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00:30I'm going to see you in a few days,
00:33I'm going to see you again.
00:35this is my last mistake.
00:37we are going to get a good job.
00:39cuttings from us, we're not going to do good.
00:41do you think we are going to get a good job?
00:43yes, yes, yes.
00:45Peace be upon you, man.
00:47I've been working.
00:48what is it?
00:49in the studio,
00:50with the scapulant.
00:51I've been waiting for you two days.
00:54I will never wait for a few days.
00:57If you like it, I'll do the same thing.
01:01This is you.
01:02Sheebus, it's such a shock.
01:05If you don't have anything, take it.
01:06If you make a tree,
01:08then I'm going to raise a tree,
01:10and I'm going to break my tongue.
01:27This is the end of the day.
01:31The day is going to break,
01:33but you don't see it,
01:36and you don't have to go.
01:39Now, what do we do with these dreams?
01:44You are the life, you are the journey,
01:47you are the path.
01:48How do we do this dream?
01:53You are the life, you are the path.
01:57You are the path, you are the path.
02:01You are the path, you are the path.
02:06The day is gone,
02:09but you don't see it,
02:12and you don't see it.
02:23You are the path.
02:36If you do not have a path,
02:38then you will see me.
02:40I will be the path.
02:42I will be the path here.
02:45Now, what is my path.
02:50We will go.
03:04We are the path.
03:06Hmm, what is going on?
03:09Whey, the story doesn't know.
03:11Hmm.
03:12leaving her and her?
03:13Hmm.
03:14Who? Who is it?
03:16You are not.
03:17Let's see the rest of the press conference.
03:20I have a plan.
03:22We are fans of your plans, Rosie.
03:25You have a list of the best plans for this industry.
03:31Those who are open, don't have anything to do with them.
03:36Then don't worry about it.
03:39No one knows about it.
03:41It's a new face.
03:43Taylor Master Saif Uddeen.
03:46Is it?
03:47You see?
03:48It's a new face.
03:49But we don't know anything.
03:52Think about it.
03:54He's been trying to do it with his mind.
03:57And finally, his deal is over.
04:01Wow.
04:03You are going to talk wrong.
04:05Who the hell are you?
04:06A little bit, baby.
04:08You are closed, baby.
04:10Golden brother.
04:11Golden brother is big.
04:13This is why I am a legend.
04:15With his father's parents, Golden brother are standing.
04:19Then do it.
04:21I am a legend.
04:23Stop it.
04:24You go.
04:26Out!
04:27Rosie, baby!
04:29I'm telling you that it's hard.
04:32Because in the studio in Golden's studio,
04:35the voice of the Lord can only be Mr. Sultan.
04:39Don't do it for me, Golden.
04:42The time has also been finished.
04:45It's time to eat the food.
04:48Let's go.
04:51Go.
04:56Go, go.
05:03After that, I'll give you a smile.
05:05I'll give you a smile to the studio.
05:18The story of the Lord can make the story of the Lord.
05:22That's why he will be alive.
05:25Banu, we write life. What do you know about life?
05:30There is a death.
05:38You can write it.
05:44Hiri?
05:46Yes, Abbu.
05:51How are you, Sultan?
05:56I have told them all the truth.
06:01Which truth? What did you say?
06:04Then you said it?
06:06Who did you say it?
06:07Who did you say it, Abbu?
06:08They asked me if you have a shock of acting.
06:11I have told them the truth.
06:13You didn't say it?
06:15No, it's a story.
06:17You've never said it.
06:19What are you asking?
06:21What are you asking?
06:22I don't have to ask for a question.
06:24I did not ask for a question.
06:25I did not ask for a question.
06:26And I went back.
06:28Okay.
06:29Let's see.
06:31What are you asking for?
06:32What are you asking for?
06:33What are you asking for?
06:34What are you asking for?
06:35Why don't you leave me?
06:37I don't want to leave you, baby.
06:39It's a great dream.
06:41It's obvious.
06:43But now, I have to leave you alone.
06:45You have to leave me alone.
06:47You have to leave me alone.
06:49You have to leave me alone.
06:51People...
06:53People...
06:55People talk about it.
06:57Who is it?
06:59What did you hear?
07:01People say something.
07:03There are things that people are trying to do.
07:07You leave me alone.
07:09I'm going to leave you alone.
07:11I'm going to be here.
07:13I'm going to end your job.
07:15My job will end my life after that.
07:19You are doing it for me.
07:29You are doing it for me.
07:31You are doing it for me.
07:33You are doing it for me.
07:39You are doing it.
07:41I'm going to end my job.
07:43If I'm going to die, I'll be going to die.
07:50Do you know me?
07:52What happened?
08:06What happened?
08:07What happened?
08:08What happened?
08:15What happened?
08:17No.
08:18Everything looks good.
08:23My heart and my heart.
08:27Come on.
08:29Come on.
08:31Come on.
08:32You know what happened before me?
08:34Oh, Mohsin.
08:40What happened?
08:43You didn't get into that extra?
08:47No, man.
08:48Don't say that.
08:49Don't say that extra.
08:51I understand.
08:52No, man.
08:53Never mind.
08:55Look.
08:56I understand.
08:58You're not a girl.
08:59You're a girl.
09:00You're a girl.
09:01You're a girl.
09:02You're a girl.
09:03You're a girl.
09:04No, man.
09:05You're a girl.
09:06I don't see this.
09:07You're a girl.
09:08But you're not going to die.
09:09Golden wife was the first one.
09:11If you've got a girl,
09:13you're going to die.
09:14You're going to die.
09:15But you're going to die.
09:17You're a girl.
09:18You're a girl.
09:23That was fun.
09:24That was fun.
09:25She's a girl.
09:26She's a girl.
09:27She's an girl.
09:28She's a girl.
09:29She's an heroine girl.
09:30She knows herself in the world.
09:31She makes her perfect laugh.
09:33She feels good.
09:34Does she feel good?
09:36She's fine, right?
09:38Golden Baye's album came out of Golden Baye's album.
09:40Leave it all.
09:41Let's do our work.
09:42Make a place.
09:44But you're a good person to sing.
09:46Think of acting.
09:57Now I'm thinking that I'm going to study
10:00that I'm going to...
10:02keep me quiet.
10:08It's like your beauty, my dear.
10:13It's a day that's going to break,
10:17but you can't see me from the past.
10:28Hello!
10:29What are you doing?
10:30Are you okay?
10:39Hello!
10:41Oh, hi!
10:42Where are you from now?
10:44You don't get to see me.
10:45I don't know.
10:46Who are you filming with me?
10:48Oh!
10:49We have two films.
10:51Yes, but I don't want to support the characters.
10:54This year, there are many films.
10:57Tell me.
10:58Oh, brother.
10:59I'm taking a break this year.
11:01I'll enjoy a drink.
11:03I'll enjoy a drink.
11:05Are you friends with Sultan?
11:07My?
11:09Yes.
11:10I respect his work.
11:13You'll see everything.
11:15Cheers!
11:33You're3000!
11:35Stop laughing.
11:36What happened?
11:37You see, you're drunk.
11:39I'm sorry.
11:40Don't know.
11:41You're drunk.
11:42You're drunk.
11:43You're drunk.
11:44You're drunk.
11:45Now you're drunk.
11:47You're drunk.
11:48Double roll.
11:49You're drunk.
11:50It's the movie.
11:52You're drunk.
11:54What kind of movie?
11:55What happened?
11:56What happened to you, my brother?
11:57You were drunk.
11:58Hey, you're drunk.
12:00I'm drunk.
12:01I will give them a gift.
12:03Hello, Abbu.
12:05What was the meeting again?
12:08No, brother. I came to buy a book.
12:11Okay.
12:12Listen, that girl who has a job now.
12:17Who are you talking about, brother?
12:19Abbu, he was the home of Bahawalpur.
12:23Farhad!
12:29I will give her a book.
12:32What are you talking about?
12:34Come on, Abbu.
12:36I will give her a book.
12:40Okay, go.
12:41Give yourself.
12:53Give yourself a book.
12:56Come on, how are you talking about,
12:58When are you talking about the world?
13:09Hey,
13:11man!
13:13There can't be a direct line.
13:17The situation is waiting for you.
13:19Yes, it is waiting for you.
13:23ཫ༱ས ཤསྲད ཤྲས ཚའ� ཕྱི འིན བྲའད འགས བྱགས འགོ ར྾� ཤསྲན ཕྱེད འགས རྣྱི འགས དགྲ བྱབ འགས ས྾�ང ཤས
13:53There's no time in their house.
13:54We're also going to break the water.
13:57Why not?
13:58Guys, come here.
14:03Yes sir, I'll tell you about tea and I'll take the water.
14:06Okay.
14:07Is that the shaman with the gate?
14:09Yes, I know.
14:11If they just tell their names, they give the water.
14:13I'll tell them to tell my name too.
14:17Yes, of course.
14:18Akeel Shafai Sahib, I don't remember all of you.
14:21But at this time, it's not the water.
14:25We need water.
14:27I'm here.
14:28Yes sir, I'll tell you.
14:30The water is still alive.
14:32Yes sir.
14:33No.
14:34I'll give two chai.
14:36I'll give it to you.
14:38I'll give it to you.
14:39Come here, I'll give it to you.
14:43I'll give it to you.
14:44I'll give it to you.
14:47I'll give it to you.
14:48Haja Sahib and Akeel Shafai Sahib.
14:50I'll give it to you.
14:51I mean, it's a song.
14:54What's the song for you?
14:56We know everyone.
14:59Tell me, you're not from the chai.
15:03I don't know.
15:05But Akeel's first read the song.
15:07Just understand.
15:07I'll give it to you.
15:08I'll give it to you.
15:09I'll give it to you.
15:10Okay.
15:11Now I'll give it to you.
15:12I'll give it to you.
15:13Mya, put it to you.
15:15I'll give it to you.
15:16Haja Sahib, something like this,
15:18you'll be with a heart.
15:21What a matter of it.
15:22Haja Sahib was there.
15:24The work was just there.
15:25The work was just a good job,
15:27Shaijee.
15:28Wow.
15:29Wow.
15:30I'll give it to you.
15:31I'll give it to you.
15:32I'll give it to you.
15:33I'll give it to you.
15:37Mya, this chai is coming.
15:38Where is our water?
15:40Oh, Chivan Bhaiya.
15:42I've just brought it to you.
15:43Who is that?
15:44I'll give it to you.
15:45Who is that?
15:46I'll give it to you.
15:47I'll give it to you.
15:50This.
15:51You'll give it to me.
15:53Yes.
15:56Are you on your team?
15:57Yes, I'm the assistant of Colin.
15:59Good.
16:00I'll tell you a new story.
16:01Yes, sir.
16:02You're the same.
16:03You're the same.
16:04You're the same.
16:05You're the same.
16:06Where are you?
16:07Where are you?
16:08I'll give it to you.
16:09I'll give it to you.
16:10I'll give it to you.
16:11I'll give it to you.
16:12I'll give it to you.
16:27Hello.
16:28Yes.
16:29Are you the daughter of Taylermaster Saifuddin?
16:30Yes.
16:31You know what I mean.
16:35I was thinking about you.
16:36How did you feel too long-term for me?
16:39How did you feel like this?
16:40I couldn't stand home yet.
16:41Yes.
16:43You know me.
16:46I was thinking about you.
16:49How did you feel so long-term?
16:54Let's see this question first and go home once again.
16:58When you get yourself.
17:03The training is good.
17:05You should give them.
17:07You know who you are and who you are.
17:11If you have your name in your life,
17:14then you will not go home without cutting your hair.
17:22People know you.
17:24Let's go again.
17:37I am thankful for you.
17:39I am thankful for you.
17:41You are thankful for your sister.
17:43I am thankful for you.
17:44I am thankful for you.
17:46I am thankful for you.
17:48I am thankful for you.
17:49I am thankful for you.
17:50You are thankful for your eyes.
17:52You are thankful for your eyes.
17:54I am thankful you are inside the cage,
17:59But you have encountered some other people.
18:01You aren t Facebook so much.
18:03You are so thankful for me.
18:05You are a fear inside the cage.
18:07Go ahead and 놀� Hass it around.
18:08Because of course you aren есть toolife much.
18:11This is a whole studio that you know.
18:15If someone says something wrong,
18:19then you can't give it a chance.
18:22In the kitchen, you'll be able to get rid of them.
18:26That's why I'll be with you.
18:29I won't be with you.
18:31I won't be with you.
18:33I won't be with you.
18:35I won't be with you.
18:37You're a bad guy.
18:39Tell me who has said something.
18:41I won't tell you.
18:43It's just like that.
18:45The new man said something.
18:49No, Abub.
18:51He was the one who was.
18:53He was going to tell you.
18:55He was just telling you.
18:57I'll tell you.
19:01Okay, go home.
19:04Don't be careful.
19:06You're going to tell me I'm going home.
19:08But you won't be with your question.
19:10You won't be with him.
19:12They're lying.
19:14Utah.
19:16Utah.
19:18Utah.
19:20Utah.
19:23Utah.
19:25Utah.
19:27Utah.
19:29Utah.
19:31Utah.
19:33Utah.
19:35Utah.
19:35Utah.
19:36What happened to me?
19:38What happened?
19:39What do you mean?
19:40Rosie said something.
19:42This is your last question.
19:46You have all the money.
20:06My master,
20:08Saifuddin has come for a few days.
20:10Yes, he hasn't come.
20:12Then it will be fine.
20:17Salakam, Chamanmiya.
20:19Come, sir.
20:23Are you doing this, Chamanmiya?
20:25If you come to us,
20:27there will be no work.
20:30What are you talking about, Chamanmiya?
20:32Is it wrong with you?
20:36We are talking about Chamanmiya.
20:39We are the ones who are asking for questions.
20:43Do you understand?
20:45No.
20:46No.
20:47No.
20:48No.
20:49We are doing a job.
20:50Yes.
20:51Do you have water from the house?
20:53Yes.
20:54Saifuddin is going to go.
20:55Okay.
20:56We will ask you.
20:57Sure.
20:58We will ask you.
20:59We will ask you.
21:00Yes.
21:01No.
21:02We will ask you.
21:03We are all our news.
21:14Hello, Chamanmiya.
21:15Yeahắp!
21:17Come to here, whye?
21:19Yes, just through!
21:22My jagad says this book in the book?
21:25Well?
21:27Your book, his sister has had a pleasure
21:31Oh two.
21:33Another thing.
21:35What kind of book my heart is here?
21:38It's GC SE, man.
21:40I'm in crazy 중.
21:42If we had to eat and keep you here, then...
21:46No, no, sir.
21:47Ask yourself to your sister.
21:49Ask yourself to your sister.
21:50Ask yourself to your sister.
21:51But you've read 4-5 books.
21:53It was a studio, so...
21:54Okay, okay.
21:55Just keep your work here.
21:58Otherwise, it won't be a minute outside.
22:04Why are you saying this, sir?
22:06I don't understand.
22:08Our mothers are hiding here.
22:14Because of their pain and pain,
22:17we will not be able to get rid of our own house.
22:31Please, I have a note.
22:33Okay.
22:37Sultana-saf, are you here?
22:38No, ma'am.
22:39We're doing some work.
22:40We're busy.
22:42You're busy?
22:45Okay.
22:46And you're a protegeist.
22:47Okay.
22:49How are you doing?
22:50I am?
22:51I am too.
22:52You are too.
22:53I am too.
22:54I am too.
22:55I am too.
22:56I am too.
22:57I am too.
22:58Let's get this attention to your...
23:00I am too.
23:02And...
23:03Why have you read it?
23:04I am too.
23:05Yeah.
23:07You are too.
23:08Can you read,
23:09Who is going to study books?
23:10Yes.
23:11There are great things to learn from all around.
23:13Yes, sir.
23:15Shaki Dhatilada's book, you have to study?
23:18How much I've come to study.
23:20Good.
23:21Good.
23:22Can you share what you've done with me?
23:24Great.
23:25You have to take care of yourself.
23:27And you cannot go to the reception.
23:29Thanks, sir.
23:43Look, I've told you that Sultan sahab is not here.
23:46And now I'm going.
23:51Hello, Shaviyan.
23:52The camera has locked me.
23:53And you have to go.
23:55Okay?
23:56Where exactly is Sultan sahab?
24:00Do you know Farhad?
24:05Oh, Mr.
24:07Where is Sultan sahab?
24:13Oh, Miss.
24:15It's locked.
24:16Where is it?
24:17Nadia.
24:18Tell them how it's locked in which place it's locked.
24:24Good.
24:44Farhad?
24:47What was the relief of Master Sahab?
24:50Nothing, man.
24:51He was giving such a gift.
24:52He didn't come to such a gift.
24:54He didn't come to such a gift.
24:57The truth is that people understand their property.
25:00Nothing, nothing.
25:04That's my friend.
25:06You didn't do anything with him?
25:08What happened to me?
25:09What happened to me?
25:10What happened to me?
25:11What happened to me?
25:12What happened to me?
25:17What happened to me?
25:20The truth is.
25:21It's a lie.
25:22It's a lie.
25:23It's a studio.
25:24It's nothing to hide.
25:25It's a lie.
25:26It's your fault.
25:28I'm not leaving.
25:32I won't leave it a day.
25:34Why?
25:35It's your car's car.
25:36Why?
25:37Who is that?
25:38It's not for me.
25:39That's what I want to leave it.
25:40Shame on me?
25:41Or Sheikh?
25:42Your self-engineers.
25:44KURTAY KURTAY TEMARI BATAY
25:50THAKTAY NAINI DIN OR RATAY
25:54SOCHOU MEĞE EK TOO HÍ REHTA HAY
25:59TEMARI RAHE THAKTAY THAKTAY
26:05BHOOLNE LEGAY HAY RASTAY
26:08There is no one who is saying
26:15This heart has become your heart
26:38Just keep your eyes closed, keep your eyes closed.
26:43What does it mean to you?
26:45The world you've been eating.
26:48She didn't become the world for this world.
26:50You're still afraid of fear.
26:53You're afraid of yourself.
26:55You're afraid of yourself.
26:57My daughter is gone to me in this situation.
27:01How did I teach her?
27:04My daughter?
27:06Why are you giving up with respect?
27:09Who will you find this film?
27:12I'll tell you.
27:14Look at her.
27:16I believe there will be two or four of us.
27:19Whatever.
27:21I don't want to be a good friend.
27:23I'm looking for a good relationship.
27:26The man who has the name of the marriage.
27:28First of all, he'll make a career.
27:31What?
27:32What?
27:33What will the world be able to eat?
27:35He won't even believe it.
27:37Look.
27:38There's no one who will ever get this story again.
27:41Please.
27:42You have to accept the whole life.
27:43Even if the time of marriage came,
27:44you have to accept the whole life.
27:45You have to accept the whole life.
27:47But when the time of marriage came,
27:49the one who made one,
27:51the one who made one,
27:54and the other who made one.
27:57When you win, tell me about it when you win, I'll be like that.
28:04I'll be like that.
28:18Now you will come.
28:27What's that?
28:32I'm watching my family.
28:35What?
28:37Yes.
28:39Some people came too.
28:41I'm very scared.
28:44You don't have to talk at home?
28:47What can I talk about?
28:50And that's it.
28:52I'm not going to go to my family.
28:55Hmm.
28:57What are you doing then?
29:00You can take my brother.
29:04But, what will he do?
29:07But you're angry with him.
29:10You're angry with him.
29:12But if your brother is here,
29:14he will never do anything.
29:19Do you know your brother?
29:23Yes.
29:24It's all.
29:25I'll send my mother.
29:28Why is it so much?
29:32I'll see a girl in two days.
29:36Tell me about the phone.
29:37Tell me about the phone.
29:42Tell me about the phone.
29:49Tell me about the phone.
29:51Tell me about the phone.
29:56Come on.
29:57Come on.
29:58Come on.
30:03Hello, brother.
30:05Yes, brother.
30:06What's wrong?
30:07He's telling me about the phone.
30:09He's telling me about the phone.
30:10So, he's telling me about the message?
30:13You don't like his name too.
30:16He's telling me about the phone.
30:18It's not your sister's means to him,
30:21he's telling you something in his wife.
30:24повторяю?
30:26That isn't interested in the house.
30:29Thank you, brother,
30:31that you might be willing to keep the obsession
30:34Opened my wife.
30:35You've seen two.
30:37Not even in my eyes.
30:39I'm going to go to the house of your house today.
30:58What's your fault?
31:01Why do you find me?
31:04I'm not going to go to the house.
31:0810 days after your marriage.
31:13No, Abba, Abba, you can't do this.
31:16Abba, you can't do this!
31:18Call my brother!
31:21No one can hear me.
31:24You can't do this.
31:28Call my brother.
31:32Call my brother.
31:34I am here, Paj.
31:38I am here in the studio.
31:39Everton studio?
31:40Yes, Everton studio.
31:41My brother, Paj.
31:42Thank you very much.
31:43Okay.
31:57Hello, Paj.
32:00Hello, my name is Chaman.
32:02My brother, I am here.
32:04My brother, I am here.
32:06My brother, I am here.
32:07My brother, I am here.
32:09My friend is here.
32:11My friend is here.
32:19Chaman, Paj سے مل لینا.
32:22On کے دروازے ہم جیسوں کے لیے ہمیشہ کھلے ہوتے ہیں.
32:27My brother,
32:30My brother,
32:31Mekhan لگانے کی بیتاچ بادشاہ ہے آپ کی دوست.
32:35Do you want me to take care of me?
32:43You are not coming from home from home?
32:47No, I'm going to meet him with Faraad. I'm going to take him to take him.
32:52Take him?
32:53Listen, go ahead and call me Faraad to take him.
32:58He's going to take him to take him.
33:01They will come?
33:03Yes.
33:04No, don't listen to us.
33:06Take him to take him.
33:07Go, good.
33:08If it's late, we'll get good enough.
33:11You sit down.
33:13Thank you, Faraad.
33:29Oh, no.
33:30How do you tell us?
33:31How do you tell us?
33:32How do you tell us?
33:33How do you tell us?
33:35How do you tell us in emergency?
33:37What's going on?
33:38Everything is good?
33:39Do you want to talk to us?
33:41No, not here.
33:42Go inside.
33:43Go.
33:44Thank you, Shaman.
33:45What?
33:46How long have you been here?
33:47How long have you been here?
33:48How long have you been here?
33:49How long have you been here?
33:50Yes, I'm fine.
33:51Come on, let's see the studio.
33:57I knew how to do this.
33:59How long have you been here?
34:00I'll do something with you.
34:01You'll have to do something.
34:05How did you tell us?
34:06What's the girl?
34:07I don't know anything.
34:09But it's so good that Shamsa doesn't want to marry that.
34:12She told us you.
34:14Now you can find your girlfriend's happiness.
34:19Do you like someone in the room?
34:22Yes.
34:23Who?
34:24Who is it?
34:27I.