Approved | 1h 28min | Crime, Drama, Film-Noir | 1 March 1950 (USA)
Two undercover agents infiltrate a drug-smuggling ring in Mexico, but neither is aware of the other's identity.
Director: William A. Seiter
Writer: Devery Freeman
Stars: Fred MacMurray, Claire Trevor, Raymond Burr
Two undercover agents infiltrate a drug-smuggling ring in Mexico, but neither is aware of the other's identity.
Director: William A. Seiter
Writer: Devery Freeman
Stars: Fred MacMurray, Claire Trevor, Raymond Burr
Category
🎥
Short filmTranscript
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00:01:33Sit down.
00:01:37Take the cuffs off.
00:01:45Where'd you start from?
00:01:47Take them over and book them.
00:01:49I didn't have nothing to do with it.
00:01:51Who did?
00:01:52He said all I had to do was pose as his wife.
00:01:55Nobody ever told me we were carrying dope.
00:01:58I never even seen him before.
00:02:00Don't listen to her. She's a tramp.
00:02:02I wish Pete Ritchie could have heard you say that.
00:02:04Now, let's talk about Pete Ritchie for a minute, huh?
00:02:07Shut up, will you?
00:02:09So you're a couple of Pete Ritchie's tourists?
00:02:11I ain't saying nothing.
00:02:14I ain't saying nothing.
00:02:15I got my rights.
00:02:17How about you?
00:02:19Any of that.
00:02:21Now, we've already got enough evidence to hang you.
00:02:24Both of you.
00:02:26Does, um...
00:02:29Does Pete Ritchie ever come up this far north?
00:02:31No.
00:02:32He gets the time.
00:02:34He's too busy spending his dough on cheap landmark dames like this.
00:02:37You should be talking.
00:02:38And you shouldn't.
00:02:39I was doing all right for a long time before I met you
00:02:41and those petty, larceny friends of yours.
00:02:43Go on, go on. Hit me.
00:02:45Put him on ice.
00:02:46Come on.
00:02:50Still talkative?
00:02:54If there's enough in it for me, yes.
00:02:57You, uh, know Pete Ritchie?
00:02:59It all depends.
00:03:01Pete Ritchie and me are intimate friends.
00:03:04Uh, where does he get his narcotics?
00:03:06What's his, uh, source?
00:03:08Mostly out of the upholstering of other people's cars.
00:03:12Who are the other people?
00:03:14Ritchie himself ain't much of a talker.
00:03:18Who are you supposed to meet up here?
00:03:20You don't meet them.
00:03:22They meet you.
00:03:24Well, you're going to be alone for a long time.
00:03:27Try to concentrate.
00:03:29See if you can think of some more answers.
00:03:30Okay, Charlie.
00:03:31That's all.
00:03:32This way, miss.
00:03:39Even if characters like that wanted to talk,
00:03:41they don't know much.
00:03:43I guess we're going to have to start at the top again
00:03:45and work down.
00:03:46We're going to have to try to find the top first.
00:03:48You certainly didn't get anything new from these two.
00:03:51How can you say that?
00:03:52This is Madeline Haley, Bill.
00:03:54She's Los Angeles Police Department.
00:03:56Hiya.
00:03:57Hiya.
00:03:58She had a hand in grabbing our two friends.
00:04:00You know, I've had men, good men, in Mexico for months
00:04:02tailing him, and then dead end.
00:04:05Pete Ritchie can smell an investigator a mile away.
00:04:08Yep, he's learned to be very leery of government men.
00:04:11How about government women?
00:04:13Say, that's a notion.
00:04:15Ritchie would never expect us to send a woman.
00:04:17I have a note here I made of an important point
00:04:20in this cross-examination.
00:04:21Yeah, a very important point.
00:04:22Ritchie is a sucker for dames.
00:04:24Yes, that's it.
00:04:26Hey, um, what's Jacqueline Kirk doing now?
00:04:30Nah, she's not good looking enough.
00:04:32See, Molly Dunstead could be fine,
00:04:34only she got married and quit.
00:04:36What about June Michaels?
00:04:37She's back with the Denver Police Force.
00:04:39They wouldn't let her go.
00:04:41Now, how about her?
00:04:43Oh, Ritchie goes for tawdry, cheap-looking dames.
00:04:46She could pass.
00:04:48What are we talking about?
00:04:50Narcotics enforcement never uses a woman on things like this.
00:04:53Yeah, I know, but we're sending her to Mexico anyway
00:04:55on an extradition matter.
00:04:57It's all right with the chief.
00:04:59It might be an idea.
00:05:00Worth giving a thought to it.
00:05:02She might be able to pick up
00:05:04a few crumbs of information on Ritchie.
00:05:06Do you think you can handle this?
00:05:08During the war, she was in the OSS.
00:05:10Speaks a pretty good Mexican.
00:05:12Well, how do you spell your name?
00:05:16H-A-L-E-Y.
00:05:54Gracias, senor.
00:05:56Gracias.
00:06:02Palomitas de maíz!
00:06:04Palomitas de maíz!
00:06:06Palomitas de maíz!
00:06:08Palomitas de maíz!
00:06:10Palomitas de maíz!
00:06:12Palomitas de maíz!
00:06:14Palomitas de maíz!
00:06:16Palomitas de maíz!
00:06:18Palomitas de maíz!
00:06:20Palomitas de maíz!
00:06:22Palomitas de maíz!
00:06:24Palomitas de maíz!
00:06:26Palomitas de maíz!
00:06:28Palomitas de maíz!
00:06:30Palomitas de maíz!
00:06:38Cuatro cervezas!
00:07:00Cuatro cervezas!
00:07:30Cuatro cervezas!
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00:10:16Cuatro cervezas!
00:10:19Yes, that's right.
00:10:21If you do exactly as I tell you, there'll be no problem.
00:10:28We might be able to make it tonight.
00:10:35Cigarillos, por favor.
00:10:37Yes.
00:10:39Gracias.
00:10:40Wait until I contact you, will you?
00:10:45I'll talk to you later.
00:10:49Got a light?
00:10:55Give her a light.
00:11:04Get up to the room in case somebody calls in.
00:11:06Sure, boss, I understand.
00:11:11What's the idea?
00:11:12Oh, I'm sorry.
00:11:14Try again.
00:11:16Try again.
00:11:18But you're afraid you'll get burnt.
00:11:20I've been burnt before.
00:11:28What's your hurry?
00:11:30I got a...
00:11:32Hey, you're not so hard to look at.
00:11:37Finish your drink.
00:11:42And one more.
00:11:44One for the road.
00:11:46Together.
00:11:49Sure.
00:11:51Cheers.
00:12:14Hey, I can't bring James up here.
00:12:16Oh, yes, you can.
00:12:18Oh, can I?
00:12:20Sure.
00:12:21Which room?
00:12:23No, no, no, look.
00:12:25Look, which room is it?
00:12:31Now.
00:12:32Okay.
00:12:41Hold it.
00:12:43You know where the key is?
00:12:46Key?
00:12:47Yeah, key.
00:12:55No, no, no, wait a minute.
00:12:57Just a minute.
00:13:03You stay here.
00:13:13Here we go.
00:13:15Oh, wait, wait.
00:13:19I just want to make you comfortable.
00:13:32No, no, no, no.
00:13:38Let's follow him.
00:13:41Let's celebrate.
00:13:49Isn't it fun?
00:14:10Let's go.
00:14:40Let's go.
00:15:10Let's go.
00:15:40Come on.
00:16:10Hello, boys.
00:16:12Stupid fool.
00:16:40Hi.
00:17:10What's her name?
00:17:12A friend of mine.
00:17:14Get rid of her.
00:17:16She's a friend of mine.
00:17:18Get her out of here.
00:17:21Hey, you.
00:17:23Oh, you're not going to listen to him, are you?
00:17:26Yeah.
00:17:27Beat it.
00:17:28Vamos.
00:17:29Scram.
00:17:35Okay, okay.
00:17:40Let's go.
00:17:55I don't think it hasn't been fun.
00:17:59See you around.
00:18:01I hope you don't think we're being impolite.
00:18:04Oh, no.
00:18:06Drop in tomorrow.
00:18:08We're strangers.
00:18:11You're very nice.
00:18:14You'll find me much nicer when you get to know me better.
00:18:17I'd like to know you better.
00:18:26What do you want, Macklin?
00:18:29You know what I want.
00:18:31I guess Harvey Gumbin sent you.
00:18:33How is Harvey? I've been trying to get in touch with him.
00:18:35Thought we might do a couple of deals.
00:18:38Let's go.
00:18:47Catch up.
00:18:55Okay, you're tough.
00:18:57What's your angle?
00:18:59Harvey says you got a shipment going out.
00:19:01He says it clears the harbor tonight.
00:19:03Harvey says he wants it.
00:19:05You tell Harvey to...
00:19:07The only thing I'm going to tell Harvey is what boat the stuff is on.
00:19:11But first you got to tell me.
00:19:14You won't talk, Al.
00:19:16How about giving him a little convincer?
00:19:18Some gunpowder on the arm.
00:19:20You light it and sometimes it splits the skin wide open.
00:19:24That sounds good.
00:19:26Are you trying to scare me, Johnny?
00:19:28Not you, Richie. Your hide's too tough.
00:19:30But I don't think the little lady there'd hold still very long.
00:19:33She doesn't know anything.
00:19:35Tell her.
00:19:36That's right. I mean, who would tell me?
00:19:38I don't know.
00:19:41How about you, Dusik?
00:19:43If he don't tell me anything, he'll tell you that himself.
00:19:46Wrap him up.
00:19:52Tell him, boss. Will you tell him I don't know a thing?
00:19:55That's right, Dusik. You don't know a thing.
00:20:06Look.
00:20:26Why don't you just tell us and save us all this trouble, Richie?
00:20:31You'd sell your life for a couple of stinking bucks, wouldn't you?
00:20:34Maybe you're selling yours, Macklin.
00:21:00It's the tuna boat, the North Wind.
00:21:06She painted gray?
00:21:09Johnny, she painted gray.
00:21:13How far offshore is she anchored?
00:21:15Anchored up the kelp bed.
00:21:17That's right. That's right where she is.
00:21:19Works like truth serum.
00:21:24Someday you're not gonna be so lucky, Macklin.
00:21:27This is Macklin speaking.
00:21:29It's the tuna boat, the North Wind.
00:21:31Yeah, that's the one.
00:21:33Yeah, tell him.
00:21:35Harvey says thanks.
00:21:37Anything you'd like to say to Harvey?
00:21:40He says don't mention it, Harvey.
00:21:43See you later, partner.
00:21:55I told you someday you weren't gonna be so lucky.
00:21:57Oh, no, wait a second, Mr. Richie, wait.
00:21:59Mr. Richie, wait a second.
00:22:17Thanks, baby.
00:22:18Come on, I want to talk to you.
00:22:19Well, I don't know anything.
00:22:20Come on.
00:22:27Come on.
00:22:57Come on.
00:23:10Could you tell me the way out of this place?
00:23:13Sí, señorita.
00:23:14Por esa puerta.
00:23:16Come on.
00:23:25¿Ese?
00:23:26Sí.
00:23:31Come here, you.
00:23:34Come here.
00:23:37She moves faster with a gun in her hand.
00:23:40Come on in, the boss wants to talk to you.
00:23:41You're a big, brave, strong...
00:23:43Sit down.
00:23:44What did you mean by hitting me on the chin?
00:23:45I had to slug you, kid, to get you to come along.
00:23:48There's a lot of heat on you.
00:23:51You want a cigarette?
00:23:54How long you been with Richie?
00:23:58The boss asked you how long you been with Richie.
00:24:02Five minutes.
00:24:03What are you giving us?
00:24:04It's true.
00:24:06Give her credit for dummying up.
00:24:09Did you ever make a trip for Richie?
00:24:12What trip?
00:24:13Carrying stuff over the border.
00:24:17If you ask me, boss, you'll dump her.
00:24:18I'll make the trip alone.
00:24:19I don't want you to go alone, Johnny.
00:24:21I want you to make the trip with a dame.
00:24:23You know, man and wife.
00:24:24Make it look respectable.
00:24:26I'll get you one of them tourist passes.
00:24:28Okay, just make sure it's a dame that'll stay in line.
00:24:31All dames will stay in line
00:24:32as long as the payoff is big enough at the end.
00:24:36You'll be ready to leave at daylight.
00:24:37Both of you.
00:24:39With her?
00:24:40She hasn't said a word.
00:24:41Go ahead, say something, my friend.
00:24:46How much is the payoff?
00:24:48Let's see, she knows what to say.
00:24:51Hey, Miguel.
00:24:57Go up to the hotel, pay the lady's bill,
00:24:59and get her clothes.
00:25:00What's your name?
00:25:02Gladys LaRue.
00:25:03What?
00:25:04Gladys LaRue.
00:25:06Gladys LaRue.
00:25:08Yes, sir.
00:25:09Yes, sir.
00:25:17Good morning, Sopacho.
00:25:18Good morning.
00:25:40Now, you make sure you get there Friday noon
00:25:43at the zoo in Los Angeles.
00:25:44All right.
00:25:46The only thing you haven't told me
00:25:47is who I'm supposed to meet in Los Angeles.
00:25:49You'll find out when you get there.
00:25:51At noon, in front of the monkey cages.
00:25:53Have you got that?
00:25:54Got it.
00:25:55Here, get in the car.
00:25:57Got it.
00:26:10Oh.
00:26:25Come on, Miguel.
00:26:26Let's go.
00:26:40Miguel.
00:26:42You take good care of Mr. and Mrs. Johnny Macklin.
00:26:44You see if they get across that border safely.
00:26:47Si, senor.
00:27:10It's the best hotel.
00:27:11The most beautiful.
00:27:12It has rooms with baths and hot springs.
00:27:15What town is this?
00:27:16Hidalgo.
00:27:17We'll sleep here tonight.
00:27:18Come on, move on.
00:27:21Oh, wait a minute.
00:27:24You know what that is?
00:27:25Sure.
00:27:26Well, pull it out.
00:27:27It goes with the tourist pass.
00:27:29What's that?
00:27:30It's a tourist pass.
00:27:31It's a tourist pass.
00:27:32It's a tourist pass.
00:27:33It's a tourist pass.
00:27:34It's a tourist pass.
00:27:35It's a tourist pass.
00:27:36It's a tourist pass.
00:27:37It's a tourist pass.
00:27:39Come on, put it on.
00:27:40It's part of the job.
00:27:42Congratulations.
00:27:52Hey, muchacho.
00:27:57Buenas tardes, senor.
00:27:58Have you got a vacant room?
00:27:59Oh, si, senor.
00:28:00The old vacancy.
00:28:01Oh, you're welcome to the Casa Hermosa.
00:28:02We always try to treat the best we know how
00:28:04to treat the Americanos.
00:28:05Give me a room in the front overlooking the road.
00:28:07Oh, si, senor.
00:28:10Mr. and Mrs. Smith, huh?
00:28:13This way, senor.
00:28:14Por aqui.
00:28:15Venga.
00:28:25My driver will bring the bags up.
00:28:26Muy bien, senor.
00:28:27Pase.
00:28:36Looking for somebody?
00:28:37No.
00:28:38Only the police, the Mexican federal men,
00:28:40and Uncle Sam, several assorted hijackers,
00:28:42and Pete Richard.
00:28:45Don't you think we should have taken two rooms?
00:28:48Why?
00:28:49Uh, might be safer.
00:28:51Safer from what?
00:28:54Let's get this straight right now.
00:28:57I don't want to get into any trouble.
00:28:59I don't want to get into any trouble.
00:29:01I don't want to get into any trouble.
00:29:03Let's get this straight right now.
00:29:05I'm not going to...
00:29:06Relax.
00:29:08I'd expect to enjoy your honeymoon if you don't relax.
00:29:11I just want it understood that this arrangement
00:29:14is strictly for convenience.
00:29:15That's right.
00:29:16We're strictly on our own.
00:29:17You get it?
00:29:31Why shouldn't you make it sweetness?
00:29:35Who do you have to know around here to get something to eat?
00:29:43Here?
00:29:44Los Felices!
00:29:45Pase.
00:29:48¿Dónde los pongo, papá?
00:29:49Ahí en la silla.
00:29:50Muy bien.
00:29:53Ojalá que estén contentos, señor.
00:29:55Lo mejor que pueda para todos los americanos.
00:29:57Gracias.
00:30:04Now you know why Miguel never shakes his head.
00:30:06¿Sí, patrón?
00:30:07Sí, amigo. Let's go.
00:30:10Lock up.
00:30:14Oh, shut up.
00:30:17Oh, shut up.
00:30:47Oh, shut up.
00:31:17Oh, shut up.
00:31:47Oh, shut up.
00:32:18Hola, Don Juanito.
00:32:19Acabo de comprar todo para la comida.
00:32:21Sanchicha, queso, jamón.
00:32:23De todo.
00:32:25You got some for yourself?
00:32:26Sí.
00:32:27Esto y esto.
00:32:30Ajá.
00:32:31Telegrama for your sweetheart.
00:32:34No, no.
00:32:35Telegrama.
00:32:36Telegrama.
00:32:37Telegrama.
00:32:38Telegrama.
00:32:39Telegrama.
00:32:40Telegrama.
00:32:41Telegrama.
00:32:42Telegrama.
00:32:43Telegrama.
00:32:44Telegrama.
00:32:45Telegrama.
00:32:46No, no.
00:32:47For my mother.
00:32:48Her birthday.
00:33:00Miguel.
00:33:03You better stay close to the car tonight.
00:33:05We may be leaving here in a hurry.
00:33:06¿Comprende?
00:33:07Sí, señor.
00:33:10Gracias.
00:33:17Come on, open up.
00:33:18It's me.
00:33:44Food?
00:33:45The wedding feast.
00:33:49Don't talk to any strangers.
00:33:50I don't know any strangers.
00:34:15I don't know any strangers.
00:34:45I don't know any strangers.
00:34:46I don't know any strangers.
00:34:47I don't know any strangers.
00:34:48I don't know any strangers.
00:34:49I don't know any strangers.
00:34:50I don't know any strangers.
00:34:51I don't know any strangers.
00:34:52I don't know any strangers.
00:34:53I don't know any strangers.
00:34:54I don't know any strangers.
00:34:55I don't know any strangers.
00:34:56I don't know any strangers.
00:34:57I don't know any strangers.
00:34:58I don't know any strangers.
00:34:59I don't know any strangers.
00:35:00I don't know any strangers.
00:35:01I don't know any strangers.
00:35:02I don't know any strangers.
00:35:03I don't know any strangers.
00:35:04I don't know any strangers.
00:35:05I don't know any strangers.
00:35:06I don't know any strangers.
00:35:07I don't know any strangers.
00:35:08I don't know any strangers.
00:35:09Open up.
00:36:02I hear you're eating.
00:36:08Sounds good.
00:36:11You know what people do when they're hungry, don't you?
00:36:13Eat?
00:36:14Help yourself.
00:36:15Well, thank you.
00:36:25And what do people do when they're thirsty?
00:36:28Glass over there.
00:36:32Oh, thank you.
00:37:20What's your name?
00:37:22Your real name, I mean.
00:37:24What possible difference does that make?
00:37:27Well, you sound like you're from Kansas or Missouri or someplace.
00:37:30Where are you from?
00:37:32Here and there.
00:37:34My favorite place.
00:37:36Mine, too.
00:38:02Hey.
00:38:33I was just going to turn the lights out.
00:38:36I was just going to turn them out myself.
00:38:39What are you going to do, shoot them out?
00:38:54Good night, Polly.
00:38:57Good night.
00:39:02Good night.
00:39:03Good night.
00:39:31Jim?
00:39:32Miguel.
00:39:35They are coming.
00:39:36They are here.
00:39:37Richie?
00:39:41There's a car outside.
00:39:42Out the window.
00:39:43I'll pass the stuff to you.
00:39:45Come on, get going.
00:39:53This way.
00:39:55Gracias.
00:40:03What are you doing?
00:40:04I can't go out with this goo on my face.
00:40:06Are you off your nut?
00:40:07Come on.
00:40:33How close can you come?
00:40:34If Miguel doesn't get back before Richie does, you'll find out.
00:40:37Is Miguel trying to lose him?
00:40:38Is that it?
00:40:39That's the general idea.
00:40:40But if he doesn't...
00:40:42Then we're in what is usually known as a lot of trouble.
00:40:46Get back.
00:41:02Good afternoon, Mr. and Mrs. Macklin.
00:41:32I'm trying to make up my mind.
00:41:34If you're going to touch a class or not.
00:41:37When you make up your mind, let me know.
00:41:41You must have traveled with better company than Richie sometime or other.
00:41:44What do you know about better company?
00:41:48I kept my eyes open in two countries.
00:41:50I learned things that way.
00:41:51That's what I figured.
00:41:53I figured maybe we'd get along.
00:41:55But I don't think so.
00:41:57I don't think so.
00:41:59I don't think so.
00:42:00That's what I figured.
00:42:02I figured maybe we could pool our information.
00:42:04Like what?
00:42:06Like who Harvey Gumbin is tied up with.
00:42:09Where he gets his stuff.
00:42:10Who he delivers it to.
00:42:12I forgot to tell you.
00:42:14I can also keep my mouth shut in two languages.
00:42:16Look out!
00:42:20Take your cart so you can get through.
00:42:22Let's go.
00:42:29Hey, amigo.
00:42:31The road is getting blocked.
00:42:33Let's go.
00:42:35Hurry up!
00:42:37He picked a fine time to get stuck.
00:42:39That's truer than you think.
00:42:43She's a bright girl, Macklin.
00:42:45Too bad she wasn't bright enough to stay away from you.
00:42:48That would be asking an awful lot of a girl.
00:42:52I hope you haven't got a good reason to live.
00:42:55Offhand, I can think of at least three.
00:42:57I told you, you wouldn't always be so lucky, Macklin.
00:43:01Look, Richie, maybe we can make a deal.
00:43:03A deal?
00:43:07Nobody can say I didn't leave them laughing.
00:43:23Get the car.
00:43:45Can't you go faster?
00:43:47Maybe if I got out of the bush.
00:43:48Don't tell me Miguel is asleep again.
00:43:56He...
00:43:58He's not asleep.
00:44:05Aren't you even going to stop?
00:44:07Not unless I run out of gas.
00:44:12Got a cigarette?
00:44:18No.
00:44:28Don't ever lose that gadget, baby.
00:44:48A little narcotics and a dead man in the car.
00:44:50It's a great time to pick up a cop.
00:44:53Catching up with us fast.
00:45:19Why are you stopping?
00:45:21Never try to lose one of these Mexican motorcycle gachos.
00:45:24Can't be done.
00:45:33We've got a sick man in the car.
00:45:35So we've got to get him to a doctor quick.
00:45:37Un medico pronto.
00:45:42And Mr. Gumbin said you weren't so smart.
00:45:45He's right.
00:45:46If I was, I would have gone to work in my father's broom factory like my mother wanted.
00:46:16Dead end.
00:46:47Hey, get out of that thing.
00:47:08We've got a life, amigo.
00:47:16We've got a life.
00:47:30I guess I lost you.
00:47:32Please, officer, this man is very sick.
00:47:34El duele el estomago.
00:47:36Lo encontramos en el camino.
00:47:38Un medico.
00:47:40Bueno, sígame, pero esta vez no se pierda.
00:47:42Sí.
00:47:44Más cerveza.
00:47:47Este hombre no está enfermo, está borracho.
00:47:50Borracho?
00:47:52Me gustan los enfermos.
00:47:54Vámonos, vámonos, váyase.
00:47:56Creí que estaba enfermo.
00:47:58Su permiso, turista, señor.
00:48:00Ah, sí.
00:48:07Señor y señora John McClane.
00:48:09McClane.
00:48:10Sí, andamos sin luna de ciel.
00:48:13Ah, recién casados.
00:48:15Qué linda.
00:48:17Felicidades.
00:48:19Gracias.
00:48:21Adiós.
00:48:23El amor es lindo aquí en todas partes.
00:48:31Adamoon's over as soon as they find Miguel's body.
00:48:34We've got to ditch this car.
00:48:41Okay, are you ready?
00:48:43Am I ready?
00:48:45Come on, give me a hand. I can't do it by myself.
00:48:49There she goes.
00:48:57Well, that does it. Let's go.
00:49:04Airport, 10 kilometers.
00:49:06Come on.
00:49:08How many miles in a kilometer?
00:49:10I mean, how many kilometers in a mile?
00:49:12Well, yes.
00:49:1410 kilometers is about 6 or 7 miles.
00:49:22I'm sure happy I'm with a smart fellow like you.
00:49:247 miles.
00:49:26Oh, quit beefing. It can't be more than 5 1⁄2 now.
00:49:285 1⁄2?
00:49:30Why didn't you ditch the car closer to the airport?
00:49:33All right.
00:49:35Let's go over here and sit down.
00:49:37Something's got to come along this road sometime.
00:49:38You're right.
00:49:40With Pete Ritchie.
00:49:58Great way to make a living.
00:50:00You picked it.
00:50:02I know what I'm doing. Do you?
00:50:05Making a living?
00:50:09You're not tired, are you?
00:50:11Oh, no.
00:50:15How long have you been picking around this racket?
00:50:20Let's see.
00:50:22It started when I was in kindergarten.
00:50:24I showed this stuff to my little pals.
00:50:28How'd you get mixed up with Harvey Gumbin?
00:50:30Oh, that goes back a long way, too.
00:50:33He put me in reform school when I was four.
00:50:35Threw me in with a lot of hardened criminals.
00:50:36Of seven or eight.
00:50:38I learned plenty.
00:50:40But they couldn't hold me.
00:50:42I broke out when I was five.
00:50:44And McGumbin and I have been with him ever since.
00:50:51Here comes a bus. Grab your stuff.
00:51:07Oh!
00:51:09That must have been the limited.
00:51:31What happened after kindergarten?
00:51:32Well, uh...
00:51:34When I was in my teens, I was sent up.
00:51:37But I broke out within a month, and then I...
00:51:39I met Rocky.
00:51:41Who was Rocky?
00:51:43The only man I ever kissed.
00:51:47I felt so sorry
00:51:49seeing him lying there on the cold cement,
00:51:52mortally wounded.
00:51:54What happened to him?
00:51:56I shot him.
00:51:58I made sure he was dead.
00:51:59I shot him.
00:52:01I made sure that he'd never kiss another girl.
00:52:06Does that answer your question?
00:52:11Here comes a ride.
00:52:26Buenos dias.
00:52:27¿Dónde van?
00:52:29Al aeropuerto.
00:52:31El camión no se paró.
00:52:33Do you speak English?
00:52:35Sure, why?
00:52:37I don't understand your Spanish very well, senor.
00:52:39Oh.
00:52:41We're trying to get to the airport.
00:52:43Yes, the bus wouldn't stop for us.
00:52:45Ah, that Tomas.
00:52:47Always in a hurry.
00:52:49Get in.
00:52:51Gracias.
00:52:58Oh, how's it here?
00:53:01Can we go now?
00:53:03Si. I mean, yes.
00:53:07For three years, I was poor teacher.
00:53:10Also inspector of water supply.
00:53:13I have now 14 acres of land
00:53:17and 12 children.
00:53:1912 children, huh?
00:53:21Almost one to an acre.
00:53:23That's very interesting.
00:53:25But is there an airline that goes up to the border?
00:53:27No.
00:53:29Don't worry, I will fix it for you.
00:53:31I am a very important man.
00:53:33I have friends.
00:53:35This is Pablo, he's a pilot.
00:53:37Does he have his own plane?
00:53:39A small one.
00:53:41That means a little plane.
00:53:43Have you got money?
00:53:45Yes, a little.
00:53:47That means little money.
00:53:49What is this, a detour?
00:53:51Oh, one more thing, senor.
00:53:53I have telephone.
00:53:55I will call little Pablo
00:53:57at the airport, huh?
00:53:59Go back.
00:54:01I'll be right back.
00:54:07I hope the airport isn't being watched.
00:54:09We have no choice.
00:54:11That's right.
00:54:13It's a chance we'll have to take.
00:54:14My father says,
00:54:16he welcomes you.
00:54:20Yes, thank you.
00:54:28Give it to me.
00:54:30What am I going to do with this woman?
00:54:32She has no conception of mother's signs.
00:54:34Give it to me.
00:54:36I can hear better.
00:54:38You are crazy.
00:54:40Hello.
00:54:42Hello.
00:54:44Hello.
00:54:46My wife.
00:54:48Every day she has big washing.
00:54:50I can understand that.
00:54:52Look.
00:54:54Pretty full wash line.
00:54:56No, senor, it's not wash line.
00:54:58Telephone wire.
00:55:07Stronger, little Pablo.
00:55:10I have a bad connection.
00:55:12Welcome to my home.
00:55:15Little Pablo is on the phone
00:55:17if you wish to speak with him.
00:55:41He'll do it.
00:55:43$75.
00:55:45Good, I will drive you.
00:55:47Fine.
00:55:49What's that?
00:55:51That.
00:55:53One more thing, senor.
00:55:55I am also...
00:55:57That means sheriff.
00:55:59Yes.
00:56:01I am a very important man.
00:56:03Yes.
00:56:05Thanks for everything.
00:56:07Excuse me.
00:56:09Hello.
00:56:11Hello.
00:56:13I can hear better.
00:56:15I can hear better.
00:56:17Hello.
00:56:20Hello.
00:56:22Can you hear me, senora?
00:56:26Please tell Porfirio
00:56:28to go to the airport immediately.
00:56:30Hello.
00:56:35It's the police.
00:56:37I will take my clothes off.
00:56:42Hello.
00:56:44I said.
00:56:47Yes, we can hear better.
00:56:55Hello.
00:56:57Porfirio is fixing the wire.
00:57:00Stupid woman, I need the phone.
00:57:03Damn.
00:57:12Yes, I will tell him.
00:57:14Goodbye.
00:57:16Well, did you get the message?
00:57:18There are two criminals alive suspected of murder.
00:57:20No.
00:57:22You have to go to the airport immediately
00:57:24to see that they don't escape.
00:57:26Yes, of course.
00:57:28But who am I looking for?
00:57:30I must call back the police.
00:57:32I have the description.
00:57:34There's a man and a woman.
00:57:36The man is tall, handsome, extremely well-dressed,
00:57:38dark wavy hair, very charming manner.
00:57:39And he?
00:57:41And the woman is very short,
00:57:43nose like a tomato, long hair,
00:57:45glass eyes, green.
00:57:47Yes, they won't get Porfirio.
00:57:49We have to hurry.
00:57:51We have to go to the airport.
00:57:56Goodbye.
00:57:58Goodbye.
00:58:00Goodbye, handsome.
00:58:02Goodbye, senorita.
00:58:04What are you waiting for?
00:58:10This is it.
00:58:22Come on.
00:58:40How are you, little Pablo?
00:58:42I'm fine, senorita.
00:58:45What's up with the sheriff?
00:58:47He's still sniffing around the entrance
00:58:49for a short-haired woman with long hair.
00:58:51No offense.
00:58:54What is little Pablo doing?
00:58:56Trying to get our luck?
00:58:58We'll be in bad shape
00:59:00if the police do any checking with our friend.
00:59:02They don't hang the washing
00:59:04on the telephone wires around here.
00:59:06We can only hope.
00:59:07Let's go, baby.
00:59:09The next stop is across the border.
00:59:11Yes, the border.
00:59:15You can ride with me, senorita.
00:59:37Porfirio says you have to come home soon
00:59:39to your job, right, senor?
00:59:41Yes.
00:59:43Porfirio says you love birds very much, right?
00:59:45Yes.
00:59:47How long are you married?
00:59:49Five weeks.
00:59:51Five weeks? Three weeks?
00:59:53People who are not married for a long time
00:59:55should tell each other in advance.
00:59:57We're working on it.
01:00:08What's the matter?
01:00:10Look what he's doing, eating.
01:00:12What's wrong with that?
01:00:14You think he'd order you around?
01:00:16He's a good man.
01:00:18He's still a bad man.
01:00:20He's a good man.
01:00:22He's a good man.
01:00:24He's a good man.
01:00:26He's a good man.
01:00:28He's a good man.
01:00:30He's a good man.
01:00:32He's a good man.
01:00:34He's a good man.
01:00:35What's wrong with that?
01:00:36You think he'd offer us some?
01:00:38I'm hungry.
01:00:39What again?
01:00:41You just ate last night.
01:00:48No gas.
01:00:49No gas?
01:00:50No gas in one tank.
01:00:51I switch over to other one.
01:01:00Why don't you switch tanks?
01:01:02Nothing happens.
01:01:03Great, what do we do now?
01:01:05I make a landing on the beach.
01:01:08You can't land on the beach, can you?
01:01:09Isn't the sand too soft?
01:01:10Can't be too soft for me.
01:01:33I don't know.
01:02:04Scared?
01:02:05Now I'm weak.
01:02:07Excuse me, sir.
01:02:08Can you help me, please?
01:02:14How long is it going to take you to switch tanks?
01:02:16Ten minutes.
01:02:17Can't you cut it down to five?
01:02:18Yes, sir, I can.
01:02:19But why?
01:02:20We're going to need to stand hard for the take-off.
01:02:22You mean we've got to wait till the tide goes off tonight?
01:02:24No, no, no, no.
01:02:25Not tonight.
01:02:26Too dark.
01:02:27Tomorrow.
01:02:28Tomorrow?
01:02:29What are we going to do about food?
01:02:30This is a problem.
01:02:31All I have is but one packet of gum for chewing.
01:02:35What flavor?
01:02:36Here.
01:03:00Come on, you might as well sit down and take it easy.
01:03:02That operation's going to take a little while, you know?
01:03:07Ham and eggs and hot biscuits in the morning.
01:03:10And coffee, gallons of it.
01:03:12Are you feeling all right?
01:03:14Ensenada's just around the next bend.
01:03:17Do they have bathtubs in Ensenada?
01:03:19For tourists.
01:03:21What would you call out?
01:03:24Want me to tell you?
01:03:26No.
01:03:27I'll tell you.
01:03:29We're a couple of idiots.
01:03:3190,000 cops after us.
01:03:33See nothing but my friends coming up from the south.
01:03:36We're living on fish.
01:03:38Who made the bed?
01:03:44You know, I might not be a very smart guy.
01:03:48Sometimes I get the feeling that you're not telling me everything.
01:03:52You know, I get the same feeling about you.
01:03:57I mean, you never learned a trick right back in jail.
01:04:00I picked that up when I was on the lam.
01:04:03Bobby King and the Bloodhounds, they sat after me.
01:04:06A couple of days ago, I ought to believe that.
01:04:10Why not tonight?
01:04:13I don't know.
01:04:15I thought you were an awfully tough guy, but...
01:04:19No, I don't.
01:04:22I thought a couple of things about you.
01:04:25No, I don't.
01:04:27See you later.
01:04:36Oh, it's pretty here.
01:04:38I told you it was.
01:04:40Except, you've been seen easily.
01:04:42Enough people talking about me.
01:04:44I don't care.
01:04:46I don't care.
01:04:48I don't care.
01:04:50I don't care.
01:04:52I don't care.
01:04:54I don't care.
01:04:56The people are looking for you and you can be seen any place.
01:04:58What makes you so smart, Johnny?
01:05:04This way, please.
01:05:26Did I put the bags in the bedroom, senor?
01:05:40No, you can just put them down there.
01:05:46Gracias, senor Chuck.
01:05:52I'm now senora Jackson, huh?
01:05:58I got more names in the phone book.
01:06:04I must be loco.
01:06:07That makes two of us.
01:06:13This room is very attractive.
01:06:17It ought to be for 125 pieces a day.
01:06:20How long are we staying?
01:06:22We cross the border tomorrow.
01:06:24Have you a plan?
01:06:25There's Gumbin's plan.
01:06:27Top of the music box is inlaid with gold.
01:06:30They slap a duty tax on us.
01:06:32We object, they insist, we give in.
01:06:34Slight of hand, see?
01:06:35What about the bird cage?
01:06:37That's not made of gold.
01:06:38No, it was against the law to transport birds across the border.
01:06:42So we argue back and forth.
01:06:44We take the cage and give them the bird.
01:06:47They insist, you object.
01:06:49I never object.
01:06:58We have to go tomorrow.
01:07:04Yeah.
01:07:05You get cleaned up.
01:07:09I'll meet you down at the bar.
01:07:19Grazie, signor.
01:07:33Thank you, John.
01:07:40And a couple of fanatotes clearer.
01:07:50Grazie, signor.
01:08:08Hello, Alonzo.
01:08:09Hello, Gunny.
01:08:10Is this where you Mexican G-men spend all your time?
01:08:12If you'd like to.
01:08:13Some of you gringos in here are jumping all the time.
01:08:16Pete Ritchie's following me.
01:08:18I know he is.
01:08:19I would just keep that he's in town.
01:08:20In town?
01:08:22That's good.
01:08:23I'm trying to coast him across the border.
01:08:25What about Harvey Gumbin?
01:08:27Didn't get ready to pick him up.
01:08:28I think we know all we need to know about our friend Harvey.
01:08:31Good.
01:08:32Who's that girl with you?
01:08:35She's been working for Ritchie.
01:08:36We're carrying a load up to Los Angeles for Gumbin.
01:08:39I'm going to turn her in at the border.
01:08:42What, to turn you in?
01:08:43You know it's illegal, even for an officer of the law,
01:08:45to smuggle narcotics.
01:08:46Fair enough.
01:08:48Get some sugar or milk and switch her for the stuff we're carrying.
01:08:51You want a key to my room?
01:08:52I've got a key to your room.
01:09:03Come back, Pete.
01:09:20Come back, Pete.
01:09:21I want to place a call to the United States Customs Bureau
01:09:23at the border.
01:09:29Hello?
01:09:32Yes.
01:09:33Yes, put him through.
01:09:35Mr. Peterson.
01:09:38It's for you.
01:09:39McAvoy calling from Ensenada.
01:09:44Peterson speaking.
01:09:46Yes.
01:09:49I'll establish liaison with the narcotics enforcement
01:09:52and the Los Angeles police.
01:09:55What do you want us to do with the girl?
01:09:58Pick her up and keep her there.
01:09:59I'll go up to Los Angeles alone.
01:10:01Yeah.
01:10:20Que paso, amigo?
01:10:24You clean up good.
01:10:28I'll set up the table.
01:10:39I ordered a daiquiri for you, huh?
01:10:41How did you know?
01:10:44It's a nice dress.
01:10:46I mean, you make it look nice.
01:10:49Guys.
01:10:50Might have been handy.
01:11:04You have your nose frostbitten with that short straw.
01:11:07I'll be careful.
01:11:17I didn't know you were musical.
01:11:19Got to hear me with a martini.
01:11:22You're full of surprises.
01:11:25Yeah.
01:11:28That's me.
01:11:29Where are you going?
01:11:30We're going to dig up a car.
01:11:31We're checking out.
01:11:32Right now?
01:11:33But I...
01:11:34Richesontown.
01:11:35We're starting for the border.
01:11:36You stay here till I get back.
01:11:49I wouldn't try that, Johnny.
01:11:50Just keep walking.
01:11:52Where to?
01:11:53Try the elevator first.
01:12:06You're doing fine up to now.
01:12:19Floors, please.
01:12:20Three.
01:12:25Are you enjoying your stay in Ensenada, senor?
01:12:28It's delightful.
01:12:41All right.
01:12:42Open it.
01:12:44I'll get it.
01:13:02You're under arrest, Richie.
01:13:05A very funny fellow.
01:13:07Talks like he fell out of a tree.
01:13:08Yeah, now he's playing like he's a cop.
01:13:10Come on, get your hands up.
01:13:11Get him up, pronto.
01:13:12He's got another one in his sling.
01:13:15He is a cop.
01:13:17That's what it says on his badge.
01:13:19I had a dozen chances to kill you,
01:13:21you dirty, double-crossing cop.
01:13:29Is this your gun?
01:13:30Yeah.
01:13:31Take him down the back way.
01:13:32You could make me happier.
01:13:33Come on, let's go.
01:13:39Oh, amigo.
01:13:41On behalf of Uncle Sam and yours truly,
01:13:43mil gracias.
01:13:44On behalf of the Mexican government
01:13:46in Baja California, don't mention it.
01:14:08How long a drive is it to Tijuana?
01:14:10About two hours, senora.
01:14:18Adios, senora.
01:14:19Adios.
01:14:32Donny?
01:14:35Donny?
01:14:41Donny, here, I brought these for you
01:14:44in case you have to walk home.
01:14:45Thanks.
01:14:48Oh, no.
01:14:49I figured you'd wear a size four,
01:14:50but I thought fives would be more comfortable,
01:14:52so I got sixes.
01:14:55Thanks.
01:14:57Muy fresca, las gardenias.
01:15:17Senora, flores.
01:15:24For the lady?
01:15:28Gracias, senor.
01:15:30For the lady.
01:15:32And the lady will press it in her girl graduate book
01:15:35and keep it forever and ever.
01:15:38She'll keep it till we hit the border.
01:15:40They take flowers away from you, too?
01:15:42Some joy for 10 minutes.
01:15:4410 minutes.
01:15:46We're going to lose a lot of things
01:15:4810 minutes from now.
01:16:07Where were you born?
01:16:08Missouri.
01:16:09And you?
01:16:10Missouri.
01:16:13Anything to declare?
01:16:14Not much.
01:16:15A few things.
01:16:16Now, park your car over there
01:16:17and take your declarable things to the office.
01:16:28Have a nice trip north?
01:16:29Uneventful.
01:16:30Very, very pleasant.
01:16:33Yes.
01:16:34Then you only have to make out one form.
01:16:35I'll do it.
01:16:36Just fill in what you brought in from Mexico.
01:16:38If you were there over 24 hours,
01:16:39you're allowed $100 each.
01:16:41Then just sign it right there.
01:16:50Mrs. Macklin, can I talk to you a minute?
01:16:52Sure.
01:16:53Just this way, please.
01:17:15You're under arrest.
01:17:16What?
01:17:17You're under arrest.
01:17:18I'm under arrest?
01:17:19Yes.
01:17:20You're under arrest.
01:17:21What?
01:17:22You're under arrest.
01:17:23I'm under arrest?
01:17:24Yes.
01:17:25Oh, no, no, no.
01:17:26You're all mixed up.
01:17:27My name is Haley.
01:17:28The Los Angeles Police Department has a file on me,
01:17:30and so has narcotics enforcement.
01:17:32I'm sure they have.
01:17:33Hm?
01:17:37Sorry, baby.
01:17:39I suggest you cooperate with the authorities.
01:17:42Things will go a lot easier for you.
01:17:43You suggest that I cooperate?
01:17:45The charge is possession of narcotics
01:17:46and attempted smuggling.
01:17:48You're not going to believe him.
01:17:49I certainly am.
01:17:50He's a fellow officer.
01:17:51Oh.
01:17:56A fellow officer?
01:17:59You're a copper?
01:18:00That's right.
01:18:01Customs Bureau.
01:18:03Well, Mr. Tough Guy, throwing your weight around,
01:18:08slapping down mugs, buying me flowers.
01:18:11Oh, what an act.
01:18:13Have you got a badge?
01:18:15I've got one.
01:18:16You were going to turn me in all the time
01:18:19when you certainly had me fooled.
01:18:21My job isn't always easy.
01:18:23Some things are more rugged than slapping down mugs.
01:18:26Keep talking, copper.
01:18:27You're killing me.
01:18:29Hello, Peterson.
01:18:30Mr. Whitaker.
01:18:31So you must be McAvoy.
01:18:32I'm Whitaker.
01:18:33I know.
01:18:34How are you, sir?
01:18:35Well, let's get down to business.
01:18:36Say, you don't mind if I use your desk, do you, Peterson?
01:18:37Go right ahead.
01:18:38Well, what's with Gumbel?
01:18:39Hello, Haley.
01:18:40Mr. Whitaker, I have something to tell you.
01:18:41Yeah, well, tell me later.
01:18:42Now, look, McAvoy.
01:18:43Just a minute, sir.
01:18:44You know her?
01:18:45McAvoy, if there's no...
01:18:46Now, what are you doing here?
01:18:47I'm under arrest, sir.
01:18:49You're what?
01:18:50What for?
01:18:51Smuggling narcotics.
01:18:53Will you please explain, Miss Haley?
01:18:56Yes, I'd love to, you see.
01:18:57Well, what about Ritchie?
01:18:58She knows plenty about Ritchie.
01:18:59What do you know about what she knows about Ritchie?
01:19:01I'm the one who picked her up and had her arrested.
01:19:03Ritchie was picked up in Ensenada by the Mexican officials.
01:19:06Well, just a second.
01:19:07Well, it's very simple, you see.
01:19:09I brought this man up to the border to have him arrested.
01:19:12That's not true.
01:19:13I brought her.
01:19:14What do you mean you brought me?
01:19:16You mean you were working on her?
01:19:19Of course.
01:19:20She was a confederate of Ritchie's.
01:19:21I figured we'd get some important information out of her.
01:19:23And you were working on him?
01:19:25Why, certainly.
01:19:26I didn't know who he was when I went to Mexico on the Ritchie case.
01:19:29Wait a minute.
01:19:31Let me get this straight.
01:19:34Just who is this girl?
01:19:36Well, this is Madeline Haley of the Los Angeles Police Department.
01:19:39Imagine that.
01:19:44Well, that explains a lot of things.
01:19:46It certainly does.
01:19:47You're a very clever operator, Mr., uh, whatever your name is.
01:19:52You're pretty slick yourself, Miss Haley.
01:19:54Congratulations.
01:19:55Oh, thank you.
01:19:56Well, never mind the compliments.
01:19:58What about Gumbin?
01:20:00We meet the Gumbin connection at the zoo in Los Angeles tomorrow.
01:20:03Mr. Whitaker, I'd like to be taken off this case.
01:20:06Don't be silly.
01:20:07Tomorrow what time?
01:20:08At noon.
01:20:09And then?
01:20:10If things break right, we might be able to wrap up the top men in the Gumbin syndicate.
01:20:13That's great, my boy.
01:20:14I'm quitting, Mr. Whitaker.
01:20:16Quitting nonsense.
01:20:17You've shown yourself admirably equipped for this assignment.
01:20:19Isn't that right, McAvoy?
01:20:21She has excellent equipment and doesn't hesitate to use it.
01:20:24Now, you two work very well together.
01:20:26You go on up to the zoo.
01:20:27Tomorrow is planned.
01:20:29We'll get together and figure exactly what you do from there on.
01:20:31Clear?
01:20:32Yes, sir.
01:20:33Mr. Whitaker, I just have to...
01:20:34An order is an order.
01:20:40You got the time?
01:20:47What did you say?
01:20:54I asked if you had the time.
01:20:55Yes, sir.
01:20:57It's one minute of the hour.
01:21:02Not many folks here today.
01:21:04Weekends, though, you can't keep them away.
01:21:08Sounds like your lions are hungry.
01:21:09Oh, they're always hungry.
01:21:11Eat like horses.
01:21:12I feed them horse meat and they eat like horses.
01:21:18That's a good one, ain't it?
01:21:37Buenos dias.
01:21:47Well, you both look surprised.
01:21:49I guess you didn't expect to find me here.
01:21:51I expect whoever I meet.
01:21:53As long as there's a payoff at the end of the line, huh?
01:21:55That's right.
01:21:56You both will be paid.
01:21:58I'm not worried, Harvey.
01:21:59As long as I know you're running both ends.
01:22:01Si, amigo.
01:22:02I own the Seneca in California just as I do in Mexico.
01:22:06You'll learn someday, Johnny.
01:22:07You can't trust anybody.
01:22:09I know.
01:22:10I found that out.
01:22:12You get the stuff across the border okay?
01:22:14Yeah.
01:22:19Oh, they look innocent enough.
01:22:21Except I saw them at the border looking just as innocent.
01:22:23Then you get to my place as quick as you can.
01:22:25Six to eight Palm Drive.
01:22:26Big colonial house at the end of the road.
01:22:30Come on.
01:23:01Come in, Macklin.
01:23:02Hello, Harvey.
01:23:03Sorry I couldn't get here sooner.
01:23:24This is Macklin, boys.
01:23:27I heard you had a little trouble this afternoon.
01:23:29Yeah.
01:23:30Get the rest of the stuff out of the vault, Ernie.
01:23:32All of it?
01:23:33All of it.
01:23:34We're moving it out to our connections tonight.
01:23:55Mack, the boy's got 60 seconds to get out of there.
01:24:07Hope he makes good use of them.
01:24:11You'll leave for Chicago in the morning.
01:24:13You'll contact Anderson as soon as you get there.
01:24:15Okay.
01:24:16Look, Harvey, before you get into this,
01:24:17my deal was to deliver the stuff.
01:24:18Just give me my cup and I'll get out of here.
01:24:20You'll get it, Johnny.
01:24:21You'll get it.
01:24:23It's a hurry.
01:24:24No hurry.
01:24:26You go to San Francisco.
01:24:27What about Milgram?
01:24:28I'm scratching him off the list.
01:24:30Lousy pay.
01:24:33Why don't you have a drink, Macklin?
01:24:35Well, if we're going to hang around here,
01:24:36I'd like to make myself a sandwich.
01:24:38Where's the kitchen?
01:24:39Sandwiches are at the barn.
01:24:47How about coffee?
01:24:48I'll make you a cup.
01:24:49Never mind.
01:24:50I'll make it myself.
01:24:51It's down the hall, first door to the right.
01:24:56Anybody else want coffee?
01:24:57No.
01:24:58No.
01:25:01Hey, wait a minute.
01:25:04I'll open it for you.
01:25:07Keys in my coat.
01:25:08Just a moment.
01:25:17Attention.
01:25:18Attention.
01:25:19This is a police raid.
01:25:21You are all under arrest.
01:25:23Come out the front door with your hands up.
01:25:31Do you hear me?
01:25:33Gumbin, Macklin, Cleaver, Henning, Leverage.
01:25:38Give me a hand.
01:25:40They're not going to get me or the evidence.
01:25:42That's right, Harry.
01:25:43We'll get rid of this stuff.
01:25:44There's a sink behind the bar.
01:25:45We'll dump it in there.
01:25:48Not a chance, Gumbin.
01:25:49Nobody's flushing my properties down the drain.
01:25:51What are you doing?
01:25:52I'm going through with this stuff.
01:25:53You must be nuts.
01:25:54Cops are all over the jungle.
01:25:55You'll get killed.
01:25:56You'll get us all killed.
01:25:57I'm with you, Macklin.
01:25:58Let's try it.
01:26:00Let's go.
01:26:01Let's go.
01:26:02Let's go.
01:26:03Let's go.
01:26:04Let's go.
01:26:05Let's go.
01:26:06Let's go.
01:26:07Let's go.
01:26:08Let's go.
01:26:09Let's go.
01:26:10Let's go.
01:26:11Let's go.
01:26:12Let's go.
01:26:13Let's go.
01:26:14Let's go.
01:26:15Let's go.
01:26:16Let's go.
01:26:17Let's go.
01:26:18Let's go.
01:26:19Let's go.
01:26:20Let's go.
01:26:21Let's go.
01:26:22Let's go.
01:26:23Let's go.
01:26:24Let's go.
01:26:25Let's go.
01:26:26Let's go.
01:26:27Let's go.
01:26:28Let's go.
01:26:29Let's go.
01:26:30Let's go.
01:26:31Let's go.
01:26:32Let's go.
01:26:33Let's go.
01:26:34Let's go.
01:26:35Let's go.
01:26:36Let's go.
01:26:37Let's go.
01:26:38Let's go.
01:26:39Let's go.
01:26:40Let's go.
01:26:41Let's go.
01:26:42Let's go.
01:26:43Let's go.
01:26:44Let's go.
01:26:45Let's go.
01:26:46Let's go.
01:26:47Let's go.
01:26:48Let's go.
01:26:49Let's go.
01:26:50Let's go.
01:26:51Let's go.
01:26:52Let's go.
01:26:53Let's go.
01:26:54Let's go.
01:26:55Let's go.
01:26:56Let's go.
01:26:57Let's go.
01:26:58Let's go.
01:26:59Let's go.
01:27:00Let's go.
01:27:01Let's go.
01:27:02Let's go.
01:27:03Let's go.
01:27:04Let's go.
01:27:05Let's go.
01:27:06Let's go.
01:27:07Let's go.
01:27:08Let's go.
01:27:09Let's go.
01:27:10Let's go.
01:27:11Let's go.
01:27:12Let's go.
01:27:13Let's go.
01:27:14Let's go.
01:27:15Let's go.
01:27:16Let's go.
01:27:17Let's go.
01:27:18Let's go.
01:27:19Let's go.
01:27:20Let's go.
01:27:21Let's go.
01:27:22Let's go.
01:27:23Let's go.
01:27:24Let's go.
01:27:25Let's go.
01:27:26Let's go.
01:27:27Let's go.
01:27:28Let's go.
01:27:29Let's go.
01:27:30Let's go.
01:27:31Let's go.
01:27:32Let's go.
01:27:33Let's go.
01:27:34Let's go.
01:27:35Let's go.
01:27:36Let's go.
01:27:37Let's go.
01:27:38Let's go.
01:27:39Let's go.
01:27:40Let's go.
01:27:41Let's go.
01:27:42Let's go.
01:27:43Let's go.
01:27:44Let's go.
01:27:45Let's go.
01:27:46Let's go.
01:27:47Let's go.
01:27:48Let's go.
01:27:49Let's go.
01:27:50Let's go.
01:27:51Let's go.