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Short filmTranscript
00:00Hi.
00:01Take it off.
00:04You're the one that served me the drink, right?
00:07Then you should be the one to put out the fire.
00:10Don't look at me like that. We're not in love.
00:13Where are you? You were out all night.
00:15You better not learn the meeting with your fiancée's family.
00:18Fiancée?
00:19If you say no, I won't go. I won't get married.
00:22Why would I want to say that? What we had was an arrangement only.
00:25Mr. Cooper wants you back at the mansion.
00:27Mr. Oscar's fiancée becoming your fiancée.
00:31Mary, consider this a gift from your former sponsor.
00:35Take the money and leave my son!
00:37Everybody's here.
00:44You little thief!
00:49There's no need to check yourself out.
00:50You look pretty enough already.
00:52Grandpa, I've changed my mind.
00:55I want to marry her.
00:57Are you suggesting that my grandson is part of a compensation package for her?
01:02No, no, no, no, no.
01:04There must be a misunderstanding.
01:06Freya, your mom is still in a coma.
01:09If you want her to recover, you'll do what I say.
01:12You just got out of my bed.
01:14And now you're deeply in love with Oscar.
01:17Don't test my patience.
01:20Uncle!
01:21Uncle!
01:21What's happening in there?
01:22Don't you have any manners?
01:23Knock!
01:24You're late.
01:25Hi.
01:26Take it off.
01:26What?
01:27Do you have any manners.
01:38Knock.
01:43You're late.
01:50Hi.
01:51Take it off.
01:55What?
01:56Do you want me to take it off?
01:59Eric, can we talk?
02:01I've got something to say.
02:02Don't do this.
02:04I'm waiting.
02:09That's what I thought.
02:11We'll stay in time and we won't be able to handle it later.
02:15Don't look at me like that.
02:17We're not in love.
02:22The twisted fate between Eric and me began with a misunderstanding two years ago.
02:41You're the one that served me that drink, right?
02:47Then you should be the one to put out that fire.
03:00After that night, he led me into an arrangement.
03:03What's the rush?
03:08You found a new target behind my back?
03:17Where are you?
03:18You were out all night.
03:19You better not ruin the meeting with your fiancé's family.
03:22Fiancé?
03:23Hey, I'm warming my bed while planning out bending behind my back.
03:27I'm giving it asking.
03:31Sometimes I truly hate home.
03:32I think your voice is.
03:33If you say no, I won't go.
03:35I won't get married.
03:36Why would I want to say that?
03:37What we had was an arrangement only.
03:40But you know, I like...
03:42Fia, you're crossing the line here.
03:44It was only a scheme.
03:46It was just a transaction.
03:48Only sex, nothing more.
03:50In the future.
03:51Future?
03:52There is no future!
03:53It ends now.
03:54I don't need this.
03:57After all, why would I want to be and share a whore with others?
04:02I...
04:03What?
04:04You want money, right?
04:10Here you go.
04:11Consider this a gift from your former sponsor.
04:13Take the money and leave my sight!
04:20Mr. Eric.
04:21Is...
04:22Is Miss Freya...
04:23Oh, that ungrateful leech.
04:24I don't want to see her again.
04:25Understood.
04:26Anything else?
04:27Mr. Cooper wants you back at the mansion.
04:29Mr. Oscar's fiancé will be coming over.
04:30Fiancé?
04:31She's the daughter of the Brown family.
04:32What trash father invites over to the house?
04:33You oppose the marriage?
04:34The Browns, they need money.
04:35No.
04:36No.
04:37No.
04:38No.
04:39No.
04:40No.
04:41No.
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05:24No.
05:25No.
05:26No.
05:27No.
05:28No.
05:29You! Looking for trouble?
05:33Who do you think you're staring at?
05:36You! Hung up on me, then you have the audacity to shut up here! Wait!
05:41This is Sophie's engagement. Why should I marry in her place?
05:45Freya, your mom is still in a coma. If you want her to recover, you'll do what I say.
05:52Marriage isn't child's play. I won't do it.
05:55You ingrate! Who are you to say no?
05:59You little thief!
06:05You stole this from us. Were you planning to use it for your mother's medical expenses?
06:10You know what, Sophie? Call the assisted living facility. I'm not paying a leather dime.
06:19This is my own money. It has nothing to do with you.
06:22You're George's daughter. Every penny you earn belongs to us.
06:26Please, I beg you. My mother needs the care.
06:30I might change my mind if you get inside and agree to that wedding.
06:39I'll do it.
06:40Aw, that's more like it. See, doesn't it feel good to behave?
06:52You know, a bastard. Marrying into the Cooper family is a great blessing.
06:56You should be grateful to Sophie for her generosity.
07:00She was hesitant. Could it be she already has a man?
07:04You killed me.
07:08Who would want someone so utterly useless?
07:11But, if you do, you'd better never see him again.
07:17No need to warn me. Eric won't see me again.
07:21Your mother's not dead yet.
07:24So why so glum?
07:26Oh god, but just fix yourself before you go inside.
07:30There's no need to check yourself out. You look pretty enough already.
07:51I can already tell I'd like to spend more time with you.
07:57Huh.
07:58Well, if you think this car is nice, you haven't seen anything yet.
08:06And these aren't even all of my toys.
08:10You see, here, you get to showcase your true beauty.
08:14And I get to admire you from any one of these cars.
08:20Oh.
08:22Let me introduce myself.
08:24I'm Oscar.
08:26Your fiancé.
08:29Oh, come on.
08:30Let's get this meeting over with.
08:33But, just so you know,
08:35I'm not interested in this arranged marriage.
08:38No, I'm only here today to clear the air with my uncle.
08:40See, my uncle's the real decision maker in this family now.
08:45And it's been a living hell.
08:49What?
08:51You don't believe it?
08:53No outsiders dare to come near him.
08:56But he hasn't had a girlfriend in years.
08:58I'm starting to expect that he might be impotent.
09:04I, on the other hand, am known to please women.
09:10Let me tell you what you wanted.
09:11I have found him.
09:12...
09:15...
09:16...
09:24Hey, everyone.
09:26Mr. Oscar?
09:30Everybody's here.
09:31Uncle?
09:37Mr. Oscar?
09:38Mr. Eric, this is my daughter Freya.
09:43So this is the girl set to marry my nephew?
09:47Yes, yes.
09:48If my memory serves me correctly,
09:51Sophie was supposed to be the bride.
09:54But you put someone in her place now.
09:59Why?
10:00Mr. Cooper, Freya was lost for so many years
10:06that I want to make it up to her.
10:09And if she could marry Mr. Oscar,
10:11I could die without regret.
10:15Well, a lost child is indeed deserving of compensation.
10:20But what does that have to do with Oscar?
10:25Are you suggesting that my grandson
10:27is part of a compensation package for her?
10:30No, no, no, no.
10:32There must be a misunderstanding.
10:35No, we surely did not mean that.
10:37Yeah.
10:38The Brown family, not a worthy match for marriage.
10:41Fortunately, both Oscar and his grandpa
10:44oppose this marriage.
10:45Otherwise...
10:46Grandpa.
10:47Oscar.
10:48I knew you did not like this agreement.
10:52I promise you, I will get you a good match.
10:56Grandpa, I've changed my mind.
10:58I want to marry her.
11:03She is beautiful.
11:08Grandpa, I've changed my mind.
11:11I want to marry her.
11:14She is beautiful.
11:19All right, Oscar.
11:23What do you mean?
11:25Well, Grandmother's last wish was for me to marry a member of the Browns.
11:29And I intend to honor that wish.
11:32Oscar, this is a lifetime decision.
11:36I know, Grandpa.
11:38And I'm not being rash.
11:40And look, don't blame the Browns.
11:43I asked them to change it.
11:45You asked them?
11:47Yes.
11:48Freya and I have been in love for some time.
11:51And I didn't know she was a lost member of the Browns.
11:54This saves me a lot of trouble.
11:57This, this is your choice.
12:01So I will not oppose it.
12:03We will set a wedding date.
12:10Of course.
12:12I disagree.
12:14Uncle.
12:15Eric.
12:19This woman isn't for you.
12:21The marriage won't last.
12:24Do you know this girl?
12:26Nor.
12:27Not only do I know her, but we had some very close conversation.
12:30What?
12:31Isn't that right, Miss Freya?
12:36Not only do I know her, but we had some very close conversation.
12:39What?
12:40Isn't that right, Miss Freya?
12:44Mr. Eric, you must be mistaken.
12:48Freya has injured her vocal cords and she can barely speak.
12:52She's not verbal.
12:54No.
12:55Eric, do you have to humiliate me like this?
12:58Well, she's...
12:59She's...
13:00Nonverbal.
13:01Oscar.
13:03Did you know this?
13:04Well, I'm an introvert.
13:07We'll get along just fine.
13:10Mr. Cooper, Freya may shut down from time to time, but she has many good qualities as well.
13:15Yes!
13:17My Freya is the best.
13:20Oscar...
13:22Are you sure?
13:24Freya and I are deeply in love.
13:29I'll marry no one else.
13:32Gosh, it's so windy outside.
13:35You too.
13:37Deeply in love.
13:39Uncle.
13:41We've been dating for so long.
13:44You guys have been dating for a long time, is that so, Miss Freya?
13:51Well, if that is the case, I won't interfere.
13:55Look at the time.
13:58Thank you, Mr. Oscar, for your hospitality.
14:02You know, the weather is getting bad outside.
14:04Why doesn't everyone just stay the night?
14:09How kind of you.
14:24So, this phone call was about marrying my nephew.
14:33We're over.
14:34What I do is none of your business.
14:36None of my business.
14:38First you seduce me, and then you seduce my nephew.
14:43Do you want to call me uncle?
14:47I didn't know it would be Oscar.
14:50Do you want me to believe that?
14:51I told you to stay away, so what is this?
14:55Hey!
14:57You just got out of my bed.
15:00And now you're deeply in love with Oscar.
15:03Freya, I...
15:05I have really underestimated you.
15:11I have my reasons.
15:13I can explain.
15:14Explain what?
15:16That my money is enough for you?
15:18Just name your price,
15:19and I'll give it to you.
15:22But if you dare to make an arrangement with Oscar,
15:26you'll pay for it.
15:27And you'll pay for it dearly.
15:31I'm not.
15:33If it's not for money,
15:36here's it for Oscar.
15:39Do you two really have something going on?
15:42Hmm?
15:46What if I do?
15:48Didn't you say our deal is over?
15:50Did he touch you?
15:52Hmm?
15:54Well...
15:56Let's just check it out ourselves.
16:00Mr. Eric!
16:01You...
16:03Don't you have any manners?
16:05Knock!
16:07I'm sorry.
16:09Get out.
16:11You...
16:12Don't you have any manners?
16:13Knock!
16:15I'm sorry.
16:17Get out.
16:41You just can't help falling for me, huh?
16:46You know I understand sign language.
16:51Why did you change your mind?
16:53Hmm...
16:55Does...
16:56love at first sight come as a reason?
16:59I'm serious.
17:01Regardless,
17:03you are my fiance now.
17:05So take a drink.
17:09Oh, come on!
17:11Do you think it's poisoned?
17:13Take one!
17:14Any one!
17:18There you go.
17:20Cheers.
17:22See?
17:23It's just one.
17:28Drink more!
17:29Relax a little.
17:34I wonder if I touch you tonight.
17:37How will my uncle react?
17:39I wonder if I touch you tonight.
17:41How will my uncle react?
17:55What's going on?
17:57Freya's drunk.
17:59So I'm just taking her to her room.
18:01Not this way.
18:03Well...
18:04She is my fiance, so naturally...
18:06Your grandfather wants to see you as far as her.
18:09You haven't married her yet.
18:14Mrs. Hughes is going to take care of her.
18:18Okay.
18:32You used this despicable trick to seduce me.
18:47And now you're doing the same to my nephew.
18:51Freya...
18:53Do you crave men?
18:55Or is it just the money?
18:57If it's about money...
18:59If it's about money...
19:01Make a new deal with me.
19:02There's no need to involve Oscar.
19:05I can provide for you.
19:10I won't be your mistress again.
19:11So you're determined to be my nephew's wife.
19:15That's what you want, right?
19:17Well, uncle is going to get to you.
19:18Well, uncle is going to get to you.
19:19Well, uncle is going to get to you.
19:20Well, uncle is going to get to you.
19:22That's what you want, right?
19:23Well, uncle is going to get to you.
19:24Well, uncle is going to get to you.
19:26Well, uncle is going to get to you.
19:51Well, uncle is going to get to you.
20:11What's there to cover?
20:12Haven't I seen every inch of you?
20:16The offer from last night...
20:18It still stands. Renew our agreement and I will give you everything you want.
20:33Mr. Oscar, thank you again for your kind hospitality and we slept so well.
20:41It's good to hear. Where is Freya?
20:45Who knows? We haven't seen her this morning.
20:50I think I know where she might be.
21:02I don't want to be involved with you anymore.
21:05Don't test my patience.
21:08Uncle, are you awake?
21:16Oscar. No, he can't know I'm here.
21:18Your fiancé's here.
21:20Uncle!
21:22What is it?
21:24No one has seen Freya this morning. I'm wondering if you've seen her maybe.
21:27Oh, my dear niece. If Oscar finds out you're here in Uncle's room, do you think you would have any place in this house?
21:40No. If a marriage falls through, Mom will die.
21:43Mr. Oscar, she can't be in there. No, no way she'd be in there.
21:47Renew her own contract. Or marry Oscar. I will make the choice for you.
22:06Uncle! What's happening in there?
22:08We're coming in!
22:25What makes you think she's in my room?
22:28Sorry, Uncle. I couldn't find my fiancé, so I got a bit anxious.
22:32I knew she wouldn't be here. Why would Freya dare come to Mr. Eric's room?
22:39It's highly inappropriate. This is just a misunderstanding.
22:43You're certainly anxious. I guess your marriage is undecided.
22:47Sounds like Uncle wants to break up us lovebirds.
22:51I never said that.
22:53Freya's always been wild. God knows where she is.
22:57The missing girl isn't here. You should leave.
23:02We won't disturb Uncle any longer.
23:06There! Over there!
23:12There! Over there!
23:32Would you care to organize my change slippers as well, Miss Sophie?
23:42Do you need me to leave the room so you can continue your search?
23:46I was too impulsive, Uncle.
23:48Mr. Eric, I'm sorry. I just... I saw the slippers and I... um...
23:52If you're done causing trouble, get out.
23:54Get out.
23:55Yes. Get out!
23:58Of course, I had nothing to do with this.
24:00I knew she wasn't here.
24:03I...
24:05Nice decor.
24:08I'll see you later.
24:15Freya, you sure are not afraid of death?
24:18We're all gonna be a family soon.
24:29Nothing is settled yet.
24:31Tired, Eric.
24:33Handle it.
24:35Grandfather, I said I agree.
24:38Why don't we ask Miss Freya?
24:45Why don't we ask Miss Freya?
24:46Our family would be blessed with this marriage. I'm sure Freya would never refuse.
24:54I'm asking her.
24:56Uncle, you're making her uncomfortable.
25:00She's just shy.
25:02If she's too shy to discuss her marriage, then there's no need to proceed.
25:06That makes sense to me.
25:08Hey, think about your mother.
25:11Well, I guess this engagement is off then.
25:17I agree.
25:19What do you mean?
25:21I agree to marry Mr. Oscar.
25:23She means she would like to marry Mr. Oscar.
25:28Oh, is that so?
25:30Uncle, please allow this marriage.
25:34Well, I guess we'll have to see.
25:36Did you hear that?
25:38Uncle has agreed to our marriage.
25:39Uncle has agreed to our marriage.
25:40Uncle has agreed to our marriage.
25:47Let's go.
25:49I'm not going to die.
25:51I'm not going to die.
25:53I'm not going to die.
25:54You?
25:57You?
25:58What is it?
26:00What happened to your leg?
26:01I accidentally fell in the garden earlier. It's okay.
26:03you what is it what happened to your leg i accidentally fell in the garden earlier
26:14it's okay that just solves the mystery doesn't but we need to deal with that wound immediately
26:19oscar marriage is a very big decision but since you insist
26:26next weekend is my birthday banquet if you have not changed your mind by then i will agree to arrange
26:38the engagement grandfather thank you for giving us this chance
26:56did you find out about it yes miss freya is the daughter of george brown's mistress
27:10she's indeed a member of the brown family mistress you say yes and according to the late mrs cooper's
27:20wishes upon a marriage between the brown and the cooper families the browns are entitled to
27:25massive business sponsorship worth millions of dollars from the cooper family
27:31it's all about our money you know i like mother like daughter
27:55it's all about our careers
28:21Emily, my lovely granddaughter.
28:27Oh, grown up.
28:30How was your trip?
28:32It was really nice.
28:34Why is everyone so formal?
28:36Smith family reps are in the house, and we're planning your wedding.
28:40What? My wedding?
28:41I'm way too young for this.
28:44Ted, close that door!
28:45You can't do this to me!
28:46What?
28:51Our company was gutted by an insider.
29:02Why didn't you tell me something so important?
29:05I just wanted you to marry into the Smiths family and have a carefree life.
29:10But I can't let this thief run free.
29:13I heard from the housekeeper that they're going to the Smiths.
29:17Don't bother yourself, honey.
29:19No one messes with the Williams and gets away with it.
29:23I'll join the Smiths' company and catch them all myself.
29:26Mr. Smith.
29:49Mr. Williams just called.
29:52His granddaughter, your fiancé, is coming to work at Dazzling today.
29:58What?
30:00What?
30:00I called off the engagement and they're still sending her?
30:04If they think this is going to change anything, they're dead wrong.
30:07Look, we could just deny her application if you wanted to.
30:11No, just treat her well.
30:15I want to maintain any relationships we have with the Williams family.
30:18Understood, understood.
30:19I'll call the creative head, Bella, yeah?
30:21Yeah.
30:22Well, sir, you're going to work in baseball clothes again?
30:26Of course.
30:27Of course.
30:28Of course.
30:28The Williams family is going to be our new intern.
30:41Don't worry.
30:42I'll take good care of her.
30:44Sure.
30:46I'll keep it a secret.
30:47Everyone, I shouldn't be saying this, but the Williams heiress, who's also our CEO's fiancé, is going to be working with us.
31:01What?
31:03Let's give Miss Williams the ultimate princess treatment.
31:07It's Miss Williams!
31:21Uh, no, I'm not.
31:23What is going on?
31:24I just told Gramps to keep my identity a secret.
31:28Are you the new intern?
31:30We're so pleased to meet you.
31:32Yes, I'm the new intern for the creatives team.
31:34So they're not talking about me?
31:42Are you the new intern?
31:44We're so pleased to meet you.
31:46So they're not talking about me?
31:49That's good.
31:51Yes, I'm the new intern for the creatives team.
31:54Come with us.
31:55We're the creatives team.
31:56We'll show you the office.
31:58Norm?
31:59Is that you?
32:01You've changed so much since high school.
32:03Emily Williams?
32:04She's been stealing my spotlight at every opportunity since high school.
32:09And you haven't changed at all, still as nosy and pitiful as I remember.
32:13Well, you look ten years older.
32:15What happened?
32:16How dare you?
32:18Hi, I'm Emily.
32:20I'm an intern for the creatives team.
32:22Uh, can I join you?
32:24You can read.
32:26The directory's over there.
32:29Let's go, Miss Williams.
32:30So which one is the Williams heiress?
32:42Well, her name's Nora Williams.
32:44It's gotta be her.
32:45There's something regal about her, right?
32:58Miss Williams?
33:00We got you a welcome gift.
33:02Oh, this is for me?
33:04You guys are so sweet.
33:05Of course.
33:06Anything for the CEO's fiancé and the Williams heiress.
33:11You think she's the Williams heiress?
33:15Anyone could claim that.
33:17I could be the CEO's fiancé, too.
33:19You think anyone would mistake a high school dropout for the CEO's fiancé?
33:23A high school dropout?
33:26I wonder what strings you pulled to get a job here.
33:29I graduated early, not dropped out.
33:32But she looks like a good babe to scare them all out on my behalf.
33:37Yeah, you're right.
33:38Who am I compared to the true heiress?
33:41I'm no one.
33:44Oh, that makes sense.
33:46They think I'm the Williams heiress.
33:48It's payback time, Emily.
33:49You can never steal my spotlight now.
33:51I like to keep it low-key.
33:56Yeah.
33:57Miss Williams here likes to keep things under wraps.
34:06Where do you think you're going?
34:08Where do you think you're going?
34:14I need a hundred copies of those.
34:16I'm a creative intern, too.
34:18I have my own tasks.
34:19You can do your own.
34:20How dare you talk back to Miss Williams?
34:23Know your place, newbie.
34:25And as a newbie, you are to obey whatever Miss Williams tells you.
34:30No questions asked.
34:31Are we clear?
34:33Sure.
34:34You say so.
34:35Are you kidding me?
34:48Don't break down on me now.
34:50I'm not even halfway done yet.
34:51I'm not even halfway done yet.
35:04Hi.
35:04Uh, this is, uh, for the creatives floor.
35:07I was just hoping to get a tech guy for the printer.
35:09Yeah, it's urgent.
35:11Thanks.
35:12Thanks.
35:21Need some help?
35:25Wow, you're here so fast.
35:28Wait, you were expecting me?
35:31Yeah, you're here for the printer, right?
35:34She thinks I'm the tech guy?
35:37Let me take a look.
35:51Oh, there's the black right here.
35:55Let's get another one of these.
35:57I wouldn't have guessed that.
36:06Well, looks like it's working.
36:08It works.
36:09You did.
36:12Well, at least we have a fix.
36:14I'm all over your face.
36:16Emily, you bitch!
36:18Emily, you bitch!
36:20The company pays you to work and you're here flirting with filthy repairmen?
36:23She's only here to seduce men.
36:26Even the repairman doesn't get past her.
36:28I'm so sorry you had to see this, Miss Williams.
36:32Miss Williams?
36:34Oh, is this arrogant brat my fiancé?
36:37Guess I made the right choice in calling off the engagement.
36:40Excuse me.
36:42I will not tolerate harassment at my company.
36:46No one asked for your opinion, repairman.
36:50You're not a part of this company.
36:52I'm not.
36:53Of course I am.
36:54I own it.
36:57Dream on.
36:58The owner of this company is my fiancé, Theodore Smith.
37:02And you're obviously not him.
37:04Security!
37:05Get these two out of here!
37:07That's them.
37:08Throw out that fake boss and that slut.
37:19You dare call the CEO a fake?
37:21You want me to throw you out instead?
37:27CEO?
37:28Mr. Smith?
37:30Um, Bella, we do offer health insurance.
37:33You know, you could get an eye exam, please.
37:35Theodore, my fiancé, I'm sorry.
37:38I must have misunderstood what Bella said earlier.
37:41Mr. Smith, I'm so sorry.
37:43I didn't recognize you.
37:44I promise it won't happen again.
37:47You know, I promised your grandfather
37:50that we would take care of you.
37:52So I'll forgive this, once.
37:56But as for you, apologize to your coworker.
38:01Sorry, Emily.
38:07Dazzling is a safe workplace.
38:10Don't let this happen again.
38:19Don't get too smug.
38:21Nora, Theodore is your fiancé.
38:25Why didn't you recognize him earlier?
38:30I just returned from overseas, remember?
38:44And besides, we haven't seen each other since we were kids.
38:47That's sweet.
38:52I heard that Mr. Smith is looking for a new gallery for an upcoming project.
38:57I remember that you have a huge gallery.
39:00Surely we can use it.
39:02A gallery?
39:04Oh, right.
39:05The Williams Art Gallery.
39:06It's one of the city's top galleries.
39:08I heard they have over a hundred artists.
39:11And they've sold over a billion dollars worth of artwork.
39:17Of course.
39:19I own the biggest gallery in New York.
39:22I'm sure it's up to company standards.
39:25It's gonna be so fun.
39:27Perfect.
39:28It's clearly my family's gallery.
39:30You seem to enjoy impersonating me.
39:33Let's see what you can do.
39:35Then, Miss Williams, will you be so kind and give us a tour of your gallery?
39:43This foolish woman finally comes up with a halfway decent idea.
39:47That would be fun.
39:48I've never been to a billionaire's gallery before.
39:51Let's go tomorrow?
39:52How can I afford to take them into a high-end gallery?
39:57Um, I have an idea.
40:17Nora, darling!
40:19How are you, my love?
40:20I have no time for chitchat, okay?
40:23I need you to leave the door to the Williams Gallery unlocked so that me and my colleagues can come by tomorrow.
40:29Do it if you really love me.
40:31Are you crazy?
40:32I could get fired, Nora!
40:39Here we are.
40:40Welcome to my gallery.
40:41I can't wait to see what's inside!
40:44Shall we?
40:45Why are we entering through the back door?
40:47Wouldn't the owner want to show off the grand entrance?
40:49This is my favorite entrance, Kay?
40:52Miss Williams is not that vain.
40:54She just uses this entrance like the rest of her staff.
41:06I'm familiar with that lock.
41:08It updates its password every three days and voice recognition works too.
41:12Only Miss Williams' voice can unlock it.
41:16It's just a simple lock.
41:19Miss Williams would know that already.
41:21It's not your place to speak up.
41:23Miss Williams, please show us how you unlock the door with your heavenly voice.
41:28I can do it.
41:33Miss Williams, is this the person responsible for your gallery?
41:38She's Miss Williams?
41:39It's been a while, Miss Williams!
41:40Are these your friends?
41:41Hey, welcome!
41:42Come on in!
41:43Come on in!
41:44Come on in!
42:03The gallery is down the hallway!
42:07The gallery is down the hallway.
42:14Wow, your gallery is so much bigger in person.
42:23Of course.
42:24My grandpa always wants what's best for me.
42:28What's so funny, Emily?
42:30She's just too happy because it's her first time being surrounded by luxury.
42:35Do you have any idea how much Ms. Williams' collections are worth?
42:40These are worth millions of dollars.
42:42I've been collecting art my whole life.
42:44Whoa, look at this one.
42:46It's the famous sunset at Giverny Gardens.
42:50That's not what that is.
42:52Wait till you see it up close and personal.
43:05Miss Williams, what is that?
43:11I don't know.
43:12It's the gallery security alarm.
43:14Why would the alarm go off?
43:16Because Ms. Williams touched the painting.
43:18You pathetic loser, are you really blaming me?
43:20Oh no, I'm just stating a fact.
43:22The police are probably on their way now.
43:24The police?
43:25Yeah, the police should be here anytime unless we turn off the alarm.
43:29The police can't come.
43:31I will be exposed.
43:36This is all your fault, you dirty little brat.
43:39Ms. Williams, don't waste your energy on that jealous beggar.
43:47It stopped.
43:48What the hell's going on?
43:50Emily, you must have touched something.
43:52Oh, I saw a beggar girl.
43:53She touched something over there.
43:55I didn't do anything.
43:56It wasn't me.
43:57I'm just surprised Ms. Williams doesn't know how to turn off her own alarm system.
44:01I haven't been here in a while, okay?
44:03I forgot.
44:04And I bet the alarm turned off because Emily was reckless touching stuff that wasn't hers.
44:11I agree, Ms. Williams.
44:12Next time we won't be bringing that clumsy beggar with us.
44:17I promise, I will do everything in my power to get that bitch fired.
44:22Hi!
44:23Who's ready for some refreshments?
44:25What the heck?
44:26My gallery is a no eating zone.
44:32Who's up for some refreshments?
44:34Wow, you even got your attendant to prepare a snack?
44:37Of course, your eyes feasted on my art and now your stomachs will feast too.
44:41Great.
44:42I'm starving.
44:43Come on girls, dig in.
44:44Wow, everything looks delish.
44:46Yep, I ordered the waiter to select the best snacks for you.
44:51Don't most art galleries have a no food policy, especially fancy ones like this?
44:55My gallery, my rules.
44:57Shut your trap.
44:58Ms. Williams was kind enough to invite you here and this is how you repay her?
45:02Are you blind?
45:04Everything that happened here shows that she's not Ms. Williams.
45:12How dare you?
45:13Are you really looking for trouble?
45:16Ms. Williams!
45:21What have you done?
45:23You spilled juice all over the floor.
45:25Go get him off and clean it this instant.
45:29I'm so sorry, Ms. Williams.
45:31Why is she looking at Emily?
45:33Hey, I'm talking to you, eyes over here.
45:36Please.
45:37It's Ms. Williams to you.
45:43Ms. Williams, why don't you call the person in charge of your gallery?
45:46I don't take orders from you, gutter clown.
45:49Isn't that why we're here?
45:50To seal the deal?
45:51Yeah, Ms. Williams, Mr. Smith did say to get the gallery's contact information.
45:56I'm the owner.
45:57I'm the contact person.
45:59Yeah, but Mr. Smith is going to want to see the paperwork.
46:03He won't accept word of mouth.
46:04So what's the name of the person in charge, Ms. Williams?
46:15It's Max Collins.
46:16Of course I know Max Collins.
46:18I put him in charge of my gallery.
46:20Can you call him so we can get the paperwork done?
46:23Attendant, come here.
46:34Mom, you have to cover for me.
46:37Nora, I can't.
46:43Attendant?
46:46You don't even know her name?
46:48I don't bother.
46:49She's just a servant.
46:50Go get Max Collins for me.
46:52I don't know where he is.
46:54You good for nothing servant, call him then.
46:56I don't have his number.
46:58Why don't you call him yourself, Ms. Williams?
47:01You must have him in your contacts.
47:03I just got a new phone and my contacts haven't transferred over yet.
47:07I'll call him for you.
47:14Hi Max.
47:15Could you come by the gallery?
47:17Oh, you're upstairs?
47:19Could you come down please?
47:25But you really think that we'd believe that stupid little phone call trick?
47:28We're not idiots, you know.
47:30Yeah, I bet she called the pizzeria.
47:32She's lost her mind.
47:37It's good to see you here, Ms. Williams.
47:39Hey.
47:40He's pretty handsome.
47:41What's up?
47:42Don't say anything.
47:43Just kiss me.
47:44Don't say anything.
47:45Don't say anything.
47:46Just kiss me.
47:47Don't say anything.
47:48Just kiss me.
47:49Hey.
47:50He's pretty handsome.
47:51What's up?
47:52Don't say anything.
47:53Just kiss me.
47:54Don't say anything.
47:55Don't say anything.
47:56Just kiss me.
47:57Don't say anything.
47:58Just kiss me.
47:59Don't say anything.
48:00Don't say anything.
48:01Don't say anything.
48:02Don't say anything.
48:03Just kiss me.
48:05Don't say anything.
48:16What are you doing?
48:18Not saying anything.
48:19Just kiss me.
48:20Don't say anything.
48:21Don't say anything.
48:22Don't say anything.
48:23What a thing.
48:25What??
48:26We love trying to do with this.
48:28Give your friends to order to do this.
48:30So truth or dare?
48:40Truth.
48:42Let's talk about that husband you've never met.
48:45I don't really know him that well.
48:47We got married and then I left the country pretty quick.
48:49Well, let's go with the dare then.
48:51If your husband isn't here, he can stop you.
48:53Okay, what's the dare?
48:55Ask that guy over there for a kiss.
48:58You want me to do what?
48:59I've been watching him for a while.
49:01He's drinking alone.
49:03Seems classy.
49:04And he's probably good looking too.
49:06Come on, Isabella.
49:07Go for it!
49:17How did you know?
49:19The mask suits you, little wanker.
49:21That man was so handsome.
49:31You spoiled.
49:32He seems so familiar.
49:34Is he the CEO of the Avery Group?
49:38Dean Avery?
49:40Dean Avery?
49:41Isn't that my husband?
49:43Are you sure that's Dean Avery?
49:50I want to mistake him for someone else.
49:52Too bad he got married so young.
49:54He is every girl's dream of that city.
49:57Whoever he married is one lucky woman.
50:02Samantha?
50:03Where are you?
50:04Samantha?
50:05Where are you?
50:06Who is that girl?
50:08Who is that girl?
50:09Who is that girl?
50:10Who is that girl?
50:11Who is that girl?
50:12Who is that girl?
50:13Who is that girl?
50:14Who is that girl?
50:15Who is that girl?
50:16Who is that girl?
50:17Who is that girl?
50:18Who is that girl?
50:19Who is that girl?
50:20Who is that girl?
50:21Who is that girl?
50:22Who is that girl?
50:23Who is that girl?
50:24Who is that girl?
50:25Who is that girl?
50:26Who is that girl?
50:27Who is that girl?
50:28Who is that girl?
50:29Who is that girl?
50:30Who is that girl?
50:32Who is that girl?
50:33Who is that girl?
50:34The Avery family only agreed to this marriage to suppress the scandal.
50:44Don't be ungrateful.
50:46I don't know how you got me married, but I won't honor it.
50:49Yes, you know.
50:54Hey, are you okay?
50:56Your phone is ringing.
51:00By the way, Mr. Avery, your mom called.
51:03She wants you home early.
51:05Your wife's back in the country.
51:07God, she wants to suppress the fucking scandal.
51:10Didn't you sleep together?
51:11Please.
51:11That woman tricks me into bed and then conspires with the whole media to get whatever she wants.
51:16I never would agree to marry that woman unless it was for black men.
51:21It's been two long years of that fucking marriage.
51:23I would be rather married to a cow than deal with this humiliation.
51:26But you know what?
51:27Now that she's back, I'm going to put an end to this farce once and for all.
51:33You know you can call me mom.
51:39You'll be dropping by later, yes?
51:43So...
51:44Did he recognize me?
51:46Sign this and get out.
51:48I know you want me, but I can't come in.
51:54Ew.
51:56What are you doing here?
52:00Your mother let me in.
52:03Huh.
52:04Quite the uninvited guest.
52:07You got a wild streak.
52:09I don't know what you're talking about.
52:12What did you need me to sign?
52:13Don't worry about it.
52:15That's, uh...
52:16Where is that other woman?
52:18Is another woman here?
52:20Nope.
52:20Don't worry about it.
52:22Right now it's just you and me.
52:24He's shaking on me?
52:27Uh, according to my calculations, this is only the second time we've met, little wildcat.
52:32Oh, stop calling me that.
52:34Wait, did you say the second time?
52:36Yeah.
52:38And now I'm going to need to know your name.
52:39You don't know who I am?
52:43I know that you're the woman who came back to my house for little kids.
52:55What the heck do you think you're doing?
52:57Oh, uh, nothing.
52:59Do you need a ride home?
53:01No way!
53:02I have an interview tomorrow.
53:04I can drive myself home.
53:05Well, I'll let you work for my company.
53:06Oh, yeah, right.
53:07To be exploited by you.
53:09The last thing I'd ever do is work with you.
53:16Interesting.
53:18I like her.
53:25I'm going to need you to get some documents over to the Johnson family.
53:28ASAP.
53:28Dean, darling, you mentioned about hiring a new designer, so I'm helping you with the
53:37interviews.
53:38Okay, see you later.
53:40Miss Johnson's resume is quite impressive.
53:43I think that she would make a great addition to the company.
53:48Being a jewelry designer isn't something you could do just because you have a pretty face.
53:52What matters is creativity and skill.
53:58And maybe spend less time on flashy outfits and more uncreated, beautiful design like this?
54:07This one actually needs some improving.
54:10What do you know?
54:12This design won a European Emerald Design Competition Gold Award.
54:16Shauna, actually, that's...
54:17It's actually what?
54:19You're meant by this way of my appearance, but I'm not.
54:23Uh, this is Miss Johnson's design.
54:27What?
54:32The interview went so well.
54:34Now I just have to wait for the job offer.
54:36Well, hello there, little wild cat.
54:59Well, hello there, little wild cat.
55:04Dean Avery?
55:05So you do know my name.
55:07Hmm.
55:08So, uh, you see me at my home and then now at my company.
55:14Your company?
55:15This isn't Avery Corporation's.
55:17This is Paya Jewelry.
55:19No, see, Paya Jewelry is a little project I did with my friends back in college.
55:23It just kind of blew up into a thing and, well, now I run it alongside Avery Corp.
55:29Uh, well, that's impressive.
55:33Hmm, well, uh, thank you for the compliments.
55:45Dean?
55:47What?
55:48There's a camera watching us.
55:50Well, then I'll just turn it off.
55:54No, that's not the point.
55:55The issue is...
55:56What?
55:57Aren't you married?
55:58You have a wife.
56:00You mean the Johnson girl?
56:02She doesn't care about me.
56:03She hasn't even seen me in years.
56:05Just because I don't care doesn't mean you can cheat.
56:08You're such a jerk.
56:10Are you jealous?
56:12Now, why would I be jealous?
56:14Okay, fine.
56:15So, you're not jealous.
56:17So I'll just get a divorce.
56:18And then we can get married.
56:21Do you even realize what you're saying?
56:23Yeah, of course I do.
56:25There's no love between us and it's just not going to make a difference to her.
56:28Are you sure you want to be with me?
56:31Well, you're the one who's chasing after me.
56:37You really are something mundane.
56:39I am direct.
57:01You're the one who's chasing after me.
57:07You're the one who's chasing after me.
57:07You're the one who's chasing after me.
57:08You're the one who's chasing after me.
57:09You're the one who's chasing after me.
57:10You're the one who's chasing after me.
57:11You're the one who's chasing after me.
57:12You're the one who's chasing after me.
57:13You're the one who's chasing after me.
57:14You're the one who's chasing after me.
57:15You're the one who's chasing after me.
57:16You're the one who's chasing after me.
57:17You're the one who's chasing after me.
57:18You're the one who's chasing after me.
57:19You're the one who's chasing after me.
57:21You're the one who's chasing after me.
57:23You're the one who's chasing after me.
57:25You're the one who's chasing after me.