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Crime TV Show USA
  • 2 days ago
9-1-1 Season 8 Episode 2

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Transcript
00:00I wonder where I get that from.
00:04Alright, come on, buddy.
00:06Eyes on where we're going.
00:07I think we're in...
00:10Welcome aboard, son.
00:14Skytrain A-80, wide-body twinjet aircraft.
00:17Same fuselage and wing components as the A-90 variants.
00:21Yeah, that's right.
00:22Oh, gem flights, please.
00:24I can see that.
00:25Have a great flight.
00:26You too.
00:30She's a great companion.
00:32And we are off to meet our new grandchild.
00:36Our fifth.
00:37Beautiful girl.
00:38He is.
00:40Yeah.
00:42This is Renee.
00:42How full are we?
00:43We pick up a few dozen more in L.A.
00:46Let's close her up, then.
00:47Copy that.
00:51Wait, wait!
00:53Welcome aboard.
00:54And Alona.
00:56We're not going to Hawaii.
00:57You're getting those in L.A.
00:58Well, still.
01:00You just made it.
01:01Must be a lucky day.
01:04Okay.
01:05I'm right there.
01:07You got the window?
01:10Um, I really don't fly well.
01:13I don't like looking down from 40,000 feet.
01:17Then don't look down.
01:19He's coming too.
01:19Cap?
01:20Cap?
01:20He's still with us?
01:21You're okay, Cap.
01:27Try not to get up.
01:28Try not to get up, all right?
01:29Get a close shape from a ranger this big.
01:31That's normal.
01:34Why are people still sluggish?
01:35Possible concussion.
01:36Let's get him to the ER.
01:39He's going to kill me.
01:40No, no.
01:40He's going to fire me, and then he's going to kill me.
01:43Why?
01:44He saved his life.
01:45Is that what he did?
01:47Honestly, I don't really know, because I just wanted to hit the guy.
01:52You were...
01:53I could try to book that out for you.
01:55I think we're good.
01:56Let's go.
01:57Let's go.
01:58Bye.
01:59Stop.
02:02We're good.
02:03I got it.
02:04Not to worry, Cap.
02:05They're taking you to the hospital just to run some routine tests.
02:07There are four-inch holes.
02:08Copy that.
02:09All right.
02:09Let's get him in.
02:20So I guess that makes you the acting captain.
02:23Any orders, Cap?
02:25All right.
02:26As acting captain, while Gerard has incapacitated, my first order of business is a dance party.
02:40Next time, a bus stop comes gunning for me.
02:43I hope you're close by.
02:44I hope you're close by.
02:45Do I hit him?
02:55I hope you're close by.
02:56David Washington died living his purpose.
02:59Protecting and serving.
03:01Taking care of his community.
03:03And that's what he would want us to do.
03:05To take care of each other at this terrible time.
03:07To say a few words of remembrance is Athena Carter, Emmett's fiancée.
03:24For Emmett, being a police officer wasn't just a job.
03:29It was a calling.
03:34Every day of his life was given to that calling.
03:38Emmett was the one who inspired me to become a police officer.
03:42And for that,
03:44I am forever grateful.
03:49Grateful that Emmett came into my life.
03:51Grateful for his love and commitment.
03:59Not just to me, but to the city of Los Angeles and to this department.
04:06The best thing we can do to honor him is continue the work.
04:12I will always honor Emmett.
04:15And I will always love him.
04:27All units clear the air for priority traffic.
04:33Dispatch calling 237.
04:37Officer Washington.
04:40This is the final call for 237.
04:45Officer Emmett Washington.
04:50Officer Washington.
04:52It's 10-7.
04:54Thank you for your dedication, service, and loyalty.
04:59You can rest easy.
05:02We have the watch from here.
05:08I've been thinking about it.
05:11I'm not going to take the deal.
05:14What?
05:15I'm not taking that early release deal.
05:21You make me drag my ass all the way to Arizona.
05:25And now you've decided that you're not going to cooperate.
05:28I'm going to cooperate.
05:30I'm just...
05:31I'm not going to take the deal.
05:33Not unless I have your blessing.
05:36I don't even know what to say to that.
05:39You don't have to say anything.
05:40I don't even know what to say to that.
05:40You don't have to say anything.
05:45Why don't you tell me my men in suits are trying to kill you?
05:52You know who Maxwell Fulton is?
06:01Beverly Hills money manager and great A pedo.
06:04Well, as of a few months ago, I had never even heard of the guy.
06:10The U.S. Attorney's Office came to me with an offer.
06:14Switch prisons, cozy up to the guy, and see if he would confide in me.
06:18As per what we discussed, his name is Maxwell Fulton.
06:21We're looking for names of people he's protecting and people who are protecting him.
06:24But getting to know Maxwell was easy enough.
06:28Because everybody else in the prison had shown the dude because he was a child molester.
06:34I was the only one who stood low enough to speak to him.
06:38Delightful.
06:39Yeah, okay.
06:39Well, anyway, eventually, Maxwell and I were like this.
06:44And it made me sick to my stomach.
06:46A lot.
06:47Did he name names?
06:48Not at first.
06:49And then after he got shivved, he opened up a little bit.
06:54Brotherhood tried to whack him.
06:58And he did a pretty good job, too, except Maxwell survived.
07:02Help!
07:03Six weeks in there from a room.
07:05Wake up.
07:06Wake up.
07:06When he came back to me, he was an open book.
07:09I have to tell you something.
07:11Something that nobody else knows.
07:12And please come at me again.
07:15Where are my libraries?
07:15Everyone I ever filmed, everyone I set a girl up with, I put it in one place.
07:23Maxwell said there were people on the outside who would and could do anything to get their
07:28hands on what he called his library.
07:30So he don't shoot where he put it all?
07:33Huh?
07:33If I tell you, then the target's on your back.
07:36Okay.
07:46You sit tight.
07:47I'm going to talk to the captain.
07:49Make sure LAPT is at the gate for us.
07:53Ma'am, we just begin our descent.
07:55If you could retake your seat.
07:56You need to speak to the pilot.
07:58It's urgent.
07:59I can't let you in there.
08:00The phone is fine.
08:05Sacklist complete?
08:05Continue descent.
08:07I'm 10-1.
08:10This is Captain Dominguez.
08:11Captain, there is a police surgeon here who'd like to speak to you.
08:14All right.
08:15I was coming in anyway.
08:16Let's turn 30 degrees in the center.
08:19No LAPT!
08:20Pulling up!
08:20No LAPT!
08:21No LAPT!
08:21No LAPT!
08:21No LAPT!
08:22No LAPT!
08:22No LAPT!
08:23No LAPT!
08:23No LAPT!
08:24No LAPT!
08:24No LAPT!
08:25No LAPT!
08:25No LAPT!
08:26No LAPT!
08:26No LAPT!
08:26No LAPT!
08:27No LAPT!
08:27No LAPT!
08:28No LAPT!
08:28No LAPT!
08:29No LAPT!
08:29No LAPT!
08:30No LAPT!
08:30No LAPT!
08:31No LAPT!
08:31No LAPT!
08:32No LAPT!
08:32No LAPT!
08:33No LAPT!
08:33No LAPT!
08:34No LAPT!
08:34No LAPT!
08:35Oh, my God.
09:05Oh, my God.
09:35Oh, my God.
10:05Oh, my God.
10:35Oh, my God.
11:05Oh, my God.
11:07Flight 63, this is Nick Johnson, air traffic control.
11:12Are you there, flight 63?
11:14Yeah, this is the air traffic control, Nick Johnson.
11:16Nick, we're in trouble here.
11:18We hit something.
11:19We know.
11:20A light plane.
11:21Yeah, not light enough.
11:22Our captain's missing.
11:24I'm guessing.
11:25I'm guessing.
11:25Some girl, the whole thing is living in this cockpit.
11:30There's a jump seat in it right now.
11:33Who stabilized the aircraft?
11:35Our co-pilot.
11:36He's alive but unconscious.
11:38He's in bad shape.
11:40All right.
11:41I need you to look on the instrument panel just below the windshield.
11:44Do you see a button that says AP?
11:47Oh, yes.
11:49I do, yes.
11:51Is it lit?
11:52Yes.
11:54Good.
11:54Your autopilot is engaged.
11:56Sergeant Grant, this is Amy Olsen, air traffic supervisor.
12:00We're clearing the airspace around you, so there's nothing out your window you need to worry about.
12:05The aircraft will stay in the sky.
12:08That's encouraging.
12:09Now, just sit tight.
12:10Keep your phone near you.
12:12We'll get back to this number as fast as we can with the game plan.
12:18We are rolling.
12:20Turn off your cell phones, please.
12:21Action!
12:25Kyle, you better give a listen here.
12:28Help me, help me.
12:29I'm in here.
12:31The owner said they just retired the bathroom floor yesterday.
12:33No one's seen the plumber six.
12:36All right, everyone stand back.
12:39I'm going to roto-rooter this guy out.
12:41You old-fashioned boy.
12:43Oh, can we cut?
12:44What now?
12:46I'm sorry, everybody.
12:47It's just, first, you never swing that thing anywhere near where the victim might be
12:51because you could hurt him.
12:52I mean, you could even kill him.
12:53Hey, tech advisor.
12:54Yeah.
12:54It's a TV show, not reality.
12:57Copy that.
12:58So if it's a TV show and you have to use a sledgehammer, you want to remember that you're
13:01hitting into tile.
13:03Yeah.
13:03And sharp shards of porcelain could come flying back at you, see?
13:06Put your visors down, or you might go home blind.
13:08They're not putting their visors down, because then the audience won't see their faces.
13:13And this is not actual porcelain.
13:14It's plaster of Paris.
13:16Not real.
13:17But we want it to look real, don't we, Marcus?
13:23I need my script.
13:26I think maybe that guy hates me.
13:27Don't worry about it.
13:28He'll be gone by the end of the week after another show, but you, you'll still be here.
13:32I think that's good.
13:42Looks like the bleeding stopped.
13:43The cable pressure's holding.
13:4595 over 65.
13:47Where are people on?
13:48Now I need them, I'm rather than awake.
13:51We have a lot of injured people out there.
13:54And another problem.
13:55That's not good!
14:03No.
14:05It's not.
14:06All right.
14:09All these people back here are getting upgraded.
14:12Look, everyone, as far away from the tear as possible.
14:15Okay.
14:16Let's go, guys.
14:17Go, go, go, go.
14:17Let's go, go, go.
14:19Let's go, go, go.
14:20Let's go, let's go.
14:21We're back.
14:22Let's go, go, go, go, go.
14:25My name is Athena Grant. I'm a sergeant with the LAPD. I've been in touch with people on the ground. They are aware of our situation and are working on a solution.
14:44What is our situation? What was that? Our plane was involved in a thin air collision. But I told them we were in no danger of going down. I know that you're all scared. I won't tell you not to be because I am too. But the important thing now is that we help each other and not panic. Now, who has that service?
15:14I think it's weird we haven't heard from the hospital. Nah, Presbyterians always late this time of day. I'll tell you what's weird. Gerard's not sitting in that chair yelling at us the egg salad.
15:34Hey, Maddie. Hey, we're taking the 118 out of rotation for the rest of shift. This is about that thing with Gerard, because Hen's got that compliment. No, I have some people on the line who need to talk to you.
15:44To me? To all of you. Put me on speaker. I'll explain.
15:48Okay. Hey, guys. It's Maddie.
15:52Hi, everyone. I need your help with multiple casualties from a mid-air collision.
15:56We're nowhere near the airport.
15:58Neither are they. They're still mid-air.
16:00ATC's working on bringing them down. For now, I'm going to pass them through to each of you individually for triage.
16:06Why us?
16:07Because you're their best hope.
16:10And because Athena's on that plane.
16:19You're reaching Bobby now.
16:20I'm available.
16:21Take a call right now.
16:22It's the end of the scene.
16:27Bobby!
16:27Bobby!
16:35I love you, baby.
16:36Please, tell me you've come up with a plan.
16:44I've got some urgent people up here.
16:46I think we have, Sergeant.
16:48I'd love to hear it.
16:50You're going to land the plane.
16:54I'm going to land the plane.
16:56That is not a great plan.
16:58We've contacted the flight instructor.
17:00He's on his way here.
17:01They'll coach you through it.
17:02Coach me through it?
17:03He's actually done this many times.
17:06What?
17:06With students.
17:08On a flight simulator.
17:10It's essentially the same thing.
17:12Except on a simulator, when you make a mistake, you get another chance.
17:16There are people on this plane.
17:18And you're going to get them all home safely.
17:20You know, there's something else that you should know.
17:25There's a hole in the plane.
17:27Another one in the back.
17:28A piece of the plane that hit us.
17:31Is sticking right through the roof.
17:34You should move people away from that if you can.
17:37Already done.
17:39Terrific.
17:40Then you should be fine.
17:41Should we evacuate the airport?
17:45Maybe.
17:46Maybe.
17:48No, no, no.
17:50If you listen to me, you can hear her again.
17:53And I mean even the same state.
17:55You even glossed in her direction.
17:57And I will know.
17:58And the next time you happen to low your guard, just for one moment,
18:01just know that I'm going to take that moment to end your bloody pathetic life.
18:07Hello, Bobby, mate.
18:08Sandy.
18:09Sandy, I've got to call you back, darling.
18:11Yeah, somebody's just shown up.
18:13All right, darling.
18:14Toodaloo.
18:14Bye.
18:15You good?
18:15Yeah, yeah, yeah.
18:16I was just...
18:17Do you want to see it?
18:18Yeah, yeah, yeah.
18:19But not for this.
18:19Sit down.
18:20Yeah.
18:20All right.
18:21Not for this.
18:22I'm rehearsing for a play.
18:23Okay.
18:24Yeah, I'm over here.
18:25Well, I can't over here.
18:25That was my right partner.
18:27Have you seen the movie Platoon?
18:30Platoon?
18:31Is that with Wilfred Brimley at the retirement center and the aliens?
18:34Take a boy.
18:34That's Cocoon.
18:35Platoon's Neonatron.
18:37All of us done.
18:37Yeah, I remember.
18:38I was making a joke.
18:39The deadpans.
18:41Seen it all.
18:41Irony kind of thing.
18:43Yeah, I'm going to use that.
18:46So, Platoon.
18:47Anyway, yeah.
18:48So, before the cast went to the Philippines to film the movie, right?
18:52Right.
18:53Charlie Sheen.
18:53Yeah.
18:54William Dafoe.
18:55Right.
18:55And, yeah, a really young Johnny Depp.
18:57Oh, yeah.
18:57Yeah.
18:57Well, they all got to work with a real-life drill sergeant.
19:03Right.
19:03Two or three weeks.
19:05And it really helped them feel like what it feels like to be in the jungle.
19:10Right, right, yeah.
19:10So, it really, really helped with their performance and everything.
19:13Yeah.
19:13Oh, so you want to do that, but with firefighters?
19:16Yes, exactly.
19:17Exactly.
19:18A weekend up in the mountain, just a minute.
19:20You know?
19:21Or we could do it at my place in Malibu.
19:22But, yeah.
19:23Anyway, you can be the drill sergeant.
19:25And, I don't know, like, berate so your heart's content.
19:27Oh, I love berating people.
19:31This is disgusting!
19:35I'll have a think on it.
19:37You take your time, it's all right?
19:38Yeah, yeah, yeah.
19:38You're going to mull it over.
19:39I'm going to mull it.
19:40Yeah, yeah.
19:40Amazing.
19:41Oh, oh, oh, Bobby!
19:43Bobby, Bobby!
19:44Yeah, yeah, just one more idea, right?
19:45I think that my character should use a catchphrase, right?
19:48So, you can imagine.
19:49Yeah.
19:49All the bells are going off.
19:51We run into our flying truck and everything.
19:52And then I stand there, and I say something like,
19:54Let's shaggle up, boys.
19:58Yeah?
19:59What'd you think?
19:59Did you like it?
20:00It's got a real western flavor.
20:01Oh, my God.
20:02That is a hackable iPhone.
20:04I'm going to try it.
20:06All right, we're back in.
20:09Bobby Nash.
20:10He's a technical advisor on your show.
20:12I don't care if you're ruling, okay?
20:14It's an emergency.
20:14It's several emergencies.
20:16You can just pack the leg with the ice.
20:17It'll reduce the swelling.
20:18I need you to make sure that there's nothing obstructing his airwaves.
20:22She hit the roof of the cabin?
20:24She taught me.
20:26Sala!
20:27Freeze, Donna.
20:28We're right here with you, hon.
20:29Timmy, I think her leg's broken.
20:32And why would you think that?
20:34Well, for one, it's crooked.
20:37Right.
20:38Okay.
20:38Did you come with a carry-on today?
20:40No.
20:41I'm traveling light.
20:42Then fine.
20:43We're making a splint.
20:46Hey!
20:47Does anyone have a carry-on?
20:49I need to make a splint.
20:52I have something.
20:53How's his blood pressure?
20:54I can't believe he's holding, but he's still unconscious.
20:58Yeah, I think I have some smelling salts.
21:00No.
21:01Absolutely not.
21:02He's stable.
21:02Just keep monitoring.
21:03Tia, describe his breathing to me.
21:05It's like quick, short breaths.
21:08He started flipping out when the oxygen mask came down.
21:11Okay.
21:12I think this may be a panic attack.
21:13We're just, we're going to coach him through some breathing, okay?
21:16Okay.
21:17I got you.
21:18We're going to do some breathing together, okay?
21:21Okay.
21:24There.
21:25There.
21:26There.
21:28Okay, I got a handle.
21:29Okay, put the handle under her leg and find something to support.
21:33Give me a magazine.
21:34Okay.
21:34Sergeant Grant.
21:44Yeah?
21:45The flight instructor's here.
21:46Okay.
21:47Sergeant, my name is Jimmy Hadley.
21:49I'm your flight instructor.
21:50I've graduated hundreds of students from my flight school, from pro athletes to grandmas.
21:55I'm very familiar with the aircraft that you are in.
21:59We're going to do just fine.
22:02Y'all strapped in?
22:03Yeah.
22:04Okay, I'm going to let you know what we're going to do here.
22:06We've burned.
22:07Quite a bit of fuel going over the ocean.
22:10That's a problem.
22:11No, actually, that's good.
22:12The lighter you are, the easier it's going to be to land her.
22:15So I'm going to bring you back here in a nice big arc and give you lots of time to make it easier to handle her on your run up to the airport.
22:21But the first thing we got to do is turn you around.
22:26How do we do that?
22:27I'm going to change your heading to left turn 360.
22:32That doesn't tell me anything.
22:34I want you to look up at the top row of the instrument panel just below the windscreen.
22:39You see it?
22:40Yeah, I do, I do.
22:41Okay, good.
22:42You see the displays there, the ones with the numbers in it?
22:45You want the one with the current heading.
22:47What the hell?
22:48What is that?
22:51This way.
22:53It's the one that reads...
22:55260.
22:56Very good.
22:57End of the class.
22:58Now you see the dial that's underneath it.
23:00I want you to turn it left until it reads...
23:03360.
23:11Okay.
23:12Got it.
23:12Now what?
23:13Now you relax.
23:17Congratulations, you just turned the jetline on.
23:20That's it.
23:21For now.
23:23What do you mean?
23:24How long does it take to shoot a scene?
23:26Okay, you guys are doing great.
23:28Did you find anything to hold it together?
23:30Yeah, we got some neckties.
23:32Okay, perfect.
23:33What I want you to do is I want you to tie it around so it's secure, but not too tight that it restricts blood flow.
23:38I'm sorry, don't...
23:39I'm sorry, don't...
23:41Hey, we are going to that tournament.
23:44And no matter what, you're still team captain, okay?
23:48You should need her leg swelling up really bad.
23:53Uh, feel around her ankle.
23:55Do you find her pulse?
23:56I got one.
24:01Okay, good.
24:02I need you to keep checking for it.
24:04What happens if I can't feel it?
24:06Then we worry.
24:08Cocktail.
24:10Two.
24:11Three.
24:13Four.
24:14Hold.
24:16Karen, I don't think this is helping.
24:18He's still having trouble breathing.
24:20Yeah.
24:21And his lips, they're turning blue.
24:23All right, Tia, I don't think this is a panic attack.
24:26Yeah, me neither.
24:34He's having pink blue.
24:37That would be bloody sputum.
24:38Okay, when the plane climbed, you said he was on oxygen?
24:42No, he broke his back.
24:43Okay.
24:45I think he has high altitude pulmonary edema.
24:48Mountain climbers get it.
24:49It's fluid in the lungs, drowning him from the inside out.
24:51What do we do?
24:52Normal treatment would be to get him to the ground,
24:54but since that's not happening anytime soon,
24:56can you reach one of those O2 masks?
24:59No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
25:12Okay, the oxygen's not working.
25:15Okay, we need something stronger,
25:17something that'll keep his blood vessels dilated,
25:20carrying the fluid out of his lungs.
25:21I have an idea.
25:23I have an idea.
25:23Attention!
25:25Does anybody here have erectile dysfunction?
25:28Is anybody carrying cildenafil?
25:31CD-meds?
25:32A man's life depends on it.
25:35See?
25:37Okay, how swollen is it now?
25:40Everything under her knee.
25:42It's all gone pale.
25:44All right, I need you to carefully remove the splint
25:47and feel for her pulse.
25:58Nothing!
25:59I can't feel it!
26:00But what does that mean?
26:02It's called compartment syndrome.
26:04Pressure is building up, stopping blood flow.
26:06If we don't relieve it soon, she could lose her leg.
26:08Or even worse.
26:09Well, how do we do that?
26:10How do we relieve it?
26:11We're going to do what's called a fasciotomy.
26:14A what?
26:15You're going to cut it open.
26:17We need something razor sharp.
26:19Airplane curlery will not work.
26:20It has to be razor sharp.
26:23We all went through security.
26:24There is nothing razor sharp.
26:26I can make a blade.
26:28Get me a toothbrush and a cigarette lighter.
26:33Can you take my dog?
26:34Yeah, yeah.
26:38Okay.
26:39Open wide.
26:44How is he supposed to swallow that when he's out cold?
26:48Rub his throat like with my dog?
26:50Do not.
26:51Do not.
26:51He could choke.
26:52We have to find some other way to give him this medication.
26:55Hi.
26:57Me again.
26:58Now we're looking for a niphylizer.
27:01So if anybody has asthma or attack what?
27:05For my COPD.
27:06You two, where are they coming through?
27:12Works at being geriatric, dear.
27:20You're making the prison ship.
27:22Where'd you learn how to do that?
27:24Where do you think?
27:25All right, now when you have the powder, mix it with water in the reservoir.
27:34Okay, he's doing it.
27:46Okay.
27:48Now what?
27:49Turn it on and pray a break.
27:53Okay, come on.
27:55Come on.
28:08He's waking up.
28:17Did you just save me?
28:20I guess I could.
28:22All right, keep him on the nip.
28:26Let the pills do their job.
28:27And find a blanket and put it over his legs.
28:29What's the blanket for?
28:32Modesty.
28:35Right.
28:36Okay, that's sharp.
28:50Can't sterilize.
28:52Here.
28:53Me?
28:53Here.
28:54I've never shipped anyone.
28:55Only thereby.
28:58Okay.
28:59All right.
29:01What do I do?
29:02Okay, I need you to cut through to the muscle.
29:06Half inch deep.
29:07Start below the knee on the inside of her leg.
29:15Oh, God!
29:16Is this supposed to make a pop?
29:18Yes.
29:18Now cut down to her ankle.
29:20It's just like slicing a sausage.
29:24Hand in there, Tana!
29:25It feels better.
29:40You cut my leg open and it feels better.
29:43How's the color?
29:44It's coming back.
29:46It's pink.
29:47You're not developing.
29:49There we go.
29:50Good job, Jim.
29:51Good job, guys.
29:52Good job.
29:52Good job, guys.
29:54Who are you here with?
30:02My dad.
30:05Does he know you're up here?
30:07He's helping a lady.
30:09You two going to Hawaii on vacation?
30:13It's my mom's birthday.
30:16She right out there?
30:17We lost Jim's mom a couple years ago.
30:23She like to do things she like to do.
30:24Yeah.
30:25Let's celebrate.
30:27Come on, Jim.
30:28We need to get back to our seats.
30:30All right.
30:31Thanks for the assist.
30:33No problem.
30:34Now, that's just terrifying.
30:44How's everybody doing back there?
30:47They're all alive.
30:49Your friends on the ground saw to it.
30:52Hey, speaking of ground, the powers that be know how they're going to get us there, yes?
30:57Yeah, they got a plan.
30:58They want me to land a plane.
31:01Uh-huh.
31:03I appreciate the mother's confidence.
31:06Hey.
31:06Listen, if anybody on this thing can do it, I'd put my money on you.
31:17But in the event things don't go like we'd like it, maybe we should call down there and
31:22let someone else know where Bolton's Black Book is, just in case we don't make it.
31:31You've got somebody you trust?
31:35Yeah, I do.
31:36I just haven't been able to get a hold of him.
31:50You know, I always thought this support dog thing was BS, but there's something to it.
31:56Where's the steward?
31:58I'm not going to do derail.
32:00I think they suspended cabin service, dear.
32:04Guys, I know it's scary.
32:06And I know my leg is really gross.
32:11But we adapt, right?
32:13Yeah.
32:13We got this.
32:15We're going to be okay.
32:16Guys!
32:17Janowitz.
32:31Janowitz.
32:32I went that report on my desk in the morning.
32:34In spell check this time?
32:35Captain Maynard.
32:37A word.
32:37i thought you two were at lax picking up your prisoner we were one tiny little problem our
32:42prisoner wasn't on his flight nor was your sergeant grant so we'd really appreciate it
32:47if we can have a moment any information you might have on where the hell they both might be right now
32:54you sure you went to the right gate yes we went to the right gate and to the right airport but
32:58maybe we didn't pick the right cop for the job well you didn't pick her remember dennis jenkins
33:03did let me try yourself we did that already numerous times it always goes straight to voicemail
33:10captain later do we have to emphasize to you just how serious this matter is oh i'm perfectly aware
33:16of what's at stake maybe you aren't because it's in it's jenkins isn't delivered to us
33:20copton in one piece within the hour what you'll take sergeant grant's badge not just hers
33:26yes gentlemen i am certain there is a perfectly simple explanation for what's happened
33:34in whatever situation athena finds herself in with dennis jenkins
33:38i am 100 positive she has it under control
33:41i'm searching grant what's happening up there at home in the back of the plane
33:51it just got bigger there's me dropping to 220 knots
33:57it's true standout descending at 9 000 feet
34:02it's the breach in the fuselage all the wind in the cabin is creating track it's slowing you down
34:28and it's pulling you down tell me how to stop it you have to speed up
34:42it's going through with you here i can do this dad
34:50i love you okay
35:03okay we need to add 30 percent more plus to compensate fire the lever push it forward
35:13how far all the way
35:21keep going until the indicator of joe's
35:26now the nose is going to want to pitch up but the autopilot is for it to compensate
35:30it's the drag you need to nose down manually but just five degrees
35:49how do i do that okay you see that thing that looks like a joystick
35:54well it works like one too but you have to be very gentle
35:59i've got it
36:11Hey, Boogie, your level is on to rise in.
36:29250 knots. You can put that back down.
36:39Good job.
36:40Uh, Surgeon Grand, is there someone in the cockpit with you?
36:45I just picked out the coal line.
36:47Say hello, Jam.
36:49Hello.
36:52Is that a kid?
36:53Whoever it is is very lucky to have him.
36:55That was very close.
36:57At least it's still in the sky.
36:58Barely. With this continued drag on that compromised fuselage,
37:02the whole thing could fall apart at any moment.
37:05We need to get them on the ground immediately.
37:06All outbound flights have been grounded.
37:08Everything incoming has been diverted.
37:10Then there's only one thing left to do.
37:13All companies in LAX, Italian floor, respond for one-way south.
37:16All aircraft assigned to Transit Force 118.
37:19Rescue 118. Station 119. 133.
37:22Prepare for emergency touchdowns.
37:24The captain of the department.
37:27Bob! We have a phone!
37:29I'll meet you guys at LAX.
37:30Where are you going?
37:31We'll find Bob's.
37:51Keystar 6-3, you are now entering the approach environment for cell count radar control.
37:55What does that mean?
37:57It means it's time to discuss initial descent procedures.
38:00Are you ready?
38:02Do I have a choice?
38:03Sergeant Grant, we cleared the entire LAX airspace and roadways.
38:07You'll have it all to yourself.
38:09It will be in your ear every step of the way.
38:11Okay, okay, A.T.C., let's do this.
38:17But we still have a plane to land.
38:21Sergeant!
38:22You're gonna want to see this!
38:25God, what now?
38:28Hold on, sir.
38:30We're gonna get you out of that toilet.
38:35Yeah, I see him.
38:37All right.
38:37That's lunch!
38:44Hey.
38:45Hey, Bobby.
38:46Bobby.
38:46Hey, Brad.
38:47You're great in that last scene, yeah?
38:49Really, did you think so, really?
38:50Yeah, compelling stuff.
38:51Hey, I was wondering, did you have a chance to think about what we talked about?
38:53I did, but I want to think about it some more right now.
38:56I've got to check in with my wife.
38:57Well, happy wife, happy life.
38:59You said it.
38:59In my case, wives.
39:02You must be a happy guy.
39:03Yeah.
39:03What we know so far is this.
39:05The airliner collided with a smaller aircraft on its descent into L.A. and was badly damaged.
39:11Bobby!
39:13Read the aircraft.
39:15I love you, baby!
39:17Ongoing crisis of the stock.
39:19No word yet on what became of that other aircraft.
39:22But the wide body, reportedly, is being piloted now by a passenger.
39:27Did they say where that flight took off from?
39:30Bobby!
39:31Oh, you've got to be kidding me.
39:33Bobby!
39:33Bobby!
39:35Athena's on that flight, isn't she?
39:37She's flying.
39:37Of course she is.
39:38What else would she be doing?
39:39Central dispatch, like every company in the city, to L.A. ask for an emergency landing.
39:43All right, where's your car?
39:44It's this way.
39:45The streets were jammed.
39:46It took me forever to get in here.
39:47All right, we're taking that.
39:49Seriously?
39:49Yeah, seriously.
39:50Get in.
39:50Let's go.
39:52All right, boys.
39:58Let's saddle up.
40:00Brad.
40:02Whatever.
40:06He started mumbling, and then he sat up.
40:10How you feeling?
40:12I'm kind of loaded.
40:13Actually, my leg hurts.
40:17I'm just glad you're alive.
40:19I'm more than a little glad that you're awake.
40:22Captain Benigas.
40:28Any other pathways?
40:29No.
40:30Some injuries.
40:32Well, we just kept her there, just waiting for you.
40:35Does anyone know where we are?
40:37Yeah.
40:38We just crossed into SoCal radar control.
40:42We turned the plane around.
40:43I did.
40:44I did.
40:44You're a pilot?
40:46LAPD field, Sergeant.
40:47Well, but I should probably take over.
40:49Yeah.
40:49I think we'd all prefer that.
40:51Yeah.
40:52ATC?
40:53You getting all of this?
40:56I'm not a licensed pilot on board.
40:59A conscious one, that is.
41:00We made it back to the party just in turn.
41:05Sergeant, I can't tell you what a relief that is for us here on the ground.
41:09And that's in the sky, too.
41:11Okay.
41:12Help me out.
41:13Okay.
41:17Wait.
41:18Wait.
41:19Are you okay?
41:20Yeah.
41:21Yeah.
41:22Just wait.
41:23Let me get my...
41:24What's happening?
41:25Get him on the floor!
41:28I think he's having a heart attack.