The New Yorker
  • 5 years ago
Eléonore Hamelin’s film “Quiet No More” explores how the Reverend Sharon Risher, in the years after her mother and eight other members of the Emanuel A.M.E. Church were murdered by a white supremacist, rose above her doubts in humanity to become a gun-violence activist.

Recommended

31:24
Up next
LOL Last One Laughing UK - Series 01 Episode 04
ozmartian
29:51
LOL Last One Laughing UK - Series 01 Episode 03
ozmartian
29:01
LOL Last One Laughing UK - Series 01 Episode 02
ozmartian
16:24
The Maddening Disconnect of Phone Therapy in “Happy to Help You” featuring Amy Sedaris
The New Yorker
19:48
How an L.G.B.T.Q HotLine Became a Lifeline
The New Yorker
32:44
The Last of the Nightingales
The New Yorker
3:03
John Early Enters the New Yorker Cartoon Caption Contest
The New Yorker
22:47
One Conductor’s Mission to Diversify Music in "The Orchestra Chuck Built"
The New Yorker
15:10
Frank
The New Yorker
15:40
“Goodbye, Morganza” Follows the Legacy of a Black Family’s Property Loss
The New Yorker
24:55
Offering Dignity for Those Who Die Alone in “People Like Us”
The New Yorker
7:09
How the Artist Barry Blitt Turns Politics Into Cartoon Cover Gold
The New Yorker
30:24
A Family Reckons with a Father’s Wish to Be Preserved Using Cryonics in “Eternal Father”
The New Yorker
17:48
A Veterinarian’s Soothing Compassion in “The Passing”
The New Yorker
14:53
Zooey Zephyr’s Defense of Trans Lives in a Deep-Red State in "Seat 31"
The New Yorker
15:40
A Relationship and a Nation in Turmoil in “Bogotá Story”
The New Yorker
22:08
Denial
The New Yorker
17:35
Friendship and Hard Work Amid Italy’s Anti-Immigrant Rhetoric in “Fratelli Carbonai”
The New Yorker
11:02
A Drag Queen Story Hour Simply Observed in “It’s Okay”
The New Yorker
8:07
A Woman’s Forced Marriage in Post-Invasion Afghanistan, in “Hills and Mountains”
The New Yorker
4:40
Richard Brody’s Best Movies of 2024 So Far
The New Yorker
13:10
Family Bonds Protect a Trans Teen In Texas
The New Yorker
21:22
The Black Mothers Fighting to Get Their Kids Back, in “To Be Invisible”
The New Yorker
5:01
Richard Linklater Unmasks Glen Powell In "Hit Man"
The New Yorker
17:45
Connecting with Trans History, Rebellion, and Joy, in “Compton’s 22”
The New Yorker