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00:00Craig, then you should be the one to put out the fire.
00:04Don't look at me like that. We're not in love.
00:07Where are you? You were out all night.
00:09You better not work in the meeting with your fiancée's family.
00:13Fiancée?
00:13If you say no, I won't go. I won't get married.
00:16Why would I want to say that? What we had was arrangement only.
00:19Mr. Cooper wants you back at the mansion.
00:21Mr. Oscar's fiancée, I can move her fiancée.
00:25Mary, consider this a gift from your former sponsor.
00:28Take the money, I'll leave my son with.
00:31Everybody's here.
00:37You little thief!
00:42There's no need to check yourself out. You look pretty enough already.
00:46Grandpa, I've changed my mind. I want to marry her.
00:51Are you suggesting that my grandson is part of a compensation package for her?
00:56No, no, no, no, no. There must be a misunderstanding.
01:00Freya, your mom is still in a coma. If you want her to recover, you'll do what I say.
01:06You just got out of my bed. And now you're deeply in love with Oscar.
01:11Don't test my patience.
01:17I'll do it.
01:18Uncle! What's happening in there?
01:20Don't you have any manners? Knock!
01:37You're late.
01:44Hi.
01:44Take it off.
01:49What?
01:50Do you want me to take it off?
01:53Eric, can we talk?
01:55I've got something to say.
01:57Don't do this.
01:58I'm waiting.
02:03That's what I thought.
02:05Wasting time and it won't be able to handle it later.
02:08Don't look at me like that.
02:11We're not in love.
02:16The twisted fate between Eric and me began with a misunderstanding two years ago.
02:20You're the one that served me that drink, right?
02:42Then you should be the one to put out that fire.
02:44After that night, he lured me into an arrangement.
03:01What's the rush?
03:03You found a new target behind my back?
03:11Where are you?
03:12You were out all night.
03:13You better not ruin the meeting with your fiancée's family.
03:16The fiancée?
03:18Hey, I'm warming my bed while planning out bending behind my back.
03:22I'll give you the nasty.
03:25Sometimes I truly hate home.
03:27I think your voice is.
03:28If you say no, I won't go.
03:29I won't get married.
03:30Why would I want to say that?
03:32What we had was an arrangement only.
03:35But, you know, I like...
03:37Rhea, you're crossing the line here.
03:39It was only a scheme.
03:40It was just a transaction.
03:42Only sex.
03:43Nothing more.
03:45In the future...
03:46Future?
03:46There is no future!
03:48It ends now.
03:49I don't need this.
03:51After all, why would I want to be and share a whore with others?
03:57I...
03:57What?
03:58Oh, you want money, right?
04:04Here you go.
04:05Consider this a gift from your former sponsor.
04:08Take the money and leave my son!
04:09Mr. Eric, is Miss Freya?
04:29Oh, that ungrateful leech.
04:32I don't want to see her again.
04:35Understood.
04:36Anything else?
04:38Mr. Cooper wants you back at the mansion.
04:40Mr. Oscar's fiancée will be coming over.
04:42Fiancée?
04:45She's the daughter of the Brown family.
04:48What trash father invites over to the house?
04:51You oppose the marriage?
04:52The Browns, they need money.
04:56Oscar needs to be kept out of trouble.
04:59So everybody wins.
05:00I can live with that.
05:02So we're going?
05:03Right to the mansion.
05:05As Oscar's uncle, I should be the one to make sure that his future wife checks out.
05:10Very good, sir.
05:10You looking for trouble?
05:27Who do you think you're staring at?
05:30You hung up on me.
05:32Then you have the audacity to shut up here.
05:34Wait!
05:35This is Sophie's engagement.
05:37Why should I marry in her place?
05:38Freya, your mom is still in a coma.
05:42If you want her to recover, you'll do what I say.
05:47Marriage isn't a child's play.
05:48I won't do it.
05:49You ingrate.
05:51Who are you to say no?
05:54You little thief!
05:59You stole this from us.
06:01Were you planning to use it for your mother's medical expenses?
06:04You know what, Sophie?
06:06Call the assisted living facility.
06:08I'm not paying a feather dine.
06:13This is my own money.
06:14It has nothing to do with you.
06:16You're George's daughter.
06:17Every penny you earn belongs to us.
06:21Please, I beg you.
06:22My mother needs the care.
06:24I might change my mind if you get inside and agree to that wedding.
06:33I'll do it.
06:34I'll do it.
06:42Aw, that's more like it.
06:44See, doesn't it feel good to behave?
06:47You know, a bastard.
06:49Marrying into the Cooper family is a great blessing.
06:51You should be grateful to Sophie for her generosity.
06:54She was hesitant.
06:56Could it be she already has a man?
07:01You killed me.
07:03Who would want someone so utterly useless?
07:06But if you do, you'd better never see him again.
07:11No need to warn me.
07:13Eric won't see me again.
07:15Your mother's not dead yet.
07:18So why so glum?
07:21Oh, God.
07:21But just fix yourself before you go inside.
07:25There's no need to check yourself out.
07:44You look pretty enough already.
07:46I can already tell I'd like to spend more time with you.
07:52Huh.
07:53Well, if you think this car is nice, you haven't seen anything yet.
08:00And these aren't even all of my toys.
08:03You see, here, you get to showcase your true beauty.
08:10And I get to admire you from any one of these cars.
08:15Oh.
08:16Let me introduce myself.
08:18I'm Oscar.
08:20Your fiancé.
08:23Oh, come on.
08:25Let's get this meeting over with.
08:27But, just so you know,
08:30I'm not interested in this arranged marriage.
08:32No, I'm only here today to clear the air with my uncle.
08:35See, my uncle's the real decision maker in this family now.
08:39And it's been a living hell.
08:44What?
08:45You don't believe it?
08:47No outsiders dare to come near him.
08:50But he hasn't had a girlfriend in years.
08:53I'm starting to expect that he might be impotent.
08:58I, on the other hand,
09:00I am known to please women.
09:19Hey, everyone.
09:20Mr. Oscar.
09:25Everybody's here.
09:26Uncle?
09:33Mr. Eric.
09:35This is my daughter, Freya.
09:39So, this is the girl set to marry my nephew.
09:42Yes, yes.
09:43If my memory serves me correctly,
09:46Sophie was supposed to be the bride.
09:49But you put someone in her place now.
09:54Why?
09:55Mr. Cooper,
09:56Freya was lost for so many years
10:01that I wanted to make it up to her.
10:03And if she could marry Mr. Oscar,
10:05I could die.
10:08Without regret.
10:09Well, a lost child is indeed
10:12deserving of compensation.
10:14But what does that have to do with Oscar?
10:19Are you suggesting that my grandson
10:21is part of a compensation package for her?
10:24No, no, no, no, no.
10:26There must be a misunderstanding.
10:29No, we surely did not mean that.
10:31Yeah.
10:32The Brown family,
10:34not a worthy match for marriage.
10:36Fortunately,
10:37both Oscar and his grandpa
10:39oppose this marriage.
10:40Otherwise...
10:41Grandpa.
10:41Oscar.
10:44I knew you did not like this agreement.
10:47I promise you,
10:48I will get you a good match.
10:51Grandpa, I've changed my mind.
10:53I want to marry her.
10:57She is beautiful.
11:03Grandpa, I've changed my mind.
11:05I want to marry her.
11:08She is beautiful.
11:11All right, Oscar.
11:18What do you mean?
11:19Oh, grandmother's last wish
11:21was for me to marry a member of the Browns.
11:23And I intend to honor that wish.
11:26Oscar,
11:27this
11:28is a lifetime
11:29decision.
11:31I know, Grandpa.
11:33And I'm not being rash.
11:35And look,
11:35don't blame the Browns.
11:37I asked them to change it.
11:39You asked them?
11:41Yes.
11:43Freya and I
11:44have been in love
11:44for some time.
11:45And I didn't know
11:46she was a lost member
11:47of the Browns.
11:48This saves me
11:49a lot
11:50of trouble.
11:51This
11:52this is your choice.
11:55So I will not
11:56oppose it.
11:58We
11:58will set
12:00a wedding date.
12:02Of course.
12:06I disagree.
12:08Uncle
12:09Eric.
12:13This woman
12:14isn't for you.
12:16The marriage
12:16won't last.
12:18Do you know
12:19this girl?
12:20Know her.
12:21Not only do I know her,
12:22but we had some
12:23very close conversations.
12:25What?
12:25Isn't that right,
12:26Miss Freya?
12:27Yeah.
12:27Mr. Eric,
12:40you must be
12:41mistaken.
12:42Freya
12:43has injured
12:43her vocal cords
12:44and she
12:45can barely speak.
12:47She's
12:47nonverbal.
12:49Eric,
12:50do you have
12:50to humiliate me
12:51like this?
12:52She's
12:53nonverbal
12:55Oscar.
12:57Did you
12:58know this?
12:59Well,
12:59I'm an
13:00introvert.
13:01We'll get
13:02along just
13:03fine.
13:04Mr. Cooper,
13:05Freya may
13:06shut down
13:07from time
13:07to time,
13:08but she
13:08has many
13:08good qualities
13:09as well.
13:10Yes,
13:11my Freya
13:12is the
13:13best.
13:14Oscar,
13:15are you
13:17sure?
13:18Freya
13:19and I
13:19are deeply
13:20in love.
13:23I'll marry
13:24no one
13:24else.
13:24Gosh,
13:27it's
13:27so windy
13:28outside.
13:30You
13:31too.
13:32Deeply
13:33in love.
13:34Uncle,
13:35we've been
13:36dating for
13:36so long.
13:38You guys
13:39have been
13:39dating for
13:40a long
13:40time.
13:40Is that
13:40so,
13:41Miss
13:41Freya?
13:45Well,
13:46if that
13:46is the
13:46case,
13:47I won't
13:48interfere.
13:48look at
13:51the time.
13:53Thank you,
13:54Mr. Oscar,
13:55for your
13:55hospitality.
13:57You know,
13:57the weather
13:58is getting
13:58bad outside.
13:59Why doesn't
13:59everyone just
14:00stay the
14:00night?
14:03How kind
14:04of you.
14:18so this
14:23phone call
14:23was about
14:24marrying
14:24my nephew?
14:27We're
14:27over.
14:28What I
14:28do is
14:28none
14:29of your
14:29business.
14:30None
14:30of my
14:31business.
14:32First
14:32you seduce
14:33me,
14:33and then
14:34you seduce
14:34my nephew.
14:37Do you
14:38want to
14:38call me
14:38uncle?
14:41I
14:42didn't
14:42know
14:42it would
14:42be
14:42Oscar.
14:44Do you
14:45want me
14:45to believe
14:45that?
14:46I
14:47told you
14:47to stay
14:48away.
14:48So
14:48what
14:48is
14:49this?
14:50Hey,
14:51you just
14:52got out
14:53of my
14:53bed,
14:54and now
14:54you're
14:54deeply
14:55in
14:55love
14:55with
14:55Oscar.
14:57Free
14:57I.
15:00I have
15:00really
15:01underestimated
15:02you.
15:05I have
15:06my reasons.
15:07I can
15:07explain.
15:08Explain
15:09what?
15:10That my
15:11money is
15:11enough
15:11for you?
15:13Just
15:13name
15:13your
15:13price,
15:15and I'll
15:15give it
15:15to you.
15:16But
15:17if you
15:17dare to
15:17make
15:17an
15:18arrangement
15:19with
15:19Oscar,
15:21you'll
15:21pay for
15:21it,
15:22and you'll
15:22pay for
15:22it dearly.
15:25I'm
15:26not.
15:27If it's
15:28not for
15:29money,
15:31as of
15:31Oscar,
15:34do you
15:34two really
15:35have something
15:36going on?
15:37Hmm?
15:40What if
15:40I do?
15:41Didn't you
15:42say our
15:42deal is
15:42over?
15:44Did he
15:44touch you?
15:46Hmm?
15:46Well,
15:48let's
15:50just
15:50check it
15:50out
15:51ourselves.
15:53Mr.
15:54Mr.
15:54Eric!
16:02Mr.
16:03Eric,
16:03you...
16:05Don't
16:06you have
16:06any
16:06manners?
16:07Knock!
16:08I'm
16:09sorry.
16:10Get
16:10out.
16:11Get out.
16:11You just can't
16:39help falling
16:40for me,
16:40huh?
16:43You know I
16:44understand sign
16:44language.
16:46Why did you
16:46change your
16:47mind?
16:48Hmm.
16:49Does
16:50love at first
16:51sight come as a
16:52reason?
16:53I'm serious.
16:54regardless.
16:56Regardless, you
16:57are my fiancé
16:58now.
17:00So take a
17:00drink.
17:03Oh, come on.
17:05Do you think
17:05it's poisoned?
17:07Take one.
17:08Any one.
17:12There you go.
17:14Cheers.
17:16See?
17:17It's just
17:17wine.
17:18drink more.
17:24Relax a
17:24little.
17:33I wonder if I
17:34touch you
17:34tonight.
17:35How will my
17:36uncle react?
17:36I wonder if I
17:38touch you tonight.
17:39How will my
17:40uncle react?
17:48What's going
17:49on?
17:51Freya's drunk.
17:53So I'm just
17:53taking her to
17:54her room.
17:55Not this
17:56way.
17:57Well, she
17:58is my
17:58fiancé, so
17:59naturally...
18:00Your grandfather
18:00wants to see
18:01you as far as
18:02her.
18:03You haven't
18:04married her
18:04yet.
18:08Mrs. Hughes
18:09is going to
18:09take care of
18:10her.
18:12Okay.
18:18You used
18:38this
18:38despicable
18:39trick to
18:40seduce
18:40me.
18:42And now
18:42you're doing
18:42the same
18:43to my
18:43nephew.
18:45Freya,
18:46do you
18:47crave men?
18:50Or is it
18:50just the
18:50money?
18:53If it's
18:53about money,
18:55make a new
18:56deal with me.
18:57There's no
18:57need to
18:58a mall Oscar.
19:00I can
19:01provide for
19:01you.
19:04I won't
19:05be your
19:05mistress again.
19:10So you're
19:11determined to
19:12be my
19:12nephew's
19:12wife.
19:17That's
19:17what you
19:17want,
19:18right?
19:20Well,
19:20uncle is
19:21going to
19:21get to
19:22you.
19:47what's there
20:04to cover?
20:05Haven't I
20:05seen every
20:06inch of
20:07you?
20:10The offer
20:11from last
20:11night still
20:13stands.
20:14renew
20:16agreement
20:16and I
20:17will
20:17give
20:17you
20:17everything
20:18you
20:19want.
20:23Please
20:24get used
20:24to the
20:25nose.
20:28Mr.
20:29Oscar,
20:30thank you
20:31again for
20:32your kind
20:32hospitality
20:33and we
20:34slept so
20:35well.
20:36It's good
20:36to hear.
20:38Where is
20:38Freya?
20:40Who knows?
20:41we haven't
20:42seen her
20:43this
20:43morning.
20:45I think
20:46I know
20:46where she
20:46might be.
20:56I don't
20:57want to be
20:57involved with
20:58you anymore.
21:00Don't
21:00test my
21:01patience.
21:08Uncle,
21:09are you
21:09awake?
21:10Oscar,
21:11no,
21:11he can't
21:11know I'm
21:11here.
21:12Your
21:13fiance's
21:13here.
21:14Uncle.
21:16What is
21:17it?
21:17No one
21:18has seen
21:18Freya this
21:18morning.
21:19I'm
21:19wondering if
21:20you've
21:20seen her
21:21maybe.
21:23Oh,
21:24my dear
21:24niece.
21:26If Oscar
21:27finds out
21:27you're here
21:28in Uncle's
21:28room,
21:30do you
21:30think you
21:31would have
21:31any place
21:32in this
21:33house?
21:34No,
21:34if the
21:35marriage falls
21:35through,
21:35Mom will
21:36die.
21:37Mr.
21:37Oscar,
21:37she can't
21:38be in
21:38there.
21:39No,
21:40no way
21:40she'd be
21:41in there.
21:43Renew
21:43home
21:44contract
21:44or marry
21:47Oscar.
21:48I will
21:48make the
21:48choice
21:49for you.
22:01Uncle,
22:02what's
22:02happening
22:02in there?
22:06We're
22:06coming in.
22:08what makes
22:20you think
22:20she's in
22:21my room?
22:23Sorry,
22:23Uncle.
22:24I couldn't
22:24find my
22:25fiance,
22:26so I got
22:26a bit anxious.
22:27I knew
22:27she wouldn't
22:28be here.
22:29Why would
22:30Freya dare
22:31come to
22:31Mr. Eric's
22:32room?
22:33It's highly
22:34inappropriate.
22:35This is just
22:35a misunderstanding.
22:37You're
22:37certainly
22:37anxious.
22:38I guess
22:39your marriage
22:39has
22:40undecided.
22:41Oh,
22:42sounds like
22:42Uncle wants
22:43to break up
22:44us lovebirds.
22:45I never
22:45said that.
22:46Freya's
22:46always been
22:47wild.
22:48God knows
22:48where she
22:49is.
22:51The
22:51missing
22:52girl isn't
22:52here.
22:53You should
22:54leave.
22:56We won't
22:56disturb Uncle
22:57any longer.
23:00There,
23:00over there.
23:05There,
23:07over there.
23:32Would you
23:32care to
23:33organize my
23:34change slippers
23:35as well,
23:35Miss Sophie?
23:37Do you
23:37need me to
23:38leave the
23:38room so
23:39you can
23:39continue
23:39your search?
23:40I was
23:41too
23:41impulsive,
23:41Uncle.
23:42Mr. Eric,
23:43I'm sorry.
23:43I just,
23:43I saw
23:44the slippers
23:45and I,
23:45um...
23:46If you're
23:47done
23:47causing
23:47trouble,
23:49get out.
23:49Yes,
23:50get out.
23:52Of course,
23:53I had
23:53nothing to
23:54do with
23:54this.
23:55I knew
23:55she wasn't
23:56here.
23:59Nice
24:00decor.
24:03I'll see.
24:04But,
24:04Lena.
24:10I'm afraid
24:10I'm afraid
24:11of death.
24:21We're all
24:22going to be
24:22a family
24:22soon.
24:23Nothing
24:24is settled
24:24yet.
24:26Tired,
24:27Eric.
24:28Handle it.
24:29Grandfather,
24:30I said I
24:31agree.
24:31Why don't
24:33we ask
24:34Miss Freya?
24:39Why don't
24:40we ask
24:40Miss Freya?
24:43Our family
24:44would be
24:44blessed
24:45with this
24:45marriage.
24:46I'm sure
24:46Freya would
24:47never refuse.
24:49I'm asking
24:50her.
24:50Uncle,
24:52you're making
24:53her uncomfortable.
24:54She's just
24:55shy.
24:56If she's
24:56too shy
24:57to discuss
24:57her marriage
24:58then there's
24:58no need
24:59to proceed.
25:00That makes
25:01sense to
25:02me.
25:03Hey,
25:04think about
25:05your mother.
25:08Well,
25:09I guess this
25:09engagement
25:10is off
25:10then.
25:12I agree.
25:13What do you
25:14mean?
25:15I agree to
25:16marry Mr. Oscar.
25:16She means
25:18she would
25:19like to
25:19marry Mr. Oscar.
25:22Oh,
25:23is that so?
25:24Uncle,
25:26please
25:26allow this
25:27marriage.
25:28Well,
25:29I guess
25:29we'll have
25:30to see.
25:30Did you
25:31hear that?
25:32Uncle
25:32has agreed
25:33to our
25:33marriage.
25:33let's go.
25:45I like
25:46a
25:47time.
25:53You?
26:02You?
26:03What is it?
26:04What happened to your leg?
26:05I accidentally fell in the garden earlier.
26:07It's okay.
26:08That just solves the mystery, doesn't it?
26:10But we need to deal with that wound immediately.
26:12Oscar!
26:15Marriage is a very big decision.
26:18But since you insist,
26:21next weekend is my birthday banquet.
26:24If you have not changed your mind by then,
26:28I will agree to arrange the engagement.
26:33Grandfather, thank you for giving us this chance.
26:55Did you find out about it?
26:57Yes.
26:58Miss Freya is the daughter of George Brown's mistress.
27:05She's indeed a member of the Brown family.
27:08Mistress, you say?
27:10Yes.
27:11And according to the late Mrs. Cooper's wishes,
27:15upon a marriage between the Brown and the Cooper families,
27:18the Browns are entitled to massive business sponsorship
27:22worth millions of dollars from the Cooper family.
27:25It's all about our money.
27:30Yeah, well, like mother, like daughter.
27:34It's all about our money.
27:35You think it's a real estate?
27:36You know, like as other women as well.
27:37You know, when we go out there and we love you.
27:38You know it's all about our family.
27:39You know, we have to go out there and you know.
27:40You know, I'm like, I'm like, I'm like, I'm sitting here.
28:11Emily! My lovely granddaughter!
28:21Oh, grown up!
28:24How was your trip?
28:26It was really nice.
28:28Why is everyone so formal?
28:30Smith family reps are in the house, and we're planning your wedding.
28:34What? My wedding?
28:35I'm way too young for this.
28:38Ted, close that door!
28:39You can't do this to me!
28:41What?
28:43Oh, wow!
28:45Sir!
28:46Grandpa!
28:49Sir, sir!
28:50Our company was gutted by an insider.
28:56Why didn't you tell me something so important?
28:58I just wanted you to marry into the Smiths' family and have a carefree life.
29:05But I can't let this thief run free.
29:07I heard from the housekeeper that they're going to the Smiths.
29:11Don't bother yourself, honey.
29:14No one messes with the Williams and gets away with it.
29:17I'll join the Smiths' company and catch them all myself.
29:28Mr. Smith.
29:44Mr. Williams just called.
29:46His granddaughter, your fiancée, is coming to work at Dazzling today.
29:52What?
29:54What? I called off the engagement and they're still sending her?
29:59If they think this is going to change anything, they're dead wrong.
30:01Look, we could just deny her application if you wanted to.
30:06No.
30:08Just treat her well.
30:09I want to maintain any relationships we have with the Williams family.
30:12Understood. Understood.
30:13I'll call the creative head, Bella.
30:15Yeah?
30:15Yeah.
30:16Well, sir, you're going to work in baseball clothes again.
30:20Of course.
30:21Of course.
30:21Of course.
30:28The Williams family is going to be our new intern.
30:35Don't worry.
30:36I'll take good care of her.
30:38Sure.
30:40I'll keep it a secret.
30:41Everyone, I shouldn't be saying this, but the Williams heiress, who's also our CEO's fiancée,
30:53is going to be working with us.
30:55What?
30:55Let's give Ms. Williams the ultimate princess treatment.
31:13It's Ms. Williams!
31:15Uh, no, I'm not.
31:17What is going on?
31:18I just told Gramps to keep my identity a secret.
31:22Are you the new intern?
31:24We're so pleased to meet you.
31:26Yes, I'm the new intern for the creatives team.
31:29So they're not talking about me?
31:37Are you the new intern?
31:38We're so pleased to meet you.
31:41So they're not talking about me?
31:42Hey, that's good.
31:45Yes, I'm the new intern for the creatives team.
31:48Come with us.
31:49We're the creatives team.
31:50We'll show you the office.
31:52Norm?
31:53Is that you?
31:55You've changed so much since high school.
31:57Emily Williams?
31:58She's been stealing my spotlight at every opportunity since high school.
32:03And you haven't changed at all.
32:04Still as nosy and pitiful as I remember.
32:07Well, you look 10 years older.
32:09What happened?
32:10How dare you?
32:11Hi, I'm Emily.
32:14I'm an intern for the creatives team.
32:16Can I join you?
32:18You can read.
32:20The directory's over there.
32:23Let's go, Miss Williams.
32:24Let's go.
32:33So which one is the Williams heiress?
32:36Well, her name's Nora Williams.
32:38It's gotta be her.
32:41There's something regal about her, right?
32:52Miss Williams?
32:54We got you a welcome gift.
32:56Oh, this is for me?
32:58You guys are so sweet.
33:00Of course.
33:01Anything for the CEO's fiance and the Williams heiress.
33:05You think she's the Williams heiress?
33:09Anyone could claim that.
33:11I can be the CEO's fiance, too.
33:12You think anyone would mistake a high school dropout for the CEO's fiance?
33:17A high school dropout?
33:20I wonder what strings you pulled to get a job here.
33:22I graduated early, not dropped out.
33:26But she looks like a good bait to scare the mole out on my behalf.
33:31Yeah, you're right.
33:32Who am I compared to the true heiress?
33:35I'm no one.
33:38Oh, that makes sense.
33:40They think I'm the Williams heiress.
33:42It's payback time, Emily.
33:44You can never steal my spotlight now.
33:45I like to keep it low-key.
33:50Yeah.
33:51Miss Williams here likes to keep things under wraps.
34:00Where do you think you're going?
34:02Where do you think you're going?
34:08I need a hundred copies of those.
34:11I'm a creative intern, too.
34:12I have my own tasks.
34:14You can do your own.
34:14How dare you talk back to Miss Williams?
34:17Know your place, newbie.
34:19And as a newbie, you are to obey whatever Miss Williams tells you.
34:24No questions asked.
34:25Are we clear?
34:27Sure.
34:28You say so.
34:40Are you kidding me?
34:42Don't break down on me now.
34:44I'm not even halfway done yet.
34:58Hi.
34:59This is for the creative floor.
35:01I was just hoping to get a tech guy for the printer.
35:04Yeah, it's urgent.
35:05Thanks.
35:06Thanks.
35:14You need some help.
35:20Wow, you're here so fast.
35:24Wait, you were expecting me?
35:26Yeah, you're here for the printer, right?
35:29She thinks I'm the tech guy.
35:31Let me take a look.
35:32Oh, there's the black right here.
35:49I have another one of these.
35:52I wouldn't have guessed that.
35:53Well, looks like it's working.
36:02It works.
36:03You did it.
36:04I'm all over your face.
36:09Emily, you bitch.
36:13Emily, you bitch.
36:15The company pays you to work and you're here flirting with filthy repairmen?
36:18She's only here to seduce men.
36:21Even the repairman doesn't get past her.
36:23I'm so sorry you had to see this, Miss Williams.
36:27Miss Williams?
36:29Oh, is this arrogant brat my fiancé?
36:32Guess I made the right choice in calling off the engagement.
36:36Excuse me.
36:37I will not tolerate harassment at my company.
36:42No one asked for your opinion, repairman.
36:44You're not a part of this company.
36:46I'm not.
36:48Of course I am.
36:49I own it.
36:52Dream on.
36:53The owner of this company is my fiancé, Theodore Smith, and you're obviously not him.
36:59Security, get these two out of here.
37:02That's them.
37:04Throw out that fake boss and that slut.
37:07You dare call the CEO a fake?
37:16You want me to throw you out instead?
37:22CEO?
37:23Mr. Smith?
37:25Bella, we do offer health insurance.
37:28You know, you can get an eye exam, please.
37:30Theodore, my fiancé.
37:32I'm sorry.
37:33I must have misunderstood what Bella said earlier.
37:35Mr. Smith, I'm so sorry.
37:38I didn't recognize you.
37:39I promise it won't happen again.
37:42You know, I promised your grandfather that we would take care of you.
37:46So I'll forgive this once.
37:48But as for you, apologize to your co-worker.
37:56Sorry, Emily.
38:01Dazzling is a safe workplace.
38:05Don't let this happen again.
38:06Don't get too smug.
38:16Nora, Theodore is your fiancé.
38:20Why didn't you recognize him earlier?
38:21I just returned from overseas, remember?
38:39And besides, we haven't seen each other since we were kids.
38:46That's sweet.
38:47I heard that Mr. Smith is looking for a new gallery for an upcoming project.
38:52I remember that you have a huge gallery.
38:55Surely we can use it.
38:57A gallery?
38:58Oh, right.
38:59The Williams Art Gallery.
39:01It's one of the city's top galleries.
39:03I heard they have over a hundred artists.
39:06And they've sold over a billion dollars worth of artwork.
39:09Of course, I own the biggest gallery in New York.
39:17I'm sure it's up to company standards.
39:20It's going to be so fun.
39:22Perfect.
39:23It's clearly my family's gallery.
39:25You seem to enjoy impersonating me.
39:28Let's see what you can do.
39:30Then, Miss Williams,
39:32will you be so kind and give us a tour of your gallery?
39:35This foolish woman finally comes up with a half-lady-ecent idea.
39:42That would be fun.
39:43I've never been to a billionaire's gallery before.
39:45Let's go tomorrow?
39:47How can I afford to take them into a high-end gallery?
39:52Um, I have an idea.
39:57Okay.
40:05I have no time for chit-chat, okay?
40:18I need you to leave the door to the Williams Gallery unlocked
40:21so that me and my colleagues can come by tomorrow.
40:24Do it if you really love me.
40:25Are you crazy?
40:27I could get fired, Noura.
40:29Here we are.
40:34Welcome to my gallery.
40:36I can't wait to see what's inside.
40:38Shall we?
40:40Why are we entering through the back door?
40:42Wouldn't the owner want to show off the grand entrance?
40:44This is my favorite entrance, okay?
40:46Miss Williams is not that vain.
40:49She just uses this entrance like the rest of her staff.
40:53Okay.
40:59I'm familiar with that lock.
41:03It updates its password every three days
41:05and voice recognition works, too.
41:07Only Miss Williams' voice can unlock it.
41:11It's just a simple lock.
41:14Miss Williams would know that already.
41:16It's not your place to speak up.
41:18Miss Williams,
41:20please show us how you unlock the door
41:21with your heavenly voice.
41:27I can do it.
41:29Miss Williams,
41:46is this the person responsible for your gallery?
41:49She's Miss Williams?
41:51It's been a while, Miss Williams.
41:54Are these your friends?
41:56Hey, welcome.
41:57Come on in.
41:59Come on in.
42:06The gallery is down the hallway.
42:07Wow, your gallery is so much bigger in person.
42:17Of course.
42:18My grandpa always wants what's best for me.
42:23What's so funny, Emily?
42:25She's just too happy because it's her first time being surrounded by luxury.
42:29Do you have any idea how much Miss Williams' collections are worth?
42:34These are worth millions of dollars.
42:36I've been collecting art my whole life.
42:39Whoa, look at this one.
42:41It's the famous sunset at Ginevary Gardens.
42:45That's not what that is.
42:47Wait till you see it up close and personal.
42:49Miss Williams, what is that?
43:06I don't know.
43:07It's the gallery security alarm.
43:09Why would the alarm go off?
43:10Because Miss Williams touched the painting.
43:13You pathetic loser.
43:14Are you really blaming me?
43:15Oh, no.
43:15I'm just stating a fact.
43:17The police are probably on their way now.
43:19The police?
43:20Yeah.
43:20The police should be here anytime unless we turn off the alarm.
43:25The police can't come.
43:27I will be exposed.
43:31This is all your fault, you dirt little rat.
43:34Miss Williams, don't waste your energy on that jealous beggar.
43:36Okay.
43:40It stopped.
43:44What the hell's going on?
43:45Emily, you must have touched something.
43:47Oh, I saw a beggar girl.
43:49She touched something over there.
43:50I didn't do anything.
43:51It wasn't me.
43:52I'm just surprised Miss Williams doesn't know how to turn off her own alarm system.
43:56I haven't been here in a while, okay?
43:58I forgot.
43:59And I bet the alarm turned off because Emily was reckless touching stuff that wasn't hers.
44:05I agree, Miss Williams.
44:07Next time we won't be bringing that clumsy beggar with us.
44:10I promise, I will do everything in my power to get that bitch fired.
44:17Hi, who's ready for some refreshments?
44:20What the heck?
44:21My gallery is a no eating zone.
44:27Who's up for some refreshments?
44:28Wow, you even got your attendant to prepare a snack?
44:32Of course, your eyes feasted on my art and now your stomachs will feast too.
44:35Great, I'm starving.
44:37Come on, girl, let's dig in.
44:39Wow, everything looks delish.
44:41Yep, I ordered the waiter to select the best snacks for you.
44:46Don't most art galleries have a no food policy, especially fancy ones like this?
44:50My gallery, my rules.
44:51Shut your trap.
44:52Miss Williams was kind enough to invite you here and this is how you repay her?
44:56Are you blind?
44:59Everything that happened here shows that she's not Miss Williams.
45:06How dare you?
45:08Are you really looking for trouble?
45:11Miss Williams!
45:16Miss Williams!
45:17What have you done?
45:18You spilled juice all over the floor.
45:20Go get a mop and clean it this instant.
45:24I'm so sorry, Miss Williams.
45:26Why is she looking at Emily?
45:28Hey, I'm talking to you, eyes over here.
45:31Please.
45:31It's Miss Williams to you.
45:38Miss Williams, why don't you call the person in charge of your gallery?
45:42I don't take orders from you, gutter clown.
45:44Isn't that why we're here?
45:45To seal the deal?
45:47Yeah, Miss Williams, Mr. Smith did say to get the gallery's contact information.
45:52I'm the owner.
45:53I'm the contact person.
45:56Yeah, but Mr. Smith is going to want to see the paperwork.
45:59He won't accept word of mouth.
46:00So what's the name of the person in charge, Miss Williams?
46:10It's Max Collins.
46:11Of course I know Max Collins.
46:13I put him in charge of my gallery.
46:15Can you call him?
46:16So we can get the paperwork done?
46:27Attendant.
46:27Come here.
46:29Mom.
46:30You have to cover for me.
46:31No, I can't.
46:32Attendant.
46:34Attendant.
46:40You don't even know her name?
46:42I don't bother.
46:43She's just a servant.
46:44Go get Max Collins for me.
46:47I don't know where he is.
46:48Oh, you good-for-nothing servant.
46:50Call him then.
46:51I don't have his number.
46:53Why don't you call him yourself, Miss Williams?
46:56You must have him in your contacts.
46:58I just got a new phone.
46:59And my contacts haven't transferred over yet.
47:02I'll call him for you.
47:03Hi, Max.
47:10Could you come by the gallery?
47:12Oh, you're upstairs?
47:14Could you come down, please?
47:19But you really think that we'd believe that stupid little phone call trick?
47:23We're not idiots, you know.
47:24Yeah, I bet she called the pizzeria.
47:27She's lost her mind.
47:31It's good to see you here, Miss Williams.
47:48Hey.
47:52He's pretty handsome.
47:54What's up?
47:57Don't say anything.
47:58Just kiss me.
48:09What are you doing?
48:12Not saying anything.
48:13Just kiss me.
48:18No, no, no.
48:19Your friends are able to do this, let me play it.
48:31So, truth or dare?
48:34Um, truth.
48:36Let's talk about that husband you've never met.
48:39I don't really know him that well.
48:41We got married and then I left the country pretty quick.
48:43Well, let's go with the dare then.
48:45If your husband isn't up here, he can stop you.
48:47Okay, what's the dare?
48:49Ask that guy over there for a kiss.
48:52You want me to do what?
48:53I've been watching him for a while.
48:55He's drinking alone.
48:57Seems classy.
48:58He's probably good looking too.
49:00Come on, Isabella.
49:01Go for it.
49:03How did you know?
49:13The mask suits you, little wanker.
49:24That man was so handsome.
49:26You're bored.
49:27He seems so familiar.
49:29Is he the CEO of the Avery Group?
49:33Dean Avery?
49:34Dean Avery?
49:36Isn't that my husband?
49:43Are you sure that's Dean Avery?
49:45I want to mistake him for someone else.
49:47Too bad he got married so young.
49:49He is every girl's dream of that city.
49:53Whoever he married is one lucky woman.
49:57Samantha?
49:58Where are you?
50:20Dean!
50:21Who's that girl?
50:21Dean!
50:22Who's that girl?
50:24Dean!
50:25Dean!
50:25Who's that girl?
50:26Who's that girl?
50:27The Avery family only agreed to this marriage to suppress the scandal.
50:38Don't be ungrateful.
50:40I don't know how you got me married, but I won't honor it.
50:43Yes, you know.
50:48Hey, are you okay?
50:50Your phone is ringing.
50:51By the way, Mr. Avery, your mom called.
50:57She wants you home early.
50:59Your wife's back in the country.
51:01God, she wants to suppress the fucking scandal!
51:04Didn't you sleep together?
51:05Please.
51:05That woman tricks me into bed and then conspires with the whole media to get whatever she wants.
51:10I never would agree to marry that woman unless it was for black men.
51:14It's been two long years of that fucking marriage.
51:17I would be rather married to a cow than deal with this humiliation.
51:20But you know what?
51:21Now that she's back, I'm going to put an end to this farce once and for all.
51:25You know you can call me mom.
51:34You'll be dropping by later, yes?
51:37So, did he recognize me?
51:40Sign this and get out.
51:48Ew.
51:51What are you doing here?
51:52Your mother let me in.
51:57Huh.
51:59Quite the uninvited guest.
52:01You got a wild streak.
52:03I don't know what you're talking about.
52:06What did you need me to sign?
52:08Don't worry about it.
52:09That's, uh...
52:10Where is that other woman?
52:13Is another woman here?
52:14Nope.
52:14Don't worry about it.
52:16Right now it's just you and me.
52:18Are you cheating on me?
52:19Uh, according to my calculations, this is only the second time we've met, little wildcat.
52:26Stop calling me that.
52:28Wait, did you say the second time?
52:30Yeah.
52:32And now I'm going to need to know your name.
52:34You don't know who I am?
52:37I know that you're the woman who came back to my house for little kids.
52:41What do you think you're doing?
52:52Oh, uh, nothing.
52:54Do you need a ride home?
52:56No way!
52:57I have an interview tomorrow.
52:58I can drive myself home.
52:59Well, I'll let you work for my company.
53:00Oh, yeah, right.
53:02To be exploited by you.
53:04The last thing I'd ever do is work with you.
53:05Interesting.
53:13I like her.
53:19I'm going to need you to get some documents over to the Johnson family ASAP.
53:26Dean, darling, you mentioned about hiring a new designer.
53:29So I'm helping you with the interviews.
53:32Okay, see you later.
53:34Miss Johnson's resume is quite impressive.
53:37I think that she would make a great addition to the company.
53:42Being a jewelry designer isn't something you could do just because you have a pretty face.
53:47What matters is creativity and skill.
53:50And maybe spend less time on flashy outfits and more uncreated, beautiful design like this?
54:01This one actually needs some improving.
54:04What do you know?
54:06This design won a European Emerald Design Competition Gold Award.
54:10Shauna, actually, it's...
54:12Actually, what?
54:13You're meant by this way of my appearance, but I'm not.
54:16Uh, this is Miss Johnson's design.
54:21What?
54:26The interview went so well.
54:28Now I just have to wait for the job offer.
54:43Oh, hello there, little wild cat.
54:46Well, hello there, little wild cat.
54:58Dean Avery?
54:59So you do know my name.
55:01Hmm, so...
55:02You see me at my home and then...
55:06Now at my company.
55:08Your company?
55:09This isn't Avery Corporations.
55:11This is Paya Jewelry.
55:12No, see, Paya Jewelry is a little project I did with my friends back in college.
55:17It just kind of blew up into a thing and...
55:19Well, now I run it alongside Avery Corp.
55:23Uh...
55:23Well...
55:25That's impressive.
55:27Mm.
55:28Well, uh...
55:29Thank you for the compliments.
55:30Dane?
55:41What?
55:42There's a camera watching us.
55:46Well, then I'll just turn it off.
55:48No, that's not the point.
55:49The issue is...
55:51What?
55:51Aren't you married?
55:53You have a wife.
55:54You mean the Johnson girl?
55:56She doesn't care about me.
55:57She hasn't even seen me in...
55:59Years.
56:00Just because I don't care doesn't mean you can cheat.
56:02You're such a jerk.
56:04Are you jealous?
56:06Now, why would I be jealous?
56:08Okay, fine.
56:09So, you're not jealous.
56:11So I'll just get a divorce.
56:12And then...
56:13We can get married.
56:15Do you even realize what you're saying?
56:18Yeah, of course I do.
56:19There's no love between us and...
56:21It's just not going to make a difference to her.
56:22Are you sure?
56:24You want to be with me?
56:25Well, you're the one who's chasing after me.
56:31You really are something, Dana.
56:33I am your black.
56:55I am your black.