R | 1h 25min | Action, Drama | 18 December 1987 (Italy)
Original Title: Cobra Nero
A lone cop struggles to protect a female photographer from a gang of psychopathic bikers.
Director: Stelvio Massi
Writer: Danilo Massi
Stars: Fred Williamson, Eva Grimaldi, Bruno Bilotta
Original Title: Cobra Nero
A lone cop struggles to protect a female photographer from a gang of psychopathic bikers.
Director: Stelvio Massi
Writer: Danilo Massi
Stars: Fred Williamson, Eva Grimaldi, Bruno Bilotta
Category
🎥
Short filmTranscript
00:00:30♪
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00:00:57♪
00:01:04Yeah, what is it?
00:01:05Three bank robbers futzed a job at the City First National.
00:01:07Right now they're holed up in a sporting club, the Red 55.
00:01:10That's between 5th and...
00:01:11Yeah, I know where the Red 55 is.
00:01:13But it's not the kind of place I like to hang around in.
00:01:15Sorry, Captain.
00:01:16Don't be an ass, Malone.
00:01:17They've got hostages.
00:01:18All right, I'll be right there.
00:01:21♪
00:01:28♪
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00:01:48This is Walker. Get me the Chief.
00:01:50Quick.
00:01:52What?
00:01:54Yeah.
00:01:55Those three sons of bitches have already killed the hostages.
00:01:58What do you want me to do?
00:02:00Uh-huh.
00:02:02Yes, sir. Right.
00:02:04Yeah, I've called in Malone.
00:02:06He's on his way over.
00:02:07Shouldn't be here in a minute or so.
00:02:12He's here now.
00:02:13He's moving.
00:02:14♪
00:02:24Okay, Robert.
00:02:25They say they won't move until I've talked to one of us.
00:02:27You're elected.
00:02:29The Chief says we have to negotiate.
00:02:31We have to accept all their conditions.
00:02:33Don't forget it.
00:02:36Robert.
00:02:38I don't want any other victims.
00:02:40A word to the wise, huh?
00:02:45♪
00:02:54♪
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00:03:50Keep your head down.
00:03:52If you want it to stay on your neck.
00:03:55That's right.
00:03:56Keep calm.
00:03:58♪
00:04:04Visitors.
00:04:05Don't move.
00:04:06Keep it on.
00:04:07I'll talk to them.
00:04:09♪
00:04:14Okay.
00:04:15Pay attention, Pat.
00:04:16I'm only gonna say this once.
00:04:18We want two million dollars in unmarked used bills.
00:04:21Nothing smaller than tens and nothing bigger than fifties.
00:04:24No consecutive serial numbers.
00:04:26We want a limo to take us to the airport
00:04:27and a plane to take us to Mexico.
00:04:29You boys behave yourselves.
00:04:31You'll get all these good folks back in one piece.
00:04:33Understand that, Cobb?
00:04:36No way, pal.
00:04:38Shoot it!
00:04:39Aah!
00:04:40Aah!
00:04:41Aah!
00:04:42Aah!
00:04:43Aah!
00:04:45Oh!
00:04:46Oh!
00:05:15Great.
00:05:17Just great, Mala.
00:05:19You did it your way, as usual.
00:05:21I gave you an order.
00:05:22You were sent in here to negotiate, weren't you?
00:05:25Accept all their demands.
00:05:27No more victims.
00:05:29They're scum.
00:05:31Human garbage.
00:05:33Human garbage.
00:06:33Aah!
00:07:04Aah!
00:07:05Aah!
00:07:06Aah!
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00:08:27Aah!
00:08:28Aah!
00:08:29Aah!
00:08:31It's a great sink.
00:08:43My great windsurfing deserves no less.
00:08:49You going out again?
00:08:50Yeah.
00:08:51You know it.
00:08:52I wish I was attractive as four and a half square feet of canvas.
00:08:56What do you mean?
00:08:58Really?
00:09:00Well, you cook a better steak.
00:09:04You will come back sometime, won't you?
00:09:06Sooner or later.
00:09:28Sooner or later.
00:09:30Sooner or later.
00:09:55Do you want to know what I think about that camper?
00:09:58Should I try to guess options?
00:10:00It's meant just for us.
00:10:28Yes.
00:10:46Ken!
00:10:48Ken!
00:10:50Oh, my God!
00:10:59Oh, my God!
00:11:05No!
00:11:07Come on!
00:11:20Come on!
00:11:28Ken!
00:11:36Ken!
00:11:54Ken!
00:11:58Oh, my God!
00:12:05Oh, God!
00:12:07Oh, God!
00:12:09Come on. You've broken it off with Alan, haven't you?
00:12:12Stop right there. Don't move.
00:12:14Elise, quit trying to change the subject.
00:12:16Jill, we have a job to do.
00:12:18Or do you think I should use these flashbulbs in an interrogation room?
00:12:24I know he does it out of love, but...
00:12:26Yeah. I'm very fond of him, too.
00:12:28But right now I need peace and quiet.
00:12:30Oh, it doesn't work with him.
00:12:32You know, success didn't come overnight for me.
00:12:34I worked my tail off.
00:12:36And it's hard to stay on top.
00:12:38But I'll hold on.
00:12:40When another photographer is mentioned in a column,
00:12:42I know I still have a lot of fighting to do.
00:12:45I've got to concentrate on nothing but my job.
00:12:47I mean it. There's no hope.
00:12:49I suppose that's enough work for tonight.
00:12:51We'll finish this off tomorrow.
00:12:56Come on.
00:13:09Aren't you leaving, too, Elise?
00:13:11No. I've got to get a few things ready for tomorrow.
00:13:14Okay. So long.
00:13:16So long.
00:13:19Jill, would you turn the light out as you leave, please?
00:13:21Sure.
00:13:27Who's there? Who's that?
00:13:31Still you two?
00:13:56Hi. Hope I didn't scare you.
00:14:00You didn't scare me, Alan.
00:14:02But you've got to stop this power game.
00:14:04Don't you listen to the radio?
00:14:06The whole city is terrorized.
00:14:08All the things that are going on, and you.
00:14:10You play hide-and-seek at 11 p.m.
00:14:12You're the one who's playing hide-and-seek with me.
00:14:15My sister's not very good at lying.
00:14:17She never was.
00:14:19Just like you, keeping bargains.
00:14:21I just came by to bring you this. You left it.
00:14:23And because I just can't go on without seeing you.
00:14:27The fault isn't mine.
00:14:29My God, I just can't get you out of my head.
00:14:32Listen, Alan.
00:14:34Let's try to find a compromise.
00:14:36We'll talk often on the phone. All the time.
00:14:39But don't you go back on your word.
00:14:42Sure.
00:14:44We always wind up doing what you want anyway.
00:14:53All right.
00:15:23Hey!
00:15:53Oh!
00:15:59Oh!
00:16:24What's the matter, little girl?
00:16:26The sight of blood bother you?
00:16:46Forget that goddammit!
00:16:48Get out of here!
00:16:51Get out of here!
00:16:53She took pictures of me. We gotta find her and get them back.
00:16:55Move your asses!
00:17:21That's her there.
00:17:23I'll get that bitch.
00:17:50Oh!
00:18:21Oh, what seems to be the matter there?
00:18:23They're murderers. They're trying to get me. They're murderers.
00:18:26She took my picture.
00:18:28That bitch took shots.
00:18:30She better be taken care of soon, I think.
00:18:32You don't think.
00:18:34You don't do any thinking. None at all.
00:18:36You listen.
00:18:38Do something, for God's sake. Arrest them or they'll kill me.
00:18:40Please help me. Please.
00:18:42Oh!
00:18:44Oh!
00:18:46Oh!
00:18:49All right. Come on.
00:19:14Okay. Okay. Okay.
00:19:16I hear you, Purvis.
00:19:18Time to eat.
00:19:20Red cat again.
00:19:22Okay. You got it.
00:19:24Oh, shit.
00:19:26I'm in trouble.
00:19:32Okay. Okay. I hear you.
00:19:34Didn't I have a cat that was colorblind?
00:19:42We'll try the blue.
00:19:44Hey, Wheat, Purvis, I found one.
00:20:02I can eat it myself.
00:20:11This is something else, Purvis.
00:20:13Red label.
00:20:23Good, huh?
00:20:25Better eat it all, because if you don't, I will.
00:20:39Yeah, Malone.
00:20:41Robert.
00:20:43You can get your tail here in the office.
00:20:45I need to speak to you.
00:21:07Okay.
00:21:09Okay.
00:21:11What is it this time?
00:21:13Shut the door and come in.
00:21:15I hope this is important.
00:21:17I left my cat at home.
00:21:19And he's alone.
00:21:23Well?
00:21:25What we have tonight is another murderer.
00:21:27But this time we have someone who saw it.
00:21:29A girl called Elise Trumbo.
00:21:31About to enter her house an hour ago,
00:21:33witnessed her neighbor being killed.
00:21:35Smart girl.
00:21:37She got out of it,
00:21:39setting off her little camera flash,
00:21:41and blinding one of those hoods.
00:21:43Temporarily, worse luck.
00:21:45Anyway, she escaped in her car,
00:21:47and our pals took after her and their Jeep camper.
00:21:49I'm betting that that car was the same one
00:21:51that was stolen down at the beach.
00:21:53Malone, you know that double homicide, too.
00:21:55It was committed with just that M.O.
00:21:57My opinion?
00:21:59There's no doubt about it.
00:22:01It's obviously the same gang of nutcases
00:22:03we've been after all this time.
00:22:05But there's a difference.
00:22:07A picture exists now of one of their heads.
00:22:09A portrait.
00:22:11That's worth leaving your cat for, isn't it?
00:22:15Come in.
00:22:17Here are the prints back from the lab.
00:22:19Thanks, Mallory.
00:22:21Oh, no.
00:22:25What a damn disaster.
00:22:27The flash went off too close.
00:22:29Can't use a single one of these.
00:22:31That's all we needed.
00:22:33I thought it was too good to be true.
00:22:35Wait a minute.
00:22:39In any case, those hoods are sure
00:22:41to try to take out that girl.
00:22:43Robert,
00:22:45from now on, you're gonna be right next to
00:22:47Elise Trumbo, and you're gonna stick to her like glue.
00:22:51Where is she now?
00:22:53At City Hospital.
00:22:55She's still in a state of shock.
00:22:57We left a cop there to keep an eye on her.
00:22:59But she'll be out tomorrow,
00:23:01and you've got to stick with her,
00:23:03even though his honor will howl like a wolf.
00:23:31Come on.
00:24:01Oh, no.
00:24:31You stupid shits.
00:24:37Hey, what's the matter?
00:24:39Do you mind?
00:24:45I said, stay away from this.
00:24:47I want you operating.
00:24:49This crap is for weak kids,
00:24:51little boys who need to work up guts.
00:24:57I'm sorry.
00:24:59Come on.
00:25:13It's not you guys.
00:25:15It's not you guys. It's the system.
00:25:17It does us all in.
00:25:19And that's what we're trying to fight against.
00:25:29It's gonna take blood.
00:25:31And not just anyone's. You know that.
00:25:35Just to the people who don't ever have to work for things.
00:25:37Who have it all.
00:25:53Okay, what's the news?
00:25:55The girl's still there in the hospital.
00:25:59Okay.
00:26:29Okay.
00:26:59No, no, no!
00:27:29One look at you in the hospital,
00:27:31and they'll believe you got a good reason for being there.
00:27:59City Hospital.
00:28:01She's still in a state of shock.
00:28:03You'll have to cop there.
00:28:05Keep an eye on her.
00:28:29Keep an eye on her.
00:28:59He was hit by a car. I think he's hurt bad.
00:29:01For God's sake, call someone.
00:29:29Come on, move.
00:29:59Come on.
00:30:29Come on.
00:30:59Come on.
00:31:29Come on.
00:31:59Come on.
00:32:29Hey, where are you going?
00:32:31We got a wounded man here, officer.
00:32:33We got nurses for that.
00:32:35Now!
00:32:51What the hell is this?
00:32:59What's going on here?
00:33:05What do you want?
00:33:09Hey!
00:33:11Hey, what the hell is going on here?
00:33:13Are you out of your mind?
00:33:15Take care of the girl. Hurry.
00:33:17What's going on here?
00:33:19Are you out of your mind?
00:33:21Take care of the girl. Hurry.
00:33:47Hurry.
00:34:17Hurry.
00:34:33Oh, my God.
00:34:37No.
00:34:39No.
00:34:41Get away.
00:34:43Go away.
00:34:47Go away.
00:35:17Oh, my God.
00:35:33Lady, lady.
00:35:35Give me a break with all that noise.
00:35:47Oh, my God.
00:35:49Oh, my God.
00:35:57Oh, my God.
00:36:15All right, all right, it's over.
00:36:17Enough with the tears, okay?
00:36:19Okay.
00:36:31He could have taken one of them alive.
00:36:33Or am I wrong?
00:36:35Yeah, you're wrong.
00:36:37In this particular situation,
00:36:39he had to save the girl.
00:36:41Who else?
00:36:43I don't need a lawyer.
00:36:45You're the ones that were wrong
00:36:47by putting only one guard outside the door.
00:36:49Why was there only one guard?
00:36:51Because someone at the precinct
00:36:53thought that one was enough.
00:36:55Looks like he wasn't thinking too well.
00:36:57You know, that's the problem.
00:36:59You're paid to think.
00:37:01And for both of you,
00:37:03that could be a little triangle.
00:37:05Now, at this time of night,
00:37:07people are usually sleepy
00:37:09and likely to make more mistakes.
00:37:11You know, Malone, nobody likes you.
00:37:13I know.
00:37:15Sometimes I don't like myself either,
00:37:17but that's a matter of opinion.
00:37:19And frankly, I couldn't give a damn about yours.
00:37:23All I care about is my work,
00:37:25to finish what I start.
00:37:27And I usually do.
00:37:29Now, you asked me to protect this girl.
00:37:31I did.
00:37:33It doesn't matter how I did it.
00:37:43If you still want me to keep an eye on her,
00:37:45she has to move over to my place.
00:37:47Well, your bunker is more like it.
00:37:49That's the way I like it.
00:37:51Let's see how Miss Trumbull feels about it first.
00:37:53I just can't take anymore.
00:37:55I don't know what's happening.
00:37:57I'm not in good control.
00:37:59Put me wherever you like.
00:38:01You said bunker just now.
00:38:03Maybe that's the only answer.
00:38:05Okay, Malone, have it your way as usual.
00:38:07You ready to go, miss?
00:38:14I may be getting an exhibition.
00:38:16Is what you do all that fascinating, lady?
00:38:19Look, I'm just making chat.
00:38:22We've been in the car for 20 minutes,
00:38:24and you haven't said a thing.
00:38:26Oh, yeah.
00:38:30I didn't think you'd be such a grouch.
00:38:32Okay, so what do you want to talk about?
00:38:34I don't know what to say to you.
00:38:36Well, I don't really have a one-track mind,
00:38:39and I don't think you do.
00:38:41Look, I don't know anything about fashion, lady.
00:38:44I see.
00:38:46All right, don't talk.
00:38:48It's not your duty.
00:38:50And by the way, if you don't want to protect me,
00:38:54I've got an idea.
00:38:56Have someone else called in on the case.
00:38:59Or next time, just let them kill me.
00:39:01Let you take care of your little problem.
00:39:06I think it's about time you closed your mouth.
00:39:08Too many stupid things are coming out of it.
00:39:39This place is giving me the creeps, you know.
00:39:42I'd better get out of here.
00:39:49Come on, let's move out.
00:39:52This ain't a healthy place.
00:39:57I'm going to get you out of here.
00:39:59I'm going to get you out of here.
00:40:01I'm going to get you out of here.
00:40:03I'm going to get you out of here.
00:40:05I'm going to get you out of here.
00:40:07I'm going to get you out of here.
00:40:25The police sergeant and the girl got to be killed.
00:40:30You, go to her house and wait.
00:40:33She'll be back there sooner or later.
00:40:35You might see the cop coming, too.
00:40:37He's pretty sure to try to hide her.
00:40:39When you find out where, let us know about it.
00:40:44And no fancy tricks, right?
00:41:05I'm going to get you out of here.
00:41:35I'm going to get you out of here.
00:42:05I'm going to get you out of here.
00:42:36Oh, shit.
00:42:42Yeah?
00:42:44I need you to do me a favor.
00:42:46I want you to run down to headquarters.
00:42:48Pick up the books with the mud shots in them.
00:42:50Bring them over here.
00:42:51What do you need them for?
00:43:067.30.
00:43:24Sunday.
00:43:26Day of rest.
00:43:30All right.
00:43:36One.
00:43:38Two.
00:43:40And three.
00:43:42Hey, mister.
00:43:43You going somewhere?
00:43:44Who's that?
00:43:45It's me, darling.
00:43:47Who else would it be?
00:43:49I forgot.
00:43:51I'm so stupid.
00:43:53Listen, I'm...
00:43:55Miriam.
00:43:56We've been introduced.
00:43:57Miriam.
00:43:58Oh, what a quick learner.
00:43:59You got it right the first time.
00:44:01Sweet Miriam.
00:44:03Forgive me.
00:44:05It's awful.
00:44:06But I have to go.
00:44:08I promise I'll be back in a flash.
00:44:11Okay?
00:44:13I've seen some long flashes in my day.
00:44:16And some flashes in the pan.
00:44:19Will you still be here?
00:44:20In a hiding place.
00:44:21I'll find it.
00:44:22That's my job.
00:44:23I'll make it hard on you.
00:44:24I won't answer that.
00:44:26I'll make it hard on you.
00:44:27I won't answer that.
00:44:56I'll make it hard on you.
00:45:26No.
00:45:38Not one of these.
00:45:39No way.
00:45:40Nobody who looks at all like him.
00:45:50Thank you, miss.
00:45:52You mind coming down to headquarters with us
00:45:54and helping to composite this, ma'am?
00:45:56Of course I will.
00:45:58But on one condition.
00:45:59I'm Elise, not miss, okay?
00:46:08It's not much, but it's better than nothing.
00:46:12How do you feel today?
00:46:14Any better now that you've rested?
00:46:16Lots better, thank you.
00:46:18Good.
00:46:20Come in.
00:46:23Give this to the patrols and to the press.
00:46:29Where do you get these ideas from?
00:46:31You invent them all by yourself?
00:46:33Why?
00:46:35This guy thinks you have a picture of his face.
00:46:37You put this sketch in a newspaper,
00:46:39he'll know you don't have anything.
00:46:41He may never come out of his hole.
00:46:43Did you hear him?
00:46:45Do as Sergeant Malone says.
00:46:47Quick.
00:46:49We have something he wants.
00:46:51A bait.
00:46:52He's dying to bite.
00:47:22Robert, I just have to grab a bag
00:47:48and pack it with some old clothes and a toothbrush.
00:47:50Only be a short time.
00:47:52Yeah, that's fine.
00:47:53But I'll come with you.
00:47:54You never know.
00:48:20Hold this.
00:48:21I'll open it.
00:48:30Is something wrong?
00:48:32I'll check it out.
00:48:55All right, seems okay.
00:49:04If you want something to drink while you're waiting,
00:49:06help yourself.
00:49:07My house is yours.
00:49:08There's some great bourbon.
00:49:10Milk is more my thing.
00:49:12A man of a thousand virtues.
00:49:41A man of a thousand virtues.
00:50:10A man of a thousand virtues.
00:50:39A man of a thousand virtues.
00:51:08A man of a thousand virtues.
00:51:37Aren't you the sneaky one?
00:51:38This is a lady's bedroom, sir.
00:52:34What do you wish to your friends, huh?
00:52:43What do you wish to your friends?
00:52:45I'll break it off.
00:53:15I'll break it off.
00:53:36No one can tell who that's a picture of.
00:53:38Nick is dead, but he sure as hell didn't talk.
00:53:47It was up to me.
00:53:52I should have gone instead.
00:54:09Now it's time to act.
00:54:12It's time, all right.
00:54:41It's time, all right.
00:55:10Hi.
00:55:13If you have to open your mouth,
00:55:14then do it just to shove in the food I made for you.
00:55:17Stay on the table.
00:55:39I'll be right back.
00:56:02Couldn't we talk for a while?
00:56:03This is brainwashed music.
00:56:07Kids can listen to that.
00:56:08Daddy, you're hopeless.
00:56:10Those are the aha.
00:56:12Aha.
00:56:14I didn't think it was Frank Sinatra.
00:56:19I didn't think it was Frank Sinatra.
00:56:33I didn't think it was Frank Sinatra.
00:57:02Put the gun away or I'll blow your daughter's head off.
00:57:31Are you ready to answer the first question?
00:57:33Hi.
00:57:34Okay.
00:57:35The host of one of our immortal sports heroes,
00:57:37Maybrood, or Sultan of Suat, as he was called...
00:57:40That's enough!
00:57:42Can you tell me what city it's in?
00:57:44Um...
00:57:45Come on, Terry, it's not hard.
00:57:47I don't think I know.
00:57:48What do you do?
00:57:49You listen to me.
00:57:50You want to see your daughter alive,
00:57:52you get me the photo in Malone 2.
00:57:54Tomorrow morning, at the old power station.
00:57:57No, I just don't.
00:57:58Tomorrow morning, Walker.
00:58:01And no tricks.
00:58:03Any city in the U.S.
00:58:04Huh?
00:58:05We'll cut up your daughter
00:58:07till she looks like a jigsaw puzzle.
00:58:09I admire your loyalty,
00:58:10but it doesn't mean you are big for a surprise.
00:58:12We do have a great confirmation for myself.
00:58:14A $20 discount at any Dundee supermarket.
00:58:17Hey, does that mean I go buy something?
00:58:20At any Dundee supermarket,
00:58:22and $20 will be taken off your bill.
00:58:24That's right.
00:58:25Gee, that's really great.
00:58:26I shop there all the time.
00:58:28That's what we like to hear.
00:58:29Now, don't hang up.
00:58:30You've got to talk with her secretary
00:58:32so she can get the prize certificate.
00:58:34Don't worry, I'll have it right on.
00:58:36Thanks for playing our quiz.
00:58:38It's been nice talking to you.
00:58:39You too, Mel.
00:58:40Thanks a lot.
00:58:41Okay, and don't forget to keep listening
00:58:43to Mel's Quiz Game
00:58:44every day of the week at this same...
00:58:52I feel like I'm going crazy.
00:58:54I don't know if I can see any way
00:58:56of getting out of this mess.
00:58:59I doubt if I can go along with their conditions.
00:59:02What's your other choice?
00:59:09I can't ask you to go.
00:59:11You'd just get yourself killed.
00:59:14And I'd spit at myself for the rest of my life.
00:59:17If I were 25 years younger, by God!
00:59:20If you were 25 years younger,
00:59:22you wouldn't even have a daughter.
00:59:25Look, Max.
00:59:26I've already made up my mind.
00:59:28I'm going.
00:59:29But you can't.
00:59:31It's just suicide.
00:59:35Don't kill her anyway.
00:59:39Robert,
00:59:40I know why you're doing this for me.
00:59:44But it won't help.
00:59:45I'll just kill you too.
00:59:47So forget it.
00:59:51I'm not doing it for you.
00:59:53I'm just doing it.
00:59:54I would do it even if it was Santa Claus' daughter.
00:59:59Let me go!
01:00:24Move it!
01:00:34Get out of here!
01:00:37Now!
01:00:54Not bad for a cop's daughter, huh?
01:00:56I wouldn't mind tearing off a hunk of that right now.
01:01:00You can wait till evening.
01:01:02She's a little too upset to enjoy it right now.
01:01:24Robert never knew his parents.
01:01:28The man in the picture is not his father.
01:01:31He adopted him.
01:01:34He was alone too.
01:01:36Old and alone.
01:01:40They stuck together and, uh,
01:01:42with all they went through,
01:01:44they found some kind of companionship with each other.
01:01:49Until one day,
01:01:50until one day when the walls of Jericho came crashing down.
01:01:55Robert was just a kid then,
01:01:57still in school.
01:01:58One morning,
01:01:59two drunks
01:02:01robbed and killed the old man.
01:02:04Yeah, you heard me.
01:02:07For seven lousy dollars.
01:02:10Robert survived somehow,
01:02:11but after that, something was different inside him.
01:02:14After he did his stint in Vietnam,
01:02:16where he won every medal,
01:02:18he came back and joined the police force.
01:02:23He's not a bad guy.
01:02:27His battle against crime
01:02:29goes back a long way.
01:02:34Sometimes I think
01:02:36nothing else means a thing to him.
01:02:49If I could just,
01:02:50if I could get a beat on him,
01:02:52on that type of man,
01:02:54I'd give a lot to understand him.
01:03:02What did Walker want this time, Robert?
01:03:10What's so important?
01:03:14I don't like the sound of your silence, pal.
01:03:16I don't like the sound of your silence, pal.
01:03:47Come on, get out, move!
01:03:49Tie her up!
01:04:16Come on.
01:04:35Do you mind if I get something, too?
01:04:38Otherwise I'll just look like I'm going fishing.
01:04:47You gonna give me some cartridges?
01:04:49Or do I use popcorn?
01:05:08Don't go out.
01:05:09Don't open the door for anyone.
01:05:17Take care of her, Purvis.
01:05:22Is that thing ready?
01:05:23It's out in the car.
01:05:26Get something to eat.
01:05:27You're losing weight.
01:05:46Come on.
01:06:16Come on.
01:06:46Come on.
01:07:16Come on.
01:07:46Come on.
01:08:16Come on.
01:08:46Come on.
01:09:16Come on.
01:09:46Shit.
01:10:17Come on.
01:10:43Hold her right there.
01:10:46Come one step closer and I'll cut her throat.
01:10:48I mean it.
01:10:49I'm not kidding around.
01:10:51Listen, pal.
01:10:53This is a .45 automatic.
01:10:56Loaded with lead-plated bullets.
01:10:57A shot at this distance could blow a man's head off.
01:11:01I think I know what's going through your head right now.
01:11:05You're wondering if I got any bullets left.
01:11:07Your guess is as good as mine.
01:11:10Who's got the odds beating?
01:11:11You or me?
01:11:13Today I feel lucky.
01:11:14You want to kill her?
01:11:16Go ahead.
01:11:17You got the knife in the right position.
01:11:20The sight of blood won't bother me, punk.
01:11:22What you waiting for?
01:11:25Hey, look, I...
01:11:27I don't give a shit.
01:11:29Because I'm going to take one shot
01:11:30just to see how far your goddamn head's going to roll.
01:11:44Come on.
01:12:14Shit.
01:12:45I have to admit that it was a pleasure.
01:12:48It was fun in a strange way, though.
01:12:50I want to say thank you.
01:12:53You don't have to.
01:12:55Anyway, if ever I get bored,
01:12:57I know where to come for excitement.
01:13:02I'll see you later.
01:13:04I'll see you later.
01:13:06I'll see you later.
01:13:07I'll see you later.
01:13:08I'll see you later.
01:13:09I'll see you later.
01:13:10I'll see you later.
01:13:11I'll see you later.
01:13:12I'll see you later.
01:13:14See you around.
01:13:16Bye.
01:13:19Emergency situation, 87th and 2nd.
01:13:21Emergency situation, 87th and 2nd.
01:13:24All cars in the vicinity proceed there immediately.
01:13:31On my way.
01:13:43On my way.
01:14:13On my way.
01:14:43You're welcome.
01:14:51Good evening, sir.
01:14:52There'll be a bit of a wait.
01:14:53I'll be at the bar.
01:15:09Sir, what do you have?
01:15:10Scotch, double.
01:15:13I'm not an expert in fashion, but I'm sure you've been quite successful.
01:15:41You've been doing a little research, haven't you?
01:15:44I can't believe I'm able to relax, Robert.
01:15:48I actually went and did some work this morning, and it actually turned out okay. I was amazed.
01:15:56Robert.
01:15:58Robert, in this whole business, you know where the biggest surprise came?
01:16:03When you invited me out.
01:16:05You gotta eat sometimes. Besides, it gives me a chance to get dressed up.
01:16:10But your problems might not be over yet. Wait till you see my face when I get the check.
01:16:15As long as you don't think you can get away with just one date, Mr. Malone.
01:16:19Next time, it's dinner at my place. Do you like Mexican food?
01:16:22Robert.
01:16:24Robert, what's with you?
01:16:29Oh, nothing, nothing. I thought I saw someone I recognized.
01:16:35Well, anyway, I hate to be forward, but I'd hate even more if I didn't speak up.
01:16:38I think if we manage to have fun, even over this last week,
01:16:42we should seriously consider seeing more of each other.
01:16:45Robert, are you listening to me?
01:16:47Sure, sure, I'm listening.
01:16:49It's just that I never did talk a lot, even when I was a kid.
01:16:53I always preferred action to words.
01:16:56So I see.
01:17:08Stay down.
01:17:38Come on, let's go.
01:18:08Come on.
01:18:38Come on.
01:19:08Come on.
01:19:38Come on.
01:20:08Come on.
01:20:38Come on.
01:21:08Come on.
01:21:38Come on.
01:22:08Come on.
01:22:38Come on.
01:23:08Come on.
01:23:32Well, have a good trip.
01:23:35I'd like to see you taking a few days of vacation.
01:23:38You have so many that you never took that you could retire right now.
01:23:43You have been wanting to go back there for a long time.
01:23:46Maybe there's still something left of that old gas station.
01:23:53I hope at least.
01:23:55You'll find your memories.
01:23:58Stop there, don't move.
01:24:01For my album, nobody will know, okay?
01:24:02When will we see you again?
01:24:04I don't know.
01:24:06Not too long.
01:24:08Okay.
01:24:09Bon voyage, police officer.
01:24:18Goodbye, miss.
01:24:32Goodbye.
01:24:43One more.
01:24:44Hold it.
01:25:02Hold it.
01:25:03Hold it.
01:25:04Hold it.
01:25:05Hold it.
01:25:06Hold it.
01:25:07Hold it.
01:25:08Hold it.
01:25:09Hold it.
01:25:10Hold it.
01:25:11Hold it.
01:25:12Hold it.
01:25:13Hold it.
01:25:14Hold it.
01:25:15Hold it.
01:25:16Hold it.
01:25:17Hold it.
01:25:18Hold it.
01:25:19Hold it.
01:25:20Hold it.
01:25:21Hold it.
01:25:22Hold it.
01:25:23Hold it.
01:25:24Hold it.
01:25:25Hold it.
01:25:26Hold it.
01:25:27Hold it.
01:25:28Hold it.
01:25:29Hold it.
01:25:30Hold it.
01:25:31Hold it.
01:25:32Hold it.
01:25:33Hold it.
01:25:34Hold it.
01:25:35Hold it.
01:25:36Hold it.
01:25:37Hold it.
01:25:38Hold it.
01:25:39Hold it.
01:25:40Hold it.
01:25:41Hold it.
01:25:42Hold it.
01:25:43Hold it.
01:25:44Hold it.
01:25:45Hold it.
01:25:46Hold it.
01:25:47Hold it.
01:25:48Hold it.
01:25:49Hold it.
01:25:50Hold it.
01:25:51Hold it.
01:25:52Hold it.
01:25:53Hold it.
01:25:54Hold it.
01:25:55Hold it.
01:25:56Hold it.
01:25:57Hold it.
01:25:58Hold it.
01:25:59Hold it.
01:26:00Hold it.
01:26:01Hold it.
01:26:02Hold it.
01:26:03Hold it.
01:26:04Hold it.
01:26:05Hold it.
01:26:06Hold it.
01:26:07Hold it.
01:26:08Hold it.
01:26:09Hold it.
01:26:10Hold it.
01:26:11Hold it.
01:26:12Hold it.
01:26:13Hold it.
01:26:14Hold it.
01:26:15Hold it.
01:26:16Hold it.
01:26:17Hold it.
01:26:18Hold it.
01:26:19Hold it.
01:26:20Hold it.
01:26:21Hold it.
01:26:22Hold it.
01:26:23Hold it.
01:26:24Hold it.
01:26:25Hold it.
01:26:26Hold it.
01:26:27Hold it.
01:26:28Hold it.