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00:01:00There have been showers in Florida, so there are extras out.
00:01:14Yes, a new day is starting, and most of us greet it with hope, like these Hollywood extra
00:01:19girls on their way to work.
00:01:21United Art Studio, please.
00:01:24Or these stenographers, salesgirls, waitresses, yesterday's beauty contest winners from all
00:01:30over the world.
00:01:32Oop, they didn't get her phone number.
00:01:35Of course, for some people, yesterday still hasn't ended.
00:01:39These fellows have been rehearsing all night.
00:01:53Take a plate, fill it up, bring it right back.
00:02:00Solid potato, solid.
00:02:02It's really fine, and you better let ya.
00:02:04Solid potato, solid.
00:02:06Go to the table, cook your plate before it's all gone.
00:02:08The farmer said to his bud, your skin looks slightly pallid, so I think you laid a bud.
00:02:14Put some solid potato salad.
00:02:16Solid potato salad.
00:02:18That solid salad, Jack.
00:02:20Solid potato salad, boy.
00:02:22Take a plate, fill it up.
00:02:24Take a plate, fill it up, bring it right back.
00:02:30Take a plate, fill it up, bring it right back.
00:02:40Auto, all polished and ready to go.
00:02:42You know, I'm going to that radio show, Breakfast in Hollywood.
00:02:46Isn't that the one where the guy tries on a lady's hat?
00:02:48Yes, that's right.
00:02:49Do you notice anything silly about me?
00:02:52Anything?
00:02:53You mean something out of the ordinary?
00:02:55Oh, my hair.
00:02:56I thought it was a hair dryer.
00:02:58Oh, Mr. St. John.
00:02:59You just made me the happiest woman in the world.
00:03:01You couldn't have said anything to please me more.
00:03:06Thank you, Bill.
00:03:09Mr. St. John.
00:03:19Mr. St. John.
00:03:20Let's go.
00:03:21A bus for Phoenix, Flagstaff, Albuquerque, Kansas City, and Chicago.
00:03:51Now leaving, Phoenix, Flagstaff, Albuquerque, Kansas City, and Chicago, fourth.
00:03:59Miss Larson, Miss Larson.
00:04:05I guess I must have fallen asleep.
00:04:10Did you locate him?
00:04:11San Pedro just phoned.
00:04:13They said they had no record of Seaman First Class James Glennie ever having been there.
00:04:17In his last letter, that's where he said he was going.
00:04:20How long ago was that?
00:04:22About three months ago.
00:04:24A loss can happen in that time.
00:04:27When he stopped riding, I thought...
00:04:28Yes?
00:04:30Nothing.
00:04:32Do you think he might be in San Diego?
00:04:34No, my dear, let's be practical.
00:04:36You come back here at five o'clock tonight, and I'll have a return ticket to Minneapolis for you.
00:04:41I'll tell you what I'll do.
00:04:42You go to the lounge and freshen up, and I'll give you a ticket to Tom Brenneman's breakfast in Hollywood.
00:04:46You've still got time, and that'll cheer you up a bit.
00:04:49How will that be?
00:04:50You've been awfully kind.
00:04:52Forget it.
00:05:14Now, don't you worry about me, Kippy.
00:05:18I'm going to be all right.
00:05:21I'll only be gone about an hour or so.
00:05:26I'm going to do something this morning that I've wanted to do for a long time.
00:05:36There you are.
00:05:39Now, see?
00:05:42You're a little creepy this morning.
00:05:45Well, now, maybe you'll pull in that pride of yours and let me get a little box of sand in the house at night.
00:05:52Come here.
00:05:55Nobody need know about it but you and me.
00:06:00Well, have it your own way.
00:06:02Now, darling, stay in the sun this morning, and don't take your sweater off.
00:06:12Goodbye, Kippy.
00:06:21Richard?
00:06:22Huh?
00:06:23Are you awake?
00:06:25No.
00:06:30I'm leaving.
00:06:31Huh?
00:06:34Any woman who gets up at daybreak to see a radio show is nuts.
00:06:38Now, Richard.
00:06:39Well, go ahead.
00:06:41If you get a kick out of being goofy, don't let me spoil your fun.
00:06:44Oh, would you rather I go with you to San Diego today, dear?
00:06:48I wouldn't think of subjecting you to it.
00:06:50I'm going strictly on business.
00:06:51There'll be no time for pleasantry.
00:06:53Now, run along to your concert.
00:06:55Radio show.
00:07:01Aren't you going to kiss me goodbye?
00:07:06Well, have a lovely trip, dear.
00:07:08And don't work too hard.
00:07:17I left my purse.
00:07:35It's better to be by yourself than you can always...
00:07:46Hello?
00:07:48It's Mr. Wheelwright.
00:07:51No, no, no.
00:07:52Cartwright.
00:07:53I, uh...
00:07:54I'm calling you up at this unearthly hour because we can get an earlier start for Delmar
00:07:58if you like.
00:07:59Oh, wonderful.
00:08:00Who's coming?
00:08:02The laundromat.
00:08:03Ma'am, it's the gentleman that's taking me swimming into the races today.
00:08:06Will you be quiet?
00:08:08I'll hop down, get a quick shave and a haircut, and pick you up at nine o'clock, okie-dokie?
00:08:12Oh, sure.
00:08:13Uh, honey, on your way over, would you stop and buy me a little swimsuit?
00:08:20Just any little thing.
00:08:23You pick it out and surprise me, huh?
00:08:25And ask him, can it cash check?
00:08:28Goodbye, Miss McIntosh.
00:08:31Good morning, Miss, good morning, Miss, I wonder when you'll spare a kiss?
00:08:58Going into Hollywood soon?
00:08:59Yes, come on, get in.
00:09:10Where's your home?
00:09:11Minneapolis, sir.
00:09:12Is that the right time?
00:09:13Yes.
00:09:14Why?
00:09:15I'm trying to catch an early radio show, Breakfast in Hollywood, ever hear of it?
00:09:18I'm afraid I have.
00:09:20My aunt back in Minneapolis listens every morning.
00:09:23A very intelligent woman.
00:09:25Very good taste, too.
00:09:26Oh, it's good then, huh?
00:09:28Oh, terrific.
00:09:29Sometimes it keeps me awake all night.
00:09:32Say, do you know the fellow who runs it, Tom Brenneman?
00:09:36Well, my mother knows him very well.
00:09:38In fact, she folded his first pair of pants.
00:09:41Well, do you think maybe you could get me a ticket?
00:09:44Oh, I'm sure I could.
00:09:46In fact, by strange coincidence, I have one in my pocket right here.
00:09:49There you are.
00:09:50Thank you, sir, but gee, I don't want to rob you of a good time.
00:09:53Oh, not at all.
00:09:54I have no trouble getting in.
00:09:56It's getting out that bothers me.
00:09:58Getting out is sure sweet words to me.
00:10:00Just got my discharge.
00:10:01Oh, swell.
00:10:02Why aren't you headed for home?
00:10:04Oh, I am, but some important business holds me here.
00:10:07A suit of civilian clothes that won't be ready until this afternoon.
00:10:10I'll bet it isn't a blue surge suit.
00:10:12You can say that again.
00:10:28Good morning.
00:10:35Good morning.
00:10:36Good morning.
00:10:37I see you, Betty.
00:10:38Hello, how are you?
00:10:50Folks, I'd like to introduce myself.
00:10:52I'm Tom Brenneman.
00:10:53Now you can all applaud.
00:11:08Don't spoil me.
00:11:11How do you like getting up in the middle of the night?
00:11:15What time did you get up?
00:11:16Four o'clock.
00:11:17Sucker.
00:11:23I'd like to know, first of all, how many of you ladies here have never heard
00:11:28Breakfast in Hollywood?
00:11:29I mean, you never listen to it on the air.
00:11:32Is there anybody?
00:11:33Just you?
00:11:34Will you please get out?
00:11:38Seriously, folks, each morning, just before we hit the air,
00:11:40we kind of like to visit a bit with you guests
00:11:43and kind of find out where you're from.
00:11:45You know, kind of break the ice, one of those sort of things.
00:11:48And hello there, who are you?
00:11:51Mrs. Marie Edgedahl of Cherry Valley, California.
00:11:54Cherry Valley?
00:11:55Mrs. Edgedahl, where is Cherry Valley from here?
00:11:58Up near Beaumont.
00:11:59You mean down near Beaumont?
00:12:01Up.
00:12:04Well, isn't Beaumont down by Banning?
00:12:06Yes, but we're up on the mountain.
00:12:08That's up.
00:12:12Let's get this right now.
00:12:14When you go south, you go up south or down south?
00:12:18We go up south, but we're a little northeast.
00:12:21You're over that-a-way, in other words.
00:12:24No, northeast and it's up.
00:12:28And we're just 29 miles from Palm Springs.
00:12:31Oh, is that so?
00:12:32Uh-huh.
00:12:33Up or down?
00:12:34Or south?
00:12:35Oh, we're just to the right of it.
00:12:38Listen, Mrs. Edgedahl, did you ever hear of a down in Sleepy Valley?
00:12:43Oh, yes.
00:12:47Well, look, do you know of any valley which you have to go up to get to?
00:12:52Yes.
00:12:53What?
00:12:54Cherry Valley.
00:12:55Cherry Valley.
00:12:56Oh, yes.
00:12:57Oh, yes.
00:12:58Oh, yes.
00:12:59Oh, yes.
00:13:00Oh, yes.
00:13:01Oh, yes.
00:13:02Oh, yes.
00:13:03Oh, yes.
00:13:04Oh, yes.
00:13:05Oh, yes.
00:13:06Oh, yes.
00:13:07Oh, yes.
00:13:08I give up.
00:13:15Well, let's go over here and visit a little bit now.
00:13:17Hello there, who are you?
00:13:19Dorothy Larson.
00:13:20Dorothy Larson.
00:13:21Well come on, Dorothy, stand up here and let the lady see you.
00:13:24Gee, you're pretty.
00:13:25Where are you from?
00:13:26Minneapolis, Minnesota.
00:13:28Minneapolis.
00:13:29Well with a name like Larson, you couldn't be from any other place but Minnesota.
00:13:35No.
00:13:36Tell me, Dorothy, do you hear the program back there occasionally?
00:13:40Oh...
00:13:41Do I have to tell?
00:13:42My goodness, we're not that bad, are we?
00:13:45Oh no, but...
00:13:46Well, my boss may be listening in.
00:13:48Don't worry about it, we're not on the air just yet.
00:13:50Oh, I see.
00:13:50But you do hear us occasionally, huh?
00:13:52Oh yes.
00:13:53Back in Minneapolis at this time each morning,
00:13:55I used to have coffee and doughnuts in Matty's drugstore and...
00:13:58Well, I listened then.
00:14:00And you weren't supposed to be listening.
00:14:02I wasn't supposed to be having coffee and doughnuts.
00:14:05Oh, well, don't make the last on me.
00:14:07Oh, why not?
00:14:09Well, I quit my job two weeks ago.
00:14:11Oh, you did, eh?
00:14:13Well, I'm quitting you too right now.
00:14:15She's all right.
00:14:35It's all right, Mother.
00:14:37Don't be frightened.
00:14:38You're okay.
00:14:39Call an ambulance.
00:14:40Right.
00:14:41Ah, don't sit up yet.
00:14:43Everything's all right.
00:14:47Who's the driver of this car?
00:14:48I am, officer, but it really wasn't my fault.
00:14:51I was still in second gear.
00:14:52I just turned the corner.
00:14:53Take it easy, bud, but stick around.
00:14:54Don't try to get up, lady.
00:14:55That's right, Mother.
00:14:56You just stay here and rest a little.
00:14:58Oh, what do you mean, rest?
00:15:00I told you, I'm tired.
00:15:02Oh, what do you mean, rest?
00:15:04I just got out of bed an hour ago.
00:15:07You might be hurt.
00:15:08Oh, go away with such foolishness.
00:15:11I'm all right.
00:15:12Are you sure?
00:15:13Why, certainly.
00:15:15I'm not a bit hurt.
00:15:16I'm going to get back to the sidewalk.
00:15:18Wait a minute.
00:15:19I've got an ambulance coming.
00:15:20Oh, don't tell me that.
00:15:22I haven't time for such foolishness.
00:15:24I've got to go someplace.
00:15:25I think perhaps, officer, the lady says this.
00:15:27Well, you keep out of this.
00:15:28Where do you want to go, lady?
00:15:29Oh, just down to Breakfast at Hollywood.
00:15:31It's only a little ways down the street.
00:15:33And I tell you, I'm all right.
00:15:35But I don't know that, you see.
00:15:36Oh, well, I'll miss it.
00:15:37I've been looking forward to it for weeks.
00:15:39And I'm late now.
00:15:40Really, officer?
00:15:41I think if she sees it.
00:15:42Will you be quiet?
00:15:43Listen, I'll go into Mr. Brenneman's and sit down.
00:15:46And then if you want to, you can come and look in on me,
00:15:48if you don't mind.
00:15:49All right, Mother.
00:15:50You go ahead.
00:15:51I'll come down to see you just as soon as I get through to you.
00:15:54Sorry to have been so much trouble.
00:15:56Oh, excuse me.
00:15:57But when you say as soon as you're through here,
00:15:59does that mean that?
00:16:00It certainly does.
00:16:01I want to have a nice, long chat.
00:16:03Let me see your driver's license.
00:16:04Oh, but officer, this is going to throw me off schedule.
00:16:13Good morning, ladies.
00:16:14Good morning.
00:16:15And good morning to you out there along our network.
00:16:18Good morning from the ladies having breakfast in Hollywood.
00:16:21And say, we have a swell turn out here this morning.
00:16:24Along about this time of our program,
00:16:26we'd like to visit a bit.
00:16:27I think we'll start with maybe you.
00:16:29What is your name?
00:16:30Harriet Bean.
00:16:31Where are you from, Miss Bean?
00:16:32I'm from Miami, Florida.
00:16:33Miami, Florida.
00:16:34Hot down there, isn't it?
00:16:38And let's see.
00:16:39Who are you, please?
00:16:40Your name?
00:16:41Mullins, this morning.
00:16:42Oh, this morning.
00:16:43This afternoon, it will be Henderson.
00:16:44Oh.
00:16:45Being divorced?
00:16:46I'm being married.
00:16:49Well, congratulations.
00:16:50I suppose you're the happy groom to be.
00:16:53Yes, ma'am.
00:16:54I know, sir.
00:16:55Tell me, Mr. Henderson, are you being married in Hollywood?
00:16:58We are.
00:17:00What is your business, Mr. Henderson?
00:17:03I'm Miss Mullins' secretary.
00:17:06What some folks won't do to keep a secretary.
00:17:14Oh, thank you.
00:17:15See you later.
00:17:17All right, folks.
00:17:18Now we're going to meet our service boys and girls.
00:17:20And I'll ask you to hold your applause, as I do each day,
00:17:22until we've met them all.
00:17:24We just want to be sure if the home folks have a chance to hear them.
00:17:26You.
00:17:27Peter Michaels, Waterboro, Maine.
00:17:30Oh, excuse me.
00:17:31Is this seat taken?
00:17:32No.
00:17:33No, I came alone, too.
00:17:34Well, that's nice.
00:17:35So did I.
00:17:37I didn't want to embarrass anyone.
00:17:43Why don't you put a clove in your mouth?
00:17:45Then nobody will know you've been drinking.
00:17:48No.
00:17:49No, I mean my hat.
00:17:50Do you think it's silly enough for Mr. Brenneman to pull on?
00:17:56Brenneman.
00:18:00It is kind of crazy in an artistic sort of way.
00:18:04Oh, thank you.
00:18:05Thank you very much.
00:18:07You know, for seven months I've been trying to wear a hat that Mr. Brenneman would put on.
00:18:12Well, I'll bet this is it.
00:18:13Oh, do you think so?
00:18:14Well, I hope so.
00:18:16Lieutenant?
00:18:17Lieutenant Stephen Wayne, Baltimore, Maryland, sir.
00:18:19You've been there, too, haven't you?
00:18:20Yes, sir, a little bit.
00:18:21What are some of those things, Lieutenant?
00:18:23That's the Navy Cross and the Purple Heart.
00:18:25Oh, we only have 30 minutes.
00:18:26We can't run all that.
00:18:28Well, look who's here.
00:18:29Do you recognize me?
00:18:30Who are you, anyway?
00:18:31Electrician's maid, third class, Minneapolis, Minnesota.
00:18:33Well, that'll help a lot.
00:18:34What's your name?
00:18:35No coaching, please.
00:18:36Oh.
00:18:37Ken Smith.
00:18:38Well, wait a minute, Ken.
00:18:39Don't get mad about it now.
00:18:40You hear me?
00:18:41What were you doing out in San Fernando Valley?
00:18:43Trying to find some people from Minneapolis.
00:18:45What for?
00:18:46Just to talk to, I guess.
00:18:47Oh, Ken, you don't have to go out to San Fernando Valley to find people from Minneapolis to talk to.
00:18:52Come on here, son.
00:18:53I'm old Cupid Brenneman.
00:18:54I'll teach you.
00:18:59Now, tell us who you are again.
00:19:01I'm Dorothy Larson.
00:19:02Oh, Dorothy.
00:19:03I want you to meet Ken Smith.
00:19:05Come on, Ken.
00:19:06Pull up a chair.
00:19:07Oh, this is going to be swell.
00:19:09Now, you kids get together and talk your heads off, will you?
00:19:11Boy, you need somebody to talk to.
00:19:13Aren't they handsome?
00:19:17Justin, I hate to leave here without...
00:19:19Without what?
00:19:21Without finding Ken Smith.
00:19:23Ken Smith.
00:19:24Ken Smith.
00:19:25Ken Smith.
00:19:26Ken Smith.
00:19:27Ken Smith.
00:19:29I'm not finding my fiancé.
00:19:30Oh.
00:19:31I came here to look for him.
00:19:32He's from Minneapolis, too.
00:19:34His name is James Lenning, and he's in the Navy.
00:19:36Jimmy Glenning?
00:19:38Do you know him?
00:19:39Do I know him?
00:19:40Why...
00:19:44Yes, go on.
00:19:45What were you going to say?
00:19:46Nothing.
00:19:47I don't think he's the same fella that you know.
00:19:49Now, I guess we've met them all.
00:19:51I wish everybody in uniform in the restaurant would please stand because we want to give you a welcome to Breakfast in Hollywood.
00:19:59A lot of apples.
00:20:00That's good.
00:20:02Look, the more I think of it, I'm not even sure if he came from Minneapolis.
00:20:05But you said this guy was engaged to a girl by the name of...
00:20:09What did you say your name was?
00:20:11Dorothy.
00:20:12There you are.
00:20:13His girl's name was Cora.
00:20:14All right, come on, come on, come on, Minneapolis.
00:20:15Break it up.
00:20:16The convention is over here now.
00:20:17Okay.
00:20:18And you get back to the table.
00:20:19All right.
00:20:20And before you go, for being such a good sport, here's a couple of $5 bills for you.
00:20:23Oh, gee, thanks, Mr. Brennan.
00:20:24All right.
00:20:25And if you're in Hollywood tonight, spend it on her, will you?
00:20:27Sure will.
00:20:29Come on, give him a hand there.
00:20:30All right.
00:20:36Now then, we're going for a hack.
00:20:39This silly routine every morning.
00:20:42I don't know what you're laughing about.
00:20:47Who are you, please?
00:20:48Mary Calder.
00:20:49Mary Calder.
00:20:50Where are you from, Mary?
00:20:51Kansas.
00:20:52Kansas?
00:20:53Where did you get that silly number?
00:20:54Just a little thing I cooked up myself.
00:20:56You cooked it up yourself?
00:20:57Looks like it boiled over.
00:21:01Look at there.
00:21:02That is a monstrosity down there.
00:21:05I simply have to get a closer look at that thing.
00:21:09No, we're talking about you.
00:21:10Don't look over your shoulder.
00:21:11Who are you?
00:21:12Elvira Spriggans.
00:21:14And where are you from, Miss Spriggans?
00:21:16Pomona.
00:21:17Pomona?
00:21:18I should have known.
00:21:20That is the silliest thing I've seen in this place in a long time.
00:21:23Where do you live now?
00:21:25In Hollywood.
00:21:27That looks like a typical Hollywood model.
00:21:28What is it, Bobby?
00:21:31There?
00:21:33Oh, my goodness.
00:21:35This is even worse.
00:21:37Do you want me to take it off?
00:21:38No, not just right now.
00:21:39Do you like it?
00:21:40Yes, I'll be back.
00:21:43Look at this thing.
00:21:44Hello, Tom.
00:21:45Ed, it's awfully nice of you to come over and say hello to us this morning.
00:21:48Oh, I'm so glad to be here.
00:21:49Pleasure.
00:21:50And do you know Mrs. Cooper, Gary's mother?
00:21:52No.
00:21:53Hello, Mrs. Cooper.
00:21:54Gee, it's nice to see you.
00:21:55How's Gary?
00:21:57Very well, thank you.
00:21:58That's grand.
00:21:59Did you have a nice breakfast?
00:22:00Oh, the loveliest bacon.
00:22:01Oh, fine.
00:22:03And Mrs. Lesserge, Joan Cooper's mother.
00:22:05Oh, hello.
00:22:06How are you?
00:22:07How is Joan?
00:22:08Fine.
00:22:09Please give her my regards.
00:22:10I certainly will.
00:22:13And you hear our program too, do you?
00:22:15Every morning.
00:22:16You enjoy it?
00:22:17Very much.
00:22:18Well, that's nice.
00:22:19Do you think I'm a good master of ceremonies?
00:22:20The best ever.
00:22:22And you think I'm handsome?
00:22:23Very handsome.
00:22:25And terribly underpaid, wouldn't you say?
00:22:26Yes, very much underpaid.
00:22:28You know you sound just like my mother.
00:22:30I am your mother.
00:22:31And she is too.
00:22:36Oh, what a lot of ham in that family.
00:22:39Say, speaking of ham, Hedda, I'm inviting you all down for dinner tonight.
00:22:43Why, thank you, Tom.
00:22:44We'd love to.
00:22:45Oh, that'd be swell.
00:22:46Hedda, I know that you're famous for daffy hats, but what is that supposed to represent?
00:22:50Well, when I left home this morning, it was a goldfish bowl.
00:22:53Hedda, I simply have to try it on.
00:22:56Do you mind?
00:22:57What do you suppose I wore it for?
00:22:59Miss Cooper, would you please hold the microphone?
00:23:01Just like that.
00:23:03There you are.
00:23:04This is the silliest thing I've ever seen, even for you, Hedda.
00:23:09There you are, kid.
00:23:14Don't you feel bad, dearie.
00:23:16I think yours is much worse than hers.
00:23:20Wait a minute, you smarties.
00:23:21After all, on me, it didn't attract a duck.
00:23:25I know, but brother, what an invitation to a woodpecker.
00:23:33Hi, Hedda.
00:23:34Spike Jones and his city slickers.
00:23:36Need I say any more?
00:23:40What did you expect, Tchaikovsky?
00:23:55Take a sprig of parsley, add a rubber bath tub stomper.
00:24:09What have you got?
00:24:10A hat for Hedda Hopper.
00:24:13Mix a batch of concrete in a five and dime corn popper.
00:24:17What have you got?
00:24:18A hat for Hedda Hopper.
00:24:20Take a ripe banana, add a jigger of plumb trow.
00:24:24Boil it over charcoal, that's Miss Hopper's new chapeau.
00:24:27Add a pickle to the side of Grandpa's old silk topper.
00:24:31What have you got?
00:24:32A hat for Hedda Hopper.
00:24:34When the swallows come back to grab the straddle.
00:24:38You can bet your life they'll land right on Miss Hopper's new hat band.
00:24:42Listen to the mockingbird, listen to the mockingbird.
00:24:47Please have pity on that kid, he's slated for Miss Hopper's lid.
00:24:50Listen to the mockingbird, listen to the mockingbird.
00:24:54Our feathered friend's a real dead pigeon now.
00:24:57First you take a...
00:24:59Then you add a...
00:25:02What have you got?
00:25:03Why, a hat for Hedda Hopper.
00:25:05Then you mix a...
00:25:10What have you got?
00:25:11Why, a hat for Hedda Hopper.
00:25:14Scientists are busy with a plan, they're working on it.
00:25:17Mixing up synthetics for Miss Hopper's Easter bonnet.
00:25:21So if you see a Frankenstein, don't paint or call a copper.
00:25:25Well, what you see is a hat for Hedda Hopper.
00:25:33And then the cop discovered that my driver's license had expired.
00:25:36Of course, it's only a formality, my dear.
00:25:38But I shall have to take, well, a slight examination.
00:25:42You're late, well, five or ten minutes.
00:25:44All right, let the car drive, but please hurry, you're late already.
00:25:49Goodbye.
00:25:52I wish we could hit on some way to do it.
00:25:55Do what?
00:25:56Let him know Tuesday's my birthday.
00:26:00Well, it is.
00:26:03Now we're going to award our wishing ring.
00:26:05Yes, sir.
00:26:07Let me see here.
00:26:08Who are you?
00:26:09I'm Wanda Ricketts.
00:26:10From where, Miss Ricketts?
00:26:11Denver, Colorado.
00:26:12Denver.
00:26:13Please draw a number out of the basket.
00:26:14All right.
00:26:15All right.
00:26:16This is the winner.
00:26:1749366.
00:26:2149366 wins the ring.
00:26:24I have it.
00:26:25Here it is.
00:26:26Oh, good.
00:26:27Well, look, it's Minneapolis.
00:26:28Well, come on here, honey.
00:26:30You've won our wishing ring.
00:26:35Come on over here and let the ladies see.
00:26:37See, this is swell.
00:26:40Dorothy Larson, the donut and coffee girl.
00:26:42That's right.
00:26:43Oh, this is grand.
00:26:45Tell me, Dorothy, it must have been swell to come in here and have a first-class breakfast.
00:26:49Well, I was a little late getting a seat, and when they served me, all I got was...
00:26:53Coffee and donuts, yeah.
00:26:56Dorothy, you say you're a secretary, huh?
00:26:57I was.
00:26:58I'll be a housewife soon, I hope.
00:27:00Oh, gee, that's swell.
00:27:02So instead of taking dictation, you'll be giving it, eh?
00:27:06I hope to live on a farm.
00:27:07Why?
00:27:09To raise baby chicks.
00:27:11Well, now, don't laugh.
00:27:12That's a good trick, if she can do it.
00:27:16Dorothy, you've won our wishing ring.
00:27:17Here, I want to show it to you.
00:27:19At the same time, I want to show it to the lady.
00:27:21There it is.
00:27:22Oh, it's beautiful.
00:27:23All right, now, I want to put it on your finger.
00:27:26You make a wish, and we'll ask everybody here and everybody along our network to wish along with you.
00:27:31Now, what's your wish?
00:27:34I wish that I may find a friend.
00:27:37Well, Dorothy, you've found 300 new friends here this morning.
00:27:40Isn't that right, folks?
00:27:41You better get it.
00:27:44Thank you, but...
00:27:45Well, I mean a certain friend.
00:27:47He's my fiancé, and he's still in the service.
00:27:49Oh.
00:27:50Well, gee, we hope you find him.
00:27:52And, Dorothy, it's a special treat this morning.
00:27:54We have something here that'll make wishing all the sweeter.
00:27:57Stand up there, Andy.
00:28:00Ladies and gentlemen, Andy Russell.
00:28:07Andy's going to sing a little song dedicated to the winner of our wishing ring.
00:28:12And you keep wishing, honey.
00:28:13All right.
00:28:14Good. Okay, Andy.
00:28:16If I had a wishing ring
00:28:24I'd never ask for any worldly thing
00:28:33My heart and I agree
00:28:38On what a wish it'd be
00:28:43One miracle would do
00:28:46The miracle that you'd love me
00:28:51You'd be my treasure
00:28:57Way beyond compare
00:29:03For my heart says your name
00:29:08In every place
00:29:12No dream would be denied
00:29:18And I'd be satisfied
00:29:22With all your love could bring
00:29:28Yeah
00:29:30If I had a wishing ring
00:29:37My heart and I agree
00:29:42On what a wish it'd be
00:29:47One miracle would do
00:29:50The miracle that you'd love me
00:29:56You'd be my treasure
00:30:02Way beyond compare
00:30:07For my heart says your name
00:30:12In every place
00:30:16No dream would be denied
00:30:23And I'd be satisfied
00:30:27With all your love could bring
00:30:33Yeah
00:30:35If I had a wishing ring
00:30:53Andy, come on over here just a moment, will you?
00:30:55I would have words with you.
00:30:58If you think you're gonna get away with one number, you're crazy.
00:31:01What would you like to sing for an encore?
00:31:03Well, uh, how about Magic is the Moonlight, Tom?
00:31:05Oh, that'd be swell.
00:31:06Especially in view of the fact you rehearsed it all morning.
00:31:14Magic is the moonlight
00:31:20On this lovers' night
00:31:24As I see the moonlight
00:31:28Shining in your eyes
00:31:32Can't resist their power
00:31:37In this moonlit hour
00:31:41Love began to flower
00:31:45In this Christmas paradise
00:31:49Living in the splendor
00:31:53Of your kiss so tender
00:31:57Makes my heart surrender
00:32:01To your love divine
00:32:05Magic is the moonlight
00:32:09Much more than any blue night
00:32:14Magic is the moonlight
00:32:17For it made you mine
00:32:21Muñequita linda
00:32:25De cabellos de oro
00:32:29De dientes de perla
00:32:33Y labios de rubé
00:32:37Dime si me quieres
00:32:42Como yo te adoro
00:32:45Si de mà te acuerdas
00:32:49Como yo de ti
00:32:53Y a veces escucho
00:32:57Un eco divino
00:33:01Y envuelto en la brisa
00:33:05Para predecir
00:33:09Yo te quiero mucho
00:33:13Mucho, mucho, mucho
00:33:17Tanto como entonces
00:33:21Siempre hasta morir
00:33:25Yo te quiero mucho
00:33:29Mucho, mucho, mucho
00:33:39Oh, that was grand, Andy.
00:33:40Thank you, sir.
00:33:42Just a pleasure.
00:33:45Now, as we do each morning,
00:33:47we'd like to award our orchid to our eldest guest,
00:33:50and I want a bid.
00:33:51How old?
00:33:52Seventy-one.
00:33:54Seventy-one.
00:33:55Oh, you're just a youngster.
00:33:57Seventy-nine.
00:33:58Seventy-nine.
00:33:59Over here.
00:34:01Eighty-two.
00:34:02Eighty-two.
00:34:04Over there.
00:34:05Eighty-two.
00:34:06Is that the winner?
00:34:09Eighty-two.
00:34:10And so it is.
00:34:11The little lady over here.
00:34:12Well, isn't this nice?
00:34:13Hello there.
00:34:15How are you?
00:34:16Eighty-three.
00:34:17Eighty-three.
00:34:18Eighty-three.
00:34:20A female baritone.
00:34:24Did you say that, sir?
00:34:25I'm 83 years old.
00:34:26Well, this is a ladies' program, sir.
00:34:29You'd look pretty silly walking down Hollywood Boulevard
00:34:31with an orchid in your lapel.
00:34:35Yes, I made a mistake.
00:34:36My daughter-in-law says I'm only 78.
00:34:39How'd you make a mistake like that?
00:34:41I've been married twice.
00:34:46Well, here's a little consolation prize for you.
00:34:48Have a cigar.
00:34:52Now then, we'll go over here and see the little lady who is 82.
00:34:56Hello there.
00:34:57Hello.
00:34:58Well, and who are you?
00:35:00I'm Anna Reed from Hollywood, California,
00:35:03and I'm pleased to meet you.
00:35:04Well, I'm pleased to meet you, too.
00:35:06Tell me now, you say you're 82.
00:35:08I am.
00:35:09I'm 82 going on 83.
00:35:11Well, come on out here and meet the lady.
00:35:14Gee, this is wonderful.
00:35:15Here she is.
00:35:16She's Anna Reed.
00:35:18She's from Hollywood, and she is 82.
00:35:29Now then, tell me, is it Miss or Mrs. Reed?
00:35:32Mrs., of course.
00:35:34Oh, I love that, of course.
00:35:36Why'd you say that?
00:35:37Because I was married.
00:35:42Tell me, do you have any children?
00:35:44Yes, one son.
00:35:46Grandchildren?
00:35:47One.
00:35:48Great-grandchildren?
00:35:49One.
00:35:50Annie, you're in a rut.
00:35:54Tell me, you don't mind my calling you Annie, do you, honey?
00:35:56Oh, no, I like it, Tommy.
00:36:00You're a very active woman for 82.
00:36:03Sometimes I feel that I'm not very active, but I've got my own teeth.
00:36:09I have mine, too, on the lower side.
00:36:14Do you and Mr. Reed live in Hollywood?
00:36:16Oh, no. Mr. Reed passed on about 26 years ago.
00:36:21I live alone with my little dog, Tippy.
00:36:23Well, gee, you smell nice.
00:36:25No, no, I didn't mean it to sound quite like that.
00:36:27I mean that perfume you have on is lovely.
00:36:29What is it?
00:36:31It's Muguette, lily of the valley in French.
00:36:34Oh.
00:36:35My favorite.
00:36:36Is that your favorite?
00:36:37Tell me, where were you born?
00:36:39Well, originally in Claremont, New Hampshire.
00:36:41You were born originally.
00:36:45Oh, that's terrible.
00:36:46And where did you meet Mr. Reed?
00:36:48In Newport, New Hampshire.
00:36:49And where did you go to live after you were married?
00:36:51In Claremont, Newport.
00:36:53Then you lived in both places.
00:36:54How was that?
00:36:56Well, I'd live a month or two in Claremont,
00:36:58and then I'd live two or three months in Newport.
00:37:01Why, though?
00:37:02Well, my husband used to be on the fire department,
00:37:06so he had to live in Newport at odd times for the calls.
00:37:10Oh, I understand.
00:37:11Claremont was my home, and Newport was where my husband lived.
00:37:15Well, that's a little inconvenient, isn't it?
00:37:20It was inconvenient when a call had come through at two or three o'clock in the morning.
00:37:25Yes, I imagine so.
00:37:28Oh, Annie!
00:37:32Now, from Newport to convenient, I mean from...
00:37:35Yes, I guess it would be.
00:37:37Then your husband was in Newport most of the time.
00:37:40Only for fire.
00:37:41Oh, only for fire.
00:37:42And at other odd times while he was in Claremont.
00:37:45But where did he sleep?
00:37:46At the firehouse.
00:37:49Where was your son born, in Newport or Claremont?
00:37:52White Pigeon, Minnesota.
00:37:58That's great.
00:38:00You know, Annie, you could have saved us both a lot of trouble.
00:38:03What do you mean, if I'd stayed back in Claremont?
00:38:05No, no, if you'd have burned the firehouse down in Newport.
00:38:14Oh, that would have been wonderful.
00:38:17Well, now, honey, look what we have for you.
00:38:20There it is, the oracle.
00:38:23Oh, it's awful pretty.
00:38:25Yes, and it's for you.
00:38:27Oh, thank you.
00:38:29You're welcome.
00:38:30You've heard the program, have you?
00:38:32Oh, yes, I listen to it every morning.
00:38:35Is that your first orchid?
00:38:36It most certainly is.
00:38:39And I want what goes with it.
00:38:42Say, listen, dear.
00:38:44When I was taking my driver's test,
00:38:46I ran over a traffic button and I had a blowout.
00:38:48How about your meeting me at my office at 12.30?
00:38:50Fine.
00:38:51That's only four hours away.
00:38:54Well, I'll see you later.
00:38:55Bye-bye.
00:38:56Bye-bye.
00:38:57Bye-bye.
00:38:58Bye-bye.
00:38:59Bye-bye.
00:39:00Bye-bye.
00:39:01Bye-bye.
00:39:02Bye-bye.
00:39:03Bye-bye.
00:39:04Bye-bye.
00:39:05Bye-bye.
00:39:06Bye-bye.
00:39:07Bye-bye.
00:39:08Bye-bye.
00:39:09Bye-bye.
00:39:10Hey, where are you having this tire fixed?
00:39:13New Guinea?
00:39:16Oh, all right.
00:39:17But you'll be there at 12.30, you hear?
00:39:21Now we're about to award our famous beauty kit.
00:39:24We'll ask one of our guests to draw a number here.
00:39:27Who are you, please?
00:39:28Florence Promise.
00:39:29From where, Miss Promise?
00:39:30I'm from Philadelphia.
00:39:31From Philadelphia.
00:39:32What are you chewing?
00:39:33Gum.
00:39:34Oh, you have to spit it out.
00:39:35You can't chew gum in the ready.
00:39:36That's it.
00:39:38Will you draw a number out of the basket, please?
00:39:41I hope it's mine.
00:39:42I hope so, too.
00:39:44Well, here it is.
00:39:5049407.
00:39:5449407.
00:39:57Here it is.
00:39:59Over here it is.
00:40:01Nice.
00:40:02You lucky person.
00:40:03Come on out here now.
00:40:05Isn't it nice?
00:40:08Now tell us, who are you?
00:40:11I can't.
00:40:12Can't remember my name.
00:40:16Oh, Mr. Richard.
00:40:18I mean, Mrs. Richard Cartwright.
00:40:21Well, now, congratulations.
00:40:24Where do you live, Mrs. Cartwright?
00:40:26I live in Ohio, Columbus, Ohio.
00:40:29I mean, I live in Hollywood.
00:40:31I can't seem to remember anything.
00:40:33No?
00:40:34Just a little nervous.
00:40:37Now, don't be afraid of this microphone.
00:40:38No.
00:40:39You've won our beauty kit.
00:40:40I know.
00:40:41Beverly, won't you show it to Mrs. Cartwright?
00:40:43Same time, show it to the ladies here.
00:40:51Isn't that a dandy?
00:40:52Oh, it's very nice.
00:40:53Uh-huh.
00:40:54Well, you don't seem very excited about it, Mrs. Cartwright.
00:40:56Oh, but I am.
00:40:57It's just that I don't go in very much for cosmetics.
00:41:00Oh, well, you will now.
00:41:01There's enough goop in there to keep you beautiful for a year.
00:41:04I'm afraid my husband wouldn't care for that.
00:41:06You see, he likes the plain, natural, home-type girl.
00:41:10Well, in this day and age, he's a novelty.
00:41:12Excuse me.
00:41:17I figured I'd do that.
00:41:19Do what?
00:41:23Split the wheelbarrow, and that's all.
00:41:25Well, is that serious?
00:41:27Well, we ain't got none in stock.
00:41:28We'll have to send out for one.
00:41:31Thank you very much.
00:41:32You're very welcome.
00:41:33Thank you, Mr. Bynerman.
00:41:34Thank you for asking.
00:41:35Goodbye.
00:41:36All right, ladies.
00:41:37Let's move on, please.
00:41:38Let's make a little room here.
00:41:42What in the world happened here, Bobby?
00:41:44A lady fainted.
00:41:45A lady fainted.
00:41:46All right, ladies.
00:41:47Let's move on, please.
00:41:48Make room here, please.
00:41:50Why, Annie, you rascal.
00:41:51I'm surprised at you.
00:41:53I'll be all right in a minute.
00:41:56Where's my pocketbook?
00:41:58Who don't have a pocketbook?
00:42:00Oh, don't worry, honey.
00:42:01It's right here.
00:42:02Oh, thank you.
00:42:03There you are.
00:42:04She was hit by a car about an hour ago, Tom.
00:42:06She claimed she wasn't hurt, so I let her come on in here.
00:42:09Do you have any pain?
00:42:10Not much.
00:42:11I called an ambulance, too.
00:42:13Oh, no ambulance.
00:42:15Don't let them take me to the hospital, please.
00:42:18Well, they just want to see if there's
00:42:19anything wrong with you.
00:42:20I'm all right.
00:42:24Honest, I am.
00:42:27All I need is a good cup of tea in my own house.
00:42:30Well, if there's nothing wrong with you,
00:42:31they'll take you right home.
00:42:32Oh, no.
00:42:33They're liable to keep me there.
00:42:35And then what's become of Tippy, my little dog?
00:42:40He's old and alone.
00:42:42He's got to have someone take care of him.
00:42:44I'd be glad to take care of him today.
00:42:46I have nothing else to do.
00:42:47Oh, there you are.
00:42:50That's awful nice of you.
00:42:53You'd take him for a little walk, maybe?
00:42:55Why, sure.
00:42:57Now, you have nothing to worry about.
00:42:59Well, you're sure that they'll bring me home
00:43:02if they find there isn't too much wrong with me?
00:43:05I guarantee it.
00:43:06And by golly, just to make sure I'll go with you.
00:43:08How's that?
00:43:10Oh, you've been so nice to me.
00:43:15I just hate to put you out.
00:43:18Besides, you're going to be awful mad at me.
00:43:24Look what I did to my pretty flower.
00:43:36All right, folks.
00:43:37Break it up.
00:43:38Move on, please.
00:43:45Oh, there you are.
00:43:47May I speak to you for a minute?
00:43:48Well, sure.
00:43:52You were teasing me this morning, weren't you?
00:43:54About what?
00:43:55About not knowing Jimmy Gavin.
00:43:57Oh.
00:43:58Of course you know him.
00:43:59Because he sent me this picture several months ago.
00:44:01Thought you looked familiar.
00:44:02Then I remembered this.
00:44:04Yeah, sure, I know Jim.
00:44:06Maybe you can tell me where to find him.
00:44:08I wish I could, but I don't know where he is.
00:44:10Honest, I don't.
00:44:12I'm sorry.
00:44:14Would you mind if I asked you a favor?
00:44:16Not a bit.
00:44:18Jimmy means an awful lot to me.
00:44:20And I was wondering if I'd be ever so grateful if you'd just
00:44:23talk to me a few minutes about him.
00:44:25It'd be a pleasure.
00:44:27Tell me how he looked and some of the things he said
00:44:29and some of the things he did.
00:44:31Say, listen.
00:44:32I have to take Mrs. Reed's little dog for a walk.
00:44:34Would you like to go along?
00:44:36You wouldn't mind?
00:44:37Mind?
00:44:38Well, it might be a slight inconvenience,
00:44:40but I think I can manage.
00:44:44I think I can manage to stand up under the strain.
00:44:55Well, this is an unexpected pleasure.
00:44:57I was just going to write you a letter this afternoon.
00:45:01Are you kidding?
00:45:02You told me to meet you here.
00:45:04This is Myrtle, my roommate.
00:45:06How do you do?
00:45:07How do you do?
00:45:08Why, Gloria, why didn't you tell me he was so good looking?
00:45:13Miss Hammer, suppose you run along to lunch?
00:45:15I'd be glad to.
00:45:18Honey.
00:45:19Yes?
00:45:20Listen, I...
00:45:24Honey, Myrtle's broke, and so we thought it would be nice
00:45:28if you won some money for her at the races today, too, huh?
00:45:31Really?
00:45:32Well, I mean, say, after all...
00:45:33Mr. Cartwright, did anyone ever tell you
00:45:36that you look like Gable?
00:45:38Oh, really?
00:45:39You think so?
00:45:40I haven't got his shoulders at all.
00:45:41Are we going to the races today or not?
00:45:42It's 20 minutes to one.
00:45:43You bet we are.
00:45:44On our way, we'll stop at the barbershop and then we're off.
00:45:46Nothing can stop us now.
00:45:50Cartwright.
00:45:51Yes?
00:45:52You'll have to come to the police station.
00:45:53That old lady you hit this morning is hurt worse than we thought.
00:45:55There's a bench warrant for you.
00:45:59Did you ever go to the Crystal Ballroom in Minneapolis?
00:46:01Sure, every Saturday night.
00:46:03We went on Friday.
00:46:04I guess maybe that's why I never saw you there.
00:46:06Yeah, that's just like me.
00:46:07I never get to meet a good-looking girl.
00:46:10Well, it's too late.
00:46:12How about docks for hamburgers?
00:46:14Yeah, but we were more on the chop-suey side.
00:46:17That was a little expensive for Jimmy.
00:46:20It's one thing I never had to worry much about, though.
00:46:22With me, it was always here today and gone tomorrow.
00:46:25Don't you ever worry about your future?
00:46:27No, I got a crabby old uncle who does that.
00:46:29Not much sense in both of us worrying.
00:46:31You're lucky.
00:46:32I didn't have anybody to worry about me.
00:46:34That is, until I met Jimmy.
00:46:37He worries about me all the time.
00:46:40Oh, in nice little ways, I mean.
00:46:42Like not letting me sit in drafts,
00:46:44or telling the fellas to watch their language when I'm around.
00:46:47Doesn't that make you a pain in the neck to the other guys?
00:46:49Of course not.
00:46:50Well, they get a kick out of the way that...
00:46:54I never thought of it like that.
00:46:57Those are very pretty flowers.
00:46:59Yes.
00:47:00Aren't they beautiful?
00:47:02They remind me of the ones down on the island.
00:47:04Because they're so different.
00:47:10Hmm.
00:47:12Oh, Jimmy.
00:47:13Oh, Jimmy.
00:47:40Oh, Jimmy.
00:47:41Terrible.
00:47:43I'm scared to death.
00:47:44Well, let's take another one.
00:47:45And smile this time.
00:47:46Okay.
00:47:47You know, the trouble is,
00:47:49we're posing like two other people.
00:47:52Maybe, could we...
00:47:54Huh?
00:47:55What?
00:47:56You know, sort of act like we know each other a little bit better.
00:48:01All right.
00:48:04How's this?
00:48:05It's well.
00:48:07Go ahead.
00:48:08Huh?
00:48:10Put the quarter in.
00:48:11Oh.
00:48:13Let's do it again.
00:48:15That pose is great.
00:48:17You're smiling?
00:48:18Uh-huh.
00:48:19Go ahead.
00:48:20Okay.
00:48:31Ken, that wasn't fair.
00:48:32I'm sorry.
00:48:33I couldn't help it.
00:48:34Honest, I couldn't.
00:48:37Sorry.
00:48:38I'm sorry you misunderstood my friend.
00:48:40I didn't, Donna.
00:48:41It's just that you're so darn sweet.
00:48:42What?
00:48:43I say, you're so darn sweet and I'm so darn lonesome.
00:48:45Well, that isn't very flattering to me either.
00:48:47No, no.
00:48:48What I mean is that, well, we're both sort of in the same boat.
00:48:52What we need is somebody to help us overheard, see?
00:48:54No, I don't see.
00:48:56There's something that you ought to know.
00:48:58I'm going to tell you, but you're not going to like it.
00:49:00I don't want to hear anything more.
00:49:02As far as you're concerned, I'm terribly disappointed.
00:49:05Don't bother taking me back to the bus.
00:49:07But...
00:49:08Donna.
00:49:10Please, I don't want you to think I'm just making a play for you.
00:49:13I meant that kiss from the bottom of my heart.
00:49:15Do you realize what you're saying?
00:49:16I sure do.
00:49:17Then you're a fine friend of Jimmy's.
00:49:19I'm a better friend of yours.
00:49:20That's why I want to tell you something.
00:49:22What are you driving at?
00:49:23Just this.
00:49:24You may be in love with Jimmy, but you're not engaged to him.
00:49:26Why do you say that?
00:49:28Because he's married to somebody else.
00:49:30Married?
00:49:33I didn't want to tell you before because, well, it was none of my business and I knew it would hurt you.
00:49:38I don't believe you.
00:49:39You're making it up.
00:49:42If it is true, why didn't Jimmy tell me?
00:49:44Why didn't he write me?
00:49:45He was waiting to get up enough nerve.
00:49:48He met a girl in Spokane.
00:49:49He hadn't seen you for over a year.
00:49:51Just went hook, line and sinker for this other girl and married her the week I shipped out.
00:49:56Somebody had to tell you sometime.
00:49:58You thought for your own convenience you'd tell me now.
00:50:00I just didn't want you to go on eating your heart out for somebody else.
00:50:03When you were on hand.
00:50:05That's the real reason you told me, wasn't it?
00:50:07I just told you.
00:50:08At first I didn't think it was any of my business, but...
00:50:10Oh, no, don't try to explain.
00:50:13Don't try to explain anything.
00:50:17I'm muddled up.
00:50:19I don't know what to do.
00:50:21Dorothy, don't run out on me.
00:50:26I got the dog on my hands.
00:50:37I don't know.
00:50:38For a smart guy, you're a first-class function.
00:50:41Now, now, baby, I...
00:50:42If you had posted bail and kept your mouth shut,
00:50:44we'd have been out of here an hour ago.
00:50:46Oh, girls, ease up a little bit, will you?
00:50:48After all, when I started talking to that pleasant gentleman in the gray suit
00:50:50and told him what I thought of the police,
00:50:52how did I know he was a chief of detectives?
00:50:54At the rate we're going to Del Mar, I'll never make any money.
00:50:56Now, now, let's not lose our temper.
00:50:58Well, for pity's sakes, let's get going.
00:51:00And less than nothing flat, sweetheart.
00:51:02First we go to the barbers, then we go to the barbershop.
00:51:06First we go to the barbers,
00:51:07and then we'll really hit the open road.
00:51:09Now, here's the car.
00:51:10Get your beautiful self in there.
00:51:12There you are.
00:51:14You in?
00:51:15Fine.
00:51:19Make that crack if it's the last thing I do.
00:51:36All right.
00:51:38All right.
00:52:05Oh, good afternoon, ma'am.
00:52:08But won't you come in?
00:52:10Mrs. Reed will want to thank you for being so kind.
00:52:12Some other time, please, ma'am.
00:52:13Right now, there's something important I have to do before 5 o'clock.
00:52:15Very well.
00:52:16Goodbye.
00:52:17So long.
00:52:23Breakfast in Hollywood.
00:52:25Oh, I'm sorry.
00:52:26His line is busy.
00:52:27You're welcome.
00:52:28Oh, Miss Fields.
00:52:29Yes?
00:52:30This gentleman's waiting to see you.
00:52:31Excuse me.
00:52:32My name is Ken Smith.
00:52:33Is Mr. Brenneman in?
00:52:34Do you have an appointment, Mr. Smith?
00:52:35No, I don't, but...
00:52:36Oh, then I'm afraid he can't see you today.
00:52:41This is very important, Miss.
00:52:43I'm awfully sorry.
00:52:44Mr. Brenneman is a very busy man.
00:52:46Could you come in tomorrow?
00:52:47That won't do me any good.
00:52:48I'm in trouble, and tomorrow will be too late.
00:52:50What sort of trouble?
00:52:52Girl trouble.
00:52:53Look, Miss, you don't want to see two people who really need each other
00:52:56both end up with a kick in the heart, do you?
00:52:58Wait a minute.
00:53:04Yes?
00:53:06Excuse me, Mr. Brenneman.
00:53:07There's a young sailor out here.
00:53:08A Mr. Kenneth Smith.
00:53:09Tell him to come in, please.
00:53:10All right.
00:53:12You may go in.
00:53:13First door to the right.
00:53:19Hello, Ken.
00:53:20What's on your mind?
00:53:21Hello, Mr. Brenneman.
00:53:22Oh, boy, you sure got me into something.
00:53:23Now you've got to help me out.
00:53:24I got you into something.
00:53:25What?
00:53:26You deduced me to Dorothy, that girl from Minneapolis?
00:53:28She won the wishing ring this morning, remember?
00:53:30What happened to her?
00:53:31Fiancé show up?
00:53:32No, sir, and he isn't going to.
00:53:34Yes?
00:53:36All right, hold it, and I'll take it in just a moment.
00:53:38The fellow she was engaged to married somebody else and didn't tell her.
00:53:41I suppose you rectified that error.
00:53:42Well, how did you know?
00:53:43I can tell by that sick look on your face.
00:53:46Oh, well, when I told her, she got me all wrong.
00:53:48She broke out crying and ran away.
00:53:50Well, what am I supposed to do about it?
00:53:51She's going back to Minneapolis tonight.
00:53:53Her bus leaves in 25 minutes.
00:53:54Will you get down and talk to her?
00:53:55Will you explain to her?
00:53:56Explain what?
00:53:57Can't you see what she means to me?
00:53:59If she gets on that bus tonight, look, there's only 20 minutes left.
00:54:04Mr. Brenneman.
00:54:05Yes?
00:54:06That party's still waiting on the phone.
00:54:07They say it's urgent.
00:54:08OK, I'll take it right now.
00:54:09This isn't just a crush.
00:54:10I'm goofy about her.
00:54:11This morning when I met you, I had nothing to gamble for.
00:54:13Now I've got everything.
00:54:14You're not going to let me blow it without getting a fair shake for it, are you?
00:54:17You're the gabbiest guy I've ever met.
00:54:19I'll tell you what you do.
00:54:20You go to the bus depot.
00:54:22Hold her till I get there.
00:54:23OK.
00:54:24And I'll be over just as soon as I answer this phone call.
00:54:28Oh, gee, Mr. Brenneman, you're the top.
00:54:30Oh, there you go.
00:54:31Gab, gab, gab.
00:54:32Now go on, beat it.
00:54:33I'll be over in a few minutes.
00:54:35And look, don't try to be persuasive.
00:54:36Be yourself.
00:54:37OK.
00:54:38So long.
00:54:39That telephone call?
00:54:40You can take it here, sir.
00:54:42Hello?
00:54:43Mr. Brenneman, this is Mrs. Reed's nurse.
00:54:46I'm a little worried.
00:54:47Mrs. Reed has had a peculiar spell, and I've called the doctor.
00:54:51I wonder if you could come over for a few minutes.
00:54:53Oh, you bet I will.
00:54:55I won't be gone long.
00:54:56All right.
00:55:05Won't you just look at me a minute?
00:55:07I can hear you without looking at you.
00:55:09Honest, Dorothy, I didn't tell you about Jimmy just because I was...
00:55:13I've already told you it's unimportant anyway.
00:55:15Now what more can I say?
00:55:18Well, you could tell me you're not angry with me.
00:55:21Can't you see I don't want to talk to you?
00:55:32Oh, excuse me.
00:55:34Oh, excuse me.
00:55:35Say, do you know Tom Brenneman?
00:55:36What does he look like?
00:55:37Well, he's, uh...
00:55:39Oh, skip it.
00:55:41Sorry.
00:55:46Phoenix, Flagstaff, Albuquerque, Kansas City, Chicago...
00:55:58Annie, you're a bad girl.
00:56:01You're not trying, and you know it.
00:56:03Oh, I'll be all right.
00:56:05Well, you don't sound very convincing.
00:56:07You're not putting up a fight at all.
00:56:10I've been fighting for 82 years.
00:56:13I could give you a good spanking for talking like that.
00:56:17To win a battle, you've got to have something to fight for.
00:56:23You see, Tippy's the only one that needs me, and...
00:56:28he's lived his life too.
00:56:31Oh, you're talking through your hat.
00:56:33We all have work to do.
00:56:34We have people who need us.
00:56:36Oh, that's a lot of nonsense.
00:56:42You're right, it is a lot of nonsense.
00:56:44I guess you and I both are fed up with this good neighbor stuff.
00:56:48That's right.
00:56:50Golly, Annie, I wish I could be more like you.
00:56:52Then maybe I'd have some sense too.
00:56:56Well, you face fact.
00:56:57Your work is done.
00:56:59Why stick your nose into somebody else's business?
00:57:03Well, have a good night, honey.
00:57:07I think I will.
00:57:08I feel sleepy now.
00:57:11I'll go back to the office.
00:57:13Let somebody else help him.
00:57:17Good night.
00:57:19Help who?
00:57:21Oh, I was just thinking out loud.
00:57:23Good night.
00:57:25Wait a minute.
00:57:26Yeah?
00:57:28Who's in trouble?
00:57:30Oh, I don't want to bother you with it.
00:57:31You're tired.
00:57:33Oh, you come back here and tell me.
00:57:35I want to know who's in trouble.
00:57:38Well, do you remember the young sailor
00:57:39and the girl from Minneapolis
00:57:40with the program this morning?
00:57:42I most certainly do.
00:57:43And a mighty cute pair they were too.
00:57:46Well, the boy got a crush on the girl
00:57:48and they had a quarrel
00:57:49and she's going back to Minneapolis tonight.
00:57:51Oh, what a pity.
00:57:53Yeah, she's been over at the office mooning around.
00:57:55Wants me to help them.
00:57:56You'd think it was the end of the world.
00:57:59Well, to two young people in love,
00:58:01a quarrel is the end of the world.
00:58:04Well, let's forget about it.
00:58:06I've got to go back to the office.
00:58:07Now, if you want anything...
00:58:08Wait.
00:58:10I got an idea.
00:58:11Yeah?
00:58:13You go and get those two young people
00:58:16and bring them here
00:58:18and I'll bet you I can get them together again.
00:58:20Well, I wouldn't think of it.
00:58:22You're a sick woman.
00:58:24Now, if you say that again,
00:58:25I'm going to get right up and go get them myself.
00:58:28Are you sure you want to be bothered?
00:58:30Just a moment ago you said...
00:58:31Oh, that was just a lot of talk.
00:58:34Now, please do me the favor
00:58:35and go get them and bring them here.
00:58:38All right, but you're forcing me.
00:58:45San Francisco, Sacramento, Salt Lake City,
00:58:48Cheyenne, Omaha, Minneapolis,
00:58:52or...
00:58:55Look, if I write you a letter
00:58:56and care of Doc's hamburger joint,
00:58:57will you answer me?
00:58:58No.
00:58:59Gosh, not even a postcard?
00:59:01No.
00:59:02All right, Santa,
00:59:03will you get in or out, please?
00:59:05Okay, okay.
00:59:13Sorry, buddy.
00:59:14No loading on the platform.
00:59:22Oh.
00:59:49Oh, brother,
00:59:50is this a happy day?
00:59:51Jim Jam won the first race in Delmar.
01:00:01Oh, Ken.
01:00:02Just a moment, please.
01:00:03I'm awfully sorry I'm late,
01:00:04but I really have a good excuse.
01:00:05Yeah, sure, it's okay.
01:00:06Don't tell me what happened.
01:00:07Look, let's just forget about it.
01:00:08No, no, don't be that way, Ken.
01:00:09I want to know, really.
01:00:10Look, Mr. Brenneman,
01:00:11I know you're a good guy,
01:00:12but it's too late for talk now.
01:00:13She's gone.
01:00:14I'll see you around sometime.
01:00:15But...
01:00:16Mr. Brenneman,
01:00:17what a lovely coincidence.
01:00:18You'll have to excuse me.
01:00:20You know, I just bought a new hat
01:00:21and the lady said I look
01:00:22just like a pen girl.
01:00:23Well, that's nice, Jim.
01:00:24Mr. Brenneman,
01:00:25would you go across the street,
01:00:26Mr. Brenneman,
01:00:27and take a look?
01:00:28I want to see if it'll make you laugh.
01:00:29Not now, please.
01:00:30Bring it down to the restaurant tonight.
01:00:31I'll have more time.
01:00:32Tonight?
01:00:33And the name is Brenneman.
01:00:34Bye.
01:00:36Brenn...
01:00:37Brenn...
01:00:38Brenn...
01:00:39Brenneman.
01:00:40Well,
01:00:41pardon me, lady.
01:00:43Brenn...
01:00:50L-A-R-S-E-N, Larson.
01:00:54She's on the Salt Lake bus
01:00:55and left Hollywood at 5 o'clock.
01:00:58Oh, thank you, Sergeant.
01:00:59You're doing the Mayor of Encino
01:01:00a big favor.
01:01:02Bye.
01:01:05Do you know of any other place
01:01:06where a sailor who's lost his girl
01:01:07might go?
01:01:08No.
01:01:10Unless maybe a cocktail bar.
01:01:12Why, sure he would.
01:01:13What's the matter with us?
01:01:14Let's start phoning him right now.
01:01:16There's only 900 of them
01:01:17in and around Hollywood.
01:01:19Well, try it anyway.
01:01:20Tell him it's for breakfast
01:01:21in Hollywood.
01:01:22And tell him we'll give a reward
01:01:23to anybody who brings
01:01:24Ken to the phone.
01:01:25How much?
01:01:26Well, two tickets
01:01:27to the radio show, of course.
01:01:28What do you expect,
01:01:29a half interest in the joint?
01:01:36I'd hardly know it's me.
01:01:38You've changed my whole appearance.
01:01:41You have a type of features, dear.
01:01:43It is just that you have been
01:01:44neglecting to bring them out
01:01:45to good advantage.
01:01:47I can hardly wait
01:01:48until my husband sees me.
01:01:49Why not surprise him?
01:01:50Telephone him,
01:01:51have him meet you
01:01:52someplace for dinner.
01:01:53I can't.
01:01:54He's out of town.
01:01:56Oh, but my dear,
01:01:57with that beautiful hair,
01:01:58you surely you are going
01:01:59somewhere for dinner.
01:02:00I'm afraid not.
01:02:01I'd like to have my bill.
01:02:02Very well.
01:02:03We will get it.
01:02:08Really, it is a pity.
01:02:10Such a lovely makeup
01:02:11and hairstyle
01:02:12just tries to be taken out.
01:02:14I'm sorry.
01:02:15I'm afraid I'll have to wait.
01:02:17You see, I'm a little old-fashioned.
01:02:19I don't believe in wives
01:02:20gallivanting around
01:02:21while their husbands are away.
01:02:23Working as hard as mine does.
01:02:25I understand perfectly, dear.
01:02:27Thank you so much.
01:02:29And come again, will you?
01:02:30Oh, indeed I will.
01:02:42And when we come out of the police station
01:02:43and find I'm out of gas,
01:02:45well, those two little lollipops
01:02:46could have kicked a hole
01:02:47in the battleship
01:02:48with a moccasin.
01:02:52They walked right out on you, huh?
01:02:53Are you kidding?
01:02:54They don't walk out on a man
01:02:55like Mr. Conright.
01:02:57He knows how to handle...
01:02:59Ah, you're right about that time, Herman.
01:03:01Well, right now,
01:03:02those two little sweet patooties
01:03:03are sitting out front
01:03:04so sorry they'd do anything for me
01:03:06but my laundry.
01:03:08Now, guns, Mr. Conright,
01:03:10you sure know how to handle.
01:03:12He's certainly got those two
01:03:13weaning out of his hands.
01:03:15Well, if I say it's a gift,
01:03:16I was just naturally born with it.
01:03:18Excuse me, Mr. Conright,
01:03:19but the ladies sitting outside
01:03:20in your car say
01:03:21that if you don't come out
01:03:22in two minutes,
01:03:23they're going to come in
01:03:24and wipe up the floor with you.
01:03:27You better forget the shampoo, Herman,
01:03:28and let me get out of here.
01:03:30No need carrying the punishment
01:03:31to the point of cruelty.
01:03:36What can I do for you, please?
01:03:41Oh, good evening.
01:03:42If you and your girlfriend
01:03:43think it's going to be one,
01:03:45you're optimistic.
01:03:50Begone.
01:03:52That was my wife.
01:03:53Hank!
01:04:12Hank!
01:04:32What's wrong, officer?
01:04:33We got a passenger
01:04:34by the name of Larson,
01:04:35a young lady going to Minneapolis.
01:04:37Is there a Miss Larson on board?
01:04:42My name is Larson.
01:04:43Miss Dorothy Larson.
01:04:44That's right.
01:04:45Why, something the matter?
01:04:47Do you know Tom Brenneman?
01:04:49Yes, I was at his radio broadcast
01:04:50this morning.
01:04:52Okay, lady, I'm sorry,
01:04:53but you'll have to come back
01:04:54to Hollywood with us.
01:04:55What for?
01:04:56Step outside and I'll tell you.
01:05:12It's about a ring.
01:05:13Mr. Brenneman claims
01:05:14you stole one from him.
01:05:15Come on.
01:05:42Awareness!
01:05:43The night falls silently!
01:05:47The night falls silently!
01:05:54Unforeseen!
01:06:04Numbness!
01:06:08Numbness!
01:06:11Lovers wonder
01:06:13what will be!
01:06:15They wonder
01:06:17what will be!
01:06:21The bright stars gleaming!
01:06:27And lest they
01:06:29should lose their way!
01:06:31Lest they should lose
01:06:33their way!
01:06:35The glow worms
01:06:37nighly
01:06:40like their tidy
01:06:41lasses gay!
01:06:45Their tidy lasses gay!
01:06:52And twinkle brightly!
01:06:58Here and there and everywhere
01:07:01through mossy garrents
01:07:03hallow!
01:07:06Hallow!
01:07:08Hallow!
01:07:10Hallow, there, gal!
01:07:12Oh, what do you say, boy?
01:07:14Floating, gliding
01:07:16through the air
01:07:18they call us
01:07:20to hallow!
01:07:32To von Heide!
01:07:34Hi!
01:07:36Shine, little glow worms, glimmer!
01:07:38Shine, little glow worms, glimmer!
01:07:42Lead us not to far
01:07:44we wander!
01:07:46Love's sweet voice is
01:07:48calling yonder!
01:07:50Copper, you know what?
01:07:56Shine, little glow worms, glimmer!
01:07:58Shine, little glow worms, glimmer!
01:08:02Light the path
01:08:05to hallow!
01:08:13Shut up!
01:08:15And lead us
01:08:17on
01:08:19to
01:08:21dawn!
01:08:35Dawn!
01:08:41And we'll
01:08:43come
01:08:45to
01:08:47love!
01:09:05That was Mr. Brenneman who just phoned.
01:09:07I'm afraid the news isn't so good.
01:09:09What's wrong?
01:09:11Mr. Brenneman missed the bus.
01:09:13The girl left
01:09:15and the boy has disappeared.
01:09:17Oh, no.
01:09:19Mr. Brenneman's had the girl arrested
01:09:21and she's being brought back to Hollywood
01:09:23by subterfuge.
01:09:25Did you say arrested?
01:09:27Yes.
01:09:29Oh, it's bad.
01:09:31That's what it is.
01:09:33That's what it is.
01:09:49Hello, Tippy.
01:09:51Oh, Jevon.
01:09:53Yeah, I saved that for you.
01:09:55You like that toy?
01:09:57Go ahead.
01:09:59Yeah.
01:10:02Oh, that's a good one.
01:10:08Is that you, young man?
01:10:10Oh, excuse me, ma'am.
01:10:12I tried to come in quietly so I wouldn't disturb you.
01:10:14I just brought Tippy a bone.
01:10:16Oh, thanks.
01:10:18My, don't you look nice.
01:10:20I hardly recognized you in your new suit.
01:10:22Thank you, ma'am.
01:10:24Your young lady friend will be mighty proud of you.
01:10:26Oh, that's all off.
01:10:28She's gone back to Minneapolis.
01:10:31Oh, but I saw her leave on the bus myself.
01:10:33I was with her until she...
01:10:35Maybe so, but they're bringing her back to Hollywood
01:10:37under subterfuge.
01:10:39When you say they,
01:10:41do you mean the police?
01:10:43Two of them. Big cops.
01:10:45They took her off the...
01:10:47They yanked her off the bus
01:10:49under very extenuating circumstances.
01:10:51But why?
01:10:53What's she done?
01:10:55Something to Mr. Brenneman.
01:10:57What? I don't know.
01:11:00Oh, they are, are they?
01:11:02Well, that means they're trying to pin something on her.
01:11:04The very thing I said to myself when I heard it.
01:11:06Oh, you can bet your life
01:11:08if I had my strength,
01:11:10I'd be right down there with bells on.
01:11:12But where are they taking her?
01:11:14I don't know exactly,
01:11:16but I'd go to Mr. Brenneman and find out.
01:11:18I will, and don't you worry, Mrs. Reed, I'll find her.
01:11:30Oh, excuse me, but uh,
01:11:32have you by any chance seen the lady in here
01:11:34by the name of Cartwright?
01:11:36What do you think this is, the Bureau of Missing Persons?
01:11:38I don't know.
01:11:40What does she look like?
01:11:42She's the most beautiful woman in the world.
01:11:44Why don't you try Tom Brenneman's?
01:11:46They all wind up there sooner or later.
01:11:48Do you think so?
01:11:50Yes.
01:11:52I never thought you'd hear that.
01:11:54I never thought you'd hear that.
01:11:56I never thought you'd hear that.
01:11:58I never thought you'd hear that.
01:12:00I never thought you'd hear that.
01:12:06It's better
01:12:08to be by yourself.
01:12:10It is better
01:12:12to be by yourself.
01:12:14Love is made
01:12:16by two,
01:12:18don't include a third.
01:12:20Once you lose your chicken
01:12:22and you'll get the bird,
01:12:24so it's better
01:12:26to be by yourself never trust a gal who puts on sweet dialogue never trust a pal
01:12:40cause remember that man's best friend is his dog so it's better to be by yourself
01:12:51it is better to be on the shelf
01:12:58be just like a hermit living in a cave you don't get much loving but the dough you save
01:13:04makes it better to be by yourself
01:13:20do
01:13:31do
01:13:46there's a story that's told by the man's mate when his chains run out she say i'll see you gate
01:13:53now he works all day and come home at night instead of little bitty petting all she wants
01:13:59to do is hide so it's better to be by yourself boy it's better to be by yourself old man
01:14:06it's better to be by yourself boy
01:14:17do i want to use the item tomorrow's column king will you check on it and let me know right away
01:14:29okay
01:14:41oh excuse me but uh could you by any chance direct me to someone who could perhaps help me
01:14:46oh what about well as a matter of fact i'm uh i'm looking for my wife it's quite a long story
01:14:51well this sounds like a good story you couldn't have chosen a better person
01:14:55what's the name cartwright but she probably isn't using it now well what does she look like oh she's
01:15:00out of this world she's gorgeous this i must say come on i'll help you track her down but
01:15:05excuse me it's uh it's because of this and that that i'm looking for her now thank you
01:15:28you're a head of hopper aren't you well i was when i left home this morning
01:15:33you know i'm one of your most ardent fans you mean you were what oh look what i've done to
01:15:39your hat oh that's perfectly all right it wasn't silly enough anyway oh it couldn't have come to
01:15:46a happier end well of course i'll replace it oh no but miss hopper you don't know i ruined yours
01:15:52and i insist upon giving you mine i had a hopper hat oh well you've been so swell about it i wonder
01:15:58if that will be silly enough do you think so on you it looks good oh there you are darling
01:16:22i beg your pardon oh come now let's not be ridiculous why i've been worried sick about you
01:16:27oh please don't bother to sit down i'm just about to leave well after all my dear fun is fun
01:16:32but this is becoming ludicrous your cab is here ma'am oh thank you as your husband may i be so
01:16:37nosy to inquire where you're going oh i don't know the macombos maybe sheriffs i don't know yet
01:16:44well may i accompany you oh i'm afraid not you're hardly dressed for the occasion
01:16:50ta-ta
01:16:54don't crack but she had me tell the cab company she wanted to go to 26 canyon drive
01:16:5926 canyon drive why that's our home
01:17:20first door to the right thank you
01:17:25is this her tom this is the girl all right how can you have me arrested when i haven't
01:17:29now wait a minute take it easy officer do you mind if i have a few words with her you
01:17:32wait right here not at all what is this all about you know i didn't steal that ring you
01:17:42gave it to me no but you did steal something else the heart of a swell kid ken smith
01:17:49is this your idea of humor bringing me all the way back here just to tell me that
01:17:54i'm not trying to be funny this is serious serious for both you kids i don't see why you
01:17:59had to know anything about it well in as much as i started this thing i thought i'd help to
01:18:03bring it to a happy ending i'm sure you meant well mr brenneman but well really there isn't
01:18:16anything that can be done after all he knew i was engaged to somebody else he knew the
01:18:21fellow you were engaged to married somebody else that's what ken knew
01:18:28oh i don't know
01:18:32oh let's be sensible about this thing dorothy you're in love with ken and i know it
01:18:38what makes you think so those tears
01:18:48here honey have one on me
01:19:00no gee honey the only reason i had you brought back once you kids to have the
01:19:03chance you were both entitled to where's miss larcy inside with mr brenneman why what's the
01:19:11idea of arresting her what did she do why are you a friend of hers i sure am and i'd like to know
01:19:15what this is all about hey come here you big phony i'll show you here you can't stop it he's only
01:19:23trying to help what do you mean it's all right officer anything can happen in here usually does
01:19:27too i was told he had you arrested he just had me brought back because you asked him to
01:19:31shall i take him outside no let him stay the excitement's all over this thing will settle down
01:19:36to a good old-fashioned family fight then you won't need me no thank you very much officer
01:19:40you've done the mayor of encino a great turn tonight not at all your honor good night
01:19:48i only asked him to talk to you you wouldn't listen to me
01:19:51because i'm not interested in anything you're trying to say can't you get that through your
01:19:55head
01:20:04gee i'm sorry mr brenneman but gosh now what do i do the only thing a gentleman can do
01:20:09leave her alone no give her a chance to change her mind but she just walked out
01:20:14only to be followed how do you figure that holy mackerel am i dumb
01:20:26gee i'd like to feel like that just one more day before i die
01:20:31so
01:20:40so
01:20:55dorothy yes you forgot your pocketbook oh so i did thanks you're welcome
01:21:03um could i talk to you a minute well i i wonder could i do it while we're dancing
01:21:33so
01:22:03me
01:22:20it's worth so sweet that i repeat means i adore you
01:22:33my love would you deny this heart that i have placed before you
01:22:45i can't find another word with meaning so clear my lips try to whisper sweeter things in your ear
01:22:53but somehow other nothing sounds quite so dear as this soft caressing word i know
01:23:23oh
01:23:36so
01:23:55i've never asked
01:24:06me
01:24:17do
01:24:35you know i've been thinking yes you're probably gonna laugh about what about me
01:24:45i figure joe my age ought to start to think a little bit about serious things
01:24:50such as oh you know about the future and a lot of things like uh
01:24:59settling down and maybe someday having a home of your own that sounds wonderful ken
01:25:07you know what i really need to make my postwar plan complete don't you
01:25:10no what you
01:25:18well how about it bend your head over i want to whisper something
01:25:25you know we've only known each other about 14 hours
01:25:31you'll have to give me a little time to think it over okay how long
01:25:37oh three or four minutes
01:25:44well they kissed and i hope we'll live happily ever after
01:25:48oh mrs reid will be so happy to hear it she's asleep now thank you for calling good night
01:25:55good night
01:26:04good night pop good night pop good night girls good night
01:26:09gee pop what a day well you're through for the night tom yeah all through oh say tom
01:26:14i've been wanting to tell you this you know me and ma sure like your radio program oh thanks
01:26:20look at that time and me up at 5 00 a.m in the morning yeah some more gags and crazy
01:26:25hats and foolishness yes and problems and heartaches and headaches and whatnot
01:26:30pop by golly that's what makes the world go around that and me with it
01:26:35good night you old scallywag
01:26:42oh no not you i just wanted to tell you that ms hopper's fat on my pangolin hat
01:26:47oh that's too bad you weren't wearing it at the time oh yes but she gave me this one
01:26:51would you mind trying it on so i could tell my friends that you wore it
01:26:59oh thank you mr bramaman you're welcome oh you do kiss the ladies whose hats you try on don't you
01:27:06oh why not everything else has happened to me today
01:27:09hmm thank you mr bramaman oh the name is brenneman honey
01:27:14good night