mr. Hart, a girl's got to meet her in-laws sometimes.
00:06:39In-laws?
00:06:40Are you trying to tell me that Miss Wallace is married to Mr. Arnold?
00:06:43No, sir, but they're going to get married as soon as they get to Santa Barbara.
00:06:46Holy mackerel!
00:06:50Steve!
00:06:51Steve!
00:06:52Don't let anyone leave.
00:06:53Keep them here.
00:06:54I'll have Pat Wallace back dead or alive.
00:06:59Either way is okay with me.
00:07:01I ain't so particular.
00:07:10I ain't so particular.
00:07:41Which track's the screen line on?
00:07:43Track six.
00:07:44Six, thank you.
00:07:47Ticket, please.
00:07:48I'll be right back.
00:07:49I'm sorry, but you can't get through without a ticket.
00:07:51Well, I don't want to ride in the train.
00:07:52I don't want to talk to somebody.
00:07:53Oh, that's what they all say.
00:07:54I'm sorry, but you can't get through without a ticket.
00:07:57That's a great idea.
00:08:02Look, one on the screen line.
00:08:03You'll have to get in line.
00:08:04Oh, but I want to get on board that train.
00:08:05Sorry, but you'll have to get in line.
00:08:11Your name is Bradley?
00:08:13That's right, John Bradley.
00:08:14Cabins eight and ten.
00:08:16Eight and ten?
00:08:18Yes.
00:08:22My husband must have the ticket.
00:08:24Can you tell me how I can get aboard?
00:08:26I'm Mrs. Bradley.
00:08:27Can you identify yourself?
00:08:29Oh, yes, certainly.
00:08:31My, uh, card.
00:08:34And my driver's license.
00:08:37That'll be all right.
00:08:38I'll pass you through.
00:08:39Terry?
00:08:40Yes, sir?
00:08:41Take Mrs. Bradley aboard the streamline.
00:08:42Her husband has the ticket.
00:08:46Tickets for Gerald Wilson.
00:08:48And bride.
00:08:53There you are.
00:08:55One on the streamline.
00:08:57Sorry, but we're all sold out.
00:08:58But I must get on that train.
00:09:00I'll give you the full price of the ticket just to get on for five minutes.
00:09:03I'd like to help you, but this is the inaugural run,
00:09:05and half New York's been trying to get through.
00:09:07Sorry, but you can't get through without a ticket.
00:09:10That's right.
00:09:11Those are our orders.
00:09:34Miss?
00:09:35Yes, sir?
00:09:36How much?
00:09:37Well, just...
00:09:38How much?
00:09:39There.
00:09:40Well, just...
00:09:46Flowers for Miss Wallace on the streamline.
00:09:48Okay.
00:09:49Hey, Joe.
00:09:54Take these through to Miss Wallace on the streamline.
00:09:56Yes, sir.
00:10:00If you want to see the new streamline, go right through the visitor's gate.
00:10:06This veritable hotel on wheels will amaze you
00:10:08with its delightful upper deck, spacious cabins,
00:10:11broad corridors, and cocktail bar.
00:10:14In creating this epic of speed and efficiency,
00:10:16we feel we have marked a new era in modern transportation.
00:10:20Thank you, gentlemen.
00:10:22Now, folks, what can I add to what these gentlemen have already told you
00:10:25about this modern marvel of speed, beauty, and comfort?
00:10:28And speaking of marvel,
00:10:30here's Miss Patricia Wallace,
00:10:32who is going to assist us in the final ceremony.
00:10:37Hello, Miss Wallace.
00:10:39Won't you say a few words, please?
00:10:41Hey, Pat.
00:10:42Pat Wallace.
00:10:43Hey, shut up.
00:10:44You must forgive me if I don't say very much.
00:10:47You see, I'm on my way to California to be married,
00:10:50and I've made up my mind that from now on,
00:10:52my husband will do all the talking for the family.
00:10:57Are you listening, Mitchell?
00:10:58That's news.
00:10:59And now for the grand finale.
00:11:01You launch a ship,
00:11:02you dedicate a building,
00:11:04and you christen a baby.
00:11:05But for a train,
00:11:06well, no matter what you name it,
00:11:08Miss Wallace is going to crown the streamline with a bottle of champagne.
00:11:17If you've got a glass, you can join me.
00:11:20Thanks, sir.
00:11:21I'll drink from the bottle.
00:11:23That's what I call a man.
00:11:25Stand back, everybody.
00:11:35Yay!
00:11:48Go get her, Johnny.
00:11:49Go get her.
00:11:58Do you want to earn half a dollar?
00:12:00Sure.
00:12:01Come on, son.
00:12:02We'll play hide and seek.
00:12:06Pardon me.
00:12:07Yes?
00:12:08How soon does the streamline leave?
00:12:11Nine and a half minutes.
00:12:14Did you say ten minutes?
00:12:16Nine and a half minutes.
00:12:17The streamline leaves in one shot.
00:12:20Sonny, where are you, Sonny?
00:12:22What's the trouble?
00:12:23My little boy, did you see him?
00:12:24He was right here a minute ago.
00:12:25He must have gone through the gate.
00:12:27I'll go find him.
00:12:28Sonny!
00:12:29Here I am.
00:12:30You shouldn't run away from your daddy.
00:12:32He is my daddy.
00:12:33Come on, love.
00:12:35Say, where's my money?
00:12:37Well, you don't deserve it.
00:12:39But here.
00:12:40Oh, mother.
00:12:41Where have you been?
00:12:43Look, mama.
00:12:44He gave me 50 cents to go through the gate with him.
00:12:46He did, did he?
00:12:47Where were you trying to take my little boy?
00:12:49Now, wait a minute.
00:12:50I'll show you.
00:12:51You kidnapper!
00:12:52Lady, please.
00:12:53Kidnapper!
00:12:54Kidnapper!
00:12:59Kidnapper.
00:13:00There you go.
00:13:05Where'd he go?
00:13:09Hey, what's the matter?
00:13:10The guy just tried to kidnap a little boy.
00:13:12Can you beat it?
00:13:13Oh, would I like to lay my hands on a mug like that?
00:13:15You and me both, I'd jam a pot.
00:13:17I hope they nab him.
00:13:19The guy must be screwy trying to get away with a thing like that.
00:13:22Keep your eyes open.
00:13:23We might see him.
00:13:24I hope I don't.
00:13:26I ain't never killed a guy yet.
00:13:28I don't blame you.
00:13:29You're all a lot of rats.
00:13:31One guy ain't got no use for us, a kidnapper.
00:13:36All aboard Streamline Express, leaving on monorail at 1 p.m.
00:13:41All aboard Streamline Express.
00:13:43All aboard.
00:13:54Where will I find Miss Wallace?
00:13:56Miss Wallace?
00:13:57Yes.
00:13:58Oh, yes, Miss Wallace.
00:13:59Straight ahead, stateroom number 4.
00:14:06Oh, I beg your pardon.
00:14:07I'm terribly sorry.
00:14:08Excuse me.
00:14:11Pat Wallace?
00:14:12What do you mean by...
00:14:13Save your breath.
00:14:14I'm not going back.
00:14:16And don't tell me the show must go on.
00:14:19But it must.
00:14:20And it can't without you.
00:14:22Let the understudy go on.
00:14:23That disappointed Benhart.
00:14:25Why, she's rotten, hammy, awkward.
00:14:27And she smells.
00:14:29That's right.
00:14:30That's just what you said about me.
00:14:32Right in front of the whole company.
00:14:35I'm sorry.
00:14:36I didn't mean it.
00:14:38I lost my head.
00:14:39That's what you've been doing for the past three years.
00:14:41I'm fed up with it all through.
00:14:44Look, Pat, you're not sick or something, are you?
00:14:46I've never felt better in my life.
00:14:48I know what I'm doing.
00:14:49Well, you certainly picked a swell time to take train ride.
00:14:51Right in the middle of a dress rehearsal.
00:14:53Now, what about the actors?
00:14:54I left a check to cover their salary.
00:14:56Well, what about my play?
00:14:57What about me?
00:14:58I'm not interested in you.
00:15:00That's great for you.
00:15:02I take you out of the sticks.
00:15:03Put you on Broadway.
00:15:04Make you a star.
00:15:05And what do I get?
00:15:06A quarter of a million dollars.
00:15:07No, a knife in the back.
00:15:09What a hammy bitch.
00:15:11Look, look, look, Pat.
00:15:12Let's stop this nonsense.
00:15:14What is it you want?
00:15:15More money?
00:15:17No, James.
00:15:18I want to live.
00:15:19Be human.
00:15:20I want a home.
00:15:21Pat, you're crazy.
00:15:23You can't play mother parts.
00:15:24Oh, can't I?
00:15:25Well, 24 hours after this train hits California,
00:15:27I'm getting married.
00:15:28Not while you're under contract to me.
00:15:30I'm going to get married and live in Santa Barbara.
00:15:32It's a one-night stand.
00:15:33You can't live there.
00:15:35It's no use, Jimmy.
00:15:36I'm through.
00:15:37Why, Pat, you'd die.
00:15:39Don't you realize the theater's in your soul
00:15:42and all the pink tees in Santa Barbara can't wash it out?
00:15:45Just the smell of the grease paint.
00:15:48The old dressing room.
00:15:51I ought to punch you in the nose.
00:15:53Why don't you?
00:15:54Because I don't have to.
00:15:55You'll do as I tell you.
00:15:56No, I won't.
00:15:57You told me how to act, what to wear,
00:15:59how to breathe for the last time.
00:16:01Now get out.
00:16:02I never want to see you again.
00:16:03I hate this theater, and I hate you.
00:16:04And I'm not exactly fond of you.
00:16:06But the show must go on, and you're coming back.
00:16:14Leave my things alone.
00:16:15Put it down.
00:16:16Here.
00:16:17Here.
00:16:18No.
00:16:19And here.
00:16:20Now come on.
00:16:21I won't.
00:16:22Come on.
00:16:23I won't.
00:16:24All right.
00:16:25No.
00:16:27Did you ring this?
00:16:28Yes.
00:16:29Throw this man off the train.
00:16:31Now?
00:16:32Yes.
00:16:33Now.
00:16:34This way, please.
00:16:39Could you marry that guy over my dead body?
00:16:41That will be a pleasure.
00:16:42Do try to arrange it.
00:16:43All right.
00:16:44Come on.
00:16:45Come on.
00:16:46Now you've got to get off before we start.
00:16:47Oh, give me just a few minutes, will you?
00:16:48No.
00:16:49If you're caught on the train, I'll lose my job.
00:16:51Your job.
00:16:52Do you want to make $100?
00:16:53No, I've made $100.
00:16:55$200.
00:16:56No kidding.
00:16:57No doubt.
00:16:58$500.
00:16:59Right off the bat.
00:17:00Right off the train.
00:17:01$1,000.
00:17:03What?
00:17:04Dollars.
00:17:05Cash?
00:17:06Cash.
00:17:07Why?
00:17:08I've got an idea.
00:17:09Just cash?
00:17:10Yes, and $1,000.
00:17:13I'll listen.
00:17:14All right.
00:17:15Where can we talk?
00:17:16In here.
00:17:22Gilbert Landon.
00:17:27Uh, stateroom 14, Mr. Landon.
00:17:29There'll be a steward here in just a minute.
00:17:45Mr. Bradley.
00:17:47Uh, staterooms 8 and 10.
00:17:49Mac.
00:17:50Mac, look.
00:17:51I've got to get away.
00:17:52My wife is sick.
00:17:53She's awful sick.
00:17:54I've got to go.
00:17:55Hey, wait a minute.
00:17:56It's all right, sir.
00:17:57The office sent me down to take these plates.
00:18:01OK.
00:18:02I hope it isn't serious.
00:18:03I hope not.
00:18:04Thanks.
00:18:08Give this note to Steve at the Gaiety Theater.
00:18:10Tell him to hold everything.
00:18:11And don't worry about your job.
00:18:12I'll put you back to work if I have to make an actor of you.
00:18:15Thanks.
00:18:16Stewart!
00:18:17Stewart!
00:18:19Hey, you're the steward's slug.
00:18:21Stewart!
00:18:22Hey, Stewart!
00:18:25Yes, sir.
00:18:26Take those bags to 8 and 10.
00:18:27Yes, sir.
00:18:33Oh, just a minute, Stewart.
00:18:34You're making a mistake.
00:18:35That's my bag.
00:18:36Oh, I'm sorry.
00:18:37Oh, it's quite all right.
00:18:39This way, please.
00:18:49Oh, uh, Stewart.
00:18:51Put that bag in number 10.
00:18:53Oh, Stewart!
00:18:59Thank you, sir.
00:19:09I beg your pardon.
00:19:11Aren't you in the wrong cabin?
00:19:13No.
00:19:14But this is your cabin.
00:19:15Aren't you in the wrong cabin?
00:19:16No.
00:19:17But this is Mr. Bradley's cabin.
00:19:19I'm Mrs. Bradley.
00:19:21Oh.
00:19:24I beg your pardon.
00:19:32Are you happy?
00:19:33You know I am.
00:19:34That's the way I'll always try to keep you.
00:19:38By the way, here's a little something I picked up for you.
00:19:48A little something?
00:19:50Oh, John, it's gorgeous!
00:20:08But I don't want you to buy me jewelry.
00:20:11I hope that's the only thing we'll ever fight about.
00:20:19Now, run along and let me unpack.
00:20:22All right, dear.
00:20:37All right.
00:20:53It's exactly 1 o'clock.
00:20:54They've just closed the big door and it won't be open till we reach Los Angeles.
00:21:00Stop it, Penny!
00:21:01Dear, stop it, Penny!
00:21:03You must stop it, Penny!
00:21:07Stop it!
00:21:13I know, I know, but doesn't it make any stops?
00:21:15No, sir.
00:21:16This is a record run.
00:21:17No stops now till we get to Los Angeles.
00:21:19Yes, but my wife must get off.
00:21:20Our schedule is New York to California without a stop.
00:21:23She'll have to stay on board.
00:21:29Very well.
00:21:30Will you get a stateroom for my wife?
00:21:32I'm sorry, but we're completely sold out.
00:21:34But you must have a room.
00:21:38I'm sure you'll find that your room will accommodate both of you very comfortably.
00:21:44Yes.
00:21:46Thanks.
00:21:47Well, folks, we're on our way.
00:21:49Zooming along at 150 miles an hour.
00:21:52I waved goodbye to a friend in New York
00:21:54and a perfect stranger in Philadelphia waved back at me.
00:21:57Now, that's speed in any man's language.
00:21:59So long, folks.
00:22:01We'll be back on the air every hour to report this breathtaking race against time.
00:22:06New York to California in 20 hours.
00:22:09Will we make it?
00:22:11What if we don't?
00:22:13Oh, that would be terrible.
00:22:15Why terrible?
00:22:17Suppose we don't get to California for 21 hours.
00:22:20California will still be there.
00:22:22Oh, but I've got to get my wife to California as soon as possible.
00:22:26Don't worry, brother.
00:22:28I can't help it.
00:22:29It'll be all right.
00:22:30We'll make it.
00:22:31I hope so.
00:22:37Streamline Express.
00:22:38Pittsburgh calling Streamline Express.
00:22:40Streamline, Pittsburgh calling.
00:22:42Okay, Pittsburgh.
00:22:43This is the Streamline.
00:22:44The Streamline.
00:22:45Position report.
00:22:46Okay, Streamline on schedule.
00:22:48Present position.
00:22:4934-2.
00:22:50Locked air report division 2.
00:22:52161.
00:22:53Speed 161.
00:22:546,300.
00:22:55Wind resistance 6,300.
00:22:57Did you get it?
00:22:58Okay.
00:22:59Weather report all clear to altitude.
00:23:01Log in the mouth.
00:23:02Pittsburgh.
00:23:03Weather report all clear to altitude.
00:23:04Log in the mouth.
00:23:05Pittsburgh cloudy.
00:23:06That's all.
00:23:08Come in.
00:23:11Hello, darling.
00:23:12Hello.
00:23:13I just wired the family.
00:23:14Did you?
00:23:15Oh, you don't seem very enthusiastic about it.
00:23:18Oh, yes, I am, dear.
00:23:20I'm just a little tired.
00:23:22Oh, darling.
00:23:23Well, now, look here.
00:23:24You take things easy.
00:23:25Now, we'll have a nice, quiet little dinner,
00:23:27and then I'll see if I can scatter up a bridge game.
00:23:29I don't know how to play bridge.
00:23:31What?
00:23:32You don't know how to play bridge?
00:23:36Well, what do you do in the evening?
00:23:38I go to work.
00:23:39I have to be in the theater.
00:23:43Oh, Freddy.
00:23:45I've just realized it.
00:23:47For the first time in my life, I have nothing to do.
00:23:51Nothing to do?
00:23:53Why, you've got me to marry and bridge to learn.
00:23:56I want to do all those things.
00:23:58That's fine.
00:24:00Why, you'll forget all about the theater in no time at all.
00:24:03Freddy, you'll keep me from missing it, won't you?
00:24:06Sure.
00:24:07Why, we'll build a little theater on our place,
00:24:10and if you get lonesome, you can act your head off,
00:24:12and I'll be the audience.
00:24:15I never want to act again.
00:24:18I couldn't after what I've done.
00:24:20I've let them all down.
00:24:25I let Jimmy Hart down.
00:24:27Horribly.
00:24:28The understudy can play your part.
00:24:31Don't be ridiculous.
00:24:33Nobody can play that part but me.
00:24:35Jimmy wrote it for me.
00:24:37He knows what I can do.
00:24:38He took me out of the sticks, put me on Broadway,
00:24:40made me a star.
00:24:41Well, what if he did?
00:24:43You've got to think of yourself sometimes.
00:24:45Can't go on being a...
00:24:46In Santa Barbara.
00:24:48You know, sometimes I don't understand you at all.
00:24:51Every day at four o'clock for six months,
00:24:54I've been asking you to marry me, and you say no.
00:24:56And yesterday afternoon at a quarter to four,
00:24:58you suddenly said yes.
00:24:59And everything's rosy.
00:25:02What's the matter, Pat?
00:25:04Are you sorry you left the show?
00:25:06And that fellow Hart?
00:25:08That Simon Legree.
00:25:10That slave driver.
00:25:11I hate the sight of him.
00:25:13Yes, well, if I have to listen to much more about him,
00:25:15I shall hate him too.
00:25:17You shouldn't.
00:25:19He's the one who convinced me I ought to marry you.
00:25:21He did?
00:25:23Well!
00:25:25I'd certainly like to thank the fellow.
00:25:28So would I.
00:25:31Let's send him a wire.
00:25:32Yes!
00:25:33I'll do it right now.
00:25:35Well, you know, this calls for a celebration.
00:25:37Let's have a drink.
00:25:42Stewart!
00:25:45Yes, sir?
00:25:46Say, wake up, will you?
00:25:47Number four is ringing.
00:25:49Number four?
00:25:51Did you say number four?
00:25:54It's a pleasure.
00:26:02Come in.
00:26:05Oh, Stewart.
00:26:09Two champagne cocktails, please.
00:26:11Darling.
00:26:16Darling.
00:26:17Oh, yes?
00:26:18Do you feel contemptible with an I or an A?
00:26:21With an I, darling.
00:26:24That's a funny word to be putting in a wire of thanks.
00:26:27Yes.
00:26:29But he'll understand it.
00:26:31He'll understand it.
00:26:53You seem to be having a lot of trouble with that wire, darling.
00:26:56Yes, dear.
00:26:58It's worth a lot of trouble.
00:27:01You know, I'm so happy, I think I'll get drunk.
00:27:03Do you mind?
00:27:04Yes, I'll go right ahead.
00:27:06I wonder what he's keeping that good.
00:27:21Come in.
00:27:23As a matter of fact, only a very small vote.
00:27:25Just a 65-footer, your cocktail, sir.
00:27:28Oh, thank you.
00:27:30What are you doing on this train?
00:27:32I'm a stewardess.
00:27:34Number 13, to be exact.
00:27:35Do you know this man?
00:27:37Why, I certainly do.
00:27:38From the theater, sir.
00:27:39I was Mr. Hart's valet.
00:27:41Why, Jimmy Hart.
00:27:42Now, there you go again.
00:27:44I thought we agreed not to talk about that fellow.
00:27:46But you don't understand.
00:27:47I don't want to talk about Hart.
00:27:49Oh, but everybody talks about Mr. Hart.
00:27:52He's a famous playwright and a very brilliant gentleman, sir.
00:27:56They'd rather.
00:27:57A bit stern, perhaps.
00:27:58But underneath it all beats a warm heart.
00:28:01Warm heart?
00:28:02I tickled him in the ribs once and froze three fingers.
00:28:05You say clever lines.
00:28:06That was Mr. Hart's last place, sir.
00:28:08He always extended himself to give Miss Wallace his most brilliant criticism.
00:28:13So, you're a steward.
00:28:16Yes, miss.
00:28:17When the position presented itself, it seemed an excellent opportunity.
00:28:21So I accepted.
00:28:22Oh, you did, did you?
00:28:24Did you?
00:28:32Here.
00:28:33Clean my shoes.
00:28:34Yes, miss.
00:28:40Here.
00:28:41I want these prepped.
00:28:42Yes, miss.
00:28:43These brushed.
00:28:44Yes, miss.
00:28:45Just cleaned.
00:28:46Yes, miss.
00:28:47Will that be all, miss?
00:28:48Why, you...
00:28:49Just a minute.
00:28:50Darling, you forgot the wire.
00:28:54Oh.
00:28:55So I did.
00:29:04Will you send this, please?
00:29:20Twenty-two words.
00:29:21That will be three dollars.
00:29:27Here.
00:29:28It's worth it.
00:29:29I don't doubt it.
00:29:31Thank you, miss.
00:29:32You forgot my clothes.
00:29:38Just a minute, Joy.
00:29:40Here.
00:29:51Come in.
00:30:13Come in.
00:30:14Come in.
00:30:20Hello, Elaine.
00:30:25Surprised?
00:30:26No, not at all.
00:30:29You know, five years haven't changed you, but you're lovelier than ever.
00:30:34Five years haven't changed you, either.
00:30:36You lie better than ever.
00:30:39Same old Harry Collins.
00:30:41No, no.
00:30:42The name is now Landon.
00:30:43Gilbert Landon.
00:30:45I'm traveling incognito.
00:30:47Any special reason?
00:30:48No, just leaving New York before it gets too hot.
00:30:56Doctor's order?
00:30:58No, as a matter of fact, my friend the commissioner thought it would be a good idea.
00:31:02Suggested a change of climate.
00:31:04You know, all the best people go away in summer.
00:31:07Then this isn't a business trip.
00:31:09No, no, indeed.
00:31:10However, I wouldn't be averse to picking up a little business if tempted.
00:31:17And you?
00:31:18Oh, I'm collecting material for a novel.
00:31:22Oh, and how are collections?
00:31:24Well, I think they're going to be all right.
00:31:30Just a minute, please.
00:31:41Come in.
00:31:46Miss Vinson?
00:31:47Yes?
00:31:49I'm Mrs. Bradley.
00:31:51Oh, no, no, I'm not going to make a change.
00:31:55May I sit down?
00:31:57Oh, yes, of course.
00:32:06Through no fault of my own, I'm forced to accompany you on this little trip.
00:32:12Amusing, isn't it, for a wife to chaperone her husband while he's running away with another woman.
00:32:18Would you mind telling me just why you came here?
00:32:20I'd be delighted.
00:32:23When I first discovered this, um, shall we say, event, I was angry.
00:32:30Then I must confess I was curious.
00:32:33About me?
00:32:34Naturally.
00:32:36Well, now that you've seen me...
00:32:38Miss Vinson, have you ever been really in love?
00:32:42I'm in love now.
00:32:43Oh, I don't mean that kind of love.
00:32:46Have you ever lived with a man, seen him off in the morning,
00:32:50listened to his troubles when he came home at night,
00:32:53sort of grown to be a part of him?
00:32:56Well?
00:32:58What of it?
00:33:00This.
00:33:01I know how much it takes to keep him happy.
00:33:04You're taking on quite the contract.
00:33:07And you don't think I'm capable of filling it?
00:33:10No, I don't.
00:33:11Well, you're wrong.
00:33:14And if you've come to ask me to give him up, I won't.
00:33:18I love John, and I'll do my best to make him happy.
00:33:23In that case, there's nothing more to be said.
00:33:27You don't look like a woman who would give up so easily.
00:33:31When a woman's husband makes up his mind to leave her,
00:33:34there isn't much a wife can do, huh?
00:33:38He thinks you're wonderful.
00:33:40Please don't give him cause to think otherwise.
00:33:50This is a fine spot to be in, just as I had everything set.
00:33:53I thought you did very well.
00:33:55It's sheer genius getting a wife to say,
00:33:57bless you, my children.
00:33:58Well, there wasn't much else she could do but give him up.
00:34:01Suppose she hasn't.
00:34:02From where I sat, she sounded like a pretty clever woman.
00:34:06Oh, I think I can handle her.
00:34:08I hope so.
00:34:10But if she ever learns the truth about Elaine Vinson,
00:34:13the party's over.
00:34:15Well, there's not much danger of that unless...
00:34:20You're not going to do it, are you?
00:34:23Why, I never gave it a thought.
00:34:26Until now.
00:34:27Can you imagine that?
00:34:29A real business proposition right in front of my eyes,
00:34:32and I didn't recognize it.
00:34:33I must be slipping.
00:34:34Listen, Harry.
00:34:36I'm not as young as I used to be.
00:34:38This may be my last chance.
00:34:41You're not going to spoil it for me, are you?
00:34:44Elaine, you're making it very difficult for me.
00:34:47Here I am, torn between sentiment and business.
00:34:51And you know I've always been a sentimentalist.
00:34:55But opportunity knocks but once.
00:34:57Oh, give me a break, Harry.
00:34:58You won't lose anything by it.
00:34:59As I marry him, I'll make it up to you.
00:35:01But suppose you don't marry him?
00:35:02Oh, I can't miss if you'll only lay off.
00:35:05Oh, but that wife seems such a sure thing.
00:35:09I'll bet she'd pay plenty for what I know.
00:35:12Plenty.
00:35:15You can't do this to me, Harry.
00:35:16You've got to give me a break.
00:35:18I'll take care of you.
00:35:19Honest, I will.
00:35:20Look.
00:35:21This is all I've got.
00:35:23It's worth 5,000 easy.
00:35:25Oh, please take it.
00:35:26Please take it, Harry.
00:35:27I don't want that.
00:35:28I'll give you more after I'm married.
00:35:30Please take it.
00:35:32All right.
00:35:33You insist.
00:35:35Thanks, Harry.
00:35:44But really, I had no intention of telling his wife anything.
00:35:59Here you are.
00:36:00One Manhattan and three martinis.
00:36:02I'll have the same.
00:36:03One Manhattan and three martinis.
00:36:19The country's getting lovelier all the time.
00:36:21Oh, wait till you see the orange trees.
00:36:22That's that, isn't it?
00:36:23Pardon me, Miss Wallace.
00:36:24A radiogram.
00:36:25For me?
00:36:26Yes, it's an answer to the one you sent.
00:36:28How do you know that?
00:36:29I recognize the handwriting, sir.
00:36:31Handwriting on a radiogram?
00:36:32A bit of a joke, sir.
00:36:35Pardon me.
00:36:36Is it from Mr. Hart?
00:36:37Yes.
00:36:38The man's gone crazy.
00:36:39Why, what is it?
00:36:41Nothing.
00:36:42Nothing at all.
00:36:43Oh, let me see.
00:36:57What?
00:36:58Why, does he want to punch me in the nose?
00:37:01Is he in love with you?
00:37:02No.
00:37:04No, sir.
00:37:05I'm sure that he isn't.
00:37:06Well, why's she angry at me for then?
00:37:07Because you took Miss Wallace out of his show.
00:37:10Oh.
00:37:11Oh, I see.
00:37:13Well, he can't stop us getting married.
00:37:15Oh, I don't know.
00:37:16He's crazy enough to try.
00:37:18Well, let him.
00:37:19I can do a little nose-punching myself.
00:37:20Well, I wouldn't.
00:37:22Try it.
00:37:23You, sir.
00:37:24You see, Mr. Hart was intercollegiate light heavyweight champion.
00:37:28You saw the medals he won, didn't you, Miss Wallace?
00:37:31Yes.
00:37:32There were a lot of them.
00:37:34Well, I don't care how many.
00:37:35I'll knock his head off.
00:37:36Really?
00:37:37Yes.
00:37:38And if he were here, I'd do it right now.
00:37:39Oh, I wouldn't worry about that.
00:37:41I'll send him another wire.
00:37:42Shall I get you a blank form?
00:37:44Yes.
00:37:45No, thanks.
00:37:46I'll get it myself.
00:37:52I want to talk to you.
00:37:55Pardon me.
00:37:56Isn't this Mr. Arnold's cigarette case?
00:38:00It's too bad.
00:38:01I thought she'd gotten over it.
00:38:03What?
00:38:04What's that?
00:38:05An advertent slip of the tongue, sir.
00:38:06Well, go on.
00:38:07Tell me about it.
00:38:08I'd rather not.
00:38:09Now that love has come into her life, maybe she'll get over it.
00:38:12Well, go on.
00:38:13Go on.
00:38:14Tell me about it.
00:38:17What do you mean to tell me that Miss Wallace...
00:38:19Well, a trifle absent-minded.
00:38:21That's all, sir.
00:38:22Good heavens, man.
00:38:23Do you mean she actually takes things...
00:38:24I wouldn't worry about it.
00:38:25Why would you?
00:38:26We never did at the theater.
00:38:28And we always got everything back.
00:38:30Oh, dear.
00:38:31Did you think I ought to do something?
00:38:33No, no, no, no, no, no.
00:38:34I wouldn't, sir.
00:38:35We tried everything.
00:38:37Now, when they dismissed her from the asylum, sir...
00:38:39What?
00:38:40It's quite all right.
00:38:41No cause for alarm.
00:38:42It was a private asylum, sir.
00:38:44Oh, dear.
00:38:45Here she comes.
00:38:46I wouldn't say anything to her about it.
00:38:48No, no, no.
00:38:49No, no, no.
00:38:50No, no.
00:38:51Pardon me.
00:38:52Oh, just a minute, Stuart.
00:38:55I want you to be quite sure that Miss Wallace has anything that she wants.
00:39:00Anything.
00:39:01Yes, sir.
00:39:02I'll make it my business, sir, to see that Miss Wallace has my personal attentions.
00:39:09Okay.
00:39:10Okay.
00:39:15Oh, Stuart.
00:39:16Yes, sir.
00:39:17One dry martini and one Manhattan, please.
00:39:19Just a minute.
00:39:20Isn't that Miss Benson?
00:39:25Yes.
00:39:27Stuart, ask the young lady in the doorway to join us, please.
00:39:30Yes, ma'am.
00:39:35Mary, what are you going to do?
00:39:37You'll see.
00:39:39I beg your pardon.
00:39:40Mrs. Bradley would like you to join her.
00:39:42Mrs. Bradley?
00:39:43Yes, miss.
00:39:49Miss Benson, this is...
00:39:51Oh, we've met.
00:39:53John, I...
00:40:02Miss Benson, I asked you to join us because...
00:40:05Well, just to keep up appearances.
00:40:09I'm sure we'd all rather avoid a scandal, if possible.
00:40:12Of course.
00:40:14That's right.
00:40:18Bacchetti for Miss Benson.
00:40:19Yes, sir.
00:40:24Phew.
00:40:27I have no intention of interfering with your plans.
00:40:30Of course not.
00:40:31Your being here was just an accident, I suppose.
00:40:33Yes, that's exactly what happened.
00:40:35The train started before she could get off.
00:40:37How unfortunate.
00:40:39I mean, it must be so inconvenient to be here without suitable clothes.
00:40:42Oh, I'll borrow some pajamas from John.
00:40:54Happy landings.
00:40:57This may be amusing to you, but it is not to me.
00:41:00Why?
00:41:03Why, you act as though you were the outraged wife and...
00:41:06and I were the other woman.
00:41:07Well, it's practically that.
00:41:09John has decided to leave you.
00:41:11So why don't you leave us alone?
00:41:13Oh, the shoe does hurt when it's on the other foot.
00:41:17Well, John was my husband.
00:41:18It was quite all right for him to buy you jewels.
00:41:21Oh, don't try to hide it.
00:41:23I know all about it.
00:41:28Where is it?
00:41:29I don't know.
00:41:30I had it just a little while ago.
00:41:33Well, perhaps you left it in your stateroom.
00:41:38Scotch and soda, please.
00:41:39Do you want me to go and look for it?
00:41:41Oh, no, no, no, no, no.
00:41:42I'm sure I had it when I left the room.
00:41:44I must have lost it.
00:41:46I beg pardon, but is there something wrong?
00:41:48Yes.
00:41:49Miss Vinson has lost a diamond pendant.
00:41:51Did you look in your stateroom?
00:41:53Think that.
00:41:54Are you sure you didn't put it somewhere?
00:41:56No, I didn't take it off.
00:41:58I know I had it when I left my room.
00:42:00And you came directly here?
00:42:02Yes.
00:42:03Now, don't worry.
00:42:04If it's on the train, we'll find it.
00:42:12Do it.
00:42:14Do it.
00:42:18Now, listen.
00:42:19A diamond pendant has been lost.
00:42:21You search the upstairs corridor.
00:42:23You take the lower.
00:42:24Yes, sir.
00:42:25You get back here as soon as you can.
00:42:26Yes, sir.
00:42:32I beg your pardon, sir.
00:42:33Perfectly all right.
00:42:44Oh, bartender.
00:42:45Let's see what the gentleman will have.
00:42:48I'll have a big glass of milk.
00:42:53Make my...
00:42:54No, no, no.
00:42:55Never mind.
00:42:56Skip it.
00:43:02Barter, sir.
00:43:03Look around in there.
00:43:04Yes, sir.
00:43:05Take the right-hand side.
00:43:07I couldn't find it downstairs, sir.
00:43:08It must be in here.
00:43:09Take that side.
00:43:10Yes, sir.
00:43:11Just a moment, please.
00:43:12Would you mind waiting here a little while?
00:43:13But I've got to get this milk to my wife.
00:43:15She's a very sick woman.
00:43:16I'm sorry.
00:43:17It'll only take a few minutes.
00:43:18You see, a valuable diamond has been lost.
00:43:28We've searched all the corridors, Mr. Bradley,
00:43:30and though we haven't found anything yet,
00:43:32we may seem to be having some trouble back there.
00:43:34If they don't find it, do you think they'll stop the train?
00:43:39I shouldn't be a bit surprised.
00:43:41Oh, they can't.
00:43:42I've got to get my wife to California as soon as possible.
00:43:46Hey, conductor.
00:43:47Conductor.
00:43:48I've got to get back to my wife.
00:43:50If you think I have the jewel, why don't you search me?
00:43:52But I don't want to search anybody.
00:43:54Why not?
00:43:55I think it's a very good idea.
00:43:57No, no, no.
00:43:58Not that.
00:43:59No, don't do that.
00:44:00What's the matter?
00:44:01You act as though you'd stole it.
00:44:02Not at all.
00:44:03Not at all.
00:44:04I suggest you search everybody.
00:44:05If there's a thief on board,
00:44:06you'll be protecting the rest of the passengers.
00:44:08I don't like to do it.
00:44:09Naturally.
00:44:10I'm not sure of it.
00:44:12Does anyone object?
00:44:13Why, no innocent person could.
00:44:15It's much better than having everyone suspicious of everyone else.
00:44:18Well, thank you so much.
00:44:21I've got to get back to my wife.
00:44:22Couldn't you start with me first?
00:44:24Oh, very well.
00:44:42Sorry I detained you.
00:44:46Do you mind?
00:44:47Mind?
00:44:48Not at all.
00:45:12May I?
00:45:14Sure, go ahead.
00:45:17Oh, it's so delicious and ticklish.
00:45:29Wedding ring.
00:45:30Say, while you're at it,
00:45:32will you see if you can find my bride?
00:45:36Stewart, come here.
00:45:37Where are you going?
00:45:38Order for number 15, sir.
00:45:40Just a minute.
00:45:48All right.
00:45:56Deedle-deedle-mighty-mo.
00:46:04Deedle-deedle-mighty-mo.
00:46:08Deedle-deedle-mighty-mo.
00:46:25Oh, pardon me just a minute.
00:46:27One of these is mine.
00:46:28Go ahead.
00:46:29Do you want to play?
00:46:31May I?
00:46:32Sure, go ahead.
00:46:33Deedle-deedle-mighty-mo.
00:47:06All right, that's all.
00:47:10Pardon me, sir.
00:47:13Stewart.
00:47:15Yes, sir.
00:47:16You're a new man, aren't you?
00:47:18Yes, sir.
00:47:19He's taking Smith's place.
00:47:20Oh.
00:47:21What happened to Smith?
00:47:22He was called home.
00:47:23His wife's sick.
00:47:24That's too bad.
00:47:26That's all, Stewart.
00:47:28So, Smith's wife is sick, huh?
00:47:30Yes.
00:47:32I've known Smith for about nine years.
00:47:36He hasn't got a wife.
00:47:40I thought that new man was acting funny.
00:47:42He's been sneaking around ever since he got on board.
00:47:45Keep your eye on him.
00:47:47He may be in on this.
00:47:49Yes, sir.
00:47:51He may be in on this.
00:47:52Yes, sir.
00:48:21I want a doctor.
00:48:22Is he a doctor?
00:48:23I want a doctor.
00:48:24I want a doctor.
00:48:25Is there a doctor on that plane?
00:48:26I need a doctor right away.
00:48:27What's the problem?
00:48:28I must have a doctor.
00:48:29I gotta have a doctor.
00:48:30Find a physician?
00:48:31What is it?
00:48:32Doctor, come quick.
00:48:33Hurry.
00:48:34My wife.
00:48:39Come on.
00:48:40Come on.
00:48:41Come on, come on.
00:48:43Come on.
00:48:44Come on.
00:48:45Come on.
00:48:46Come on.
00:48:47Come on.
00:48:48In here, Doctor.
00:48:55Oh, I think you'd better wait outside.
00:48:59Now, now, now, you take it easy, old man.
00:49:02Everything will be all right.
00:49:04Oh, Stuart, bring my instruments from my stateroom, and I'll need a lot of boiling water.
00:49:09How is she, Doctor?
00:49:11What the devil do you mean by bringing a woman in her condition on board a train?
00:49:14But I had to.
00:49:15You see, my uncle in Los Angeles died last Friday.
00:49:18Well, what's that got to do with it?
00:49:19But he left my baby $10,000 in his will.
00:49:22Well, if you're in such a rush to get the money, couldn't you leave your wife at home?
00:49:25Well, not very well.
00:49:28You see, the baby won't get the money unless it's born in California.
00:49:32Oh, I see.
00:49:33Doctor, do you think it'll be in California?
00:49:36Right now, it looks more like New Mexico.
00:49:39Oh, thank you.
00:49:40Doctor, is there anything I can do?
00:49:43No, I think you've done enough already.
00:49:50You don't want to be alone at a time like this.
00:49:52Come along with us.
00:49:54Do you mind?
00:49:55I'm scared.
00:49:57Of course you are.
00:50:00I know.
00:50:01It's a sort of a helpless feeling.
00:50:04Something you don't forget.
00:50:06Eh, Mary?
00:50:07Yes.
00:50:08Something you don't forget.
00:50:10Do you have a son?
00:50:11Yeah.
00:50:12A great kid.
00:50:13Oh, John.
00:50:14I want to hear.
00:50:16You know, I'm awfully proud of that boy.
00:50:18I'll bet he's proud of you, too.
00:50:21Yes, I suppose he is.
00:50:24That's a good idea.
00:50:25Why don't you have some dinner with us?
00:50:27Oh, I don't want to.
00:50:28I can't eat.
00:50:29Oh, it'll make you feel much better.
00:50:30Really, go on.
00:50:40Oh, George.
00:50:41George.
00:50:44They've wired the police to meet the train in Los Angeles.
00:50:46What of it?
00:50:47Well, they might find a pendant on her.
00:50:48Nonsense.
00:50:49She hasn't got it.
00:50:50Didn't they search everybody?
00:50:51Yes, but she might have hidden it when she went to set their fire.
00:50:54Maybe you're right.
00:50:56Something must be done.
00:50:59Supposing I were to speak to her?
00:51:00Oh, I wouldn't do that if I were you.
00:51:02It's a very delicate matter.
00:51:04Yes, yes, of course it is.
00:51:06Look here.
00:51:07You've been through this sort of thing with her before.
00:51:10I'm supposing you talk to her.
00:51:11Oh, I couldn't do that.
00:51:12Oh, no, I couldn't.
00:51:13I couldn't possibly.
00:51:14Oh, please, it's a favor to me.
00:51:16Well, if you insist.
00:51:17Oh, yes, yes.
00:51:18Where is she?
00:51:19She's right in here.
00:51:23Good luck.
00:51:32Well, what do you want?
00:51:33Well, I...
00:51:35I've come to make up for bed.
00:51:38But I don't want to go to bed.
00:51:39I haven't had my dinner yet.
00:51:40That's as it should be.
00:51:42All Santa Barbara wives go to bed before dinner.
00:51:45Is that so?
00:51:46Oh, yes.
00:51:47Unless, of course, it has to be Rotarian dinner.
00:51:49In that case, the husband...
00:51:51Freddy's not a Rotarian.
00:51:53Well, this is no time to argue.
00:51:55I have my bed-making to do.
00:52:04What have you done with it?
00:52:06With what?
00:52:07With the bed.
00:52:08I haven't got it.
00:52:09Come, come.
00:52:10I'm not so easily fooled.
00:52:14Probably lurking about somewhere.
00:52:17Oh, it's not in there.
00:52:18I know.
00:52:19No, it's not in there.
00:52:21Well, I can't find it.
00:52:23Do you mind sleeping in the bathtub?
00:52:25I'll worry about that later.
00:52:28Good night, Stuart.
00:52:30Oh, I couldn't possibly think of going at my work undone.
00:52:33Why, what would the purser say?
00:52:35With me, my work comes first.
00:52:38With you, it's different.
00:52:50So there you are, you silly juggerns.
00:52:53Is this a social call, or did you come to make the bed?
00:52:56To make the bed, madame.
00:52:58Well, do it and get out.
00:52:59Early to bed and early to rise.
00:53:01My, how I envy you going into a life of ease and comfort.
00:53:05No more long rehearsals.
00:53:07No more opening night.
00:53:09No more hanging around Lindy for the wee hours waiting for the reviews to come out.
00:53:14No more...
00:53:15That's way stupid.
00:53:16Here, I'll do it.
00:53:17I'll do my own work.
00:53:18Any sap can make a bed.
00:53:20Any sap doesn't seem to be able to.
00:53:22Well, perhaps two saps are all better than one.
00:53:24Don't you dare call me a sap.
00:53:26Well, you call me one.
00:53:27Get out of here.
00:53:28Not until I've made the bed.
00:53:29Let go of that.
00:53:30I won't.
00:53:31You let go of that.
00:53:32Let go just long enough for me to hit you with it.
00:53:33If you do, I'll stew you.
00:53:34You would, you chiseler.
00:53:36Oh!
00:53:37Oh!
00:53:38Oh!
00:53:39There.
00:53:40You knocked me down, you brute.
00:53:42You fell down, you crybaby.
00:53:43Why, didn't I?
00:53:44You knocked me down.
00:53:45You're going to pay for this.
00:53:46Well, before I do, you're going to get what you deserve.
00:53:48Oh!
00:53:49Oh!
00:53:50This is the end.
00:53:51Yes, this is the end.
00:53:52I'm going to pound some sense into you.
00:53:53Not that way.
00:53:54Yes, this is the only way to make you understand that I've had enough.
00:53:58I suppose.
00:53:59I mean what I say.
00:54:00I love you.
00:54:01I love you.
00:54:03Love you.
00:54:05Love you.
00:54:07Love you.
00:54:10All half.
00:54:11I do love you.
00:54:13Why didn't you say so before?
00:54:15Well, how could I?
00:54:17I just found it out myself.
00:54:19And I've loved you all the time.
00:54:21Oh, you angel.
00:54:23Darling.
00:54:30Oh, Jimmy, you do love me.
00:54:31You do.
00:54:32I guess I always have.
00:54:34But I didn't know it.
00:54:36Oh, Pat, don't ever run away from me.
00:54:38I can't lose you.
00:54:40Don't ever leave me.
00:54:42Oh, I love you so.
00:54:43I'll never leave you.
00:54:45Oh, but Jimmy, I'm engaged.
00:54:50You mean you were engaged.
00:54:55Oh, that's right.
00:54:57I was engaged.
00:54:59We'll get married right away.
00:55:00On the train?
00:55:01We'll stop the train.
00:55:02Don't be silly.
00:55:03All right.
00:55:04As soon as we get to California, we'll get married.
00:55:06Well, that's all that matters.
00:55:07Then we'll go to Honolulu on our honeymoon.
00:55:09Oh, that'll be heaven.
00:55:10Oh, Pat, we haven't got time for a honeymoon.
00:55:12As soon as we get married, we'll hop on a fast train right back to New York.
00:55:15We can get there without delaying the opening of day.
00:55:17Gee, it's worked out great.
00:55:20Well.
00:55:22You understand?
00:55:25I understand.
00:55:27Perfectly.
00:55:30Pat.
00:55:32You get out of here.
00:55:34Darling.
00:55:35Don't you darling me.
00:55:36You'd get me back in your show even if you had to marry me to do it.
00:55:39Now get out of here.
00:55:40But, Pat.
00:55:42Get out.
00:55:43But.
00:55:44No.
00:55:51How did you make out?
00:55:52Out.
00:55:53Out?
00:55:54Out.
00:55:55Out.
00:55:57Well, I was with my wife for a while, and then she went.
00:56:00Oh, yes.
00:56:01Time to time.
00:56:03What are we going to do about that?
00:56:05Just what I'd like to know.
00:56:07Look here, old man.
00:56:08Will you see her again tomorrow?
00:56:10You really think I ought to?
00:56:12Oh, sure.
00:56:13Sure.
00:56:14Well, if you insist.
00:56:16Thanks.
00:56:17Thanks, old man.
00:56:18You're a pal.
00:56:19Stick to it.
00:56:28Listen, I'm bidding you good morning.
00:56:30We're still shooting at that speed record.
00:56:32But it's more than a race against the clock.
00:56:34That old bird, the stork's been following us every inch of the way.
00:56:37So stand by for results.
00:56:39Well, any news?
00:56:42No.
00:56:47Why don't they tell us something?
00:56:50Do you think anything could have happened to Margaret?
00:56:52No, of course not.
00:56:55Mrs. Bradley will tell us if there's anything wrong.
00:56:57Come on.
00:56:58Buck up.
00:56:59We'll soon be in California, and everything will be all right.
00:57:02You know, I don't want that money for myself.
00:57:04I never had anything.
00:57:06I want my baby to have a chance.
00:57:08I quit my job.
00:57:09I sold everything I had, everything I owned, just so he could have a chance.
00:57:14Mr. Jones, congratulations.
00:57:17You're a father.
00:57:18How's Margaret?
00:57:19She's all right.
00:57:20You can see her in a few minutes.
00:57:21Did you hear that?
00:57:22Did you hear that?
00:57:23Did you hear that?
00:57:24I'm a father.
00:57:25I'm a father.
00:57:36I'm a father.
00:57:54What is it?
00:57:55Shh.
00:57:56I'm a father.
00:57:59Amazing.
00:58:05What's the matter?
00:58:06Shh.
00:58:07I'm a father.
00:58:08That's all right.
00:58:09I won't tell anybody.
00:58:15Where am I?
00:58:16Where am I?
00:58:17Where am I?
00:58:18What's that?
00:58:19Where are we?
00:58:20We're on the streamline.
00:58:21Oh, no, no, no.
00:58:22I mean the train.
00:58:23Where are we?
00:58:24Arizona.
00:58:25Arizona.
00:58:26Oh, tough luck, old man.
00:58:36Arizona.
00:58:40Good morning, Mr. Lannan.
00:58:41Oh, good morning, Percy.
00:58:42Going to breakfast?
00:58:43Yeah.
00:58:46Let's do it.
00:58:49Here comes Lannan's room.
00:58:52Here comes Lannan's room.
00:59:22Here comes Lannan's room.
00:59:23Here comes Lannan's room.
00:59:53Oh, uh, Miss Vinson.
00:59:55Yeah?
00:59:59I know where your pendant is.
01:00:03You know?
01:00:04Yes.
01:00:05I can't tell you about it here, but I'll see that you get it back.
01:00:10Yes.
01:00:11I can't tell you about it here, but I'll see that you get it back.
01:00:29Good morning.
01:00:34What did you do with the pendant?
01:00:36It's quite safe.
01:00:38Why?
01:00:39The police are going to meet the train.
01:00:42Isn't that just ducky?
01:00:45The moment the police come in, I become suspect number one.
01:00:50You wouldn't want that to happen to me, would you, dear?
01:00:54Give me a break, Harry.
01:00:56Look, there's only one person who can get that pendant off this train without being searched.
01:01:01Really?
01:01:03Who?
01:01:04Me.
01:01:06Getting smart?
01:01:08I'm not trying to cross you.
01:01:10Honest, I'm not.
01:01:11It's our only chance.
01:01:13I'll give it back to you and more if you'll only give me a break now.
01:01:18Now, how could I refuse an old friend?
01:01:23We are old friends, aren't we?
01:01:25Of course we are.
01:01:27Then let's keep it that way.
01:01:30I'll get it for you.
01:01:35I'll get it.
01:02:06What the devil are you doing here?
01:02:09So, you're the...
01:02:12You crook!
01:02:14Conductor, waiter, somebody, anybody, I've got him!
01:02:17Oh, no, you don't.
01:02:18Oh, no, you don't.
01:02:19You took one too many steps.
01:02:21Got you this time.
01:02:22Here, here.
01:02:23Here, here.
01:02:24Here, here.
01:02:25Here, here.
01:02:26Here, here.
01:02:27Here, here.
01:02:28Here, here.
01:02:29Here, here.
01:02:30Here, here.
01:02:31Here, here.
01:02:32Here, here.
01:02:33Here, here.
01:02:34Here, here.
01:02:35What's this all about?
01:02:37There's your jewel and there's your thief.
01:02:40He tried to hide that in that tube of shaving cream.
01:02:43You're a liar.
01:02:44I found it in your shaving cream.
01:02:45My shaving cream.
01:02:46Gentlemen, I ask you.
01:02:49This is the cream I use.
01:02:50Look, it's still moist from this morning shave.
01:02:53I told you to keep an eye on this man.
01:02:55Come on.
01:02:56I tell you, I can do it.
01:02:57I can just listen to me.
01:02:58I'll tell you how it happens.
01:02:59No, no, don't.
01:03:00Don't say anything till you've seen a lawyer.
01:03:02I'll get you the best one in California.
01:03:04Why, do you know this fellow?
01:03:06Yes.
01:03:07Well, that is, he was a valet to a friend of mine.
01:03:10I can vouch for him.
01:03:11But I've got to turn him over to the police.
01:03:13Now, don't worry.
01:03:15I'll stand by you.
01:03:16Just don't say a word.
01:03:17The only thing that I've done is wrong with you is his shaving cream.
01:03:19I'll take care of that.
01:03:20I came in to pick up that bed.
01:03:22Take your clothes, conductor.
01:03:24The man obviously stole that tablet.
01:03:31What's all the racket about?
01:03:33They've caught the stewards.
01:03:35What stewards?
01:03:36Well, you know, the fellow that used to be hard valet.
01:03:38The, uh, number 13.
01:03:40So they've found him out.
01:03:42Good.
01:03:43Maybe that'll teach him to mind his own business.
01:03:45But they'll put him in jail.
01:03:47Why?
01:03:48That's where he belongs.
01:03:49Oh, but my dear, we've got to get him out.
01:03:51Why?
01:03:53Now, look here, darling.
01:03:55I don't blame you for anything.
01:03:58Why should you?
01:03:59He's the very best doctor we can find.
01:04:02Who's sick?
01:04:03Well, uh, you are.
01:04:05I never felt better in my life.
01:04:08Oh, oh, well, perhaps we'd better see a doctor anyway.
01:04:11Have you gone crazy?
01:04:13I don't know.
01:04:14I think perhaps I have.
01:04:17Where are you going?
01:04:18Well, to wire up for a lawyer.
01:04:20But you just wanted a doctor.
01:04:22Well, that was for you, dear.
01:04:23Then who's the lawyer for?
01:04:25Well, for the steward.
01:04:26Freddy Arnold.
01:04:27If you get him out of this, I'll never talk to you again as long as I live.
01:04:32Oh, oh.
01:04:35I'll be stopping at the Ambassador.
01:04:37You can get me there if you need me.
01:04:39Thank you, Mr. Linton.
01:04:40Sorry you were inconvenienced.
01:04:42That's quite all right.
01:04:44Lock him up in the baggage room.
01:04:45You're making a terrible mistake.
01:04:46I'm James Hart, the playwright.
01:04:48Make it Shakespeare, and I'll listen to reason.
01:04:50But this is silly.
01:04:51You've got to believe me.
01:04:52I can prove it.
01:04:53How?
01:04:54Ask Miss Wallace.
01:04:55She works for me.
01:04:56Get Miss Wallace, please.
01:04:58Yes, sir.
01:04:59Now you'll find out who I am.
01:05:06Did you send for me?
01:05:08Is this the jewel you lost, Miss Minson?
01:05:13Yes.
01:05:14Where did you find it?
01:05:15Mr. Linton here caught this steward with it.
01:05:21Thanks.
01:05:25You don't know how happy this makes me.
01:05:27I can very well understand that.
01:05:31Do you want me?
01:05:32Do you know this man?
01:05:34Yes.
01:05:35He's a steward.
01:05:36And I might add, a very bad one.
01:05:38The service has been abominable.
01:05:40That's just it.
01:05:41He's not a steward.
01:05:43Do you know who he really is?
01:05:46No.
01:05:47I never saw him before in my life.
01:05:49Pat, this is no joke.
01:05:51I'll say it's no joke.
01:05:52You'll get 10 years for this.
01:05:5310 years?
01:05:54Maybe 20.
01:05:5620 years?
01:05:58Oh, Jimmy, darling.
01:06:00What are they trying to do to you?
01:06:02They're trying to put me in jail.
01:06:04But who cares as long as you love me?
01:06:07Miss Wallace.
01:06:08Of course I do.
01:06:10He's Jimmy Hart.
01:06:14So you're Jimmy Hart.
01:06:16Yes.
01:06:17A fellow that wanted to punch my nose.
01:06:19I've changed my mind.
01:06:21What's all this got to do with who stole the pendant?
01:06:23Plenty.
01:06:24He did.
01:06:25Why on earth should he want to do a thing like that?
01:06:28To prove that you're a kleptomaniac.
01:06:29But I'm a klep...
01:06:30He said that you take things.
01:06:32And to make me believe it, he stole the pendant.
01:06:34And when things got too hot for him,
01:06:37he tried to conceal it in my stake room.
01:06:40He couldn't have taken it.
01:06:43Why not?
01:06:44Because when I left Miss Vincent's stake room,
01:06:46she was wearing the pendant.
01:06:47I came directly here, and that man waited on me.
01:06:50When Miss Vincent came in a few minutes later,
01:06:52she didn't have it on.
01:06:53I told you I found it in his shaving cream.
01:06:55Well, Mr. Landon.
01:06:58I'm sorry, old girl, but from here on,
01:07:01it's every man for himself.
01:07:03Shall I tell them why you gave it to me?
01:07:09Just tell them that we were old friends.
01:07:12Let it go at that.
01:07:15Well, I guess you don't want me around here anymore.
01:07:20Cheerio.
01:07:31I'm sorry, John.
01:07:35I'm not.
01:07:37It was a lucky thing for me you were caught on this train.
01:07:40What?
01:07:42That's quite all right.
01:07:46Pat.
01:07:47He must love you an awful lot to go to so much trouble
01:07:49to keep you from marrying me.
01:07:51Stuart.
01:07:53Who, me?
01:07:54Yes, you.
01:07:55What do you want?
01:07:57I want you to give Miss Wallace
01:07:59your very best personal attention.
01:08:02Yes, sir.
01:08:05On a honeymoon to Honolulu.
01:08:08Are we having time for a honeymoon?
01:08:10Mr. and Mrs. Hart are catching the first plane back to New York.
01:08:13I wouldn't hold up your new plane for all the tea.
01:08:16In Santa Barbara?
01:08:18No.
01:08:19In the whole world.
01:08:21Where are we?
01:08:22Where are we, California?
01:08:24What's the matter?
01:08:25I'm a father.
01:08:26Oh, you knew that before.
01:08:27But you only know the half of it.
01:08:29My wife just had another baby.
01:08:31Drink for everybody.
01:08:33Come on, bartender, pour them up.
01:08:35What's all the excitement?
01:08:37I just had twins.
01:08:38Make mine the same.
01:09:07I'm sorry.
01:09:08I'm sorry.
01:09:09I'm sorry.
01:09:10I'm sorry.
01:09:11I'm sorry.
01:09:12I'm sorry.
01:09:13I'm sorry.
01:09:14I'm sorry.
01:09:15I'm sorry.
01:09:16I'm sorry.
01:09:17I'm sorry.
01:09:18I'm sorry.
01:09:19I'm sorry.
01:09:20I'm sorry.
01:09:21I'm sorry.
01:09:22I'm sorry.
01:09:23I'm sorry.
01:09:24I'm sorry.
01:09:25I'm sorry.
01:09:26I'm sorry.
01:09:27I'm sorry.
01:09:28I'm sorry.
01:09:29I'm sorry.
01:09:30I'm sorry.
01:09:31I'm sorry.
01:09:32I'm sorry.
01:09:33I'm sorry.
01:09:34I'm sorry.
01:09:35I'm sorry.
01:09:36I'm sorry.
01:09:37I'm sorry.
01:09:38I'm sorry.
01:09:39I'm sorry.
01:09:40I'm sorry.
01:09:41I'm sorry.
01:09:42I'm sorry.
01:09:43I'm sorry.
01:09:44I'm sorry.
01:09:45I'm sorry.
01:09:46I'm sorry.
01:09:47I'm sorry.
01:09:48I'm sorry.
01:09:49I'm sorry.
01:09:50I'm sorry.
01:09:51I'm sorry.
01:09:52I'm sorry.
01:09:53I'm sorry.
01:09:54I'm sorry.
01:09:55I'm sorry.
01:09:56I'm sorry.
01:09:57I'm sorry.
01:09:58I'm sorry.
01:09:59I'm sorry.
01:10:00I'm sorry.
01:10:01I'm sorry.
01:10:02I'm sorry.
01:10:03I'm sorry.
01:10:04I'm sorry.