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00:00I was told that this aromatic water is blessed
00:03and can heal any kind of pain.
00:09Even those of heart?
00:11Especially those.
00:13Well then, thank you very much.
00:17Don't you think, Luis Eduardo, that life is very strange?
00:22Because look, there are people who can stay by our side for a lifetime.
00:27and one hardly ever gets to know them.
00:30On the other hand, there are others that with just a couple of moments
00:33They manage to get into your heart.
00:37Are you referring to Mr. Eduardo Sáenz?
00:40Yes, I say it for him.
00:43Well, because it's strange, I know that I didn't know him that well,
00:47that we only exchanged a couple of calls and emails and that I saw him very little,
00:53But it only took that little bit for me to truly feel like a friend.
01:00Really?
01:01Well yes, you can't imagine how special that man was.
01:06Well, from the way you talk about him it's not that hard to guess.
01:09Yes, I think we are going to miss him a lot and I'm not just saying this because of all the help he accepted.
01:16not only because we found the hotel, but because thanks to it I found love again.
01:22Look, Don Eduardo, without knowing it, not only extended his hand to me as very few people have done in life,
01:32but ended up introducing me to the person who little by little has been winning my heart.
01:38No, but someone has to tell me how you do it, since you don't know anything.
01:52I don't know, I don't know, ma'am.
01:54The blessing, mom.
01:56Blessing, my little son.
01:57What's up, Mom?
01:58Oh, my son, I'm more bored.
01:59How do you feel about coming in this morning to find half the staff had quit?
02:03No, I ran out of waiters.
02:05And I guess you know why.
02:07No, what about me, I have no idea.
02:09Of course I imagine that her father's beauty has something to do with all this,
02:12But why would he take them and where?
02:15I think, Mom, they're over here.
02:18What is this?
02:19There are some flyers being distributed throughout the neighborhood.
02:22There are a lot of those guys hanging around.
02:25Los Hostales Restaurant and Sports Club?
02:27Served by its owner Alcides con Barisa, who knows what's good.
02:33We are waiting for you.
02:41I'm going to kill him.
02:45I'm going to kill him.
02:49Even if it costs me my life.
02:52And even if it costs me tears.
02:53Look, my little boy, I swear I have to kill him.
03:03Miria.
03:17And he's been there for a while?
03:19No, no, not much.
03:21Do you want me to leave?
03:22No, no, no, no, no.
03:22Come and join me.
03:27Is the work done yet?
03:28Yes, ma'am.
03:31Nice picture, isn't it?
03:33Yes, very pretty.
03:35We didn't take it when we first started dating.
03:40Oh, Karin.
03:42In all the time I'd been with Arturo, I'd never cried like that for him.
03:48He had never spoken to me like that.
03:49Mirian, there's something...
03:55That I need to tell you.
03:59There is something you should know.
04:09What is this boredom, Silvia?
04:11Don't tell me you're like this because of our manager.
04:13Don't you have anything better to do than ruin my life?
04:19The truth?
04:20No.
04:22And where is the little Robertico?
04:24What was done?
04:25Roberto is in Panama carrying Eduardo's remains.
04:28Oh, what a good employee, huh?
04:30Well.
04:32More than just a good employee.
04:34They were both very good friends.
04:36Good for him.
04:38What do you want?
04:40Does my company bother you?
04:41Please sit down.
04:42No, no, you know what?
04:44I love your company.
04:45I enjoy it so much, but I have better things to do.
04:48Ok, so let's get to the point.
04:50I wanted to thank you for the money you deposited into my account.
04:54It's a very nice gesture of you to have responded to a debt that isn't yours.
04:59That speaks very well of you.
05:01It's good that you think that way, really.
05:04Now you excuse me.
05:05But on reflection, that money is not enough to keep me silent.
05:09Because yes, he owed me that money and you paid me.
05:12Thank you, what a nice touch.
05:14But if you want me to keep quiet about Eduardo's death, that's worth a pretty penny to you.
05:26Miriam, what I need to tell you is that...
05:28Excuse me, excuse me.
05:30I don't want to...
05:30I don't like you seeing me like this.
05:33Oh, no, don't worry, don't worry.
05:35I imagine it must be very difficult for your boyfriend to tell you to take a break.
05:40And that's why I need to say...
05:42Karen, it's just that...
05:43It's not just Arturo's thing.
05:44It's just that my little brother doesn't come home anymore.
05:49The workshop just isn't taking off.
05:51The thing is...
05:52It's just that I haven't been able to raise your salaries, Karen.
05:56I'm starting to believe that this whole thing about getting the workshop going is pure...
06:00Pure whim of mine, pure stubbornness.
06:03No, but if this is your inheritance, this is what your parents gave you.
06:06Yes, but you don't have to pay for that, Karen.
06:09You are good people.
06:11You, Yadir, Arnei, look.
06:15Arnei had to leave.
06:16Ah, but Arnei is ambitious.
06:18No, ma'am.
06:20You are good people and have the right to seek better things.
06:23Go, nothing.
06:25As I get older, I haven't even left her yet.
06:30What did he have to tell me?
06:32Look, what I have to tell you is that...
06:37Count me in, okay?
06:40That you are not alone.
06:44Give me your hand, Karen.
06:48Karen.
06:51I know I can count on you.
06:54I love you very much.
06:57I love you like...
06:59Like the little sister I never had.
07:02One has to be very shameless in this life.
07:09To go out with my daughter, Andrea, when I told him not to go out with her.
07:13And also to blackmail me for a person who is already dead.
07:16Nothing in this life is free.
07:18No, it's just that I don't have you here for free.
07:20I'm paying him a salary, and a very high one, but I don't see any results.
07:24But good results are not achieved that way.
07:27They take time.
07:27Don't tell me.
07:29I'm already fed up with hearing that little story.
07:32And you achieve nothing, nothing with Cecilia.
07:35Well, that's precisely what I need the ticket for, to take care of Ceci the way she deserves.
07:40We have to take advantage of the fact that that dwarf isn't here and I can approach him easily.
07:44Too bad.
07:45I won't give him another cent.
07:47I wanted to fix things the good way, but I see that it was the bad way.
07:52Pity.
07:55How much do you need?
07:57Now yes.
07:58Now we are understanding each other.
08:07Tolerance, tolerance.
08:09You know that violence is the intellectual incapacity of man.
08:13What or my blessing?
08:14Blessing.
08:15What can I do for the lady that I can help her with?
08:18Why are you doing this to me?
08:20What did I do?
08:21You know very well what I'm talking about.
08:23From this!
08:24About the business he's setting up behind my back.
08:26Don't act like a gringo to me.
08:27Ah, they look nice on me, don't they?
08:29Yes, they will look even nicer when you put them on your head as decoration.
08:32Oh, why does it have to be so true, so narrow-minded and so narrow, man?
08:35Rude there in front of our son.
08:36Because our son knows who the scoundrel is here, who is playing dirty.
08:40Me playing dirty?
08:41How do you like it, my son?
08:42Me playing dirty.
08:43All I did was use my free time, huh?
08:46Because I have nothing else to do.
08:47So what?
08:48I decided to dedicate myself to starting my business, my own business, my job, my restaurant, right?
08:52Besides, I don't know why he gets so worked up.
08:54I had already sung them to you.
08:55Dad, and to start your own business, was it necessary to take my mom's waiters away?
08:58Why, Dad?
08:59Was it necessary to make that subtraction?
09:01And what is this?
09:03But, my son, if they are my trusted people, the people I made, that I trained, they are the only people I trust.
09:09Besides, they came to me at their own risk.
09:13If not, go and ask them.
09:14Of course, because you offered them half of what I was paying them.
09:17Double, Mom.
09:18That's it, double!
09:19Ah, well, that's not my fault.
09:21Of course, why don't they raise people's salaries?
09:23Why don't they raise people's salaries, huh?
09:25People need to be kept happy and people...
09:27Ow, ow! Ow, pimple!
09:29Oh yeah, buddy!
09:30That's how it gets, isn't it!
09:31Yes, go!
09:31Look, it's all here!
09:35Do something, friend!
09:36Yes, go!
09:36Yeah, look how he gets, right?
09:37Look at her!
09:38Look at it so you or I can see!
09:40Coward!
09:40That's crazy, you're a schemer, a sewer thief!
09:43If you touch me, if you touch me, you'll see that I'll turn the police on you, right?
09:46Oh, she looks so pretty saying all those nonsense!
09:48Well, I'm going to look even prettier when I'm getting revenge for everything Alcides is doing to me.
09:53Because if you want war, war is what you're going to get.
09:55You're going to regret everything you're doing to me, you bastard!
09:59You are a first-hand witness.
10:00You see how he gets, right?
10:01You see how he gets after I went, right?
10:02Yes, yes, yes, see how it gets.
10:04Dad, you're really cheeky, aren't you?
10:06Raven, come on, take out my eyes.
10:07Ah, yes, watch out, the pineapple ones.
10:08No, don't disrespect me, please, I'm your dad.
10:10Well, yes, sorry, sorry, yeah, sorry, dad.
10:12Oh, you know what, Dad?
10:13The blessing.
10:17It looks like this.
10:19We could pour out tricks with those hands.
10:28That doesn't seem strange to me.
10:30And how do you justify that Don Eduardo did not leave with Don Roberto at the time?
10:34They must have had their reasons.
10:35That's where my deduction comes from, Tulita.
10:37For me, Don Eduardo didn't fight with Doña Silvia, but with the manager.
10:41Do you believe?
10:42Sign it.
10:43It seems to me that you are isolating too finely.
10:45It's called an investigative eye, Tulita, which is different.
10:48Let's get to work instead, kid, because we're going to get scolded.
10:50Are you going to leave without the other gossip?
10:51Is there more?
10:52And romantic.
10:54Sorry, sorry.
10:55Why don't you guess who the new couple at this hotel is?
10:58Juan Antonio, and?
11:00Don Milton.
11:01No, no, Ceci.
11:02Seriously, Tulita?
11:05Last night they had lunch at Ceci's apartment.
11:07And they say that this romance isn't going well either.
11:11Well, who sees Ceci, right, Mom?
11:18No, well, if you want then I'll call you later.
11:21No, no, it's not going to be possible because I'm going to Panama right now.
11:24Why's that?
11:25No, it's a longer story.
11:26When I arrive I'll tell you.
11:28Okay, that's it.
11:28Come on, could you do me a favor?
11:30Are you keeping an eye on Miriam?
11:32What's happening?
11:32Man, because I talked to her and I felt like she had the syndrome of...
11:36What's that back here?
11:38No, that's in Panamanian.
11:39In Colombian it is a chicopaladas.
11:41What do you know about longitude?
11:42Hey, do you happen to have nothing to do with that?
11:44No, zero.
11:45No no.
11:46Well, you know how your sister is, she's a bit cyclothymic.
11:49Yes, I know.
11:50She is cyclotychic.
11:51It's true.
11:52But anyway, I'll leave it to you.
11:53We're talking, okay?
11:54Good luck to you.
11:54Oh, damn, I went too far.
12:03And all to annoy me, to screw up my life.
12:06It was hard to give it another name, but it didn't have to be the name most similar to the portals and not be neither mistress.
12:11Oh, well, yes, Mom, but don't be bitter about it.
12:14Oh no?
12:14It's just that you think what your dad's beauty is doing is very beautiful.
12:17Well, I know she's not a beauty, Mom.
12:19It is not ethical.
12:20But it is not a crime either.
12:22A filthy mess, a complete mess.
12:25That's what it is, Arthur.
12:27But it's like his father is not a man with values, with straight principles.
12:31It is what it is, it's something else.
12:40Thank you, vassal.
12:41Please, everyone, pay attention to me.
12:43I urge you to work, to work with love.
12:46With enthusiasm for hostels.
12:47Please, I beg you.
12:48We're going to turn this place into a very exclusive place, the best in the neighborhood, the best in the city, the best in the country, the best in the entire world.
12:56Look, I assure you all that this site, better than the portals, will be like a mess of ink compared to what we're going to do on this site, in this exclusive place.
13:06So please, clean everything up.
13:08That people feel comfortable coming here, everyone to work.
13:11This is all nice and shiny, all clean, all mopped.
13:14Go ahead, brother, get to work.
13:15No, come on, Mr. Axides.
13:16That?
13:17What do we do in the meantime?
13:17How so we?
13:18Oh, us?
13:19Come on, this, what do you mean us?
13:21We're just having a walk, they're working, and what are you doing there?
13:23What, like the Fat sisters who work, what?
13:26I or a gorgo on a rail worked more.
13:28Go see him, brother, moving, moving.
13:30Come on, come on, come on, come on.
13:31Come on, miss, have some tea, see if that fixes your face, because I know something's wrong with you.
13:36And I'm going to tell myself no, that I know her very well.
13:37Oh no, Tulita, I'm tired.
13:40Yes, yes.
13:41Seriously, there was quite a lot of hustle and bustle with Don Eduardo coming and all that, imagine.
13:48Could it be that the girl is rather sleepless because she had to attend to a good day in her apartment?
13:53As?
13:54Just as you are hearing it, because gossip flies around here.
13:57And where did the story come from?
13:57Oh, I think Anne Boleyn is like a bit of a witch because she knows things before they happen, my love.
14:03Yes, either that or Roberto told something.
14:05Oh no, for God's sake.
14:08Well yes, how do you think so?
14:12Juan Antonio was at my apartment last night, but he didn't stay long at all.
14:16All I did was clarify that...
14:19Well, at this moment we can't have anything other than a friendship, because I'm already in love with someone else.
14:25Well, I love it, my little girl, that you make things clear, so people don't start talking about things that aren't true.
14:29That's the least of it, Tulita. If they want to talk, let them talk. If they want to believe what they want, let them believe it.
14:33What really matters to me and what I was interested in was that Juan Antonio had it clear.
14:38Ceci, speaking of something else, did you manage to say goodbye to Don Eduardo?
14:41Because people are terrified that he didn't say goodbye to anyone, that he left in a hurry.
14:45Yes, well, a problem arose and he had to leave, Tulita, just like that, at the last minute, in an emergency, imagine.
14:52And Don Roberto too?
14:53Why is that another one that flew away?
14:55Yes, I imagine it has to do with the same thing, because you know more than anyone what it's like to own a hotel. Imagine having several. That must be crazy.
15:01Clear.
15:03Well yes.
15:03Yeah.
15:05Tulita, I wanted to ask you a favor, and it's that I don't know if you can be on hand for the event tonight here at the hotel.
15:12To be honest, I'm really feeling bad. Or rather, I'm super tired, super exhausted, and I don't feel capable of doing anything good.
15:19Don't worry, I'll be happy to take care of everything. I'll be in the game and on the ball.
15:23Anyway, I left almost everything ready, right?
15:25The folder with the information should be around here. I even spoke to the waiters, including Luis Eduardo, and he has no problem working overtime.
15:32Well, don't worry, my dear, if anything happens I'll contact you, although I don't think so, because when the girl is in charge of organizing an event, there's no loss.
15:40Thank you, Tulita.
15:41Rather, why don't you accept a little advice from me?
15:46Why don't you go to the pool tonight?
15:49He takes a little swim.
15:51Oh, you know, my dear, it looks like new, right?
15:53Well, do you know that suddenly I'm going to listen to you?
15:57I'll come and accompany her.
16:00Thank you, Tulita.
16:01Thank you, Tulita.
16:31You can't find out about this, not a single word.
16:33Oh, I don't understand, Mom, if you care so much, why did you ask for that man's ashes to bring them to the office?
16:37Tell me, what excuse are you going to come up with?
16:39If I were you, I'd take them home.
16:41You guys aren't even lukewarm, I'm not going back to that house, not even if I'm crazy.
16:44Well, I remind you that we live there.
16:46We lived, because from today I'm coming to the hotel, until I find a place to live.
16:50In fact, I already told Tulia to fix up a room for me because I'm remodeling the house or something, I don't know.
16:55No, it seems to me that you are exaggerating things greatly.
16:58Think about what you want.
16:59I'm never going back to that house again.
17:05No, it's Ernei if it's the mess, leaving us stranded just when there's more work.
17:09Do you have how?
17:10No, and here we definitely do need a man's hand.
17:13But it was a bad time because we had to defend ourselves alone.
17:16Ernei is not there, cousin is at the hotel.
17:18And Arturo, we don't even count on him anymore.
17:20Ready, Yadira.
17:23Karen is in charge of the workshop then, right?
17:24Well, see you later.
17:26Bye bye.
17:35Karen.
17:36Oh, Arturo, you scared me.
17:38Let's give ourselves a chance, yes.
17:40Oh, Arturo, I don't know if I'm capable of doing that to Miriam.
17:42Miriam doesn't care about anything but her job.
17:44No, look, she was very ill since you told her to take a break.
17:48Yes of course.
17:50And today I imagine that I no longer exist for her.
17:52Oh, Arturo, don't talk about your girlfriend like that.
17:54Oh, Karen, please.
17:55You more than anyone know how much I loved Miriam.
17:58I have loved her with all my soul.
18:00I've left everything for her, I've spoiled her to the max, but I'm tired.
18:03I got tired of being the one who pulls, the one who asks for a smile, a caress.
18:07I want to be her priority in her life, number one.
18:11Look, Arturo, I have a great time with you, okay?
18:13But I'm in love with Primo.
18:16And I always have been.
18:18Cousin doesn't want her.
18:20Well, one day he's going to love me.
18:22Cousin is in love with someone else.
18:24Whose?
18:25It doesn't matter.
18:26Whose, Arthur?
18:27From a coworker.
18:31I'm not telling you this so that...
18:33to make you feel bad, to hurt you.
18:35But we can't just stand behind people who don't love us.
18:39That they won't love us the way we love them.
18:41I don't know if I'm capable of doing this to Miriam.
18:45Karen, you and I are good people.
18:48We deserve to be next to someone who...
18:50that values us, that loves us.
18:53We deserve to love.
18:55And be loved.
18:57Karen,
18:59Tell me you're at least going to think about it a little.
19:02I don't promise you anything.
19:03Please think about it.
19:05I don't promise you anything.
19:35I don't promise you anything.
20:05Can?
20:21Yes, of course, go ahead.
20:22What a shame, I thought Roberto was here.
20:25No, he traveled to Panama this morning.
20:27Oh yeah, I had no idea.
20:28But can I help you with anything?
20:30Yeah.
20:32I'm here to bring my resignation letter.
20:35What's wrong with you?
20:43What must he think of me?
20:45We were all deeply affected by Don Eduardo's death.
20:48Yes, it's been a very hard blow for everyone, and that's why I wanted to thank you for your discretion and your commitment to secrecy.
20:58Above all, I am a loyal man.
21:01I know.
21:03People like you are few.
21:05That's why I wanted to thank you by offering you a better position.
21:09You choose.
21:11I'm fine as a waiter.
21:12But can I make him the boss of something?
21:16Dona Silvia, there is no need for you to change your treatment of me or offer me a better position.
21:22I am a man of my word.
21:24And if I promised to keep it a secret, that's what I'm going to do.
21:27Without expecting anything in return.
21:30Everything is ready for tonight's event.
21:32You can count on me.
21:34Excuse me.
21:45And the last thing I want is to create a bad atmosphere, to be honest.
21:49But I don't see why.
21:51Cecilia, you made your position very clear to me and I understood it.
21:53But Roberto doesn't.
21:55Well, basically, he's hating me.
21:57And the last thing I want is to get between you two.
22:00Look, Juan Antonio, I think you're confusing things.
22:04On the one hand, there's your job here at the hotel as marketing manager.
22:07And on the other hand, personal matters.
22:09That's precisely what I don't want.
22:11That due to personal matters, Roberto ends up annoyed with me at the hotel.
22:15Roberto is a fair person.
22:17And I know very well when I am welcome and when I am not.
22:20Please, Juan Antonio, there's no need to go to these extremes.
22:23You are a very valuable person to the hotel.
22:26And it is and always will be welcome.
22:28Yes, but I wouldn't have the nerve to give it to Roberto.
22:31But nothing has happened here.
22:33No, Cecilia, yes.
22:34No, look, let's do something.
22:35Take this letter.
22:37Destroy it.
22:38Let's forget what happened last night and continue working as we have been doing until now.
22:42Well, the situation is not so...
22:44Please.
22:54Yadira, can I ask you a favor?
22:57Sure, say so.
22:59I need you to tell me something so I can get Arturo back.
23:03I need to hold him back.
23:04Help me.
23:04What happened?
23:10No, no, nothing will happen.
23:13Well, what can I say, Miriam?
23:16No, I don't think I'm a good advisor right now, to be honest.
23:18Oh, don't play dumb, you're the one who knows the most about love.
23:21No, well I do know a lot of things, but...
23:24Miriam, you know what?
23:26Do what your heart tells you.
23:28I think that's the best advice I can give you.
23:29Well, thank you.
23:35You have to find the hamster that that girl lost, okay?
23:38Just a second.
23:40How did things end up going for Don Roberto?
23:43Good.
23:44But what? What did he say? Why did he have to leave in such an emergency?
23:47Ah, I look like a gossip today, then.
23:49Well yes.
23:50Well no.
23:51Well, that's a shame because I had some really good information to tell him.
23:56Tell us and see.
23:57No.
23:57Okay, I didn't get any information out of Dr. Gonzalez.
24:04Guess who asked Tulia to arrange a room for her to stay here at the hotel.
24:09Mrs. Silvia.
24:11How did your eye turn out?
24:19Don Anselmo, I'll wait for you there.
24:20Don't let me down.
24:21I have your spot there in the front row, okay?
24:23And I have your rice with all that junk you like.
24:26Those for vitality.
24:27Do it, okay?
24:27I'll wait for you there.
24:28Grip.
24:29Excuse me, ma'am.
24:30This is Alcides speaking with Bariza, the king of chunchullo and longaliza.
24:33Nice to meet you.
24:34With this outfit you can claim your special two-loin neck.
24:39Tell him it's your owner's attention.
24:40Alcides with Bariza, who knows what's good.
24:42You, sir, with that color, you have to have a good, pulpy belly.
24:47That's what you need, Tom.
24:48Ah.
24:49Hello, Teresita.
24:50Hello, look.
24:51You do know, don't you?
24:51He won't take out the trompilizo broth for you, will he?
24:53There I have it.
24:54You like radicte broth.
24:55Take it and see.
24:56You all know, right?
24:57Then you are all cordially invited by its owner, Mr. Alcides with Bariza,
25:01Alcides with Bariza, the king of chunchullo and longaniza.
25:06That, well, see you later.
25:07Thank you.
25:09Chunchullo with arepa.
25:13Chorizo would be...
25:14The blessing.
25:15Blessing, my son.
25:16Mom, that fan you made me today was ripe, wasn't it?
25:19What are you doing?
25:20Here, looking at all these prices because I need to design a new menu for the portals.
25:24Oh yeah?
25:27And what's that for?
25:28Well, to lower the prices on all of this.
25:29Oh, Mom, why are you going to lower the prices?
25:32So where is the profit from that?
25:34Oh, well, if her father's beauty wants war, war is what she's going to get.
25:37Don't even believe that gnome, because he's going to scare poverty with such a thing.
25:41such a ridiculous joke that it starts to get bigger.
25:43Nobody puts their foot in the portals.
25:45And much less your dad's little legs, right, sir?
25:48Here I had the meat.
25:56Would you do me a favor?
25:57He gets into that pool, starts swimming, relaxes, everything is under control.
26:02Oh, I don't know, Tulita, honestly.
26:04I feel guilty for leaving all these people at the event behind tonight.
26:08Which abandoned?
26:10Yes, thanks to your organization, the entire event is running smoothly.
26:14Because the hard work has already been done.
26:17Sure?
26:18Of course I'm sure, my dear.
26:20Let's see, just once an event has gone wrong and I draw a line I don't know where.
26:24Thank you.
26:27But I see her as a little intimidated.
26:30Let's see, could it be that Don Roberto hasn't called me?
26:34But he's going to call her soon.
26:36Well yes, suddenly?
26:38Oh, suddenly, of course.
26:40Well, now I'm leaving her and going to see that everything goes well.
26:42Bye, Tulita, thanks.
26:44Thank you.
26:45Well.
26:52Ready, mom.
26:53I've already put all the clothes you brought in the closet.
26:56Thank you.
26:57Come to...
26:57Chalamona.
26:59Mom, don't you want to think about it better?
27:01No, I'm already here.
27:03Yes, but it's absurd that you have to leave your own house because of that man's death.
27:06What you want is to see me crazy?
27:10Because that's exactly what would happen if I stayed overnight in that house.
27:13I'm not going back there.
27:15Okay, but then please promise us that if you want anything you'll call us.
27:19Fiance.
27:20And you also have to promise me that from here you're going to go straight home and not do anything to yourselves.
27:27Let's see, I can't hear them.
27:28I promise you, Mom.
27:30Patricia.
27:31Okay, fiancée.
27:33Very good.
27:33So now I'm going to sleep. I'm very tired.
27:38Well, then bye, mommy.
27:41Great care.
27:42Bye, mom.
27:44Rest.
27:47Are you sure?
27:48No.
27:49Well.
28:03You?
28:19Ceci.
28:21I thought I was the only person who liked to swim at night.
28:24I was thinking exactly the same thing.
28:25I've been swimming at night for many years, but I haven't dared to swim here at the hotel.
28:31It's obvious.
28:33How are you?
28:34What a coincidence, huh?
28:35Well, every time I finish work I usually go swimming to relax a little.
28:39Well, the same thing happens to me.
28:40One of the few things that de-stress me.
28:43Incredible.
28:43Yeah.
28:44We seem to have some things in common, don't we?
28:47Well yes, that's what it seems.
28:48Do you mind if I join you for a swim?
28:50No, no, no, no.
28:51You, calm down, fly.
28:53Oh, what's that noise, doctor?
29:04Are you guys partying or what?
29:05What party, cousin?
29:07It's a special event here at the hotel.
29:09Doctor, I'm sorry to say it this way, but can I ask you a favor?
29:13If you leave early, will you go home so as not to leave Miriam alone for so long?
29:17Is that the idea?
29:19Well, how was the funeral?
29:20Ah, the most beautiful.
29:21You saw that elegant, elegant ceremony.
29:24People cried about it, they cried about it.
29:26It is clear that the deceased was very much loved.
29:28Ah, apparently he was one of the most beloved employees I had.
29:31Yes, and everyone here is asking about you, Teresita.
29:34Are you interested in what I say?
29:35No, no, the usual.
29:37That you were going into voluntary retirement.
29:39Honestly, what a shame I couldn't go.
29:41I would have liked to say goodbye to Felipe properly.
29:44Yes, true, true.
29:45May my God have him in his glory.
29:47Doctor, what a shame, you have Cecilia on hand.
29:51Imagine I've been calling you on your cell phone and you don't answer.
29:53And he called her at home?
29:55Yes, yes, yes, I left him a message and everything, but he doesn't answer me there either.
29:58Well, I don't know, so it's swimming around there.
30:01I'm going to abuse you again, doctor.
30:02Could you go to the pool, come over and ask him how he is and pass it to me while you're at it?
30:07What now?
30:08Oh, yes, doctor.
30:09Oh, you can imagine how much I want to talk to her, I haven't talked to her in a while.
30:13Well, wait, wait, I'll get it.
30:16Yes sir.
30:21Miriam, what happened? What's the urgency?
30:24And what does this contain?
30:25Sit down.
30:37Please.
30:42Look, Arturo, I know that...
30:44I know I've neglected it a lot lately.
30:46That I have become an old song.
30:48That I have become very obsessed with work.
30:50That I haven't dedicated the time you deserve.
30:52I know that if you want to spend time with me it's because of me.
30:56But before that happens, I want to try to save our relationship.
31:03Miriam, the thing is...
31:05Look, I know I haven't been the most loving girlfriend in the world.
31:09But that doesn't mean I don't love him.
31:13Arturo, I love you.
31:15You are the man of my life.
31:17Why don't we take advantage of it?
31:21that Primo is in Panama
31:23and we spent the night together?
31:27Alone.
31:28Happy.
31:36Cousin, I'm not impatient.
31:38I'm arriving at the pool.
31:39But, doctor, did you suddenly catch on?
31:41that he hasn't crossed paths with her in one of the hallways
31:43and has been passed on?
31:43No, I already told you no, it's not in the hallways.
31:46He's in the pool.
31:47Oh yeah, is it there?
31:49Yes, yes, yes, Cousin.
31:51It's here in the pool.
31:52I'm watching it.
31:55Pass it to me, doctor, pass it to me.
31:59Hello?
32:00Doctor?
32:02Doctor, are you there?
32:03What happened?
32:04The thing is...
32:05What's that, doctor?
32:07What, what happened?
32:09Cecilia is not alone.
32:10When you tell me that you are no longer alone
32:13is that she is accompanied, right?
32:15And that's why she's not alone.
32:18Who are you with, doctor?
32:32No, Miriam.
32:33This is not a punishment.
32:34Why does it have to be a punishment?
32:35You are subjecting me to punishment
32:37for not having been the most loving girlfriend in the world.
32:38No, that has nothing to do with it.
32:41So why don't I know we spent the night together there?
32:45Wasn't that the plan you liked the most?
32:47Well yes, but now things are different.
32:49Because?
32:51Because...
32:52Because the balances are different
32:54and the circumstances too, Miriam.
32:59Arturo, don't you love me anymore?
33:01No, no, that's not it.
33:04Things are not additions and subtractions
33:05however you want to make it look, Miriam.
33:07Answer me.
33:07Miriam, yes, I asked for some time.
33:11It's because...
33:12It's because I need it.
33:14Because things are not clear.
33:16At least for me.
33:19That means you don't love me anymore.
33:20No, Miriam.
33:22That means I need some time.
33:25That's all.
33:26That's all.
33:38-Who?
33:39No.
33:39No.
33:39No.
33:40No.
33:40No.
33:41No.
33:41No.
33:42No.
33:43No.
33:44No.
33:45No.
33:45No.
33:46No.
33:46Yes, little one
34:02But tell me, doctor, please talk to me.
34:05Who is it? Who is he with?
34:07I'm having a heart attack here.
34:08She is with Juan Antonio
34:10But don't worry, don't worry, nothing is happening.
34:15And according to you that is nothing?
34:18They're talking, cousin, that's all, nothing more.
34:21Are they in or out of the pool?
34:24Well, they are inside the pool but they are very far from each other.
34:27Do you still want me to pass it to you?
34:33No
34:33Lerit vi, doctor, leave it like that
34:36But sure?
34:39Sure
34:40Cousin, please trust Ceci.
34:43I trust, doctor
34:45Two friends
34:46At night in a pool
34:49So what else are they doing?
34:52Talking to each other, or what?
34:57I swear to God that absolutely nothing is happening.
35:00In any case, thank you, doctor.
35:01Excuse me
35:02Well, the hassle and the pain of having to go there
35:05We are talking
35:06Bye
35:07Bye
35:08My mom is really stupid, isn't she?
35:21Be afraid of this house
35:22Do you know that I didn't know that side of him either?
35:25She who has always been so strong
35:27So strong
35:28But hey, what are you going to do, Pati?
35:32Are you going out with your dog?
35:33With that starving man?
35:35No, thanks
35:35He has always been starved and yet everything fascinates him.
35:38Well, but it was a moment of weakness
35:40That guy doesn't even tickle me anymore.
35:42What sounds?
35:45I don't know
35:45It sounds like in the kitchen
35:47No, no, it's in my mom's room.
35:49Come on, look
35:49That was very strange
35:51Where did it go?
35:54Oh, well, look at you.
35:55No, dad, look at you.
35:56Oh, Andrea, right?
35:58Let's sleep one, shall we?
35:59No, of course.
36:00And the little bottle, Pati
36:02Oh no, which bottle?
36:03Ale scares!
36:04It's real
36:06Finding a person who likes to swim at these hours is very special.
36:10I think we'll meet here many times.
36:12Well yes, that seems so.
36:14I have a proposal for you.
36:15Let's bet on a race
36:17A race now?
36:19Yes, now
36:20And the one who loses invites the other to dance, to eat, maybe
36:25No, no, thank you very much.
36:27I'm already very tired
36:29Cecilia, are you scared?
36:32Fear I don't think so
36:33Honestly, I'm going to sleep now because tomorrow we have to get up early.
36:38See you tomorrow
36:39See you tomorrow
36:40See you tomorrow
36:40See you tomorrow
37:09With permission
37:17Leave it there for me, thanks.
37:18Is the event over yet?
37:27Yes, it just ended
37:28And how did it all turn out?
37:30Ah, very good.
37:31Well, excuse me.
37:34Wait, and the food came out okay?
37:38Very rich, delicious
37:39Did you like the menu?
37:41Did you love it?
37:42That's great, I'm glad.
37:43I ask for your permission.
37:46Luis Eduardo
37:47Yeah
37:47Are you feeling okay?
37:53Not much
37:54Since Don Eduardo's death I've been very nervous.
38:00Can I ask you a favor?
38:02Of course
38:03It's going to seem a little strange to you.
38:06Well, if you don't tell me
38:08Well, if you don't tell me
38:08It won't seem like anything to me
38:09Don't laugh at me.
38:11By no means
38:12Will you accompany me until I fall asleep?
38:18Can you tell me a story or something?
38:23It's, it's, it's just while I'm sleeping, right?
38:28Can you tell me a story?
38:30Or a story from his life
38:31Or whatever you want
38:33But please don't go.
38:34I'm very scared
38:36Thank you
38:37Thank you
38:38Thank you
38:39Thank you
38:41Thank you
39:11Thank you
39:41Thank you
40:11Thank you
40:41Thank you
41:11To tell me that
41:12That has surprised me
41:14That he loves me
41:14And have you already called him?
41:16No
41:16In view of the circumstances, then
41:19Better for him to take the initiative, right?
41:22And when does it arrive from Panama?
41:24I have no idea
41:25Do you know what I think, Tulita?
41:29Well, Roberto doesn't love me anymore.
41:31That he doesn't care anymore
41:32Fesi, for God's sake
41:33Don't start jumping to conclusions
41:36You have to realize
41:37What happened?
41:38It's that I feel that this silence
41:40It's because...
41:41Because he doesn't want anything to do with me anymore.
41:43He was simply disappointed
41:45Because of what happened with Juan Antonio
41:46And now
41:46Oh, baby
41:48Oh
42:10Hello good
42:27This for...
42:30The castellón
42:30Thank you!
42:31Thank you!
42:32Thank you!
42:33Thank you!
42:33Thank you!
42:34Thank you!
42:35Thank you!
42:36Thank you!
42:37Thank you!