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  • 2 days ago
First broadcast 12th February 1989.

Poirot is enjoying his holiday in Rhodes, but human drama never seems to be too far away.

David Suchet as Hercule Poirot
Frances Low as Pamela Lyall
Jon Cartwright as Commander Chantry
Annie Lambert as Valentine Chantry
Peter Settelen as Douglas Gold
Angela Down as Marjorie Gold
Timothy Kightley as Major Barnes
Al Fiorentini as Police Inspector
Anthony Benson as Skelton
Patrick Monckton as Hotel Manager
Dimitri Andreas as Greek Cashier
Georgia Dervis as Greek Girl
Sofia Olympiou as Good Woman (as Sophia Olympiou)
Tilemanos Emanuel as Custom's Officer (as Telemahos Emanuel)
Giannis Hatzigiannis as Purser (as Yannis Hadjiyannis)
Stephen Gressieux as Italian Policeman
George Little as Dicker
Martyn Whitby as Postman

Category

📺
TV
Transcript
00:00Oh, yes, and what time do we call this, then, eh?
00:07I want to get you out of bed.
00:12Here.
00:14No good leaving all this stuff for 56B.
00:16They're on holiday.
00:18Well, all of them?
00:19Oh, yeah.
00:20Captain Hastings has gone off shooting things,
00:22and the secretary's gone off to visit her sister in Folkestone.
00:25What about the French one?
00:27Somewhere foreign.
00:27Sent me a postcard with goats on it.
00:30Oh, yeah. I remember.
00:33Let's hope it keeps firing for him.
00:54Going up now.
00:57Oh, yes, yes.
01:14Oh, yes, yes, yes, yes.
01:16Christmas.
02:16Oh, Mr. Poirot, how pleased I am to see you.
02:28Mademoiselle?
02:29Lyle.
02:30Pamela Lyle.
02:32I recognized you at the hotel.
02:35I'm a great admirer.
02:36Oh.
02:37May I cling to you, Mr. Poirot?
02:39Ah, yes, it would be a pleasure, mademoiselle.
02:43You are an adventure?
02:45It's against all my instincts, but the man persists.
02:49And with the hotel being so empty, there's a great danger of my getting stuck for the rest of the holiday.
03:00Ah, they're galloping major buns.
03:08Yeah, for the fishing, he tells me.
03:15The behavior of the English abroad is something I have always found peculiar.
03:30If...
03:31At least he's got a bottom pincher, Mr. Poirot.
03:33Hey, ragazzi.
03:34Vieni con l'ami, ragazzi.
03:35Vieni con l'ami, ragazzi.
03:36Vieni con l'ami, ragazzi.
03:37Vieni con l'ami.
03:38Vieni con l'ami.
03:39Vieni con l'ami.
03:40Look at them.
03:41Troublemakers always looking for a fight.
03:45Perhaps.
03:47But for me, the English is more cold-blooded.
03:50His violence is more calculated.
03:53Spent all day at sea and my wife's exhausted, so let's get to the hotel as fast as possible with our luggage intact.
04:10Make sure it's secure and stay close behind the other car.
04:17Excuse me.
04:18But aren't these the cars from the Palace Hotel?
04:21Yes.
04:22Well, we're staying there too, you know.
04:24Well, you'll have to wait for them to come back.
04:28The hotel fees, driver.
04:31And try not to hit anything.
04:40Come on, darling.
04:53Good heavens, I do believe that's Valentine Chantry.
04:57Dacre's, it was.
05:02Shouldn't think this place was quite her style.
05:05Bit quiet for her.
05:07She's rather marvellous, isn't she?
05:10She has married again?
05:12Number five, I think.
05:14Mon Dieu.
05:15Looks a bit of a gorilla, doesn't he?
05:17An animal attraction, would you think, Mr. Poirot?
05:21Well, well, well, things are looking up.
05:28Hello.
05:30Hello.
05:32Been looking all over the place for you, little lady.
05:36Not out fishing today, Major?
05:38Yes, earlier.
05:39Didn't have much luck.
05:41Perhaps, Major Barnes, you were fishing too close to the shore.
05:45I noticed you by the harbour.
05:48I expect you're right.
05:50Too much damn dynamiting going on.
05:52Dynamiting?
05:53The fishermen dropped dynamite round here.
05:55Damn lazy beggars.
05:57The fish, not being fools.
05:59Keep out at sea.
06:00Okay, please.
06:01Now, will you get the luggage off immediately and take it straight to our rooms?
06:30I do not understand why we weren't there properly.
06:33Well, I think it's simply wonderful. So unspoiled.
06:37Eh, it's pretty enough. But such a long way to come. Such an awful journey.
06:42You'll enjoy bathing and lazing about?
06:45We could have done that in Brixham. Why you wanted to drag us all this way?
06:49You'll adore it here, I know.
06:51I can see that you mean to enjoy yourself.
06:54Oh, well. Give me a bath and a bed and perhaps we'll look better in the morning.
07:00Tony, darling. Yes?
07:17In my cigarette case.
07:20She makes me feel so undercooked. I'm so patchy still. She really is so lucky.
07:29Oh, dear. That bathing dress is a mistake.
07:36Morning.
07:37Good morning.
07:38Good morning.
07:39Lovely day.
07:40Shall I put yours here, darling?
07:41Yes, so I can get a little bit of sun.
07:42I feel so dreadfully faded.
07:43But I freckle rather quickly.
07:44I feel so dreadfully faded.
07:45But I freckle rather quickly.
07:46Oh, dear.
07:47That bathing dress is a mistake.
07:50Morning.
07:51Good morning.
07:52Good morning.
07:53Good morning.
07:54Good morning.
07:55Lovely day.
07:56Shall I put yours here, darling?
07:57Yes, so I can get a little bit of sun.
07:58Yes, so I can get a little bit of sun.
07:59I feel so dreadfully faded.
08:00But I freckle rather than going brown.
08:01Have you ever been to Rhodes before?
08:02No, it's lovely, isn't it?
08:03Such a clever idea of yours, darling.
08:04I've scarcely heard of the place.
08:05I thought it was Greek maybe or Turkish.
08:07No idea it was it, if it were only nearer England.
08:11Did you come from Brindisi?
08:12Yes, came on the ferry last night.
08:14I was a little bit of a little bit of a little bit.
08:17I was a little bit of a little bit of a little bit of sun.
08:19I'm a little bit of a little bit of sun.
08:21I feel so dreadfully faded.
08:22I'm a little bit of a little bit of sun.
08:23I feel so dreadfully faded,
08:24but I freckle rather than going brown.
08:26Have you ever been to Rhodes before?
08:28No, it's lovely, isn't it?
08:29Such a clever idea of yours, darling.
08:31Scarcely heard of the place.
08:32I thought it was Greek maybe or Turkish.
08:33night. see it's simply lovely so blue. I think we ought to go in now Douglas don't
08:42you? oh yes rather in a minute. just pull that towel a little flatter would you
08:50Tony darling would you mind? what's that? I've left a little pot of face cream in the bathing hut. I meant to bring it with me.
09:19do get it for me. there's an actual. yes darling he must be crazy about her wouldn't
09:38you say? it's lovely Douglas so warm. do come.
09:49aren't you going in? oh I uh I like to get well hotted up first. I like my dip last thing.
09:56oh dear I can't get this thing on down. I'm hopeless. I um I wonder would you...
10:05can I do it for you? oh thank you. you are kind. I'm such a fool that I'm doing things. I... oh you are a clever boy. you've done it.
10:27we must have been on the same ferry.
10:34it's it's Douglas isn't it? yes Douglas Gold. darling Douglas has just been so kind to me. my husband Tony.
10:41how do you do? how do you do? how do you do? and your wife's called? uh Marjorie. yes.
10:48don't you think that human beings tend to reproduce certain patterns Mr. Poirot?
10:57stereotyped patterns?
11:03precisely mademoiselle.
11:18your wife's not ready this afternoon Douglas. no uh Marjorie wasn't feeling too well.
11:24probably too much sun this morning. so I came alone. oh well we'll just have to make the best hit.
11:31oh no really.
11:37Ah.
11:38how are you doing? mr Avro. hello. i was noticing this particular dig here they have some fresh water and sea water celebrants.
11:51I was noticing this particular dig here.
12:01They have some fresh water and seawater fossils.
12:06Fascinating, yes.
12:07And what a beautiful day.
12:09Douglas and I are always lucky in our weather.
12:12You do not bathe this afternoon, madame?
12:15No, only once a day.
12:17We'd arranged to go on a tour of the old city this afternoon,
12:20but somehow or other, we missed each other.
12:23Indeed.
12:26You know, Mr. Poirot,
12:28when one sees so much trouble and unhappiness
12:31and so many couples divorcing each other and that sort of thing,
12:36one does feel very grateful for one's own happiness.
12:39It is pleasant to hear you say so, madame.
12:42That's why I feel so sorry for people who aren't happy.
12:46Mrs. Chantry, for instance.
12:49Madame Chantry?
12:50In a way, one feels sorry for her.
12:55I mean, in spite of all her money and good looks,
12:58she's the sort of woman I think that men would get tired of very easily.
13:03Don't you think so?
13:08Men are just like children.
13:10They believe anything.
13:11I gather you are a detective, Mr. Poirot.
13:20How long are you in Rhodes?
13:22Sadly, madame, I leave on Saturday.
13:24Dad loves a pink gym.
13:40I positively must have a pink gym.
13:42Have a nice bath, Tony, darling.
13:57Hasn't it been a marvellous day, Miss Lyon?
13:59Tony?
14:00Tony?
14:01Tony?
14:02Tony?
14:03Tony?
14:04Good afternoon.
14:05Shall we wander over there?
14:09Valentine certainly has her methods.
14:24Mademoiselle, I do not like all this.
14:25Don't you?
14:26Nor do I.
14:27No.
14:28Let's be honest.
14:29I suppose I do like it, really.
14:36In fact, I've arranged a little excursion for tomorrow.
14:59Two hours driving, and all this ludicrous climbing, and all there is at the top is another ruin.
15:04But wait till you see the view.
15:22Nice, sir.
15:23Nice, sir.
15:27It's beautiful.
15:53Here it is!
16:00Here it is!
16:06Look!
16:07Look, a snake!
16:11Beautiful.
16:13Be careful!
16:14I don't like it here, I think we should go back.
16:16Damn place.
16:17It isn't safe to walk in.
16:19They're everywhere.
16:21In the old days, Rhodes was known as the Island of Snakes.
16:27You can see the markings so clearly.
16:30As a warning, madame.
16:32Nature gives to the Quarry of the Viper a chance to identify his attacker.
16:38If every killer was as clearly marked, I would be without a job.
16:51Do we have to have this?
17:09We can't hear ourselves speak.
17:12Let us not be disrespectful of the local customs, Commander.
17:21I can't understand who I'm with this man.
17:26Well, take mine. This one's got some English.
17:28Translation's a bit rough, though.
17:30Is this wine? It's like pink gin.
17:33Douglas.
17:35I think it's terrible.
17:37People are doing it all the time.
17:40Well, I belong to the old-fashioned generation that doesn't believe in divorce.
17:44The sort of attitude there is to life nowadays that if you do a thing and you don't like it,
17:49you get yourself out of it as quickly as possible.
17:51Easy marriage, easy divorce.
17:53I hate that.
18:00You seem to know a great deal about marriage, Mrs. Gold.
18:06Oh, I'm sorry. I... I... I...
18:08It strikes me you've been listening to far too many scandal-mongers.
18:11Just because a woman is good-looking, people come down on her like a ton of bricks.
18:15Oh, but I didn't mean...
18:17Oh, dear!
18:21Marjorie?
18:23There was no need for that.
18:25Yes, well, I can't imagine why you brought your wife on holiday anyway, Gold.
18:28What do you mean?
18:29Because you only have eyes for Valentine.
18:31Don't be ridiculous. You must be drunk.
18:33If you and my wife think you can put this one over on me, you're very much mistaken.
18:37I'll not be got rid of as easily as all that.
18:39Ladies and gentlemen, are you ready to order now?
18:42Ah, paracolo.
18:46The bowel's in spit.
18:49I have your assurance it is the kidneys of the lamb, but on a skewer, yes?
18:54C'est parfait.
18:56Then for me, the bowel's in spit.
18:59The bowel's in spit.
19:00If Harry's done.
19:01The bowel's in spit.
19:02If Harry's done.
19:04The bowel's in spit.
19:05If Harry's done.
19:07What should he do?
19:08If Harry's done.
19:09The bowel's in spit.
19:10The bowel's in spit.
19:12But any of my mother...
19:13The bowel's in pit.
19:14You may know you've probably been a huge fan of tears.
19:16Let them冷 a little bit.
19:17You may know you've been a little bit.
19:18That's all.
19:19The bowel.
19:20oh mr. Poirot forgive me I thought I might be alone here may I give you some
19:42advice madam oh yes yes please your husband loves you I know it how can you
19:53know it she's got hold of him body and soul he doesn't think of me anymore I
19:58don't count oh I can't bear it I can't then my advice to you madam is this leave
20:06this place before it is too late too late what do you mean you're frightening me yes
20:15that is my intention why why it is my advice to you leave this island if you value your life
20:36we'll be sorry to see you go monsieur Poirot your tickets are with a passport and my reservation
20:54it has been confirmed a sleeping berth on the night boat see oh will you be taking dinner tonight
21:02um yes something light before I travel matron Barnes has provided the kitchen with some
21:09barbouni ah if your red mallet would be ideal merci
21:13catch some unawares first thing in the morning
21:18no please with care with care regardy regardy look look look is also where you see the others here
21:48Of course it's all lies but he's infatuated. He says he wants a divorce.
21:55I don't know what to do. It's terrible.
22:06Now what is it?
22:08It's such a shame you're leaving, Mr. Poirot.
22:11I don't know how you can when things are just hotting up.
22:14The chartries and the golds are getting into more and more of a pickle.
22:17It's rather shocking.
22:19Marjorie thinks that Valentine will divorce Chantry and marry Douglas.
22:24Really?
22:27Look, they're over there.
22:32I can't see Chantry giving up without a fight.
22:37Who could have predicted such passion, Mr. Poirot?
22:41There is a crisis of the nerves set in there.
22:44Hmm.
22:48Look.
22:49What's new?
22:50Hello?
22:51This is a bit silly, isn't it?
22:52I quite agree.
22:53Pointless spoiling the whole thinking show.
22:55Quite my feelings exactly.
22:59Shall we, uh, go in together?
23:01Oh dear.
23:05I was half hoping there'd be a murder so you'd stay.
23:08Garçon.
23:11Why did you take a picture of us two?
23:14Oh my God.
23:15I don't know.
23:16We're at the press.
23:17We'll do that a bit all the time.
23:18We just line up.
23:19All right.
23:20How's that?
23:21How's that?
23:22How's that?
23:23Jolly good shot.
23:32The ladies have gone off on an evening drive.
23:35Something of a reconciliation, I gather.
23:39jolly good shot the ladies have gone off on an evening drive something of a
23:48reconciliation I gather well there's been too much bad temper and bickering
23:53indeed sorry you're leaving Poirot not had much time for a chat well you've
23:59been very busy major huh the mallet was excellent oh glad you enjoyed it oh yes
24:06where did you buy it what do you mean had to go a long way out for that no no no
24:15major your interests are closer to the shore my car please certainly miss your
24:22photo the Italians I notice are strengthening their harbor defenses for
24:30military use you're very sharp-eyed mr. Poirot so sharp eyes are important in
24:38both our professions major
24:50that is
25:00well done well done Douglas thank you shall I have a good game gentlemen
25:15capital fellow's too good for me ran out with a break of 46 pure fluke I assure you
25:21what do you have pink gin please and you major this one's on me very kind of you
25:32I'll have a whiskey and soda and two whiskey and sodas
25:34I've worked pretty hard all my life you know no time for holidays but don't get me wrong I've seen a bit of life this past few years I can tell you I
26:02excuse me major
26:05thank you
26:09you all ought to have come
26:12where have you been darling up to the temple of Apollo to see the sunset
26:16there's the most marvelous view darling right across to Turkey we must go
26:20tomorrow sounds like a good idea miss Lyle what will you have oh thanks a sidecar
26:25please darling pink gin
26:28oh have that one I'll order another
26:30oh rather
26:32mrs. gold
26:33orange aid please
26:34barman could we have a sidecar and a pink gin
26:38oh I needed that
26:40are you sure you wouldn't like something stronger mrs. gold
26:43oh all right then gin and ginger beer please
26:46darling
26:47well it feels like a celebration
26:49right you are then gin and ginger beer it is
26:52barman
26:53no
27:04boys
27:11all right
27:12all right
27:13all right
27:14all right
27:17Yes, please.
27:24Will you use my stepping over here, please, sir?
27:30No, don't sit down.
27:45What I've been meaning to say all the time we've been here
27:48is that your clothes are so clever, such a marvellous line.
27:53Are you all right? What's the matter?
27:55I need a drink with some water.
27:58Waiter?
28:00I feel rather queer.
28:04Something gone down the wrong way.
28:07I can't get my bread.
28:09Waiter!
28:11Paracolo, quickly, some water!
28:13What's up?
28:14Commander Chantry!
28:16What's the matter, Mal?
28:19I don't know.
28:21That drink tasted queer.
28:23The pink gin? This?
28:25Give her some room.
28:28Drink this, Val.
28:30Try to drink this.
28:37Who knows what to do?
28:39I'll get a doctor.
28:42That was my drink, Gold.
28:44I'd not touched it.
28:46What the hell did you put in it?
28:47What the hell did you put in it?
28:48What the hell did you put in it?
28:53She's dead.
28:54She's dead.
28:55She's dead.
28:56She's dead.
28:57She's dead.
28:58You killed her.
28:59You meant to kill me, but you killed her.
29:01I'll see you hang for the night.
29:02You killed her.
29:03I'll see you hang for this gold.
29:04I'll see you hang for this gold.
29:05I'll see you hang for this.
29:06I'll see you hang for this.
29:07I...
29:08I...
29:09I...
29:10I...
29:11I didn't do it.
29:12anything.
29:13I'll see you hang for this gold.
29:14I'll see you hang for this.
29:15I...
29:16I...
29:17I didn't do anything.
29:20I'll see you hang for you.
29:30I can't be here.
29:32I'll see you hang for this gold.
29:33I'll see you hang for this!
29:35I...
29:36I...
29:37I didn't do anything.
30:14I can talk to you again and again.
30:17I am on holiday with the crime of a messier.
30:22I am a Belgian citizen.
30:24You have no right to detain me.
30:26You will not leave this island until you explain all movements exactly.
30:31How can I leave this island now?
30:32My ship has gone, you idiot.
30:37Ember, we shall live.
30:41What is the matter?
30:42What are you doing here?
30:43Mr. Poirot, thank God I thought you'd left.
30:47You must come quickly.
30:50Valentine Chantry is dead.
30:52Ah.
30:54Someone poisoned our husband's glass and she drank it.
30:58I feared such an outcome.
31:01Then why didn't you do something?
31:03Do what?
31:03What is there to do before the event?
31:05Tell the police that someone has murder in their heart?
31:08No.
31:12I will come.
31:16And now, monsieur, I have more pressing matters to attend to.
31:20I am a detective, not a spy.
31:25Kindly send my bags to the hotel Palazzo de Grodhi.
31:29Oh, I was attracted to him.
31:43Oh, I was attracted to him.
31:58Who wouldn't be?
32:00It was within the bounds of propriety, Par.
32:02Did she confide in you?
32:07A little.
32:10Was Valentine Chantry a happy woman, would you say?
32:14In her marriage, you mean?
32:16She was rather lost and afraid.
32:19Afraid of what?
32:20Of Chantry.
32:22She thought he was jealous.
32:24Of you?
32:25Of anyone who paid attention to her.
32:28She was so helpless in many ways, Poirot, I felt protective towards her.
32:33But somehow everything got out of hand.
32:36Chantry behaving like a bull at a gate, then Marjorie getting hysterical.
32:43Monsieur Gould.
32:47Do you love your wife?
32:50Of course I do.
32:55She is all the world to me.
33:04You are a Catholic?
33:07Yeah.
33:09Your faith will be a great consolation to you.
33:15But what are you still doing here?
33:16She's been here for a long time.
33:21She has to go.
33:25Poirot.
33:28Poirot, they'll hang me for this.
33:31Not while I have the power to prevent it, monsieur.
33:34The poison was contained in the empty bottle, which we discovered in Mr. Gould's dinner jacket pocket.
33:57It is safe to touch.
33:59The only fingerprints on it were Douglas Gould's.
34:04Mrs. Chantry was a very beautiful woman.
34:08A public affair was taking place between her and Douglas Gould.
34:11But Commander Chantry was a very possessive husband.
34:15He would not relinquish his wife.
34:17The lover poisons the husband's glass.
34:20And then, just where his attention is elsewhere, the wife drinks it instead.
34:26Ecco.
34:26Oh, it is a scene worthy of the Italian opera, Inspector.
34:34I assume that you asked Douglas Gould to empty the contents of his pockets himself?
34:40Yes.
34:42Then it is hardly surprising that his fingerprints should be found on a container.
34:48Is it?
34:49Do you not find it peculiar, Inspector, that this calculating murderer should be discovered
34:58with this very bottle of poison in his pocket?
35:02There is no doubt, signore.
35:04When the cold-blooded Englishman comes out into the sun, perhaps it warms his passion.
35:11Basta.
35:11But Mr. Gould does not admit his guilt.
35:21On the contrary, he protests his innocence.
35:24Just because the wrong person died, there is no defense.
35:29What do you mean I can't pick up my passport?
35:38They are my express instructions from the police, Commander.
35:41I want my wife's body given a decent burial back in England.
35:45Not in some outpost of the Italian Empire.
35:48Now, there's a ship leaving this afternoon, and there's going to be a hell of a stink if
35:51I'm not on it.
35:53Commander Chantry.
36:00There is no recompense I can make for the loss of your wife.
36:04Nothing I can say to you that's adequate.
36:07Only that I have lost a husband.
36:11Oh, Mr. Poirot, if only we had taken your advice.
36:16Advice?
36:17What advice?
36:19Mr. Poirot recommended that we leave the island some days ago.
36:24Then I wish you'd warned me also, Mr. Poirot.
36:26You are going to visit your husband, madame?
36:33Yes.
36:34Then believe me when I tell you that he is innocent.
36:37And you may rest assured that he will soon be released.
36:43Excuse me.
36:48If you please, one tisane on the terrace.
36:51What's going off, Poirot?
37:09You make all these confounded mysteries, and it's useless asking you to explain.
37:19I have told you, Douglas Gold is innocent.
37:24But that means that one of us poisoned the glass.
37:28Indeed.
37:28And we shall know who, when we know from where the poison came.
37:40But there we have the problem, huh?
37:43The police will not allow me any further facilities.
37:46For them, the case is dried and cut.
37:49Then, I may be able to help you.
37:56I trust I may speak among friends.
38:00The forensic officer is a friend of mine.
38:04You understand, Mr. Poirot,
38:06this is a matter of extreme delicacy.
38:09Me, oui.
38:09Come out here on holiday, Mr. Poirot.
38:27Fell in love with the place.
38:29You have examined the poison, monsieur?
38:31Yes, it's local.
38:33Rodian.
38:35Very old remedy.
38:35The Knights of St. John were hospitables before they were warriors.
38:40It's one of their portions.
38:42Medicinal in its diluted form.
38:44Lethal when neat.
38:46It's snakebite.
38:48It's from the founts of the horned viper.
38:51The island's still full of superstition.
38:55It's called the Leterio Occius.
39:00Where would such a poison be obtained?
39:02Not on the shelves of a pharmacist.
39:07Some herbalist or quack.
39:10If you really want to search,
39:13try the streets around here.
39:16Viva!
39:16Viva!
39:17Viva!
39:18Viva!
39:19Viva!
39:20Viva!
39:21Viva!
39:22Viva!
39:23Viva!
39:24Viva!
39:25Viva!
39:26Black shirt!
39:27Viva!
39:28Viva!
39:29Viva!
39:30Viva!
39:31Viva!
39:32There are so many streets.
39:34Where do we begin?
39:36Mademoiselle,
39:38we must now appear the mad English who go out in the midday sun.
39:44And we must trust in the old town to give up her secrets.
39:51Come.
39:52come.
39:53Come.
39:54There are so many people.
39:56We must still hope.
39:57Ah, paracolo, deleterio occhias.
40:12Deleterio occhias.
40:16Echaristo.
40:20Deleterio occhias.
40:23Paracolo, deleterio occhias.
40:27Echaristo.
40:29Echaristo.
40:30Echaristo.
40:31Echaristo.
40:33Echaristo.
40:35Echaristo.
40:37Echaristo.
40:39Echaristo.
40:41Echaristo.
40:42Echaristo.
40:43Echaristo.
40:45Echaristo.
40:47Echaristo.
40:49Echaristo.
40:51Echaristo.
40:53Echaristo.
40:54Echaristo.
40:55Echaristo.
40:56Echaristo.
40:57Echaristo.
40:58Echaristo.
40:59Echaristo.
41:00Echaristo.
41:01Echaristo.
41:02Echaristo.
41:03Echaristo.
41:04Echaristo.
41:05Echaristo.
41:06Echaristo.
41:07Echaristo.
41:08Echaristo.
41:09Echaristo.
41:10Echaristo.
41:11Echaristo.
41:12Echaristo.
41:13Echaristo.
41:14Echaristo.
41:15Echaristo.
41:16Echaristo.
41:17Echaristo.
41:18Echaristo.
41:19Echaristo.
41:20Echaristo.
41:21Echaristo.
41:22Echaristo.
41:23Echaristo.
41:24Echaristo.
41:25Echaristo.
41:26Echaristo.
41:27No, no, you're waiting.
41:31It will be all right.
41:37Daddy! Daddy!
41:42We have been thinking.
41:53Don't be afraid.
41:57Good afternoon.
41:59Good evening.
42:01Come on.
42:03Good evening.
42:05Good evening.
42:06Good evening.
42:07Good evening.
42:09Good evening.
42:11Good evening.
42:13I want a little bit of a champagne.
42:16Good evening.
42:18You're pretty cute, my lady.
42:21Why?
42:23It's not okay.
42:24No, no, you don't understand.
42:29I don't want to buy some poison.
42:32I want to know if you sold any to someone else.
42:38Yesterday, or the day before.
42:42Prine thio i mairas.
42:47Lèe για κάποιον άλλο, γιαγιά.
42:49Κάποιον άλλο άngγλο άνθρωπο πριν δύο μέρες.
42:51Αυτή η γυναίκα. Εννοεί αυτή τη γυναίκα προχθές.
42:57Ναι. Ναι, κάποιος ήρθε. Ναι. Πριν δύο μέρες.
43:02Άγγλος, τόλ, μεγαλός.
43:08And his hair, was it like mine, or darker?
43:13Όχι ένας άγγλος άνθρας. Μια αγγλίδα γυναίκα.
43:18Όχι ένας άνγλος. Μια αγγλίδα.
43:27Όχι ένας άνγλος. Μια αγγλίδα.
43:30Μια αγγλίδα.
43:32Μια αγγλίδα.
43:37Πορρο, η πόζον ήταν σώδε στην Μισσογλώδη.
43:41Φυγγλώδη.
43:43Φυγγλώδη.
43:44Φυγγλώδη.
43:45Φυγγλώδη.
43:46But why ever did she want to help her husband poison Chantry?
43:52My dear Mademoiselle Pamela,
43:54it is not a question of who failed to murder the Commander Chantry,
43:58but who and for what reason succeeded in murdering his wife.
44:02What happened?
44:16A disturbance.
44:18A disturbance?
44:19Yes. The passports were stolen.
44:22He was distracted by a scream.
44:25Mrs. Gold was disturbed.
44:26A mantis flew in and settled on her pillow.
44:29After last night's terrible events,
44:31he left the desk.
44:33Is Commander Chantry still in the hotel?
44:35Commander Chantry, stand camera.
44:37Orchie.
44:39Viens.
44:45Marjorie Gold and Chantry?
44:47Oh, yes, Mademoiselle Pamela.
44:49The eternal triangle.
44:50Do you remember?
44:51But not the one that you were supposed to see.
44:56It was only the reactions of Madame Gold
44:58and the jealous blusters of the Commander Chantry
45:01that made you think that Douglas Gold
45:04was in love with the Commander's wife, Valentine Chantry.
45:08Oh, yes, it was skilfully done.
45:10You see, Marjorie Gold and the Commander Chantry
45:13had started their affair in England.
45:16They planned to meet here and stage their crime publicly.
45:19Chantry inserted the poison into his own drink
45:23and passed it to his wife.
45:25She drank it,
45:26and then in the confusion,
45:28he slipped the bottle of poison
45:30into the pocket of Douglas Gold.
45:34But now, we must stop them
45:37before they can leave the island.
45:39Already they have obtained their passports.
45:41I will check the boat for Brindisi.
45:45You ask if anyone has seen them.
45:53Excuse me.
45:54Are there English people on board?
45:56English people?
45:57No, no, there are English people on board.
45:59I would have seen them.
46:00Where are they from this ship?
46:02Brindisi.
46:05Prego.
46:12Hey, Gibbons!
46:13I have to keep up appearances, Poirot.
46:30The swordfish is five days old.
46:34It's not the Italians I've been keeping an eye on.
46:36It's the English.
46:38Commander Chantry has taken to fishing.
46:40He and Mrs. Gold
46:42are heading out to the Turkish coast.
46:50When did you first realize about Mrs. Gold?
46:54Her performance was without fault
46:56except in one particular.
46:58Otto, ahead.
47:06That scene she created at a taverna
47:09she suggested that her husband wanted a divorce.
47:13Eh bien,
47:14I had just observed that Mr. Gold
47:16was a Catholic.
47:18The whole thing did not make sense
47:19unless, of course,
47:20we were watching the elaborate charade.
47:24Tony, look about.
47:26Should he be armed, Poirot?
47:28I do not think they would dare risk
47:29bringing the gun onto the island.
47:31Their method is more discreet.
47:33And I can deal with the commander.
47:35Duke Vigra!
47:39That bloody Belgian busybody!
47:43What?
47:43What's the way to make it go faster?
47:46Faster!
47:46Faster!
47:47Heckerstein, the meeting?
47:49Dynamite?
47:50Yes, dynamite.
47:51Get the dynamite.
47:52Get away the boat!
47:53Pass!
47:53What's the case?
47:54What is it?
47:55He's found some dynamite!
47:57Keep away!
47:58Keep away!
48:00Water country!
48:01Drop the dynamite, official fire!
48:03Stand off!
48:04Stand off!
48:05Parade!
48:06Ah, mon Dieu!
48:10Is he all right?
48:11You crazy English!
48:13If he does not stop trying to kill each other,
48:15I shall put you all under arrest!
48:18That includes yous in your parole!
48:20Poor Douglas Gold.
48:36He's staying on, you know, to the end.
48:40Well, he should leave.
48:44I told his wife to leave, but she took no notice.
48:48Can't you stay on a few more days?
48:54Ah!
48:55Impossible.
48:57She regretted.
49:06I really enjoyed our little adventure.
49:11Ah, Poirot!
49:12Trying to sneak off the island again, are you?
49:15Not at all, Major.
49:16Not at all.
49:17I thought I should leave before the inspector changes his mind, eh?
49:21Look, uh...
49:22If you see me at the harbour,
49:24pretend you don't know me, eh?
49:26Ah!
49:27Where are you headed, Major?
49:28Abyssinia?
49:30Arthur Hades, did you know that?
49:33Well, you know, I assumed you'd want to be there for the ostrich shooting season.
49:40Au revoir!
49:40Good-bye, Monsieur Poirot.
49:42Good-bye, Monsieur Poirot.
49:42Good-bye, Monsieur Poirot.
49:43Good-bye, Monsieur Poirot.
50:02I hope we shall meet again.
50:04Good-bye, Monsieur Poirot.
50:04Good-bye, Monsieur Poirot.
50:05Good-bye, Monsieur Poirot.
50:06Good-bye, Monsieur Poirot.
50:07Good-bye, Monsieur Poirot.
50:08Good-bye, Monsieur Poirot.
50:09Good-bye, Monsieur Poirot.
50:10Good-bye, Monsieur Poirot.
50:11Good-bye, Monsieur Poirot.
50:12Good-bye, Monsieur Poirot.
50:13Good-bye, Monsieur Poirot.
50:14Good-bye, Monsieur Poirot.
50:15Good-bye, Monsieur Poirot.
50:16Good-bye, Monsieur Poirot.
50:17Good-bye, Monsieur Poirot.
50:18Good-bye, Monsieur Poirot.
50:19Good-bye, Monsieur Poirot.
50:20Good-bye, Monsieur Poirot.
50:21Good-bye, Monsieur Poirot.
50:22Good-bye, Monsieur Poirot.