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FunTranscript
00:00:00♪♪
00:00:27♪♪
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00:01:05Wait.
00:01:06You needn't come up with me.
00:01:08I can get into the apartment without your assistance.
00:01:11♪♪
00:01:14Wait.
00:01:20Delinko.
00:01:22Delinko.
00:01:26Delinko.
00:01:27Delinko.
00:01:28Delinko, Delinko, Delinko, Delinko, Delinko.
00:01:38Judy darling, please, please forgive me for what happened tonight.
00:01:44I admit I was wrong.
00:01:45You did alright for yourself.
00:01:48Oh. Why do you insist on spoiling a perfectly good New Year's Eve?
00:01:52I haven't. It's hardly midnight. You won't lack company.
00:01:57You didn't earlier this evening.
00:02:01Jerry, that's not like you.
00:02:03I know. I'm a brunette.
00:02:12Besides, I... I didn't think you noticed it.
00:02:16I've tried not to for some time.
00:02:19Oh. After all, my dear, a man must live.
00:02:23I've often wondered why it was necessary in some cases.
00:02:36Will you please be serious?
00:02:37I am serious. The trouble has been that you haven't been serious.
00:02:41Don't you see, to a girl, it means so much more than just an adventure?
00:02:45Jim, you've been the only man in my life.
00:02:48I wish I'd known it was going to end this way.
00:02:52Well, it doesn't have to end this way.
00:02:55Oh, please, dear, let's forget it. Let's start this New Year's right.
00:03:00I am starting it right. Without you.
00:03:04With whom, then?
00:03:05You would ask that. I'm starting it with myself.
00:03:08Me. Jerry. Your ex, uh...
00:03:11Jerry.
00:03:12I'm not ashamed nor afraid.
00:03:16Goodbye, Jim. Have a good New Year.
00:03:18I'm going to have the best New Year I ever had since I've grown up.
00:03:31Jerry.
00:03:33Will you marry me?
00:03:36What an effort that must have been.
00:03:39Oh, stop that.
00:03:42Well, it might work out.
00:03:44If you married all of us. The chorus girl, the widow, and...
00:03:47Who told you?
00:03:48Oh, it's a secret. Nobody knows but me.
00:03:50And the Associated Press.
00:03:53Well, I...
00:03:55I haven't offered to marry anyone else.
00:03:58No? Why not?
00:04:00Well, because I...
00:04:02Because once I asked you to.
00:04:04Ah, he remembers.
00:04:07I also remember there was some difficulty about, uh...
00:04:11Setting the date.
00:04:15Thank my lucky stars.
00:04:19I'm really serious.
00:04:20I really mean it this time, Jerry.
00:04:23Mean what?
00:04:25Marriage and...
00:04:27And all that.
00:04:28No. I'm afraid there'd be, uh...
00:04:30Too little marriage and too much all that.
00:04:41Hm.
00:05:02Are you absolutely...
00:05:03Definite about this, Jerry?
00:05:06So definite.
00:05:10Well, it was beautiful while it lasted.
00:05:20Jim, come back.
00:06:11Take these designs to the shop.
00:06:13I've made the changes and they can start on them at once.
00:06:19Oh, yes, and tell Miss Curtis
00:06:21that Mrs. Hoffenstein's gown must be ready this evening.
00:06:24That luster column's on the phone.
00:06:29I'm sorry, Miss Curtis.
00:06:31I'm afraid I can't make it.
00:06:33I'm sorry, Miss Curtis.
00:06:35I'm afraid I can't make it.
00:06:37I'm sorry, Miss Curtis.
00:06:40And tell him I'll be over early in the morning.
00:06:43Well, what time?
00:06:45Twelve o'clock.
00:06:50Hello, Buster.
00:06:51Hello, Jerry.
00:06:53Can I come over?
00:06:55And bring a friend?
00:06:56I'm not dressed.
00:06:57Who is it?
00:06:58Tony Blake.
00:07:00Tony Blake?
00:07:02Oh, Anthony Blake.
00:07:04Of course, bring him along.
00:07:06I'd like to meet him.
00:07:07Tell him I think his book is wonderful.
00:07:09But don't tell him I haven't finished it.
00:07:13Why does he want to meet me?
00:07:15I don't know.
00:07:17Get him to tell you.
00:07:19You'll have to have something to talk about.
00:07:23Oh, all right.
00:07:29Hey, Tony!
00:07:30What?
00:07:33It's all set.
00:07:34Yay!
00:07:38Oh, I'm Kate.
00:07:39I'm going to meet Anthony Blake.
00:07:41Now, what's so good about that?
00:07:43He's the one who wrote this book.
00:07:44Any idiot can write a book.
00:07:46Not a good one.
00:07:47Oh, I can hardly wait until I meet him.
00:07:50You'd better take a shower and cool off a bit.
00:07:53All right.
00:07:55Come on, Kate.
00:07:56Put a tune on the piano for me.
00:07:57I love music.
00:08:00Well, anyway, the boy gets the girl in the end.
00:08:03Oh, what an unusual finish.
00:08:09Well, I'm going to meet Anthony Blake.
00:08:11Now, what's so good about that?
00:08:13He's the one who wrote this book.
00:08:15Any idiot can write a book.
00:08:17Not a good one.
00:08:18Oh, I can hardly wait until I meet him.
00:08:20All right.
00:08:21Come on, Kate.
00:08:22Put a tune on the piano for me.
00:08:23I love music.
00:08:29Hurry up now.
00:08:30Come on.
00:08:31Get in.
00:08:32Get in.
00:08:37Why get so excited over a man before you've even met him?
00:08:41I hope he's a little man with a frock coat and a beard.
00:08:45Can't you hear me?
00:08:49What I'd like to say is if I don't like him,
00:08:52I'll run him out of here.
00:08:54Oh, you will, will you?
00:08:58Well, now, if you can hear so well, turn on the cold one.
00:09:06Oh, I still like him even after a cold shower.
00:09:11If he's anything like his book, he's wonderful.
00:09:14They never are, dearie.
00:09:17I once knew Buffalo Bill.
00:09:28Four things in life are plenty of.
00:09:34What good is that only other if you haven't got love?
00:09:43Three meals a day of Rolls-Royce has to do with everything.
00:09:52So when the roads get muddy you put your feet in the mud.
00:09:57A roof above.
00:10:00What good's this, that or the other,
00:10:05if you haven't got love?
00:10:08Life is sweet, but love provides the rest of it.
00:10:16Give me love, and you can keep the rest of it,
00:10:21part of the best of it.
00:10:24For love and joy,
00:10:28go hand in glove.
00:10:32What good's this, that or the other,
00:10:37if you haven't got love?
00:10:43Mrs. Kate Smith and Miss Jerry Trent, may I present Mr. Anthony Blake.
00:10:46That's great, Buster.
00:10:54Mm-hmm.
00:10:57Mm-hmm.
00:11:00Mm-hmm.
00:11:03Mm-hmm.
00:11:06Mm-hmm? What does a mm-hmm mean?
00:11:10I've just decided you look even better with your clothes on.
00:11:13What?
00:11:14Didn't I explain?
00:11:16Come here.
00:11:18You see that building?
00:11:20I have an apartment there, and on a clear day,
00:11:22I see you here on the roof, taking your sun bath,
00:11:24in your bathing suit.
00:11:25Why?
00:11:27I know how you feel about it.
00:11:29I feel the same way.
00:11:31We should be married at once.
00:11:37You were probably going to say you don't know me well enough.
00:11:39So let's get acquainted.
00:11:40What do you do?
00:11:41I own a shop.
00:11:43You know, very smart things for very smart ladies.
00:11:46Good.
00:11:47Any profits?
00:11:49Not many.
00:11:50You see, I won't sell the nicest things.
00:11:52I keep them and wear them myself.
00:11:55Too bad.
00:11:56I thought for a minute I'd be able to quit work.
00:11:58Well, no matter.
00:11:59Now that I know you, I'm still willing to go through with it.
00:12:02Will you marry me?
00:12:04You are crazy.
00:12:05Why am I crazy?
00:12:07I obey my impulses.
00:12:08Like the character in your book.
00:12:10I am the character in my book.
00:12:11But let's get back to our marriage.
00:12:13Now then, if we went around together for several months,
00:12:16the usual thing, you'd find out that I don't like carrots and...
00:12:19And you'd find out that I dunk my doughnuts.
00:12:24Exactly.
00:12:25It's twice as much fun marrying first and getting acquainted afterward.
00:12:29Have you ever done it before?
00:12:32No.
00:12:34But right now I have an impulse to do it, and I always obey my impulses.
00:12:37We miss so much in life by not doing what we're really feeling.
00:12:40Did you ever want to trip a waiter when he's carrying a tray full of dishes?
00:12:43Yes.
00:12:44I've done it, and it's marvelous.
00:12:46It only cost me $28.60.
00:12:48What are you doing tonight?
00:12:49Why, do you want to go out and trip a waiter?
00:12:51Yes.
00:12:52I'd rather ring doorbells than run.
00:12:53Oh, the fun we are going to have together.
00:12:58That's just what I wanted to know.
00:13:00A good woman.
00:13:02That's right.
00:13:03There are not many of us left nowadays.
00:13:07Geraldine.
00:13:08What?
00:13:10Joe must be sailing for home about now.
00:13:12What?
00:13:13I say your sister Joe must be sailing from France about now.
00:13:18What time is it?
00:13:204.15.
00:13:214.15?
00:13:22Here.
00:13:24Let me see.
00:13:25Over there, it must be.
00:13:289.15.
00:13:29We're away on time.
00:13:38I'll be so glad to get home to see Sister Nancy.
00:13:42How long since you've seen your sister?
00:13:44It's been two years.
00:13:46And then, just for a few days, I'm away over here to school.
00:13:49You see, I lived with my aunt in Oklahoma.
00:13:51Oh.
00:13:53You think a lot of your sister, don't you?
00:13:55Everyone who knows her loves her.
00:13:58I could never tell you how wonderful she's been to me.
00:14:01She worked so hard to pay for my schooling over here.
00:14:04Oh, don't get me started on the subject of Jerry.
00:14:07I'll talk all the way home.
00:14:10How well did you know her?
00:14:13Oh.
00:14:15It was just one of those things.
00:14:18I remember her all right.
00:14:20But I don't know if she'll remember me.
00:14:23Wouldn't she be surprised if she knew we're engaged?
00:14:27Don't forget.
00:14:28That's our secret.
00:14:44You can't be as happy as you look.
00:14:47I've never been so happy.
00:14:49I'm falling more in love with him every day.
00:14:53But it can't go on.
00:14:56For heaven's sakes, why not?
00:15:02I've got to tell him, you know, about Jim.
00:15:06Now, don't be a fool.
00:15:08That's the one sure way of losing him.
00:15:11I know, but I won't feel right unless I tell him.
00:15:15You'll probably feel worse if you do.
00:15:18Think it over carefully.
00:15:21Well, I guess I'm just a modern girl with an old-fashioned conscience.
00:15:42Press this for me.
00:15:47Bye.
00:15:59Well, here we are.
00:16:01And just in time.
00:16:06There you are.
00:16:09Let go.
00:16:11I want to turn on the light.
00:16:13Take me with you. I'm afraid of the dark.
00:16:15All right.
00:16:21Still scared?
00:16:28Still scared?
00:16:30A little.
00:16:31Should we have some music?
00:16:33Pick a station.
00:16:35And the baby swallows the pill, thinking it's candy.
00:16:46Still scared?
00:16:50A little fire and everything's better.
00:16:54I think your feet are wet.
00:16:56No, they're not.
00:16:57They might be.
00:16:58I didn't step in the puddle.
00:17:00Well, let's see.
00:17:05Are they warm now?
00:17:13Ow.
00:17:14What?
00:17:15I'm sorry.
00:17:17I didn't mean to hurt you.
00:17:20Ow.
00:17:21What?
00:17:22I'm sorry.
00:17:23Better get a shoehorn.
00:17:29Here we are.
00:17:40There we are.
00:17:42An inventor as well as a writer.
00:17:45You know, Blake.
00:17:47Let Dr. Blake feel your pulse.
00:17:51You'll live.
00:17:53I wonder when I'm with you.
00:17:55I'm the one who's just begun to live.
00:18:02I wish I'd met you years ago.
00:18:06I wish you had.
00:18:12You didn't have as much fun today.
00:18:16What's wrong?
00:18:19Nothing.
00:18:23Aren't you going to autograph one of your books for me?
00:18:26Right now.
00:18:46Wait a minute.
00:18:48Don't pee.
00:19:16Tell me.
00:19:17Hmm?
00:19:18Do you believe everything in that book?
00:19:20Of course not.
00:19:22When you said you were the central character,
00:19:25wouldn't you do what he does?
00:19:28Well, I'd try to.
00:19:30You see, he's me.
00:19:32Idealized, of course.
00:19:46That's beautiful, Tony.
00:19:49So you'll love me more each hour
00:19:52until you're a hundred years old.
00:19:56After that, I may start chasing around.
00:20:01I'll always treasure this.
00:20:03I'll dedicate the next one to you.
00:20:05I'd love to write it in Paris.
00:20:08Now...
00:20:10If I had a wife to go with me,
00:20:13sort of a Severus Crittick?
00:20:17I have an idea for him new novel.
00:20:22Really?
00:20:24Yes.
00:20:27You should call it Love and Kisses.
00:20:30And you could point out the difference between love
00:20:34and just kissing.
00:20:37Say, that's not bad.
00:20:40Suppose, by way of plot,
00:20:43a girl who's had an affair with one man
00:20:47falls in love with another.
00:20:49Should she tell him?
00:20:51That all depends on the man.
00:20:53Supposing you're like the character in your book.
00:20:56Oh, I see.
00:20:58Well, it might be better for me to call it Love and Kisses.
00:21:03Oh, I see.
00:21:05Well, it might be better for her to tell him
00:21:08than to let him find out for himself.
00:21:10That's what I thought.
00:21:11On the other hand, it might be wise for her to say nothing.
00:21:14What a man doesn't know won't hurt him.
00:21:18I guess if everyone told the truth,
00:21:21nobody would marry anybody.
00:21:23Then honesty isn't the best policy.
00:21:25Rarely.
00:21:26The modern baby face looks up at the chump she's going to marry and says,
00:21:30You're the only one I've ever loved.
00:21:33And the big sap says,
00:21:35Here I am.
00:21:37And they lived happily ever after.
00:21:42Oh, I don't know.
00:21:45It's hard to say what a girl should do who's faced with that situation.
00:21:49But I am, Tony.
00:21:51You're what?
00:21:52Faced with that situation.
00:22:00I am.
00:22:26Did you love him?
00:22:28Tell me.
00:22:29If you loved him, I'll die.
00:22:31I only thought I did.
00:22:33Don't you see, I had to think I did.
00:22:36I don't want to know anything about him.
00:22:39I don't even want to know who he is.
00:22:45Just promise me you'll never see him again.
00:22:47Oh, no fear of that.
00:22:50Sherry.
00:22:54I have a confession to make.
00:22:56Once I...
00:23:01Went out with a girl.
00:23:03That makes us even.
00:23:07Oh, Tony.
00:23:11In spite of my great mercy,
00:23:13I've never loved a man like you.
00:23:17In spite of my great mercy, will you marry me?
00:23:21I'd like to see anything stop me.
00:23:39I'd better go.
00:23:41Why? It's raining.
00:23:42No, it isn't. It stopped.
00:23:46And my...
00:23:47And my sister's coming in tomorrow.
00:23:49And I have to meet her.
00:23:51And besides, I have some letters to write.
00:23:53Oh, those aren't reasons.
00:23:55Well, they'll do. Goodbye.
00:23:57Wait, I'll go with you.
00:24:16Good-bye.
00:24:47I forgot my book.
00:24:53Tony.
00:24:55You didn't change what you had written, did you?
00:24:58Yes, a little.
00:25:00Oh.
00:25:03I want it.
00:25:05Give it to me.
00:25:08Give it to me.
00:25:10Please.
00:25:37I want it.
00:25:39I want it.
00:25:41I want it.
00:26:07Well, I love it, John. I love it.
00:26:11Oh, and you tell me how good it looks to me.
00:26:14I'm so happy.
00:26:16Well, I'm going to help Poole to unpack your things.
00:26:18All right.
00:26:19Oh, and Kate, New York is so different from Paris.
00:26:22The trunks will be here about an hour.
00:26:27Gee, it's great to see you, baby.
00:26:32Hey, what's the matter?
00:26:34Please, Buster. I have to unpack and everything.
00:26:39Say, aren't you glad to see me?
00:26:42Of course I'm glad to see you, but...
00:26:45But what?
00:26:47Quit being so young.
00:26:49I mean, you're older than you are.
00:26:51Well, I could.
00:26:53It was rather silly to think that things would be the same between us after two years.
00:26:59Oh, you're kidding.
00:27:02Aren't you coming?
00:27:04Well, it's nice of you to want to give me a party, but you really shouldn't do it.
00:27:12Hey, Jerry, help me out.
00:27:15She's giving me the chill.
00:27:17Says she doesn't want to go to my party.
00:27:19What's the matter? Won't you go?
00:27:23There you are, my lad. From now on, it's up to you.
00:27:27See you about 7.30?
00:27:31All right.
00:27:33And you, Tony?
00:27:36And you too, Mrs. Brown.
00:27:49Oh, I can't get over the way you've grown.
00:27:52It was only yesterday I was looking at these.
00:27:55Look.
00:27:58There you are, before going to Paris.
00:28:00Before and after.
00:28:04Aha!
00:28:08What the well-dressed baby used to wear.
00:28:11Oh, my lap.
00:28:28That reminds me.
00:28:31I promised to look after you.
00:28:38At times I worried about you being out of my sight for so long.
00:28:46You didn't have to.
00:28:49I couldn't help it.
00:28:58I hope we have as much fun here as we had in Oklahoma.
00:29:01Do you remember the night you went out with Spore Wardell?
00:29:06In that funny car, chugged along, and he made you get out and walk.
00:29:11And even at that, I beat him home.
00:29:18What's that?
00:29:20I was wondering if you remember.
00:29:22Of course I do.
00:29:24Don't tell me.
00:29:26Don't tell me.
00:29:32That's the last part of it.
00:29:34I remember it.
00:29:36It's the S.O.S.
00:29:38When you had a bow in the parlor and he got too, uh, bow-ish.
00:29:42You'd sing this, which was my signal to come in and say, uh,
00:29:46Jeremy, bedtime.
00:29:48It saved my life many times.
00:29:51Start over.
00:29:54If you can hear me calling, dear
00:29:59Come to me, come to me
00:30:04My life, my love, my all
00:30:10Come sing.
00:30:12From near and far, wherever you are
00:30:16Come to me, come to me
00:30:22In answer to my call
00:30:29Somewhere on a hill
00:30:33There's a whippoorwill
00:30:37Calling with me as the shadows fall
00:30:46I need you now to keep your bow
00:30:52Come to me, come to me
00:30:58My life, my love, my all
00:31:11You'll never hear me calling, dear
00:31:17When he's here.
00:31:19Oh, he's good-looking.
00:31:21Who is he?
00:31:22Anthony Blake.
00:31:23The novelist.
00:31:25And your future brother-in-law.
00:31:28No.
00:31:29Yes.
00:31:30Oh, he's terrific.
00:31:31You'll meet him tonight.
00:31:33Oh, you, you poor darling.
00:31:35You've been in a convent so long,
00:31:38I suppose you've forgotten what boys look like.
00:31:40I have, all except one.
00:31:42He hasn't forgotten you, either.
00:31:43Oh, I don't mean Buster.
00:31:45No?
00:31:46No, this one I met in Paris.
00:31:48I think you know him, too.
00:31:50Who is he?
00:31:51Jim Woodward.
00:31:53Don't you know him?
00:31:57Yes, I'm trying to place him.
00:32:00He said you might not remember him.
00:32:02Oh, Jerry, he wears the cutest clothes,
00:32:04says the most adorable things,
00:32:06and dances divinely.
00:32:08If you'd ever met him, you'd remember him.
00:32:10I remember him.
00:32:12Vaguely.
00:32:14Well, I...
00:32:16I suppose you'll want a manicure in there
00:32:18and a wave for tonight.
00:32:19I'll go with you.
00:32:20I need one, too.
00:32:21Oh, and you can wear one of your new Paris gowns
00:32:23to Buster's party.
00:32:25It'll be a wonderful party, really, Will.
00:32:30Oh, what a party I'm giving.
00:32:36Hey.
00:32:54I asked a friend of mine to drop in on the party.
00:32:57Hope you won't mind.
00:32:59That's great.
00:33:00What's her name?
00:33:02Jim Woodward.
00:33:07Swell.
00:33:08I want to hear someone play a cape.
00:33:12Yeah.
00:33:16Shall we tell them about us?
00:33:18Why?
00:33:20I want to pin you down in public.
00:33:27Why not?
00:33:29Not now.
00:33:32Hello, Joe.
00:33:34Hello.
00:33:37Do you remember Mr. Woodward?
00:33:40Jerry.
00:33:42And more beautiful than ever.
00:33:48Meet me, Mr. Woodward.
00:33:50Tony Blake.
00:33:51I'm the fellow who's supposed to make
00:33:52all those pretty speeches for Jerry.
00:33:54And my aunt, Mrs. Smith.
00:33:57How do you do?
00:33:59How do you do?
00:34:00And this is Mr. Collins.
00:34:02Mr. Collins.
00:34:20Have a drink, Woodward?
00:34:21Yes, thanks.
00:34:37What a party I'm giving.
00:34:44Well, here's to...
00:34:47Well, what shall we do?
00:34:53I've something important to drink to.
00:34:56The minute I laid eyes on Jerry Trent,
00:34:58I wanted to be a slave.
00:35:00I offered my services as a chauffeur.
00:35:03She said, no, I...
00:35:04Myself.
00:35:05I said, well, what about a secretary?
00:35:07She said, no, I handle all correspondence myself.
00:35:11No matter what I suggested it seemed
00:35:13she didn't need me.
00:35:16Then one day I remarked
00:35:17that she might like to marry and
00:35:22raise a family.
00:35:25Yes, I got the job.
00:35:27I go to work Monday.
00:35:30Thank you for going out, Buster.
00:35:32Congratulations.
00:35:33Thanks, Buster.
00:35:38Likewise.
00:35:39Thanks.
00:35:46Here's hoping you're never discharged.
00:35:49Thanks, old man.
00:35:54May I dance with the gladiators?
00:35:56Of course.
00:35:58Jerry.
00:36:00Jerry.
00:36:30Can I be best man?
00:36:33He's the best man I ever knew.
00:36:37Is that nice?
00:36:43Roses round the door,
00:36:44kitties on the floor.
00:36:46Are you gonna go for that?
00:36:48Why not?
00:36:49I love him.
00:36:51This doesn't mean anything, you and John.
00:36:54Does it?
00:36:58Why?
00:37:00You know why.
00:37:04Just land Harris on the boat.
00:37:08She's only a child.
00:37:10I think she's getting a bit serious.
00:37:15I don't know.
00:37:16I don't know.
00:37:17I think she's getting a bit serious.
00:37:20See that she doesn't.
00:37:23You know me.
00:37:25That doesn't do well.
00:37:35Guess who it was.
00:37:38Buffalo Bill.
00:37:48Now's a good time to invite them.
00:37:51Where?
00:37:52To your home.
00:37:54Our family should meet sometime if we're going to be married.
00:37:59Plenty of time for that.
00:38:01But you said you'd arrange it as soon as you got back.
00:38:08Attention, please.
00:38:10Stand by for a station announcement.
00:38:13I'm giving a big weekend party
00:38:15in my father's name at Westbury,
00:38:17and I want you all to come.
00:38:19And maybe you'll get a surprise, too.
00:38:24I'll bet I know.
00:38:25Another engagement.
00:38:26Well, it's something to drink to anyway.
00:38:34I'm sorry.
00:38:36I'm sorry.
00:38:37I'm sorry.
00:39:08Why didn't you tell me we weren't going to the Woodward's
00:39:11before I got all dressed up?
00:39:13I'm sorry, Aunt Kate.
00:39:14We shouldn't go, and Joan shouldn't go either.
00:39:17Bound to be an awkward situation for all of us.
00:39:20Well, on second thought, perhaps you're right.
00:39:23Might cause a lot of trouble.
00:39:25Even a big scandal.
00:39:27Joan has no business there.
00:39:29And from what you tell me about Jim Woodward,
00:39:32even I would like to know.
00:39:34Besides, Joan might find out about...
00:39:40What's the matter? Aren't you going?
00:39:43No, and you shouldn't go.
00:39:46But Jerry, his parents want to meet us.
00:39:49And you think he wants to marry you?
00:39:51Of course.
00:39:53What about Buster?
00:39:54He's just a kid. I like older men.
00:39:57Naturally.
00:39:58I don't think he'd want to marry you.
00:40:00I don't think he'd want to marry you.
00:40:02I like older men.
00:40:03Naturally, you would at your age.
00:40:05Wouldn't you tell Buster?
00:40:07I had that out with him this morning.
00:40:09He'll get over it.
00:40:10He's a fine boy.
00:40:12You mean to imply that Jim isn't?
00:40:15Darling, you've always listened to me.
00:40:17Please listen to me now.
00:40:19I know something about life.
00:40:21You're only on the brink of it.
00:40:23And I want you to benefit by my experience.
00:40:25You mustn't have heartaches that you can possibly avoid.
00:40:28That's why I want you to believe me
00:40:29when I say that Jim Woodward's not the sort of man
00:40:31you should marry.
00:40:32How do you know so much about him?
00:40:34You said you barely remembered him.
00:40:36Well, I knew a girl that he went with
00:40:38and how he treated her and lots of others.
00:40:40I don't care about his others.
00:40:42Every man has had others.
00:40:43Ask Tony.
00:40:44Joan.
00:40:45Just a moment, Aunt Kate.
00:40:47At least Jim didn't love the others.
00:40:48Now that he's engaged to me, he's through with them all.
00:40:50He told me so.
00:40:51He told you so?
00:40:52Would you believe black was white if he told you so?
00:40:55I happen to know that he promised to marry this particular girl.
00:40:58And she believed in him.
00:40:59She's running around with a dozen others
00:41:00that believed in him, too.
00:41:01You've no right to talk to me like this.
00:41:03I'm old enough to know what I'm doing.
00:41:04You think so?
00:41:05Yes, I do.
00:41:06How do you know this girl's telling the truth about Jim?
00:41:08I wouldn't believe anything I heard from that kind of girl.
00:41:11Oh, yes, you would from this kind of girl.
00:41:13No, I wouldn't.
00:41:14She's probably lying.
00:41:15Who is she?
00:41:16You want to know who she is?
00:41:17I'll tell you who the girl is.
00:41:19Jerry.
00:41:20Let her alone.
00:41:21Go on, Joan.
00:41:22Go on to Westbury.
00:41:23Marry the man you love.
00:41:26Why, you girls ought to be ashamed of yourselves.
00:41:29Falling like this.
00:41:31Goodbye, Joan.
00:41:48I just couldn't let you go through with it.
00:41:50You were right.
00:41:52Just give that Jim Wood a time.
00:41:54He'll open her eyes himself.
00:41:56By then it might be too late.
00:41:58Jim isn't going to be on the level with her.
00:42:00It just isn't in him.
00:42:02Oh, if Joan only knew him as I know him.
00:42:21Hello, darling.
00:42:24Everything's all set.
00:42:2510 o'clock, the little church around the corner,
00:42:27then to your house for food.
00:42:29I'm no fool.
00:42:31Well, say, how much should I give the minister?
00:42:34Whatever you think it's worth, I suppose.
00:42:36Oh, I couldn't afford to pay that much.
00:42:39What are you laughing at?
00:42:41The passport's just got here.
00:42:43Oh, Tony, my picture.
00:42:45Isn't it dreadful?
00:42:47We're a great pair.
00:42:49We don't look as if we're trying to get out of the country.
00:42:51We look as if we're trying to get in.
00:42:54Oh, by the way, Jerry, I can't go to the Woodward's.
00:42:58No, I've got to run down to Washington after all.
00:43:01Oh, that's all right if you have to go.
00:43:03I'm not going either.
00:43:05Oh, you shouldn't stay home on my account.
00:43:07You ought to go anyway.
00:43:08Why, you'll probably have lots of fun.
00:43:11I'm not going.
00:43:13I'm not going.
00:43:15You ought to go anyway.
00:43:16Why, you'll probably have lots of fun.
00:43:18Don't be silly.
00:43:20I couldn't have any fun without you.
00:43:23Well, hurry back.
00:43:27I'll miss you.
00:43:30Be a good boy.
00:43:32Goodbye, darling.
00:43:35And, Kate?
00:43:37Yes?
00:43:38Get ready.
00:43:39We're going to Westbury.
00:43:54Oh, Mrs. Vance, I'm so sorry your sister-in-law couldn't come.
00:43:57I was so anxious to meet you.
00:43:59Oh, Mrs. Vance, I'm so sorry your sister-in-law couldn't come.
00:44:02I was so anxious to meet you.
00:44:04I'm sorry, too.
00:44:05Well, here they are now.
00:44:07Pardon me, please.
00:44:08Oh.
00:44:09Mary.
00:44:10What a surprise.
00:44:11I'm ashamed.
00:44:13Why?
00:44:14I don't understand it now.
00:44:16What a surprise.
00:44:17Mother, Dad, I want you to know Miss Trent.
00:44:20How do you do?
00:44:21And her aunt, Mrs. Jones.
00:44:25Mrs. Jones.
00:44:28Why don't you come in?
00:44:40Hello?
00:44:42Yeah?
00:44:46You attended to it?
00:44:48Thanks a lot.
00:44:50I didn't want to go to Washington anyway.
00:44:53Goodbye.
00:44:58I'm terribly sorry about you and Jones.
00:45:01I did all I could.
00:45:03But I'm defeated.
00:45:09I don't know why you're on my side, but I love you for it.
00:45:17And after I finish these, I'm going in and get Jim's old man to call the whole thing off.
00:45:27Goodbye.
00:45:46I think I'm brave enough now.
00:45:49I'm interested in Miss Trent.
00:45:51I like Jones.
00:45:53I like the sister.
00:45:55But that aunt...
00:45:56Oh, she seems all right.
00:45:58All right.
00:46:00Come in.
00:46:10How do you do?
00:46:12How do you do?
00:46:16How do you do?
00:46:18Hello?
00:46:20When I met you today, Mr. Woodward, I don't think you remembered me.
00:46:24I'm the son of Timothy Collins.
00:46:26Buster Collins.
00:46:27Why, we knew you when you were that high.
00:46:30Now I'm this high.
00:46:37I came in here to ask you, Mr. Woodward, if you knew that Jim intended to marry Joan Trent.
00:46:42No, really.
00:46:44Well, we hadn't heard, but I should be very glad if it were true.
00:46:50We're anxious that Jim should settle down.
00:46:54Oh.
00:46:57But what do you know about these Trents?
00:47:00Nothing much.
00:47:01They seem to be nice people.
00:47:04Well, not from what I heard.
00:47:07But if you're satisfied, all right.
00:47:10Buster, one moment.
00:47:12Tell us what you heard.
00:47:14Oh, it doesn't matter much.
00:47:16Oh, it certainly does.
00:47:18Tell us what you know.
00:47:20Well, I heard that the aunt was a bootlegger.
00:47:26What did I tell you?
00:47:27Nonsense.
00:47:28I don't believe it.
00:47:30You may not believe that, but that's not the half of it.
00:47:34Oh, but I can see you're not interested.
00:47:37Oh, Buster, just a minute.
00:47:39Tell us what you know.
00:47:42Do you want to know all?
00:47:44All.
00:47:47Well, it's pretty bad.
00:47:53I wish I hadn't mentioned it.
00:47:55Young man, will you speak up?
00:47:59All right.
00:48:01You asked for it.
00:48:04Everyone that knows a Trent knows that there's a dash,
00:48:10just a teeny-weeny dash of insanity in the family.
00:48:29Now I feel like a kid.
00:48:38How'd you do, comrade?
00:48:41I did all right.
00:48:43What do you mean, you did all right?
00:48:45I don't think there'll be any Woodward's marrying any Trent.
00:48:49Really?
00:48:51Buster, what did you say?
00:48:54I'd rather not tell you.
00:48:57Don't tell me.
00:48:59I'd rather not.
00:49:01You might not like it.
00:49:03I swear I love it.
00:49:05You won't get sore now.
00:49:07Cross my heart.
00:49:09Well, I told him that...
00:49:17Now Buster, stop it.
00:49:19Out with it, out with it.
00:49:21Well, I told him...
00:49:24I told him that there was a dash,
00:49:27just a teeny-weeny dash of insanity in your family.
00:49:35Buster!
00:49:38Oh, that's awful.
00:49:41I said there was just a teeny-weeny dash.
00:50:11Tickle.
00:50:33Tickle.
00:51:07Those are embarrassing crackers.
00:51:10You know, you can get a kind that won't break.
00:51:13Of course, you can't eat them, but you can butter them.
00:51:18What's the matter?
00:51:19Nothing.
00:51:21Aren't you going to have your consummate?
00:51:24My consummate?
00:51:26Why, I thought it was...
00:51:33Would you pass the sugar?
00:51:36Please.
00:51:37Sugar?
00:51:38Sugar.
00:51:46One, two, button your shoe.
00:51:49Three, four, shut the door.
00:51:52Five, six...
00:51:54Pardon me.
00:51:56Do you realize that sugar?
00:51:58Oh, yes.
00:51:59Yes, yes, I've heard of that before.
00:52:01I'll bet you love it.
00:52:05When, when?
00:52:07What's the matter?
00:52:08Nothing.
00:52:22What are you looking at?
00:52:23Nothing.
00:52:32What do you want?
00:52:33Nothing.
00:52:44What's the matter?
00:52:45Nothing.
00:52:55What are you laughing at?
00:52:56Nothing.
00:53:16Oh, Aunt Kate, I have news for you.
00:53:18Mr. Woodward knew Buffalo Bill.
00:53:22Help me.
00:53:48Oh, no.
00:54:07What did you call me for?
00:54:08I'm partying at his uncle's house?
00:54:09What do you mean by inviting these tramps to our house?
00:54:12They're crazy.
00:54:14Crazier than the rest of our guests?
00:54:16Absolutely mad, I tell you.
00:54:17They stand out.
00:54:21Oh, you must be mistaken, then.
00:54:26Go up and quiet her down.
00:54:28Order a straitjacket.
00:54:29Do something.
00:54:30All right, all right.
00:54:33Didn't you know Buffalo Bill?
00:54:43Oh, that's it.
00:54:44I think I'll finish planting in my bathing suit.
00:54:46Is that all the convincing?
00:54:57Well, hello, Collins.
00:54:59What are you doing in this lady's bedroom?
00:55:04What are you doing in this house?
00:55:10When I think of the answer to that, I'll be back.
00:55:15Oh, Jerry.
00:55:19Well, this little James.
00:55:21Oh, what's going on here?
00:55:23What are you up to?
00:55:24Nothing, nothing.
00:55:25I've given up.
00:55:26Let anybody marry anybody.
00:55:28You're the winner.
00:55:29Jim Woodward, the winner.
00:55:30Rah, for Jim Woodward.
00:55:32My old man's terribly upset.
00:55:34He thinks you're crazy.
00:55:35Crazy?
00:55:36Why, I only obeyed my impulses, that's all.
00:55:39What are you talking about?
00:55:40We miss so much in life by not doing the things we want to do.
00:55:43If you feel like doing something, why shouldn't you do it?
00:55:46For instance?
00:55:47Well, love.
00:55:48Oh, for example.
00:55:49I don't like his expression.
00:55:55I catch on.
00:55:56Yes, you would.
00:56:02Oh, baby, this is a perfect house for obeying impulses.
00:56:06I have work here that'll take me days.
00:56:12Ah, ha, ha
00:56:15Oh!
00:56:16Ha, ha, ha
00:56:20Oh, Jerry.
00:56:39Now I have another impulse, you get out of here, go on, up you go, up, up, oh yeah, good.
00:56:48What do they think downstairs?
00:56:50I don't care what they think.
00:56:53I have a bigger impulse.
00:56:55I want to stay.
00:56:57I haven't laughed like this in years, Jerry.
00:57:02I always did have a good time with you.
00:57:05Why talk about that?
00:57:09I'm just beginning to realize what a fool I was to let you get away from me.
00:57:14Are you trying to make love to me?
00:57:17That's the impulse.
00:57:24What about Joan?
00:57:27Joan will never be a Jerry.
00:57:30I think the only reason I ever felt for Joan in the first place was that she reminded me so much of you.
00:57:36Can't we start all over again?
00:57:42Do you mean it?
00:57:45I was never more serious in my life.
00:57:53Just a moment, let me think.
00:58:00I'd hate to hurt Joan any more than is necessary.
00:58:04Joan's just a kid.
00:58:06She'll get over it.
00:58:12I bet I know what you're thinking about.
00:58:15Blake.
00:58:16Oh, forget him.
00:58:19Don't you want me back?
00:58:22Isn't there just a little spark still burning?
00:58:26Why do you suppose I was so anxious to break it up between you and Joan?
00:58:34Jealousy!
00:58:38What a fool I was not to have seen it before.
00:58:42You mustn't be too hasty, Jim.
00:58:46Come on, Jerry.
00:58:49Do you suppose it'll work out?
00:58:51Why, certainly.
00:58:54Can we ever recapture the happiness of the old days?
00:58:58Why, of course we could.
00:59:02Remember the gay nights?
00:59:04The music, the dancing?
00:59:07Well, the same places are still open.
00:59:12You used to tell me that you liked nothing better than to sit for hours while I sang to you.
00:59:20I liked that, too.
00:59:22Did you, Jim?
00:59:24Do you remember?
00:59:27If you can hear me calling, dear,
00:59:32calling to me, calling to me,
00:59:38my life, my love, my all,
00:59:45from near or far, wherever you are,
00:59:50come to me, come to me,
00:59:55in answer to my call.
01:00:03Somewhere on a hill,
01:00:07there's a whippoorwill
01:00:11calling with me as the shadows fall.
01:00:20I need your love to keep your love.
01:00:26Come to me, come to me,
01:00:35my life, my love, my all.
01:00:57So that's it.
01:01:02Oh, oh, Joan's mad.
01:01:09Now, now, Joan, don't make a scene.
01:01:13That's right. Now, now, Joan, mustn't make a scene.
01:01:17What am I supposed to do, applaud?
01:01:20We were just, uh, we were just, uh, uh, uh, we were just discussing things.
01:01:26That's right. Jim was trying to tell me how much he loved you.
01:01:30Well?
01:01:32Well, uh...
01:01:34I think you'd sound more convincing with your coat on.
01:01:41No wonder you didn't want me to have him.
01:01:43You wanted him for yourself.
01:01:45Why, a man like Jim has enough love for both of us.
01:01:50I won't share his love with anyone.
01:01:54Well, I guess you're gonna have to choose between us.
01:01:57Why don't you pick yourself a trend?
01:02:01Well, maybe this will help.
01:02:02Ibbity-bibbity, sibbity-sab, ibbity-bibbity.
01:02:04Kanaba.
01:02:05Kanaba.
01:02:06Kanaba in, Kanaba out.
01:02:08How does it go?
01:02:09Oh, stop it.
01:02:12Why do you hesitate? Is there any doubt?
01:02:15Of course there's a doubt.
01:02:17Jim's very fond of his Jerry, aren't you, Jim?
01:02:22Jerry, I don't know how you could do this to me.
01:02:29Joan, don't cry.
01:02:31Please.
01:02:33I'm not hurt.
01:02:35But you'll soon forget. Really, you will.
01:02:38There, don't cry.
01:02:40Leave me alone. Don't touch me.
01:02:45Oh, Joan.
01:02:47I don't think you quite understand.
01:02:50You see, well...
01:02:53You see, Jerry and I were once sweethearts.
01:03:11You and Jerry?
01:03:13Yes, Joan.
01:03:15Oh.
01:03:17We just discovered each other.
01:03:20All over again.
01:03:22Haven't we, dear?
01:03:24Please.
01:03:46Oh, please.
01:03:47Tony, wait.
01:03:48Tony.
01:03:49Wait.
01:03:50Don't misunderstand me.
01:03:51Take your hands off her.
01:03:52He doesn't mean anything.
01:03:53He doesn't mean anything. I don't care.
01:03:54I don't care why you did it.
01:03:55Oh, but Tony.
01:03:56I wasn't a man.
01:03:57And you promised me.
01:03:58I know I promised you.
01:03:59But surely you of all people will understand.
01:04:01Why, even your book, you said.
01:04:02But I don't happen to be a character in a book.
01:04:16How do you take it, darling?
01:04:18About...
01:04:24I'm beginning to understand you, Jim.
01:04:28You're not bad.
01:04:30You're just...
01:04:32Not very bright.
01:04:53Hello, Jerry.
01:05:19What's the matter? Sick?
01:05:20No, I'm all right.
01:05:23Talked to Joan this morning on the phone.
01:05:25And what do you think?
01:05:29She called me.
01:05:34Looks like everything's gonna be all right.
01:05:40Say, what happened out there the other night?
01:05:43Tony no more than got there and he left.
01:05:46And then you left.
01:05:48And then everybody left.
01:05:49So I left.
01:05:52I left.
01:05:59Hello, Joan.
01:06:08But, dear...
01:06:10Do you mind if I meet you down at the car?
01:06:13I want to talk to Jerry a moment.
01:06:16Sure.
01:06:17See you soon, Jerry.
01:06:23I want to tell you, Jerry.
01:06:25I understand everything now.
01:06:29And I'm sorry about Tony.
01:06:32I know you are.
01:06:36And I want to tell you...
01:06:39And I want to tell you...
01:06:57You want me to stay home with you.
01:07:01I don't have to go out with Buster.
01:07:03I think it would be nice if you would.
01:07:05Would you be all right?
01:07:12I'll be home early.
01:07:21Oh, Miss Trent.
01:07:23I want you to see something wonderful.
01:07:25It just come.
01:07:35See, isn't this just beautiful?
01:08:06Are you going to stand around all day
01:08:08and admire that atrocity?
01:08:10Oh, you ought to be ashamed of yourself.
01:08:13I'm getting sick and tired of it.
01:08:15Why, Jane, what do you mean?
01:08:17Here you are in love with a man.
01:08:19Yet you sit around all day moving
01:08:21while he sails right out of your life.
01:08:23Are you sure he's sailing?
01:08:25Certainly. I called his house.
01:08:27You didn't?
01:08:29Of course I did. Why not?
01:08:31Oh, shame on you.
01:08:33What did he say?
01:08:35Nothing. He wasn't there.
01:08:37But his servant tells me
01:08:39that he's sailing for Europe.
01:08:41We were going to gather.
01:08:43Now he's gone. He left.
01:08:45No, he hasn't.
01:08:47He doesn't sail for 35 minutes.
01:08:49Now, if you're any sort of a girl at all,
01:08:51and if you're worthy of the name of Trent,
01:08:53you will get out of here and go after him.
01:08:57He's your man, isn't he?
01:08:59You love him, don't you?
01:09:01Well, you're always preaching to me
01:09:03about obeying those instincts.
01:09:05Now, why don't you practice what you preach?
01:09:07But I couldn't make the call in 35 minutes.
01:09:09Besides, I hadn't anything packed.
01:09:11Yes, you have.
01:09:13Now, get out of here.
01:09:15Come on, come on, get out of here.
01:09:17Where are my things?
01:09:19Right here, right here. Here's your coat.
01:09:21And your hat and your purse.
01:09:23Now, come on, come on, get your things together.
01:09:25I'm sure there's something you've forgotten.
01:09:27Oh, thank you.
01:09:29What nightgowns did you bring?
01:09:31Your good ones, of course.
01:09:33Here, here, come on, get your coat on.
01:09:35I haven't got any time to lose.
01:09:37Here, here, I've got the one that's going.
01:09:39Here, get into this yourself.
01:09:41Oh, hurry, hurry.
01:09:43Now, have you got everything?
01:09:45Yes, and Kate, tell Joan about it.
01:09:47She'll love to know what I'm talking for.
01:09:49Yes, I will, I'll tell her everything.
01:09:51Oh, I don't know.
01:09:53Now, have you got your grip?
01:09:55Hurry now.
01:09:59Oh, Kate, you're a darling.
01:10:01What will I ever do without you?
01:10:03But when you get to Paris,
01:10:05and you still can't do without me,
01:10:07send for me.
01:10:09Goodbye.
01:10:29Why, Aunt Kate, is Jerry here?
01:10:31She's out.
01:10:33Well, I must see her at once.
01:10:35I started to say it without her, but I couldn't.
01:10:37I don't care what's happened.
01:10:39I want her.
01:10:41I said a lot of things I'm sorry for,
01:10:43and I want to tell her.
01:10:45Why, I'm mad about her.
01:10:47I'm simply crazy.
01:10:49That's what I said the first time I saw you.
01:10:51I guess I'd better tell you.
01:10:53She's gone to the boat looking for you.
01:10:55Gone to the boat looking for me?
01:10:57Yes.
01:10:59Looking for me?
01:11:01Goodbye.
01:11:03Goodbye.
01:11:19Have your tickets ready.
01:11:21You can't get aboard without a ticket.
01:11:23But I'm sailing on this boat.
01:11:25You can't get aboard without a ticket.
01:11:27But I must sail.
01:11:29You must not sail unless you have a ticket.
01:11:31Will you please stand aside?
01:11:33Show your tickets, please.
01:11:35Have your tickets ready.
01:11:37Have your tickets ready, please.
01:11:39Have your tickets ready.
01:11:55Have your tickets ready, please.
01:11:59Have your tickets ready, please.
01:12:13Have your tickets ready, please.
01:12:15I. Have you seen
01:12:25a girl go by. And I don't know what I'm going to like what I'm going to do that
01:12:31really she she's come up about about here on you. She's
01:12:37a cute little thing she looks like this. And you got to take it.
01:12:45I. Like to get them and it's here.
01:12:52If you see it come on but I'll tell her.
01:13:15I.
01:13:17Want to get. Even if you have
01:13:43a ticket. I don't worry I'm sure she can share my cat.
01:13:54I'm sorry. But this is
01:13:56a first class. But the state the reputation of the boat the captain can marry it.
01:14:04With the lady's consent of course.
01:14:13To be.