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NewsTranscript
00:00What are you doing?
00:01I'm going to turn it over to you, sir.
00:03Namaskaram, JVAS re-releasing on May 9th.
00:08In the world, we have a great film in the world.
00:10In the world, we have a great film in the world.
00:14We have a great film in the world.
00:17We don't have to talk about this film.
00:19We also have to talk about this film.
00:22We have to refresh our memories and our team memories.
00:26We have to take care of the film by the world and film by the world.
00:30We have to take care of the film by the world.
00:35We have to take care of the world and the world.
00:39The great producer Ashwini Thadgari.
00:48The movie is a great film.
00:50The movie is a great film.
00:53We are the captain of the ship, Darsakendra Loo Sri K. Raghu Vendar Rougariki.
01:03Good luck!
01:04One, one, one, one, one.
01:14One, one, one, one, one, one.
01:18One, two, one, one, one, one, one, and one, one, one, one, one, one, one, one, one, one, one, one, one, one, one!
01:25Mega Star from Chiranjeevigariki.
01:26This is my Eighthersworth.
01:31That's why Chiranjeevigar keep us alive.
01:33We have to share my happy love with this mega star from Chiranjeevigariki.
01:43One, two, one.
01:46Come on, come on.
01:48Come on, come on.
01:50Happy, Chiranjeeva!
01:52You are welcome.
01:54You are welcome.
01:56Oh, welcome.
01:58You are welcome.
02:00You are welcome.
02:02You are welcome.
02:04How are you?
02:06Oh my God!
02:08How are you talking about Chiranjeeva?
02:10How? How is it?
02:12You are welcome.
02:14You are welcome.
02:16You are welcome.
02:18You are welcome.
02:20You are welcome.
02:22So, the creator of the film,
02:24Raghuvendrao and Chiranjeeva,
02:26and our Nirmata Ashwini,
02:28Mugguru,
02:30is ready for this film.
02:32This film will be released
02:34in 2020.
02:36We are going to refresh the memories
02:38of Mugguru's memories.
02:40Raghuvendrao and Chiranjeeva.
02:42We are very, very hearty welcome.
02:44And congratulations.
02:46The film will be released in 2020.
02:48After that,
02:50Raghuvendrao and Chiranjeeva,
02:52how does it feel, Raghuvendrao and Chiranjeeva?
02:54I don't know.
02:56You are welcome.
02:58You are welcome.
03:00You are welcome.
03:02You are welcome.
03:04You are welcome.
03:06You are welcome.
03:08Raghuvendrao and Chiranjeeva,
03:10Raghuvendrao and Chiranjeeva,
03:12are you welcome.
03:14You are welcome.
03:16You are welcome.
03:18You are welcome.
03:20You are welcome.
03:22I am welcome.
03:24I have a lot of memories.
03:26My Megastar Chiranjeeva,
03:28is a great film.
03:30It is a great film.
03:32It is a great film.
03:34It is a great film.
03:36It is a great film.
03:38It is a great film.
03:40a great film.
03:42It is a great film.
03:44Yes, it is very exciting.
03:46It is 25 years of this experience.
03:50This is a great film.
03:52Every moment during shooting,
03:54every moment during shooting,
03:56every day in the shooting,
03:58on screen, behind the screen,
04:00It was such a wonderful moment.
04:03It was such a wonderful moment.
04:05I have never been able to do anything like this.
04:08I have never been able to do anything like that.
04:10It has been been through 35 years.
04:13And Ashwini Dathgaru,
04:14what is your feeling of releasing on May 9th?
04:17I have never been able to do anything.
04:19I have never been able to do anything.
04:21This is a great venture.
04:23Chiranji Vigaru, Fagaduram,
04:26and in the world.
04:28Chiranji Vigaru and Shriday Vigaru.
04:30The chemistry, the on-screen presence,
04:32the energy level.
04:35What is your first film about this time?
04:40I am not sure about it.
04:43At the beginning of my career,
04:46I was able to do a film about Bombay,
04:48and I was able to establish a star,
04:50a superstar, and a superstar.
04:52I was able to do a film about Rani Kossar.
04:54In my direction of TLV.
04:56I am playing his role in Mosogadu,
04:57only in the direction of Valita Vashita Jirapur,
04:59I was able to do a film about the film,
05:01and in that film,
05:02the film much more so,
05:03under the title of Mosagadu.
05:05The film will be a hero from the Rambo.
05:07He is the one who is the one who holds in the wall.
05:08The one who is a real character.
05:10One who has a vampire dad,
05:12one who holds a vampire,
05:13he is a vampire.
05:14They have a vampire.
05:15I am the vampire dad.
05:17The man never has a vampire or a vampire.
05:19But we can't get a sample of this film.
05:25What is the film that we use to do this film?
05:30We can do it as a part of the film.
05:33We can do it as a part of the film.
05:38We can do it as a part of the film.
05:43So, this is the part of the film.
05:47Sir, how did you think these thoughts are you?
05:50Before this film, there were three films.
05:58One-two-three-three films, Agni, and Raghundra's work.
06:07I was going to play a film.
06:10At that time, there was a line in picture.
06:14He was able to make a lot of money.
06:23He was able to make a lot of money.
06:27He was able to make a lot of money.
06:42He was able to make money.
06:52I was able to make a lot of money.
06:56I was able to make money.
07:00At that time, I liked it and liked it.
07:09After that, I was a director of Ravindra and the director of Ravindra.
07:15I was surprised that he was not a bad guy or a bad guy.
07:21I was surprised that he was not a bad guy or a bad guy or a bad guy.
07:26And the one and only director, Raavendra, is not the one and only director.
07:40Raavendra is not the one and only director, Raavendra is not the one and only director.
07:47Thank you very much.
07:51This generation has a lot of inspiration for this generation.
07:56Because this day, a film is a flop.
07:59The director is not the one and only director.
08:03And the three films are not the one and only director.
08:08It is something great that this generation should take as an inspiration.
08:16If a person has a talent in the previous film is a flop,
08:22then it will fail.
08:27The talented person, the talented hero, the talented director, never fail.
08:34The content of the people who are looking for the talent and the talented people,
08:41and who are looking for the talent and the talent and the artists,
08:46never fail.
08:48That's the point.
08:50This film is a bit of a change in the film.
08:55I have seen this film in the film, but I think it's a yes or two.
09:00So, I have seen the same frame and the same frame.
09:06I have seen the same footage and the same input.
09:11I have not heard of it.
09:14I have also seen it.
09:17And if anyone can say anything, anyone can say anything,
09:20I would like to tell you that there is a lot of writers.
09:24Chiranjeevigar says that there is 27 writers.
09:30There is a small story, a small turning point, a small tidbit, a small comedy set-up.
09:38Again, I think that's what I want to say.
09:45That's what I want to say.
09:49And the 27th right is, you have 35 days to go?
09:53Yes, I will.
09:55That's the answer.
09:57I don't want to say that.
09:59Even if we were to get into it, we were able to get into it.
10:04We were able to get into it as well.
10:06And I think that's why I'm talking about it.
10:11That's why we were able to get into it.
10:14In the world, you can find your memories.
10:19And you can find your memories.
10:22There are some memories in school, college time,
10:26So, we are more than happy to see the film in this film.
10:33So, we are more than happy to see Chiranjeevikaar and Svidevikaar.
10:41So, in this film, there are six parts.
10:44And six parts are super duper hits.
10:47This is a phenomenon that has been happening in this day.
10:51And where are the music sittings?
10:53In the film industry, there are a lot of sound in the music.
11:01There are a lot of different types.
11:03The sound and orchestration.
11:07So, we are going to surrender.
11:11We are a little bit of a partner.
11:16We are a little bit of a partner.
11:19We are a little bit of a partner.
11:21So, we are going to surrender.
11:22So, we are going to surrender.
11:24So, we are going to the finalize.
11:29We are going to surrender.
11:30The song is the one that is the one that is the one that is the one that is the one that is all glorified.
11:37You can tell me that you are going to be a little bit.
11:40Yes.
11:41That's right.
11:42But, the song is in the UTI.
11:46Yes.
11:47That's right.
11:49So, let's go.
11:51The song is in a long time.
11:54It's been three hours, four hours.
11:59There is a theme of the composition and a lead scene of the composition.
12:08We are doing various sounds and we are doing a set of various sounds.
12:16We are doing composition in the Prasad set.
12:19At about 2 o'clock or 3 o'clock or at about 4 o'clock,
12:23we are doing a tune of the composition of the composition of the composition.
12:28The composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the composition of the
12:58Brindavan Garden.
13:00After night, J.B. is the location of Ooty.
13:05Light side, black side.
13:10Travel, night travel.
13:15One and a half day.
13:17One and a half day, sir.
13:1935 years ago, sir.
13:22This program is a different program.
13:24Sir, the film is not the first one.
13:29It's not the first one.
13:31Do you say that Moon Meera?
13:33Yes.
13:34It's a lot of discussion.
13:36The students who have written books is a song.
13:39The name of Virenthana, Jajara, Satchand, Vijayanth Prasad.
13:45What do you call Tamil Nadu?
13:49Camuli Seals.
13:50Camuli Seals.
13:52Yes, I think that. I think that the character is a very famous character.
13:59I don't know how to do it, but I don't know how to do it.
14:05Wonderful comedy.
14:08So, I'm going to arrive in the file.
14:13Shift higher?
14:14Yes.
14:15So, I'm going to talk about it.
14:16I'm going to talk about it.
14:18We can talk about the moon in a second.
14:24I want to take the chance to take the opportunity.
14:28I want to take the opportunity to take the opportunity to take the opportunity to take the opportunity.
14:45So, I also think that the Chinese people have to control the gender and the Indians have to control the gender and the Indians have to control it.
15:05There is a film called Ramaraga, and there is a film called Manasarovara.
15:13So, in our panel discussion, we talked about the news that we were talking about.
15:21We were talking about the stars and the stars, and we were talking about the stars.
15:31What is most relevant because you all know that you are the one who is given the world.
15:44You are the one who is the one who is given the world and the one who is given the world.
15:57That is the one who is the one who is given the world.
16:01Great. And along with Chiranjeevigeru,
16:04I want to tell you about your inspiration and inspiration for this day.
16:10You also have to work three to four days in a song for three to four days.
16:17And then you will get hospitalized IRN.
16:19Exactly.
16:20What song is it?
16:21It's Dinakuta.
16:31It's Dinakuta.
16:33It's Dinakuta.
16:35Oh!
16:36Hajjababoy!
16:37Sri!
16:38I don't know if I miss you.
16:40I miss you in this event, in this re-release,
16:45you will be able to tell you about the mandal.
16:49You will be able to tell me about this story.
16:52You will be able to tell me about this new world,
16:54this program, this re-release.
16:57I will give you permission.
17:00You will be able to tell me about this new world.
17:05This re-release.
17:11We all miss her.
17:12We will be able to tell you about it.
17:14Yeah.
17:15That song is the last song of the film.
17:19That's the last song.
17:21May 9th Releases.
17:23Ten days.
17:25Exactly.
17:26Ten days.
17:27This is the last song.
17:29The first song is about the first day shooting.
17:34And the second day shooting.
17:35It's the last song.
17:36One day was about 4-5 days.
17:38The second day shooting is about 4-5 days.
17:40Second, there wasn't a problem with coping.
17:43There was always a problem with making it work.
17:47I was able to put my doctor upon the treatment.
17:51I was able to pay my sins as a doctor.
17:55I could also say that in the mouth of my doctor,
17:58I was able to communicate with my doctor,
18:01and I was able to speak with the doctors.
18:03I couldn't speak with all the doctors.
18:06I had no time in my cell.
18:08The director has been doing this for a short time. He has been doing this for a short time.
18:14He has been doing this for a long time.
18:19And what is the purpose of doing this?
18:22No, I don't know.
18:24Let's take two days to rest.
18:28Let's take a day and night to rest.
18:31The restaurant has been doing this for a long time.
18:36The producer has been doing this for a long time.
18:41This is the best release.
18:43It's all the holidays.
18:45It's all the best.
18:47It's all the best.
18:49I've never done this for a long time.
18:52I've never done this for a long time.
18:55The last shot was done if he had Angels to do this with a windup,
19:00too.
19:01We all were in here.
19:03There was so much in the same place.
19:04There was an accident in the Studeo's bridge.
19:05We went to a Vija Hospital.
19:06We went to aople of the studio.
19:07We went to Vija at the studio.
19:11That's why it was a village.
19:12So, from there we went to a visit.
19:15At the time of our festival, we went to a visit for two days.
19:18It was malaria.
19:20We went to a daily care trip.
19:24He did it.
19:26I did it.
19:28I will be doing it.
19:30I will be doing it.
19:32I will be doing it.
19:34I will be doing it.
19:36But,
19:38I will be doing it.
19:40I will be doing it.
19:42I will do it in the last minute.
19:46And I will finish it.
19:48The relationship between the hero and producer
19:50is a new generation.
19:52I will be doing it.
19:54I will be doing it.
19:56You will be doing it.
19:58You have set an example.
20:00You can see you.
20:02In the last year,
20:04I was a great man.
20:06I was able to do it.
20:08I was able to do it.
20:10I was able to do it.
20:12I was able to do it.
20:14After that,
20:16I was able to do it.
20:18I was able to do it.
20:20I was able to do it.
20:22I was able to change it.
20:24So it did happen.
20:26I was able to speak.
20:28The tone of the voice.
20:30I was a senior producer, I was a senior producer, and I was a senior producer.
20:39My name is Taraka Ramara.
20:41Mahana is a producer, who will choose a bed,
20:49who will choose a college student in a small time,
20:53who will be one of the first films and the first films.
20:56He was like you know my life, I was like that.
21:00He was like, that enthusiasm is the only way he is able to show his abilities now.
21:06These shows that the show is what the show has become a woman.
21:12He is like a producer, he is the drummer.
21:20He is the drummer and he is the drummer.
21:24Because this producer is a hero, I will tell you something about that.
21:40That is why I also have that so much value for my producers.
21:45I am not a person with them.
21:47I am not a person with talent, I am a person with my husband.
21:52But that's why our culture just kept on speaking and asking that they are deeply impacted.
21:57That's why our culture is being put into our society and we know that our culture is much more than the truth of it.
22:02I am very cognizant of these people because of this but I lived around the world.
22:07I took 12 films in the world as a vampire.
22:10Baba and Baba.
22:12These hits have been done with this even till 14.
22:17No one has ever had a difficult time.
22:26That is not what I just said.
22:29I have had a little did and my mom, my dad, and my dad,
22:34and I thought that was a very cool highlight for us
22:38that we were living a special and strange place.
22:42Mr. When the family starts with a lot of these questions,
22:47Mr. Asinjanevayasa and Andamanish Swami,
22:52Mr. Asinjanevayasa is there as well.
22:56Mr. Asinjanevayasa is there as well.
23:01Mr. Skiing.
23:02Mr. Asinjanevayasa Faradhaoth,
23:04Mr. Kariamasa and Anjanevayasa Faradhaoth.
23:10And so the next thing we will do is stop.
23:13The first time we will do it,
23:15we will do it with a God.
23:21Because that music is so important to look at each other.
23:30We know that it's hard to see each other.
23:32Yes, we know that it's a good story.
23:33But you know that it's hidden behind it.
23:35Because in that part, there will be a story about each other.
23:40Work Chairs and 20 great technicians like Ilha Raja Garu, Raju Sundarangaru, Vincent Garu,
24:06Vala Gurunchi, Prakash Garu, Vincent Garu, yeah.
24:108th floor, biggest floor in Asia, Vaneh Studio.
24:15If I go to Kashmir, I would like to go to Kashmir.
24:20I would like to create the subject of Vincent Garu in a graphic shot.
24:308th floor, mega producer, mega hero.
24:35I would like to go to Kashmir, Vaneh Studio.
24:39I would like to go to Kashmir, Vaneh Studio.
24:428th floor, I would like to go to Kashmir, Vaneh Studio.
24:47Yes, that's a good idea.
24:48But he would like to see the incident in one shot,
24:53I would like to find a polythene paper,
24:58There is a camera, polythene paper.
25:00That's a good idea of my eyes.
25:03That's a good idea of my eyes.
25:05On the other hand, the edges of the lens will be low.
25:08For example, they wouldn't have the opportunity to see the means of the world.
25:17They wouldn't have the relationships with the camera anymore.
25:24He was a very good man who was traveling on the camera.
25:30That's very good.
25:32And on that side, Sri Devi,
25:35I was able to liberalize it.
25:40He was saying,
25:44It was a short in the day, because the short of my day was a short.
25:52It was a short, as if it was no time to go to the morning and evening,
25:59it was a short short.
26:02It was a short short for me to go to a half.
26:04It was a short short for me to give me visual wonders.
26:09Super, sir.
26:10But how do you have a master of the Raja Sundin?
26:12Whitaker, when they come to the shudkiego master of the sun,
26:18he is the strong spirit of the sun.
26:19When they come to the sun,
26:22he is a designer,
26:23he is the strong spirit of the sun.
26:26He would call the sun.
26:29He has the very first father.
26:32Sir, I am a Shundra master of the sun.
26:35When do you say that,
26:37that means the sun is as high as the sun,
26:39Yeah, I think that's part of this film.
26:41Oh, yeah.
26:42It's an actual film.
26:43Yeah, it's an actual film.
26:45So, you can't do it.
26:46That's the film.
26:47It's a green house.
26:49It's a red sari, it's a film.
26:52I've noticed that there were a couple of days when I was talking about it.
26:55We had a lot of times.
26:57I don't know how much to do it.
26:59For me I was really young and I was a young person.
27:07I was really young and I was so much talented.
27:11And then I got to change my life and I could never do that.
27:13I would never do that.
27:15I am an old wine and you bottle.
27:16I have always had to do that.
27:18I had my first dance.
27:20I had to do it that, you know, that's good.
27:24I am not a monster, but I am very young.
27:27Rani, 17 years ago, I had a song called Stuart Paran Police Station.
27:37I started this year.
27:39After that, I told you about it in Lancashire.
27:43That's why I was here.
27:45That's why I was here.
27:47That's why I was first to identify talent and encourage.
27:51I was also worried about the Sunderamaster.
27:54I was also encouraged to encourage.
27:56So, everyone has been pushed back to the show.
28:00I was going to say, what is the name of the Prophet?
28:03Dance is equal to Prabhudeva is equal to dance.
28:06As a choreographer, director, hero, etc.
28:10If you say that in the cinema, you can't say anything like Kastal.
28:14Say it, sir.
28:15If you say that, you can't say that.
28:17You can't say that in the unforgettable moments.
28:20You can't say that in November, December.
28:24That's why I'm going to be March, so I don't know if it's November or December.
28:28I don't know if it's December or November.
28:31It's a lot of music.
28:36In the middle of the night of the night,
28:39I had to make a lot of gochi and onions.
28:43I had a fight sequence.
28:46I had to make a lot of gochi.
28:51I didn't see any trouble with it.
28:54I have to make a lot of money.
28:59I have to make a lot of gochi.
29:01It's a nice feeling.
29:02It's nice.
29:05I don't like that?
29:07I don't like that.
29:08I don't like that.
29:10That's the problem.
29:12It's not the problem.
29:14Ravinderu again, did you want to get a lot of them?
29:16Ravindra, do you have any Unforgettable Moments or any of these experiences?
29:23I will tell you, I will guarantee that there is no one hit.
29:29I will tell you.
29:34Because there is a lot of hits in many films,
29:37but there is no one hit at that art.
29:47And we will tell the story that there is no one hit at that.
29:50We will talk about that story.
29:53We will talk about it in many films and we will talk about it.
29:56I will tell you that you'll enjoy it.
29:58I will tell you, I will tell you how many of these stories are made.
30:04Do you want to call him Tophan?
30:06I don't know.
30:08If you have a doctor, you will ask him to call him Shri Khakr.
30:13He said,
30:14I am so proud of you.
30:18My boss is so proud of you.
30:22You are so proud of me.
30:24My boss is so proud of you.
30:26You are so proud of me.
30:28You are so proud of me.
30:30He said,
30:32I will tell you what this movie is.
30:36He said of your film in three or two,
30:38three.
30:40Three might not be the best.
30:42Three might not be the best of us.
30:44One guy who has a teacher who is a boss.
30:46One guy that's a great job.
30:48One guy who can do something to eat.
30:50One guy that's a great job.
30:52If you think it's the audience,
30:54we don't know how many of us.
30:56I am talking about all of us.
30:58When you are released, you will not have any chance to get something to release.
31:05Exactly.
31:07That means, if you release something, you will not have any chance to release it.
31:14It is not a common man.
31:16The common man is a hero is to dig into the shadows.
31:20I would never have to do anything in the middle of a year.
31:23I would never have to do anything in the middle of a year.
31:26There are a lot of questions in the cinema, but in this film, it is not the only thing about this film.
31:35It is not the only thing about Chiranjeevigar, Abba Ni Thiyani Debba, First Vace, Sridhevigar, Sari, and Sari.
31:45This film is not the only thing about this film.
31:48So that's the fan video.
31:50There are a lot of things, but we have to take a few clips and watch it.
31:55There are a lot of things.
31:57Yes.
31:58In this case, there is a TV film on the TV.
32:01This film is on the same screen.
32:04Correct.
32:05In many years, there are a lot of things.
32:08There are a lot of things.
32:10There are a lot of things.
32:12There are a lot of things.
32:14There are a lot of things about this film, but we have to do it the first day first of the film.
32:22But if we should see where I was in the film, then we would do it the audience.
32:28Double enthusiast.
32:30I would like to ask, if I could be surprised, if I could be like, I would like to ask your question,
32:39I'd like to ask for everything that I have to ask for.
32:44I would like to ask for the truth of my question, I would like to ask for a second.
32:50As a result, the result in the film has been written in the film.
32:55It's a real thing.
32:57It's a real thing.
32:59It's a real thing.
33:01If you ask questions,
33:03you can answer the question.
33:05I don't know how to answer the question.
33:07Exactly.
33:09We will just get to know the marketing strategy.
33:13You can't answer the question.
33:15You don't have to answer the question.
33:17And these are the ones that you mentioned.
33:19Because this cinema is a sequel, but I don't think anyone can do it.
33:24I don't think I have a doubt, but I don't think I have any idea.
33:31If you don't think about it, it's a good idea.
33:37If you don't think about it, it's a good idea.
33:40But I think it's a little bit ambitious.
33:45I think this is a big breaking news. Ram Charangaru and Januvi are a part 2 sequel. It will be super fantastic.
34:06After the next generation, Januvi, Ram Charangaru and my producer, they are a part 2.
34:27Be ready for Jagadayakaviru. Part 2.
34:32It is a part 2. It is a part 2. It is a part 2.
34:39But it is a part 2.
34:42I am a part 2.
34:47I am a part 2.
34:50Superb, sir.
34:52We are going to show you a photo.
34:54Because this film is a part 2.
34:56I am going to show you a photo.
34:57I am going to show you a photo of these photos.
34:59I am going to show you a photo of Amrishpurigaru and Ashwini Dattigaru.
35:01Sir, you can show me.
35:02You can show me a photo of Amrishpurigaru.
35:04The thing I am going to show you is the first film, I am going to show you a photo of Amrishpurigaru.
35:11That's the movie that the band is for me.
35:13You said you have a photo of Amrishpurigaru, that's the style.
35:16Avaahayami.
35:18Avaahayami.
35:20What is your name?
35:23That's what I'm saying.
35:25Do you think Dathikar is your name?
35:27No, I'm your name.
35:30Dathikar, do you know what I'm saying?
35:33I'm not saying what I'm saying. I'm your name.
35:38Okay, picture number two.
35:40Ah, this is Sir Yuath entirely.
35:53We will ring for Vijayvard because this is the mat explored.
36:055.15 crores tickets past 6musich arrived.
36:081.1 crores of tickets. Highest. Highest in all-time record.
36:16Sridevi gave me a chest. It was a very small chest board. It was electronic.
36:25Sridevi gave me a chest. It was a touch pad. It was a counter. It was a computer.
36:35Sridevi gave me a gift in England.
36:39Sridevi gave me a gift.
36:42Sridevi gave me a gift.
36:46Sridevi gave me a gift.
36:50Sridevi gave me a gift.
36:56Sridevi gave me a gift for their own un午餐.
37:00Sridevi gave me a gift,ising God.
37:05Sridevi gave me a gift.
37:08Sridevi gave me a gift for sacrifice knowing when everybody knew how much everything changed him to the right and every time some living.
37:12At all. That is our mega star, Jagaday Kavirudu.
37:19Same. Same to same.
37:21I love it. I love it.
37:23It is not an easy thing, Chirinji Vigaru.
37:25If you continue to see this stardom,
37:28if you continue to do the same thing in the cinema,
37:30if you like it or not,
37:32if you like it or not,
37:34hats off to you.
37:36Great.
37:37First shot, sir.
37:40Exactly.
37:42Did you shoot the casino scene, sir?
37:44What is it?
37:45Did you go to the casino?
37:46Yes, in the casino.
37:48There was a cutout in Ardha Chandra.
37:51When I saw a photo,
37:53what is the most important thing is,
37:55in the photo,
37:56you can see me and my son,
37:58you can see me in the face.
38:00You can see me in the face.
38:02You can see me in the face.
38:04The first clue is,
38:05if you don't know anything,
38:07if you don't know anything,
38:08if you don't know anything,
38:10you can see me in the face.
38:11I can see you in the face.
38:12I can see you in the face.
38:13Correct.
38:14And if you don't know anything about it,
38:16I think I can see you in the face.
38:19I can see you in the face.
38:21I feel like you're going to see you in the face.
38:23You're in the face.
38:24What is it, sir?
38:25That's my name, sir.
38:26I talk to you in the face.
38:28If you don't realize anything,
38:29I don't know anything,
38:30he just fell in the face.
38:31I'm totally tired.
38:32He didn't have a fight girl!
38:33I don't even know anything about it.
38:34Every day there is a match,
38:35I think I won't.
38:36I'll show you in the last 5 days.
38:38I won't show my face.
38:40You won't show my face.
38:42I won't show my face,
38:44but I won't show my face like you.
38:46That's fair!
38:47I suppose..
38:48Yes, it sounds like a man.
38:52And then, Ayyan Swami has here to get up and steal.
38:57What's up with you?
38:59Siva.
39:00I am not a fan of the magazine.
39:06You are a hero of the artist and technicians.
39:12You are a hero of the technician.
39:16That's why you are coming to the first place.
39:18I'll tell you about it.
39:19When you sing the song, you sing the song, you sing the song.
39:24Where is Shaji?
39:30I'm a girl.
39:31I feel like I'm here.
39:33I'm going to do something like this.
39:37We are not going to do anything like this.
39:40But for songs, we are going to change the special costumes.
39:45It is a very nice thing to do.
39:49But even in the local, we have a regular experience with mythology.
39:55Riva Karai.
40:00Shaji Garu, congratulations to you too.
40:02This is the whole thing.
40:05You have made a lot of cinema in May 9.
40:09You also have a first day of shoot.
40:10You have a lot of costumes in your car, but maybe you can't.
40:13What's your name?
40:14You sir, you.
40:15You too.
40:16The handsome, the most wanted director Raghavinder Rao.
40:21We are still here.
40:24Shaman.
40:25Shaman.
40:26Shaman.
40:27Shaman.
40:28Shaman.
40:29Shaman.
40:30Shaman.
40:31Shaman.
40:32Shaman.
40:33Shaman.
40:34Shaman.
40:36Shaman.
40:37Shaman.
40:38Shaman.
40:39Shaman.
40:40Shaman.
40:41Shaman.
40:42Shaman.
40:43Shaman.
40:44Shaman.
40:45Shaman.
40:46Shaman.
40:47Shaman.
40:48Shaman.
40:49Shaman.
40:50Shaman.
40:51Shaman.
40:52Shaman.
40:53Shaman.
40:54Shaman.
40:55Shaman.
40:56Shaman.
40:57Shaman.
40:58Shaman.
40:59Shaman.
41:00Shaman.
41:01Shaman.
41:02Shaman.
41:03Shaman.
41:04Shaman.
41:05Shaman.
41:06Shaman.
41:07Shaman.
41:08Shaman.
41:09Shaman.
41:10Shaman.
41:11Shaman.
41:12My name is Shwapnegaru and Shwapnegaru.
41:19I told you that when I was watching Shwapnegaru and Shwapnegaru,
41:25I was very proud of that.
41:27In this film, the film is not a hit or not.
41:31I told you that at that time,
41:33I told you,
41:35I told you,
41:37I told you,
41:39that three people, are Ramcharan.
41:42If we had like a cool drinker,
41:47our film is a hit.
41:48Even in the movies is a hit.
41:50Even the film is zdar.
41:52My name is Ramcharan.
41:55Let's have Ramcharan's video please.
41:57Congratulations, Jagatayak Viridu.
42:00Dream Team is over 30 years.
42:04My dream team is Ashwetet, Ila Rajagaru, Raghavendra, Endamuri, Vincent, Prorishwuri Brothers.
42:15My dream team is a dream team.
42:26My dream team is a dream team.
42:29My dream team is a dream team.
42:36I am a dream team.
42:41It's the most memorable film.
42:43My first generation has a great fantasy film.
42:48I am a dream team.
42:55My dream team is a dream team.
43:01My dream team is a dream team.
43:07My dream team is a dream team.
43:11I am a dream team.
43:13I have a dream team.
43:15You are a dream team.
43:17The dream team is a dream team.
43:19The dream team is a dream team.
43:21I can never tell you.
43:23I am a dream team.
43:25I am a dream team.
43:27Mr. Nagashwin.
43:32I don't have to demand a good answer to our generation.
43:39Thank you so much.
43:41Like father, like son.
43:43I have absolutely no clue how to do cinema in the next generation.
43:51Sir, I will be ready.
43:54Like father, like son.
43:59So, give him your answer.
44:01Sir, if you don't get any questions, give him a question.
44:08He's not going to go back.
44:13Okay.
44:14My friend, I've got a very fresh mind.
44:20I'm going to cut everything off the top of the top of the top.
44:24I'm going to cut everything off the top and I'm going to cut everything off.
44:27Everyone is a double star.
44:29We enjoy it.
44:31If you think about it, it's an honor.
44:37If you go to the theater, it's a double star.
44:42We are going to talk about the theater experiences.
44:48We are going to learn the generations.
44:51We are going to learn the third generation.
44:53They are very difficult to get the latest generation.
44:59They are very difficult to get the most involved in the world.
45:02And what you're trying to get to this film is you're trying to get the most involved in this film.
45:11If you're trying to get the most involved in May 9th,
45:14you're trying to get the most involved in the film.
45:21And entertainment is guaranteed. God bless.