The New Yorker
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Roger J. Carter: Rebel Revolutionary
10 months ago
Proof of Concept: Richard Kind on Making a Short Film about Making a Short Film
11 months ago
Friday Night Blind: Bowling Without Sight
11 months ago
How Ava DuVernay Restages History in “Origin”
11 months ago
The Barber of Little Rock: One Man’s Fight to Close the Racial Wealth Gap
11 months ago
Amanda Petrusich’s Best Albums of 2023
last year
Richard Brody’s Best Movies of 2023
last year
Echo: A Pioneer of Echolocation for the Blind
last year
Richard Brody's Best Films of 2023
last year
Carpenter: A Landmine Survivor’s Resilience
last year
Swimming Through: The Euphoria of Cold-Water Immersion
last year
Direcciones: Navigating a City Without Street Addresses
last year
Deciding Vote: A Courageous Assemblyman’s Stand for Reproductive Rights
last year
Parker: One Black Family’s Quest to Reclaim Their Name
last year
Nina & Irena: A Holocaust Survivor Breaks Eighty Years of Silence
last year
The Night Doctrine: The Lives Lost to a U.S. Strategy in Afghanistan
last year
A Blind Child’s Endless Imagination: The Unicorn in Snowpants Suddenly Ran Off
last year
The Final Work of an Israeli Filmmaker Killed by Hamas, in “The Boy.”
last year
Alpha Kings: Gen Z and the World of Financial Domination
last year
Nauha: A Caretaker’s Saintly Patience
last year
Squid Fleet: The Brutal Lives of China’s Industrial Fishermen
last year
Goldie: The Life of a Nursing-Home Rock Star
last year
Troy: A Couple Obsessed with the Sex Worker Next Door
last year
Encarnación: Finding Joy in the Face of Dementia
last year
Liturgy of Anti-Tank Obstacles: When Artists Prepare for War
last year
Swift Justice: A Taliban Courtroom in Session
last year
Can We Decipher a Whale’s First Sounds?
last year
What a Mammal’s Loss Teaches Us About Mortality: Requiem for a Whale
last year
Your Body vs. Extreme Heat
last year
Margie Soudek’s Salt and Pepper Shakers: Bonding Over Grandma’s Quirky Collection
last year