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00:01:00♪♪
00:01:24♪♪
00:01:53Tommy, will you please tell Marian that I'm...
00:01:55Be with you in a minute, Harrison.
00:02:05Stop it, Tommy. You'll waken the Ted.
00:02:07I'll teach that little horn-blind son of mine.
00:02:10Telegram for Uncle Tony.
00:02:12Ah, now you have something this time to blow about.
00:02:22Oh, Mr. Forrester, will you please tell Marian that I should...
00:02:24Shh.
00:02:27How can I read when you're making this awful music?
00:02:30So you will blast me out of bed, eh?
00:02:32Tommy, you have not blown in vain.
00:02:34I'll teach you how to play this plumbing instrument.
00:02:37Papa, please!
00:02:38Ah, it is here.
00:02:40I'm convinced of that, but does it say anything?
00:02:43Everything I am to conduct for the Williams Opera Company.
00:02:47Good, Tony, good. You'll be glad to get back the harness, eh?
00:02:49I will, if it's a nice warm harness.
00:02:51Yes, will anything be warm in this house?
00:02:53What's the matter with it, with the furnace?
00:02:55It's busted.
00:02:56Yes, it's always busted.
00:03:22Ah!
00:03:23Ah!
00:03:24Ah!
00:03:25Ah!
00:03:26Ah!
00:03:27Ah!
00:03:28Ah!
00:03:29Ah!
00:03:30Ah!
00:03:31Ah!
00:03:32Ah!
00:03:33Ah!
00:03:34Ah!
00:03:35Ah!
00:03:36Ah!
00:03:37Ah!
00:03:38Ah!
00:03:39Ah!
00:03:40Ah!
00:03:41Ah!
00:03:42Ah!
00:03:43Ah!
00:03:44Ah!
00:03:45Ah!
00:03:46Ah!
00:03:47Ah!
00:03:48Ah!
00:03:49Ah!
00:03:50Ah!
00:03:51Ah!
00:03:52Ah!
00:03:53Ah!
00:03:59Ah!
00:04:00Ah!
00:04:01Ah!
00:04:02Ah!
00:04:13Oh,
00:04:20And we start on a triumphant tour.
00:04:22Marvelous.
00:04:23Ah, but I am sad.
00:04:24Why don't you come with us and sing my music?
00:04:27I've sung it for you hundreds of times.
00:04:29Eh, but you should sing it for the public,
00:04:31and you'll be sensational.
00:04:33Listen, Dad, Louise, give your lives to the theater.
00:04:36And what have you to show for it?
00:04:37A nice dress clipping.
00:04:38What I want is a family album.
00:04:40Yeah, from that Harrison Bichert?
00:04:41You're not going to even get a single penny.
00:04:43You're not going to get a single penny.
00:04:45You're not going to get a single penny.
00:04:47You're not going to get a single penny.
00:04:49You're not going to even get a snapper shot.
00:04:51But Uncle Tony, we've saved enough to put Tommy in school,
00:04:54set Dad up in a studio, and...
00:04:56And you'll get married to that Bichert.
00:04:58You're right.
00:04:59Are you crazy?
00:05:00No, Tony.
00:05:01She's the only one in the family who isn't.
00:05:03Harrison Bichert's a fine man.
00:05:05That's what's the matter with him.
00:05:06He's a steady, dependable, safe, sane...
00:05:08I'm telling you, I think he's crazy.
00:05:13I'll break that ticket to a million pieces.
00:05:20It's Gloria.
00:05:21Are you sure?
00:05:22Yes, of course it is.
00:05:24Impossible.
00:05:26She's in Reno getting a divorce.
00:05:28No, that was last year.
00:05:29She's in California getting married.
00:05:31Oh, that'll be...
00:05:33My people.
00:05:34My darlings.
00:05:36My own.
00:05:38Into the mob scene, merry villagers.
00:05:40Welcome, welcome.
00:05:41Gloria, where have you been?
00:05:43Getting a divorce.
00:05:44Ah, marriage is not for me.
00:05:47The foresters belong to the public.
00:05:49I return to the theater in the greatest play of my career.
00:05:53I will forget the tragedy of my love
00:05:55and give what is left of my broken life to my art.
00:05:59How's your lumbago, Pop?
00:06:01It's a little better, thank you, dear.
00:06:02Tony, how are you?
00:06:03We're in a hurry.
00:06:04We're rushing off for an engagement, sir.
00:06:05Splendid.
00:06:06New York needs you.
00:06:08But Watergap's got us.
00:06:09Come with me.
00:06:10I'll drop you there on my way to New York.
00:06:11You hear that, Louise?
00:06:12We want to get a free ride.
00:06:14I hope we have as good luck getting back.
00:06:16Well, hurry.
00:06:17I can only stop a moment.
00:06:18I'm a week late for rehearsals now.
00:06:19I'll have them ready in no time.
00:06:20We are packing.
00:06:21We are packing.
00:06:22We are packing.
00:06:23Mariana.
00:06:24Darling, I'm terribly sorry.
00:06:26I didn't know you were waiting.
00:06:27I'll be with you.
00:06:28With me in a moment.
00:06:29I understand, darling.
00:06:30Mariana, Mariana.
00:06:32Where is my butterfly?
00:06:34I gotta be me, Margarita Carmen.
00:06:36But my butterfly, she's gone.
00:06:38I'll find her, Uncle Tony.
00:06:40Can't they even do their own packing?
00:06:41They're infinite.
00:06:42Be with you in a minute.
00:06:44I wish you were going to stay with us a little while, darling.
00:06:46I'll have to stay forever if you don't help me.
00:06:49Something wrong?
00:06:50Everything.
00:06:51I'm in an awful jam.
00:06:53Why don't you use your eyes?
00:06:55Why don't you use your head and come with us?
00:06:57Because I'm going to marry Harrison.
00:06:59Harrison.
00:07:00Bah.
00:07:01Why don't you do as I ask you and become a great success like,
00:07:05like, uh...
00:07:06Like Gloria?
00:07:07Sure.
00:07:08Why not?
00:07:09She's a great artist.
00:07:10She makes $10,000, $20,000, $30,000 a year.
00:07:14And spends $40,000, $50,000, $60,000.
00:07:17She's an artist, all right.
00:07:18Gets a new husband with every part.
00:07:20That's not my idea of living.
00:07:22Now, now, I'm washing my pants with you.
00:07:25I go.
00:07:26Goodbye.
00:07:27If you go like that, you'll be arrested.
00:07:28Well, now I have lost my pants.
00:07:30You probably packed them in your grip.
00:07:32You know what it is with a great genius?
00:07:34The mind is absent.
00:07:36Mariana.
00:07:37Mariana.
00:07:38All right, coming.
00:07:40You know, I'm afraid Tony will...
00:07:42I wouldn't pay any attention to him.
00:07:44You know, if I had your sense,
00:07:45I wouldn't be any closer to show business
00:07:47than sitting in the back row of a movie theater
00:07:49holding hands with some nice guy
00:07:51that's working his way up to be a grocery clerk.
00:07:53Providing him for Tony.
00:07:54You're right.
00:07:55I wouldn't change my Tony for...
00:07:57Louise, Louise.
00:07:58For two cents, I'd smack him down.
00:08:00Oh, be brief.
00:08:02Be what?
00:08:03I say, stop wasting my time.
00:08:05All aboard.
00:08:07All aboard.
00:08:11Say, how about this grip?
00:08:12You carry it.
00:08:14Oh, there he goes giving me that suitcase business again.
00:08:16I can tell we're on tour now.
00:08:18I knew you'd help me, Dad.
00:08:20Of course, dear.
00:08:21We foresters always stick together.
00:08:23That's what I like about it.
00:08:24What's the matter?
00:08:25You always late, you always late.
00:08:26Who's always late?
00:08:27You're the one that's always late.
00:08:28You never late.
00:08:32How much longer?
00:08:33It'll soon be over.
00:08:34Well, do I get the star dressing room?
00:08:36Trouble, trouble.
00:08:37You always start with the temperament.
00:08:38Oh, tap my eye.
00:08:39Oh, trouble.
00:08:42Oh, excuse me, please.
00:08:43Say, how about these grips?
00:08:44You carry it.
00:08:45Oh.
00:08:46I didn't say temperament, my eye.
00:08:48But I was with the temperament.
00:08:55Oh, my.
00:08:56Isn't he naughty?
00:08:57Well, if you'll go in the study, Mrs. Bucket,
00:08:59I'll be ready for your lesson in a moment.
00:09:00Oh, thank you.
00:09:03Goodbye, Tony.
00:09:04Goodbye, Tony.
00:09:05Goodbye.
00:09:06Goodbye.
00:09:25Once more, Mrs. Plunkett.
00:09:31How can I sing scales when I'm near you?
00:09:34I want to sing a love song.
00:09:36Scales before love songs, Mrs. Plunkett.
00:09:39You must acquire control.
00:09:41Breath control, I mean.
00:09:43If you don't mind.
00:09:55There.
00:09:56Nine minutes flat.
00:09:57Where do you want to go?
00:09:58Anywhere, just as long as it's peaceful.
00:10:00When we're married, our life is calm and solid.
00:10:02As a rock.
00:10:03Let's go to Gibraltar on our honeymoon.
00:10:06No excitement, no explosions, and no.
00:10:09And no foresters.
00:10:10Right.
00:10:13My signal.
00:10:14What signal?
00:10:15I'm sorry, Harrison.
00:10:17You have to wait.
00:10:18Well, yeah, but Marion.
00:10:22Why are you so cold when my heart burns so deep?
00:10:25Heart burns?
00:10:26Oh.
00:10:27Do you mind if I sit in here?
00:10:29Oh, not at all.
00:10:30Mrs. Plunkett has heartburn.
00:10:32Perhaps a little fresh air.
00:10:34Perhaps.
00:10:35You leave very little doubt.
00:10:40What a woman.
00:10:46Listen, young fellow.
00:10:47After I'm married, you'll have to answer your own signals.
00:10:50And you have only a week to practice them.
00:10:53Your marriage, well, I'm afraid.
00:10:58I'm afraid.
00:10:59Oh, too late for you to object now.
00:11:01No, no, no.
00:11:02It isn't that.
00:11:03You see.
00:11:04You see, Gloria.
00:11:05Gloria?
00:11:06What has she to do with it?
00:11:07Well, I'm afraid Gloria's had a lot of trouble.
00:11:09I had to lend her a little money.
00:11:11How much?
00:11:13Everything we had.
00:11:15She, she needed it, Marion, dear.
00:11:17You had no right to give her that money.
00:11:19Don't you realize I can't marry Harrison
00:11:21until you and Tommy are provided for?
00:11:23Don't you worry about me.
00:11:24I'll borrow some money.
00:11:26We'll get along somehow.
00:11:27You and Harrison go right ahead.
00:11:29No.
00:11:30There's been enough borrowing in this family.
00:11:32There'll be no marriage until I can start with a clean slate.
00:11:36Yes, you're right.
00:11:37We've all taken advantage of you.
00:11:39I'm, I'm just a burden.
00:11:40An old fool who's keeping you from your happiness.
00:11:46No, darling.
00:11:47I, I'll manage somehow.
00:11:51But you'll send it back in the spring, she promised.
00:11:54Yes, yes.
00:11:55Of course she will.
00:11:56And we'll go along here just as we are until spring.
00:12:00Yes.
00:12:01We'll go along just as we are until spring.
00:12:55La, la, la, la, la, la, la, la.
00:12:58And the merry horn wakes up the morn.
00:13:01Tra, la, la, la, la, la, la, la.
00:13:05Tra, la, la, la, la, la, la, la.
00:13:11And the merry horn wakes up the morn.
00:13:14Tra, la, la, la, la, la, la, la.
00:13:19The evening light and the morning light.
00:13:22Tra, la, la, la, la, la, la, la.
00:13:25And the merry horn wakes up the morn.
00:13:28Tra, la, la, la, la, la, la, la.
00:13:32The evening light and the morning light.
00:13:35Tra, la, la, la, la, la, la, la.
00:13:38And the merry horn wakes up the morn.
00:13:41Tra, la, la, la, la, la, la, la.
00:13:45The hunt is done, the hunt is done.
00:13:48And it is well, my dear.
00:13:51And Harry, I think, is gone, I think.
00:13:54So bring him here to me.
00:13:59Tra, la, la, la, la, la, la, la.
00:14:02Tra, la, la, la, la, la, la, la.
00:14:05And the merry horn wakes up the morn.
00:14:08Tra, la, la, la, la, la, la, la, la.
00:14:11And the merry horn wakes up the morn.
00:14:18Hello.
00:14:19Hello, darling.
00:14:20Am I late?
00:14:21Not at all.
00:14:22Here's to Marion, to the bride and groom to be.
00:14:25To the bride and groom to be.
00:14:26Or not to be.
00:14:27To be, darling.
00:14:28This time, sure.
00:14:30This time, I'll make sure.
00:14:32♪
00:14:54Oh, oh! Oh, oh, oh, oh, oh, oh!
00:15:24Hacks disappeared at this point, say, there they are now.
00:15:53Never heard of a pack breaking for the highway. Let's go!
00:16:23Stop eating those hounds. They're hungry. I'll get the sheriff.
00:16:51And I'll get the SPCA.
00:17:00The coast is clear, pal.
00:17:20Bring the baggage out here.
00:17:44Baggage? Do you realize I'm an artiste? I'm the spirit of the dance.
00:17:48Well, bring the spirits too, you thirsty Korean.
00:18:04Look, isn't that the same outfit?
00:18:10The Williams Outfit Company.
00:18:13There's no place like home.
00:18:16Even when it's Marion's. Lovely place to be stranded with a whole troop for company.
00:18:20Uncle Tony!
00:18:22Oh, Marion. We are here. Meet my company.
00:18:29Oh, so glad to meet you.
00:18:31Come on, come on, I'll show you the way. What is mine is everybody's.
00:18:35Come on, come on.
00:18:37Hungry as a wolf.
00:18:39I want you to meet a very old friend of mine. Madam Bovar, my daughter.
00:18:44I've heard you sing, madame. I seem to remember...
00:18:48When Bovar sings, they always remember.
00:18:51I know. It was when mother and dad were with the Sanremo Company.
00:18:56I was a little girl. I stood in the wings and you... you sang, Margaret?
00:19:01Ah, now I remember. The great theater was packed.
00:19:04And I sang that night only to that little girl in the wings.
00:19:09Ah, because she had music in her eyes.
00:19:13You were beautiful.
00:19:15Ah, now I'm not. But as long as I listen, I shall sing.
00:19:20Dear child.
00:19:22Marion!
00:19:24Oh, good to see you.
00:19:28I'm going to like it here. Excuse me.
00:19:31I'm going to like it here.
00:19:33Excuse me, this is Mike Williams, our manager, leading tenor, publicity man, director.
00:19:38Mechanic, cook and...
00:19:40Animal trainer. You'll be crazy about him.
00:19:42I'm all ready. Good.
00:19:44Come, come, come, Marianna. We are hungry. Come, come.
00:19:49This is clear.
00:19:51Now, one, two.
00:20:00One, two, three, four.
00:20:30Oh!
00:21:00Ah!
00:21:11Ah!
00:21:24Ah!
00:21:31Ah!
00:21:49That was Benny. He used to be a dancer.
00:21:52None of them want to be anything but loafers.
00:21:54Oh, that isn't fair, Harrison. They've been anxious to work ever since they've been here.
00:21:58But you're not running a boarding house.
00:22:00Well, if Tony and Louise don't get a break,
00:22:02William's in Louisville right now trying to get Joe Shelton to back Tony's show.
00:22:06I'll back him to ten gallons of gasoline.
00:22:08Oh, they'll soon be gone.
00:22:10Now, why don't you pull out and marry me?
00:22:13Not until Gloria comes back with the money. I'm stranded, too.
00:22:17But I can take care of your dad and Tommy, after all.
00:22:20Oh, no. We'll not start out with a mortgage on our happiness.
00:22:23I've seen too much of that with these artistic foresters.
00:22:31Wait a minute. Wait a minute.
00:22:33You do not bring him, that is the end of me.
00:22:35If you keep calm, I'll tell you the good news.
00:22:37Oh!
00:22:39Sheldon is going to produce your music.
00:22:41There's only one thing.
00:22:43I am a sensation. Come, let's have dinner in honor of myself.
00:22:46Come on. Let's go.
00:22:48Hurry up.
00:22:50Come on.
00:22:52Come on.
00:22:54Come on.
00:22:56Come on.
00:22:58Come on.
00:23:01Magnificent, madame.
00:23:04This is not the first ham I have cooked for an empresario.
00:23:08And if this one hadn't come to our rescue,
00:23:10we'd be cooking the empresario for the ham.
00:23:12Again, madame, you insult the great artist.
00:23:15I shall now let you have it with his hands.
00:23:17If you do, I'll be awful mad.
00:23:18If you do, I'll be awful mad.
00:23:48Like the rose to the mighty temple's dawn bending
00:23:51Like the rose to the mighty temple's dawn bending
00:23:56Oh, my God, in a memory so lovely
00:24:00So lovely for me
00:24:03For me, for me
00:24:06Oh, God, with me
00:24:09Oh, God, with me
00:24:12Oh, heaven, please guide
00:24:14In mercy, please fill
00:24:15In mercy, please fill
00:24:17This bread
00:24:19This bread
00:24:21Give us this bread
00:24:23Give us this bread
00:24:25Give us this bread
00:24:27I am starving
00:24:29And I
00:24:31And I
00:24:33And I
00:24:35And I
00:24:37And I
00:24:39And I
00:24:41And I
00:24:43And I
00:24:45And I
00:24:47And I
00:24:49And I
00:24:51We'll put them all together
00:24:56Last time
00:25:02Oh, we forgot to make the coffee.
00:25:04You'll help.
00:25:06Get the hot water.
00:25:08Where is Sheldon?
00:25:10It's no go.
00:25:12But I didn't have the heart to tell them.
00:25:13Isn't he going to produce Tony O?
00:25:15Oh, he's interested, but he says there hasn't been.
00:25:19Oh, what's going to become of them?
00:25:21I won't let them down.
00:25:23We'll get by somehow.
00:25:24But they're old.
00:25:25They can't do anything else.
00:25:27But that doesn't apply to you.
00:25:29You're young.
00:25:30Why don't you get out and get yourself a regular job?
00:25:32And what would you suggest?
00:25:34Paper hanging or plumbing?
00:25:35I couldn't advise you.
00:25:36You have the soul of a gypsy.
00:25:38And you have the soul of an alarm clock.
00:25:40Oh, hello.
00:25:41Hello.
00:25:42Wait in the living room, Mr. Plunkett.
00:25:43I'll call Dad.
00:25:45Nice little boy.
00:25:49Someday we'll all be a success and eat like this every day.
00:25:53That's right, Dad.
00:25:54That's the one.
00:25:56Hey, Dad.
00:25:57Hm?
00:25:57She's in again.
00:25:58Who?
00:25:59Mr. Plunkett.
00:26:00Duty calls.
00:26:02Oh, the things I do for music.
00:26:04Tommy, sit down and eat your lunch sensibly.
00:26:07I can't.
00:26:08I've got a date with the New York Symphony.
00:26:12What are you talking about?
00:26:13Oh, you wouldn't understand.
00:26:15Tommy, come on.
00:26:16Sit down.
00:26:17I can't keep Mr. Tuscanany waiting.
00:26:20Oh, what's so funny?
00:26:22The eternal conflict between the moon and six.
00:26:25This is some of your work.
00:26:26Ever since you were a little boy,
00:26:27you've been writing about the moon and the six.
00:26:30I've been writing about the moon and the six.
00:26:32This is some of your work.
00:26:33Ever since you've been here, he's
00:26:34been acting as crazy as you.
00:26:37You wouldn't understand.
00:26:38The kid's got something.
00:26:40That certain something that would never penetrate
00:26:42the soul of an alarm clock.
00:26:50Have some tomatoes?
00:26:52What?
00:26:52Some tomatoes.
00:26:53I don't think so.
00:26:54Oh, that sort of leaves you with a gesture on mind.
00:27:00Shall we try it once more, Mr. Plunkett?
00:27:01Yes, I'd like to.
00:27:22Am I such a bad teacher?
00:27:24Well, what's wrong?
00:27:25Well, one of us must be wrong.
00:27:27We'd better find out.
00:27:28Marian, dear, will you sing it for us?
00:27:31Dad, I'd rather not.
00:27:33Oh, please do, dear.
00:27:35Yes, I will.
00:27:37I'll show him.
00:27:38I mean, her.
00:27:40Here we go again.
00:27:42Here we go again.
00:27:43Oh, dear.
00:27:47I am bound in the moon.
00:27:53I am bound into the air.
00:27:57I travel through the world.
00:28:03I have alive.
00:28:07Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
00:28:29oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
00:28:59pewno che farebba rarebre e in la brume a moi voit-il ligé? a me voit-il ligé? ah! ah! ah! ah! ah! Simply you and I, ah!
00:29:29Oh
00:29:59Oh
00:30:29Oh
00:30:59Oh
00:31:18Darling that was splendid
00:31:22There's a voice for you. They said is that I'm in training
00:31:27Be patient with me I can do that too. I'll try it again. Well, you don't have to try it again. It was perfect
00:31:36But that it was magnificent
00:31:38What tone what clarity only from the depths of a great soul could come such a voice, but you mind turning around
00:31:47Don't worry people will listen not look stay right here and don't move out of this house until I tell you
00:31:57I think John's hotel
00:31:59Michael mr. Williams. Wait a minute. Let me speak to mr. Shelton. You must listen. I've heard enough. Don't be silly
00:32:06Hello, is that you Joe?
00:32:08Michael, please go back on the shelf alarm clock say Joe
00:32:12Right, go ahead and make a fool of yourself in listen. This is Mike Williams
00:32:17I've discovered a Jenny Lynn. I
00:32:20I know she's dead. This one isn't she's too fendis. It's been a darn good judge of music and that's good enough for me
00:32:30Say yeah, son, you don't mind if I take a little peek at this songbird, do you I want you to judge her by her
00:32:36Voice alone. Oh
00:32:38She's as good as all that, huh? Sit down. Nope. Just relax. Don't move. Don't breathe. Just listen
00:32:46Then we'll talk afterwards
00:32:48Have a cigar. All right
00:32:56I'll sing like you've never sung before
00:33:00There's no time for temperament
00:33:18Oh
00:33:49Oh
00:33:56Something wrong Mike something
00:33:59Everything. Excuse me, Tommy
00:34:02Michael, oh, please
00:34:04Tommy oh, please
00:34:07Gosh, why can't you leave us men alone?
00:34:18Oh
00:34:41What Tommy we used to be such good pals, well, you don't care anymore what I like yes, I do
00:34:48It's three o'clock
00:35:02My with your office to use the ladies always sure stand over there on a stage
00:35:18Oh
00:35:48Hmm you'll have me cutting out people
00:36:18Oh
00:36:23Beautiful beautiful more like this
00:36:48Oh
00:37:18Oh
00:37:48Oh
00:38:18Oh
00:38:48Oh
00:38:50Oh
00:39:14But also
00:39:20Oh
00:39:50Oh
00:40:20Oh
00:40:50Oh
00:41:02Well, you little devil, why didn't you tell me I tried out enough but can anyone ever tell you anything I forgive you
00:41:08Where are we going down to see Sheldon? Oh
00:41:11No, and sign you up as a prima donna. I will not. Oh, why don't you two keep singing get along swell land?
00:41:18I'm sorry. You try to understand
00:41:24The voice of yours
00:41:26The answer to my prayers and what you try to understand to
00:41:31The last thing I want in this world is a career. Why not?
00:41:35I've seen too much of what it can do to people. I hate everything connected with you can't
00:41:42You've had no choice in the matter
00:41:44You can't
00:41:46You've had no choice in the matter. You can't give a voice like that to yourself. It's only yours to give
00:41:52my mother
00:41:54She had her career
00:41:56One night stand cheap hotel cold hungry always on the moon. I
00:42:02Was born back with age, but I'm not going to die there like she did we take things like that the music
00:42:09There are moments
00:42:11magnificent moments
00:42:14Moments I don't know Marion you've got to sing Marion Marion
00:42:24Don't give up Mike go get her. Thanks. I will you don't you dare run away from me
00:42:33What's happened
00:42:35Only a voice was involved. Listen here Harrison. You've got to reason with Marion
00:42:40What about with a voice like that stop it she belongs to the world
00:42:59Well, I got here on time just as I promised you're all set dear money and everything on with the wedding
00:43:06Gloria you saved me. He's trying to make a prima donna
00:43:15What are you doing here you're just on time you've got to help me
00:43:19Sorry, you can't marry this girl beacher. Really?
00:43:23Suppose we leave that to Marion you
00:43:28With him why I wouldn't why all I want out of this girl is music
00:43:33You'll marry him over my dead body it would be a pleasure my error
00:43:39I'll make you sing if I have to wreck the place to do it
00:43:49Mike Williams, will you tell me what you're doing following your advice? I'm a confident
00:43:55All right, boys head on the other side
00:43:57Okay
00:43:59You you can't tear down our barn, but I have then you put it up again
00:44:06Just came
00:44:08What were lamps gosh, I told him to store it in the living room fine in the living room
00:44:14Yeah, say Mike. Can I help turn down the rest of the barn? No, we need the lumber Marion
00:44:19Yeah for benches benches for what?
00:44:22Well, you can't ask the people to stand up to watch the show cut up the boards boys and clean them down smooth
00:44:28Yeah, we don't want the people to get slivers in their pants
00:44:33Or Mike
00:44:38Mike I got an idea. We'll wreck the summer house and use it for the orchestra
00:44:43You're terrific Gloria Michael. I'm having the door between the two master bedrooms pulled out
00:44:49Make a dressing room for the Valley Girls
00:44:56I will explain to you what I've been thinking very much about now. Look at now you see those we be willows
00:45:02Well, I've got now come come come. I'll show you now if we use the front porch for the stage
00:45:09We'll use the whipping willow for our curtains. Kapichi. Hmm. Catch on. Oh, beautiful
00:45:14And we'll rip out the end of the porch for the wings whatever it is you're doing you'll have to stop it
00:45:19You're tearing this place
00:45:22Oh, Mike's got a marvelous idea great idea idea of what using the house as a backdrop and the porch is the stage for what?
00:45:29The show you're giving the show here
00:45:32You have gone crazy. It is genius my music under the stars right in its natural setting
00:45:37We can see 1500 people on the lawn and where will you get the audience from Louisville?
00:45:42There's a hundred thousand people there for the Kentucky Derby
00:45:45There's no place to go at night to go for this show in a big way and where will you get the money to put the?
00:45:49Show on we'll manage. Okay with the money you advance it
00:45:55CC
00:45:59Week that's all right. You'll get a double
00:46:04Don't you understand you'll get your money back and more as soon as the show goes over and what will I do if the show
00:46:10Fails it can't
00:46:12singing it
00:46:13In your hand Marion rather in your throat. I'm not seeing that part or any other never
00:46:20And we'll have to dig somebody up. We'll put it over without you, but you won't put it over on me
00:46:25You'll pay me back every cent and the night I get it. I'll leave you for us just to tatter on your own feet
00:46:30Tommy you'll go to military school for discipline and you Romeo will get some exercise fixing the furnace that will give you the strength to
00:46:37Plunkett by yourself and you I surrender you've stranded yourself here for the last time. Oh, Mariana
00:46:44When the crutch is taken away, maybe you'll learn to walk
00:46:47and you'll learn to live on what you earn when you know, I'm not here to scrimp and save enough you to borrow and lend and
00:46:53You mr. Genius had better take in enough to pay me back every cent or I'll have you put in jail
00:47:07I
00:47:37I
00:48:07So follow your heart and your fire
00:48:13Where's my expressing
00:48:15downstairs
00:48:18What's the matter with you?
00:48:20Can you hear?
00:48:23Three Madonna Supreme, ah prima donna scream
00:48:28You're right. You're right. I agree with you. Absolutely. Something must be done. Yes, and I'm going to do it. I'm gonna kill off
00:48:35Yes, I am going to kill her then I am to be shocked
00:48:42All right now leave me to Mike
00:48:52Hello boys, hello Mike good news the house is sold out Mike you shouldn't open tonight
00:48:59I've got to open now Mike. Listen, this show has a great chance, but with Louise Natalie, that's going to be murder
00:49:05You'll get by well, you'll take my advice. You won't give this performance, please
00:49:10My return the money then your conscience is looking upon your face
00:49:18All right, I'll return it
00:49:28You see at Miss Louise
00:49:30Michael and I have just had a conference and
00:49:32Michael and I have decided or rather Michael has decided that he has a little something that he feels that he wants to tell you
00:49:38Oh
00:49:39Yes
00:49:41we feel
00:49:42That I have all the confidence in the world of you go out there and sing
00:49:46Yeah, sing and run up for your life. Yes, but you would need to give the money back and I'm going to
00:49:53Here
00:49:56What are you doing I'm taking my soul out of hawk
00:49:59Oh, I am now ruined for good boys. If I must I must you see that miss Louise
00:50:05Tony and I have been trying to persuade Michael to call off the performance to call the play off. Oh, yeah
00:50:11Well, isn't you? Oh goodness. No, no, but isn't you of course?
00:50:15we're we're quite assured that you have all the talent in the world really a very very brilliant woman, but
00:50:20Tony feels that you're not capable of singing a romantic role
00:50:25Oh
00:50:26What so I'm not good enough to sing your music. Eh, no, no, no, no
00:50:30No, listen, there's a wife. You're the most sweetest woman in the world. But as a soprano you would have that collapse
00:50:46Always be gentle with a fainting woman
00:50:55Doctor
00:51:00You poor darling you'd be all right dear. I can't go on
00:51:09Like
00:51:13Mary you'll have to go on. Oh Mariana just for tonight. Then you put on Louise. She will die happy
00:51:20I'll go on for you. No, I'm a sensation. Thank you. Mary. I'm doing it for them. Send her costume to my room
00:51:38I'm you
00:51:42Ah, you sang that note beautifully for the first time in your life
00:51:46You cheap unscrupulous thinker
00:51:54Well, we almost got away with it you had the wink why do you make faces
00:52:02But I'm in stop the overture what go on go on give me that gum hurry up
00:52:07Come on, hurry up. I'm not licked yet
00:52:10Sorry Harrison, but I simply got to do it
00:52:16Let me go take your things off what quiet you I'll attend to this
00:52:25I'll attend to this
00:52:28I'll attend to this
00:52:30I'll attend to this
00:52:32I'll attend to this
00:52:34I'll attend to this
00:52:36I'll attend to this
00:52:38I'll attend to this
00:52:40Stop it
00:52:42Now relax because I'm going to undress you
00:52:46Harrison, Harrison he's undressing me
00:52:50I was just talking
00:52:52All right you win, but get out of here
00:52:54Oh no, but don't worry
00:52:56I'll turn my back
00:52:58Marian
00:53:00Marian
00:53:02Don't forget we're engaged
00:53:04Will you dress please
00:53:08You won't get me to sing
00:53:10You'll see
00:53:12Now the next thing
00:53:14Whatever it is
00:53:18Just five minutes to your entrance Q
00:53:20I won't walk a step
00:53:22You won't have to
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