NYPD Blue Season 4 Episode 11 Alice Doesn't Fit Here Anymore
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00:00Morning.
00:17Hi.
00:18Here's my 49, O'Meara.
00:21How thorough is that, Diane?
00:24It's the version you can take the kids to.
00:27Why?
00:27Who are you looking to hurt?
00:30Diane.
00:32Jimmy Leary died at the hands of a crook and a killer like he was.
00:36From my point of view, that's the end of the story.
00:39I'm sorry that it caused complications in your personal life.
00:43You told me that your relationship with Bobby was at a difficult point.
00:47I was wrong to think we could steer around that.
00:55I want to get to work.
00:56Any permanent damage?
01:01Not from this.
01:03Take care, Diane.
01:04Good morning.
01:25Morning.
01:27Oh, hi, Bobby.
01:29Andy.
01:31Hey.
01:31What's change of chart?
01:33No, I'm off.
01:35I wanted to talk to you about dinner.
01:38What's up?
01:39If we had to, would it be okay eating at my place instead of going out?
01:43Sure.
01:44My ex-husband is being a jerk about whether he'll take the boys.
01:48You don't have to talk me into home cooking.
01:51Well, the alternative is we could do it another night.
01:54No.
01:55This is good.
01:57Okay.
01:58I'll see you later.
02:00Yeah.
02:01You should feel like seven.
02:03Yeah, just give me a call and let me know.
02:08Hi, Diane.
02:09Hi.
02:12Morning.
02:13How's it going?
02:13Give me a heads up when it's going to come to shots.
02:25I'll make for the fish tank.
02:27I'll make for the fish tank.
02:28I'll make for the fish tank.
02:29I'll make for the fish tank.
02:29I'll make for the fish tank.
02:30I'll make for the fish tank.
02:31I'll make for the fish tank.
02:31I'll make for the fish tank.
02:32I'll make for the fish tank.
02:32I'll make for the fish tank.
02:33I'll make for the fish tank.
02:33I'll make for the fish tank.
02:34I'll make for the fish tank.
02:34I'll make for the fish tank.
02:35I'll make for the fish tank.
02:36I'll make for the fish tank.
02:36I'll make for the fish tank tank.
02:37I'll make for the fish tank tank.
02:38I'll make for the fish tank tank.
02:38I'll make for the fish tank tank.
02:39I'll make for the fish tank tank.
02:40I'll make for the fish tank tank tank.
04:11I'm Dr. Simone.
04:13It's Dr. Sipwitz.
04:14How's it going?
04:15Mr. Cosler and I are diamond dealers.
04:18I'm Jerry Silverton.
04:19His sister is missing with a million foreign stones.
04:25Let's talk in here.
04:26All right.
04:27That's fine.
04:28That's fine.
04:29How long has your sister been missing?
04:34I last heard from Alice two days ago.
04:36The day following my consigning the stones.
04:39Did your sister give any indication she was worried?
04:42Like she was in danger?
04:44No.
04:45Consigning diamonds.
04:46You've done that with her in the past?
04:48I've been doing business with her brother for 15 years.
04:51This was my favor to him.
04:53We both agree.
04:54The person responsible for this is Fred Morgan.
04:58My sister's been seeing him and he told Alice he had a buyer.
05:01Yesterday, he contacted a dealer at the diamond exchange on 47th Street who's a friend.
05:07Offered to sell exactly what I consigned.
05:10They're meeting at 10 o'clock.
05:11If those are Heye's diamonds, something terrible has happened to Alice because she wouldn't stand by.
05:17She's honorable.
05:18You know what this Morgan looks like.
05:19Could you point him out to us?
05:21Yes, I can.
05:22I've seen him several times.
05:26You guys got a minute?
05:34Gina's at the Bellevue ER.
05:36Our Gina?
05:37Yeah, she got attacked on the street.
05:39What happened to her?
05:39Well, the cop said the ER doc told him her life's not in danger.
05:44She was slashed with a knife.
05:46Oh, my God.
05:47Yeah, there were no witnesses at the scene.
05:49Evidently, he dragged her into a vacant building.
05:52Take Diane, get Gina's statement.
05:54Yeah, sure, boss.
05:58Lou, uh, these two guys, the taller one's sister is missing.
06:01The jewelry consignment belongs to the other one.
06:04Now, both of them like a guy for taking her off, maybe hurting her.
06:07They set up a meet in the Diamond District about a half an hour.
06:10Yeah, all right.
06:11What's that?
06:13Gina, the PAA.
06:15She got attacked and slashed.
06:17Oh, man, serious?
06:18Sure, all right.
06:19I don't know.
06:20If you're going to do it, you ought to get going.
06:24Sure.
06:24That's probably the last scheduling advice we're going to need from you.
06:42She hasn't been stitched yet.
06:44The president wanted to wait for the plastic surgeon.
06:46Okay.
06:46Brought you some visitors.
06:48Hey, Gina.
06:49How are you, Gina?
06:49Gina, a man attacked me.
06:53He tried to rape me, but I didn't let him.
06:56He caught me with a knife.
06:58This is why they want a specialist to stitch on me.
07:00You're going to be fine, Gina.
07:02Do you remember what he looked like?
07:04He was a big, strong, white guy.
07:08He must have been following me.
07:10He grabbed me, and he dragged me into this empty building, and he started trying to rape me.
07:18I was hitting him, and he had this knife, and he said that if I didn't stop and let him do it, that he was going to stab me.
07:27But I couldn't stop, and he started cutting on me.
07:32And I kept hitting him and screaming, and finally he ran out.
07:38Beat this guy's head in.
07:39Could you give us a little more of a description, Gina?
07:43You said he was tall, white.
07:46He had a bad lick of breath.
07:49He looked at me like he hated me.
07:53Anything about his clothes?
07:55He had a blue jacket, I think, and a blue wool cap pulled down over his head.
08:00You'd recognize him if you saw him again.
08:03I don't want to see him.
08:05I need to spend some time with Gina now.
08:08Yeah, sure, Doc.
08:10We'll be back to see you soon.
08:11The doctors are going to take good care of you.
08:18Son of a bitch.
08:19She never hurt a soul.
08:21I get my hands on him.
08:21He's done.
08:22He's finished.
08:23James, you want to get yourself off the case?
08:25Hell no.
08:26I want to catch this guy.
08:27Now get a hold of yourself.
08:28You keep talking like that, you're off.
08:31Okay, okay, I'll watch it, all right?
08:33Just don't let the boss take me off this.
08:35I got a hold of myself, all right?
08:37Straighten down.
08:38Don't worry, I'm fine.
08:39Let's go.
08:39Let's go.
09:11Morning, Gabe.
09:16What's going on, Jerry?
09:18New York City Detectives.
09:19We understand you have a meeting this morning with a Fred Morgan?
09:22Yeah, he should be here any minute.
09:24Is there something wrong?
09:25We need to talk to him.
09:27Well, what did he do?
09:28Jerry, what's going on here?
09:29Sir, we have some questions that we have to put to Mr. Morgan, all right?
09:33We're going to be standing right over here.
09:36And when he comes in, just try to act normal.
09:38And then just step aside when we move in and talk to him.
09:40Look, look, it's him.
09:42Where's my sister?
09:44Where I see you, Tyler?
09:46Light the door!
09:50Hey, hey!
09:51Hey!
09:54Police, stop!
09:59Out the way, out the way!
10:00Move out the way!
10:02Hey, stop right there!
10:04Hey, hey!
10:04Robert Frank David 960.
10:09R.F.D. 960.
10:09R.F.D. 960.
10:11R.F.D. 960.
10:12R.F.D. 960.
10:13R.F.D. 960.
10:13R.F.D. Squad to Central.
10:14R.F.D. Squad to Central, okay?
10:17Forget about it, man.
10:18What possessed you to do that, Mr. Silberton?
10:21Idiot.
10:22Huh?
10:23I lost control of myself.
10:25How'd you do?
10:47Missing woman's brother spooked the guy.
10:49Got away in the car.
10:51Did you get the plate?
10:52Yeah, it's registered to an Arthur Boyd.
10:56He lives right here in the precinct.
10:57Boyd's on his way in.
10:59The guy involved with the sister is Fred Morgan.
11:02BCI shows him taking two collars for Grand Larson.
11:05It's a half-assed con, man.
11:07Most recent address is on Long Island.
11:09Best case on a missing girl, she's holed up waiting for Morgan.
11:12Otherwise, she's dead.
11:14That is probably Boyd.
11:15Guy owns the getaway car?
11:17Mr. Boyd?
11:24What do you want with me?
11:26Take a seat.
11:30Who were you this morning?
11:32Out.
11:33Yeah?
11:34Out?
11:34Out where?
11:36Driving with a friend of mine.
11:38Who's your friend?
11:40Fred Morgan.
11:42Where'd you and Fred go?
11:44Just got some breakfast at home.
11:47Huh?
11:48Well, Mr. Boyd, we got a lot of witnesses that put you and Fred somewhere else.
11:53They're wrong.
11:54They're all wrong.
11:55Mr. Boyd, your right move here is to tell us what you and Fred Morgan were doing this
12:01morning and where we can find Fred now.
12:03Otherwise, you are in the way of a freight train.
12:05You understand?
12:06You can be an accomplice to a Grand Larson.
12:09He may be worse.
12:09Wait.
12:10Whoa, whoa.
12:11Fred was doing legitimate business.
12:13What kind of business?
12:14Some diamond thing.
12:15He's been working on this deal for the last month.
12:18As far as I know, it's legit.
12:19Right.
12:19And when he was running from the cops this morning in the Diamond District and he hopped
12:24into your car and with the door open, you lay 50 feet of rubber.
12:28That's you knowing how legitimate this whole thing was?
12:30I didn't know it was the cops.
12:33He said someone was trying to rip him off.
12:35I swear, I'm not his partner and I wasn't his wheel man.
12:39But who's he working with now?
12:40His girlfriend Alice.
12:42And where's she at?
12:43She bailed out.
12:44He said they weren't getting along.
12:46When was the last you saw her?
12:48Last week.
12:49Where's Fred now?
12:50He hopped out of the stoplight.
12:52I swear.
12:52All right, tell us where to find him, okay?
12:56Because if he gets away, you go to jail.
12:59Look, he's got an apartment on Ludlow.
13:01I can't help you with the girl, but if he's got those diamonds stashed, I could show you
13:06where.
13:06He's got a stash in his apartment?
13:08I helped him to put it there.
13:09He said it was for being in the diamond business.
13:13I'll call the DA's office.
13:15Try to get a water.
13:15If you got to know Fred, he's got a good heart.
13:22Oh, I can't wait to meet him.
13:45I don't feel nothing in there.
13:47Yeah, well, maybe something happened to have fallen down behind the wall?
13:50No, we knocked a hole from inside where this closet was and fixed the ledge.
13:56Then we sealed the hole, but he must have sealed up this closet altogether.
14:00There was a closet here?
14:02It was when I worked on it.
14:07You got a hammer and a flashlight?
14:10I don't want this to leave.
14:12Hey, what are you doing?
14:29Shut up.
14:42What the hell is that?
14:46It's a little bit.
14:48Shh.
14:53Oh, my God.
14:57Oh, my God.
14:59This bastard, he nearly had to work to get her in there.
15:03Yeah, your friend's got a real good heart.
15:05Oh, my God.
15:35Where?
15:36200 block of 3rd Street.
15:38Good, that's close enough.
15:39We ought to check that out.
15:41Okay?
15:44Yeah.
15:54So the ME's early call is that the woman was strangled 48 hours ago.
15:59He put her in that closet.
16:01Probably thought she wouldn't be found for 20 years.
16:04Noah's under the couch?
16:07It's still on the recorder.
16:09Plus, he had a miniature mic taped to the inside of one of the couch's legs.
16:12My buyer's having trouble with the money transfer.
16:20Your consigner gets paid ten times faster if I go to end with the stones.
16:24I don't like going against my word.
16:26I get so depressed when you doubt me like this.
16:30This is what does it.
16:31I just want everything to go right.
16:33Then state the stones are consigned to me till I can work this out.
16:38To reaffirm you have faith in me.
16:40Let a little time go by.
16:42Then state it.
16:43Then I'm going to kiss you.
16:44I consign these stones freely to friend Morgan.
16:49Of your own free will?
16:51Yes.
16:52Not a minute later it croaks you.
16:55Anything on Morgan's last address?
16:58He lived at his mother's house.
16:59Neighbors said that she's been at her sister's in Philadelphia.
17:03He's just due back this afternoon.
17:05We left a message for the mother to come in.
17:08Has her girlfriend's brother been notified?
17:10Coming in for Stan Allen.
17:12Haven't identified her voices.
17:14And lead on the perp's mother for where we can look for this asshole.
17:17Yeah.
17:29Excuse me.
17:31Excuse me.
17:33Detective.
17:34There was an incident that took place about three weeks ago across the street.
17:39Happened to see anything?
17:40No, I didn't see anything.
17:41What was it?
17:42A robbery or a killing or something?
17:44More like an assault.
17:45No, no.
17:46I'm not surprised though because a bad crowd has moved to the neighborhood.
17:50There was two men beating up the fellow right down there on the corner just the other day.
17:53They were all drunk.
17:55And before that there was some man wrestling around with a woman across the street over there.
18:00How long ago was that?
18:02A couple of weeks or so.
18:04Can you describe what they look like?
18:05It was a young white woman.
18:11Black hair is a man.
18:12He was white too and kind of bulky looking and he had one of those blue knit caps on.
18:18He had grabbed a hold of her and was dragging her and then two men came and chased him away.
18:26Can you describe more what he looked like?
18:27Can you describe more what he looked like?
18:28He was just a big messing.
18:29I'd seen him before.
18:30I think he lives right across the street there.
18:33He lives across the street?
18:34Yeah, I think so.
18:35And I've seen him go in that building there, the one with all the trash out front.
18:39Greg!
18:41Greg.
18:42Thanks.
18:43Thanks.
18:44Can I have your name?
18:45I'm Margaret McClurg and I live right here.
18:49Okay.
18:51You've been very helpful.
18:52Okay.
18:53Thanks.
18:54What's up?
18:55I've got a location on a suspect across the street.
18:58I don't know what to do with you, James.
19:02I'll just be back up.
19:03I'll be okay.
19:15What?
19:16Is your homie's witness?
19:18No.
19:19Please.
19:20There's a young white guy living in this building in his 20s, medium build.
19:24He wears a blue navy watch cap.
19:26Yeah, and I hope you arrest him.
19:29He's a hoodlum.
19:30Why do you say that, sir?
19:32He's got no business here.
19:34That apartment there's vacant, unoccupied.
19:38He broke into an empty apartment and he's living there.
19:43He said, if I go to the police, he'll break my neck and kill Eddie.
19:49Who's Eddie?
19:50My little buddy.
19:53He's not in there now.
19:57No.
19:58I saw him go out.
20:00I wouldn't be here talking to you if he was in there.
20:04All right.
20:05Thank you very much for all your help, sir.
20:06Don't say I told you anything.
20:08No, we won't.
20:16You want to sit on a place?
20:17Definitely.
20:22I don't think you ought to stay with us, James.
20:25I'm against my better judgment of allowing it up to now.
20:28I'm staying.
20:29I want to catch this guy.
20:30That's a recipe for disaster.
20:32And if I have to, I'm calling the boss.
20:34Boy, you're a real friend, Greg.
20:36James, James, wouldn't it be more helpful being with Gina?
20:39What am I going to do there?
20:41She's lying there feeling awful.
20:47Yeah, all right.
20:48I guess you got a point.
20:50Anything happens, you know we're going to let you know.
20:52Yeah, all right.
20:53You'll let me know if this is the guy?
20:55Yeah, absolutely.
20:56All right, you sit up and I'll ride over there.
21:00Let all time go by, then stay it, then I'm going to kiss you.
21:17I can sign these stones freely to Fred Morgan.
21:20With your own free will?
21:21Yes.
21:23I love you so much.
21:25I'm aroused.
21:27Please.
21:28Why are you so aroused?
21:29Anything about you.
21:31Don't be too rough with me.
21:34You're getting too rough.
21:35All right, that's enough, Mr. Silverton.
21:37That's your sister and Fred Morgan.
21:49She's the sweetest person.
21:55Tried to help him and he took advantage.
21:57He's going to pay.
21:59Let us take care of that.
22:01You got a good line on finding them, people coming in.
22:04Is it on that tape that he kills her?
22:07There's sounds of a struggle.
22:12That's my sister and I got her the stones and he killed her for them.
22:21He's going to pay.
22:23He's going to pay.
22:25Hi, James.
22:43Hi.
22:45I didn't want to wake you up.
22:47The plastic surgeon stitched me up.
22:49I looked to talk to him.
22:51He was doing another case.
22:53I guess they keep the good ones busy.
22:55I hope he did a good job.
22:57I'm sure he did.
22:59He says I'm lacerated on my face and my upper body.
23:03Don't worry about nothing, Gina.
23:06You're going to be all right.
23:08My sister came.
23:10She ran out crying.
23:12They, uh, they gave you pain medicine?
23:18Something to stop worrying.
23:21I can't stop thinking about it.
23:24It hurts and I'm afraid what I'm going to look like.
23:29You're going to be fine.
23:32I know we haven't really got close enough.
23:37I can ask you this, but can you not go away, James?
23:43Yeah.
23:45I'll stay as long as you want.
23:48All right?
23:50I'm going to sit right here.
24:02I feel bad sending James away.
24:21It was the right thing, Greg.
24:23He winds up smacking somebody.
24:25Something worse.
24:27That don't do no one any good.
24:29You're right.
24:31You glad your undercover's over?
24:34Yeah.
24:36Put the short skirt away, huh?
24:46How about that old man, huh?
24:48With the rat?
24:50Is this our guy?
24:53Yeah, that's him.
24:55Let's go.
25:01Don't move.
25:02Oh!
25:03Get your hands up.
25:04Bitch!
25:05Keep him up.
25:06I got every right to live here.
25:07Am I supposed to freeze to death?
25:08This is an illegal life, pal.
25:09Oh, they sell them in the stores.
25:10Turn around.
25:11What's this, sir?
25:12Oh, a crack pipe.
25:13I found that.
25:14That's not mine.
25:15Yeah, nothing more.
25:16Let's go.
25:17Let's go.
25:18I won't go in there no more, okay?
25:19Yep.
25:20Come on.
25:21Let's go.
25:22Let's go.
25:23I won't go in there no more, okay?
25:24Yep.
25:25Come on.
25:26Let's go.
25:27I'm Grace Morgan.
25:28Someone left this message at my house.
25:29I'm Grace Morgan.
25:30Someone left this message at my house.
25:32What's this, sir?
25:33You've got a crack pipe.
25:34You've got a crack pipe.
25:35I found that.
25:36That's not mine.
25:37Yeah, nothing more.
25:38Let's go.
25:39Let's go.
25:40I won't go in there no more, okay?
25:41Yep.
25:42Come on.
25:43Let's go.
25:44Let's go.
25:45Come on.
25:46Come on.
25:47Let's go.
25:48Come on.
25:49Come on.
25:50Come on.
25:51Come on.
25:52Come on.
25:53Come on.
25:54Come on.
25:55Come on.
25:56Someone left this message at my house.
25:57Yeah, that was us.
25:58Detective Simona was a detective.
26:00Come on.
26:01Have a seat.
26:02You've got a lot of nerve talking to my neighbors.
26:04I walk out every window shade has a bent down slat.
26:07We need to talk to you about your son, Fred.
26:09Come here, sit up.
26:10Sure.
26:11Wind blows stink from the river you look for my son.
26:18You know where your son is now, Grace?
26:21You can call me Mrs. Morgan.
26:23You've got nothing to talk to Fred about.
26:27And don't pull any of your sick tricks.
26:29I know how you put people in a corner.
26:32Last situation, Freddie had to say he was guilty just to ever see the light of day.
26:36Mrs. Morgan, your son has committed a serious crime and he's going to have to face up to his responsibilities.
26:42Or didn't you teach him that growing up?
26:45What's he supposed to have done this time? Stole the crown jewels?
26:51He killed a person, Mrs. Morgan.
26:54You'll say any damn thing, sons of bitches.
26:59Well, where's he going?
27:14Mrs. Morgan, do you know an art boy?
27:16He's a friend of Freddie's. What are you pressuring him into?
27:20Artie, what do they got you here for?
27:26How you doing, Grace?
27:28What's going on? Have you got him in some corner?
27:32I'm sorry, Grace, but Freddie killed that girl.
27:35Who, with the diamonds?
27:38Yeah.
27:40She was in love with him.
27:43She loaned him those diamonds to sell.
27:46He killed her, Grace.
27:48I saw the body hid in his apartment.
27:54Oh, my God.
27:58Oh, my God.
28:00Fred needs help.
28:01I would have given him any money he wanted.
28:11You're messing with people's minds.
28:14Artie lived in my home.
28:16And now you're making him lie like Freddie had to lie.
28:22You lived in our home.
28:24I know I know.
28:26Oh, God.
28:27Oh, God.
28:28How did this happen?
28:31Hey, calm down with smoking.
28:36Are you going to hurt him?
28:37Please don't hurt him.
28:39If we have to hunt your son down, yes, he might get hurt.
28:43If I say where he is, will you treat him right?
28:46You don't want to have to use force any more than you want us to.
28:50Please.
28:53Because it's my fault.
28:55No, Grace.
28:56No, Grace.
29:05He's at a condominium at Breezy Point, my sister's.
29:12You're right, Daniel, you see?
29:13Are you sure the victim was his responsibility?
29:18Yeah.
29:20Poor thing.
29:22Poor thing.
29:25Who turned me in? That old fart with the rat?
29:28No.
29:29I'll stay out of that building, okay?
29:30God, it's like such a big deal.
29:31Two of you, it's two detectives.
29:32Been drinking, Harvey?
29:33Yeah, so that's still legal, isn't it?
29:34What else do you do with your time?
29:53I work.
29:55I don't blame myself.
29:57Yeah, so? That's still legal, isn't it?
30:00What else do you do with your time?
30:02I work.
30:03What kind of work?
30:07Advertising.
30:09You're an ad man?
30:11I distribute advertising.
30:14You mean you hand out circulars?
30:17Yeah, that's what I said.
30:18What do you work for?
30:20A place on Broadway.
30:22A place? Give me a name.
30:24The Pink Paradise Salon.
30:26I work the street.
30:27Drumming up trade for the porn industry.
30:30It's not just porn. They got nude dancers, too.
30:33They do any dancing?
30:35You got a job. Why are you squatting in that building?
30:39I've just been in there a few weeks.
30:40I got kicked out of my apartment.
30:42I fell behind the rent, you know?
30:44You've been blowing your money on crack, huh?
30:46I don't smell crack.
30:48What do I want with crack?
30:49I wasn't working around those nude dancers.
30:53They're inside.
30:54I'm outside.
30:55You don't mix?
30:57Money rubbers they are.
30:59Where were you this morning around 9.30, 10 o'clock?
31:03Asleep.
31:04Anybody vouch for that?
31:06No, I was alone.
31:08Who are you going to show that picture to?
31:10A girl in a hospital.
31:12Somebody cut her face up.
31:16Whoa, wait a minute.
31:17You never said nothing about that.
31:20I thought this was trespassing.
31:21You were hoping it was trespassing.
31:23If you're the one who cut that girl, you can do yourself some good by getting your story out.
31:30Because maybe, maybe there were circumstances that caused it to happen without you intending it to.
31:37Well, did she leave you on?
31:45Well, I want a lawyer.
31:47You're requesting a lawyer?
31:49Yeah, yeah.
31:49You're trying to frame me.
31:50I want Matt Navarro of legal aid.
31:52Yeah?
31:53He must have gotten you a walk on one of those other collars, huh?
31:57I'm not talking no more.
31:58I'm not talking no more.
32:28You hear that, boss?
32:32Guy lawyered up.
32:36If Gina picks this guy out of a photo array, I want Andy to talk to him.
32:43Yeah, sure.
32:52Sure, I'll bring in Andy.
32:54What's going on?
33:09There's been some developments.
33:11We need Gina to take a look at some photographs.
33:13You up for that, Gina?
33:14Do you think you have a suspect?
33:16Gina, if you could ID someone from those photos, uh, I hope it'd be that we could get a confession without a trial or further contact.
33:25You feel up to that, Gina?
33:26I didn't really assist in the case.
33:28All right.
33:31All right.
33:31Mr. Sterns, two medical records.
33:46Mr. Sterns, two medical records.
33:49This third photo, he attacked me and cut me.
34:02All right.
34:05He cut me all up.
34:09All right, Gina.
34:10Good for you.
34:11I can understand what you're saying, but, um, that doesn't affect the situation we have here.
34:39Look, I'll call you back.
34:48Hung himself, this diamond crook, and made a lousy job of it.
34:52Took an eight-foot drop, tore his head off.
34:56You found the stones?
34:58This close, heading for South America.
35:02All right, voucher.
35:03Call the owner.
35:05I'll contact the mother for the ID.
35:07Hey, um, let Bobby handle that, huh?
35:10Greg and Diane color it up on a skill.
35:13Gina picked the guy out as her attacker.
35:16Needs to be re-interviewed.
35:17I don't want her to have to ID this guy in person.
35:20I brought you some coffee.
35:47You like it with cream and sugar?
35:50Yeah, it's good.
35:52It's a hell of a place to lock anybody up.
35:55Got to go to the john?
35:57Nah, I'm okay.
35:58I'm Detective Sipowicz.
35:59Have a seat.
36:06Smoke?
36:06Smoke?
36:06So, uh, this girl got her face cut.
36:24Know anything about her?
36:26Nothing.
36:28She picked my picture, she's wrong.
36:29That's all I can say.
36:31You waiting for a lawyer, huh?
36:33Right.
36:34This waives your right to an attorney.
36:39You want to sign it?
36:41No.
36:42Why would I do that?
36:43Maybe you want to confess?
36:46I'm not gonna confess.
36:48I didn't do it.
36:50So the girl was mistaken about you?
36:52Yeah.
36:53Ow!
36:56Oh!
36:57Give me a call.
36:59I'm sorry.
36:59I, uh, something came over me.
37:02I, uh, see that girl used to work right here in this office.
37:07She did?
37:08Yeah.
37:08I'm, uh, listen, I hope I didn't hurt you.
37:11Come on.
37:13Come on.
37:15Come on.
37:25You didn't do it, huh?
37:27No.
37:29Uh, that's the truth?
37:31That's the truth.
37:33Ah!
37:34Sorry.
37:34I don't know why I did that.
37:36Look, I'm not the one, okay?
37:37You got the wrong guy.
37:39I believe you.
37:39I believe you.
37:40I don't, I don't want you to confess.
37:42Don't sign this thing.
37:46Don't hit me, okay?
37:48I won't hit you.
37:49I said I was sorry.
37:51Didn't I tell you I was sorry?
37:52You want another cigarette?
37:58Yeah.
38:04Hey!
38:07Cut this girl just for fun, didn't you, huh, you sick son of a bitch?
38:11Get off of me!
38:11You saw a pretty face, you had to mess it up.
38:14No, she was fighting.
38:15She went by my eyes.
38:16Because you were going to rape her and kill her.
38:18She set me up.
38:19She wanted it.
38:20She got me in there.
38:21And she started fighting and screaming.
38:24No!
38:24You lying bastard!
38:27You cut her because she wouldn't have nothing to do with a stinking turd like you in a million years.
38:33Now, are you going to give it up to me, huh?
38:35Are you?
38:36I'm going to give it up.
38:37I'm going to give it up.
38:40All right.
38:44All right.
38:51That asshole's ready to write.
39:11So, uh, am I in the wrong line of work, Andy?
39:19Maybe I should have been a store clerk or something.
39:22Cut it out, Meadow.
39:23Boss takes me off of that guy.
39:25Maybe he's right.
39:27I don't intimidate a skill.
39:30You think we're supposed to be all one thing, huh?
39:32You got a way it works for you.
39:35Some skills, they, uh, they need somebody to listen to them or they're looking for help.
39:40That works for you.
39:41Me?
39:42I look like the kind of guy who's going to go nuts and jump all over him, so I use that.
39:48Our boss's job put the right one of us on the thing that needs doing.
39:52Yeah, well, I, I, I feel I would have gotten there.
39:55It just happens I, I, I got objections to tuning a guy up.
40:00Everyone's got his methods.
40:01God, God forbid something, something happens in custody.
40:05I don't think I don't live with that in the back of my mind.
40:08God forbid you ask yourself, did, did he only go because he, because he was getting hit?
40:13That's an absolute accurate concern.
40:16So how do you deal with that?
40:19Kelly had rules.
40:22Beat no one on spec.
40:24Know the guy's right off witness statements and physical evidence.
40:28Plus, he don't confess.
40:31Your witnesses get beat or killed for testifying.
40:34Me?
40:35If I feel I gotta do it.
40:37I hit him.
40:41You're committing a crime.
40:45I'm committing a crime.
40:47And if I'm caught, that boss that sent me in, his bottom line's gonna be all I said was a re-interview.
40:55And the people that want me tuning this guy up, if Gina was their family so she wouldn't have to testify,
41:01they'll sit on my jury at trial and they'll vote to lock me up.
41:04I'd better know all that before I raise a hand.
41:12Who's this guy riding for?
41:15Me.
41:16Me.
41:16Me.
41:16Me.
41:18Me.
41:18Me.
41:19Me.
41:20Me.
41:20Me.
41:20Me.
41:20Me.
41:20Me.
41:21Me.
41:21Me.
41:22Me.
41:22Me.
41:22Me.
41:23No, that's okay
41:46If you prefer to make the ID tomorrow
41:48I'll pick you up at 9 tomorrow
41:53All right, ma'am
41:55Hi
41:58Worked out with your guy?
42:01Mm-hmm
42:01He's writing it up
42:03Boy, Andy's scary
42:05Yeah
42:06But it seems like he's able to control it
42:08Like down to a tenth of a degree
42:10That's how you want to do it
42:13Talk to me like I'm a stranger
42:17I like that
42:23So have a good dinner
42:25You want me waiting at my crib
42:35Until you decide to come over
42:37For another soul search, Diane?
42:41I did that the last ten days
42:42How many words do you think
42:47I tried to play this?
42:52I'm not playing
42:53I'll talk to you, Merle
43:00I'm back
43:06I'm back
43:31Who beeped?
43:33Hi, that was Greg
43:34Tina, that guy you ID'd off the Polaroid
43:37He confessed
43:39So you don't have to worry about being in contact with him
43:42That's a big relief
43:44Yeah
43:45Doctor stopped while you were gone
43:49Says he's reasonably optimistic
43:52So that's great
43:54I'm afraid he's avoiding the truth
43:59I'm afraid no one will have to do with me
44:02You put that out of your mind
44:04That's my fear
44:05Listen to me
44:07You know what we have to do?
44:09I got hurt
44:10I was reluctant to call my parents
44:12Same like you
44:13They're afraid of hospitals
44:14See, but you gotta trust your parents
44:17To show their love for you
44:18They love their daughter more than they're afraid
44:20Afraid
44:23Afraid if they'll be upset
44:24I don't want to call till morning
44:27Sure
44:28That's fine
44:29You don't have to stay, James
44:35I want to
44:36It's not necessary
44:38It's all right, really
44:50So you just took the short course
44:58On how my ex-husband operates
45:00Even being nice
45:03He's got to try and make you cry beforehand
45:05You mean like not saying
45:09Yes about your boyfriend
45:10Too late to the end
45:11Yeah
45:12I'm glad that scale attack Gina
45:18Gave his statement
45:19Yeah
45:20Do they know how bad it's gonna be?
45:23No, not yet
45:23She got family with her?
45:26I'm not sure
45:27James Martinez is overseeing her
45:29I could tell they had a little something going on
45:33Oh, you pick up on that kind of stuff, huh?
45:36Yeah
45:36I do
45:38Where'd you work today?
45:43Um, homicide off a jewelry gift
45:45Perp wouldn't hang himself
45:48Hmm
45:48They should popularize that as an alternative to trial
45:51This is sure fun
45:58Yeah?
45:59Yeah
45:59I mean
46:01Dating is so hard
46:03Just getting it organized
46:05And then
46:06The guy almost always turns out to be a jerk
46:10But I don't want to quit
46:13I'm a big romantic
46:16Well, you know, that's good
46:18I mean, but you still got that going on
46:22Yeah
46:23Huh
46:25Didn't cost anything, right?
46:28Dreams are still free
46:29What's he doing?
46:59Well, he's just
47:01Lying there
47:03Looking like he told himself a joke
47:05In his sleep
47:06Yeah, I've seen that
47:09Looks like he told it to himself
47:12A couple times before, too
47:13And he still thinks it's funny
47:15I'm worried about this girl
47:21What girl?
47:24Russell
47:24She's not doing good
47:26How do you tell?
47:29It's like she's stuck
47:32About a week or so ago, Bobby says she seems better, but it's like it trailed off
47:42Does better mean ready to do what Bobby wants?
47:46He's not that way, Sylvia
47:48He loves her, but he's concerned for her also
47:52There's another girl with a problem
48:00What?
48:03Andy, do you think that we could really afford me stopping work?
48:12Absolutely
48:12I get a marshal's job moonlighting
48:17It won't equal your income, but we'd have less expenses
48:20Yeah, we wouldn't need a sitter for Theo
48:23Or to budget for my business clothes
48:25Don't you worry about money
48:27Yeah, right
48:28No, I'm saying it's manageable
48:30I mean, I've never been afraid of work
48:33We're hip-deep in motions on the Suarez case
48:36And Theo just keeps floating into my head
48:40I have to reconnect to what I'm doing
48:43Just kind of like from a standing start
48:47But then I'll wind up thinking, I'm doing this
48:50When I could be
48:53I'm thinking about his dopey mug without feeling guilty or
48:58At home holding him
49:08Does anybody have the right to be that happy?
49:13Him and you
49:15And me to help where you could do it
49:43What's going on?
49:50Hi
49:50Ginger ale
49:53Yeah
49:54You know about Jimmy
50:02Yeah, I do
50:04That was something hot
50:08That was awful
50:11Yeah
50:12With Jimmy, you never knew what was coming next
50:17You know what it was about?
50:28Jimmy didn't tell me what he was into
50:30I knew him a long time
50:35I never knew either
50:37I'll believe that if you want me to
50:41You're the customer
50:46Did Jimmy talk about me?
50:54He didn't need to say anything
50:56I could tell how fond he was
51:00Did he tell you if he slept with me?
51:08He didn't say
51:09Have you drugged me?
51:14No, babe, that psycho snitch didn't say
51:20But I'll tell you
51:23How he had circulation problems off being diabetic
51:27And he did like to add his little potions to ladies' drinks
51:32Girls half-knocked out
51:36Don't criticize your performance
51:38Am I taking you wrong?
51:44Are you looking to find out if he drugged you?
51:52Or did you want to score some more fizzies?
51:56What?
52:00Some girls like to get somewhere without having to say they want to go
52:06I didn't know whether you had fun with Jimmy or not
52:12You think I wanted that to happen?
52:18For him to do that to me?
52:21My mistake
52:22You're lucky I don't arrest you
52:24Oh, yeah
52:26Call the cops
52:28Tell them a wacko skirt
52:29And Patrick's once be arrested for asking what she's doing here
52:33I just need to call a friend
52:38I don't care who you call
52:40Make it quick and get out of here
52:43Yeah
52:57All right, I'll be right there
53:11Get out, then
53:15I'll meet you at that Sparta or whatever that diner is
53:20Who is that?
53:25Russell
53:25You were right
53:28Yeah
53:30Pin a rose on me
53:55The
54:03Come on
54:04No
54:04No
54:06No
54:08No
54:16No
54:19No
54:20No