FULL MOVIES ENGLISH SUB
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Category
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Short filmTranscript
00:00:00Hey, how much should I take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money, but you won't fuck a guy?
00:00:28I'm not a hooker. Show some respect.
00:00:32You fucking bitch. I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here. I've got to train her better.
00:00:40Just have a seat. We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass?
00:00:52When you were knee deep in debt?
00:00:54ME!
00:00:58And how are we doing with the search?
00:01:00Not good, boss. I'm still going.
00:01:02Find her. I don't care what it takes.
00:01:10I found the perfect one for you. It's about time you settle down and get married.
00:01:13Her name is Carla. She's a daughter of a friend of mine.
00:01:16Dad, we've been over this. I don't need you to find me the perfect woman.
00:01:20Of course I do. You're an Arduin. I have to make sure my son marries the perfect woman.
00:01:24So now all of a sudden you give a shit about me?
00:01:26You never care when you drove Mom away?
00:01:28Or when you sent me to that orphanage all by myself?
00:01:30Silence! How dare you?
00:01:32It's for the Arduin family business.
00:01:35You're marrying Carla Jennings. End of discussion.
00:01:38Dad. Dad.
00:01:44I paid your 500 grand debt. And I gave you a job.
00:01:48Now if you want to quit so bad, pay me back and get the fuck out of my clump.
00:01:53Please, you know I don't have $500,000. Just give me another chance!
00:01:57Then get the fuck back in there, apologize to that nice gentleman, and do whatever the fuck he tells you to do!
00:02:04Now if I get any more complaints from our clients, you will be sorry. Got it?
00:02:10Is there a problem here?
00:02:12No, sir. Everything's fine.
00:02:17She looks just like her.
00:02:19Will you marry me?
00:02:32Will you marry me?
00:02:37Now let's tell my father I've chosen a wife for myself.
00:02:39Are you sure, boss? She's a stripper.
00:02:42How about we make a deal? Name any price you want, and we get married.
00:02:47I owe my boss $500,000. He's not gonna let me go until I pay it.
00:02:56Anything else?
00:03:05This is your house?
00:03:07It's our house now. Welcome.
00:03:10All right.
00:03:17Sign this agreement, and we'll be contractually married for a year.
00:03:21After that, you can file for divorce.
00:03:23Until then, you're part of the richest family in the country.
00:03:27My heart belongs to somebody else, though. I want you to know that I'm not attracted to you. We're just gonna be married on paper.
00:03:44Is that so?
00:03:48Well, don't worry. I'm not attracted to you either. I just wanted the money.
00:03:53Hey, where am I staying, by the way?
00:04:08In the guest room.
00:04:10Wow.
00:04:11Total jerk, this is an ad.
00:04:17It's been over 10 years. I miss you so much.
00:04:31Cool.
00:04:46Nas, I need you to find out everything you can about the woman I just married.
00:05:04See if she grew up in the same orphanage.
00:05:09Sorry, I didn't mean to.
00:05:23This is my bathroom.
00:05:24What do you think you're doing?
00:05:27Nice try, trying to use your little tricks to get my attention.
00:05:30Not gonna work though.
00:05:31Sorry.
00:05:32I wasn't trying to get your attention.
00:05:37You mind turning that off?
00:05:44I just thought the carpet needed some cleaning.
00:05:47You're here to be my wife, not a maid.
00:05:51Who are you?
00:05:55Wait, you're that stripper.
00:06:00What are you doing in Edward's house?
00:06:02I am.
00:06:03Who are you?
00:06:04I am Edward's fiance.
00:06:07Edward, you're marrying a stripper?
00:06:12I thought I was your fiance.
00:06:14My father arranged for us to get married only for the sake of our families.
00:06:18We wouldn't be happy even if we did get married.
00:06:20But I would be happy, Edward.
00:06:22Carla, you know I have someone that I love.
00:06:26She's the one I'm waiting for.
00:06:29I don't know who the fuck you are, but if you think you have a chance against me, you're
00:06:33dumber than I thought.
00:06:35Miss, get it straight.
00:06:38I'm not competing with you.
00:06:41Stop it.
00:06:42Edward!
00:06:43Are you defending her now?
00:06:45You're not dumb bitch.
00:06:46Just wait.
00:06:47Wow.
00:06:48You got a lot of admirers, huh?
00:06:49Need more that I need to watch out for?
00:06:50Look, if you see me in the living room, don't show your face.
00:06:51Same will go for me.
00:06:52Your house, your rules.
00:07:05BIG DEAL!
00:07:11Hi!
00:07:12I'm Velma.
00:07:13I've worked a lot of odd jobs in the city, waitressing and working in nightclubs, all
00:07:26for a chance to act.
00:07:34I'm also looking for someone, and I hope that one day he sees me on screen.
00:07:48That way he knows that I'm still here.
00:08:04Uncle, I hope you see me.
00:08:22That's okay, Sarah. Thelma doesn't need to dine with me.
00:08:26Bring my food to my room and I'll eat there.
00:08:28Yes.
00:08:30It's fine. I usually don't eat with people anyway.
00:08:34By the way, I'm going out for a bit today.
00:08:38Where you go is none of my concern.
00:08:41Fine!
00:08:45Is he always this big of a jerk?
00:08:48Excuse him, ma'am. He's just used to living alone.
00:08:51I'm sorry, Sarah. It must be difficult dealing with him every day.
00:08:55It's okay.
00:09:00Yeah, I'll be right there.
00:09:03Okay, sit.
00:09:05So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:24Is it true?
00:09:25I didn't know that he was a billionaire until after we were married.
00:09:28You're joking! How did you manage that?
00:09:31Shh!
00:09:32I just signed a contract. It's fake.
00:09:35What?
00:09:36Well, who cares? What are you waiting for? Seal the deal.
00:09:39I know that I can't think about anyone but Algar.
00:09:42T, it's been ten years since you two escaped the orphanage.
00:09:46I mean, Algar could be anywhere. He could be dead.
00:09:49He's not dead!
00:09:51Okay, um, it's okay. I'm sorry.
00:09:54So, what's your plan?
00:09:57Keep things the way they are, I guess.
00:10:00Except, now I can focus more on acting and not dancing in strip clubs.
00:10:05Hey! That's exciting, right?
00:10:07That's something you've always wanted to do since you were a kid.
00:10:10Is that audition today?
00:10:11Yeah!
00:10:12Hi, I'm here for the audition.
00:10:23You think you could just show up like that, you slut?
00:10:30You slut!
00:10:31Are you stalking me?
00:10:33Oh, don't flatter yourself.
00:10:34I'm the lead of this production.
00:10:36She's not auditioning.
00:10:38Sorry.
00:10:39You can't do this!
00:10:41I worked so hard for this opportunity!
00:10:43Oh, like stripping for men and fucking them in strip clubs?
00:10:47Got it!
00:10:48I was dancing, that's it!
00:10:50What's the fucking difference?
00:10:52I eat girls like you for breakfast.
00:10:55Let's go, Derek.
00:11:00No!
00:11:01Please!
00:11:02Wait!
00:11:03Be quiet!
00:11:09Be quiet.
00:11:33You...
00:11:47Boss.
00:11:48Get the details.
00:11:50Thelma.
00:11:51She went to high school not far from here.
00:11:53Dropped out.
00:11:54The husband auditioned for films.
00:11:56She worked at nightclubs to make a living.
00:11:59Bad relationship with her parents.
00:12:02But not an orphan.
00:12:09No name changes.
00:12:12And definitely never been to an orphanage.
00:12:23I wanted it to be her so bad.
00:12:27Of course it can't be Helen.
00:12:28You've been looking for this girl for 10 years.
00:12:31Who is she?
00:12:33Someone more important to me than life itself.
00:12:46Oh my god.
00:12:48It is her.
00:12:53Find me the location where this photo was sent.
00:12:56Got it.
00:12:57The photo's been sent.
00:12:58Good.
00:12:59Where is she?
00:13:00Oh.
00:13:02Out like a light.
00:13:04I guess marrying Edward won't solve everything.
00:13:07How about I bet it?
00:13:09Do whatever you want with her and clean it after you're done.
00:13:26I've been searching for you for so long and you were right here.
00:13:32Boss.
00:13:33He's gone.
00:13:34Find him.
00:13:35Keep this between us.
00:13:36Got it.
00:13:37Save me.
00:13:38Come on.
00:13:39I got you.
00:13:40Boss, he's gone.
00:13:55Find him.
00:13:56Keep this between us.
00:13:57Got it.
00:14:01Come on.
00:14:02I got you.
00:14:10I'm sorry.
00:14:19I can't tell you who I am.
00:14:22Not yet.
00:14:23We'll need your names once we're out of here, right?
00:14:43Yeah, we're starting a new life.
00:14:45I'll be Thelma.
00:14:47What about you?
00:14:49Algar.
00:14:50Helen.
00:14:51Helen, where are you?
00:14:54You have to run quick.
00:14:55Trying to escape again?
00:14:57I warned you it's not going to work.
00:15:00Looks like I got to give you some real punishment.
00:15:03You go first.
00:15:04At least one of us needs to escape.
00:15:06No, you go.
00:15:07She's going to kill you.
00:15:09I won't let her catch me.
00:15:10Just go, I'll find you.
00:15:12Let's meet the amusement park.
00:15:18I'll wait for you, Algar.
00:15:21I'll wait for you, Algar.
00:15:23I'll wait for you.
00:15:25I'll wait for you, Algar.
00:15:29What happened?
00:15:30Nothing to worry about.
00:15:32Just some issues with the film crew.
00:15:33Why?
00:15:33I'll wait for you.
00:15:34I'll wait for you, Algar.
00:15:35I'll wait for you.
00:15:36I'll wait for you, Algar.
00:15:37I'll wait for you, Algar.
00:15:39I'll wait for you, Algar.
00:15:47What happened?
00:15:49Nothing to worry about.
00:15:50Just some issues with the film crew.
00:15:53Why are you being so nice to me?
00:15:56No reason.
00:15:58Here, take this card.
00:16:00It's unlimited.
00:16:02Spend it however you want.
00:16:02Why are you doing this?
00:16:04I don't want your money.
00:16:07Well, if you need money, just let me know.
00:16:10And you can stop looking for odd jobs.
00:16:16Odd jobs?
00:16:19Acting is my dream.
00:16:21I danced in strip clubs for a living,
00:16:23but people like you, born from a silver spoon,
00:16:27wouldn't understand that.
00:16:28Then stop doing it.
00:16:31We're in a contract marriage, right?
00:16:33I won't interfere with your life,
00:16:35and you can't meddle in mine.
00:16:38Acting is something that I've always wanted.
00:16:42And besides, I'm not going to take your money
00:16:44besides the number that we agreed on.
00:16:49You need to rest now.
00:16:53Do you mind?
00:16:58Look at this mess.
00:17:16Clean it up if you even think about going to bed.
00:17:28Eat up.
00:17:34You must be starving.
00:17:37Nah.
00:17:38You probably worked hard for this.
00:17:40Come on, take it.
00:17:46I can't believe she locked you out for three days
00:17:48and made you do all this.
00:17:50Did she even feed you all?
00:17:52You made it easier for me.
00:17:54No, get back before she sees you here.
00:17:58Excuse me.
00:18:16I'm calling to ask about my audition.
00:18:19I'm sorry.
00:18:20Your name has been blacklisted from reproduction.
00:18:23What?
00:18:23What?
00:18:23What?
00:18:28This is the dude who took them out
00:18:30and sent you those pictures.
00:18:40How about a drink?
00:18:42There are two glasses of scotch there.
00:18:44Pick one.
00:18:46I'm sorry, Mr. Edward.
00:18:48Please.
00:18:49Just a friendly gesture from the boss.
00:18:51One more thing.
00:18:54Only one of those glasses is poison-proof.
00:18:58You should have known better
00:18:59that would happen
00:19:01when you kidnapped Emma.
00:19:02Here.
00:19:03I'll do it for you.
00:19:05Hold it.
00:19:09Go.
00:19:12Go.
00:19:13Go.
00:19:13Take him away.
00:19:27This is what I've become, Thumb.
00:19:30I hope you never see me like this.
00:19:34Ruthless.
00:19:35Merciless.
00:19:38Both glasses.
00:19:40Would have silenced the man.
00:19:41I simply can't forgive him for what he did.
00:19:48Thelma, will you forgive me?
00:19:56What?
00:19:57What the fuck happened to you?
00:19:59How did he find you?
00:20:00What happened?
00:20:02Oh, you can't even talk now?
00:20:05God, you fucking useless.
00:20:06Inform every production you can reach.
00:20:11Thelma will never be an actress.
00:20:15Make sure of it.
00:20:19Go!
00:20:21Are you okay?
00:20:31I've been blacklisted by every production company.
00:20:37Even the Actors Guild.
00:20:39What am I going to do?
00:20:40Hey, don't lose heart, okay?
00:20:42I happen to know of an audition going on today
00:20:44if you're interested.
00:20:45Since when did...
00:20:46A good friend of mine tip me off.
00:20:48Now come on.
00:20:48Let's go.
00:20:49All right?
00:20:50It's better than moping around here.
00:20:51Come on.
00:20:52Here it is.
00:20:56So I can just go in there, just like this?
00:21:00Yes, I got everything set up, okay?
00:21:01Just go ahead.
00:21:02Go in and do your thing.
00:21:04You got this.
00:21:06Break a leg.
00:21:19What is she doing to you?
00:21:22Who is she?
00:21:27Nobody.
00:21:28She's not here for the audition too, is she?
00:21:32Well, in that case, we're in for a treat.
00:21:38Carla, Jenny, you're up next.
00:21:40You're on your knees.
00:21:45Watch out.
00:21:45I can't believe it.
00:22:00It was you all along.
00:22:03That's right.
00:22:05I never thought you'd find me.
00:22:06But it must come to an end.
00:22:08Oh, no!
00:22:12Oh!
00:22:24Cut!
00:22:27I'm sorry.
00:22:28Were you shot?
00:22:29Or did someone just step on your toe?
00:22:31Can I just try again?
00:22:33I was just a bit nervous.
00:22:36Miss Jennings, we are making a thriller with a tragic ending.
00:22:40What you just did was borderline comedy.
00:22:43Excuse me?
00:22:44Yeah.
00:22:45Do you know how close I am with your investor?
00:22:49Sir?
00:22:49She was indeed recommended for the role.
00:22:53Maybe we give her another chance.
00:23:00No!
00:23:02No, no, no, no, no.
00:23:03We are creating art that appeals to our audience.
00:23:06And she is clearly not right for the role.
00:23:09Next!
00:23:10I'm sorry, Miss Jennings.
00:23:12That was great.
00:23:13Maybe another project or another...
00:23:15What are you still doing here?
00:23:20I thought you were a blacklist.
00:23:21So it was you.
00:23:23You know, if that's the best you got, then I'm not that worried.
00:23:26Do you think you could do better than me?
00:23:29Then you're nothing.
00:23:32Yeah!
00:23:33Show us what you got!
00:23:36Thelma?
00:23:38Hi.
00:23:39Hi.
00:23:45So it was you.
00:23:53All this time!
00:23:55That's right.
00:23:56I...
00:23:56I never thought you would find me.
00:24:01But now it must come to an end.
00:24:05No!
00:24:05This can't be it for us!
00:24:09Well, that was amazing!
00:24:21Oh, you fully captured that role!
00:24:25Congratulations!
00:24:26You get the part!
00:24:27What?
00:24:33What about me?
00:24:34You promised me!
00:24:35Oh, come on.
00:24:36You have to admit.
00:24:37She was exceptional!
00:24:38She is perfect for the part!
00:24:40Girl!
00:24:41You killed it!
00:24:42Ugh!
00:24:43You were great.
00:24:45I'm Alex.
00:24:46Looks like we're gonna be scene partners.
00:24:48Thelma!
00:24:48Hey, do you want to go somewhere more private?
00:24:50We can talk about the script.
00:24:52Yeah, sure.
00:25:06What the fuck?
00:25:07I'm hitting on the wrong girl, buddy.
00:25:09Edward, what are you doing?
00:25:12I need to go talk to Thelma.
00:25:14How about you shoot another day?
00:25:20What are you doing?
00:25:22You gonna explain yourself?
00:25:23I don't owe you any explanations.
00:25:26So you're seeing new guys?
00:25:27What?
00:25:28What?
00:25:29What?
00:25:30No!
00:25:31We were just acting out a scene.
00:25:33A scene where you two get real close?
00:25:35Like a couple?
00:25:35I was just doing my job.
00:25:37There's nothing wrong with it.
00:25:39And besides, even if I was seeing someone, it would be none of your business!
00:25:42I heard you got the lead role.
00:25:53That's amazing.
00:25:54I knew you'd kill it.
00:25:56Janet, what is Edward doing here?
00:25:58Who?
00:25:58Come on.
00:25:59You know who I'm talking about.
00:26:01Oh.
00:26:02Um.
00:26:03Gosh.
00:26:03You still don't know, do you?
00:26:05You know what?
00:26:08Well, he's actually the investor of this movie.
00:26:11This is his project.
00:26:18Why did you bring me here then?
00:26:20Well, it was actually his idea.
00:26:27Hello?
00:26:29Hi, is this Jean?
00:26:30Who is this?
00:26:31This is Edward Arduin.
00:26:33I recently invested in a film project, and I want you to take your friend Thelma.
00:26:38I think she'll be great for a lead role.
00:26:39Wait, wait, wait, you're Edward Arduin?
00:26:42I wired the payment to your account.
00:26:45Wait, wait, wait!
00:26:50I still can't believe I spoke to the legendary Edward Arduin.
00:26:54I can't believe you knew all this time, and you didn't tell me.
00:26:58Oh, well, don't look at me.
00:26:59I'm just the middleman doing somebody else a favor, okay?
00:27:02And you still got the lead.
00:27:04It's amazing.
00:27:05But, you know, a lot of people say that Edward's not very nice.
00:27:10He's like a stone-cold man.
00:27:12So why is he being so good to you?
00:27:15Yeah, I don't get it either.
00:27:17I mean, women must be throwing themselves at him.
00:27:20Maybe he's falling for you.
00:27:31Oh, come on.
00:27:33That's impossible.
00:27:34He said some pretty harsh stuff earlier, so...
00:27:37Well, is that why you look all gloomy?
00:27:40What happened?
00:27:41Did you guys fight?
00:27:41He saw me doing a scene with another actor, and...
00:27:47It's...
00:27:48Whatever.
00:27:52Why do you care what he thinks, though?
00:27:56Come on, girl.
00:27:57This does not sound like you.
00:27:59Are you sure you haven't fallen for him, too?
00:28:01No, it's just...
00:28:03There's something about him that's...
00:28:06Familiar, like...
00:28:09Like...
00:28:10I've seen him before.
00:28:13Hmm.
00:28:13Hmm.
00:28:31Thank goodness you're here, Helen.
00:28:34This place is depressing.
00:28:35I don't know if I could make it without you.
00:28:39You're the one protecting me.
00:28:42I can't stand watching you getting hurt.
00:28:44You're as sweet as a sugar pea.
00:28:46Can I call you sugar pea?
00:28:47Sure.
00:28:48As long as I can call you my little rock.
00:28:51Why little rock?
00:28:52Because you make me feel safe.
00:28:54Like a rock that I'll never break.
00:28:57Deal.
00:29:01What have you done to me?
00:29:14I see your face everywhere.
00:29:25Oh, good.
00:29:26Just in time.
00:29:31Dig in.
00:29:38Why are you being so nice to me?
00:29:44Look, I'm...
00:29:45Sorry about today.
00:29:47It was...
00:29:48Stupid of me to react that way.
00:29:51No, I mean...
00:29:52Why did you help me get the role for your film?
00:29:54Well, you won't take my money.
00:30:04And...
00:30:04I can't allow the wife of Edward Ardoin
00:30:06to just work a regular job.
00:30:10Oh.
00:30:11Okay, so that's why.
00:30:13Mm-hmm.
00:30:13They're all rich people this morning, so...
00:30:16What was that?
00:30:17Nothing.
00:30:18This is great.
00:30:23You know, you can be real sweet sometimes.
00:30:26This is delicious.
00:30:29I'm glad you like it.
00:30:32Sweet pea.
00:30:33Sweet pea.
00:30:37Good morning, madam.
00:30:38And what is left already?
00:30:41Oh, I saw you were cooking last night.
00:30:44I watched through utensils.
00:30:47Uh, yeah.
00:30:48It was Edward.
00:30:50He was the cook.
00:30:52Edward.
00:30:53Gotta go.
00:30:55Cooking?
00:30:56Okay.
00:31:01What is going on?
00:31:03What are we waiting for?
00:31:04Let's get started.
00:31:06One of our lead roles is not here yet.
00:31:08The one thing I ask everyone here
00:31:13is to be professional.
00:31:16Woo!
00:31:16Sorry, guys.
00:31:18Traffic was nightmare.
00:31:20All right.
00:31:20I'm ready to start.
00:31:22Wait.
00:31:22I thought that she didn't get the part.
00:31:25Well, how about that?
00:31:26Looks like I'm going to be playing your SD.
00:31:28After this, nobody's even going to remember you.
00:31:34We'll see about that.
00:31:3842 Delta take two.
00:31:41Ready.
00:31:42And action.
00:31:44You have to leave now.
00:31:45Not without the love of my life.
00:31:47I'll wait for him no matter what.
00:31:49Oh, cut!
00:31:56Cut, cut.
00:31:57What do you think you're doing?
00:31:58Just playing my role.
00:32:00I don't want to say maybe I'm just using it.
00:32:03Carla.
00:32:04What the hell was that?
00:32:06That wasn't even in the script.
00:32:07I was just adding some extra touch to it.
00:32:10You know?
00:32:10For the sake of art.
00:32:11Art?
00:32:12This slap doesn't make any sense.
00:32:15And who gave you the authority to change my script?
00:32:19It's fine.
00:32:21She can hit me.
00:32:22Oh.
00:32:24Thelma, are you sure about that?
00:32:26It's all good if it's all for the sake of the effect.
00:32:29Wow.
00:32:30I knew I was right in choosing you as my lead.
00:32:34Okay, okay.
00:32:35Back to ones, please.
00:32:37Yes, thank you.
00:32:38Can you pick up my script?
00:32:40And action.
00:32:42You have to leave now.
00:32:44I'm not without the love of my life.
00:32:46I'll wait for him no matter what.
00:32:50Edward.
00:32:55Good to see you here.
00:32:57Were you watching me?
00:32:59Me and Thelma make a carpet, you know me.
00:33:02Jay, have these two switch roles.
00:33:05I want Thelma to do the slapping.
00:33:08Since it's all for the sake of art.
00:33:14But Thelma's the lead.
00:33:18Yeah, that wouldn't make any sense.
00:33:21We can't make more changes to the script.
00:33:23Ed, we're already behind.
00:33:24Better get right to it then.
00:33:26You don't have to do this for me.
00:33:29I'm not doing it for you.
00:33:30I'm doing it for my own investment.
00:33:32All right, we have added a line to the script.
00:33:42So now, Thelma, Carla's new line will be your cue for the slap.
00:33:48Got it?
00:33:50All right, and action.
00:33:54You have to leave now.
00:33:56Not without the love of my life.
00:33:58I'll wait for him no matter what.
00:34:00But what if he's dead?
00:34:01What if he finds somebody else?
00:34:03You're just going to spend the rest of your life waiting for someone who will never come?
00:34:12Then I'll be sure to leave no room for regret.
00:34:18Cut.
00:34:18Oh, bravo, that was perfect, Thelma.
00:34:24You handled that perfectly.
00:34:27Thelma, were you not supposed to slap Carla after that line?
00:34:30Uh, no need for that.
00:34:33I think that my character is above that kind of pettiness.
00:34:44I'm going to expose you, Thelma.
00:34:47Sooner or later.
00:34:48Where are you, my little rock?
00:35:01I'm doing fine.
00:35:04Don't you worry.
00:35:07You know it's bad to waste food.
00:35:10Do you think you deserve to be punished?
00:35:12Yes, headmistress, I do.
00:35:15Ma'am, Helen's sick.
00:35:16That's why she couldn't finish.
00:35:18Oh, isn't that sweet.
00:35:20Too bad.
00:35:21She's getting more punishment because of you.
00:35:24Isn't that sweet?
00:35:25Well, if you so insist, you can take it for her.
00:35:29Oh, get off.
00:35:31You're all right.
00:35:32Found the worker who leaked info to our computer.
00:35:47A manager who's worked with us for 20 years.
00:35:50What do we do with him?
00:35:54Uh, fire him.
00:35:56Sue him if we need to.
00:35:58Can't have disloyalty in the company.
00:36:00It might ruin him and his family.
00:36:03So be it.
00:36:04All right.
00:36:06He's like, was trying to do it.
00:36:08He's just standing there.
00:36:09He was not on mute.
00:36:10I'm not gonna do it.
00:36:11I want to do it.
00:36:12I want to do it.
00:36:13He's not on mute.
00:36:13He's not on mute.
00:36:14He's not on mute.
00:36:15He's not on mute.
00:36:16He's not on mute.
00:36:17I'm just like, oh, God.
00:36:17I'm not on mute.
00:36:18I need to do it.
00:36:19It's OK.
00:36:20I don't care.
00:36:50Elker?
00:37:21Where's my...
00:37:32Oh, no, no, no.
00:37:49Morning.
00:37:51What are you doing?
00:37:53Nothing.
00:38:01Nothing.
00:38:06I carried you to your bed last night and that was it.
00:38:12No, seriously, what are you doing?
00:38:15Nothing, sweet pea.
00:38:17What did you just call me?
00:38:18Uh, sweet pea.
00:38:22You sat in your sleep last night.
00:38:27You see, well, don't ever do that again.
00:38:30Sure.
00:38:31Hi.
00:38:45Could you maybe explain this scene a little bit? I'm not sure if I get it.
00:38:49I mean, it is pretty straightforward to just do what it says without improvising.
00:38:56Thelma, you were so great yesterday.
00:39:00I want to go over this one part.
00:39:02Uh, now, when you say this line, um, about...
00:39:06We'll see who wins.
00:39:09Nos, what am I doing this afternoon?
00:39:12Well, it's kind of a very important meeting.
00:39:15Did you forget?
00:39:17Canceled.
00:39:19Send them my apologies.
00:39:21What?
00:39:23So, what do you normally do when you're not working?
00:39:26Uh, I do striptease.
00:39:27Oh.
00:39:29I was thinking more along the lines of going to the movies.
00:39:33There's actually a good one out right now.
00:39:36I mean, maybe if you're interested, we could try to catch it together.
00:39:39Sorry, but I really need to focus on this job right now.
00:39:43Oh, yeah, sure, sure.
00:39:45You're a really interesting person to talk to, you know that?
00:39:48Do you know that?
00:39:51Edward!
00:39:52Are you here to see me?
00:39:55Oh, you're a brutal dad.
00:39:57Aw.
00:39:59Edward?
00:40:00It's not for you.
00:40:01I'm sorry.
00:40:02Why is she still talking?
00:40:05Go put the snacks in the lounge.
00:40:07Got it, boss.
00:40:13Edward?
00:40:15What's your name again?
00:40:16Actually, it doesn't matter.
00:40:19What were you talking to my wife about?
00:40:29Oh.
00:40:31Thelma, I had no idea that you were married.
00:40:35Oh, don't worry about it, man.
00:40:37We were just talking about stuff in the script.
00:40:39Is that right?
00:40:41Hey, so you must be Edward Ardoin.
00:40:44I've heard a lot about you.
00:40:45I'm Alex.
00:40:46Cool.
00:40:47Bye, Alex.
00:40:49Yeah, I'll see you later, Thelma.
00:40:52No, you won't.
00:40:54Good, you guys are all here.
00:40:55Edward brought snacks.
00:40:56They're in the lounge if anyone wants some.
00:40:58Yes, I'll come.
00:41:02Snacks.
00:41:06Edward doesn't usually come to set this often.
00:41:09He's quite the busy man.
00:41:10I think he's here to see you.
00:41:11He's here to see Carla, not me.
00:41:14Oh, please.
00:41:15Can you not see the way he looks at you?
00:41:17Whatever.
00:41:19Oh.
00:41:20Speak of the devil.
00:41:22I will give you two some privacy.
00:41:23Wait.
00:41:24No, don't.
00:41:25Excuse me.
00:41:32You're getting out of hand.
00:41:34Don't forget, I'm the one who hired you.
00:41:36Excuse me?
00:41:38Stay away from Alex.
00:41:39Got it?
00:41:40What are you talking about?
00:41:41There's nothing going on between us.
00:41:42Besides, you came here to see Carla.
00:41:48So you're jealous.
00:41:50What are you talking about?
00:41:51I'm not jealous.
00:41:52What are you doing?
00:42:02Carla and I are together.
00:42:05I'm here for you.
00:42:06You really expect me to believe that?
00:42:09Don't look.
00:42:15Yeah, girl?
00:42:18What?
00:42:22Jane, are you absolutely sure?
00:42:28Yes.
00:42:29Positive.
00:42:30I used to know this guy from the streets and he and Algar drifted around for months.
00:42:34So where is he?
00:42:36Well, they later got separated so he has no idea after that.
00:42:40But that's gotta mean that Algar's still alive, right?
00:42:43Oh my goodness.
00:42:45Thank you so much.
00:42:46You have no idea how much this means to me.
00:42:48It's been ten years.
00:42:49Don't forget, you are married too.
00:42:54What are you gonna do?
00:42:56I'll divorce him once our contract is up.
00:42:59I needed the money.
00:43:01Algar will understand.
00:43:03I don't know.
00:43:04Edward seemed really into you.
00:43:07Actually, Jane, I think I should keep my distance from him.
00:43:10You okay?
00:43:23Yeah.
00:43:27Wanna tell me what happened?
00:43:29I just wanna be alone for a bit, okay?
00:43:33Is this about Carla?
00:43:34I told you I went to see you, not her.
00:43:38Edward, I don't care who you're seeing.
00:43:41We're only married on paper, right?
00:43:45Is this because we're moving too fast?
00:43:48I just think that we should keep our distance.
00:43:49Please.
00:43:50I just think that we should keep our distance.
00:43:51Please.
00:43:52Please.
00:43:53I just think that we should keep our distance.
00:43:54Please.
00:43:55I just think that we should keep our distance.
00:43:56Please.
00:43:57Thought she was playing hard to get, huh?
00:43:58Maybe she doesn't wanna seem too good?
00:43:59Not her.
00:44:00Edward, I don't care who you're seeing.
00:44:02We're only married on paper, right?
00:44:07Is this because we're moving too fast?
00:44:12I just think that we should keep our distance.
00:44:15Please.
00:44:22Thought she was playing hard to get, huh?
00:44:25Maybe she doesn't want to seem too eager.
00:44:27I mean, why would anyone reject you?
00:44:31It's impossible.
00:44:33Come on.
00:44:34Let's get to the set.
00:44:39Hey, Thelma.
00:44:40You'll be wearing this dress for the next scene.
00:44:42Is that okay?
00:44:42That's fine.
00:44:46So you think you could just take whatever you want?
00:44:53I thought this was my personal changing room,
00:44:55like it's always been.
00:44:57Carla, this room is for the lead role.
00:45:00Yours is outside.
00:45:02Well, actually, I'm all done here.
00:45:05Carla loves taking things that aren't hers.
00:45:07Be my guest.
00:45:08Use it.
00:45:09Oh.
00:45:10Well, aren't you quite generous then, hmm?
00:45:14Edward's not here, so you can drop the act.
00:45:16We actually need to get back to work, if there's nothing else.
00:45:21Actually, I can finish my makeup myself.
00:45:27Go on.
00:45:28What do you want to talk about?
00:45:29Let's make a deal.
00:45:31A deal?
00:45:31A deal?
00:45:31What the fuck do you think you are?
00:45:37Well, as far as I know, I'm Edward's wife.
00:45:45Gunner, deal.
00:45:46Stop picking fights with me.
00:45:47Stop giving me a hard time on set,
00:45:49and I won't take anything away from you.
00:45:51I'll actually help you with whatever you and Edward have going on.
00:45:54All right, deal.
00:46:00I'm done with this room, by the way.
00:46:02It's yours if you still want it.
00:46:03I don't need your pity.
00:46:18Don't you have, like, business to run?
00:46:20What are you doing here all day?
00:46:24Hey, um, actually, about what happened.
00:46:31I think that we should talk.
00:46:34Why don't you meet me in the lounge after we wrap up?
00:46:37Why can't we talk now?
00:46:39Want it to be a surprise.
00:46:41See you later.
00:46:51What does she want to talk about?
00:46:54Does she not want to see me?
00:46:57Hi, Edward.
00:46:59Carla?
00:47:02Why are you here?
00:47:03Where's Stella?
00:47:04Who should I be?
00:47:06Maybe you want to squirt?
00:47:10What are you doing?
00:47:11Are you trying to set those two up?
00:47:13Yeah, and if they're together,
00:47:15then they'll have nothing to do with me.
00:47:17Sounds like a terrible idea.
00:47:19Well, if you have a better idea,
00:47:21then let's hear it.
00:47:26Edward!
00:47:29If they're together,
00:47:31then they'll have nothing to do with me.
00:47:34Well, as long as you're okay with this.
00:47:37Of course I am.
00:47:38Why wouldn't I be?
00:47:39I mean,
00:47:41now I can just focus on what really matters,
00:47:44and
00:47:44I can try to find Algar.
00:47:48Edward!
00:47:48What the fuck are you doing?
00:47:59Whatever games you're playing,
00:48:00you need to stop.
00:48:01What are you talking about?
00:48:02You came here to see Carlos, right?
00:48:05Thelma, come on.
00:48:07Edward,
00:48:07we're going to be divorced really soon.
00:48:10So?
00:48:10So if you're attracted to somebody,
00:48:13then go for it!
00:48:13I want you to be happy!
00:48:14The only person I love is you!
00:48:18Edward, how could you?
00:48:25Everything I do for you, Carla,
00:48:27I do for your father.
00:48:29He looked out for me,
00:48:30so this is me
00:48:31paying him back.
00:48:40I'm already in love with somebody else.
00:48:43It's never going to be you.
00:48:45But if that man didn't exist,
00:48:46would you consider me?
00:48:47Stop it, Edward.
00:48:49It's never going to happen.
00:48:56What do I do, Algar?
00:48:58I know you're out there.
00:49:00What do I do?
00:49:01Boss, you've been here for a while.
00:49:16Is everything okay?
00:49:20Why don't you tell her
00:49:21you're the one she's looking for?
00:49:23Do you remember what I did
00:49:25to return to the Arduin family?
00:49:38About Algar.
00:49:41Are you telling me
00:49:42that Mr. Arduin knows
00:49:44his illegitimate son is Algar?
00:49:47Yes, and now the old man wants him back.
00:49:52Another brat to share their inheritance.
00:49:55If I could only get rid of his mother,
00:49:58getting rid of him shouldn't be a problem.
00:50:01Madam, it's our fault.
00:50:04Please don't withdraw your donation to the orphanage.
00:50:07If we worked together on this,
00:50:10I could even help you
00:50:11get rid of Algar
00:50:15for good.
00:50:21Take care of it.
00:50:23But make sure we lose it.
00:50:28Shall we go to the Rose Garden?
00:50:29Yes, please, sir.
00:50:31I just have to see it, sir.
00:50:33I've heard it.
00:50:33Goodness, sir.
00:50:34Yes.
00:50:37I got rid of the woman
00:50:39who killed my mother
00:50:40and sent me to an orphanage.
00:50:44I eliminated everyone
00:50:45associated with her
00:50:46over the years.
00:50:54I did whatever it took
00:50:56to gain my father's approval.
00:50:59to secure my inheritance.
00:51:02My methods were ruthless.
00:51:05My conscience...
00:51:07callous.
00:51:09You did what you had to do.
00:51:12And now I'm a different man.
00:51:14A monster.
00:51:15She doesn't even recognize.
00:51:17If she finds out
00:51:18this is the man she's been looking for
00:51:20all these years,
00:51:20it'll drive her away.
00:51:24I can't lose her again.
00:51:26So it was true?
00:51:30I can't.
00:51:37Argon and I...
00:51:38we roamed the city
00:51:41for a winter
00:51:41and a lot of people say
00:51:44he made some enemies
00:51:46one night
00:51:47under the bridge
00:51:49where we slept.
00:51:49he got stabbed and he died no you're mistaken he always had a ring with him
00:51:59it was a nice ring i think it had the letters a and h on it i told him he could
00:52:08pawn it for a few bucks but he just kept it with him
00:52:12no he can't just be gone he can't just be gone
00:52:17sweetie what's wrong oh my god baby you have an evening three days
00:52:35can i get you something anything it's not good for you
00:52:40this is my fault
00:52:49she's burning up the doctor said it was from emotional distress and not eating
00:52:56go make her something late i'll stay with her
00:53:01yes
00:53:08you need to get some rest and let me handle this
00:53:12no it's okay leave it to me look i know you care i've never seen you do this for anyone
00:53:20and if the old lady were here she'd be heartbroken to see you this exhausted
00:53:25don't worry about me sarah you can go now
00:53:32you do it i'm not hungry
00:53:40please eat and get better
00:53:45tell my god are you okay
00:54:13Thelma, are you okay? I've been trying to call you for ten times. You haven't done something stupid, have you?
00:54:21I can't find a reason to go.
00:54:24Stop saying that, okay? Don't listen to what that guy said. He doesn't know what he's talking about.
00:54:30They never found Alger's body. Maybe he's still alive.
00:54:35You've waited ten years, okay? You sure you're gonna give up now?
00:54:40Don't you want to find out the truth for yourself?
00:54:43Yeah, you're right. I should keep going.
00:54:48Good. Now go get some sleep and get back to set, girl, okay?
00:54:52That is something that you've always wanted and you're not gonna screw it up, all right?
00:54:57Yeah, I understand. I'll keep going for Algar.
00:55:06I want that bitch, Ted. You got that thing ready?
00:55:09I'm sure I would do the job.
00:55:18All right. Don't mess this up.
00:55:20Ready for first aid.
00:55:22Coming!
00:55:35Uh, you wanted to see me?
00:55:36Yes. Uh, it is about the scene where you're stabbed. We will be using this as a prop.
00:55:42So once the, uh, safety is clicked off, the blade will go back inside itself upon impact,
00:55:47so don't worry. It's not gonna hurt you. See?
00:55:50Nice.
00:55:54Exactly.
00:55:59Uh, Thelma, Carla, all set?
00:56:02All departments ready?
00:56:07And action!
00:56:15Wait!
00:56:16Cut! Cut!
00:56:17Edward? Are you okay?
00:56:18Oh God, how did this happen?
00:56:20Call 911.
00:56:20Edward, don't die on me. Please. I know that my past is complicated and I'm not worthy of your time
00:56:31or your love. What makes me so special?
00:56:38Okay, I admit. I think somewhere along the way I became attracted to you. And I know that you keep
00:56:44this stone cold face. But I know that that's not the real you. Please, show me the real you. Let me in.
00:57:00Edward!
00:57:07What are you doing? That's not funny. I was worried sick. What's the matter with you?
00:57:11How else could I get such a lovely monologue?
00:57:14Okay, you know what? I'm gonna go get a doctor.
00:57:16No, no, no. I'm fine. No. Look, not even a scratch. Just need a minute.
00:57:23Are you sure? It seemed pretty serious.
00:57:26Yeah, the knife didn't even get to me. Something blocked it.
00:57:31Really? Where is it?
00:57:34Nothing. I'll find out what happened today. Meanwhile, be more careful on set, yeah?
00:57:40No, don't worry about it. You're the patient. Just rest up now.
00:57:47I heard everything you were saying, by the way.
00:57:50Okay, you know what? I'm really getting you a doctor now. Just shut up.
00:57:53You saved my life.
00:58:06How you doing, boss?
00:58:11Oh, not too shabby.
00:58:13Okay. So, what do you plan to do with karma?
00:58:19Karma. Almost forgot. Let's get payback.
00:58:23Let's go.
00:58:23I'm not sure what we're gonna do after your little incident.
00:58:30I'm sorry. I wasn't thinking. It won't happen again. I promise.
00:58:34Jay, get a replacement for her role. She's done.
00:58:43Edward, what are you saying?
00:58:44I told you to stop pulling these tricks behind my back.
00:58:47I didn't do anything. Don't listen to her. She's making it all up.
00:58:51Carla had someone on the prop team switch the fake knife with a real one.
00:58:55She almost killed Thelma. And myself.
00:58:57Edward, I'm sorry. I messed up. Please, please give me another chance.
00:59:03I've given you plenty of chances.
00:59:07Really, Edward? After all these years?
00:59:12Please stop embarrassing yourself.
00:59:16Hey, I...
00:59:17Doing all of this for a man, I hope it's worth it.
00:59:21Edward, you know everything I did is because I love you.
00:59:26If you try hurting her again, you will be sorry.
00:59:33I'll hand her over to the police.
00:59:41Well, now that that's over, we should talk about what you said to me earlier.
00:59:46Which is what?
00:59:48That you were attracted to me.
00:59:53No, we're not gonna talk about that. That's not fair. You tricked me.
00:59:58Got it.
01:00:03What if the person you're looking for is me?
01:00:20Don't be ridiculous.
01:00:24Besides, you come from a rich and powerful family.
01:00:27Then he's an orphan, like me.
01:00:32And he's incredibly kind.
01:00:34He wouldn't even step on an ant.
01:00:38I can't say the same thing about you.
01:00:43People can change.
01:00:45And I'll never stop searching for him.
01:00:47I'm afraid that you can't stop me.
01:00:49Am I even worthy of love?
01:01:03Am I even worthy of love?
01:01:06You're a billionaire. I'm sure that there's plenty of women fighting over you.
01:01:10Plus, I stand by what I said.
01:01:18I don't think that this Edward is the real you.
01:01:23Do you remember when we first met?
01:01:26You saved me.
01:01:26You're a good person.
01:01:30You're kind to Nos, to Sarah.
01:01:36You'll find the love that you deserve.
01:01:37He's gone.
01:01:49I waited 10 years and he's just gone.
01:01:51Do you like the man I am now?
01:01:58It doesn't matter. We're getting divorced in a year.
01:02:05If I give you all my properties and assets, can we not get a divorce?
01:02:14No.
01:02:21My head.
01:02:38Do you remember what happened?
01:02:39You said something about money and assets, and then after that, not a thing.
01:03:02All right. Okay. Back to work. Come on.
01:03:03Hey. Can we talk?
01:03:13I heard you've been looking for someone.
01:03:15Yes.
01:03:20I believe this could be helpful.
01:03:24This place is reopening soon.
01:03:27I'd like for you to come.
01:03:30What does this have to do with the man that I'm looking for?
01:03:32You'll see.
01:03:37Okay. I'll go.
01:03:38Good. I don't want to spoil the place.
01:03:42What does this have to do with Edward?
01:03:44You'll see.
01:03:48Look at that. See?
01:03:50Oh my God.
01:03:51Yes. I trusted you.
01:03:52Guys, we're blowing up.
01:03:53What do you mean?
01:03:55After we posted the behind the scenes, we went viral.
01:03:59Selma became a sensation. She's now trending number one. Big star.
01:04:04Trending? Does this mean more money?
01:04:06Oh, of course it does. And that is just the easy part.
01:04:10I was thinking about my next movie, and I want you to be in it.
01:04:15Wow. This is a dream come true.
01:04:18And we're having a wrap party at the hottest bar tonight.
01:04:22All right. You'll wonder who's so generous.
01:04:33Boss, about this new contract.
01:04:35Do you think Selma will be surprised by the party I'm throwing for her?
01:04:38Oh, definitely.
01:04:40So should I pick her up, or do I just show up at the party?
01:04:43You don't do this often, do you?
01:05:04Great party, Edward.
01:05:06It'll only be fitting, right?
01:05:07I'm not entirely bad. So, thank you.
01:05:14How would you like to thank me?
01:05:16Uh, sorry everybody. Attention, attention. Thank you, thank you.
01:05:20First off, this has been an amazing three months.
01:05:25I'd like to thank everybody in here.
01:05:28And here is to its huge success.
01:05:33And now, a few words from Edward, the man, the big boss.
01:05:41Without him, none of this would be possible.
01:05:45Thank you all so much.
01:05:46I just want to say how grateful I am for the opportunity.
01:05:51Jay is an exceptional director.
01:05:54His casting, remarkable.
01:05:57Thelma's performance in particular, out of this world.
01:05:59And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:07Cheers.
01:06:11Thelma, the superstar!
01:06:14Stop it.
01:06:16By the way, do you think Algar will watch my new show?
01:06:19Do you think he'll recognize me?
01:06:20Oh, Thelma, I know this is really hard to hear, but you gotta let him go.
01:06:27Oh, Algar's gone.
01:06:30I'm not giving up until I know for sure.
01:06:43Hey! Let me out!
01:06:51Thelma, are you quitting?
01:06:53What are you talking about?
01:06:55Production told me you turned down Jay's new project.
01:06:58And you didn't show up for any of the promo events.
01:07:01What new project is this about? Who told you this?
01:07:04Oh.
01:07:05I don't know.
01:07:07It couldn't be Edward.
01:07:10Could it?
01:07:11Edward?
01:07:14So, he turned it down and he told everybody that I quit?
01:07:18Maybe he thought it was for your own good?
01:07:21Interfering with my career without telling me?
01:07:24How is that for my own good?
01:07:30Babe, Mr. Ardoin is in a meeting right now.
01:07:32Get me out of my way.
01:07:35Apologies, gentlemen.
01:07:36Let's take a break.
01:07:37We'll continue this afternoon.
01:07:42Did you turn down the offer for my new film?
01:07:47I don't know.
01:07:50Can I explain?
01:07:51This will terminate our contract marriage.
01:07:54The deal is over.
01:07:56What do you mean?
01:07:58I'll pay the penalty for breaching our contract.
01:08:01Once it's settled, I don't want you meddling in my life anymore.
01:08:03You almost got hurt on set.
01:08:06I was trying to protect you.
01:08:07God, I don't need your protection, okay?
01:08:09I can look out for myself.
01:08:11This is my life.
01:08:12You're making a big mistake here.
01:08:16Just stay out of my work and my personal life, Edward.
01:08:19We're done.
01:08:27Hey, it's Thelma.
01:08:28Can I see you real quick?
01:08:32Thelma, you're very talented.
01:08:36It was such a shame just seeing you give up.
01:08:39But I knew you had it in you from this start.
01:08:42I saw it in you all the way.
01:08:48Now, I strictly get to make decisions for myself.
01:08:52Now, let's see this next project.
01:08:54Mm, next project, next project.
01:08:57Here it is.
01:09:01What do you think?
01:09:01Let's just say that it's a pleasure doing business with you, Jay.
01:09:13Congratulations.
01:09:27Come on.
01:09:28Please move, I'm leaving.
01:09:29You need to calm down.
01:09:30What are you doing?
01:09:30Excuse me, I'm perfectly calm.
01:09:33How about we both compromise?
01:09:35You continue with your acting as long as it's through Ardoin investments.
01:09:39You still don't get it, do you?
01:09:41I'm not your accessory.
01:09:42I'm not a part of the Ardoin family.
01:09:45Plus, the only person that can make decisions for me is myself.
01:09:48Can't we talk about it for the sake of our relationship?
01:09:53Look, I'm thankful for everything you've done for me.
01:09:58You've crossed the line.
01:10:01Goodbye, Edward.
01:10:05Oh, Thelma.
01:10:07Look, I have rarely seen Edward smile since his father passed away.
01:10:12And he's like a new man now that you're here.
01:10:15I'm sorry, but I can't stay here.
01:10:18It's okay, Sarah.
01:10:23Let her go.
01:10:23Since when did we become stalkers?
01:10:44Where is she?
01:10:45I know she has a bunch of crazy fans trying to get her attention, but if those assholes think they have a shot with my woman...
01:10:50You've not seen the news?
01:10:52Thelma has announced she's single again.
01:10:55What?
01:10:56Yeah, even a bunch of haters have turned into fans now.
01:11:00Especially after watching her show.
01:11:02I knew that guy was up to do good.
01:11:11Thelma, Thelma, Thelma, Thelma, are you still working with Ardawan Investment Family?
01:11:24The Ardawan Family has never officially announced your divorce. Is there something that they're hiding?
01:11:29Was your marriage to Edward Edward in strictly business, like the tabloids say?
01:11:33Uh, why don't you ask the man himself?
01:11:50Hey, Mr. Ardawan, you gotta step in.
01:11:51I don't.
01:11:52I'm sorry.
01:11:57So, Mr. Ardawan, what brings me here?
01:12:00Thinking of joining the entertainment industry?
01:12:02You know why I'm here.
01:12:04Sorry, I can't help you with that.
01:12:07Uh, so this new film is a romantic drama with some comedy.
01:12:12Is your and Jay's new movie too, yeah?
01:12:13I was like...
01:12:15You ever want any...
01:12:16Like, let's go!
01:12:17No. Not yet.
01:12:19Please, I would love to thank our amazing director, Jay, for all of his amazing visions,
01:12:25and everyone else who's helped me on this incredible journey.
01:12:29Like, hello, specifically.
01:12:32And I'm so excited to get started because I know that this is going to be another hit.
01:12:36All right, ready to check out the set for the new movie?
01:12:39I'll walk in.
01:12:40Uh, actually, do you want to check it out together?
01:12:43Sure.
01:12:43How do you win back a woman?
01:12:52Um, flowers, romance, gifts are always a good movie.
01:12:57How originally?
01:12:59Let's get back to the office.
01:13:00I got these for you.
01:13:14You can just leave them there.
01:13:15Toma, I'm sorry.
01:13:23I was wrong.
01:13:29Please, give me another chance.
01:13:31I promise I won't be overbearing.
01:13:36I'll respect all your opinions, and I'll never interfere with your career again.
01:13:39The flowers look good.
01:13:53I'll take these, and we can talk about the rest later.
01:13:56Go! I don't want to see you again!
01:14:08Cuts!
01:14:10Well done, everybody. That is a wrap.
01:14:13You were great.
01:14:13Here, I got you a cup of coffee.
01:14:16Thanks, Alex.
01:14:17Oh, shoot!
01:14:26I need to know where she is.
01:14:44Now!
01:14:47Uh, I think I might know where she is.
01:14:49Why the hell would you know?
01:14:50Do you have something to do with it?
01:14:51No, man. Look, all right.
01:14:52Carla was talking to some sketchy dude about Carla's basement.
01:14:55I think Thelma might be there.
01:14:57Trust me, man.
01:14:57I don't want anything bad to happen to her either.
01:15:00Believe me!
01:15:07Thelma?
01:15:10Where are you?
01:15:20Let's not do anything stupid.
01:15:23Whatever you want, just name it.
01:15:25Edward, Edward, Edward.
01:15:32How did you find this place?
01:15:39You again?
01:15:40You didn't seriously believe I would just walk away, did you?
01:15:44You're a coward.
01:15:48Kill her!
01:15:50And Edward, Edward, I want you to watch.
01:15:52If you touch her, I will skin you alive!
01:15:56I got it!
01:16:04Thelma, run!
01:16:05It's okay.
01:16:18It's over.
01:16:18It's okay, it's over, it's all over.
01:16:48It's today. I promised Nass I would go.
01:17:11Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:15I thought it closed down years ago.
01:17:19Alma?
01:17:21Edward?
01:17:22What are you doing here?
01:17:24Nass told me to come. What are you doing here?
01:17:27Well, now that you're here, I need to tell you a little secret.
01:17:32Be right back.
01:17:34Edward!
01:17:45Don't be scared, sweet man.
01:17:48What did you just call me?
01:17:57I told you I'd meet you here, Alan.
01:17:59Alcar, but how? Why didn't you tell me after all this time?
01:18:15After I escaped the orphanage, the headmistress sent people after me.
01:18:21So I had to fake my own death.
01:18:24I survived, but the price was becoming a different man.
01:18:29Cold, ruthless, even cruel.
01:18:36And I was so scared that if you found out this was the man I'd become, you wouldn't love me anymore.
01:18:43Besides, the Arduin family erased every trace of my past.
01:18:47If they find out you're the one I'm looking for, they'll use you against me.
01:18:53And I can't risk that.
01:18:55Alcar, you know that I love you.
01:19:01You do?
01:19:05Yeah, with you by my side, I'm not afraid of anything.
01:19:10I don't want us to ever be apart again.
01:19:17I don't want you to ever be apart.
01:19:20I don't want you to ever be apart.
01:19:21I don't want you to ever be apart.
01:19:23Yes.