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00:01:44Who are your friends?
00:01:45My date for the afternoon.
00:01:47You're twenty minutes late.
00:01:49Sorry.
00:01:50You hear that?
00:01:51He says he's sorry.
00:01:53You think I should marry a man who's late for his appointment?
00:01:57She's proposing again.
00:01:59Only for the seventeenth time.
00:02:01Well, you waited all your life for the perfect mate.
00:02:03What's twenty minutes more?
00:02:06You should get over that inferiority complex.
00:02:09Ha!
00:02:17What's wrong?
00:02:18Nothing.
00:02:19I didn't get much sleep last night.
00:02:20Or the night before, or the night before that.
00:02:23Why don't you see your doctor?
00:02:25Or get some sleeping pills.
00:02:27That may help.
00:02:28Wouldn't do any good.
00:02:30Well, let's get some lunch.
00:02:32You haven't got much time left on your lunch hour.
00:02:34There's no rush.
00:02:35Why?
00:02:36Did they make you the boss or something?
00:02:38I quit the other day.
00:02:40You didn't tell me that.
00:02:42You said that this job was your big chance in electronics,
00:02:44so that you could develop some of your own ideas.
00:02:47You said it was the kind of security you wanted
00:02:49for us to get married.
00:02:51I know what I said.
00:02:54Be a little patient with me, honey.
00:02:57Please.
00:03:17♪
00:03:47How could I explain when I myself
00:03:49couldn't understand it?
00:03:51To dream about a woman, night after night.
00:03:54A woman I'd never met, never seen before.
00:03:58And with each dream, she became more real,
00:04:00more alive, until it seemed that if my hand reached out,
00:04:03I could have touched her.
00:04:06Some will, stronger than my own, brought me here.
00:04:10Nothing was familiar to me.
00:04:12I'd never been here before, and yet,
00:04:14I wasn't lost.
00:04:16An unknown force was guiding my steps,
00:04:19leading me to this courtyard.
00:04:21There was something here
00:04:23that was drawing me close, like a magnet.
00:04:26I could feel it pulling me closer, closer.
00:04:34And then...
00:04:36I saw it.
00:04:38I saw it.
00:04:55That's it.
00:04:56Hmm?
00:04:57That face, it's the same face of the woman
00:04:59who comes to me in my dreams.
00:05:01It's fantastic.
00:05:02Oh, darling, it's probably just a coincidence.
00:05:05That's she all right.
00:05:07Well, then, let's go inside and see who posed for it.
00:05:10More than likely, it's someone you know,
00:05:12and that would explain everything.
00:05:21Hello, Mr. Turner.
00:05:23I have the doll ready for you.
00:05:25You... you know my name?
00:05:27Oh, I pride myself on my memory.
00:05:29You left your name when you brought in this picture
00:05:32for the portrait doll.
00:05:34Remarkable resemblance, don't you think?
00:05:36Yes, yes.
00:05:38But there must be some mistake.
00:05:40Mistake?
00:05:41Oh, I don't think so.
00:05:43Let me check your order.
00:05:45Excuse me.
00:05:48Donna, I didn't bring that photo in.
00:05:50He just mistook you for someone else.
00:05:53I don't understand this.
00:05:55First I dream of a face,
00:05:57then I see that face on a doll.
00:05:59Now I'm told I brought that photo in.
00:06:01You're making too much out of it, Rick.
00:06:03There's just been a misunderstanding.
00:06:05But he knew my name.
00:06:07Do you walk in your sleep?
00:06:09No, and I'm not leading a double life.
00:06:11What are you trying to convince?
00:06:13Me or yourself?
00:06:14Would I have brought you here if I were?
00:06:16I'm only kidding, Rick.
00:06:18Don't be so touchy.
00:06:20You'll see.
00:06:21There's a perfectly logical explanation for all this.
00:06:24Some of your friends have weird ideas of humor.
00:06:27Maybe one of them is playing a...
00:06:31Rick, that's me.
00:06:33That's me.
00:06:38It sure looks like you.
00:06:40It is me.
00:06:42Where do you get these ideas?
00:06:44What are you talking about?
00:06:45The doll, of course.
00:06:47Honestly, Rick, it was sweet of you to have it made for me.
00:06:51But why all the mystery?
00:06:53You went to so much trouble just to make it a surprise.
00:06:56Donna, I didn't order this doll.
00:06:58Darling, you must have.
00:07:00And I'm telling you, I didn't order it.
00:07:02I checked, Mr. Turner.
00:07:03Everything is exactly as you ordered it.
00:07:06Should I wrap it or send it to Miss Bianca Milan?
00:07:10This doll, who ordered it?
00:07:12That one, the lady in the photograph.
00:07:14Take a good look at this picture and Miss Trent here.
00:07:19Yes, I see what you mean.
00:07:21There is a slight resemblance.
00:07:23Slight?
00:07:24That's me.
00:07:25Merely a coincidence.
00:07:27I know the lady who brought this photo in.
00:07:32Look, Mr...
00:07:35Lamont.
00:07:36Francis Lamont.
00:07:37Mr. Lamont, there must be some mistake.
00:07:40I didn't bring in any photo, I didn't order any doll.
00:07:42In fact, I've never even been in here before.
00:07:44If you say so, sir, perhaps I was mistaken.
00:07:47It's paid for, so I'll send it to Miss Milan.
00:07:51Rick, if you're playing some sort of a game,
00:07:54I don't find it very amusing.
00:07:56So let's take my doll and leave.
00:07:58Donna, I...
00:07:59Look, just wrap this one up.
00:08:01I'll take this doll.
00:08:02This one, I'm afraid, is not for sale.
00:08:05If you'd care to leave a photo,
00:08:07I'd be happy to make one up for this young lady.
00:08:11But she is the lady.
00:08:18No, sir.
00:08:20She is not.
00:08:24Come on, Rick.
00:08:25Let's go.
00:08:26Come on, Rick.
00:08:27Let's go.
00:08:56That man, he's frightening.
00:08:58He just stood there looking at me.
00:09:00I don't understand this.
00:09:10Rick.
00:09:11What is it?
00:09:12Oh, help me.
00:09:14Take it easy.
00:09:15Rick.
00:09:16What is it?
00:09:17Oh, help me.
00:09:19Take it easy.
00:09:45Dr. Wright.
00:09:46Report to clinic at once, please.
00:09:48Dr. Wright.
00:09:49Report to clinic.
00:09:52How is she, Doc?
00:09:53I've just had Dr. Moore corroborate my diagnosis.
00:09:56It's a coronary condition.
00:09:58A muscle spasm of the heart.
00:10:00How bad is it?
00:10:01Well, it's hard to say, Doc.
00:10:03I mean, it's...
00:10:04I mean, it's...
00:10:05I mean, it's...
00:10:06I mean, it's...
00:10:07I mean, it's...
00:10:08I mean, it's...
00:10:09I mean, it's...
00:10:10I mean, it's...
00:10:11I mean, it's...
00:10:12I mean, it's...
00:10:13I mean, it's...
00:10:14It's hard to say at this stage.
00:10:16Frankly, her symptoms are a bit puzzling.
00:10:19It all happened so, so fast.
00:10:21It usually does, Mr. Turner.
00:10:23Now, you try not to worry.
00:10:24We're doing everything possible for her.
00:10:26Right now she's resting quietly under sedation.
00:10:28You better try to get some sleep yourself.
00:10:30You'll be able to see her tomorrow.
00:10:32Thanks, Doc.
00:10:40Oh.
00:10:42Rick.
00:10:43Rick, Rick, come here, what's the matter?
00:10:50Can't sleep?
00:10:55Relax, Rick, let's enjoy each other.
00:11:00What shall I do to entertain you?
00:11:03Shall I sing until your head throbs
00:11:06with the sound of my voice?
00:11:09Shall I dance for you until the blood races
00:11:12through your veins?
00:11:14Do you find me desirable?
00:11:18Would you kiss me if you could?
00:11:19Would you hold me close?
00:11:24I'm dreaming, I must be.
00:11:27What do you want?
00:11:29You.
00:11:31Who are you?
00:11:33The man at the doll shop told you, Bianca Milano.
00:11:38The address is on the back of the photograph.
00:11:41Get it, Rick.
00:11:43And bring the doll.
00:11:45It's so simple.
00:11:47Why torture yourself any longer?
00:11:50I'll be waiting for you.
00:11:59Now, Mr. Turner can only stay a few minutes.
00:12:02You're not to get excited.
00:12:04But I always get excited when I see Rick.
00:12:06Well, I don't blame you, he's quite a man.
00:12:09You have three minutes, Mr. Turner.
00:12:16How do you feel?
00:12:18Like a steamroller hit me.
00:12:20Well, that makes two of us.
00:12:22You didn't tell me before you had trouble.
00:12:24With your heart, I mean.
00:12:25I didn't, until I fell in love with you.
00:12:29That will teach me never to be jealous again.
00:12:32Well, that'll be a help.
00:12:35Oh?
00:12:36I'm not supposed to get you excited.
00:12:38Tell me, Rick.
00:12:40Yesterday, I told you I didn't know any more
00:12:42about those dolls than you do.
00:12:44Yes?
00:12:45That was the truth, Donna.
00:12:48Last night, I had another dream, or vision,
00:12:50or whatever the devil you want to call it.
00:12:52The same girl?
00:12:53Only this time, she spoke to me.
00:12:56She said if I wanted to find the answer to all this,
00:12:58all I had to do was bring her to me.
00:13:00And I did.
00:13:01I did.
00:13:02I did.
00:13:03I did.
00:13:04I did.
00:13:05All I had to do was bring the doll to her.
00:13:08Why, isn't she helpful?
00:13:10Well, I've got to see her, don't you see?
00:13:12I've got to find out whether she's real or not.
00:13:15Once and for all, I've got to get this thing off my back.
00:13:19I know you have to see her, darling.
00:13:21I guess I can't help acting like a woman.
00:13:25You've been honest with me, and I do believe you, but...
00:13:28But what?
00:13:30Please be careful.
00:13:33Of what?
00:13:34Sure.
00:13:35I mean it, Rick.
00:13:37There's more to it than just, well,
00:13:41call it premonition or woman's intuition if you like,
00:13:44but I'm afraid.
00:13:48Of what?
00:13:49Afraid I'm going to lose you.
00:13:52To a dream?
00:13:53To a dream that might be real.
00:13:55You're the only real thing in my life.
00:13:58Oh, Rick, I love you so.
00:14:01Who prescribed that?
00:14:04Best medicine in the world.
00:14:06Good for whatever ails you.
00:14:08Well, I think at the time I've wasted on vitamin pills.
00:14:12Take care of yourself, darling.
00:14:13I'll see you soon.
00:14:14Rick, be careful.
00:14:17Of the doll.
00:14:19Rick, be careful.
00:14:22Of the doll.
00:14:50Ah, Mr. Turner.
00:14:52I do hope I wasn't indiscreet yesterday.
00:14:55No, no.
00:14:57Miss Trent, the young lady who was with me,
00:14:59was just a little upset at seeing her photograph in that doll.
00:15:02Of course.
00:15:04May I see the name on the back of that photograph?
00:15:06The one you think is Miss Trent?
00:15:08Yes.
00:15:09I'm sorry, but the doll and picture
00:15:11were picked up by the owner this morning.
00:15:13Oh.
00:15:15Well, then I'll take that other doll, the one of Miss...
00:15:17Bianca Milan?
00:15:19Hmm.
00:15:20I anticipated your coming back.
00:15:25How much do I owe you?
00:15:27You paid me when you placed the order.
00:15:29Did I?
00:15:31In full.
00:15:34Good day, Mr. Turner.
00:15:37Yeah.
00:15:48Miss...
00:15:50Bianca Milan?
00:15:52Mr. Turner.
00:15:54I've been expecting you.
00:15:56Do come in.
00:16:00Miss...
00:16:02Bianca Milan.
00:16:04Mr. Turner.
00:16:06I've been expecting you.
00:16:08Do come in.
00:16:12You knew I was coming?
00:16:14Of course.
00:16:16You were expecting me to deliver this.
00:16:27It's lovely.
00:16:30The resemblance is amazing, don't you think?
00:16:33Hmm.
00:16:35Shall we have a drink?
00:16:39I'd prefer a little conversation,
00:16:41like my questions and your answers.
00:16:44There's time, lots of it.
00:16:46Come, help me.
00:17:01This is our first drink together.
00:17:03We should mark the occasion.
00:17:05To the first of many things together.
00:17:09Such as dreams and portrait dolls.
00:17:12Hmm.
00:17:14And the sweet mysteries of life.
00:17:27I hope you're hungry.
00:17:29I thought you might like to join me.
00:17:32I hope you're hungry.
00:17:34I thought you might like to dine here,
00:17:36just the two of us.
00:17:38My servant, Amit, does very well with Occidental dishes.
00:17:44You may serve us now, Amit.
00:17:48Amit cannot speak.
00:17:50I'm a little speechless myself.
00:17:53I found him in Tibet.
00:17:55He belonged to an ancient cult of worshippers
00:17:58who believed sacrifice brings immortality.
00:18:01So long was his sacrifice.
00:18:04The world has many strange religions.
00:18:11Forgive me for being so persistent,
00:18:13but what made you so sure I was coming here tonight?
00:18:16I invited you and you accepted.
00:18:26Let's be more specific.
00:18:28I'm here for just one reason.
00:18:30Why are you here, Rick?
00:18:31When you know about the dreams.
00:18:33Naturally.
00:18:35It's a simple process of thought projection
00:18:38or thought transference.
00:18:41Thought projection?
00:18:44You're telling me that you danced and talked to me
00:18:46from this apartment
00:18:48and I received your image and voice in my room?
00:18:51You doubt me?
00:18:53Of course not.
00:18:55I'll get you the number of a good psychiatrist.
00:19:01Maybe I'm a little dense,
00:19:03but I don't understand all of this.
00:19:05What puzzles you?
00:19:07Well, for one thing, why me?
00:19:09You appeal to me.
00:19:12Why does a woman with your attributes
00:19:15have to go to these extremes to have a man visit her?
00:19:18Why didn't you just whistle or something?
00:19:20Would you have answered?
00:19:22Perhaps not.
00:19:24But then I'm going to be married.
00:19:26There's your answer then.
00:19:28I had to condition you,
00:19:30wear down your resistance,
00:19:32make you want me.
00:19:34So I visited you through mental projection.
00:19:37You may not admit it,
00:19:39but I am firmly planted in your subconscious.
00:19:42Could be.
00:19:44But what's so special about me
00:19:46that put you through so much trouble?
00:19:48I saw you, I wanted you.
00:19:50That made you special.
00:19:52We can't always have everything we want.
00:19:55I can.
00:19:59This, uh,
00:20:01this thought projection,
00:20:04is it a special power you have,
00:20:06or can anyone play?
00:20:14Will you prepare a drink for Mr. Turner and myself, Emmett?
00:20:20Relax, Rick.
00:20:22Relax, Rick.
00:20:24Make yourself comfortable.
00:20:33Recognize him?
00:20:35Me?
00:20:37It helps in concentrating
00:20:39to have the image of the person to whom one's thoughts are directed.
00:20:46Who gave you the recipe, Dr. Jekyll or Mr. Hyde?
00:20:49You're amused.
00:20:51I'm sorry.
00:20:53I'll take you seriously, I promise.
00:21:03Tastes like devil's brew.
00:21:22I can bridge any distance between us,
00:21:26no matter how great or how small.
00:21:31Concentration is essential.
00:21:34I can tell when I've made contact with you,
00:21:38when my thoughts and my image have reached you.
00:21:42Just relax and close your eyes.
00:21:47Just relax and close your eyes
00:21:51while I concentrate.
00:21:55Oh, great Dharma.
00:22:00Open your eyes, Rick.
00:22:03You can see me quite clearly now.
00:22:05Tell me what you see.
00:22:07I see.
00:22:11I see through you.
00:22:14You're transparent.
00:22:17You cast no shadow, no reflection.
00:22:21There are disturbances around you.
00:22:24Wind, thunder, lightning.
00:22:29You're not real.
00:22:32You're...
00:22:35You're...
00:22:36Turn around, Rick. I'm here behind you.
00:22:44What are you?
00:22:47Don't you know?
00:22:49You're a she-devil.
00:22:51You're a witch.
00:22:54You're evil.
00:22:56But beautiful, fascinating.
00:23:05Listen, Rick. As I once was,
00:23:08you would not have looked at me.
00:23:10I was unhappy and lost.
00:23:13Until I discovered Gamba.
00:23:15Gamba?
00:23:16The devil god of evil.
00:23:18I belong to a cult that worships Gamba.
00:23:21You met the high executioner at the doll shop,
00:23:24Francis Lamont.
00:23:26And he gave you this power of thought projection?
00:23:29It's more than that.
00:23:31I've been given the power to control my destiny.
00:23:37I've had everything life could offer
00:23:40until I saw you.
00:23:43I wanted you just as much as you want me now.
00:23:48You've already begun to forget Donna Trent.
00:23:55You really are a witch.
00:24:03She-devil, whatever you are, I want you.
00:24:06You must become one of us first.
00:24:10You must take the oath to Gamba.
00:24:12Tomorrow.
00:24:18Now.
00:24:22There's a meeting in progress.
00:24:26The high executioner will perform the rites at midnight.
00:24:29We must hurry.
00:25:10Come on, Rick.
00:25:19Welcome. The ceremony is underway.
00:25:21Good evening, Francis.
00:25:23Mr. Turner wishes to join us.
00:25:25I shall perform the rites after the sacrifice.
00:25:27Shall we go in?
00:25:40Our goddess of love.
00:25:44Bianca is our living image.
00:27:10Tonight is the first night of the full moon.
00:27:14We must offer up sacrifice to Gamba.
00:27:17It's the devil god's decree that we offer a human for appeasement.
00:27:22A human? You mean they're going to kill somebody?
00:27:25Not necessarily.
00:27:27But a human is going to be offered on the altar of sacrifice.
00:27:31And it's up to Gamba to decide.
00:27:35How does he make his decision?
00:27:39It's like Russian roulette.
00:27:41Except the odds are greater. Look up there.
00:27:44In our ceremony, we use a sword.
00:27:47Concealed in one of the covers hanging from the wheel.
00:27:51The wheel is spun.
00:27:53And Gamba makes his decision.
00:27:56The cover is lowered upon the heart of the subject.
00:28:00If the sword is in the cover, it pierces the heart.
00:28:05If Gamba decides to spare his subject,
00:28:08the cover bends harmlessly.
00:28:13Sounds like a million laughs.
00:28:15Does everybody get to play?
00:28:17No.
00:28:19The subject is selected
00:28:21when in doubt of his loyalty during his test period.
00:28:26Have you ever been...
00:28:28My loyalty has been proven.
00:29:09O worshippers of Gamba, the great devil god,
00:29:14hear me well.
00:29:16Tonight is the first night of the full moon.
00:29:20The tides rise to their highest level
00:29:23and vibrations fill the air.
00:29:26It is a time for restlessness and madness.
00:29:29It is a time for death.
00:29:31For Gamba decrees it.
00:29:34Gamba, the great devil god,
00:29:36commands that one of you be tested.
00:29:42A human sacrifice must be offered.
00:29:46Only Gamba can determine whether a life will be taken.
00:29:50The judgment is his.
00:29:54Bring in the subject.
00:30:35O Gamba, great devil god,
00:30:38ruler of man's destiny,
00:30:40we offer this lovely girl on the sacrificial altar.
00:30:44You alone in your wisdom will judge her.
00:30:48If she is unworthy, if her loyalty is in doubt,
00:30:51then she must be punished.
00:30:54But should she prove deserving and fit to serve you,
00:30:58your power alone will spare her.
00:31:04O great Gamba, highest executioner,
00:31:07supreme devil god of evil,
00:31:10make your decision.
00:31:12Shall the maiden live or die?
00:31:34O Gamba, highest executioner,
00:31:37supreme devil god of evil,
00:31:40make your decision.
00:31:43Shall the maiden live or die?
00:31:46O Gamba, highest executioner,
00:31:49supreme devil god of evil,
00:31:52make your decision.
00:31:55Shall the maiden live or die?
00:31:58O Gamba, highest executioner,
00:32:01supreme devil god of evil,
00:32:04make your decision.
00:32:07Shall the maiden live or die?
00:32:10O Gamba, highest executioner,
00:32:13supreme devil god of evil,
00:32:16make your decision.
00:32:19Shall the maiden live or die?
00:32:22O Gamba, highest executioner,
00:32:25supreme devil god of evil,
00:32:28You have proven yourself well.
00:32:37It's our turn now.
00:32:45He has been informed of our code and beliefs?
00:32:49Yes, high executioner.
00:32:51Kneel.
00:32:55O great Gamba, we offer a new subject to us.
00:32:59Come to join us.
00:33:01During his trial period, watch him,
00:33:04study him, and then test him,
00:33:07O great devil god.
00:33:09Will you swear absolute allegiance
00:33:11to the great devil god Gamba?
00:33:13I will.
00:33:15Will you follow his commands without question,
00:33:18though it means someone's destruction,
00:33:20even your own?
00:33:22I will.
00:33:24You will, above all else, seal your lips
00:33:26and swear yourself to secrecy?
00:33:29I will.
00:33:32You, his sponsor, will be held accountable.
00:33:35Do you accept this responsibility?
00:33:37I do.
00:33:39It is done.
00:33:42From this moment on, there is no turning back.
00:33:45You are one of us now,
00:33:47a member of the cult of the great devil god Gamba.
00:33:50Guard this privilege well.
00:33:59Is that all?
00:34:01For now.
00:34:04A new life is going to begin for you, Rick.
00:34:08Take me home.
00:34:21You still don't quite believe, do you, darling?
00:34:24I do.
00:34:27I do.
00:34:30I do.
00:34:33I do.
00:34:36I do.
00:34:39I do.
00:34:42I do.
00:34:45I do.
00:34:48You still don't quite believe, do you, darling?
00:34:51You have renounced goodness.
00:34:54Forsaken virtue.
00:35:05You'll never escape me, darling.
00:35:08I know it.
00:35:10God help me, I want it this way.
00:35:19That's eight straight.
00:35:21It's incredible, Red Horse Parlor.
00:35:23It happens all the time.
00:35:30I just can't get over it.
00:35:33Yesterday, you called me and said,
00:35:35buy every available share.
00:35:37Today, it's starting to skyrocket.
00:35:39It's going to be a lot of money.
00:35:41It's going to be a lot of money.
00:35:43It's going to be a lot of money.
00:35:46Just lucky, I guess.
00:35:48Something more than that.
00:35:50Someone is giving you some very valuable tips.
00:35:53Well, let's just say I have a good advisor.
00:35:58Goodbye, Mr. Bennet.
00:36:00Goodbye.
00:36:07I'm sorry, Mr. Bennet.
00:36:09I'm sorry, Mr. Bennet.
00:36:11I'm sorry.
00:36:13I'm sorry.
00:36:44There we are.
00:36:47Well, you should feel very proud of your protégé.
00:36:52He's passed every test so far.
00:36:55Not once has he weakened and attempted to contact this Miss Trent.
00:36:58I never thought he would.
00:37:00Your confidence in him is quite admirable, my dear.
00:37:03I am a little surprised.
00:37:05At what?
00:37:07Well, this little romance of yours.
00:37:10At what?
00:37:12Well, this little romance of yours has lasted longer than the others.
00:37:16I've always come back to you, Francis.
00:37:19Of course.
00:37:21That's why I can afford to be so tolerant of your brief affairs.
00:37:25You will keep this one brief, won't you, my dear?
00:37:30Your Rick will receive the loyalty test now.
00:37:34I hope he merits your belief in him.
00:37:53Well.
00:37:56Well, if it isn't Rick Turdick, Bianca's private property.
00:38:00What are you doing here?
00:38:02Our loss. We're the nearest bar.
00:38:04Looks like you've had enough already.
00:38:06Look, I'm in trouble. Isn't there some place we can go and talk?
00:38:10Come on.
00:38:16Nice.
00:38:18Coffee's still hot. Would you like some?
00:38:21This is what I need.
00:38:24This is what I need.
00:38:31You'd better drink this.
00:38:33Dear.
00:38:45What's your problem?
00:38:49How do you get out, Rick?
00:38:51You get your soul back.
00:38:53The devil got gone, but he's got your soul, too.
00:38:56Don't you want it back?
00:38:58You don't know what you're saying. You're drunk.
00:39:01Gotta get out of a cup, too.
00:39:03You've been sworn to secrecy.
00:39:05We all have. For your own sake, don't say any more.
00:39:08Why? Would you tell on me?
00:39:11What makes you think I won't?
00:39:13You're not the type.
00:39:15You don't belong in this any more than I do.
00:39:18You should have thought of that before you joined.
00:39:20Well, you don't know.
00:39:22They play with evil like it was some kind of a new toy.
00:39:29They cut all the goodness out of you, and you forget what it's like to be kind.
00:39:34You become a robot without any will of your own.
00:39:38And the things they make you do.
00:39:41But suddenly, they don't have to make you do those things any more.
00:39:45You do them because you want to.
00:39:47And then it's too late, because you're past all decency.
00:39:51Shut up.
00:39:54You're afraid. Not for me, but for yourself.
00:39:59Oh, I know the pattern well.
00:40:01Bianca has used her powers for you, hasn't she?
00:40:04She's given you a taste of easy money,
00:40:06and shown you what you'll be able to do when you receive these powers.
00:40:08Stop it.
00:40:10It's not worth it, Rick. Believe me, I know.
00:40:14I'd give anything to go back, to live again without fear.
00:40:18You'd better go.
00:40:23You are afraid.
00:40:25Just get out of here. I should never have listened to you.
00:40:28Go on, get out. I don't want to hear any more.
00:40:44Tell Miss Milan I'm here.
00:40:54Whatever you're drinking, I'll have one too.
00:41:07My darling, you're trembling.
00:41:09Am I?
00:41:13Bianca, what would you do if I told you?
00:41:15What?
00:41:17Nothing.
00:41:19Just thinking out loud.
00:41:22What's troubling you? Maybe I can help.
00:41:26Well, I've learned of a...
00:41:28I mean, I've heard.
00:41:32There's a disloyal member in the cult.
00:41:34Why should this trouble you?
00:41:36She's kind of confused. She's...
00:41:38A woman?
00:41:40There's no problem here. Your duty is clear.
00:41:43You must report her.
00:41:45What will they do to her?
00:41:47That's not your concern.
00:41:51She'll be tested.
00:41:53That's it, isn't it? She'll be placed under the wheel.
00:41:56Bianca, I can't.
00:41:58You must.
00:42:00Have you forgotten your own loyalty may be tested?
00:42:04If you love me, you won't hesitate.
00:42:07Not for a minute.
00:42:09Darling, I took an oath with you, remember?
00:42:12If you don't report this girl,
00:42:14you place me in equal jeopardy.
00:42:17Rick, darling.
00:42:19I couldn't bear not to see you again.
00:42:29What's keeping him?
00:42:31He'll be here in a minute, darling.
00:42:33Just relax.
00:42:36All these dolls just staring at you.
00:42:39Frank is quite fanatic about them.
00:42:41Especially his own.
00:42:43In his eyes, his doll is his soul.
00:42:47Amber is pleased. You've done well, Rick.
00:42:50Hey, what is this?
00:42:52I've given my report to Mr. Lamont and he's very satisfied.
00:42:55You mean this whole thing was a set-up?
00:42:57Precisely.
00:42:59You play some nice games.
00:43:01You may wait for me in the other room.
00:43:03Let's go, Rick.
00:43:05Bianca, I don't wish to detain you,
00:43:07but if you'd give me just a moment more.
00:43:09Excuse me, darling.
00:43:34That'll be five.
00:43:36Thank you, Francis.
00:43:40Well, are you ready?
00:43:42Mm-hmm.
00:43:43Night, Rick.
00:43:44Night.
00:44:03♪
00:44:30Miss?
00:44:32Oh, I thought it was the nurse.
00:44:37How do you feel?
00:44:38Fine.
00:44:40Nothing ever changes with me.
00:44:42How about you?
00:44:44OK.
00:44:50Where's Miss Frank?
00:44:51The nurse?
00:44:53Oh, she's off my case.
00:44:55I have a new one.
00:44:56Oh.
00:45:00Rick.
00:45:03I understand.
00:45:06Do you?
00:45:09It's not a very romantic prospect
00:45:12being tied down to an invalid.
00:45:15Donna, no.
00:45:16You don't understand.
00:45:17Please.
00:45:19It's enough that you came.
00:45:22Listen to me, Donna.
00:45:24You may not believe what I'm going to tell you,
00:45:26but at midnight tonight, you're going to be all right.
00:45:29Any discomfort you feel will disappear.
00:45:32Your strength will return.
00:45:34Your health will be restored.
00:45:36At midnight?
00:45:38What makes you so sure?
00:45:40Just trust me.
00:45:42I know it's a hard thing to ask after what's happened, but trust
00:45:48me, I'll call you tomorrow.
00:46:02Oh, it's getting rather late.
00:46:04I should be leaving.
00:46:05Thank you for dropping by, Francis.
00:46:08My dear, you're an extraordinary woman,
00:46:11but a woman, nevertheless.
00:46:14It took a lot of arranging to get Mary in as her nurse.
00:46:18It was for a purpose, wasn't it?
00:46:20It was, my dear.
00:46:22However, don't you think this relationship has reached its end?
00:46:25I don't think so.
00:46:26I don't think so.
00:46:27I don't think so.
00:46:28I don't think so.
00:46:29I don't think so.
00:46:30I don't think so.
00:46:31You don't think this relationship has reached its end?
00:46:32No.
00:46:33You mean because Rick visited this girl today,
00:46:35you think you're losing your hold on him?
00:46:38If I lose my hold on him, how can you hope to keep yours?
00:46:42If he should leave the cult, he could be a threat to us.
00:46:48What is it you feel should be done?
00:46:53Get rid of the girl.
00:46:54Get rid of her.
00:46:55Get rid of her.
00:46:56Get rid of her.
00:46:57Get rid of her.
00:46:58Get rid of her.
00:46:59Get rid of her.
00:47:00Get rid of her.
00:47:01Get rid of her.
00:47:02Get rid of her.
00:47:03Get rid of her.
00:47:04Get rid of her.
00:47:05Get rid of her.
00:47:06Get rid of her.
00:47:07Get rid of her.
00:47:08Get rid of her.
00:47:09Get rid of her.
00:47:10Get rid of her.
00:47:11Get rid of her.
00:47:12Get rid of her.
00:47:13Get rid of her.
00:47:14Get rid of her.
00:47:15Get rid of her.
00:47:16Get rid of her.
00:47:17Get rid of her.
00:47:18Get rid of her.
00:47:19Get rid of her.
00:47:20Get rid of her.
00:47:21Get rid of her.
00:47:22Get rid of her.
00:47:23Get rid of her.
00:47:24Get rid of her.
00:47:25Get rid of her.
00:47:26Get rid of her.
00:47:27Get rid of her.
00:47:28Get rid of her.
00:47:29Get rid of her.
00:47:30Get rid of her.
00:47:31Get rid of her.
00:47:32Get rid of her.
00:47:33Get rid of her.
00:47:34Get rid of her.
00:47:35Get rid of her.
00:47:36Get rid of her.
00:47:37Get rid of her.
00:47:38Get rid of her.
00:47:39Get rid of her.
00:47:40Get rid of her.
00:47:41Get rid of her.
00:47:42Get rid of her.
00:47:43Get rid of her.
00:47:44Get rid of her.
00:47:45Get rid of her.
00:47:46Get rid of her.
00:47:47Get rid of her.
00:47:48Get rid of her.
00:47:49Get rid of her.
00:47:50Get rid of her.
00:47:51Get rid of her.
00:47:52Wait a few days and see what happens.
00:47:54As you say.
00:47:56Are you going home now?
00:47:58Not directly, no.
00:47:59I have to go back to the shop for a few minutes.
00:48:02Good night, my dear.
00:48:04Good night.
00:48:22Good night.
00:48:23Good night.
00:48:24Good night.
00:48:25Good night.
00:48:26Good night.
00:48:27Good night.
00:48:28Good night.
00:48:29Good night.
00:48:30Good night.
00:48:31Good night.
00:48:32Good night.
00:48:33Good night.
00:48:34Good night.
00:48:35Good night.
00:48:36Good night.
00:48:37Good night.
00:48:38Good night.
00:48:39Good night.
00:48:40Good night.
00:48:41Good night.
00:48:42Good night.
00:48:43Good night.
00:48:44Good night.
00:48:45Good night.
00:48:46Good night.
00:48:47Good night.
00:48:48Good night.
00:48:49Good night.
00:48:50Good night.
00:48:51Good night.
00:48:52Good night.
00:48:53Good night.
00:48:54Good night.
00:48:58Good night.
00:48:59Good night.
00:49:00What will I be doing in bed.
00:49:02Look.
00:49:03Oh, my God.
00:49:04It's her!
00:49:05No.
00:49:06It's not!
00:49:07I can go out of here.
00:49:08She can't see me.
00:49:09She can see you.
00:49:10She can't see you, enough!
00:49:11I can see you!
00:49:12She can't see me!
00:49:13I can see you!
00:49:14There, there
00:49:17Oh.
00:49:18Oh.
00:49:19Oh.
00:49:19Oh.
00:49:20Oh.
00:49:21Oh.
00:49:22Oh.
00:49:23Oh.
00:49:24Oh.
00:49:25Oh.
00:49:26Oh.
00:49:27Oh.
00:49:28Oh.
00:49:28Oh.
00:49:29Oh.
00:49:30Oh.
00:49:31Oh.
00:49:32Oh.
00:49:33Oh.
00:49:34Oh.
00:49:35Oh.
00:49:36Oh.
00:49:37Oh.
00:49:38Oh.
00:49:38Oh.
00:49:39Oh.
00:49:40Oh.
00:49:41Oh.
00:49:42Oh.
00:49:43Oh.
00:49:44Oh.
00:49:45Oh.
00:49:46Oh.
00:49:47Oh.
00:49:48Oh.
00:49:49Oh.
00:49:50Oh.
00:49:51Oh.
00:49:52Oh.
00:49:53Oh.
00:49:54Oh.
00:49:55Oh.
00:49:56Oh.
00:49:57Oh.
00:49:58Oh.
00:49:59Oh.
00:50:00Oh.
00:50:01Oh.
00:50:02Oh.
00:50:03Oh.
00:50:04Oh.
00:50:05Oh.
00:50:06Oh.
00:50:07Oh.
00:50:08Oh.
00:50:09Oh.
00:50:10Oh.
00:50:11Oh.
00:50:12Oh.
00:50:13Oh.
00:50:14Oh.
00:50:15Oh.
00:50:16Oh.
00:50:17Oh.
00:50:18Oh.
00:50:19Oh.
00:50:20Oh.
00:50:21Oh.
00:50:22Oh.
00:50:23Oh.
00:50:24Oh.
00:50:25Oh.
00:50:26Oh.
00:50:27Oh.
00:50:28Oh.
00:50:29Oh.
00:50:30Oh.
00:50:31Oh.
00:50:32Oh.
00:50:33Oh.
00:50:34Oh.
00:50:35Oh.
00:50:36Oh.
00:50:37Oh.
00:50:38Oh.
00:50:39Oh.
00:50:40Oh.
00:50:41Oh.
00:50:42Oh.
00:50:43Oh.
00:50:44Oh.
00:50:45Oh.
00:50:46Oh.
00:50:47Oh.
00:50:48Oh.
00:50:49Oh.
00:50:50Oh.
00:50:51Oh.
00:50:52Oh.
00:50:53Oh.
00:50:54Oh.
00:50:55Oh.
00:50:56Oh.
00:50:57Oh.
00:50:58Oh.
00:50:59Oh.
00:51:00Oh.
00:51:01Oh.
00:51:02Oh.
00:51:03Oh.
00:51:04Oh.
00:51:05Oh.
00:51:06Oh.
00:51:07Oh.
00:51:08Oh.
00:51:09Oh.
00:51:10Oh.
00:51:11Oh.
00:51:12Oh.
00:51:13Oh.
00:51:14Oh.
00:51:15Oh.
00:51:16Oh.
00:51:17Oh.
00:51:18Oh.
00:51:19Oh.
00:51:20Oh.
00:51:21Oh.
00:51:22Oh.
00:51:23Oh.
00:51:24Oh.
00:51:25No.
00:51:26I understand.
00:51:27I understand.
00:51:31I brought you some coffee if you need anything else, just ring the bell.
00:51:54Hello? Yes, Mary.
00:52:39I mean, prepare some drinks for us. I'm expecting Mr. Turner.
00:52:42Hello, darling. I got your message, it sounded urgent.
00:52:57Frank is calling a meeting at 1030 tonight. What's up?
00:53:00We don't question Frank, we just obey. Aren't you going to kiss me?
00:53:09You witch. You beautiful, evil witch.
00:53:20I'm never going to let you go. Remember that.
00:53:23I'll never want to go. You remember that.
00:53:38What's going on? You love me?
00:53:53You know I do. It's odd, isn't it?
00:53:58How sometimes the things we do so innocently can be misinterpreted.
00:54:06Like what? For instance, someone might completely misunderstand your close contact with Miss Trent lately.
00:54:16So that's it. It's true, isn't it?
00:54:22You've been to see her, you've spoken with her on the phone.
00:54:26Listen to me, maybe once I thought I was in love with Donna, but that's over with.
00:54:32Is it? What do you think?
00:54:38I think I'd like to be sure. How much proof do you need?
00:54:51Every waking minute you're on my mind. Even when I sleep, I can't shake you.
00:54:56You're all around me, in the air, in the rain and in the sunlight.
00:55:02You're as much me as I am. Tell me. Tell me. Tell me.
00:55:14I know what you are. I know what you've made me, but it doesn't matter. Nothing does.
00:55:26I can't kiss you without wanting more. I'll never have enough of you.
00:55:31If I thought I'd lose you, I'd... You'd what? I'd kill you.
00:56:02We shall begin. The great Gamber has been offended. He demands retribution.
00:56:11There is a traitor among us. Someone in this room does not belong.
00:56:17The devil god has been betrayed. Traitor!
00:56:20Hear me well. You have been discovered. Gamber knows which one you are.
00:56:26At midnight tonight, you shall die. Gamber will be avenged.
00:56:37We shall meet again here at 12.30. One of you will not be among us.
00:56:55Can't you have Amed shut that music off?
00:57:13Darling, it's so good.
00:58:25Oh, great Gamber, justice has been done. Your unworthy servant has been eliminated.
00:58:32Let Gamber's betrayer serve as an example for the rest of you.
00:58:36The traitor Lindell did not believe he was here to expose us.
00:58:42He was going to publicise us and maliciously attack the great devil god.
00:58:47The danger is past. The intruder has been removed from our midst.
00:59:00One moment, please. You will stay.
00:59:17Come here. The light is better and there is something I want you to see.
00:59:25Believe me, Frank. Francis, I had no idea...
00:59:33How long have you been with us now?
00:59:35Over a year.
00:59:37Over a year. When you can still be so foolish, so dangerously careless.
00:59:44But he lied to me too. I didn't know he was a newspaper man.
00:59:47Here are some of the notes he was making. Not very flattering, are they?
00:59:54If I would have known, I wouldn't have sponsored him. I swear it.
01:00:01Would you be good enough to get your doll from the shelf?
01:00:11No, you can't!
01:00:17Hello, doll shop. Yes, she is.
01:00:20Oh, just a moment. Bianca, it's Mary calling from the hospital.
01:00:28Hello, Mary. Thank you for calling. I don't think I'll be needing you any longer at the hospital.
01:00:34How did you hear about it? She was only discharged a few minutes ago.
01:00:38Discharged? But that's impossible. I see.
01:00:45Just a minute.
01:00:47Goodbye, Mary. Goodbye, Miss.
01:00:51Rick, how nice of you to come for me.
01:00:54Don't be nice to me, Donny. You're just making things more difficult.
01:01:01She just left. Mr. Turner picked her up.
01:01:05Thank you, Mary.
01:01:21It seems your first suspicions were correct.
01:01:24There's no doubt now, but it was Rick who was in here the other evening.
01:01:27I shall have to use greater discretion in passing out keys.
01:01:32What do you intend doing with that?
01:01:34If you don't mind, I have my own plans for it.
01:01:38As you wish.
01:01:45Then this gesture is just for old time's sake?
01:01:49Something like that.
01:01:52Pretty fancy car.
01:01:54Belongs to a friend of mine.
01:02:03I know I owe you some sort of explanation, but there's very little I can say.
01:02:07Donny, I want you to leave. Leave this town.
01:02:10Move away, far away from me.
01:02:13But why?
01:02:15I can't give you any explanations that would make any sense.
01:02:18Just believe me. For your own sake and for my own sake,
01:02:22I'm going to leave this town.
01:02:25I'm going to leave this town.
01:02:29Just believe me.
01:02:31For your own sake and for mine, Donna, I'm asking you to leave.
01:02:40All right.
01:02:54Donna.
01:02:59Donna.
01:03:08Donna.
01:03:11Donna.
01:03:19Donna.
01:03:22Donna.
01:03:26Can you hear me, Donna?
01:03:29Yes.
01:03:33Who are you?
01:03:35It's not easy to reach you.
01:03:38But I'm beginning to.
01:03:44Donna.
01:03:52Donna.
01:04:10Where have you been? I've been calling you all evening.
01:04:12I'm sorry. Some things to attend to.
01:04:15You might have at least let me know.
01:04:19Don't be angry, darling.
01:04:21I said I'm sorry.
01:04:51I won't tell you.
01:04:53Don't say I did.
01:04:56Tell me.
01:04:58Come.
01:05:00Come here.
01:05:04I won't tell you.
01:05:06Tell me.
01:05:08Tell me.
01:05:10Tell me.
01:05:12I will tell you.
01:05:14Tell me.
01:05:16Tell me.
01:05:18Tell me.
01:05:20to prove his loyalty, to erase all doubt.
01:05:29Bring in the subject.
01:05:50This young girl is a young girl.
01:05:54She is a young girl.
01:05:57She is a young girl.
01:06:00She is a young girl.
01:06:03She is a young girl.
01:06:06She is a young girl.
01:06:09She is a young girl.
01:06:12She is a young girl.
01:06:15She is a young girl.
01:06:18This young girl is to be the sacrifice.
01:06:22You stare at her without recognition,
01:06:25but there is one here who knows her.
01:06:29She was a part of his past.
01:06:32A past he should have deserted when he declared himself to Gamba.
01:06:40I did, I swear it.
01:06:43Why then did you enter these premises one night under the veil of darkness?
01:06:47Why then did you remove the pin from the doll, thereby administering the cure?
01:06:51I have not been disloyal.
01:06:54Bianca, tell him.
01:06:58You've got to believe me.
01:07:01Oh, great Gamba, he asks for your trust.
01:07:04This unworthy servant begs to be believed.
01:07:08It is for you to say.
01:07:10Step forward.
01:07:16Prove yourself.
01:07:19It shall be your hand that turns the wheel.
01:07:23My hand?
01:07:29Then I am to blame of the sword?
01:07:32Blame? This is not a question of blame.
01:07:35This is a question of loyalty.
01:07:37Spin the wheel.
01:07:40But why her? Test me if you must.
01:07:43That is precisely what we are doing.
01:07:46Have you forgotten your oath of allegiance?
01:07:49You swore to follow the commands without question,
01:07:52though it meant someone's destruction, perhaps even your own.
01:07:56Spin the wheel.
01:08:07THE END
01:08:37THE END
01:09:03She knows. Look at her eyes.
01:09:05It's all her doing.
01:09:08I warned you of the danger, but you wouldn't listen.
01:09:11You speak of a choice. There's no choice here.
01:09:14That knife is set to kill. Murderers. All of you.
01:09:18Gamba! Gamba! Gamba!
01:09:25Traitor!
01:09:35Look out, Frank!
01:10:05Frank!
01:10:24Are you all right?
01:10:27THE END
01:10:33What was I doing in there?
01:10:35Never mind. The important thing is that you are safe and free of it.
01:10:39Are you free of it, too?
01:10:44Yes, darling, we both are.
01:10:56That's what he thinks.