The Bold Type Season 1 Episode 4
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00:01Pay attention, lovelies, or you won't keep up with these women.
00:04Jane, our intrepid writer, did a story about a congresswoman
00:07and discovered that everything is political.
00:09Are you writing about me?
00:10I swear.
00:11And politics make for strange but sexy bedfellows.
00:14Cat saw a virtual reality,
00:16which at times is preferable to her real reality,
00:19but not all the time.
00:21Hello.
00:24And Sutton cheated on Lauren with Oliver.
00:27Fashion department, Lauren Park's office.
00:29And got busted.
00:30Bumpy.
00:31But it's time for me to move on.
00:32But okay for the women of the bold type.
00:59Where's your room?
01:00The door.
01:01Where's your room?
01:02The door.
01:03Where's your room?
01:04The door.
01:09Tell me what you want.
01:10What's your room?
01:11What's your room?
01:12I can't go.
01:13The door.
01:14The door.
01:15The door.
01:18Tell me what you want.
01:48Tell me what you want.
02:18I feel invigorated.
02:31Do you feel invigorated?
02:32Not really.
02:33Oh, you're amazing.
02:36Post-orgasm coffee for Jane and then that's a sleep-deprived coffee for a sudden.
02:42What?
02:43You already told her?
02:44Please.
02:45She texted me, like, while it was happening.
02:47Listen, now that you're having really good sex, it's probably worth mentioning that the
02:50walls are very thin.
02:52Wait, how did it happen?
02:54I don't know.
02:55I just, I got out of my head and, oh, he said, tell me what you want.
03:00Oh.
03:01Is he Batman?
03:02Shh.
03:03She's getting to the good part.
03:04Go ahead, honey.
03:05You broke a lamp?
03:06You broke several lamps.
03:07Is lamps a euphemism?
03:08Because I'm going to need a lot more details.
03:11Closet?
03:12I only have five minutes until Lauren gets here.
03:15Jacqueline wants to see me immediately.
03:17Oh my God.
03:18Do you think she knows?
03:20She probably heard you.
03:21Jacqueline, you wanted to see me?
03:22Oh, yes.
03:23Jane, come on in and sit down.
03:25Do you know about the writer's room downtown?
03:27They do small seminars on writing and journalism and they're having one tonight on political
03:41reporting and you are going.
03:44Uh, you want me to take a writing class?
03:48Let me clarify.
03:49You have been invited to be on the panel.
03:53It's called Rising Political Voices Under 30.
03:56Wow.
03:57Your congresswoman piece made some noise.
03:59Congratulations.
04:00You need to get this to them right away and they need a bio and a photo.
04:06And Jane, let's not use that selfie as your headshot, of course.
04:10I'm going to be there tonight.
04:13This is amazing.
04:14Jacqueline, thank you so much.
04:16Jane, I have full confidence in you.
04:18I know you'll do great.
04:19I'll do my best.
04:20Oh, and I'm sending Alex as well.
04:22He'll do a write-up on you for the digital site.
04:24Okay.
04:26Mm-hmm.
04:29Oh, yes.
04:30So.
04:31What do you need?
04:32You.
04:33To go to the board.
04:34I want to launch a new vertical.
04:36Politics.
04:37Both sides of the aisle.
04:38Daily updates.
04:39It's a lot more than we usually do.
04:40It is.
04:41But I took a look at the numbers and our political pieces are gaining a lot of traction.
04:44Is this you being ahead of the curve again?
04:46No.
04:47I'm behind it for once.
04:48Young women want to be politically engaged.
04:52So let's engage them.
04:53All right.
04:54I'll float it to the board.
04:56Great.
05:00Dina.
05:01Kat.
05:02It's good to see you.
05:03Yeah, you too.
05:04Is this okay?
05:05I feel bad interrupting you at work.
05:06No, it's fine.
05:07It sounds important.
05:08It is.
05:09Um, can we talk privately?
05:10Yeah.
05:11You want to go get some coffee or something?
05:12I feel a little nervous about what I need to ask you.
05:13Ask me anything.
05:14I've decided to try and extend my work visa.
05:19Oh.
05:20That's awesome.
05:21I feel like I'm not done here yet.
05:22Coco has to go back to France for a job, but I want to stay.
05:35Anyway, the process is a nightmare.
05:39They meet all these people who are in the room, but I want to stay.
05:49They meet all these documents and character references,
05:52and I was hoping you could write me one.
05:56Yeah. Yeah, absolutely. I'd be honored.
06:00Really? Yeah.
06:02That's such a relief. I know it's a lot of work.
06:05Oh, I mean, it's only 140 characters, right?
06:09Thank you. I really think, uh,
06:11a letter from Scarlet will help.
06:13Right. Yeah, from Scarlet.
06:17I seriously thought for a second that Dina was coming here
06:22to tell me she had feelings for me,
06:24and now I'm writing a letter of recommendation.
06:27Hmm. Oh, hey, finally. Details, please.
06:31Um, table details.
06:33I need your help picking out an outfit for my headshot.
06:35But why do you need a headshot?
06:37Because I am appearing on a panel.
06:40Young reporters with influential voices.
06:42No way. That's awesome.
06:44I know. I'm really excited about it.
06:45And Jacqueline actually seemed impressed.
06:48Okay, that is great, babe, but you are killing me.
06:51You just had your first orgasm.
06:53Hold on.
06:55I can come back.
06:57Actually, no, I can't.
06:58Uh, Sutton? Oh, Lauren needs me.
07:00Actually, Oliver needs you.
07:02He wants to see you right away.
07:06Oh, my God.
07:08It's totally about the fashion job, right?
07:18Oliver?
07:19Busy.
07:20Are you asked to see me?
07:22Oh, right. Sorry. Come in.
07:24I've been working without an assistant,
07:26which is why you're here.
07:28There are a few other candidates, so may the odds be up in your favor.
07:34I'm asking all of the applicants to create a mood board.
07:37I want you to use fashion to tell me who you are.
07:40Okay. I can do that.
07:42Sutton, make me feel something.
07:44Absolutely.
07:46Thank you for considering me.
07:49You should thank Lauren.
07:50I don't think I've ever heard her gush about someone before.
07:54It was kind of alarming.
07:56Anyway, she brought me two names, actually.
07:58Yours and someone else,
08:00but the other girl has zero fashion experience.
08:02Not even a summer job at the mall.
08:04I mean, who doesn't work at the mall at some point?
08:06Anyway, I love that you went to FIT.
08:08Oh.
08:09Obviously, I have multiple candidates to consider.
08:11You know, I have favors and such, but you have an inside track.
08:13Um, Oliver, the thing is actually...
08:15Sorry, I have to go talk to Jacqueline.
08:16Bye.
08:17Bye.
08:20He thinks I'm the other girl that Lauren recommended.
08:25The one that went to the Fashion Institute of Technology.
08:27Okay, we know what FIT means.
08:29Well, then you also know I didn't go there.
08:31Oh, this is bad.
08:33This is good.
08:34Ooh, that's cute.
08:35I swear that's the panel.
08:37See, you're good at this.
08:38You should just tell them the truth.
08:40Wait, why?
08:41So we can take her out of the running?
08:42No, this is not her fault.
08:44Are you saying I should lie?
08:45No, I'm saying you should, you know,
08:47take advantage of the circumstances.
08:49Yeah, but he's gonna find out eventually.
08:52How?
08:53How is he gonna find out?
08:54He could ask to see her diploma.
08:56Seriously?
08:57I never even picked up my diploma.
08:58For all I know, I didn't graduate.
09:00Oh, God, what if I never graduated college?
09:02That's probably why you have that recurring anxiety dream.
09:05Yeah, the one where I'm the last one on campus,
09:06I'm two credits short, and then all those little...
09:08Oh, my God!
09:09Can we please not analyze Cat's dreams right now?
09:12Totally.
09:13Yeah.
09:14Let me guess.
09:15Juice run.
09:16Yep.
09:17Does she ever eat solid foods?
09:18I'm gonna die on this desk.
09:20Listen, all you gotta do is just, you know, impress him with your mood thing.
09:24Oh.
09:25Jane's right, I have to tell him.
09:27I mean, I have to tell him, right?
09:31Yes.
09:32So, there's three panelists.
09:39Yes.
09:40Three other panelists.
09:41All political writers.
09:43And it's called Young Reporters with Influential Voices.
09:47Ooh.
09:48Can you give me a big smile, please?
09:50Actually, I want to do a few where I look a little more serious.
09:53Do I look like an influential voice?
09:56I'm sorry.
10:05Will you excuse me for a second?
10:15Hi.
10:16Hi.
10:17What are you doing here?
10:18Uh...
10:19Is this for an article?
10:20Actually, don't answer that.
10:21I don't want to know why you're looking at lotion.
10:22There's a rumor you guys have a spa hidden somewhere in here.
10:25I wanted to check it out.
10:26Is there?
10:27Mm-hmm.
10:28I had fun last night.
10:31Seems like maybe you had fun, too?
10:34I did.
10:35Good.
10:36Because, I mean, you have admitted in the past to faking the fun you were having.
10:43I had fun.
10:46I had fun twice, actually.
10:51Okay, then.
10:54So, is that why you came here?
10:57To fact check how much fun I had?
10:59Mm-hmm.
11:00And to invite you over tonight.
11:02What do you think?
11:03I wish I could.
11:05Uh, but actually, I'm speaking on this panel at the writers' room.
11:09You're on that influential voices panel?
11:11Yeah, I am.
11:13Well, damn, Sloan.
11:15I'll come watch.
11:17You want to come to my panel?
11:19Is that not cool?
11:20Isn't it, you know, open to the public?
11:22Oh, no.
11:23Yes, of course it is.
11:25Then I'll see you there.
11:26Uh, do you mind if I...
11:29Oh, it's all yours.
11:30Okay, cool.
11:31Okay, so according to this, I have to speak to Adina's unique skills.
11:45Okay, see, now it makes sense why she wants me to do it.
11:49And submit unofficial letterhead.
11:51Sorry, not seeing the significance here.
11:53God, it is a dark day when I am the most legit person in someone's life.
11:58Or she really cares about the way that you see her.
12:02You know, I cannot get a read on her.
12:04It's a crazy idea that you could ask her how she feels.
12:07Or better yet, use the letter as an excuse to hang out.
12:12Sutton Brady, are you asking me to lie?
12:15No, definitely not.
12:16Really?
12:17But I am telling you to use the situation to your advantage.
12:20Tell her that you want to get the letter right, but that you have questions.
12:22And then while you're asking those questions, see how you feel.
12:29You know, that's actually not a bad idea.
12:36This looks really good, by the way.
12:45Oh, Richard, come in.
12:46So, I reached out to some of the big movers on the board.
12:51And you know what?
12:52I'm going to stand while you're walking.
12:54Oh, you're fine.
12:55What's up?
12:56You know how much respect they all have for you, right?
12:59Yes.
13:00Scarlet is the biggest magazine we have.
13:04They're worried about rocking the boat.
13:06Maybe they should think we're the biggest magazine they have because we rock the boat.
13:10I get it, but alienating even a portion of the core readership right now is a big risk.
13:17And it's a risk worth taking.
13:19I also think that they should trust me.
13:23What are you doing tonight?
13:25Oh, I don't know. I was thinking...
13:26Jane Sloan, our youngest writer, is on a panel about politics and the woke generation.
13:31We're going.
13:35I look forward to it.
13:36This is from the...
13:40Come here.
13:42Come check this out for people.
13:43After you, Laura.
14:00Oliver's considering me for the fashion assistant job.
14:07That's amazing.
14:08I know, but he...
14:30Wait, what did you just say?
14:42I just said he wants somebody who went to fashion school.
14:45He would be lucky to have you.
14:51So was he going before he knew you were on the panel?
14:53Nope.
14:54I feel like this moves you out of casual sex territory.
14:57No.
14:59No!
15:00It's Pinstripe Guy.
15:01So?
15:02Now I feel like we should go.
15:03Uh, yeah.
15:04I have enough pressure with Jacqueline going.
15:06Did you know that Richard's going?
15:07Why?
15:08Jacqueline wants to expand the magazine's political coverage.
15:11She wants to show him how woke we are.
15:13Oh, okay.
15:15Oh my god.
15:17This isn't funny.
15:18The magazine's political future is in my hands.
15:21And the guy who gave me my first orgasm is going to be sitting in the front row.
15:24What am I going to do?
15:26Calm down.
15:27Ordinarily, I'd say picture the audience naked.
15:30But since that means Pinstripe, Jacqueline, and Richard...
15:34Don't.
15:34Don't make her picture my boyfriend naked.
15:36Yeah, that's gross.
15:38Not like he's gross.
15:39I'm sure he is.
15:41Okay.
15:41We're good.
15:42Okay, uh, here's to Jane and her panel.
15:49You're going to be great, kid.
15:51Yeah, no pressure.
15:56I really appreciate you taking this letter so seriously.
15:58I'm, I'm touched.
16:00Yeah, of course.
16:01Just, uh, you know, I figured it would be easier if we just talk in person.
16:05No, it's perfect.
16:07Uh, I'm not much of a fun person, and it's a beautiful night.
16:12Yeah.
16:20So should we get a drink, or...?
16:21Right, you don't drink.
16:27See?
16:28I'm learning more about you already.
16:30But I do eat.
16:31Oh, well, that's good.
16:34Uh, let's grab a bite.
16:36I'll, um, I'll yope something.
16:41Cats, why don't we just walk,
16:44and, um, if we see something that looks good, we can stop.
16:50Right.
16:52Makes sense.
16:56Very smart.
17:00Oh, my God.
17:10Sutton?
17:11Oliver told me that Lauren recommended you.
17:13I had no idea that you also went to FIT.
17:16Oh, yeah.
17:17It's a small world, right?
17:19How did I not know that?
17:20I bet we know so many of the same people.
17:22I know.
17:22I don't know.
17:23Uh, well, I was pretty focused.
17:26He didn't really hang out much.
17:27Did you ever have design with Peterson?
17:28Yeah, he was...
17:30Crazy, right?
17:32Always in a weird hat.
17:33Hats.
17:34The weird hats.
17:35Totally.
17:36Ugh.
17:37Love that guy.
17:39Really?
17:40Mm.
17:40He made me cry at least three times.
17:42I thought everyone hated him.
17:44Well, it was like a love-hate relationship.
17:48You know?
17:49I don't.
17:51But if you can handle Peterson,
17:53you'll do fine with Oliver.
17:55Good luck.
17:56Thanks.
17:57Welcome to the Writers' Room.
18:15As you can see,
18:16we have a stellar panel of impressive
18:18and highly acclaimed journalists for you.
18:21First up, Darren Molina from the Boston Blaze.
18:24Darren is most known for his front-line war reporting,
18:32where he blew the lid off of military misspending,
18:34which resulted in policy changes all the way up to the Pentagon.
18:38Welcome, Darren.
18:39Next, Peabody Award winner,
18:42renowned writer for The Economist,
18:44Ms. Lydia Brooks.
18:45Next to her, Sean Carpenter,
18:52who, in addition to his acclaimed White House reporting,
18:55is also getting ready to release his first book
18:57on digital political activism.
18:59Welcome to you, Sean.
19:03And finally, from Scarlet Magazine,
19:06political fashion commentator Jane Sloan.
19:09So, why don't we start with you, Jane?
19:15Why are you here tonight?
19:19In other words,
19:20why is it important for us to have this conversation?
19:23Oh, um, I'm so glad you asked that question,
19:26because the answer could not be more simple.
19:29Young people want to be engaged,
19:31and right now there's a lot to be afraid of.
19:34And when you're scared,
19:36you need voices that you could trust.
19:38And so it's up to us to be those voices.
19:40I actually think that's overly simple.
19:43We're in an age where the ephemeral nature of the Internet
19:45creates the need to be first and loudest.
19:48So trust is actually secondary.
19:51Okay.
20:16I'm confused.
20:17All right, point taken.
20:20You know, work might call, so...
20:22Oh, this late?
20:26Yeah.
20:27Watch.
20:28Listen.
20:30Be in the moment.
20:35All right.
20:47It's not just about reporting anymore.
21:05It's not just about reporting anymore.
21:16People want to connect and share an experience, so there's...
21:20Right, even if that means that...
21:22Hang on, just let me finish.
21:23I devoted an entire chapter in my book to this topic,
21:26and my research has led me to some really unexpected conclusions.
21:30People are arguing because it lets them feel engaged.
21:34And that's what people want right now, to feel engaged.
21:37Well, I think we'll end our conversation on that note,
21:40and I'd like to thank all my panelists for being here tonight.
21:46I should have been more assertive. I shouldn't have let him talk over me.
21:56Come on, that's not your fault.
21:57Yeah, I had a board member and my boss here to watch me not say anything.
22:01Look, I'm sure you did better than you think.
22:04Yeah, thanks.
22:08Okay, admit it.
22:10It's nice to like something without having to like it.
22:13No.
22:17Wait, oh, what? So you get to have your phone, but I don't get to have mine?
22:23It's my mom. She's calling from overseas.
22:28Hello.
22:30Hello, Mama.
22:33Why don't you speak English, bitch?
22:39What did you just say?
22:41I said, I think your towel head friend here should speak English or go back where she came from.
22:47Okay, come on, Kat. He's not worth it. Come on.
22:51No, no, apologize to my friend right now.
22:53Okay.
22:54Okay.
22:55Don't touch me, you dirty little towel head.
22:58Ah!
22:59What the hell?
23:02Ah!
23:03Crazy?
23:04Ah!
23:06Do we have a problem here, sir?
23:08Yeah. Yeah, we have a problem. She just assaulted me.
23:11Oh, come on. That is total BS. No.
23:13He just pushed my friend. Adina, tell them what happened.
23:15She punched me. That's what happened.
23:17Adina?
23:18Ma'am, I need you to step to the car.
23:20Look, I can get my friend and she can tell you what happened.
23:22Ma'am! Ma'am!
23:24Hey, excuse me. Don't touch me.
23:26Get your hands off me.
23:28Adina!
23:39Hey, Kat.
23:41No, they're not in yet.
23:44One phone call?
23:46Yeah.
23:51Kat?
23:52Yes.
23:53You okay? Do you need anything?
23:56I'm fine.
23:58Really, I just...
24:00I was a little embarrassed that my boss had to bail me out of jail, but...
24:05I'm fine.
24:11Uh, thank you for coming.
24:13You're welcome.
24:14You're welcome.
24:15He...
24:16He just, you know, he hated her so much for no reason, and...
24:21I don't know what happened. I just reacted.
24:26Good morning, Oliver.
24:41Good morning.
24:43I heard that you're considering new assistants. You made a pick yet?
24:47Not yet.
24:48There are a couple of internal candidates.
24:49Lauren recommended her assistant.
24:50Oh, uh, Sutton.
24:51Brady.
24:52I did an informational interview with her the other day.
24:54I was really impressed.
24:55I know that she doesn't have a fashion degree, but she's really smart.
24:57She's been with the company a long time, and I think it'd be great if we ended up giving her a shot.
25:10Noted.
25:11Noted.
25:12Good.
25:18Hey, just finished that article about you.
25:21Is it two lines? Because that's all I got in.
25:24Wow, you're being really hard on yourself. The livestream got great viewership.
25:28And what you did say was smart and insightful.
25:31I don't even know why I was there.
25:32I shouldn't share a stage with Lydia Brooks. She won a Peabody Award.
25:36Nobody even knows who Jane Sloan is.
25:39Jane Sloan is just getting started.
25:41There's a reason you were on stage last night.
25:43People want to hear your voice.
25:45I sent you a draft. Let me know what you think.
25:48So, this is it?
26:08This is it.
26:10Sutton, I'm gonna ask you a question. Did you really go to FIT?
26:15Um, no.
26:21And I know that I should have said something as soon as...
26:23But you didn't.
26:24In fact, your opening move in our relationship was to lie to me.
26:28I know. I don't know why...
26:31Neither do I, Sutton.
26:34Where did all the years, all the years go right?
26:48When did all my youth, all my youth move on?
26:54Bitterness show had you totally fixed.
27:00So, jail. And Jacqueline picked you up.
27:04Yes. Are we done processing?
27:06Not even close.
27:07Why didn't you call us?
27:08Because Adina took my phone.
27:10And, uh, Scarlet is literally the only number I know.
27:14Wait, Adina took your phone?
27:16Yeah.
27:17She wanted us to, uh, be in the moment together.
27:20Obviously not enough to stick around and help me explain what happened to the cops.
27:27Sorry, Kat.
27:29You're invited to join me at Findo's tonight, where I will most certainly be drowning my sorrows in alcohol.
27:35Oh, babe. I feel so bad about that.
27:38No, it was my choice to lie to Oliver.
27:41Yeah, but it was my suggestion.
27:42My choice.
27:43How did Oliver find out?
27:45I don't know.
27:46But he did, and now he thinks I'm the kind of person whose first move is to lie.
27:51Well, we know that's not who you are.
27:53Yeah, we know you're better than anybody. Better than Oliver.
27:56Yeah.
27:57Thanks, Munchkins, but I don't think that's gonna matter.
28:03Kat, Adina El-Amin is here for you.
28:06Okay.
28:09Well, this should be fun.
28:19I'm very happy you're okay. I was worried about you.
28:23Really? You were worried about me?
28:26Is that why you bolted?
28:27Kat?
28:28No. No, you left me alone.
28:30And I actually ended up spending the night in jail.
28:33I didn't have much of a choice.
28:35No, everyone has a choice.
28:37No, that is where you're wrong.
28:39You have a choice.
28:41But I'm a Muslim lesbian living in today's America.
28:45My choices are very limited.
28:47Okay, so what?
28:49What, do we just stand back and let them win?
28:54It's obvious that we, uh, we just come from completely different worlds.
29:02Here is your phone back.
29:04I'm really very sorry.
29:09Sorry.
29:18Lauren Park's office.
29:19Hey.
29:20Just wanted to say hi.
29:22I'm so happy to hear your voice.
29:24I'm having a terrible day.
29:25Talk to me.
29:27I'm not getting the job.
29:28What do you mean?
29:29An hour ago you were the front runner.
29:31What do you mean?
29:32How would you know I was the front runner?
29:33I ran into Oliver.
29:35And you talked about me?
29:36Yeah.
29:37I wanted to put in a good word.
29:38Don't worry.
29:39Totally professional.
29:40I just wanted to help.
29:41Oh my God.
29:42How could you do that?
29:44That means I really am screwing up.
29:46No.
29:47What are you talking about?
29:48All I told him was-
29:49It doesn't matter.
29:50I'm not getting the job.
29:51Okay.
29:52Hey, Sutton.
29:53Back up.
29:54What happened with the job?
29:55He thought that I went to FIT.
29:57It was a miscommunication.
30:00No.
30:01I mentioned that you didn't have fashion school experience.
30:04You said-
30:06Sutton, I am so sorry.
30:08No.
30:09It's my fault.
30:11And I'm gonna deal with this myself.
30:19Uh, hi.
30:24Hello.
30:28I, uh, just wanted to thank you.
30:31And to let you know that the guy is not going to press charges.
30:35Well, that's a relief.
30:36Yeah.
30:40And how's Adina doing?
30:42She's good.
30:43Yeah.
30:44She's fine.
30:45Hmm.
30:46Doesn't sound fine.
30:47You know, I just can't believe she left me there.
30:50She says she didn't have a choice, but everyone has a choice.
30:53Well, maybe she felt like she didn't.
30:56You said that she wanted to extend her visa, and getting arrested could have complicated that.
31:00I mean, we were in the right.
31:03I wish that's all that mattered.
31:06But, unfortunately, being right is not always enough.
31:10Do you think, um, do you think she could have been deported?
31:17Oh, I think that's a real possibility.
31:23Uh, thank you again.
31:25You're welcome.
31:26Hey.
31:27Hey.
31:28Hey.
31:29What are you doing?
31:30I was so close, Jane.
31:31I finally found something that I really want, and something that I'm actually good at.
31:48And you're right.
31:51I can do this.
31:52If I'm gonna go down, I'm gonna go down swinging.
31:55So, I have to show Oliver who I really am.
31:59Okay.
32:00But what is all of this?
32:03Well, that's obviously my prom dress.
32:04Well, obviously.
32:05You know.
32:06And in here is the U2 tank top that I was wearing when my mom told me that she couldn't afford to send me to college.
32:12Did you bedazzle it yourself?
32:14Yeah.
32:15And this is my high school diary.
32:20Oh, it's the letter from your dad.
32:22Yeah.
32:25I just feel like if I'm gonna lose this job, it's gonna be me who loses this job, you know?
32:33Not some fake FIT girl.
32:42Oh!
32:43No!
32:45No!
32:46It's small!
32:47No!
32:48No!
32:49No!
32:50No!
32:51No!
32:52No!
32:53No!
32:54No!
32:55No!
32:56No!
32:57I can't be done!
32:58No!
32:59No!
33:00No!
33:01No!
33:03No!
33:05No!
33:06Oh!
33:07Oh!
33:08Oh!
33:09What?
33:10It's the other day!
33:11I'm on those knees growing up in my spine
33:16Every day I want more than I want more than I want more than I want more than I want
33:31What?
33:33I didn't go to FIT. I'm sorry. I should have told you.
33:38I went to Penn State and I lived at home because it was the only thing I could afford.
33:43I have no fashion background at all.
33:46I never even worked in a mall.
33:49But I've devoured fashion magazines since I was a kid and I have impeccable tastes.
33:57I want this.
33:59More than I've wanted anything in my entire life.
34:03And I would work my ass off for you.
34:08Here's everything else you need to know about me.
34:17It's a miracle just to let you know you're not alone.
34:23Richard, I want to discuss the political vertical.
34:32I'm sorry, Jacqueline. It's just not a battle you can win.
34:35Because it's not a battle I'm going to fight.
34:37I was recently reminded of exactly who our readers are.
34:40And they are passionate, they're excited, they're involved.
34:43And they don't ask for permission. So neither am I.
34:45Jacqueline.
34:46Tell the boys upstairs that Scarlet Magazine is going to launch a political vertical.
34:51The first piece is going to be a personal account by Kat Edison.
34:55They're going to love it.
34:56I swear I'm not even trying.
34:58There is not another one like me.
35:02Sutton, can I speak to you for a moment?
35:09If you can't do it with feeling, don't.
35:13Who said that?
35:15Patsy Cline.
35:17Impressive.
35:18You know where I was when I heard her sing for the first time?
35:27The back of my daddy's pickup truck.
35:30I'll deny it to anyone who asks, don't even think of calling page six.
35:36But underneath these designer clothes, I'm small town Oklahoma.
35:40No fancy fashion degree, no Ivy League college.
35:43Really?
35:46I did so well.
35:47Maybe a little too well.
35:48Maybe a little too well.
35:51I didn't realize that until I saw your mood board.
35:59You moved me.
36:01It's real Sutton.
36:03Real is good.
36:07Real is what makes you who you are.
36:12So what are you saying exactly?
36:17You get one lie and you spent yours.
36:23Now I need you to do something for me.
36:27Go tell Lauren I poached her assistant.
36:29Once.
36:34I am really sorry about the panel.
36:40Why?
36:42Because I didn't really say much.
36:44Uh, Jacqueline, I'm really sorry about the panel.
36:51Why?
36:51Well, because I didn't really say much.
36:54Well, it doesn't matter how much you say.
36:56And what you did say really resonated with people.
36:59Have you checked your Twitter recently?
37:10Lydia Brooks quoted me?
37:13Come with me.
37:14Oh, my God. Lydia Brooks quoted me.
37:17That's great. This is about me now.
37:25I feel like I'm right. What is it?
37:28Hey, sorry.
37:30Keep doing what you're doing.
37:42Wait, are you okay?
37:43Yeah, you're making me nervous.
37:44This is weird.
37:48I got the job.
37:49What?
37:52I told you about that!
37:54I told you about that!
37:56I told you about that!
37:58Yeah!
37:58Hi.
38:14You feeling better?
38:16Yeah, I am.
38:18Good.
38:19Then maybe you're ready to use that influential voice for something else, like to tell me what you want.
38:26You sound like Batman when you do that.
38:28What?
38:30You sound like Batman when you do that.
38:33That's a good thing, isn't it?
38:36Yeah, it's a good thing.
38:37I know.
38:38It's a good thing.
38:39I don't want to say...
38:39I don't want to say you.
38:40I don't want to say you.
38:40Oh, boy.
38:41I don't want to say you.
38:41Look at me.
38:46Oh, my God!
38:46Yeah, I love you.
38:48I know.
38:48I don't want to say you.
38:49I can't hear you.
38:49I love you.
38:50I don't want to say you.
38:51Oh, my God.
39:21I owe you an apology.
39:34You were right.
39:37We are from different worlds.
39:40And I really want you to stay in mine.
39:44So I wrote your letter.
39:51Way more than 140 characters.
40:01I wrote about how uniquely talented you are
40:05and how valuable your art is
40:08because that's what immigration needs to hear.
40:11That's perfect.
40:13But what I really wanted to say, uh, was, uh,
40:18was just how amazing you are.
40:25You're courageous and thoughtful and honest,
40:30and you're the only person I've ever met
40:34who, you know, completely throws me off my game.
40:38Um, and I, I think I really like you.