#ladychatterleyslover #cambridgespies #bethfreed25
On the eve of the public opening of the clock, a vital piece does not arrive and Laura's father's tool-bag is stolen. Edmund sells his boots and Dorcas sets up a fund to buy him new tools. Starring: Julia Sawalha, Olivia Hallinan, Claudie Blakley, Brendan Coyle.
On the eve of the public opening of the clock, a vital piece does not arrive and Laura's father's tool-bag is stolen. Edmund sells his boots and Dorcas sets up a fund to buy him new tools. Starring: Julia Sawalha, Olivia Hallinan, Claudie Blakley, Brendan Coyle.
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Short filmTranscript
00:00When I was young, sunlight seemed to me a solid thing.
00:12The golden promise of warmth and happiness.
00:22But where there is sunlight, there must also be shadows.
00:30A reminder that night must fall and the cold winter come.
00:37If not now...
00:41Walk on.
00:43Then soon.
01:00To be continued...
01:32Bunting from rooftop to rooftop and trestle tables lining the high street on which supper will be served and after supper the band and after the band I cannot imagine what is left.
01:50Fireworks. The sky will be ablaze.
01:53Perhaps with all that bunting.
01:55Oh, what a quantity of gold edging.
01:58I've invited several dignitaries.
02:00The mayor of Ingolston.
02:02Well, perhaps he will not come.
02:04Oh, well, if he refuses, then you must march on Ingolston at the head of the band and take him by force.
02:11You are laughing at me, Miss Lane.
02:13Teasing only.
02:15In truth, I don't believe any clock anywhere will ever have a finer inauguration.
02:19We await one final component.
02:23When it arrives, I would be glad if he could be delivered to Mr. Bloom as a matter of urgency.
02:27Of course.
02:28And Miss Lane, do not forget your own invitation.
02:31Three new pairs of boots.
02:41It truly is the most beautiful sight in the world.
02:47Since Mr. Dowland's carved panels is paying for treats all round,
02:52I thought we deserved one too.
02:55Robert.
02:55Robert's...
02:56Oh, come on, Emmy.
02:58What's it for?
03:00So I can sit in the sun on a hot day and buy my girl a drink.
03:11Is there something in the window that particularly takes your interest?
03:16No.
03:17Well, that is to say, teacups will always be useful to those planning a home together.
03:42Minnie.
03:42I've got a message for you to deliver to that daughter of mine if she's not above such things.
03:51Oh, and thought you might care for one yourself.
03:57Thank you, sir.
03:58I'll give it to her directly there back, sir.
04:01They?
04:03Who's they?
04:09Tell me a true thing.
04:10I've got five brothers, and I love the youngest the best.
04:17Now you.
04:19I'm afraid of the dark.
04:29The sea is the most wondrous thing I've ever seen.
04:33What'll lose me sides every time I ride up.
04:35You have a freckle on the back of your hand.
04:40And each time I see it, I feel like my heart's falling away from me.
04:44Your turn.
04:45The clock wants only one more part, and then it's finished.
04:55Laura.
04:55I heard you.
04:58I don't want to know any more true things.
05:00And I don't want to tell you lies.
05:03There's so little time.
05:06Shouldn't we make the most of what we have?
05:07You're looking at this all wrong.
05:20Alf gave it to us!
05:25He gave it to me?
05:28Rent!
05:29Queenie, you're looking at this all wrong.
05:32Oh, yes.
05:34James pays Robert handsome for carving
05:36the panels of his clock.
05:37So Robert gives Alf a little extra.
05:40And Alf passes it on to us.
05:42Everyone doing their best to spread joy and good fortune
05:45around.
05:46Don't you think you should be doing the same?
05:48So you can pour it all down your throat in a public house?
05:51A man deserves a bit of respect in his own home,
05:53a bit of consideration.
05:55Yes, he does.
05:57And he's going to get it.
06:00Oh, not you, you duffer.
06:02Alf!
06:04I got plans.
06:18Laura's more and power kissing in the high street.
06:28I think they must be the happiest people I ever saw.
06:31Theirs is very certainly a special romance.
06:33Well, you must have heard their story.
06:37Robert Timmons was only ever meant to be passing through Larkrise.
06:41But the day he was due to leave, his hammer went missing.
06:44So he stayed to look for it.
06:46And before the day was out, he had proposed to Emma.
06:50And before the year was out, Laura had come to join them.
06:54But the very day after he proposed, Queenie Taro was picking blackberries
06:58when she felled the hammer right in the middle of the biggest bramble patch in Larkrise.
07:04How'd I get in a bramble patch?
07:07No one knows.
07:09But there are those who believe that Emma knew he was teetering on the brink,
07:14that he just needed a little more time in her company to know his own heart.
07:20Some people are lucky enough to be blessed with more swift,
07:23more certain powers of decision.
07:32For me, Pa.
07:37Miss Lane, my magazine.
07:39Is it come?
07:40Oh, Laura, I've not had time to sort the second post, could you?
07:43Of course.
07:44The Dungeons of Malevolo.
07:46I've been in such agonies of anticipation.
07:50It's part two, you see.
07:52The orphan daughter of the murdered counters just escaped from the convent.
07:57Laura!
08:13Oh!
08:15As she left, the gatekeeper called out a warning,
08:19but having lost his tongue in the Inquisition, the poor man was unable to...
08:27Is something wrong with the cloaked monk?
08:32He's followed her.
08:33He means to kill her, I'm sure.
08:35That may be his intention, but I doubt it is the author's,
08:38as there are a further ten parts promised.
08:45He means to force her to the altar at the point of her own death by the sword.
08:50If the man had any consideration, he'd run her through and put us all out of our misery.
08:55Come along, Ruby.
09:03Come on, you.
09:05If you're going to eat your tea, it's straight to bed for you.
09:10I'll take old William back to Mr. Paxton.
09:13My tool bag.
09:16How about it?
09:18I put it there.
09:20It'll be on Frank.
09:21It's gone.
09:23Come along, children.
09:24Eat up or you'll be late for school.
09:26Where's Twister?
09:27Why ain't he having breakfast?
09:28He's in disgrace.
09:29Can't you stop them children and their thundering talk?
09:50spends the evening at a public house in Candleford,
09:53then a headache is no more than he deserves.
09:56If a man can't find respect and consideration under his own roof,
09:59he's no choice but to look elsewhere.
10:01I dropped a shilling.
10:04Did it all go on beer?
10:06No.
10:07There was this chap from Oxford selling stuff.
10:14Thought he might come in useful.
10:16Chances are I've sat off the wagon along the way
10:23or got left in Candleford.
10:25Just a matter of looking.
10:27How can it have got left in Candleford if you put it in the wagon?
10:31I know what you're thinking, Emma, but believe me,
10:34the place was full of working men.
10:36And a working man's not going to steal another's tools
10:38and means by which he feeds his family.
10:43I didn't know it was yours.
10:45He wouldn't have bought it, did I know?
11:03I never realised a machine could be beautiful.
11:08And when I bring her to life and she starts eating thyme,
11:11will you still think of beautiful then?
11:14Yes.
11:17Because you made her.
11:21I'm sorry about how I was yesterday.
11:24You're right.
11:26We don't have much time.
11:29Maybe only today.
11:30We should make the most of it.
11:40Come on.
11:41There was folk from all over.
11:49As far as Ford, low and beyond.
11:52Everyone was buying them, so I did too.
11:56He says everything went.
11:58Right down to the masonry pins.
12:00Sixpence I paid for that hammer.
12:02Not that I'm asking for anything for it.
12:03Sixpence.
12:06Sixpence.
12:09Do you know how much these tools were worth?
12:12A lifetime's work.
12:14My life's work.
12:16He was selling them cheap.
12:18Whoever did this, Emma, they knew.
12:33They saw me on that cart with my children.
12:36With my children.
12:38And they took...
12:41And other men.
12:42Men like Twister.
12:44Bought them.
12:45And they didn't ask where.
12:47Or how.
12:48They didn't know they were yours.
12:49They knew they were someone's.
12:51Robert.
12:53Don't.
12:54There must be something we can do.
12:55There is nothing.
12:56Don't you understand?
12:58I can't shake the stone with my bare hands.
13:00I can't score it with my nails.
13:02There's nothing left.
13:03No work.
13:05No apprenticeship.
13:07Nothing.
13:12The farmer will be hiring today, same as he does every day.
13:14But...
13:15But what?
13:16Emma.
13:17Six of us to feed.
13:18And clothe.
13:19And house.
13:21The money from Dowland's panels is spent every last penny.
13:24You tell me.
13:26What else should I do?
13:34I don't know when I've experienced more pleasure looking at tableware.
13:39The pattern.
13:41The shape.
13:47The handles.
13:49Just precisely where one would wish a handle to be.
13:54To be.
13:55Yes.
13:57The handles.
13:59One could not desire them better placed.
14:06Looking at such a cup I find I have a strong.
14:11Almost overwhelming desire.
14:15To hold it in my hands.
14:18To touch it to my lips.
14:20And yet.
14:22Perhaps sampling the china before it's appointed time.
14:26Might lead one to be tempted towards the sampling of other.
14:32Joys.
14:34Equally premature.
14:35Oh.
14:39Oh, Margaret.
14:40Oh, Thomas.
14:43Oh, glory.
14:57Edmund?
14:59Edmund what?
15:06Oh.
15:08Oh.
15:13Three shillings.
15:14For boots that cost ten.
15:15Not two days ago.
15:17He would not let me redeem them.
15:20No.
15:24He has his father's pride.
15:30Edmund?
15:35I can't let you.
15:37Don't tell me we don't need it.
15:39I know what it means.
15:40My father losing his tools.
15:42I know what it means for him and I know what it means for us.
15:45I know what it means for him and I know what it means for us.
15:49I know what it means for us.
16:19But when you're more experienced I'll most likely let you join one of the field gangs.
16:23Not until then.
16:25Picking stones.
16:26What does picking stones be?
16:27A shilling a day.
16:28Five shillings a week.
16:30Five.
16:31That's a quarter of what I'm used to.
16:32Less.
16:33Miss Lane.
16:34I've been putting money aside.
16:35It's only a little but if you just give me permission to go home, Laura, whatever you have would be a drop in the ocean.
16:54You cannot maintain a family of six on your savings.
16:57Besides, your father is a proud man.
17:01What you would call a gift he would see as charity.
17:04And that is something he will never accept.
17:07It's not the money he needs, Laura, but the means to earn it.
17:11Robert Timmons is a master craftsman.
17:14Far more skilled than a town of this size has any right to expect.
17:18There are many in Candleford who have cause to value his abilities.
17:21Mr Dowland.
17:22And others.
17:24All of whom would, I'm sure, be only too happy to contribute.
17:28Contribute to what?
17:31A tool fund.
17:33To replace what was stolen.
17:36This is no small task.
17:38It will take hard work.
17:40And time.
17:42I know that Mr Bloom is leaving soon.
17:45And that you must have had plans to spend this time with him.
17:49No plans that can't be given up.
17:52He's my par.
17:53He's my par.
17:54Come on.
17:55Here.
17:56Here.
17:57Here.
17:58Here.
17:59Here.
18:00Here.
18:01Here.
18:02Here.
18:04Here.
18:05Where is Twister?
18:07where's twister he thought you were mr timmins
18:25you can't hide forever you didn't see the way you looked at me
18:32come on and give me a hand take your mind off things
18:35we ain't got the heart what are you doing making a bedroom for your brother
18:42he ain't a boy chuck no more he's a man and we must pay that some mind so come on
18:49clear away you can give me hand to sew these sheets together to make a bedroom
18:55wall who are you gonna hang him i thought a few nails
19:00this old cottage won't take him knock a nail in that it'll come down like the walls of
19:07jericho what you want with a job like this is hooks in the beams
19:12well why don't you come and show us
19:15ah miss lane we're about to go we were expecting you
19:25oh please mom i have to know what happened to her
19:28to miss lane to the girl with the count and the monk
19:33watch and pray so that you may not fall into temptation
19:53the spirit is willing but the body is weak
19:59ah my clock part i take it
20:28i'm sure it will be here tomorrow i have come on a matter of far greater urgency
20:33greater urgency
20:35yes
20:36miss lane perhaps you do not understand until i receive the part
20:41the clock cannot be finished the urgency believe me is great enough
20:45mr darwin perhaps it is you who do not understand
20:49robert timmond's tools have been stolen and sold
20:53i am sorry to hear it
20:55without them he has neither the means to practice his trade nor support his family
20:59indeed i am very sorry to hear it but i fail to see what this has to do with the clock
21:04mr darwin the world does not begin and end with your clock
21:08i understand it is a great thing to you but surely you can see how trivial it is compared with the matter in hand
21:15we are speaking of a man's pride and self-respect
21:19are we
21:21are we indeed
21:23i take it you intend to buy new tools for mr timmins
21:29and it will be my great privilege to contribute
21:33but
21:35as your pride
21:37is so deeply founded on the service you and your post office offer this community
21:42i suggest you look to yourself
21:44the part was ordered and the part has not been delivered to me
21:47and i am not satisfied
21:49drawing his rapier
21:58the silver blade flashing in the moonlight
22:01he threw aside the curtain behind which the evil monk drew me
22:06oh please don't scold mom i begged her so
22:11minnie was concerned for our heroine
22:14mercifully it transpired that one of the flagstones was loose
22:20and when the monk trod upon it he was pitched into the very dungeon in which he murdered our father
22:27at which point of course the young chevalier returned
22:30oh it's even more romantical than mr and mrs timmins
22:34yeah
22:35you must have read the story about mrs timmins
22:39and the hammer in the bramble patch
22:42day's wages
23:07you must be hungry sit down and eat
23:14you've been baking
23:19there's plenty of flour yet
23:23not the last time i looked
23:27ethel frank another slice
23:30where did you get it emma
23:33i told you i
23:36please don't
23:38oh right but what a fuss over nothing
23:41i borrowed a bit of queenie is all
23:45lord knows i lent it often enough
23:51robert
23:58is everybody ready
23:59one
24:00two
24:01three
24:02whoo
24:03whoo
24:05whoo
24:06whoo
24:07whoo
24:08whoo
24:09whoo
24:10whoo
24:11whoo
24:12whoo
24:13alf can see what's for breakfast before he decides whether to get up
24:20i thank you for your good will queenie and not wishing to cause offence but we don't need help
24:26or charity
24:28so there'll be no more lending a flower or anything else to my wife
24:33i don't know what you're talking about
24:35i never lent no flower to emma
24:37up you go
24:41come on come up
24:43no
24:44emmon i said go
24:45no
24:46where did you get this flower emma
24:52i know you didn't get it from queenie so
24:56robert don't
25:04i don't need boots around the house
25:11and edmund has to walk to school
25:14robert
25:18robert please
25:20what would you have me do sit back and let them go hungry
25:24you lied to me
25:25because i knew how you'd be
25:26what do you expect
25:28christ above woman i may not have my tools i may not have my trade but i've still got my pride
25:35your pride
25:35you're gonna tell me about your pride
25:39dear god in heaven robert
25:41there is nothing about your pride that i don't know
25:44it's like an extra child in our house
25:48always in need of my care
25:50my protection
25:52how dare you
25:53how dare you put me in this position
25:56asking me to choose between your pride and my children
26:01well i did
26:04i chose
26:06i chose them
26:10and don't you make me pay for it now
26:15don't you dare make me pay when you would have done the same
26:21you know you would have done the same
26:26your feet
26:30your poor feet
26:33i don't have the experience to earn more than five shillings a week on the land
26:48it's not enough
26:51there's building work in oxford
26:55no
26:56it's not skill but it pays better than the fields
26:58i could be sending money back maybe even putting a bit by
27:02and in time buy some new tools
27:05oh please rob
27:06looking after you all
27:09providing that is my purpose emma that's what i'm for
27:13but we need you here
27:16i need you here
27:20emma if i stay here like this
27:22it is going to kill me
27:25well the shopkeepers of candelford have been very generous
27:44very generous indeed
27:46i have looked as you asked miss lane
27:49mr dowland's clock part is not in the morning delivery
27:52i expect it's plain lost
27:54minnie are the breakfast things cleared away
27:57well they surely will be mum
27:58i only came because when the door went i thought it might be fisher
28:00i like looking at him and laura together
28:03and thomas and miss ellison
28:05and you and miss minnie out of my sight
28:07voilà les petits drapeaux
28:14the bunting
28:15we have tested it
28:18it's on our washing line
28:19it flutters most pleasingly
28:22we have used only fabrics which drape
28:27excellent
28:31very good
28:32is there a problem mr jt
28:36not at all
28:37it will
28:39as you say
28:40flutter
28:40i'm sure
28:41only you seem preoccupied
28:45a clock part
28:47the last clock part
28:48appears to be delayed
28:50excuse me
28:53i must call in at the post office
28:54am i right in thinking that miss lane's post girl
28:58is keeping company with your journeyman clockmaker
29:01and when the clock is finished he will move on
29:05yes and
29:09like mother like daughter
29:12the part is not delayed mr dowland
29:15it is sabotaged
29:17surely you've heard the story of emma timmins and the hammer in the bramble punch
29:24eight nine ten
29:29eleven pounds ten shillings
29:32and sixpence
29:33but that's three months wages
29:36is it enough to replace the tools
29:38it's more than enough to make a start
29:42folk have been so generous maria you wouldn't believe it
29:45that's because they believe in a man's right to provide for his family
29:48perhaps that will go some way to restoring his faith
29:51as well as his tools
29:52dorcas
29:54thank you
29:56well now
29:58you should take this and go shopping
30:01laura
30:02maybe you'd like to help your mother
30:04and perhaps if there was something very small
30:09you might let mr timmins notice from minnie
30:11particularly from minnie
30:13to say thank you for the toffee apple
30:15oh
30:16miss lane i wish to speak with you
30:26in private
30:27mr dowland
30:33are you seriously suggesting that on the basis of a piece of idle vicious gossip
30:37i should search the premises and the personal effects of my staff
30:41i'm not suggesting i'm demanding
30:43the date of the inauguration is set
30:45everything is set
30:46i'm well aware of your plans sir
30:48then you will see to it that no action on the part of one of your staff is allowed to sabotage them
30:54mr dowland
30:57do not presume to tell me how to run my post office
31:01miss lane
31:02i only wish i didn't have to
31:04drop off
31:06but i could say i am trainees
31:10a legal
31:11mask
31:12yes
31:13www.dawcus lane
31:14bought these
31:15not dawcus
31:16candleford
31:16i don't understand
31:20All those people that you've worked for over the years, they wanted to help.
31:27Are you saying Dorcas Lane made it her business to go and ask them?
31:32Robert, no, it wasn't...
31:34What did she do, go around with a collecting box?
31:38Dear God.
31:40Robert!
31:41And you, you have nothing to learn about my pride.
31:44You thought what? You thought I would welcome this.
31:46You thought I would thank her for turning me and my family into a public charity?
31:51Where are you going?
31:52What do you think I'm going?
32:02Earlier today, I...
32:07I believe it possible that someone in this room may have acted in a manner unbefitting of a post office employee.
32:13If there is anything anyone wishes to tell me, I shall be in my private parlour.
32:20That is all.
32:22That is all.
32:43Come in.
32:44Thomas?
32:54Lara?
32:57Fisher, I have to talk to you.
33:00All right.
33:02Put that here.
33:04It's my room, Lara.
33:07You'd be ruined.
33:09I'm ruined already.
33:11I should have confessed all when the incident occurred.
33:17I hope you'll believe that my failure to do so was born out of my desire to protect the character of a young lady for whom I have a great, a very great regard.
33:29You wish to protect Laura?
33:34Laura?
33:36No, I never... I wouldn't dream.
33:39No, it was...
33:41Miss Alison.
33:43Ma'am.
33:44Thomas, I'm afraid we're at cross purposes.
33:50To what exactly are you confessing?
33:54An embrace, ma'am.
33:57In Her Majesty's post office.
34:01Whilst in uniform.
34:02Thomas.
34:12If you feel that you have dishonoured your uniform by kissing Miss Alison, I suggest that next time you intend to kiss her, you take it off.
34:33Yes, what is it now?
34:38Minnie?
34:46Minnie?
34:48I've searched for it everywhere and it's just not there.
34:51I think that Miss Lane knows.
34:55I don't know what to do.
34:56All that.
35:00For one more day with me.
35:03I thought that if we had one more day...
35:08I could make you love me.
35:13Could I do?
35:15I do love you.
35:17How could I not?
35:19And then I pulled back the flagstone, Mum.
35:25And there it was.
35:27My suspicions is, the flagstone being loose, somehow the parcel must have fallen beneath.
35:32Minnie?
35:34Yes, Mum.
35:36Are you being honest with me?
35:38No, Mum.
35:42Well...
35:44How did you find this package?
35:48I love the story told about Mrs. Timmons and the hammer and the brambles.
35:54And I love the look on Laura's face when she sees Fisher.
35:58And I just sort of put them together, Mum.
36:08I have to go.
36:10What are you gonna do?
36:14I don't know.
36:18Tell Miss Lane.
36:22I'm not scared of anything now.
36:31I'll tell you a true thing.
36:34I can't remember what my life was before you.
36:38I can't remember what any of it meant.
36:41Maybe we were just waiting.
36:44Maybe we both were.
37:07You seem very friendly with my daughter, Mr. Bloom.
37:14Perhaps it's time you and I got to know each other.
37:17Miss Lane, sir.
37:18You seem very friendly with my daughter, Mr. Bloom.
37:20Perhaps it's time you and I got to know each other.
37:22Miss Lane, sir.
37:24Your clock part, Mr. Darling.
37:26And I offer you my apologies.
37:27We were at fault, but not in the way you imagined.
37:28Then I accept your apology.
37:29Will you also accept my request that you never set foot into my post office again?
37:30You came to me.
37:31Into my house.
37:32Miss Lane, sir.
37:33Miss Lane, sir.
37:37Your clock part, Mr. Darling.
37:39And I offer you my apologies.
37:42We were at fault, but not in the way you imagined.
37:43Then I accept your apology.
37:44Will you also accept my request that you never set foot into my post office again?
37:57You came to me, into my home, making threats and demands.
38:02Because you consistently failed to treat this matter with the urgency it warranted.
38:06I have treated this matter with every seriousness.
38:09No, madam, you have not.
38:12On the contrary, you have been at great pains to point out to me that the world does not begin and end with my clock.
38:19That while it may be a great thing to me, it is of little moment to others.
38:24Trivial was the word I think you used.
38:27And is that the real cause of all this?
38:30That I piqued your pride?
38:33That I had the audacity to suggest that a poor man's self-respect mattered more than your public display of wealth and influence.
38:41What would you know of a poor man's self-respect?
38:44You whose father tossed silver throppany bits to ragged boys in the street.
38:50And who bequeathed to his daughter a life of privilege and entitlement.
38:54How could you ever understand?
38:57Yes, the clock matters to me.
39:00The display of wealth and influence.
39:03The fact that I, who had nothing but what was thrown to me in the street, am now a public benefactor.
39:10But none of it.
39:12God help me, none of it matters so much as you seeing it.
39:16And knowing what it meant.
39:32The question is, that the next one is a woman who's in the office.
39:34We must try the next one.
39:36The next one is a woman who's in the hospital, is to have a locket of what the person seems to be.
39:39I had not realized that you, too, are so shaped by your past.
39:43That you are, and always will be,
39:47the indulged child of a prosperous father.
39:50And that, Dorcas, that makes you blind.
39:54Oh, Minnie, where is Miss Lane?
40:08She has taken the clock part to Mr Dowland.
40:12It's all right. I told her it was me.
40:15I saw you hide it, so I ate it some more.
40:17So Fisher would stay like your pa.
40:21Oh, Minnie!
40:24He is going to stay.
40:28He loves me, and he's going to stay.
40:31Laura, I was looking for your pa.
40:34Oh, Mrs Timmons, Laura's got such news.
40:38You say you love her?
40:40I've been my own man since I was 15, Mr Timmons.
40:43And no, I do.
40:45And what does that mean, exactly, you loving her?
40:49It means I don't want to leave her.
40:50It's not just a girl you have to want, Fisher Bloom.
40:56It's the life you'd have with her.
40:58The home.
40:59The children.
41:00All too easy to make someone else pay when all the art and the beauty is gone from your craft,
41:07and it's just about putting food on the table.
41:10That can make a man more cruel than he thought he had it in him to be.
41:13Not wanting to leave.
41:16It's not the same as wanting to stay.
41:17If there's any doubt in your mind, go.
41:25Break her heart now.
41:29Nah.
41:30Better that than stay.
41:32Break her spirit over years.
41:35Or leave anyway.
41:37A few years.
41:38Clutch of children down the line.
41:41Kisses like that, believe me, children will come sooner than you think.
41:44They say you're a truth-teller.
41:51So tell me now.
41:54Truthfully.
41:56Imagine you live here.
41:58With my daughter.
42:01You have Laura, but the rest.
42:04The road.
42:06The life that goes with it.
42:08The working at your craft.
42:10The freedom.
42:12It's gone.
42:13How does that make you feel?
42:24I said, how does that make you feel?
42:27Trapped.
42:30Laura.
42:31Ah, Mr. Bloom.
42:36The final clockwork.
42:37The final clockwork.
42:37I'm sorry.
42:49I'm sorry.
42:49I'm sorry.
42:49I'm sorry.
43:06Oh, my God.
43:36You are so much more to us than you know.
43:46Providing, breadwinning, that's not what you're for, Robert.
43:51That's just what you do.
43:53That is why we need you here.
43:57That's why you can't leave us.
44:00I couldn't have done it.
44:03I don't have the strength.
44:06The job's only half done, Emma.
44:12The boy can't go until he finishes what he came here to do.
44:16How can he finish when he can't bear the thought of leaving any more than he can live with the prospect of staying?
44:20Maybe he needs some help.
44:24I was coming here to throw these back at Dorcas Lane.
44:27I know.
44:30They're good tools, Emma.
44:33You chose well.
44:36You know, the funny thing about clocks...
44:54It's the moment before you bring him to life.
45:00It's like time's standing still.
45:04Like you can hold everything where it is just a little longer.
45:11This moment isn't going to get any easier for waiting on it.
45:19You ready?
45:20Gently.
45:40Gently.
45:41Gently.
45:41No, no, no.
45:48I'll do it.
45:53Now, I'll do it.
45:57I'll do it.
45:58That's it.
45:59Butter?
46:01Is it all right, right?
46:04What the heck, Mr. Gold?
46:09Let's go.
46:39Let's go.
47:09He didn't have to go.
47:27You didn't have to stay.
47:34It's the same but for both of you, Laura.
47:38Would you have given up this?
47:40Your job?
47:42The life you're making for yourself?
47:44Locker eyes?
47:45For him?
47:47And if you had, wouldn't you be craving for it?
47:51Yearning for it when it went away?
47:52He loves his life, Laura.
48:00Same way you love yours.
48:04A feeling you get when you stand on the rise and look over fields of gold.
48:07That's what he feels about the road he's on.
48:10Whatever he feels for you.
48:11I hid the last clock, par-par.
48:25Minnie told Miss Lane that it was her, but I did it first.
48:28I thought it would work for me like it did for Ma dropping your hammer in the brambles.
48:33A little more time for him to know his own heart.
48:41Oh, Laura.
48:43And when your Ma dropped that damn hammer in the brambles,
48:46it was me.
48:50I knew my own heart well enough.
48:53I just needed more time.
48:55Work up the courage to tell her.
48:57Everyone thinks it was her.
49:00Because she lets them.
49:02Protecting my pride.
49:05It's her life's work, apparently.
49:07Apparently, it's like an extra child always needing her attention.
49:12Par, she never said that.
49:14She'll tell you she was provoked.
49:25I've been standing close to him for so long.
49:30Now that he's gone, it feels like something's been torn away.
49:37It hurts so much.
49:39It hurts so much.
50:07Mr. Darling, what you said to me earlier.
50:33I had no right to speak to you as I did.
50:39You are right.
50:41I have been blind.
50:42But to myself, if anything else,
50:44you are a man used to risk.
50:49I, on the other hand, have always chosen
50:51comfort and security.
50:54My privilege has enabled that.
50:56I see now that
50:58what begins as caution
51:01may become cowardice
51:04without one realising.
51:09If you are about to claim cowardice
51:11as your one weakness,
51:13I must tell you
51:14I have always found you rather alarmingly prepared
51:16to do battle.
51:21Perhaps that's just with me.
51:22Perhaps that is because
51:25in crossing swords with you,
51:27I have never really risked
51:30losing what matters.
51:34Or revealing what that might be.
51:37Even to myself.
51:40And what is it that
51:41matters
51:42to you, Miss Lane?
51:44Laura is in her room at the moment,
51:53sobbing for what she has lost.
51:58It makes me see that there are things
52:00I would also find it very hard to lose.
52:07Your friendship.
52:08Your good opinion.
52:14Your company.
52:19You.
52:24Ah!
52:25Ah!
52:25Ah!
52:26Ah!
52:26Ah!
52:27Ah!
52:27Ah!
52:29Ah!
52:30Ah!
52:31Ah!
52:32Ah!
52:33Ah!
52:34Ah!
52:35Ah!
52:36Ah!
52:37Ah!
52:38Ah!
52:39Ah!
52:40Ah!
52:41Ah!
52:42Ah!
52:43Ah!
52:44Ah!
52:45Ah!
52:46Ah!
52:47Ah!
52:48When I was young,
52:49I knew that sunlight and shadow
52:51were part of a natural rhythm.
52:53Ah!
52:54The heartbeat of the world.
52:55Ah!
52:56Ah!
52:57Ah!
52:58Ah!
52:59Ah!
53:00Ah!
53:01Ah!
53:02Ah!
53:03Ah!
53:04Ah!
53:05Ah!
53:06Ah!
53:07Ah!
53:08Ah!
53:09Ah!
53:10Ah!
53:11Ah!
53:12Ah!
53:13Ah!
53:14Ah!
53:15Ah!
53:16Ah!
53:17Ah!
53:18Ah!
53:19Ah!
53:20Ah!
53:21Ah!
53:22Ah!
53:23Ah!
53:24Ah!
53:25Ah!
53:26Ah!
53:27Ah!
53:28Ah!
53:29Ah!