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00:08:38Well, welcome to the party.
00:08:40Looks like everybody's here.
00:08:42What are you doing here, Flatfoot?
00:08:44I hear you're a juvenile officer now.
00:08:46Yeah, that's right.
00:08:48I know a girl by the name of Rita Randall.
00:08:51Works at the Cosmo restaurant down the street.
00:08:55Very pretty girl.
00:08:57Young.
00:08:59Too young to be stealing money from the till.
00:09:01So she can dial up for some punk Romeo.
00:09:04Any idea where I can find her?
00:09:08You know a girl like that, Pinkhead?
00:09:10Me? No, boss.
00:09:13No, I don't know any dumb dame like that.
00:09:15I'll find her. I'll tell her you said that.
00:09:21Looks like you're losing all your dames at once, boss.
00:09:24Why do you suppose she did a dumb thing like that?
00:09:26Go out and look for her.
00:09:28Try that rat pepper she lives.
00:09:30I'll beat her before Donovan pitches her.
00:09:33Hi, kid.
00:09:35Good to see you.
00:09:37I suppose you heard about the trial.
00:09:39Isn't it swell?
00:09:40No.
00:09:41Well, maybe you knocked on the wrong door or something.
00:09:45Listen to me.
00:09:46I'm leaving town tonight.
00:09:48Come on, go with me.
00:09:50Wait a minute.
00:09:51What's happened?
00:09:52They asked me to resign today.
00:09:54You know the reason.
00:09:55They think I'm corrupting the children.
00:09:57Why those?
00:09:58You can't blame them.
00:09:59I suppose you blame me.
00:10:01There's no question of blaming anyone.
00:10:03As long as I stay in this town, it's going to be this problem.
00:10:07Come on, let's go away together.
00:10:09We'll get a fresh start.
00:10:10Maybe we'll get a break.
00:10:12I won't leave Johnny.
00:10:14But he's no good for you.
00:10:16He's a crook and a murderer.
00:10:18They're bound to catch up with him.
00:10:21Come on, get out.
00:10:23Get out before it's too late to get out.
00:10:25Johnny's too smart to get caught.
00:10:27Supposedly he doesn't get caught that way.
00:10:30Let's stop him.
00:10:33Listen.
00:10:35Johnny loves me and I love him.
00:10:37You've got a lot of nerve coming here.
00:10:40I wouldn't trade him and what I've got for any stupid little job.
00:10:44And a hole to crawl home to at night.
00:10:47Not if my life depended on it.
00:10:49Okay, Jane.
00:10:51I'm sorry, kid, but that's the way it is.
00:10:55Sometimes I think things might have been different once.
00:10:59Not now.
00:11:00I don't kid myself about that.
00:11:03Couldn't they ever be different?
00:11:05No, baby, skip it.
00:11:07Now beat it and good luck.
00:11:10Okay.
00:11:14How do you do, Miss Martin?
00:11:24Come here.
00:11:27Miss Martin.
00:11:30Mr. Dalvers, I've been thinking over what you were talking about this afternoon.
00:11:33Then you'll take the job.
00:11:35Do you honestly think I could help those girls?
00:11:37I'm sure of it.
00:11:38So sure that the other day I recommended you for it.
00:11:41Just a formality that will take a few days.
00:11:44Do you think I'll be accepted, even there?
00:11:47Don't you worry about it.
00:11:49Tell me, what made you change your mind?
00:11:52I went to see my sister this afternoon.
00:11:55Let me tell you what I know about the school.
00:12:03Who is it?
00:12:05My name is Frank Donovan, Miss Martin.
00:12:07What do you want?
00:12:08Talk to you for a moment.
00:12:10I don't know you, and it's quite late.
00:12:13I'm with the police department.
00:12:16Can I come in?
00:12:18Sure.
00:12:21Do you mind if I sit down?
00:12:23As long as you're with the police department.
00:12:25You don't believe me?
00:12:26I saw you talking to Johnny Moon.
00:12:28Don't policemen do that?
00:12:30I'm under the impression that they're afraid to.
00:12:33Now that you're here, what have you to say?
00:12:35It's late and I'm terribly tired.
00:12:37Well, it's about the County Correctional School.
00:12:40I've almost decided you'll do for the job.
00:12:42Oh, you have?
00:12:43I know all about you.
00:12:44As a matter of fact, I've looked up your past.
00:12:46As a matter of fact, I've looked up your past.
00:12:48Parents dead.
00:12:49State Normal Teachers College.
00:12:51The grades, too.
00:12:52Empire Hill Grammar School.
00:12:54One engagement.
00:12:55Broken when your sister became notorious with Johnny Moon.
00:12:58Lost your job the other day for the same reason.
00:13:00And now you want to know one thing.
00:13:02Am I or am I not connected with Johnny Moon?
00:13:05You're a very smart young lady.
00:13:07And if I tell you?
00:13:08Then I'll know.
00:13:10I hate Johnny Moon more than anyone else in this world.
00:13:14That's what I want to know.
00:13:15Well, now that our record is satisfied, would you mind going?
00:13:19Don't you want to hear what I have to say?
00:13:21It's my turn.
00:13:22No.
00:13:23I'll tell you anyway.
00:13:24I have an interest in the county school.
00:13:26I see a lot of girls go in.
00:13:28I take them there myself.
00:13:30And I see a lot of them come out.
00:13:32I know better and most of them worse.
00:13:35The system there is all wrong.
00:13:37I'd like to see something done about it.
00:13:39That's why I have an interest in anybody who's elected to the staff.
00:13:43Tomorrow you appear before the board.
00:13:45Whether you know it or not, I'm the investigator for the board.
00:13:49I had to find out how you stood with Johnny Moon.
00:13:52Now that I know, I'll do all I can to help you.
00:13:55Don't double-cross me.
00:13:57I appreciate your warning, Mr. Donovan.
00:13:59Good night.
00:14:00I'll see you in the morning.
00:14:01Okay.
00:14:06Judgment.
00:14:07I had to know that my judgment is back to the fact that I...
00:14:10I head several important committees in this city.
00:14:14It's a matter of character.
00:14:16And I must say that I don't think the young lady is qualified.
00:14:21What do you say, Nina?
00:14:23Of course, you're right, Margaret.
00:14:26I don't agree at all.
00:14:27I think you're being very unjust.
00:14:29I'm inclined to agree with Mr. Donovan.
00:14:31We are concerned only with the qualifications and character of Miss Martin.
00:14:36Well...
00:14:41Well, I...
00:14:43I feel perfectly free to speak out, Mr. Quinta.
00:14:48Just because my husband is Mr. McCarthy,
00:14:51that is no reason why you should feel any obligation to agree with me.
00:14:56You have made that point very clear before, Mrs. McCarthy.
00:15:00Well, then come on.
00:15:02You've heard as much as the rest of us.
00:15:04Well, perhaps I agree with you.
00:15:08What do you mean?
00:15:09I mean, I do.
00:15:12I do.
00:15:13One minute, everybody.
00:15:16Wait outside just a moment, please.
00:15:18Never mind, Mr. Donovan.
00:15:19I don't want the position now.
00:15:21Thanks for your trouble.
00:15:23What?
00:15:24Give us three minutes.
00:15:25No problem.
00:15:27Will you wait?
00:15:34She's being persecuted for something that isn't her fault.
00:15:38You know as well as I, Mrs. McCarthy,
00:15:40that Miss Martin has nothing to do with Johnny Moon.
00:15:43I know nothing of the sort.
00:15:45I know she was dismissed from the public schools as a bad influence on her pupils.
00:15:50That's enough for me.
00:15:52Your husband knows Johnny Moon rather well, does he not, Mrs. McCarthy?
00:15:56Are you insinuating that Mr. McCarthy...
00:15:58And what is your objection, Mr. Cleter?
00:16:01Well, I...
00:16:03Mr. Cleter.
00:16:04Well, I...
00:16:06I...
00:16:07Come on.
00:16:08Be honest about it.
00:16:09You want Miss Martin to get the job,
00:16:11but you're afraid of losing yours if you don't agree with her.
00:16:13Isn't that right?
00:16:14Now see here, Mr. Donovan.
00:16:15I've stood just about enough.
00:16:17Yes.
00:16:18Yes, that's right.
00:16:21What's that, Mr. Cleter?
00:16:23I think without a question, Miss Martin would be excellent for the position.
00:16:27No.
00:16:29What this means, Mr. Cleter?
00:16:32I know what it means.
00:16:35It means that after 20 years,
00:16:38three months, and 15 days in the audit department,
00:16:42you will speak to Mr. McCarthy tonight,
00:16:45and tomorrow morning I'll be fired.
00:16:48But I don't care.
00:16:50Because I'm sick and tired of taking orders from Mr. McCarthy, your fat husband.
00:16:56And I'm sick of being dragged up here in May to say yes to you.
00:17:00Are you quite finished, Mr. Cleter?
00:17:02No.
00:17:04I have a lot more to say.
00:17:07The people in this town don't know what's going on.
00:17:10They're being run by a crook named Johnny Moon,
00:17:13and they don't know it.
00:17:16Someday, though, they'll wake up.
00:17:18They won't be fooled for long.
00:17:20And when that day comes, I think I'll run for mayor.
00:17:26Come, Lena.
00:17:30You'll be sorry for this, Mr. Cleter.
00:17:33If I am, I'll let you know.
00:17:35Come.
00:17:43I'm sorry, Reverend.
00:17:44I am not.
00:17:46And you will have my vote in the next election.
00:17:48Exactly.
00:17:49Don't disappoint me.
00:17:50I think I owe you an apology.
00:17:53Well, this town has some unscrupulous people in it, Mr. Donovan.
00:17:57But they'll straighten out.
00:17:59And when they do, I'll come in with the new administration.
00:18:04But until that time,
00:18:05I'm going out and do something that I've never done before.
00:18:09What's that?
00:18:13Take a drink.
00:18:20Good day, Mr. Donovan.
00:18:21Bye, Reverend.
00:18:29You mean we've won?
00:18:30When I tell you how, you'll never believe me.
00:18:32I heard mutterings.
00:18:33You report to the county correction school in ten days.
00:18:35Now, how about some lunch?
00:18:43I'm only the acting superintendent.
00:18:45I'm in complete authority, however,
00:18:47until the new one's appointed by the county.
00:18:49And I might add that I expect to get that appointment.
00:18:52So, you're Johnny Luke?
00:18:54Yes, I am.
00:18:55But don't hold that against me.
00:18:57Why should I?
00:18:58Well, some people say anything.
00:19:01Well?
00:19:02Oh, this is Miss Martin.
00:19:03The county appointed her to take charge of the school.
00:19:05She's a psychiatrist, too, whenever that means.
00:19:09Uh, this is Mrs. Peters, my deputy.
00:19:11She has charge of the girls.
00:19:13What do you do?
00:19:14I'm just giving her an idea about the place.
00:19:17Mrs. Peters will show you around, where you sleep and all that.
00:19:19Thank you very much.
00:19:20It's all right.
00:19:21Oh, just one thing.
00:19:23Remember, this is a tough place for tough girls.
00:19:25No matter, they wouldn't be in here.
00:19:27The rules are strict, and I see that they're enforced.
00:19:29And no one gets mollied up.
00:19:31I gotta explain that to you, because you're inexperienced.
00:19:34Yes, I understand, Mr. Marcus.
00:19:36But you must be patient and let me sort of feel my way around.
00:19:40It'll be a few days before I can give you any helpful suggestions.
00:19:44Suggestions?
00:19:45You're not here to give me suggestions.
00:19:46I run this place from experience.
00:19:48You stick to your own job.
00:19:49Now, is that understood?
00:19:52Yes, of course.
00:19:53Okay.
00:19:55Mrs. Peters here will show you to your quarters.
00:19:58Come on.
00:20:01Come back later, I want to talk to you.
00:20:13These are your quarters.
00:20:15That's very nice.
00:20:18Come on, I'll show you around.
00:20:25This is the school.
00:20:27What are the classroom hours?
00:20:28Ten to eleven.
00:20:30Just one hour?
00:20:31Lucky, if you can keep them here that long.
00:20:33This isn't a fishing school.
00:20:45This is the laundry room.
00:20:49This is Gray, he's our work matron.
00:20:51This is Miss Marcus.
00:20:53This is Miss Martin, our new teacher.
00:20:55In charge of rehabilitation.
00:20:57How do you do?
00:21:03How is it now, kid?
00:21:04Like a hot poker.
00:21:06Why don't you go over and tell her?
00:21:07I did.
00:21:08She said wait till tonight.
00:21:10Listen, kid, you might have appendicitis.
00:21:14What's the trouble here?
00:21:15Can't you see she's sick?
00:21:16She's had these attacks before and always got over them.
00:21:18I think we ought to take her to the infirmary.
00:21:20Miss Martin, you must let me run things the way I see fit.
00:21:24So help me, if this kid dies, I'll...
00:21:25Take her inside.
00:21:27Be sure she answers the dinner call.
00:21:29I'll attend to you later.
00:21:44Well, you stuck your neck out.
00:21:45Why?
00:21:46Anytime you help us, you cross them.
00:21:48Why don't you beat it and save yourself a lot of trouble?
00:21:51How long has she been this way?
00:21:52Oh, about a month or so.
00:21:54She certainly must have a doctor here.
00:21:56Sure, if they call him from town.
00:21:58When he don't get here, we just go ahead and hold the funeral.
00:22:01Keep her quiet.
00:22:02I'll get a doctor.
00:22:19Why wasn't I called sooner?
00:22:20Come out of my office.
00:22:21I'm sure Mrs. Peters can explain.
00:22:23You know, Doc, these girls are always faking.
00:22:24You can never tell.
00:22:32I like that kid.
00:22:35You better pay for this.
00:22:38I'm sorry.
00:22:41I'll beat it, will you?
00:22:43You know better than the rest of them.
00:22:44I said you were going to get the doctor,
00:22:46and then he's here hours too late.
00:22:50It wasn't my fault.
00:23:02Before I begin, I'd like to say a few words.
00:23:05I'm going to try and make the work in this classroom
00:23:08as pleasant as possible.
00:23:10I don't believe that any girl,
00:23:11no matter what they say,
00:23:12I don't believe that any girl,
00:23:13no matter what's happened in the past,
00:23:16is beyond an honorable and decent life in the future.
00:23:20In this class, I'm going to try and prepare you
00:23:22for just that kind of a future.
00:23:25But in order to do this, I'll need your help.
00:23:29Are there any questions?
00:23:34Yeah.
00:23:35Why is an appendix first?
00:23:37I can promise you that that will never happen again
00:23:39as long as I'm with you.
00:23:40I've got a question.
00:23:41How do you keep slack on your stomach?
00:23:43How do you entertain yourself in solitary?
00:23:45How do you keep from going crazy?
00:23:46What's the cure for a broken back?
00:23:48Answer that.
00:23:51Sit down, all of you.
00:23:52Be quiet.
00:23:54Now be patient.
00:23:55Give me a chance.
00:23:56We don't want you around here.
00:23:58Why don't you go back where you came from?
00:24:02Be quiet, all of you.
00:24:05Listen, I don't care whether you want me around here or not.
00:24:08I'm here to stay.
00:24:10Now I've asked for your cooperation.
00:24:13If you want to be helped, I'll help you.
00:24:15Later on, I'm going to see each one of you individually.
00:24:18Then you can voice your complaints.
00:24:22Now let's go back to work.
00:24:33Hello, gentlemen.
00:24:34Hello, Marcus.
00:24:35This is Rita Ramble.
00:24:36Here's his paper case.
00:24:39Good luck, Rita.
00:24:40And think over what I said.
00:24:42I'll think like everything, Mr. Donovan.
00:24:45So you're a friend of Johnny Moon's?
00:24:46Well...
00:24:47Take it easy.
00:24:48Nobody's going to hurt you.
00:24:49Known Johnny a long time?
00:24:51Long enough to get him crazy about me.
00:24:56Hello.
00:24:57Johnny?
00:24:58Hey, let me talk.
00:24:59Take it easy.
00:25:01Johnny, this is Marcus.
00:25:03Johnny?
00:25:04This is Marcus.
00:25:05That little girl of yours showed up here with Donovan.
00:25:09Yeah, right here.
00:25:11Sure, I get it.
00:25:12Nice and gentle.
00:25:14Okay, Johnny.
00:25:16Hello, Johnny.
00:25:17This is Rita.
00:25:18Johnny, they've got me and you've got to get me out.
00:25:22I'm not...
00:25:23I don't care how it looks.
00:25:25You said I'd never...
00:25:28Don't be mad at me, Johnny.
00:25:30You know I do.
00:25:32You told me to treat you right.
00:25:35Goodbye, Johnny.
00:25:39It's all right, kid.
00:25:40Everything's going to be all right.
00:25:51You mean she and Johnny Moon?
00:25:53Poor kid.
00:25:54She knows what she's doing.
00:25:55My sister didn't.
00:25:56You were bursting with something to tell me.
00:25:58What was it?
00:25:59I'm afraid I got off to a bad start.
00:26:01After all, you can't win their confidence overnight.
00:26:04I wish there was something I could do.
00:26:07Suppose...
00:26:08not only Johnny Moon...
00:26:10but the people around him got hurt by this investigation.
00:26:13Put in prison, maybe for a long time.
00:26:15Would you still be interested?
00:26:17You mean my sister might...
00:26:18Yes.
00:26:20Listen.
00:26:21During prohibition in the 1930s...
00:26:24when Johnny Moon was just a bellhop...
00:26:26I used to haul him in for peddling liquor.
00:26:28Then before anybody knew it...
00:26:29he wasn't a bellhop anymore.
00:26:31He hooked up with a few cheap racketeers...
00:26:34set himself up on the top floor of the downtown hotel.
00:26:37McCartney's his pal.
00:26:39Together, they're cleaning up.
00:26:41He doesn't particularly want this place.
00:26:44Taxpayers pay so much each year to run it...
00:26:46and the way it's being run, all of it's gravy.
00:26:48Well, if you know all these things, why don't you...
00:26:51Well, I have to be proven to the governor.
00:26:53Can't you see him?
00:26:54No, I have to get the evidence first.
00:26:57Marcus is nobody to fool with.
00:26:59He used to run a pool hall down on 10th Street.
00:27:01Johnny Moon got him this job...
00:27:03for a couple of favors I can't mention.
00:27:05I want you to be careful.
00:27:07I'll be careful.
00:27:08I want to see the governor before me.
00:27:10First thing.
00:27:24Martin wants to see you.
00:27:25What did I do now?
00:27:26Maybe you look cross-eyed. Here's your slip.
00:27:29Why are you leaving?
00:27:32All right, make it snappy.
00:27:34You!
00:27:35Stay here and take over.
00:27:37And quick!
00:27:38Okay.
00:27:39Okay.
00:27:41What's that?
00:27:42Yes, ma'am.
00:27:46You want to see me?
00:27:47Oh, hello, Leslie. Yes, sit down.
00:27:50Sure.
00:27:52Let's be honest with each other, shall we?
00:27:54Honest?
00:27:56Yeah, this card here tells me...
00:27:57that you were shoplifting at the age of 16 years.
00:28:01Why?
00:28:02My fingers itched.
00:28:03Oh, I don't believe that.
00:28:06You just liked nice clothes...
00:28:08and you just felt that you should have them.
00:28:10I didn't feel anything.
00:28:11I just seen the stuff on the counters and the hangers...
00:28:13and I liked it, so I took it.
00:28:15I was deluxe.
00:28:16I only worked at big stores.
00:28:18I don't like that cheap stuff.
00:28:20I wouldn't have it on my back.
00:28:22You like clothes, don't you?
00:28:24Yeah, I like them.
00:28:25I like to feel them and see them.
00:28:27Sure, I like them.
00:28:28Yeah, I guess that's my trouble.
00:28:31How would you like to make clothes for a living?
00:28:33You don't want to steal, do you?
00:28:36Suppose we arrange to teach you dressmaking.
00:28:39Would you like that?
00:28:40I guess so.
00:28:42Yeah, I guess so.
00:28:43It's awfully easy to arrange.
00:28:46Gee, I'd like to do that.
00:28:48You go on back to work.
00:28:50We'll talk about it later.
00:28:54Sure.
00:28:55A lady hobo.
00:28:56That's what I was.
00:28:58I hopped freight trains all over the country.
00:29:00I seen everything.
00:29:02Did you like seeing everything?
00:29:04It's all right.
00:29:06Except for the coal.
00:29:07You get thrown off by those railroad dicks.
00:29:10Come at you from the sidings.
00:29:11Every time you stop, they chase you off.
00:29:14But you left home because your father mistreated you.
00:29:17Yeah.
00:29:18I got beat up.
00:29:21I guess that's all there is.
00:29:23Don't you want to settle down and have a home and a husband?
00:29:27I know men.
00:29:29I met them all.
00:29:30I haven't found one yet that didn't lie his head off.
00:29:33I could write a book, a whole library.
00:29:35Did you ever read a book?
00:29:37No.
00:29:38They're quite interesting.
00:29:39No.
00:29:40I don't, Emma.
00:29:41Besides, books make my head ache.
00:29:44Have you ever had any trouble with your eyes?
00:29:47Yeah.
00:29:48They hurt me.
00:29:49So what?
00:29:53I can hardly see you.
00:29:57Don't worry.
00:29:59We'll find a doctor and see what the trouble is.
00:30:04Gee.
00:30:06Do you think he could really help me?
00:30:10Ah, you're crazy.
00:30:12What have your eyes got to do with being a hobo?
00:30:14Imagine.
00:30:15My eyes are to blame and all the time I thought it was me.
00:30:17Your eyes, my foot.
00:30:19She softened you up.
00:30:20What are you doing?
00:30:21Taking the girls right out of the laundry.
00:30:23I won't stand for it.
00:30:24Turning the place into a finishing school.
00:30:26All right, all right.
00:30:28I warned you.
00:30:29Now you've got to do something.
00:30:30If this keeps up, none of us will have any authority.
00:30:32All right, go back to your work.
00:30:36Take care of Miss Martin.
00:30:41Well, we'll think about it anyway.
00:30:42Oh, yes, Miss Martin.
00:30:43Go back to your work, Della.
00:30:44Mr. Marcus.
00:30:45Maybe I didn't make myself clear, Miss Martin.
00:30:47I'm the boss here and I like the way I run the place.
00:30:49If you've got any ideas, keep them to yourself.
00:30:51Now, is that clear?
00:30:52This is my job.
00:30:54I'm only interviewing these girls to see what they're best suited for.
00:30:57They're suited for the laundry.
00:30:58If you're under my authority, I won't stand for this nonsense.
00:31:00Understand?
00:31:01I do.
00:31:02Perfectly.
00:31:03And another thing.
00:31:04A girl named Rita Randall's in for a while.
00:31:06She's got to be treated nice.
00:31:07No rough stuff.
00:31:08I don't believe in rough stuff, Mr. Marcus.
00:31:10Not for anyone.
00:31:13Miss Randall will be treated the same as any other girl.
00:31:16All right, Miss Martin.
00:31:17Don't forget what I told you about keeping your ideas to yourself.
00:31:34I want to make an announcement.
00:31:37Miss Martin has seen fit to overstep her authority.
00:31:41She has been properly recommended.
00:31:44You are to disregard any promises she might have made you.
00:31:47How do you like that?
00:31:48Oh, vocational rehabilitation, my eye.
00:31:51Yeah.
00:31:52She's got an interest at heart, all right.
00:31:54Now, get back to work.
00:31:55Quickly!
00:31:58You will disregard whatever Miss Martin has told you.
00:32:03She has absolutely no authority whatsoever.
00:32:07Hereafter, you will report any attempt by Miss Martin.
00:32:11In any way.
00:32:13To interfere with the general routine of this institution.
00:32:18Now, do you understand that?
00:32:20Get back to work.
00:32:24Liz.
00:32:25I feel as though I know you better than the other girls around here.
00:32:28Well?
00:32:29Well, you know what's happened.
00:32:31Sure, you stuck your neck out.
00:32:32What'd I tell you?
00:32:34You've been around here a long time.
00:32:36What would you do?
00:32:37I'd get out.
00:32:38Far out.
00:32:39I can't get out.
00:32:40And I won't quit.
00:32:42Look, I don't know whether you're just dumb or playing some game.
00:32:46But if you know what's good for you, you'll stay out of the mess hall this noon.
00:32:49What do you mean?
00:32:50Nothing, I'm just warning you, that's all.
00:33:10What's the matter?
00:33:39I said I ain't hungry.
00:33:41Eat that.
00:33:42I said I ain't hungry.
00:33:44You act like you want solitary.
00:33:46You've been pushing us around long enough.
00:33:48And then someone comes in here and tries to do something good for us.
00:33:51And you push her around too.
00:33:53Well, these kids deserve a break.
00:33:57And I ain't gonna let you.
00:34:09Let me out!
00:34:19Don't rush me.
00:34:21Cap, aren't you?
00:34:23Two weeks and this will soften you up.
00:34:24Yeah, don't count on it.
00:34:26Stop shoving.
00:34:27Now get in here and behave yourself.
00:34:30Someday you'll get it for this.
00:34:32You'll all get it.
00:34:36Hurting me.
00:34:39Help!
00:34:42You!
00:34:43You, Richard!
00:34:47Let me out!
00:34:49But you can't keep them in there.
00:34:51This isn't a penitentiary, it's a house of correction.
00:34:54They'll be worse when they get out.
00:34:56I told you not to interfere, now get out.
00:34:58Well, how do you expect me to help these girls?
00:35:00I don't.
00:35:10Let me talk to Johnny.
00:35:13Johnny?
00:35:14This is Marcus.
00:35:16That sister-in-law of yours, what goes with her?
00:35:18Yeah, she's giving me a lot of trouble out here.
00:35:21It upsets my whole routine.
00:35:28Well, well, little reformer.
00:35:31Sit down.
00:35:36What do you want to see me about?
00:35:40What have you been doing out there?
00:35:42Have you ever seen the place?
00:35:44Do you actually know what goes on there?
00:35:47Yes, it's four walls and a roof floor.
00:35:50Naughty little girls.
00:35:52What do you expect, a ten-piece orchestra?
00:35:54No, but I expect some decent food and some clean rooms and adequate heat.
00:35:58Like a dozen other American reformatories have.
00:36:01Or you expect.
00:36:03You and who else?
00:36:06Two weeks ago, a girl was let deliberately die when an operation would have saved her life.
00:36:10Today we had a riot in the mess hall.
00:36:12And eight girls are in solitary for 14 days.
00:36:16What's the matter with Marcus?
00:36:18Marcus won't do anything about it.
00:36:20But you believe me, the governor will.
00:36:24I always thought you were a pretty smart girl.
00:36:27But you've got the wrong slap, which disappoints me.
00:36:30However, I'll overlook that.
00:36:33I have nothing against those girls out there.
00:36:36And those measly pennies don't interest me a bit.
00:36:39Did it ever occur to you that our friend Marcus might be chiseling?
00:36:43Well, I don't know that.
00:36:45But if he is, I can't afford it.
00:36:47Oh, you can't.
00:36:49Why don't you grow up?
00:36:51Let me put you in.
00:36:53Run it any way you please.
00:36:55Just don't get me in any trouble.
00:36:58You mean you want me to work for you?
00:37:01Why not?
00:37:03Everybody else in town does.
00:37:05Everybody else in town but me.
00:37:09Okay, Queen Elaine.
00:37:11Go to the governor.
00:37:14See where it gets you.
00:37:22I'm hearing bad things about you.
00:37:25I understand what Dame died of there two weeks ago.
00:37:27Well, you can't blame me for that.
00:37:29I hear you had a riot today.
00:37:30Now listen, we...
00:37:31I hear the food's no good and the place is a mess.
00:37:33What do you expect...
00:37:34Shut up.
00:37:36Put you out there to run that place right.
00:37:38First thing I know, somebody sticks his nose in
00:37:41and the governor butts in and asks a lot of questions.
00:37:45I don't want a lot of questions asked right now.
00:37:47You keep that sister of yours in line.
00:37:49She did me a favor by squealing on you.
00:37:53You've been chiseling out there.
00:37:56Cut it out.
00:37:57Okay, okay, so I've been chiseling.
00:37:59What do you expect on that crummy salary?
00:38:01And just where do you get off telling me?
00:38:03Why, you cheap bellhop.
00:38:04Don't say that.
00:38:07I don't like it.
00:38:09All right, Johnny.
00:38:10But we all got to get a little dough out of this.
00:38:12I'll put you out there for six months.
00:38:15Do as I say or...
00:38:18Get out.
00:38:20Okay, Johnny.
00:38:22And get those girls out of solitary.
00:38:25What do you think you're running out there, a chain gang?
00:38:27What about that Martin dame?
00:38:29Lay off on her.
00:38:30If she gives you any trouble, come to me.
00:38:33I can handle her.
00:38:35I'll get back there and...
00:38:38Clean up.
00:38:41Get out.
00:38:44Get out.
00:38:51Get out.
00:38:58And you come out.
00:39:03What's the matter?
00:39:04Somebody getting soft around here?
00:39:06Try something and you will find out.
00:39:09I guess Martin's from it.
00:39:11Oh.
00:39:12So you finally found your match.
00:39:14You couldn't muzzle her, huh?
00:39:17Wait and see who wins in the end.
00:39:24I warned you about Martin.
00:39:26I warned you about her.
00:39:28Big shot.
00:39:29He's a bellhop.
00:39:30A no-good chinhorn.
00:39:32Well, he's not going to get away with it.
00:39:34Listen, honey.
00:39:35I got a hunch this town's going to bust wide open.
00:39:38And the more dough we can sell away, the better.
00:39:40And what about her?
00:39:42She's another thing in that cop.
00:39:46I'll tell you what.
00:39:48We'll lay off her for a while.
00:39:50And just watch.
00:39:53That's right.
00:39:55Watch.
00:40:04The government's ready to see us
00:40:05as soon as we can produce evidence and witnesses.
00:40:08You mean the girls will have to testify?
00:40:10That's only part of it.
00:40:11We'll have to have definite proof.
00:40:13Food receipts and so forth to check against the budget.
00:40:16Think you can get them?
00:40:17I'll get them if I have to tear the place down.
00:40:21From one detective to another,
00:40:22I think you're pretty wonderful.
00:40:24I mean it.
00:40:25How do you do?
00:40:27Well, hello.
00:40:28Do you remember Mr. Cleeter?
00:40:30He was on the board.
00:40:31How do you do?
00:40:33I think I'll sit down.
00:40:34By all means.
00:40:39Excuse me.
00:40:41As you know,
00:40:43I no longer have a civic connection with the city
00:40:47or with Mr. McCarthy or Mr. McCarthy's wife,
00:40:51whom we all have reason to hate.
00:40:54You never should have taken that first drink.
00:40:57Nonsense.
00:40:58Why, that remark,
00:41:00that is the beginning of a new life for me.
00:41:05I'm now a man of spirit.
00:41:08I am the spirit of civic righteousness.
00:41:12Believe it or not,
00:41:13I have not stepped foot in the city hall
00:41:16since that fatal morning.
00:41:20A maternal war.
00:41:24My life is dedicated to the sole end
00:41:28of throwing Mr. McCarthy and Mr. McCarthy's wife
00:41:32from that structure four times from each attic.
00:41:36My entire existence revolves around booting that pallbearer
00:41:41to East, North, West, and South in that precise order.
00:41:45Unfortunately, however,
00:41:48I lack the necessary courage.
00:41:52Why don't you get some sleep?
00:41:54Sleep?
00:41:55That's the trouble with all decent people.
00:41:57We've been asleep too long.
00:42:00We've been asleep and let them get their jump on it.
00:42:04What we need is a pallbearer
00:42:07to ride through the world like a hurricane.
00:42:10A pallbearer to ride through the world like a hurricane.
00:42:14To war!
00:42:17I think the world can spare you for a few hours.
00:42:22It may interest you to know
00:42:25that I haven't been home since last Thursday,
00:42:29but I have solved that interesting problem
00:42:33by concealing myself in odd places
00:42:38for catnip.
00:42:40I think I'd better be going.
00:42:42Why?
00:42:44Am I being dull?
00:42:46No, not at all, but Miss Martin has a long way to go.
00:42:50Good night, Mr. Clayton.
00:42:52Good night, Miss Martin.
00:42:55Take it easy, old man.
00:42:56Yes, I will.
00:43:11Well, well, the little princess.
00:43:13Shut up.
00:43:14Don't get tough with me, cutie,
00:43:15or I'll slap you cross-eyed.
00:43:16Hey, you two.
00:43:17Ah, she drives me fatty.
00:43:18Doesn't that look like the Queen of Sheba?
00:43:20Johnny's just crazy about me.
00:43:22Yeah.
00:43:23Oh, you'd better shut your ugly mouth.
00:43:24Bye.
00:43:25Cut it.
00:43:26Miss Martin wants to see you in her office.
00:43:28What's she want?
00:43:29Well, everybody here now gets psyched or something.
00:43:32You know, they get your head examined.
00:43:34Nothing wrong with my head.
00:43:36It's just empty, that's all.
00:43:38Go back and tell her I'm not in the mood.
00:43:40Beat it down there and don't give her no trouble.
00:43:43I don't have to do anything.
00:43:44I don't want to.
00:43:45Get.
00:44:02Who did that?
00:44:03Johnny, move.
00:44:04Why, you...
00:44:05Who did that?
00:44:06Johnny, move.
00:44:07Why, you...
00:44:09Get on.
00:44:10Go on.
00:44:23Well?
00:44:24Oh, hello, Rita.
00:44:25Come in.
00:44:30I'm just a poor old girl with a great big problem
00:44:32I don't know how to solve.
00:44:34Sit down.
00:44:41To begin with, you're here because you've committed a crime.
00:44:44So what?
00:44:45So we're going to concentrate on that and think of your future.
00:44:48My future's all taken care of.
00:44:49What do you think of that?
00:44:50I'd like to tell you a little story.
00:44:52One I know quite well.
00:44:55It's about a little girl like yourself
00:44:58who thought her job was a little bit dull.
00:45:01She was a manicurist.
00:45:03She loved excitement and pretty clothes.
00:45:06But she didn't know there was a price tag on it.
00:45:09I saw her not so long ago and she admitted it.
00:45:12And the price tag was pretty high.
00:45:15Do you see anything in that story?
00:45:17Yeah.
00:45:18I see a low-down dirty trick.
00:45:20Now I'll tell you one.
00:45:21Johnny Moon's in love with me.
00:45:22He's crazy about me.
00:45:24You're afraid he'll leave that sister of yours high and dry
00:45:26so you try to split us up.
00:45:27Well, it won't work, see?
00:45:28I'd take my sister from Johnny Moon anytime if I could.
00:45:33Who'd you go with before you met him?
00:45:36Say, what is this?
00:45:37I want to know.
00:45:39All right.
00:45:40I'll tell you.
00:45:41Twenty-two fifty a week with a mother and two sisters to support.
00:45:44That's who.
00:45:45He works in the Majestic Theater.
00:45:46Takes tickets.
00:45:47Run it off a week.
00:45:48What'd he want to do with it?
00:45:49Let's go and see the show, he says.
00:45:50See the show.
00:45:51He worked in a joint every night of the week
00:45:53and wasn't even sick of it.
00:45:54For a change, we'd go down by the river and look at a tenement.
00:45:56Wants to be an architect.
00:45:58All he ever wants to do is tear down buildings and put in plumbing.
00:46:01He don't care what I want.
00:46:03I think you should give the boy a chance.
00:46:05Help him.
00:46:06He has fine ambitions.
00:46:07I'm not interested in fine ambitions.
00:46:09I'm interested in myself.
00:46:10I want fancy clothes and furs and a car.
00:46:12I want to live high.
00:46:13What's his name?
00:46:14Never mind.
00:46:15You leave me alone.
00:46:19That's all, Rita.
00:46:22And you lay off on me.
00:46:24You lay off on me because I'm plenty tough, see?
00:46:26Yes, you are.
00:46:27And don't you forget it.
00:46:30I won't.
00:47:00I won't.
00:47:30THE END
00:48:00THE END
00:48:30THE END
00:48:46Sorry I'm late.
00:48:47I've never been so worried in my life.
00:48:49It's after eleven.
00:48:50I thought of one bad moment, it went just like that.
00:48:56Looks like it'll do it.
00:48:59Tomorrow, I'll check these against the files in the courthouse.
00:49:01Am I a good burglar?
00:49:03A good discovery.
00:49:05Now, have you got my information?
00:49:07Sure, I've got it.
00:49:10Why haven't I had my eyes on?
00:49:12Oh, here it is.
00:49:15One with a boy named Tom Havershield.
00:49:17Works at Majestic Theater.
00:49:19He's 23.
00:49:20Wants to be an architect.
00:49:21Oh, I know all about that.
00:49:23What I want to know is,
00:49:24what's he been doing since Rita's been gone with Johnny Moon?
00:49:27He doesn't want to talk about it.
00:49:29Then you saw him.
00:49:31Why didn't you tell me?
00:49:33You didn't ask me.
00:49:34Besides, I was saving it for a surprise.
00:49:37And I suppose you said,
00:49:38why don't you go see the girl?
00:49:41What's the matter with that?
00:49:42Oh, you should be subtle.
00:49:44He's young.
00:49:45Okay, but subtle or not, I don't like the idea.
00:49:48By the way, what about Rita?
00:49:50Think she'll testify against Johnny Moon?
00:49:52She knows enough about him.
00:49:54I'll bet you'll never get her to testify.
00:49:56How do you want to bet?
00:49:57Two bucks and my reputation.
00:49:59You better bet now.
00:50:00You're on.
00:50:03Sorry.
00:50:04Ah, she kept giving us that malarkey about Johnny Moon.
00:50:07Now she can take it.
00:50:08You can laugh all you want, but Whitley Springs me.
00:50:11A buck you're on here.
00:50:12I won't rock here.
00:50:15What makes you say that?
00:50:16I know men, cutie.
00:50:20Go get me out.
00:50:21You wait and see.
00:50:22Well, I can't say that I haven't got the time.
00:50:26Guess what?
00:50:27You've got to pardon me.
00:50:29Oh, no.
00:50:30No.
00:50:35Rita.
00:50:36Rita, you've got a visitor.
00:50:41So long, sisters.
00:50:49Will I ever hear the end of it?
00:50:56Rita.
00:51:03Rita.
00:51:06Is there any way to treat an old friend?
00:51:10Hello, Tom.
00:51:12You look fine.
00:51:13Oh, please.
00:51:18Still drawn pictures of the dumps?
00:51:19Sure.
00:51:20I got some new ones.
00:51:22You should see them.
00:51:23They're the best yet.
00:51:24How's the majestic?
00:51:25Still crowded and full of kids.
00:51:29I thought he'd show you up in the drinking fountain again.
00:51:33You'd feel a wonderful.
00:51:37Tom, why did you come here?
00:51:41That's a silly question.
00:51:43To see you, of course.
00:51:44But after what happened now?
00:51:46Rita.
00:51:49Have you got a change of mind?
00:51:52I guess I have, Tom.
00:51:55I've been doing a lot of thinking.
00:51:58Just a second ago, when they told me I had a visitor, I thought it was...
00:52:01Rita.
00:52:02But I'm glad it was you.
00:52:05Gee, somehow or other, I can't explain it.
00:52:07I don't know why.
00:52:08But I know.
00:52:09Oh, Tom.
00:52:14Gee.
00:52:15Rita.
00:52:19I'll go down those buildings and build them all over again tonight.
00:52:23On paper.
00:52:25Will you wait for me, Tom?
00:52:28Sure, Rita.
00:52:36Well, Dutchess.
00:52:37Give her a break.
00:52:39Well?
00:52:42I'm going to start my time out.
00:52:46Well, I'll be a monkey's uncle.
00:52:59It's the most amazing change I've ever seen in a girl.
00:53:02Okay, I admit I was wrong.
00:53:04Where's Mr. Cleaver?
00:53:05Oh, I think they jailed him for disturbing the peace or something.
00:53:11Listen, it's all set.
00:53:13I saw the governor again.
00:53:14You'll see us day after tomorrow.
00:53:16You've done a wonderful job, Helen.
00:53:18You make me feel awfully important.
00:53:20You know, I want to put a good word in for that Mrs. Gray.
00:53:22She's not so bad.
00:53:24Now, let's get it all straight.
00:53:26You're to meet me in town day after tomorrow.
00:53:28We go up on the train, see the governor, and give him the evidence.
00:53:31A warrant is sworn out for Johnny Moon.
00:53:33Rita's taken into custody and turned state's evidence.
00:53:36And with the state handling the case, that ought to put Johnny Moon away.
00:53:39Swarmed!
00:53:41I thought you had some difficulty with my brethren on the force.
00:53:45Oh, I was detained.
00:53:47But I bluffed my way out.
00:53:49They couldn't hold me for long.
00:53:52That's a sign of my gathering strength.
00:53:56Did anybody smoke a drink?
00:53:58Nothing.
00:54:00In regard to that great day and not the far distance,
00:54:05the great day I refer to when I will oyster Mr. McCarthy
00:54:10and Mr. McCarthy's wife from the city hall with his whole live boot,
00:54:16I might say that I've added to my ambition.
00:54:22Following those brief exercises,
00:54:25I will snatch the head off Mr. McCarthy's wife and I'll stuff it.
00:54:33It'll be encased in glass
00:54:36and placed in a conspicuous part of the rotunda.
00:54:42Well, here you go.
00:54:52That stuff should only be served to peps.
00:54:57Now, where was I?
00:54:59It's getting very late.
00:55:01Why is it that people won't listen to a recital of the corruption of this town?
00:55:07Why is there a bat blind on a whole bunch of them?
00:55:15You tell him about it.
00:55:16Who's him?
00:55:21The devil is hopping around this metropolis like an evil rat hopper.
00:55:27Pardon me.
00:55:32Would you people like to hear about a punishment I've arranged for two loathsome characters?
00:55:39It will be a gruesome contraption with pulleys and a wheel going around.
00:55:45Look, Joe, an alcoholic.
00:55:49Oh, I beg your pardon.
00:55:51Bartender, get me another.
00:55:54Well, Johnny.
00:55:56All right.
00:55:58We must all work together on this thing, understand?
00:56:00Governor's level of bleeper story.
00:56:03You could have at least taken care of the receipts.
00:56:07Maybe you're better at running a pool hall.
00:56:11Try to chisel out here and see what happens.
00:56:17Lucky I've got a way out of this.
00:56:27Good evening, Mr. Marcus.
00:56:28Late, isn't it?
00:56:29Yes, it is, but I missed the last streetcar.
00:56:31Okay.
00:56:32Good night.
00:56:33Good night.
00:56:43All this doesn't mean much without the testimony of the dame and the kid.
00:56:47That cop can scream down the governor's throat.
00:56:51With all these troops, he won't get very far.
00:56:55Now, here's what we're going to do.
00:56:58Tomorrow night, Helen's responsible for those girls.
00:57:02At 10 o'clock.
00:57:04Hurry.
00:57:28Yes?
00:57:41Quiet.
00:57:42Say, what is this?
00:57:45Get dressed, quick.
00:57:46Why?
00:57:47Never mind.
00:57:48Quick.
00:57:49All right.
00:57:59I guess you got him crazy about you after all.
00:58:01What do you mean?
00:58:02Your boyfriend just sprung you out of here.
00:58:04He kept waiting outside.
00:58:05Shall we move?
00:58:06Sure.
00:58:07He's waiting for you now, down at the downtown.
00:58:10I'm not going.
00:58:12It's funny talking to a girl this crazy about a guy.
00:58:14Especially now that you can go and see him.
00:58:18I'm not interested in him anymore.
00:58:20What's the matter?
00:58:21He's fixed your clean release.
00:58:24I don't want my freedom through him.
00:58:27He's crazy about you.
00:58:34How do I know you're telling me the truth?
00:58:36You can see for yourself.
00:58:37His car's waiting outside.
00:58:55How are you?
00:59:04Fine, thanks.
00:59:05Good.
00:59:09Hello, Rita.
00:59:11Johnny!
00:59:12This is a good time for you, isn't it?
00:59:24Say, don't you never go home.
00:59:28I have just been a witness to a terrible crime in this city.
00:59:32Listen, you.
00:59:33Start that again and out you go.
00:59:37You're a bourbon.
00:59:40And line them up like a parade.
00:59:42I want to be drunk before I start to think what I'm thinking.
01:00:10Well, that's that.
01:00:11I'm glad they suspended you.
01:00:13After what happened to Rita, your life wouldn't be worth a nickel out there.
01:00:16It's so horrible.
01:00:18Johnny Moon isn't kidding.
01:00:19After all, he must have found out about the plot.
01:00:21How, I don't know.
01:00:22That killed your testifying with the governor.
01:00:24But what can we do?
01:00:25We've got to prove that Johnny Moon killed her.
01:00:27Once we've done that...
01:00:29What can I do to help?
01:00:31We'd better keep out of this.
01:00:44Find anything, Doc?
01:00:45About what?
01:00:46The Rita Randall case.
01:00:47Oh, not a thing, Frank.
01:00:48All I can tell you is she was shot twice in the chest.
01:00:51Ballistics will have the full report in the morning.
01:00:55You're definite those are all the facts, Tom.
01:00:58You sure you can't think of anything else?
01:01:01I can't tell you anything more.
01:01:04I don't know.
01:01:06All right.
01:01:14What about Rita Randall?
01:01:18I haven't seen the kid, Copper.
01:01:20How long has it been?
01:01:22Ever since you went to the workhouse.
01:01:24That's a piece.
01:01:25You were home all last night?
01:01:28All night.
01:01:29No chapters.
01:01:31Ask any of the boys around the hotel.
01:01:35You're pretty inquisitive, Copper.
01:01:38I should have had you kicked off the force and out of town a long time ago.
01:01:43I'm going to pin this on you, Johnny.
01:01:45You can count on that.
01:01:47In a way.
01:01:52Look, have you got a test for a revolver?
01:01:56A crime has been committed.
01:01:59You've got a gun.
01:02:00You've got a gun.
01:02:01You've got a gun.
01:02:02You've got a gun.
01:02:03You've got a gun.
01:02:04You've got a gun.
01:02:05You've got a gun.
01:02:06You've got a gun.
01:02:07You've got a gun.
01:02:09A crime has been committed and this town is in disgrace.
01:02:13Why don't you go home, pal?
01:02:15Look, I want to discuss this crime.
01:02:18Certain parties must be apprehended.
01:02:20Not tonight.
01:02:23See you later.
01:02:25Get some sleep.
01:02:26Oh, anybody can sleep.
01:02:28Come on, Parker, you're cutting another knot.
01:02:30Say, have you got a hollow leg, buddy?
01:02:33Look, don't argue.
01:02:35I need courage.
01:02:37Give me a lot of drinks.
01:02:39Line them up there for me.
01:02:41I don't sleep.
01:02:43Come on, Parker.
01:02:53Seven o'clock.
01:02:54Yes, sir.
01:03:04Let me open it up.
01:03:09I am here to protest against the violent act.
01:03:13Take him.
01:03:15A confederate won't help you, my man.
01:03:18Because you, you are a murderer.
01:03:24And I am here to see you just as done.
01:03:30Who's this character?
01:03:31I don't know.
01:03:33Oh, you won't, you evil character.
01:03:38Not if you know what a good murderer you are.
01:03:41He's very funny.
01:03:43Because I saw you murder that poor girl with my four very own eyes.
01:03:53I was at South Bridge last night.
01:03:57And I witnessed, as I said before, that violent crime.
01:04:03Will you take it away?
01:04:06You hear me?
01:04:07Take it away.
01:04:08Will you take it away?
01:04:13Take him out the back.
01:04:14Quick, get the car.
01:04:15I'll get my coat.
01:04:16Yeah, we better get him out of here.
01:04:17Basement, Josie.
01:04:18Yes, sir.
01:04:20Hiya, pal.
01:04:21Hiya, stiff.
01:04:24Don't mind.
01:04:31I've got work over at the new Dabner building.
01:04:34I've got to go in there and see ten people at first thing in the morning.
01:04:37Gee, he'll always be there.
01:04:38That's something to think about.
01:04:44If this is not my house, it's Darkville.
01:04:51I'm sorry, pal.
01:04:52That's all right, pal.
01:04:55Is this my sidewalk?
01:04:57Sure.
01:05:00Is this my sidewalk?
01:05:01Sure.
01:05:04It's too narrow for my sidewalk.
01:05:07Nah.
01:05:10Where's the steps?
01:05:13Right up ahead.
01:05:17I ain't got no steps.
01:05:20You see, this ain't my sidewalk.
01:05:22This ain't my house.
01:05:24This is a dirty trick.
01:05:27What do you mean?
01:05:29This is a dirty trick.
01:05:46You look as though you've had a hard night.
01:05:48He must have made a mistake somewhere.
01:05:51You know anybody by the name of Lionel Cleeton?
01:05:53Sure.
01:05:54What about him?
01:05:55He's in the hospital with every bone in his body broken.
01:05:58He keeps asking for you.
01:05:59I'll see him later.
01:06:00Anything new at all?
01:06:02Do me a favor, will you?
01:06:03See him now.
01:06:04The hospital keeps calling up every five minutes.
01:06:07All right.
01:06:08All right, I'll see him.
01:06:31I told you you never should have taken that first one.
01:06:36What about it?
01:06:38That night at South Bridge, I saw him kill a girl.
01:06:42Wait a minute.
01:06:43Let me get this straight.
01:06:46That night at South Bridge, I saw him kill a girl.
01:07:14Baby, I thought you skipped the other day.
01:07:16You've got to get out of here quickly.
01:07:17Baby, we've had this all along.
01:07:18Now listen to me, Jean.
01:07:19In 15 minutes they're coming to get Johnny, and this time they're not kidding.
01:07:21They can't touch him, honey.
01:07:22This time it isn't the city, it's the state.
01:07:24What?
01:07:30Now for your own sake, get out.
01:07:31It's your life.
01:07:32You can't save Johnny, and you can't help him.
01:07:34Kid, is this on the level?
01:07:35I swear it.
01:07:36Well, I'd better pack some things.
01:07:37Well, hurry up.
01:07:50Jean.
01:07:52Jean.
01:07:54What's this about the state?
01:07:56Jean.
01:07:57Did you think I'd leave him now?
01:07:59They can't touch me.
01:08:00You killed Rita Randall.
01:08:01They can't prove that.
01:08:02No, but Lionel Cleter can.
01:08:04You didn't finish the job.
01:08:05He's alive and in the hospital and ready to talk.
01:08:07Pinkhead.
01:08:08What's the matter, boss?
01:08:09You dumb lug.
01:08:11You didn't finish Cleter.
01:08:12He's alive.
01:08:13Now the cops are after us.
01:08:20Gee, Johnny, we'd better get out of here.
01:08:22You can't get 10 blocks.
01:08:23I'll get as far as I want to.
01:08:24And when this blows over, I'll come back.
01:08:26Johnny, you're going to take me with you, aren't you?
01:08:28You're in too much trouble.
01:08:44Get out of the way.
01:08:54Take care of him.
01:09:24Take care of him.
01:09:44Take care of him.
01:10:04Marcus and Mrs. Peters have been ousted.
01:10:21And, uh, that's about all I have to say.
01:10:24And, uh, how are you new superintendent?
01:10:30There isn't much I can say.
01:10:32Except I want you all to feel free to come to me at any time,
01:10:35and all will be powerful.
01:11:03I'm out.
01:11:04I'm out.
01:11:05I'm out.
01:11:06I'm out.
01:11:07I'm out.
01:11:08I'm out.
01:11:09I'm out.
01:11:10I'm out.
01:11:11I'm out.
01:11:12I'm out.
01:11:13I'm out.
01:11:14I'm out.
01:11:15I'm out.
01:11:16I'm out.
01:11:17I'm out.
01:11:18I'm out.
01:11:19I'm out.
01:11:20I'm out.
01:11:21I'm out.
01:11:22I'm out.
01:11:23I'm out.
01:11:24I'm out.
01:11:25I'm out.
01:11:26I'm out.
01:11:27I'm out.
01:11:28I'm out.
01:11:29I'm out.
01:11:30I'm out.