Land of the Minotaur (aka The Devil's Men) (1976)
PG | 1h 28min | Horror | June 1977 (USA)
Tourists visiting a Greek archeological site are being abducted by a strange cult, intent on providing their God - the Minotaur - with sacrifice. Irish priest Father Roche enlists the help of a former pupil and a private detective to find out what has happened to them.
Director: Kostas Karagiannis (as Costa Carayiannis)
Writer: Arthur Rowe (screenplay)
Stars: Donald Pleasence, Peter Cushing, Luan Peters
PG | 1h 28min | Horror | June 1977 (USA)
Tourists visiting a Greek archeological site are being abducted by a strange cult, intent on providing their God - the Minotaur - with sacrifice. Irish priest Father Roche enlists the help of a former pupil and a private detective to find out what has happened to them.
Director: Kostas Karagiannis (as Costa Carayiannis)
Writer: Arthur Rowe (screenplay)
Stars: Donald Pleasence, Peter Cushing, Luan Peters
Category
🎥
Short filmTranscript
00:00:00I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going to get you out of here, I'm
00:00:30going to get you out of here, I'm going to get you out of here, I'm going to get you out
00:01:00of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:01:30to get you out of here, I'm going to get you out of here, I'm going to get you out of here,
00:02:00I'm going to get you out of here, I'm going to get you out of here, I'm going to get you
00:02:30out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:03:00to get you out of here, I'm going to get you out of here, I'm going to get you out of here,
00:03:30I'm going to get you out of here, I'm going to get you out of here, I'm going to get you
00:04:01out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:04:08to get you out of here, I'm going to get you out of here, I'm going to get you out of here,
00:04:15I'm going to get you out of here, I'm going to get you out of here, I'm going to get you
00:04:22out of here, I'm going to get you out of here, I'm going to get you out of here, I'm going
00:04:30to get you out of here, I'm going to get you out of here,''
00:05:00Good morning, Father.
00:05:16Good morning.
00:05:17How are you?
00:05:18Fine, thanks.
00:05:19Carlos.
00:05:20Good morning, Father.
00:05:22Good morning, Carlos.
00:05:23Good morning, Father.
00:05:51Good morning, Father.
00:06:03Is there a letter?
00:06:07No letter.
00:06:08Here.
00:06:09Thanks.
00:06:11Goodbye, Father.
00:06:12Goodbye.
00:06:13Thanks.
00:06:14Good-bye, Father.
00:06:15Good-bye, thanks.
00:06:17Good-bye, Father.
00:06:18Good-bye, thanks.
00:06:19Father!
00:06:45Father Roche, we're back!
00:06:47It's good to see you again, Father.
00:06:48It's good to see you.
00:06:49Ian, shut the radio off. We can't hear anything.
00:06:53You've grown up a bit since last year.
00:06:55Father Roach, I'd like you to meet Tom Gifford, a friend of ours from Boston.
00:07:00Good to see you, Tom.
00:07:01I say, you've grown up a bit since last year.
00:07:05Thank God. And you're prettier than ever.
00:07:07Don't encourage her, Father. She's conceited enough as it is.
00:07:11I didn't expect to see you back here this year.
00:07:13I thought you'd exhausted the archaeological possibilities of the area.
00:07:18So did we, but then Tom showed us something he'd dug up not far from here.
00:07:21Yeah, we thought it was interesting enough to come and take a look.
00:07:24Then I've Tom to thank for the pleasure of seeing you again.
00:07:26Oh, what is this find?
00:07:43Here. Dig in.
00:07:52But you listen to me now.
00:07:56Ian, it's no coincidence.
00:07:59There were two couples who came to that place.
00:08:02One French, the other English.
00:08:05They came here to my village to show me what they'd found.
00:08:09And they went back to that land of evil to see if they could find anything else.
00:08:14And they both disappeared without a trace.
00:08:18That's pretty heavy, Father.
00:08:20I think maybe your imagination is working overtime.
00:08:23You're out of line, Tom.
00:08:25We've known Father Roche for years.
00:08:27He's a world authority in ancient religions.
00:08:29I'm sure he knows a lot more about it than any of us.
00:08:32Sorry.
00:08:36Here. Dig in.
00:08:39I'm putting you in separate rooms.
00:08:41Till I've pronounced you man and wife personally.
00:08:45Beth, you're in here.
00:08:48Come on, Tom and Ian.
00:08:50Ian, you're in this one.
00:08:52Tom, you're in there.
00:08:54Thanks.
00:08:55Good night.
00:08:56Good night.
00:08:57Sleep well.
00:08:58Good night.
00:08:59I certainly will now that I've talked you out of going back to that devil's territory.
00:09:04Good night, Father.
00:09:07Good night.
00:09:34Shh.
00:09:42Get up.
00:09:43We're leaving before Father Roche finds out.
00:09:46What about Tom?
00:09:48He's waiting in the car.
00:09:51We can't do this to Father Roche.
00:09:53We've got to.
00:09:54If we leave it till morning, he'll try and stop us.
00:09:56You want to go to the temple, don't you?
00:09:58You know I do.
00:09:59Quick.
00:10:13May God go with you.
00:10:40Right now, Laurie, we're camping near the temple
00:11:08and plan to start our search in the morning.
00:11:13As you know, Ian and Beth are great to be with,
00:11:17but I'm finding the nights awful lonely.
00:11:22So what I want you to do is this.
00:11:25Drop what you're doing
00:11:27and take a plane out here and join me.
00:11:47Good morning.
00:11:50If you do that again, I'll break your arm.
00:11:53Hey, don't do that.
00:11:55Who did the cooking?
00:11:58What a nice place.
00:12:08We'll look at the sights later.
00:12:11Food, woman, food.
00:12:12If you haven't got any, I'll have to go to the village.
00:12:15Will you mail a letter for me while you're there?
00:12:17To Laurie, right?
00:12:19I bet you miss her.
00:12:21Yeah, and you guys make it worse.
00:12:23Who can sleep with that going on all night, huh?
00:12:25You don't have to listen.
00:12:27When's Laurie coming?
00:12:28Next Saturday.
00:12:29I'm meeting her at the airport.
00:12:31I'm ready.
00:12:34Thanks, Beth.
00:12:35I'll be right back.
00:12:37I hope you don't starve to death.
00:12:39No, we won't.
00:12:40We can look around while we're waiting, huh?
00:12:42Right.
00:12:43Maybe we can find that entrance that Father Rose was talking about.
00:13:14Oh, my God.
00:13:15Oh, my God.
00:13:16Oh, my God.
00:13:17Oh, my God.
00:13:18Oh, my God.
00:13:19Oh, my God.
00:13:20Oh, my God.
00:13:21Oh, my God.
00:13:22Oh, my God.
00:13:23Oh, my God.
00:13:24Oh, my God.
00:13:25Oh, my God.
00:13:26Oh, my God.
00:13:27Oh, my God.
00:13:28Oh, my God.
00:13:29Oh, my God.
00:13:30Oh, my God.
00:13:31Oh, my God.
00:13:32Oh, my God.
00:13:33Oh, my God.
00:13:34Oh, my God.
00:13:35Oh, my God.
00:13:36Oh, my God.
00:13:37Oh, my God.
00:13:38Oh, my God.
00:13:39Oh, my God.
00:13:40Oh, my God.
00:13:41Oh, my God.
00:13:42Oh, my God.
00:13:43Oh, my God.
00:13:44Oh, my God.
00:13:45Oh, my God.
00:13:46Oh, my God.
00:13:47Oh, my God.
00:13:48Oh, my God.
00:13:49Oh, my God.
00:13:50Oh, my God.
00:13:51Oh, my God.
00:13:52Oh, my God.
00:13:53Oh, my God.
00:13:54Oh, my God.
00:13:55Oh, my God.
00:13:56Oh, my God.
00:13:57Oh, my God.
00:13:58Oh, my God.
00:13:59Oh, my God.
00:14:00Oh, my God.
00:14:01Oh, my God.
00:14:02Oh, my God.
00:14:03Oh, my God.
00:14:04Oh, my God.
00:14:05Oh, my God.
00:14:06Oh, my God.
00:14:07Oh, my God.
00:14:08Oh, my God.
00:14:09Oh, my God.
00:14:10Oh, my God.
00:14:11Oh, my God.
00:14:12Oh, my God.
00:14:13Oh, my God.
00:14:14Oh, my God.
00:14:15Oh, my God.
00:14:16Oh, my God.
00:14:17Oh, my God.
00:14:18Oh, my God.
00:14:19Oh, my God.
00:14:20Oh, my God.
00:14:21Oh, my God.
00:14:22Oh, my God.
00:14:23Oh, my God.
00:14:24Oh, my God.
00:14:25Oh, my God.
00:14:26Oh, my God.
00:14:27Oh, my God.
00:14:28Oh, my God.
00:14:29Oh, my God.
00:14:30Oh, my God.
00:14:31Oh, my God.
00:14:32Oh, my God.
00:14:33Oh, my God.
00:14:34Oh, my God.
00:14:35Oh, my God.
00:14:36Oh, my God.
00:14:37Oh, my God.
00:14:38Oh, my God.
00:14:39Oh, my God.
00:14:40Oh, my God.
00:14:41Oh, my God.
00:14:42Oh, my God.
00:14:43Oh, my God.
00:14:44Oh, my God.
00:14:45Oh, my God.
00:14:46Oh, my God.
00:14:47Oh, my God.
00:14:48Oh, my God.
00:14:49Oh, my God.
00:14:50Oh, my God.
00:14:51Oh, my God.
00:14:52Oh, my God.
00:14:53Oh, my God.
00:14:54Oh, my God.
00:14:55Oh, my God.
00:14:56Oh, my God.
00:14:57Oh, my God.
00:14:58Oh, my God.
00:14:59Oh, my God.
00:15:00Oh, my God.
00:15:01Oh, my God.
00:15:02Oh, my God.
00:15:03Oh, my God.
00:15:04Oh, my God.
00:15:05Oh, my God.
00:15:06Oh, my God.
00:15:07Oh, my God.
00:15:08Oh, my God.
00:15:09Oh, my God.
00:15:10Oh, my God.
00:15:11Oh, my God.
00:15:12Oh, my God.
00:15:13Oh, my God.
00:15:14Oh, my God.
00:15:15Oh, my God.
00:15:16Oh, my God.
00:15:17Oh, my God.
00:15:18Oh, my God.
00:15:19Oh, my God.
00:15:20Oh, my God.
00:15:21Oh, my God.
00:15:22Oh, my God.
00:15:23Oh, my God.
00:15:24Oh, my God.
00:15:25Oh, my God.
00:15:26Oh, my God.
00:15:27Oh, my God.
00:15:28Oh, my God.
00:15:29Oh, my God.
00:15:30Oh, my God.
00:15:31Oh, my God.
00:15:32Oh, my God.
00:15:33Oh, my God.
00:15:34Oh, my God.
00:15:35Oh, my God.
00:15:36Oh, my God.
00:15:37Oh, my God.
00:15:38Oh, my God.
00:16:04Hold it, there is something down there.
00:16:05There's two in the photograph.
00:16:32Father Roach was right.
00:16:34We'd better get out of here.
00:16:43Those who enter the forbidden chamber of the Minotaur must die.
00:17:03Will there be anything else?
00:17:16No, thank you.
00:17:24What a beautiful baby.
00:17:26He's quite a character.
00:17:34Good morning.
00:17:35What can I do for you?
00:17:37I'd like half a dozen eggs, half a pound of bacon, and a loaf of bread.
00:17:43Papa.
00:18:03Allow me.
00:18:29Is this yours?
00:18:32Max, will you put these things in the young lady's car, please?
00:18:37Are you here on holiday?
00:18:39Well, sort of a working holiday.
00:18:42My friends and I are interested in archaeology.
00:18:45We've pitched a couple of tents near the temple, by the old castle.
00:18:49My castle?
00:18:51I am Baron Corifex.
00:18:54You are on my land.
00:18:57Oh, gee.
00:18:58But don't worry.
00:18:59If you're genuinely interested, this is one of the oldest pagan sites in the country.
00:19:05Are you a real baron?
00:19:07For my sins.
00:19:09It's an ancient title in my own land, which is Carpathia.
00:19:12Now I live here.
00:19:14If I can be of any help to you and your friends, don't hesitate to call on me.
00:19:20Goodbye.
00:19:21Oh, my package.
00:19:23Forgive me.
00:19:24Goodbye.
00:19:25Bye.
00:19:29Goodbye.
00:19:59Tom?
00:20:06Tom?
00:20:20Tom?
00:20:21Ian?
00:20:25Tom?
00:20:26Ian?
00:20:29Where are you?
00:20:35I found this young lady wandering in the ground, sir.
00:20:38She's looking for her friends.
00:20:50I know you're worried, but there's no reason to be.
00:20:53Your friends can't be far away.
00:20:55I don't know.
00:20:56I'm afraid.
00:20:57My dear child, they're perfectly safe, and so are you.
00:21:00All you need is a good night's rest.
00:21:03You can stay at the inn.
00:21:05My chauffeur will drive you there.
00:21:07Thank you very much, but I'd rather walk.
00:21:10It might help to calm me down.
00:21:12As you wish.
00:21:14Good night, Baron.
00:21:16Good night.
00:22:10Taxi!
00:22:37Are you sure there's nothing else in the letter?
00:22:40No, it's just as I told you.
00:22:42He told me he was camping at an ancient site and that he'd meet me at the airport.
00:22:46And he wrote me about you.
00:22:48That's why I came here.
00:22:50There.
00:23:17Hello?
00:23:37Just a minute.
00:23:38It's for you.
00:23:39Long distance.
00:23:43Hello?
00:23:45Who?
00:23:47Hello, Father!
00:23:48How are you?
00:23:50What do you mean?
00:23:52I can't just...
00:23:55Really?
00:23:56When?
00:23:59Look, Father, I do believe you, but...
00:24:03All right, calm.
00:24:04Calm down.
00:24:05Calm down.
00:24:07I'll be there as soon as I can.
00:24:32That's gratitude.
00:24:33I'd break my neck to get over here, and what do I get?
00:24:37Nag, nag, nag!
00:24:38Keep your hands on the wheel!
00:24:39Okay.
00:24:41If you cross the Atlantic Ocean just to get us killed in a car smash, you might as well have stayed in New York.
00:24:47What?
00:24:48And miss all the scenery?
00:24:50Keep your hands on the wheel!
00:24:51Okay.
00:24:53Just look at the speedometer, Laurie.
00:24:55I'd have taken the boss if I'd known he was such a speed demon.
00:24:59There you go again.
00:25:00Demons and devils.
00:25:03How are we doing?
00:25:04We're nearly there.
00:25:07You've got to remember, I'm just a simple private detective.
00:25:12I deal in facts, and all you're giving me is demons and devils.
00:25:16Don't drive so fast!
00:25:18If you're afraid to meet your maker, we're all in a lot of trouble.
00:25:21I'm not afraid to meet my maker.
00:25:23I just don't want to meet him today.
00:25:36Looks as though the devil's got another one.
00:25:50Ah!
00:25:52Ah!
00:25:54Ah!
00:26:15Excuse me.
00:26:21Who's the funeral for?
00:26:22The innkeeper.
00:26:24He had a heart attack.
00:26:27My God.
00:26:29Have some respect, will you?
00:26:44What a strange child.
00:26:47I didn't notice.
00:26:56Let's go to the police now and see if they know anything.
00:26:59Hey, what about me?
00:27:01Don't worry, we won't be long.
00:27:03Keep your eyes open for some more funerals.
00:27:25Excuse me, who's in charge?
00:27:27Can I speak to you for a moment, please?
00:27:29Sure.
00:27:30Can I help you?
00:27:31Oh, excuse me, I'm Father Rauch.
00:27:34We have talked together on the telephone.
00:27:36Oh, yes, I remember.
00:27:37You said some kids had disappeared.
00:27:39Yes, that's right, Sergeant...
00:27:41Ventress.
00:27:43Sergeant Ventress.
00:27:44This is Mr. Kay.
00:27:46How do you do?
00:27:47Mr. Kay lived here at one time.
00:27:50Come into my office.
00:28:02I told you.
00:28:04How did they disappear?
00:28:06Who said they disappeared?
00:28:08I said they were here, and then they must have left.
00:28:11This is the third disappearance in a row.
00:28:15And this time there were three of them.
00:28:17What do you want me to do?
00:28:19Well, maybe you can start by telling us where we can find a place to stay.
00:28:22Well, I don't know.
00:28:24Usually you can stay at the inn, but the owner has just died.
00:28:28Why don't you wait here and I'll see what I can do.
00:28:33I'll be right back.
00:28:35Excuse me.
00:28:41You see, he doesn't admit a thing.
00:28:45Wait a minute.
00:28:47Our friend Ventress may be a little shifty-eyed, but that doesn't make him a demon.
00:29:14I've got to talk to you.
00:29:16What's the trouble?
00:29:17There's something terrible going on here.
00:29:19Do you know something about these kids who've disappeared?
00:29:23I can't talk now.
00:29:25Come to my house.
00:29:26I'll tell you everything then.
00:29:27Not here.
00:29:28Hey, hold on.
00:29:29Wait a minute.
00:29:35Well, it's all set.
00:29:38The widow is in no state to do anything.
00:29:40So our grocer, Mr. Calaperis, said he'd do what he can for you at the inn.
00:29:44Get the maid to make up the beds.
00:29:51Mrs. Michaelis told me she wants you to make yourselves at home here.
00:29:55Oh, thank you.
00:29:56My daughter is getting your rooms ready for you.
00:30:02Oh, she's here.
00:30:13Come with me, please.
00:30:44Come in.
00:31:13Is this all in here?
00:31:14Oh, yes.
00:31:15Very.
00:31:20Everything required for the well-equipped devil hunter, eh?
00:31:34Very nice work.
00:31:36Beth's father made it for me years ago.
00:31:42And holy water, too.
00:31:45I've never had such a well-armed assistant.
00:32:07I'm going to see that woman.
00:32:09No.
00:32:11No, you're not going tonight.
00:32:13Why?
00:32:15Because I make the decisions.
00:32:18Please, trust me.
00:32:48What happened?
00:32:55Even I can't tell you that until she comes around.
00:33:48Tom said in his letter they were trying to find the ancient tombs.
00:33:59I should never have told them the thing existed.
00:34:05Hey, father.
00:34:07Is that it?
00:34:08Over there?
00:34:10It's over there.
00:34:25Oh.
00:34:45Oh.
00:35:05Oh.
00:35:25Look out!
00:35:45But that's not the devil's work.
00:36:03Look.
00:36:04The devil has many faces.
00:36:07And many helpers, too.
00:36:08Come on, let's get out of here.
00:36:10It's all right.
00:36:11There's no one here now.
00:36:13There is someone here.
00:36:15I can feel him all around me.
00:36:18But I'll come with you.
00:36:19We must go and see the Baroness.
00:36:20Let's go.
00:36:21Or that woman.
00:36:22I'm sure she knows something.
00:36:52I'm dirty.
00:36:53I think I'll take a bath.
00:36:54All right.
00:36:55We'll wait for you downstairs.
00:36:56Okay.
00:37:03Father.
00:37:04Father, please come here.
00:37:05What is it?
00:37:15Wait.
00:37:22Where are you heading?
00:37:24To see you.
00:37:25We were down at the castle.
00:37:26We came back to ask you a question.
00:37:29Oh.
00:37:30Never mind about that right now.
00:37:32The Baron said he'd like a word with you.
00:37:34He's not the only one.
00:37:36He invited you up to the castle.
00:37:38What happens if we refuse?
00:37:47Do get in, please.
00:37:51Get in.
00:37:53Please.
00:37:57What about Laurie?
00:37:58I think we'd better leave her here.
00:38:03I hope he's a better driver than you are.
00:38:32Have you seen my friends?
00:38:46The Baron's chauffeur came and picked them up.
00:38:49Oh.
00:38:50Why didn't they wait for me then?
00:38:52Wasn't I invited too?
00:38:53They'll be right back.
00:38:55Sit down.
00:38:56I'll buy you a drink.
00:38:58No, thanks.
00:38:59I'd rather take a walk.
00:39:00As you wish.
00:39:01This way.
00:39:11It, uh...
00:39:12It was very kind of you to invite us.
00:39:16Purely selfish, I'm afraid.
00:39:19I have little in common with the local people.
00:39:22Please, make yourselves comfortable.
00:39:28If you have nothing in common with the local people,
00:39:31why can't you return to your own country?
00:39:33Alas, I'm in exile.
00:39:35You being an American will find that hard to understand.
00:39:39Being an American, I understand it okay.
00:39:51Oh, excuse me.
00:39:52Mrs. McCallis is staying with me for a few days.
00:40:06I was sorry to hear about your husband.
00:40:09Please accept my condolences.
00:40:11Mine too.
00:40:14Hi there.
00:40:18A fine child.
00:40:29What an odd toy.
00:40:31Odd?
00:40:32Yeah.
00:40:36It's old, but not odd.
00:40:39That is the Labrys.
00:40:41I know.
00:40:44How old is this?
00:40:47Perhaps 4,000 years?
00:40:52It's, uh...
00:40:54It's the ancient symbol of the Minoan priesthood.
00:40:59What a strange toy to give to a child.
00:41:02I didn't want to say too much, but it's also a symbol...
00:41:07A symbol of human sacrifice.
00:41:09Can't you let up for a minute?
00:41:11It was only a toy.
00:41:13Let's go and see that woman.
00:41:14Maybe then we can find some facts.
00:42:14It's Laurie.
00:42:37Laurie!
00:42:41Laurie!
00:42:47Laurie!
00:42:49Laurie!
00:42:55Help!
00:43:00What's the matter?
00:43:01They got me! They got me!
00:43:02They got me! They got me!
00:43:03The demons!
00:43:04What demons?
00:43:05There's nothing to see.
00:43:06They were there, I tell you. I saw them.
00:43:08Whatever it is, it's gone now.
00:43:23What the devil?
00:43:29No lights?
00:43:38Is there anyone here?
00:43:41Where is everybody?
00:44:11I don't know.
00:44:40Oh.
00:44:46Thank God it's you.
00:44:48Who did you think it was? Old Nick?
00:44:50The whole village is deserted.
00:44:53What do you mean?
00:44:55I mean just exactly what I say.
00:44:59Why don't you turn the lights on?
00:45:01Because there aren't any lights.
00:45:03I told you. They've been here.
00:45:05They've turned the lights off.
00:45:06Laurie! Stop it!
00:45:08Stop!
00:45:11Calm down! Calm down!
00:45:17It's all right, Laurie. It's all right.
00:45:22Come on, Laurie. Come on.
00:45:26You need to lie down.
00:45:55You need to lie down.
00:46:24When you're finished, come downstairs.
00:46:34I'm going to have a drink.
00:46:37Are you all right now?
00:46:38I'm scared, Father. Please stay with me.
00:46:41Do you want to come back downstairs with us?
00:46:43No.
00:46:44I'm tired of being treated like a child.
00:46:47Milo doesn't believe me.
00:46:50But there was something chasing me in the woods.
00:46:52I couldn't see them clearly, but they were like...
00:46:55They were like some human fiend.
00:46:58I believe you.
00:46:59I'm worried. What's happened with Tom?
00:47:02I think he...
00:47:04I think he's been held...
00:47:07Captive.
00:47:09Captive?
00:47:11By Satan.
00:47:13Mephistopheles.
00:47:15Lucifer.
00:47:17These are just three words for the same thing.
00:47:20A phenomenon that's older than mankind.
00:47:23A power without a face.
00:47:26A force that can make people do whatever it wants them to do.
00:47:31The devil, yes.
00:47:33Yes, Laurie.
00:47:35The devil.
00:47:37I believe the devil has taken possession of this village.
00:47:41I don't want to insult you, Father.
00:47:43I'm not religious. I don't believe...
00:47:45You young people are all the same.
00:47:49You live entirely on the surface.
00:47:52You don't understand the frailty of mankind.
00:47:54Oh, don't get angry with me.
00:47:57I am telling you the truth.
00:48:01I am telling you the truth.
00:48:06Now, do you want to come downstairs and have a drink with us?
00:48:10No, I think I'll have a rest.
00:48:14But if you hear me calling, you'll come quickly?
00:48:21Father?
00:48:27The devil has many faces.
00:48:32You better...
00:48:34You better lock your door.
00:48:44THE DEVIL HAS MANY FACES
00:48:49THE DEVIL HAS MANY FACES
00:49:11Well, did you spell out your theories on the new look in old religions?
00:49:17Did she buy it?
00:49:23Score one for her.
00:49:25I guess she's not so dumb after all.
00:49:30Well, you're probably right about one thing.
00:49:34Those kids are being held prisoner somewhere.
00:49:37And where the devil did the whole village disappear to?
00:49:40You've answered your own question.
00:49:43To the devil.
00:50:14What do you want?
00:50:16Why are you torturing us?
00:50:26Only one thing can save you now.
00:50:30Father Rosh must die.
00:50:34He has entered the life of a demon.
00:50:43THE DEVIL HAS MANY FACES
00:50:48THE DEVIL HAS MANY FACES
00:51:06No!
00:51:08What's the matter?
00:51:10He wants Father Rosh. He wants me to murder him.
00:51:41THE DEVIL HAS MANY FACES
00:51:46What's the matter?
00:51:47Come here! Come and look!
00:51:51What is it this time?
00:52:00Where are they?
00:52:11They've gone.
00:52:13They've gone, eh? Maybe you just can't hold your liquor.
00:52:17There's nothing wrong with my capacity.
00:52:20I tell you, I saw something out here.
00:52:23Well, I didn't.
00:52:41You might be right.
00:53:05What's the matter?
00:53:07We're out of gas.
00:53:09That's funny. I filled the tank this morning.
00:53:11Never mind. Let's get after them.
00:53:13They're headed towards the woods.
00:53:34You lousy son of a bitch!
00:53:37Are you okay?
00:53:39Yes, I... I think so, but...
00:53:42Did you have to push me so hard?
00:53:44Sorry.
00:53:46I should have... I should have hit you.
00:54:06THE DEVIL HAS MANY FACES
00:54:36THE DEVIL HAS MANY FACES
00:55:06THE DEVIL HAS MANY FACES
00:55:11THE DEVIL HAS MANY FACES
00:55:16The old customs remain,
00:55:19and the ancient gods live on.
00:55:24THE DEVIL HAS MANY FACES
00:55:27THE DEVIL HAS MANY FACES
00:55:30THE DEVIL HAS MANY FACES
00:55:33The ancient gods live on.
00:55:36The old customs remain,
00:55:39and the ancient gods live on.
00:56:03THE DEVIL HAS MANY FACES
00:56:08THE DEVIL HAS MANY FACES
00:56:13THE DEVIL HAS MANY FACES
00:56:18THE DEVIL HAS MANY FACES
00:56:23THE DEVIL HAS MANY FACES
00:56:28THE DEVIL HAS MANY FACES
00:56:33THE DEVIL HAS MANY FACES
00:56:37Milo.
00:56:40It's their car.
00:56:42They must be holding them somewhere near here.
00:56:44Milo!
00:56:46It's their car!
00:56:47Whose car?
00:56:48The children, Bethany and...
00:56:59THE DEVIL HAS MANY FACES
00:57:02THE DEVIL HAS MANY FACES
00:57:05THE DEVIL HAS MANY FACES
00:57:08THE DEVIL HAS MANY FACES
00:57:11The old sacrifice remains,
00:57:14and the ancient gods live on.
00:57:17THE DEVIL HAS MANY FACES
00:57:20THE DEVIL HAS MANY FACES
00:57:22Come on, quickly, I tell you!
00:57:24THE DEVIL HAS MANY FACES
00:57:28THE DEVIL HAS MANY FACES
00:57:41THE DEVIL HAS MANY FACES
00:57:58THE DEVIL HAS MANY FACES
00:58:01Milo!
00:58:02Come on, quickly, I tell you!
00:58:04THE DEVIL HAS MANY FACES
00:58:07THE DEVIL HAS MANY FACES
00:58:10THE DEVIL HAS MANY FACES
00:58:13THE DEVIL HAS MANY FACES
00:58:19Come on!
00:58:27THE DEVIL HAS MANY FACES
00:58:58THE DEVIL HAS MANY FACES
00:59:18Come on!
00:59:27I don't know what you're talking about.
00:59:29I don't know what you're talking about.
00:59:30I don't know what you're talking about.
00:59:31I don't know what you're talking about.
00:59:32I don't know what you're talking about.
00:59:33I don't know what you're talking about.
00:59:34I don't know what you're talking about.
00:59:35I don't know what you're talking about.
00:59:36I don't know what you're talking about.
00:59:37I don't know what you're talking about.
00:59:38I don't know what you're talking about.
00:59:39I don't know what you're talking about.
00:59:40I don't know what you're talking about.
00:59:41I don't know what you're talking about.
00:59:42I don't know what you're talking about.
00:59:43I don't know what you're talking about.
00:59:44I don't know what you're talking about.
00:59:45I don't know what you're talking about.
00:59:46I don't know what you're talking about.
01:00:10Is he still alive?
01:00:11Yes, he was on the edge of death.
01:00:15It takes more than the force of an automobile to destroy them.
01:00:45It takes more than the force of an automobile to destroy them.
01:01:15Are these really the same people?
01:01:35Yes, I'm afraid so. They are the same people.
01:01:40Everything looks so normal.
01:02:10Good morning.
01:02:39Good morning.
01:02:45The power is back.
01:02:46What do you mean?
01:02:49Is the young lady awake yet?
01:02:50Yeah, what young lady?
01:03:09Her clothes are all gone.
01:03:11Where the hell is she?
01:03:25What are you doing in here?
01:03:27You frightened me.
01:03:36I'm sorry. It was an accident.
01:04:01Good morning.
01:04:10Where is she, Ventress?
01:04:11Isn't she with you?
01:04:21What have you done with her?
01:04:23Look what you're talking about.
01:04:43Where is she?
01:04:44Talk! Talk, damn you!
01:04:46What's going on?
01:04:50The girl's missing. Where is she?
01:04:52If she is missing, assaulting the police is not the best way to find her.
01:04:57All right, then. You tell me.
01:05:01Stay where you are.
01:05:04I don't think we have any need of a shotgun, Baron Corifax.
01:05:08Someone has to keep law and order.
01:05:12You realize that assaulting a police officer is a very serious offense.
01:05:17I'm going to prefer charges.
01:05:18Shut up. I'm not finished with you yet.
01:05:21Mrs. McAuliffe, these gentlemen say they came here with a girl.
01:05:26Do you know where she is?
01:05:28A girl? I don't know.
01:05:31I didn't see any girl when I opened up.
01:05:34Perhaps she decided to leave on her own.
01:05:37Where was your car last night, Baron?
01:05:39At my house.
01:05:40You're a liar.
01:05:42How dare you speak to me like that?
01:05:44I could cut you in half with this, and everyone would swear it was self-defense.
01:05:49Except me.
01:05:52You have one minute to get out of here.
01:05:55Both of you.
01:05:57Not without Miss Gordon.
01:06:08Fifty seconds.
01:06:11Well, we have to pack.
01:06:16Forty.
01:06:41Come along.
01:06:43Come on.
01:06:44This isn't the last time we'll meet, Baron Corifax.
01:07:11Why are we stopping?
01:07:19Do you think you're going to get anywhere with bullets?
01:07:22Why not?
01:07:24The Baron didn't look bulletproof to me.
01:07:26You still can't face it, can you?
01:07:30Milo, we are up against a force that no traditional weapon has the power to destroy.
01:07:38So we're not even going to try and fight it, right?
01:07:41We just forget about Ian and Beth.
01:07:43And what about Laurie?
01:07:45What do we do, just walk out?
01:07:47Leave her to those fiends?
01:07:49Oh no, we're coming back.
01:07:51Listen to me, Milo.
01:07:53There is one force that has the power to stop them.
01:07:57Otherwise, they would have ruled the entire world from the beginning.
01:08:03Yeah, well.
01:08:06I could be scared if I thought about it.
01:08:09That makes you human like the rest of us.
01:08:12Oh yes, yes.
01:08:14We'll go back.
01:08:16We'll go back with the sort of weapons we need to fight them.
01:08:37Sound of wind.
01:08:40Sound of wind.
01:08:43Sound of wind.
01:08:46Sound of wind.
01:08:49Sound of wind.
01:08:52Sound of wind.
01:08:55Sound of wind.
01:08:58Sound of wind.
01:09:01Sound of wind.
01:09:04Sound of wind.
01:09:07Sound of wind.
01:09:10Sound of wind.
01:09:13Sound of wind.
01:09:16Sound of wind.
01:09:19Sound of wind.
01:09:22Sound of wind.
01:09:25Sound of wind.
01:09:28Sound of wind.
01:09:31Sound of wind.
01:09:34Sound of wind.
01:09:37Sound of wind.
01:09:40Sound of wind.
01:09:43Sound of wind.
01:09:46Sound of wind.
01:09:49Sound of wind.
01:09:52Sound of wind.
01:09:55Sound of wind.
01:09:58Hear my forbidden chamber.
01:10:01Must die.
01:10:04Kill the priest.
01:10:11I hear you, O lord.
01:10:14Sound of wind.
01:10:16Sound of wind.
01:10:19Sound of wind.
01:10:22Sound of wind.
01:10:25Your will be done, O Lord.
01:10:51To drive afar all power in the end, by the living God, by the true God, by the holy God.
01:10:59Amen.
01:11:16Good. That's good. Now we're ready.
01:11:21Just in case.
01:11:24You're still a non-believer.
01:11:26You could say that. I'm still thinking about that.
01:11:56Don't you go any faster. We must be there by moonrise.
01:12:11What's gotten into you all of a sudden? I thought speed scared you.
01:12:14This time God is with us. I hope you're right, because the way I'm driving,
01:12:18we're going to need him. No sign of anything happening up there.
01:12:44What time is the moonrise? It won't be long.
01:13:02The exact moment that the moonlight falls on the Minot Tower, the ceremony begins.
01:13:08And this time, it's Tom and Laurie that are to be killed.
01:13:13Why didn't they kill Tom yesterday? Because the Minot Tower commands that a couple
01:13:19be sacrificed. We've got to stop them.
01:13:32I'll turn them back. You act as if you haven't understood a word
01:13:36I said. We pray thee, almighty God, confound the
01:13:46haughtiness of our foe. Crush with thy mighty arm his insolence, that
01:13:53you may humble the enemies of your holy church. Amen.
01:14:48We come to thee, Lord. We come to thee, Lord.
01:15:18We come to thee, Lord. We come to thee, Lord.
01:15:46We come to thee, Lord. The sacrifice begins when the moon shines through
01:16:04that window. I'm going to climb up there and block it.
01:16:28I'll go to the window. You go down the other way.
01:16:58The old customs remain. The old customs remain. Amen.
01:17:28The old customs remain. The old customs remain.
01:17:56The old customs remain. The old customs remain.
01:18:25Stop! Stop! Stop it! Stop or I'll shoot! Stop!
01:18:53Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot!
01:19:21Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot!
01:19:49Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or
01:20:17I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot!
01:20:47Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot!
01:21:12Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot! Stop or I'll shoot
01:21:42Stop or I'll shoot!
01:22:12Stop or I'll shoot!
01:22:14Stop or I'll shoot!
01:22:16Stop or I'll shoot!
01:22:18Stop or I'll shoot!
01:22:20Stop or I'll shoot!
01:22:22Stop or I'll shoot!
01:22:24Stop or I'll shoot!
01:22:26Stop or I'll shoot!
01:22:28Stop or I'll shoot!
01:22:30Stop or I'll shoot!
01:22:32Stop or I'll shoot!
01:22:34Stop or I'll shoot!
01:22:36Stop or I'll shoot!
01:22:38Stop or I'll shoot!
01:22:40I'll pray for you.
01:22:43Milo!
01:22:44When you need me.
01:23:10How did the children survive?
01:23:12I don't know.
01:23:14I don't know.
01:23:16I don't know.
01:23:18I don't know.
01:23:20I don't know.
01:23:22I don't know.
01:23:24I don't know.
01:23:26I don't know.
01:23:28I don't know.
01:23:30I don't know.
01:23:32I don't know.
01:23:34I don't know.
01:23:36I don't know.
01:23:38How did the children survive?
01:23:40They're young.
01:23:42Their souls are incorruptible.
01:23:44In their purity and innocence
01:23:46lies the hope of the future.
01:23:48But the fight against the devil
01:23:50goes on.
01:23:52And one day, Milo,
01:23:54who knows, maybe I'll need
01:23:56your help again
01:23:58to rid the world of evil.
01:24:08THE END
01:24:10THE END
01:24:12THE END
01:24:14THE END
01:24:16THE END
01:24:18THE END
01:24:20THE END
01:24:22THE END
01:24:24THE END
01:24:26THE END
01:24:28THE END
01:24:30THE END
01:24:32THE END
01:24:34THE END
01:24:36THE END
01:24:38THE END
01:24:40THE END
01:24:42THE END
01:24:44THE END
01:24:46THE END
01:24:48THE END
01:24:50THE END
01:24:52THE END
01:24:54THE END
01:24:56THE END
01:24:58THE END
01:25:00THE END
01:25:02THE END
01:25:04THE END
01:25:06THE END
01:25:08THE END
01:25:10THE END
01:25:12THE END
01:25:14THE END
01:25:16THE END
01:25:18THE END
01:25:20THE END
01:25:22THE END
01:25:24THE END
01:25:26THE END
01:25:28THE END
01:25:30THE END
01:25:32THE END