• 4 years ago

Category

😹
Fun
Transcript
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00:02:30Here's a look at him.
00:02:32Not a worry in the world.
00:02:34Great to be a kid.
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00:04:06And now boys, I'd like to call on our old friend and camp director, Dr. Stevens.
00:04:10Hooray!
00:04:14Men of Birch Lake, welcome.
00:04:17To those of you who are newcomers,
00:04:19just let me say that our motto always has been and always will be,
00:04:22a healthy mind in a healthy body.
00:04:25This God-given country that you see around you is ours to enjoy.
00:04:31This is your camp, your summer, your vacation.
00:04:37And I want you to make the most of it.
00:04:39Hooray!
00:04:42Just one thing more.
00:04:44The big trip this summer will start a week earlier than usual.
00:04:48And boys, I have a grand surprise for you.
00:04:51Instead of a hike this year, we are going to go on horseback.
00:04:55Hooray!
00:05:05One night of this trip will be spent in Canada.
00:05:08Hooray!
00:05:13Now I know that you'd all like to get out of your city clothes as soon as possible,
00:05:17but I won't take up any more of your time.
00:05:19Good luck, and go to it!
00:05:21Hooray!
00:05:36Hey, what's he doing that for, bud?
00:05:38Leave it to Chunky. He'll pick the best bed.
00:05:41Okay, fellas, this is mine.
00:05:51Better be careful, bud, or you're going to run out of films.
00:05:59I wouldn't disturb him. A man's home is his castle.
00:06:03Maybe he's a lady.
00:06:07Hey, fellas, get a load of this trunk.
00:06:10Hotel Lido, Venice.
00:06:12Savoy Hotel, Madrid.
00:06:13Alexandra Hotel, Berlin.
00:06:15Clarendon Hotel, London Isle.
00:06:18Where'd you get the trunk, kid?
00:06:20It's my mother's.
00:06:21But is she an explorer?
00:06:23No, my mother's a singer.
00:06:28Is your father an actor, too?
00:06:30He was, but he's been dead for four years.
00:06:32Where's your mother acting now?
00:06:34No place. She doesn't sing on the stage anymore.
00:06:39Swim it, kids!
00:06:40Put a wiggle on, gang. Everyone down at the lake.
00:06:42Now, let's go. Hurry up.
00:06:48Hey, anybody got an extra belt?
00:06:50Nope, not I.
00:06:51I haven't got any.
00:06:52Me neither.
00:06:57Why don't you tighten the knot?
00:07:09Remember, boys, no playing tricks in the water.
00:07:12And no one swims past the float. All right?
00:07:15Yeah!
00:07:17All right, go ahead!
00:07:19Hello? Hello? Yes.
00:07:23Oh, just a moment, please.
00:07:25Mr. Seldon. Mr. Seldon. The phone, sir.
00:07:28Answer it, will you, Joseph?
00:07:31But I did, sir. It's for you.
00:07:33Long distance.
00:07:34Give it to me, will you, Joseph?
00:07:35Yes, sir.
00:07:36All right.
00:07:37All right.
00:07:38All right.
00:07:39All right.
00:07:40All right.
00:07:41All right.
00:07:42All right.
00:07:43All right.
00:07:45But I did, sir. It's for you.
00:07:47Long distance.
00:07:48Give it to me, will you, Joseph?
00:07:49It's Mr. Wagner, sir.
00:07:51I'm out.
00:07:52This is the fifth time he's called today,
00:07:54and for the tenth time, I've said you're out.
00:08:12But I tell you, I don't know, upon my word.
00:08:15Mr. Seldon, he insists on knowing.
00:08:18Where shall I say you are?
00:08:19Oh, under his deck, fastest leap, anything you like.
00:08:21Tell Seldon that I must know without further delay
00:08:24when I can have the first act.
00:08:25Mr. Seldon, he wants to know when he can have
00:08:28at least the first act of the operator.
00:08:30Just as soon as I get an idea.
00:08:32But don't tell him that.
00:08:34Seldon knows this is to be an early fall production,
00:08:37but at the rate he's going, it won't be ready for Christmas.
00:08:39Mr. Seldon, he says it is scheduled for an early fall opening,
00:08:43not for Christmas.
00:08:45He can't use this opening for when I get it.
00:08:47I don't have my option if he does.
00:08:49He wants to know what you've been doing
00:08:51for the last three months.
00:08:53Eating, sleeping, drinking,
00:08:56gutting fish, cows, horses, fertilizer,
00:09:00and building a new back porch.
00:09:03Yes, sir.
00:09:04Let him finish my operator,
00:09:06and he can open one tonight.
00:09:07Yes, sir.
00:09:08Mr. Seldon.
00:09:12Mr. Seldon.
00:09:19I beg your pardon, sir,
00:09:21but I think you'll find your problem practically solved
00:09:23if you'll accept my help.
00:09:25Thank you, Joseph.
00:09:27What do you suggest?
00:09:28Plug or spinner?
00:09:29Spinner.
00:09:30No, no, no.
00:09:31I wasn't speaking of fishing, sir.
00:09:32I refer to your difficulty in getting down to work.
00:09:34You see, Mr. Seldon, as I said before...
00:09:37Joseph, as you said before,
00:09:38you didn't place your services with me
00:09:40just to open doors and wait on table,
00:09:42but someday you hope to help create great music.
00:09:45That's right, sir.
00:09:47Unfortunately, Joseph,
00:09:49all the great music has already been written.
00:09:52You and I were born too late.
00:09:53No, really, sir.
00:09:54Well, last night I had a new inspiration.
00:09:56The rhymes just kept running through my head.
00:09:59I couldn't sleep.
00:10:00Have you a light, Joseph?
00:10:01Yes, sir.
00:10:03Now, sir, as I was saying...
00:10:05Joseph, I have a better idea.
00:10:07You do the composing, and I'll do the butt lick.
00:10:15Hello, Brennan.
00:10:17How's tricks, Moretta?
00:10:19The tricks are okay, but the song is...
00:10:23How's your operator coming along, pal?
00:10:26Has trouble with writing a hit like yours?
00:10:30Has trouble with writing a hit like your last one?
00:10:33You've got your work cut out now to try and top it.
00:10:35I'm afraid so.
00:10:37Well, good luck.
00:10:41What do you have with that Reno guy?
00:10:43The producer.
00:10:45And Lorenz.
00:10:46But I ask you,
00:10:47is he ever write anything so good
00:10:49as I'm glad I made about you?
00:10:51No, Moretta, that was a great number,
00:10:54even if we were the only ones that ever heard it.
00:10:56How are you, gentlemen?
00:10:58No, we're not interested in collaborating with you.
00:11:01I come to talk business.
00:11:03You boys write good songs.
00:11:05We're too anemic to blush.
00:11:07You've been up here in this music colony all summer.
00:11:10And part of the spring.
00:11:11I have put my finger on your difficulty.
00:11:14You write the wrong kind of song.
00:11:17We know that, teacher.
00:11:18Write songs with me, gentlemen,
00:11:20and I assure you, our efforts will be crowned with success.
00:11:25Fame and success.
00:11:27How many songs have you had on Broadway?
00:11:30Gentlemen, I've been unfortunate.
00:11:33The world accepts me only as a butler
00:11:36when I have the soul of a poet.
00:11:39A Small World
00:11:55Hey, mister, those are mine.
00:11:57I thought you were the new kind of fish.
00:11:59How do you do?
00:12:01Tie the rope.
00:12:02Catch.
00:12:03Hey.
00:12:08Ha ha ha ha!
00:12:11Have a safety pin?
00:12:13No, I'm afraid not.
00:12:15Oh, wait a minute.
00:12:18Maybe this will fix you up.
00:12:21Gee, thanks.
00:12:24I'm for fishing.
00:12:25Well.
00:12:26Need anything?
00:12:27Sure.
00:12:28Let's see.
00:12:33Ha ha ha, kind of small, aren't they?
00:12:35Well, I've only been fishing for a little while.
00:12:39Gee, it's keen up here, isn't it?
00:12:40I'll say.
00:12:41Up at the boys' camp?
00:12:42Yes, sir.
00:12:43What's your name?
00:12:44Chip.
00:12:45Chip, eh? Chip what?
00:12:47Chip Winters. What's yours?
00:12:48Johnny.
00:12:49Johnny what?
00:12:50Johnny Seldon.
00:12:51I'm pleased to meet you, Mr. Seldon.
00:12:52Pleased to meet you, Mr. Winters.
00:12:56Hey, you over there!
00:12:57Come back here!
00:12:58All right, all right, I'm coming!
00:13:01Gee, I forgot all about swimming past the float.
00:13:04Oh, come on.
00:13:05Oh, wait a minute.
00:13:06How do I get your pin back?
00:13:07Oh, I'll come across and fetch it.
00:13:08I'd like to see your camp.
00:13:09OK, swell.
00:13:10Bye!
00:13:11Bye!
00:13:17Bye!
00:13:37Bye!
00:14:07Twilight city and the fireflies
00:14:14brings to me my campfire dream.
00:14:21Shadows dancing, here is what it seems,
00:14:28you're in my campfire dream.
00:14:35Just a dreamer, like a million fireflies,
00:14:41I need you around to complete my purpose.
00:14:50So, don't you have to?
00:14:57When the night is deep.
00:14:58No, Joseph, don't close it.
00:15:00Good night.
00:15:01Good night.
00:15:02Twilight city and the fireflies
00:15:09brings to me my campfire dream.
00:15:17Shadows dancing, here is what it seems,
00:15:25you're in my campfire dream.
00:15:34Just a dreamer, like a million fireflies,
00:15:41I need you around to complete my purpose.
00:15:49Paradise soul, come back to me when I need you,
00:16:04just to share my campfire dream.
00:16:19From the sun, from the hills, from the rain,
00:16:29from the sky, from the earth,
00:16:38campfire dream, campfire dream.
00:16:53Oh, hello, Mr. Brown, I didn't see you.
00:17:10Hello, Chip.
00:17:11This is Pee Wee.
00:17:12Hello.
00:17:13Hello, Pee Wee.
00:17:14Oh, here's your license.
00:17:15I was going to bring it over
00:17:16as soon as they let me cross the lake.
00:17:17Thanks, I shan't be wanting it for a while.
00:17:19I'm down at work at last.
00:17:20Work?
00:17:21You're on vacation time?
00:17:22No, this isn't vacation time for me, Pee Wee.
00:17:25I've got to dig.
00:17:26Oh, you're a farmer.
00:17:28Well, in a way, yes.
00:17:30I, uh, I dig for tunes and, uh, and grow music.
00:17:36Do you sing like Chip?
00:17:39Oh, so it was you who sang last night.
00:17:42Yes, sir.
00:17:43I wish I could sing like Chip.
00:17:45Oh, you ought to hear my mother sing.
00:17:47How do you compose?
00:17:50Well, first I get an inspiration.
00:17:52Then I sit down to the piano, wait for the music
00:17:55to come to a boil inside me, then let it bubble
00:17:58all over the key.
00:17:59See, you say funny things just like my mother writes.
00:18:03Listen.
00:18:06After leaving you at the train, I walked home
00:18:08through the park, pretending it was the lovely country
00:18:11you were going to.
00:18:12And then I saw you.
00:18:13And I thought, oh, I'm going to miss you.
00:18:17And suddenly I remembered something
00:18:19I forgot to tell you about all these years
00:18:21you've been growing up.
00:18:22It's about the little things in life.
00:18:24That a bluebird in flight is such a quick moment of beauty
00:18:29that you must look sharp to catch the blue flash.
00:18:33That's a very beautiful letter, Chip.
00:18:35Your mother has imagination.
00:18:37Is the letter full of thoughts like that?
00:18:39Mm-hmm.
00:18:40Oh, really?
00:18:41May I?
00:18:42Sure.
00:18:44Learn every song and concerto that a brook or waterfall makes
00:18:48or that is played by the little animals
00:18:50splashing the still lake.
00:18:55You know, fellas, I can feel something beginning to boil.
00:18:58See you later.
00:19:03Did you ever feel anything boil?
00:19:06No.
00:19:07No.
00:19:08No.
00:19:09No.
00:19:11Did you ever feel anything boiling inside of you?
00:19:15Huh?
00:19:16Oh, boy!
00:19:17I said, boy!
00:19:18I said, boy!
00:19:19Come on in.
00:19:21Let me see it.
00:19:24It's a flower.
00:19:26Here, let me help you.
00:19:30Oh!
00:19:40Oh!
00:20:07Mayo!
00:20:11Hey!
00:20:18Oh, please send something for me this time!
00:20:21I can't wait for it!
00:20:22I'm expecting a packing!
00:20:24I'm expecting some film!
00:20:25Germany!
00:20:26Take it easy, boys!
00:20:27Ah!
00:20:28Anyway, let's have a little order here.
00:20:31Any rooms?
00:20:33Wait up.
00:20:34Rogers!
00:20:35Here!
00:20:37Thanks, Uncle Bill.
00:20:38Myers!
00:20:39Thank you, Uncle Bill.
00:20:41Whitters?
00:20:42Here.
00:20:43Thanks, Uncle Bill.
00:20:45Thompson?
00:20:46Here.
00:21:10Mr. Britton.
00:21:11Here.
00:21:13Mr. Britton.
00:21:14Here.
00:21:15Mr. Sparrow.
00:21:16Here.
00:21:17Mr. Britton.
00:21:21Well, hello there, mister Britton.
00:21:32We're off.
00:21:35Well, well, miss, I've been expecting you this morning.
00:21:38I see.
00:21:39You don't sound very cheerful about it.
00:21:41I wouldn't either.
00:21:42Somebody was coming up to spoil your fun.
00:21:45What?
00:21:47Oh, I don't mean my mother.
00:21:50Look who's coming along.
00:22:05Who's Mr. Mays?
00:22:07Oh, he's the one who talked my mother into giving up singing.
00:22:11Oh.
00:22:12He doesn't like singing, eh?
00:22:14It isn't that.
00:22:16He just doesn't want my mother on the stage.
00:22:19He's always saying it's for our own good.
00:22:21My mother says he's very reliable and substantial.
00:22:26Gee, I wish I could think he was swell.
00:22:30I guess my mother thinks he is.
00:22:33I don't know.
00:22:35Why does he have to come up here anyway?
00:22:38He doesn't like any of the things kids do.
00:22:41I bet he never went fishing in his whole life.
00:22:45He's different.
00:22:47He must be, isn't he?
00:22:52You know something, Mr. Salvin?
00:22:55What, Chip?
00:22:56There won't be any more letters after my mother comes up here.
00:23:01I was just thinking about you.
00:23:03I was just thinking of that, too.
00:23:05Chip!
00:23:07Chip, right behind our den.
00:23:10Look, what's wrong?
00:23:11Come on, right behind our den.
00:23:12Hey, Chip, your letter.
00:23:14Hey, what's wrong?
00:23:34Three!
00:23:36Four!
00:23:39Five!
00:23:42Quimpoplet!
00:23:44Hold it, fellas!
00:23:54Hey, bud, how do you spell quimpoplet?
00:23:59Ask Chip.
00:24:01Quimpoplet, q, u.
00:24:04Hey, Chunky, how do you spell quimpoplet?
00:24:08Hey, uh, we got as far as q, u.
00:24:12Judge, how do you spell quimpoplet?
00:24:14Spell it exactly the way you say it.
00:24:18Just say five of them.
00:24:21Gentlemen, just a moment, please.
00:24:25Listen, boys.
00:24:27The musical world has had father's songs, mother's songs,
00:24:31also brother's songs.
00:24:34Huh?
00:24:35What is it the musical world has never had?
00:24:39A sister song, and I have it.
00:24:43Listen to this lyric.
00:24:45Would it distract you too much if I sang it?
00:24:48No, it wouldn't.
00:24:50Listen to this lyric.
00:24:52Would it distract you too much if I were to cut my throat while you're wailing?
00:24:56No, not at all.
00:24:58Now, please.
00:24:59I want you to meet my sister, mister.
00:25:02You'd make a peach of a pear.
00:25:04Peach of a pear.
00:25:06Rather neat.
00:25:08And you'd realize after you kissed her, mister, that she had done her share.
00:25:13I know you'd love my sister, mister.
00:25:16My sister's name is Susie.
00:25:20I'm having a little trouble rhyming Susie.
00:25:25Joseph, did you say the musical world had never had a sister song?
00:25:30Never.
00:25:33You told the truth.
00:25:49A three-point landing.
00:26:03Hello, Mr. Joseph.
00:26:05Boys, come, come.
00:26:07Mr. Selden is very busy.
00:26:09He must not be disturbed today.
00:26:11Gee, I wanted to ask him to go on a treasure hunt with us.
00:26:14You've bothered him enough.
00:26:15He's way behind in his work, and he can't spare a moment now.
00:26:19Come on, gang.
00:26:20Hello, fellas.
00:26:21Hi, Mr. Selden.
00:26:22Hi, Mr. Selden.
00:26:23Where are you going?
00:26:24Hightown, up lookout, on an expedition.
00:26:27And you're leading me out?
00:26:29Want to come along?
00:26:30What sort of expedition is this?
00:26:32Treasure hunt.
00:26:33Only it's got to be some natural thing in nature that's the treasure.
00:26:36It's nothing for its intrinsic value, sir.
00:26:38Animal, vegetable, mineral, or just plain inanimate.
00:26:42Oh, come on in for a minute.
00:26:44I haven't got time.
00:26:45Yeah.
00:26:46Oh, come on in, just for a minute.
00:26:47You can go in if you want to, but we've got to get back in time for swimming.
00:26:51OK.
00:26:52I'll catch up with you, fellas.
00:26:54Mr. Joseph.
00:26:55Hold it a minute, will you?
00:27:01Thanks a lot.
00:27:02I wish you'd let me see it when the prints are finished.
00:27:04Sure.
00:27:05If you do, I'll autograph it for you.
00:27:07OK.
00:27:10They have a camp every year.
00:27:12Each of the fellas has to give his noble father a treasure.
00:27:15But it can't be anything you make.
00:27:17I'll find it.
00:27:20Do you think I ought to give something to Mr. Meese?
00:27:25Oh, I'll just find something for my mother first.
00:27:28I know something you can give your mother.
00:27:30You do?
00:27:31Mm-hmm.
00:27:32If you can guess what it is, you can have it.
00:27:34What is it?
00:27:35It's something you can give and still have.
00:27:38It's something you can give to everybody and still have it.
00:27:41You can carry it with you wherever you go.
00:27:43It's good when you're glad and when you're sad.
00:27:47Now, what is it?
00:27:48Glad.
00:27:49Sad.
00:27:50Give.
00:27:52Have.
00:27:53Give up?
00:27:56I give up.
00:28:04Make a wish, you and I, that this lovely dream of ours will never die.
00:28:13It's a song.
00:28:15And you're leaning right on it.
00:28:17Mm-hmm.
00:28:23See, it's nice.
00:28:25Did you just write it?
00:28:26Mm-hmm.
00:28:28I'll make a wish on my shoulder each time the moon appears.
00:28:36That when we grow older.
00:28:38Try it.
00:28:42Go on.
00:28:44Make a wish.
00:28:49Two or three.
00:28:53Maybe only two for you and me.
00:29:01Make a wish, you and I, that this lovely dream of ours
00:29:11will never die.
00:29:15In our hearts we'll dwell.
00:29:18Why, I wish him well.
00:29:22While we kiss the dreary world goodbye.
00:29:29I'll make a wish on my shoulder each time the moon appears.
00:29:37That when we grow older.
00:29:40We'll be sweethearts through the years.
00:29:48Make a wish.
00:29:53Two or three.
00:29:57Maybe only two for you and me.
00:30:11This is my mother.
00:30:13How do you do?
00:30:19This is my mother.
00:30:20How do you do?
00:30:21How do you do?
00:30:22Now I want you to meet two of my best friends.
00:30:25This is Pee Wee, this is Judge, and this is my mother.
00:30:29Hello, Pee Wee.
00:30:30My, you're much bigger than I thought you were from Chip's Letters.
00:30:33How do you do, Judge?
00:30:34How do you do?
00:30:35How do you do?
00:30:36How do you do?
00:30:37How do you do?
00:30:38How do you do?
00:30:39Hello, Mrs. Winters.
00:30:40How do you do, Judge?
00:30:41I'm very glad to meet you, Mrs. Winters.
00:30:43Don't tire your mother, Charles.
00:30:45Oh, I'm enjoying it.
00:30:48Chunky, meet my mother.
00:30:49Glad to know you, Chunky.
00:30:51Hello, Mrs. Winters.
00:30:52Come on, mother.
00:30:53Now I'm going to take you up the hill.
00:30:55And there you can see the whole music colony.
00:31:04You see that house behind that big tree?
00:31:06That's Mr. Selden's.
00:31:08And the house right next to it is where Morath and Brennan live.
00:31:11They've been helping us with our big show.
00:31:13You wait till you see it, mother.
00:31:14They're composers too.
00:31:16They're not like Mr. Selden.
00:31:19What do you mean they're not like Mr. Selden?
00:31:21You know what Mr. Selden said about music?
00:31:23He said it's got to come to a boil inside of you.
00:31:26And then it bubbles over.
00:31:28At first his operetta wouldn't boil at all.
00:31:30But now it's doing fine.
00:31:32Boiled and bubbled up to the finish of the second act.
00:31:36Yes, Mr. Mays, we have short talks on ethics, one each week.
00:31:40Once a week?
00:31:41Do you think that's sufficient?
00:31:43Well, it isn't a simple matter to make the subject of ethics
00:31:46both useful and pleasant to small boys.
00:31:49I see.
00:31:50Sometimes he says some of the funniest things.
00:31:52But you aren't sure whether you're supposed to laugh or not.
00:31:55For instance?
00:31:56Well, the other day he said something about having so many selves.
00:31:59And the one he liked best, he called Johnny.
00:32:01He says he hasn't liked himself since he became John.
00:32:04I must meet this interesting friend of yours, Jeff.
00:32:07You bet you will.
00:32:13Charles.
00:32:14Yes, sir?
00:32:20Where is your mother?
00:32:21She broke the heel off her shoe and Mr. Selden had her over a cross for late.
00:32:25And we sure had fun.
00:32:26Fun? What did you do that was funny?
00:32:28We walked and laughed and, well, we just had fun.
00:32:31You and this Mr. Selden seem to have struck up quite a friendship.
00:32:34Yes, sir.
00:32:35Excuse me, I've got to get ready for lunch.
00:32:54Tell me about the stuff you wrote in your writing.
00:32:56You may not know it, but you wrote it for me.
00:32:58I did?
00:32:59Yes, I got the idea from the things you wrote in your letters to Chip.
00:33:02Oh, yes. Speaking of letters.
00:33:05Oh, please forgive me.
00:33:07But you have to find the story before you can write one.
00:33:09And is your operetta all about not catching cold and being careful about wet shoes?
00:33:14No.
00:33:17No, it's about a beautiful lady.
00:33:20High up in the hills.
00:33:22It's an imaginary land.
00:33:24No matter how hard you look, you can't find it.
00:33:26And the lady?
00:33:28She wanders through the hills singing a song.
00:33:32And whoever hears this song cannot resist it.
00:33:34They must follow her.
00:33:36The song cannot be heard by everybody.
00:33:38Only those who are pure of heart can see and hear her.
00:33:42That means the children.
00:33:45So all the little children follow her into the hills.
00:33:48A kind of Lady Pied Piper of Hampton.
00:33:51Go on.
00:33:52But there comes a time when she wants them to return
00:33:54and spread the happiness she has taught them among the mad crowd in the valley below.
00:33:58But she can't release them.
00:34:00And the spell cannot be broken until the right man comes to claim the lady.
00:34:05Well, that won't be easy.
00:34:07No, but there is a man in the valley below who is trying to recapture his youth.
00:34:13He's lost it.
00:34:14Poor man.
00:34:16Yes, I felt sorry for him too at times.
00:34:18Then a terrible thing happens.
00:34:20The wrong man goes to claim the lady.
00:34:24There always has to be an obstacle in a love story, you know.
00:34:27And then?
00:34:29Well, the last act isn't written yet.
00:34:36Well, here we are.
00:34:39Now, the lady's shoe.
00:34:46You may not know it, but I'm the second best shoemaker in the world.
00:34:55Why didn't we think of that before?
00:34:58I did.
00:35:04Careful now.
00:35:08Thanks a lot for a lovely afternoon.
00:35:11And I hope your operetta will be a huge success.
00:35:14Cross your fingers. Make a wish.
00:35:18Oh, I went down south for to see my child
00:35:21Sing Polly Wolly Doodle all the day
00:35:23My shawty and my spunky girl
00:35:25Sing Polly Wolly Doodle all the day
00:35:27Fare thee well, fare thee well, fare thee well, my fairies say
00:35:32For I'm going to Louisiana for to see my Susie Anna
00:35:34Sing Polly Wolly Doodle all the day
00:35:36Fare thee well, fare thee well, fare thee well, fare thee well, my fairies say
00:35:41For I'm going to Louisiana for to see my Susie Anna
00:35:43Sing Polly Wolly Doodle all the day
00:35:46Oh, my shawty and my maiden fair
00:35:49Sing Polly Wolly Doodle all the day
00:35:51With curly eyes and laughing hair
00:35:53Sing Polly Wolly Doodle all the day
00:35:55Fare thee well, fare thee well, fare thee well, my fairies say
00:36:00For I'm going to Louisiana for to see my Susie Anna
00:36:02Sing Polly Wolly Doodle all the day
00:36:04Fare thee well, fare thee well, fare thee well, fare thee well, my fairies say
00:36:09For I'm going to Louisiana for to see my Susie Anna
00:36:11Sing Polly Wolly Doodle all the day
00:36:13For I'm going to Louisiana for to see my Susie Anna
00:36:15Sing Polly Wolly Doodle all the day
00:36:33I want this one.
00:36:34If you kids want any more pictures, it'll have to be cash.
00:36:37I'm in for a dime.
00:36:38How about you, Chip?
00:36:40Okay, as soon as I get my allowance.
00:36:42I'm broke right now.
00:36:43What do you mean you're broke?
00:36:45I bought a piece of Mr. Selden's show.
00:36:47I've got $1.65 in it.
00:36:49What do you mean, Chip?
00:36:50Well, if the show's a hit, I'm able to get $1,000 for my share alone.
00:36:55Do you mean to tell me you invested $1.65 in a stage production?
00:37:00Mm-hmm.
00:37:01What assurance have you that it's going to be good?
00:37:04Well, I know all the songs, don't I?
00:37:06And they're swell.
00:37:08Have you got anything in writing?
00:37:10Oh, I know.
00:37:13Oh, come on.
00:37:15We're always talking about Selden's show.
00:37:17It's a wonder you wouldn't take a little more interest in our show.
00:37:20Well, what's the matter with our show?
00:37:22We're all set, and everybody knows their part.
00:37:26The guy students came today.
00:37:28I saw them, and they're swell.
00:37:32Oh, come on, Wagner.
00:37:33Why don't you say a word?
00:37:34The kids are putting on their annual show tonight.
00:37:36You'll have a great time.
00:37:37Well, that's the trouble with you.
00:37:38You've been having too much of a good time.
00:37:40It's lucky I came up here, or I wouldn't have received these two acts.
00:37:43You like them, don't you?
00:37:44Frankly, John, I think it's the finest piece of work you've ever turned out.
00:37:47And if the third act holds up, give me a little idea what it is.
00:37:51No, I'm not going to let you hear it until it's finished.
00:37:53Oh.
00:37:54Hey, mister.
00:37:55You'd better get started if you want to make that drain.
00:37:58All right.
00:37:59All right.
00:38:00You know, John, that show's going to be a hit.
00:38:03John, that show is a great start for Pauline Lamont.
00:38:06Oh, I, um, I had someone else in mind.
00:38:08Who?
00:38:09Miss Irene Winters.
00:38:11Who's Irene Winters?
00:38:12She has the most glorious voice you've ever heard, and she's very beautiful.
00:38:15Oh.
00:38:17Well, we'll see.
00:38:18You're not worrying about your investment, are you?
00:38:20I'll tell you how I feel about that.
00:38:22I'll buy your half interest right now.
00:38:24No, sir.
00:38:25I'm into my half if we agreed.
00:38:26Well, you know show business, John.
00:38:29It's risky.
00:38:30If this thing doesn't go, you'll lose your shirt.
00:38:32Well, it's my shirt, isn't it?
00:38:33Now, don't hold me up on that last act.
00:38:35I'm going into rehearsal right away.
00:38:36Now, you will do a little work tonight, won't you?
00:38:38No, not tonight.
00:38:39I'm going across to the boy's show.
00:38:40Well, keep up the good work.
00:38:42So long.
00:38:43So long.
00:38:44OK.
00:38:44Oh, dear.
00:39:10Hello.
00:39:11Good evening.
00:39:12Good evening.
00:39:13to make some important decisions for your future.
00:39:16My future?
00:39:18I don't understand.
00:39:19You will, in time.
00:39:20Perhaps you will be persuaded to use this now.
00:39:43You will, in time.
00:39:45Perhaps you will be persuaded to use this now.
00:39:47Perhaps you will be persuaded to use this now.
00:39:49Perhaps you will be persuaded to use this now.
00:39:51Perhaps you will be persuaded to use this now.
00:39:53Perhaps you will be persuaded to use this now.
00:39:55Perhaps you will be persuaded to use this now.
00:39:57Perhaps you will be persuaded to use this now.
00:39:59Perhaps you will be persuaded to use this now.
00:40:01Perhaps you will be persuaded to use this now.
00:40:03Perhaps you will be persuaded to use this now.
00:40:05Perhaps you will be persuaded to use this now.
00:40:07Perhaps you will be persuaded to use this now.
00:40:09Perhaps you will be persuaded to use this now.
00:40:11Perhaps you will be persuaded to use this now.
00:40:13Coming soon
00:40:26Boss, come on, come on.
00:40:28They're all here.
00:40:39Over there!
00:40:42♪ Oh, this poor shed ♪
00:40:47♪ So we don't forget to pound his feet ♪
00:40:51♪ So we made a pillow underneath the willow ♪
00:40:56♪ And he slept for 20 years ♪
00:41:01♪♪
00:41:06♪♪
00:41:12♪♪
00:41:17♪♪
00:41:22♪♪
00:41:27♪♪
00:41:32♪♪
00:41:37♪♪
00:41:42♪♪
00:41:47♪♪
00:41:52♪♪
00:41:57♪♪
00:42:02♪♪
00:42:07♪♪
00:42:12♪♪
00:42:17♪♪
00:42:22♪♪
00:42:27♪♪
00:42:32♪♪
00:42:37♪♪
00:42:42♪♪
00:42:47♪♪
00:42:52♪♪
00:42:57♪♪
00:43:02♪♪
00:43:07♪♪
00:43:12♪♪
00:43:17♪♪
00:43:22♪♪
00:43:27♪♪
00:43:32♪♪
00:43:37♪♪
00:43:42♪♪
00:43:47♪♪
00:43:52♪♪
00:43:57♪♪
00:44:02♪♪
00:44:07♪♪
00:44:12♪♪
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00:44:32♪♪
00:44:37♪♪
00:44:42♪♪
00:44:47♪♪
00:44:53Well, what shall it be?
00:44:55Won't you please play something from your operetta?
00:44:57Yes, please do.
00:44:59All right.
00:45:00But not because I wrote it.
00:45:02Only because Miss Irene Winters has consented to sing it.
00:45:05Oh!
00:45:06Oh!
00:45:07Oh!
00:45:08Oh!
00:45:09Oh!
00:45:10Oh!
00:45:11Oh!
00:45:12Oh!
00:45:13Oh!
00:45:14Oh!
00:45:15Oh!
00:45:16Oh!
00:45:17Oh!
00:45:18Oh!
00:45:19Oh!
00:45:20Oh!
00:45:22♪♪
00:45:27♪♪
00:45:32♪♪
00:45:37♪♪
00:45:42♪♪
00:45:47♪♪
00:45:52♪♪
00:45:57♪♪
00:46:02♪♪
00:46:07♪♪
00:46:12♪♪
00:46:17♪♪
00:46:22♪♪
00:46:27♪♪
00:46:32♪♪
00:46:37♪♪
00:46:42♪♪
00:46:47♪♪
00:46:52♪♪
00:46:57♪♪
00:47:02♪♪
00:47:07♪♪
00:47:12♪♪
00:47:17♪♪
00:47:22♪♪
00:47:27♪♪
00:47:32♪♪
00:47:37♪♪
00:47:42♪♪
00:47:47♪♪
00:47:52♪♪
00:47:57Lovely evening, Mrs. Seldon.
00:47:59And I especially enjoyed Miss Winter's singing.
00:48:01Good evening, John. Good night.
00:48:03Good night.
00:48:06It was lovely.
00:48:08Thank you so very much.
00:48:10I think it's the loveliest song I ever heard.
00:48:13It was written for you.
00:48:15Oh, can't you see how necessary you are to me?
00:48:19Good night, Seldon.
00:48:20Must you go?
00:48:21It's late, I'm afraid.
00:48:23Oh, yes, it's very late.
00:48:27Joseph!
00:48:30Joseph, I feel marvelous!
00:48:32Do you, sir?
00:48:33How do you feel?
00:48:34I feel like Helen Morgan.
00:48:37I'll get you a drink. What shall it be?
00:48:39Thank you, sir. I'm not very thirsty.
00:48:40Oh, don't worry. It's on the house.
00:48:42Straight or with soda?
00:48:44Straight, sir.
00:48:45Then straight it shall be.
00:48:51Now, Joseph, before drinking,
00:48:53I want your cold, critical judgment.
00:48:55A gorgeous voice, sir.
00:48:57Oh, what charm, what poise!
00:48:58What quality!
00:49:04Mr. Seldon, would you mind, please?
00:49:06Oh, yes, pardon me.
00:49:08Joseph, remind me to give you a raise.
00:49:11Oh, thank you.
00:49:13Your voice is always beautiful.
00:49:16Irene, I hope all this silly applause isn't the...
00:49:19All this pleasant excitement's only part of it.
00:49:21You know that.
00:49:23You know too much about it to be taken in again, I hope.
00:49:27You know I've been patient about all this,
00:49:29but I may as well speak frankly.
00:49:31Either you mean it when you say
00:49:32that you're through with this kind of life, or you don't.
00:49:35Either you intend to go through with our marriage,
00:49:37or you don't.
00:49:42Which is it, Irene?
00:49:44Walter, let's leave in the morning.
00:49:47Aye.
00:49:48You know, I think we'd better take Chip with us.
00:49:50Why, Chip?
00:49:51Oh, he's been up here long enough.
00:49:53Besides, it'd be rather nice to have him with us
00:49:55for the rest of the summer.
00:49:57You know I've hardly had a chance to get to know the boy.
00:49:59Yes, but...
00:50:00But he has his heart set on that trip.
00:50:02Oh, it means so much to him, and...
00:50:04Oh, I can make it up to him in a thousand different ways.
00:50:08In fact, I'd rather like the chance to.
00:50:11Well, Irene, do we all leave together in the morning?
00:50:16Yes.
00:50:17We'll leave in the morning.
00:50:19Good night.
00:50:49We've learned a lot and you knew we'd love you
00:50:53We'll stand on guard, we're all for one
00:50:57And we're one for all
00:51:01Fighting through tempest
00:51:05What are we here for?
00:51:07We're here to cheer for
00:51:09A church life forever
00:51:13We'll always stick together
00:51:17We'll stand on guard, we're all for one
00:51:21And we're one for all
00:51:24Fighting through tempest
00:51:28What are we here for?
00:51:30We're here to cheer for
00:51:32A church life forever
00:51:36We'll always stick together
00:51:40We'll always stick together
00:51:45We'll always stick together
00:51:49We'll stand on guard, we're all for one
00:51:53And we're one for all
00:52:07Joseph.
00:52:08Joseph.
00:52:10Yes, sir.
00:52:11Pack my things.
00:52:12Yes, sir.
00:52:13Where are you going, sir?
00:52:15Oh, the world is wide and the world is round.
00:52:18Yes, sir.
00:52:19Now, Joseph, this is the third act.
00:52:22Take it to New York and give it to Mr. Wagner.
00:52:24What shall I tell him, sir?
00:52:26That you don't know where I am, that I shan't get rehearsals,
00:52:29that I don't care if I never hear a note of this music again.
00:52:36And about the prima donna.
00:52:39Tell him I lost her.
00:52:43THE END
00:53:04Well, what is it? Head or tail?
00:53:06Tail.
00:53:08No paper, please.
00:53:09All right, you win. What are you going to have?
00:53:11A yoke.
00:53:13A yoke.
00:53:19Gentlemen.
00:53:25Have you got a cup of coffee in your pocket?
00:53:27Please, gentlemen, I'm serious.
00:53:29So you see.
00:53:30The key to fame.
00:53:32That's a terrible title.
00:53:34That's worse than you missed a myth to my sister.
00:53:36This is the third act of Mr. Selden's operetta.
00:53:39I'm taking this to New York.
00:53:41To what?
00:53:42If you will collaborate with me,
00:53:44we can improve on Mr. Selden's work.
00:53:47Oh, Selden would love that.
00:53:49No, Mr. Selden doesn't want to hear a note of this music again.
00:53:53He's gone away. Maybe for a long time.
00:53:55What's the matter? He don't like his own music?
00:53:58Mr. Selden's had a great tragedy in his life.
00:54:01I can't speak of it now.
00:54:02Well, don't you think he'll come back?
00:54:04Definitely not before the show opens.
00:54:07Gentlemen, we can interpolate our own songs.
00:54:10I don't want anyone to interpolate my music.
00:54:13No, no, no. He means to put our song in the show.
00:54:16No, I don't mean what he says.
00:54:18What do you think?
00:54:20We've got to lose.
00:54:21And everything to gain.
00:54:23The lad is right.
00:54:24The key to fame.
00:54:32That's not good, boys.
00:54:34That's got two colors over two horses.
00:54:37This opera has got to be all together. One horse.
00:54:40Oh, hold your horses.
00:54:42Listen, if we get two of our songs in this third act, we're all set.
00:54:45Here's an excellent opportunity for our first song.
00:54:48Well, boys, we're making musical history.
00:54:54The last man in the dining car pays the check.
00:55:07THE END
00:55:37THE END
00:56:07© BF-WATCH TV 2021
00:56:37Where's Mother?
00:56:39She's downtown having lunch with Mr. Mays.
00:56:47Clara?
00:56:48Yes, Chip?
00:56:50What do you think of Mr. Mays?
00:56:52I think Mr. Mays is a very elegant and important man.
00:56:55I know, but do you think he's a swell guy?
00:56:59One never speaks of an important man like Mr. Mays as being a swell guy.
00:57:04Well, the kid up at camp has got a stepfather,
00:57:07and he said he turned out all right.
00:57:10Only he's a male pilot, though.
00:57:19Clara?
00:57:20Yes, Chip?
00:57:22I've been doing a lot of thinking lately.
00:57:24About what?
00:57:26About my friend, Mr. Cowden.
00:57:28Didn't he give rights for our music?
00:57:31He was regular.
00:57:33Did I tell you I've got $1.65 for his show?
00:57:36Only about 20 times.
00:57:38It's called Music in My Heart.
00:57:40I know that, too.
00:57:42I'm going to see that you go to the show with us opening night.
00:57:47Gee, I bet it'll be great.
00:57:49Woe is me! Woe is me!
00:57:52What's the matter? Can't you take it?
00:57:54You got us into this.
00:57:55It's all your fault.
00:57:56I didn't realize this would be so serious.
00:57:59Poor Mr. Selden.
00:58:01What are we going to do?
00:58:02You can't get songs on Broadway, pal, without a little trouble.
00:58:05I don't want my songs on Broadway anymore.
00:58:08Well, this is a fine time to talk about that now.
00:58:11Don't you realize you have an obligation?
00:58:14You got us into this, and you can't run out on us now, Joseph.
00:58:17What are we going to do about the third act, Mr. Wagner?
00:58:20I've got $25,000 worth of costumes and 100 kids on my hands.
00:58:25And I've got all the kids up in the mountains.
00:58:27But how am I going to get them out again?
00:58:28Keep on postponing rehearsals.
00:58:30And what about the scenery?
00:58:31And what about the libretto?
00:58:32And the music?
00:58:33And the author?
00:58:34If I could only get hold of him, I could tell you.
00:58:36Mr. Wagner.
00:58:37Oh, don't bother me.
00:58:38This is important.
00:58:39Who's it from?
00:58:40Your prima donna.
00:58:41What does she want?
00:58:42She regrets exceedingly, but she can't wait any longer.
00:58:44She's accepted another engagement.
00:58:47Well, that about washes us up.
00:58:49What am I going to do about Selden?
00:58:52Everything he owns in the world is invested in this show,
00:58:55and I don't even know where he is.
00:58:57I think you've gone as far as you can with Selden.
00:58:58It's about time you thought of yourself.
00:59:00I don't have to.
00:59:02Oh, if I only had some idea what the last act is about.
00:59:07Who is it?
00:59:08Come in.
00:59:13Where do I put the stuff?
00:59:14Well, today being Thursday, the kitchens stay off.
00:59:17Put it any way you want to.
00:59:19It's going to be a great third act.
00:59:21Now, come on.
00:59:22The music.
00:59:23Come on, come on.
00:59:26Now I remember.
00:59:28This is where the children walk down the mountain.
00:59:30I've got a better idea.
00:59:31Why have them walk?
00:59:33Let's put in an escalator.
00:59:35It'll be something new, novel, extraordinary.
00:59:38Esca...
00:59:39Esca-what?
00:59:41You know, one of those moving stairs.
00:59:43Gentlemen.
00:59:44Sweet.
00:59:45And we'll have the principals on pogo sticks
00:59:47run away to a loaf in kiddie cars.
00:59:50That's so great.
00:59:51All the children in the esca...
00:59:54In the moving staircase, traveling with my music.
01:00:00What's wrong with that?
01:00:10I'm beginning to see what you mean.
01:00:12It's so different from Mr. Selden's conception.
01:00:15It's fantastic.
01:00:17It's so symbolic.
01:00:19It's nuts.
01:00:24It's fantastic.
01:00:40Clara.
01:00:41Yes, ma'am.
01:00:42You're setting an extra place for Mr. Mayes, aren't you?
01:00:45Yes, ma'am.
01:00:55Hello, my dear.
01:00:56Hello, Bonesy.
01:00:57You're early.
01:00:58Yes, I know.
01:01:00Good afternoon, Charles.
01:01:02Hello, Mr. Mayes.
01:01:08They're lovely.
01:01:09I'm so glad you like them.
01:01:11It's a good thing you didn't go into Selden's operetta, I mean.
01:01:24There's a little item here on the drama's page of this morning's paper
01:01:28I thought might perhaps interest you.
01:01:32John Selden's operetta, scheduled to open at 9 p.m.,
01:01:35is reported in difficulty.
01:01:37The prima donna, Miss Pauline Manners, has walked out on the show.
01:01:41Can John Selden be slipping?
01:01:43Does that mean that there's somebody that doesn't like Mr. Selden's music?
01:01:49You can see for yourself, my dear, how wise you were to stay out of it.
01:01:53I don't think it would have made a bit of difference if you had sung it.
01:02:16Must you always sing?
01:02:19Must you always sing?
01:02:37Do you know what Mr. May's written in the paper?
01:02:40Yes.
01:02:41Looks like you've lost your dollar and 65 cents, Chip.
01:02:44Oh, I don't care about that.
01:02:46But I think my mother's kind of sorry she didn't go in it.
01:02:49I think she is too, Chip.
01:02:51But I bet if Mrs. Selden asked her again, she'd do it.
01:02:54Yes.
01:02:55But if your mother ever went into that show,
01:02:58Mr. May's would never marry her.
01:03:02He wouldn't?
01:03:16Wagner Productions?
01:03:18No, I don't know when rehearsals will resume.
01:03:21All children's parts are cast.
01:03:23I would like to see Mr. Selden.
01:03:25So would everybody else.
01:03:26Wagner Productions?
01:03:28Just a moment, please. I'll connect you.
01:03:32No more kids in it either.
01:03:33But I want to see Mr. Selden.
01:03:35You don't say so.
01:03:37Go on, run along.
01:03:43Excuse me.
01:03:44Could you please tell me where I could find Mr. Selden?
01:03:46Ask the information clerk.
01:03:48I did.
01:04:07There's one thing I can't understand.
01:04:09Selden hasn't been around to a single rehearsal.
01:04:12Kind of funny, isn't it?
01:04:13What's the difference?
01:04:15If the third act's as good as the first two, it ought to be all right.
01:04:18I think it was just delivered to Wagner a little while ago.
01:04:20And now, the grand aria.
01:04:29The gloom in my heart is your being away
01:04:34The gloom in my heart would be part if you stay
01:04:40The sun is shining clear if you are only near
01:04:45The stars, the moon seem bright as soon as you're in sight
01:04:50Your smile takes the gloom far away
01:05:06Music in my heart.
01:05:08Selden should have written the last act first.
01:05:10Are you Mr. Wagner?
01:05:11Thank goodness, no.
01:05:13But that's not...
01:05:14No more children.
01:05:16Something's wrong.
01:05:18Looks like it.
01:05:19Did you hear what Grand said?
01:05:20But that's not Mr. Selden's music.
01:05:26Can I see Mr. Wagner?
01:05:28Will you quit annoying me?
01:05:29But that's not Mr. Selden's music.
01:05:31So what?
01:05:32Now get out of here and quit bothering everybody.
01:05:39No, Mrs. Conover.
01:05:40He's very busy.
01:05:41He'll call you back.
01:05:42Yes, young man.
01:05:43What can I do for you?
01:05:44Can I see Mr. Wagner?
01:05:45It's very important.
01:05:46Have you an appointment?
01:05:47No, ma'am, but...
01:05:48I'm sorry.
01:05:49All the children's parts have been cut.
01:05:50But I just got to see Mr. Wagner.
01:05:52Please.
01:05:53You're in sight.
01:05:54Stop it.
01:05:55Stop it.
01:05:56Stop it.
01:05:57Oh, no.
01:05:58Selden must be insane.
01:06:02You call that music?
01:06:04I can explain.
01:06:06I can explain.
01:06:07You've explained enough.
01:06:08Now get out.
01:06:10Get out.
01:06:13Get out of the cell.
01:06:18What's the matter?
01:06:19You don't like the music?
01:06:21This is terrible.
01:06:22This is terrible.
01:06:24I told you it wasn't so easy to get a song on Broadway.
01:06:27That's a goodbye, mister.
01:06:28Mister, my sister.
01:06:30Please, won't you let me in just for a minute?
01:06:32I'm sorry.
01:06:33You can't go in.
01:06:34I thought I told you to go home.
01:06:36Come on.
01:06:37Outside.
01:06:38But they were playing the wrong music.
01:06:40Come on.
01:06:41I'll tell you there's something wrong.
01:06:43Something's wrong.
01:06:44I'll tell you.
01:06:45Take a break, will you?
01:06:46Come on.
01:06:47Miss Barker.
01:06:48Tell Grant everything's finished.
01:06:51Save what he can and I'll do the rest.
01:06:53Go see Mr. Wagner.
01:06:54Go see Mr. Wagner.
01:06:55Go see Mr. Wagner.
01:06:56Go see Mr. Wagner.
01:06:57Go see Mr. Wagner.
01:06:59Postal notice.
01:07:00The show is canceled.
01:07:07You mean the show is closed?
01:07:09Well, it's closed.
01:07:10Oh.
01:07:11Oh.
01:07:12Oh.
01:07:13Oh.
01:07:14Oh.
01:07:15Oh.
01:07:16Oh.
01:07:17Oh.
01:07:18Oh.
01:07:19Oh.
01:07:20Oh.
01:07:21Oh.
01:07:22Oh.
01:07:23Oh.
01:07:24Oh.
01:07:25Oh.
01:07:26Oh.
01:07:28Hey, you.
01:07:52Yes?
01:07:53What is it?
01:07:54There's music in my heart.
01:07:58The angels sing.
01:08:00That's not bad enough, are you?
01:08:02But listen, Mr. Wagner's got to listen to it.
01:08:06There's music in my heart.
01:08:10The angels sing.
01:08:11What's going on here?
01:08:12What's the meaning of all this?
01:08:14Are you Mr. Wagner?
01:08:15Yes.
01:08:16What's this all about?
01:08:17Well, he was.
01:08:18Look, Mr. Wagner, that wasn't the third act
01:08:19you were listening to.
01:08:20My mother, Ari Winters, she knows all the songs
01:08:23and the aria and everything.
01:08:24Mr. Shelton wrote it for her.
01:08:26Honest, he did.
01:08:27And I, I know it perfectly.
01:08:29Would you like to hear it?
01:08:30When you're far away.
01:08:36I don't need my heart.
01:08:42Why?
01:08:43I'll be there.
01:08:45Together we will share the music in my heart.
01:09:03Bravo.
01:09:04Bravo.
01:09:05Shelton was certainly right about you, Miss Winters.
01:09:07You're both going to help me out, aren't you?
01:09:09Mr. Wagner, I'm sorry, but we've
01:09:14given you all the help that we can.
01:09:15Miss Winters, this is going to be a great triumph for you.
01:09:18I'm sure of it.
01:09:19But mother, Mr. Shelton wanted you to sing it.
01:09:22Irene, I think you know exactly how I feel about this.
01:09:27But wasn't this written for you?
01:09:29Make up your mind, Irene.
01:09:43I don't need my heart.
01:10:06There's music in my heart, playing night and day.
01:10:15Someday soon I may discover, through the years
01:10:21the echo of my love.
01:10:24There's music in my heart, playing just for you.
01:10:33There's music in my heart, playing night and day.
01:10:44Someday soon I may discover, through the years
01:10:55the echo of my love.
01:10:58There's music in my heart, playing night and day.
01:11:06Someday soon I may discover, through the years
01:11:14the echo of my love.
01:11:18There's music in my heart.
01:11:29I have found another lover.
01:11:35Leave your sorrows over.
01:11:39Go now to the world below, for you'll be a flower.
01:11:47You'll be a flower.
01:11:50You'll be a flower.
01:11:52You can feel it.
01:11:55can you feel the wind?
01:11:59There's music in my heart, playing night and day.
01:12:07Someday soon I may discover, through the years
01:12:14the echo of my love.
01:12:16There's music in my heart, playing night and day.
01:12:19Happy feet, happy feet, as we march our way to the land of the free.
01:12:25Happy years, all the world is happy years,
01:12:29stepping over pines and silver linings,
01:12:32the sun is shining for you and me.
01:12:38All our plans have come away,
01:12:42now our fun will ever begin.
01:12:46We are free to share the sun and rain to everyone.
01:12:54Alleluia!
01:12:58Alleluia!
01:13:02Happy feet, happy feet, as we march our way to the land of the free.
01:13:10Happy years, all the world is happy years,
01:13:15stepping over pines and silver linings,
01:13:20the sun is shining for you and me.
01:13:26All our plans have come away,
01:13:30now our fun will ever begin.
01:13:39Now our fun will ever begin.
01:14:10Come here.
01:14:28John.
01:14:31What?
01:14:33Where have you been?
01:14:35Anywhere, everywhere, I don't know, what does it matter?
01:14:38When I heard that you were going to sing, I couldn't stay away.
01:14:41I had to come back.
01:14:43Wonderful, Irene.
01:14:45Wagner told me everything.
01:14:47Make a wish.
01:14:51You are free.
01:14:55May they all come true for you.
01:15:01For you and me.
01:15:12THE END
01:15:42© BF-WATCH TV 2021