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02:00Three, two, three, four, five, six, seven, eight.
02:04Walk through two, three, and kick, and five, two, six, seven, eight, and one.
02:09Good. Okay.
02:11Uh, it's a little better. We've got to work on timing.
02:13Next class, okay?
02:14George, you have to concentrate. You were beat behind.
02:17Just a little bit.
02:18Oh, Shannon?
02:19Very nice job.
02:20Thank you. See you tomorrow.
02:21Bye.
02:23You can't do this to me, man.
02:26I'm doing it.
02:27I have put everything, everything I have into this place.
02:30You know, this argument has grown increasingly pathetic.
02:33All right, forget it, man.
02:34Why don't you just buy me out and the place is yours?
02:37I can't buy you out. I don't have the money.
02:40Then I'm selling it!
02:42You can't sell this place, you hear me?
02:44Give me that.
02:46You know, some, you're one lousy, selfish son of a guy.
02:48I don't know why.
02:49Get out of my face!
02:50No, why don't you make me get out of your face?
02:51Come on. You want to come with it?
02:52Shut up!
02:53Do you want the dancers to hear you and quit?
02:55And then what will you have?
02:57God.
02:58Ugh.
03:00Some audition.
03:01The producer's girlfriend, the director's girlfriend, and me.
03:05Guess who's not going to be lead dancer?
03:07Your little wife.
03:09You can't do this to me.
03:11I have put my life, my life, in this business for over ten years.
03:18Then you pack your life with your shoes and dance your way out of here,
03:21because I can force a sale, and I will.
03:24Read our partnership agreement, Sammy.
03:27Over my dead body.
03:32No.
03:34Make that over your dead body.
03:37The sooner the better.
03:51Hello, gorgeous.
04:02That's my life.
04:03Hmm?
04:07Want to get something to eat?
04:08Yeah.
04:09How about a steak?
04:10No, I'll have a salad.
04:12Okay.
04:12Oh, but first, can we make one little stop at the shoe store?
04:14More shoes?
04:16You dancers buy more shoes.
04:19You don't mind, do you?
04:22No, you can't have too many shoes.
04:24Here's where they are.
04:29Yes!
04:34You don't mind, do you?
04:41That's all.
04:43Okay.
04:47Here.
04:47Here.
04:49Here.
04:50Here.
04:50See?
04:54Oh, my keys.
05:24Oh, my keys.
05:54That's fine, but no, no, nobody's supposed to make a decision unless I'm there, all right?
06:11We said this.
06:12What's up?
06:13Guy in his 40s came in by ambulance, said he had a blackout.
06:16You get a history?
06:17What?
06:17Can't get him off the damn phone.
06:19Look, give me a shit.
06:20What do you mean you cut velvet?
06:22Who told you to cut velvet?
06:23Excuse me, Mr. Talbot?
06:25Never mind what I said.
06:26Rayon.
06:27I said cut rayon.
06:28Okay, forget it.
06:29Just stay where you are.
06:30Don't cut.
06:30Don't move.
06:31I'm on my way over right now, okay?
06:32Look this blackout, Jay.
06:34Can you tell me what happened?
06:35Not now.
06:35I've got 40 women downtown sewing bustiers out of the wrong fabric.
06:39I got to go.
06:40I got to go.
06:40Let me guess.
06:41Type A?
06:41A plus.
06:42Hey, oh, Mr. Talbot, get back here.
06:43What do you want?
06:44Mr. Talbot, this could be serious.
06:46Serious?
06:47Ten bucks a yard?
06:48This is a disaster.
06:49I got to get out of here.
06:53Any preliminary diagnosis?
06:56Velvet upsets him?
06:58Well, I'm going to talk to the paramedics that brought him in.
07:01Amigo.
07:02Stuart.
07:02Doctor.
07:04You have a patient, Seymour Talbot.
07:06He's in emergency.
07:07How is he doing?
07:08Mr. B, I got a phone call and ran out before we could treat him.
07:11How could he do that?
07:13What am I going to tell my mother?
07:15About what?
07:16My mother plays bridge with Seymour's mother, Minnie.
07:19No kidding.
07:21Minnie called my mother, and my mother called me, and she told me to take good care of Seymour.
07:25Oh, that's nice, Newman.
07:26You know, you're a good boy.
07:27Now I have to call my mother and tell her that Seymour left.
07:31What is my mother going to tell Seymour's mother, Minnie?
07:34Why don't you have your mother tell Minnie to tell Seymour to come back here so we can treat him?
07:40I can do that.
07:40Or I could wait for my mother to call me.
07:44Too good, no good.
07:50We think we have problems.
07:52Give me this.
07:53He cracks me up.
07:54He really does.
08:02You've got a patient and a relative both complaining.
08:05What?
08:05Oh, okay.
08:09Barry, what happened?
08:10He did it.
08:12You coming for a layup?
08:13You expect me to step aside?
08:15He tripped me.
08:16I blocked him.
08:17He's got a sprained ankle.
08:19Oh, thank you, doctor.
08:21Yeah, well, see, this is the thanks I get for introducing you to Cindy.
08:24Hey, you wanted to learn basketball, right?
08:26Sammy, I'm sorry.
08:28I'm just trying to cheer you up, okay?
08:31You're a good hand, so I'll see you later.
08:33Thanks.
08:33See you.
08:35Okay.
08:36Let's have a look here.
08:38You know, I'm not really mad at him.
08:40I didn't think you were.
08:42Well, we'll get an x-ray, but I'm pretty sure it's a sprain.
08:45I can dance tomorrow, can't I?
08:48Hmm.
08:49More like two weeks.
08:51No, no, no, don't say that.
08:52Tomorrow night's the benefit for the free clinic on Hope Street.
08:55I was going to do my dad's old routine.
08:57The, uh, me and my shadow thing?
08:59Yeah.
09:00I know that dance.
09:01You know your dad taught me that for the high school follies?
09:05Your dad was a great dancer and a great teacher.
09:08Yeah.
09:09Yeah, and a great father.
09:11You know, every year I do this routine in dad's memory.
09:15I have to drag my partner kicking and screaming, but he goes.
09:18He likes the publicity.
09:20And the clinic needs money, too.
09:24Okay, before I take you down to x-ray, what is it you need cheering up about, my friend?
09:28Steve and his big mouth.
09:31Roland Spear, my partner, he's decided he wants to sell the studio.
09:36Why does he want to do that?
09:37Is business off?
09:37No, business is actually doing very well.
09:40You see, Roland wants to buy a ranch in Montana and raise cows.
09:45The funny thing is, he doesn't know which end moves and which end gives milk, but he's going to be a cowboy and I'm out of business.
09:52Why don't you just buy him out?
09:54I don't have the money.
09:57See, he wants to force a sale, Mark, and there's nothing I can do to stop him.
10:01No, I'm sorry, Sammy.
10:03You got a lot on your mind.
10:04I wish I could help you.
10:05Well, there is, uh, one thing you can do to help.
10:11Name it.
10:12You still have tap shoes?
10:14Uh-oh.
10:15Hey, big guy.
10:30Hi.
10:31Ooh, you can wear that any time.
10:32Oh, just to wear clothes.
10:34Dr. Sloan, it's so nice of you to step in for Sammy.
10:36Oh, Cynthia, I'm happy to do it.
10:37Where's Sammy?
10:38Oh, he's picking up the props.
10:39Both canes needed a pairing.
10:41Oh.
10:41So, you want to see the rest of the place, huh?
10:44Uh, well, maybe later.
10:45No, go ahead, big guy.
10:47Big guy?
10:48Well, if you put it that way, why don't you, uh, go break a leg, Dad?
10:50Thanks, son.
11:00Shannon?
11:02Shannon?
11:04Shannon?
11:06We are going home.
11:08And I will deal with you later.
11:10Hey, Doc.
11:20Well, I, hey, I thought I told you to stay off there.
11:23Yeah, I know.
11:23Listen, I had to pick these up from the repair shop.
11:25This one here lights up.
11:26Oh, come on, introduce you to my former partner.
11:31Ro, you look like a wreck.
11:32Why don't we forget this whole thing?
11:34No.
11:35You are going to do this thing.
11:37I am.
11:38Yes, you are.
11:39You can break your own promises.
11:41You're good at it.
11:42But I'll be damned if you're going to break mine.
11:44Uh, excuse me.
11:46I'm Dr. Mark Sloan.
11:47On behalf of the free clinic, I want to thank you for taking the time to do this benefit.
11:51Hello.
11:52Barbara Spear.
11:53Hi.
11:54I can't wait to see the number.
11:55All right, let's get this over with, then.
12:02There.
12:02That's mine.
12:03Uh-huh.
12:04Me?
12:04That's yours.
12:05Oh!
12:06Okay.
12:07I'm the, uh, shadow, so I'm kind of behind you, right?
12:10Okay.
12:12It's been a while since I've done this.
12:14I'll follow you.
12:14I'll follow you.
12:44I'll follow you.
13:14Oh, my God.
13:24Oh, my God.
13:26Roland?
13:27Roland.
13:27Roland?
13:32Call 911.
13:33Tell him we have a male approximately 40 in full cardiac.
13:37Steve, clear the airway.
13:38Is he going to make it?
13:41I don't know.
13:42I don't know.
13:42Dad, I examined Roland Spears' cane.
14:01A tip had been tried off and a lighting switch rewired.
14:03A deliberate short circuit.
14:07Hmm.
14:08Still, there wasn't enough voltage to kill him.
14:10Here's the preliminary autopsy report.
14:12Roland Spear had a pacemaker.
14:15At his age?
14:16He had congenital heart disease.
14:18Pacemaker was, what, 10, 12 years old?
14:20Well, that explains a lot.
14:22The newer models are better shielded.
14:24Hmm.
14:26Still, a shock could have killed him.
14:28Yes?
14:33Yeah, right here.
14:34It's for you.
14:36Yes?
14:37Would you take that pacemaker down to cardiology?
14:39I'd like to get a report on his condition.
14:41Sure, right away, Mark.
14:42See you later.
14:44All right.
14:44Thanks.
14:46Bad news, Dad.
14:48They're going to arrest Sammy Garrick for Roland Spears' murder.
14:51Sammy, you're not serious?
14:53Wish I wasn't.
14:54On what basis?
14:55Motive.
14:56Roland wanted to sell the studio and Sammy wanted to stop him.
14:59Means that short-circuited cane.
15:02Opportunity.
15:02Sammy picked up the cane from the repair shop and no one else touched it till he handed it to Roland.
15:07All right, but that's just circumstantial.
15:09Well, that's not all.
15:11My guys at the scene opened Sammy's locker.
15:13They found a wire splicer and some electrical wire that matches the wiring in Roland's cane.
15:18I don't believe it.
15:20They have no choice.
15:21They have to arrest him.
15:26Mark, I didn't kill him.
15:30I know you too long to think you're the one to kill anybody.
15:33Oh, thank God.
15:34Thank God somebody believes me.
15:37You knew that Roland had a pacemaker, right?
15:39Yeah, yeah, sure.
15:40I found out when we got partnership insurance.
15:43Who else knew?
15:46His wife, Barb, I suppose.
15:49Anybody else?
15:49Uh, I don't know.
15:54You know that cane was deliberately short-circuited Sammy.
15:57Yeah, of course.
15:58I knew they're saying I did it, Mark.
16:01All I did was pick it up at the repair shop.
16:04What about that repairman?
16:06Do you have any connection with Roland?
16:07Listen, Mark, everybody at the studio goes to him with their props and shoes.
16:12But I don't know of any connection to Roland.
16:16Who else knew that that cane was in the shop?
16:20I don't know.
16:21Well, what are you thinking?
16:27Well, I'm thinking if you didn't tamper with that cane, somebody else in that studio sure did.
16:35Don't worry, Sammy.
16:37I'm not going to be in here long.
16:38Talk to you later.
16:41Yeah.
16:42So the shots from the cane stopped this guy's pacemaker.
16:50It looks like it.
16:51You do realize it's going to take a while to get the results on the pacemaker.
16:53Oh, yeah.
16:55After you get off shift, Jack, will you go check out that repair shop?
16:59You got it.
17:01All right, now for one of my very favorite things, sending a well patient.
17:04All right.
17:04There you go.
17:04See you later, Mark.
17:05See you.
17:05Uh, Jack, I'm off.
17:08All right.
17:08That's nice.
17:09I'd be real curious to find out who killed that man.
17:13Well, good.
17:14Come on.
17:15You can drive.
17:16Come on.
17:21Mrs. Spear?
17:22Dr. Sloan.
17:23It's a little late for a house call, isn't it?
17:27I'm all done here, Mrs. Spear.
17:29Great.
17:30Change the locks downstairs and I'll see you when you're done.
17:32You bet, Mrs. Spear.
17:33Thanks.
17:34You're very busy.
17:36Yes, I'm packing the files.
17:38When Roland decided to sell, I had everything boxed up.
17:41It's going to take me a week to put everything away.
17:43Then you're not going to sell the studio.
17:44No, why would I?
17:46Oh, I thought you and your husband wanted to go to Montana.
17:51Do I look like a cowgirl to you?
17:54I'm a professional dancer and a good one.
17:56And with any luck, I could be a star.
17:59I will be a star.
18:02And a sole owner of the studio.
18:04What?
18:05That's right.
18:08Look, don't misunderstand, Doctor.
18:10I miss Roland.
18:12But I'm not a hypocrite.
18:13I won't miss his meanness or his selfishness or the way he tried to run my life.
18:17So now you can do what you want to do.
18:20And I will.
18:24Mrs. Spear, how angry were you with your husband?
18:27Why do you ask?
18:28I don't think that Sammy killed Roland.
18:32I think that whoever killed him was angry with him, knew he had a pacemaker, and knew that that electrified cane was in the shop.
18:41And you're looking at me?
18:44I'm looking for Roland's killer.
18:49Well, I wish you the very best of luck, Doctor.
18:51But if you want to know who else was as mad as hell at Roland, you might ask Cindy Martin.
18:58Cindy?
18:59Oh, yes.
19:00That sweet little thing had a lot more reason than me to want Roland dead.
19:04Really?
19:05Why don't you tell me about that?
19:08Well, I'd love to.
19:09Like I told that cop, I didn't know the dead guy.
19:14But that other guy, his partner, what was his name?
19:17Sammy Garrett.
19:18Him.
19:18He was always stopping by, dropping stuff off to get fixed.
19:22Props, shoes, tape players, stuff like that.
19:27Roland Spears cane?
19:28Right.
19:29Well, here's our problem.
19:30Sammy Garrett says the cane never left his sight after he got it back from you.
19:33That means whoever tampered with the cane must have done it while you had it here in your shop.
19:40You're saying I did it?
19:42Did you?
19:44Well, no, we're not saying that.
19:46What we're saying is maybe somebody broke into the place last night and did it.
19:49How's your security here?
19:51Tight.
19:53Uh-huh.
19:55Listen, do you keep records on people who drop things off and pick them up?
19:59Yeah.
20:00The file's over there.
20:01Uh, could we see, uh, the record for when Sammy Garrett picked up that cane?
20:06Yeah, you know what?
20:06That would help us tremendously.
20:08Don't touch anything.
20:10Oh, no.
20:10Oh, no.
20:31There's that card.
20:45Hey, where's your friend?
20:48Oh, he went to put some money in the meter.
20:50So this is Sammy Garrick's file.
20:52Yeah, see?
20:541130, Sammy Garrick, pick up.
20:56Uh-huh.
20:56There it is.
20:57There it is.
20:5811th.
20:58Ooh.
20:59Here, $33.95.
21:01And an hour.
21:04Yeah, there.
21:04Oh, there it is.
21:05We done here?
21:06Uh, oh, you want me to leave?
21:09That's a general idea.
21:10I'm hungry.
21:10I'd like to get something to eat, if that's all right with you.
21:12It's fine.
21:13It's fine.
21:14Then I'll leave, too.
21:15There's no reason for me to stay.
21:17I'm done with you.
21:17You're done with me.
21:18We're both done.
21:18So then I'll leave, okay?
21:20I'm going to leave.
21:21I'm going to back right on out of here.
21:23Right now, I'm going.
21:24Beautiful shop.
21:25You know, I have some friends in the entertainment industry,
21:27and I'm going to tell them about your shop.
21:30I'm going.
21:30I'll go.
21:31See ya.
21:37Weirdos.
21:48You're kidding me.
22:00You're kidding me.
22:18Excuse me.
22:42Where might I find Cindy Martin?
22:43Oh, here she is now.
22:46Oh, thank you.
22:47Do you have the time?
22:48Um, I'm sorry.
22:51My watch stopped.
22:53Oh, that's okay.
22:54Bye.
22:59Oh, Dr. Sun.
23:00Hi, Cindy.
23:00Nice to see you.
23:01Are you looking for Steve or something?
23:03No, as a matter of fact, I thought we might talk.
23:04Oh, great.
23:05You know, I'm auditioning for a music video.
23:07Would you mind helping me with my routine?
23:09No, what do you want me to do?
23:10Oh, great.
23:10Here.
23:12Just sit.
23:14Okay.
23:14Cindy, this is a little bit, uh, awkward, but, uh, I've been hearing rumors about you
23:22and, uh, Roland Spear.
23:24Oh, you're limber, aren't you?
23:26What kind of rumors, huh?
23:29Well, and I, of course, I know he was your boss, but weren't you two also, uh...
23:33What?
23:34Listen, would you like to take a break?
23:35I can't use one.
23:36Oh, no, no, no.
23:37I did this routine for Steve last night.
23:39He loved it.
23:40Yeah, but he did.
23:41Oh, look, Roland was a very hot dancer.
23:45He taught me some moves.
23:47Oh.
23:47Then I taught him a couple.
23:49Yes, we were lovers for a while, but I didn't take him seriously.
23:56Well, that's strange.
23:57I heard that you, uh, turned down a Broadway play so you wouldn't have to leave him.
24:00Who told you that?
24:01Uh, Barbara Spear.
24:02Oh, her.
24:04Huh.
24:04Well, she also said that you were, uh, you were devastated when, uh, he stopped seeing you.
24:09What do you expect her to say, Dr. Sloan?
24:12That her husband's girlfriend stopped sleeping with him when she found out he was a jerk, huh?
24:17Steve is just the opposite.
24:21He's funny, smart, he's kind, and, ooh, is he ever sexy.
24:28Isn't the blood rushing to your head down there?
24:30Yeah.
24:39Cindy, I think that someone tampered with Roland's cane while it was still in their repair shop.
24:49What, someone besides Sammy?
24:51Yes.
24:52Did you know that Roland had a, uh, pacemaker?
24:55Yeah, yeah, he kidded about it all the time.
24:57He said it came with batteries included.
24:59I mean, I knew about it, but so did Shannon Thatcher's father.
25:04Who?
25:05Shannon, the, the pretty girl you were talking to when you came in?
25:08Yeah.
25:08Her father used to be Roland's doctor, and they had some kind of falling out.
25:13Dr. Thatcher hated Roland, yeah.
25:16Maybe you should talk to him.
25:18Yes, yeah, maybe I will.
25:21Yeah.
25:23Well, listen, that's a wonderful routine.
25:26Oh, thank you, thanks.
25:27Yeah, you're a very good dancer.
25:28Oh, thank you.
25:29Yeah.
25:30Oh, oh!
25:31I'll break this up.
25:35Fine.
25:36Bye.
25:40You're still here, pal.
25:41Not going anywhere.
25:44That's it.
25:45Good boy.
25:45Adam.
25:48Jack, are you in there?
25:50Hey, yeah, Amanda.
25:51I'm over here by the window.
25:53Come on.
25:53All right, hang on.
25:56Stay.
25:57Jack.
25:59Jack.
26:00Jack.
26:00Yeah.
26:01You need to get out of there, okay?
26:02No, I thought I'd kind of hang out here for a little while.
26:05This guy Crocker's got a dog and wants to eat my shorts for lunch.
26:07Oh.
26:07I can't get past it.
26:08Okay.
26:09I guess his security's as tight as he said it was.
26:11All right, I'll tell you what.
26:13Spray some of this in the dog's face.
26:14I promise it won't hurt the animal.
26:16I'll meet you out front, okay?
26:17Yeah.
26:17See ya.
26:25Come on!
26:26Hurry up.
26:29Your stuff worked.
26:30Good.
26:31Get in the car.
26:31What is it?
26:32Mace?
26:32Uh, better than that.
26:34Hair spray.
26:43So, how are we doing?
26:45Mr. Talbot.
26:46Mr. Talbot?
26:47That patient just passed out, and then he woke up and ran away.
26:52He left these pills behind.
26:53Oh, thank you very much.
26:54Mark.
26:55Check those out.
26:56We checked out the repair shop.
26:58We found out the owner's name is Andy Crocker.
27:00I'd say he's a real charmed school dropout.
27:02You get anything good?
27:03Well, one thing is for sure, nobody got in that place last night.
27:06Why not?
27:07Well, there's a huge Doberman just dying to say hello to you.
27:10Dr.
27:11Well, somebody had to get in there and tamper with a cane.
27:13Any idea who?
27:15Well, here's what I got so far.
27:18First, there was no love lost between Roland and Barbara Spear.
27:23And she was going to inherit everything, too.
27:26That includes Sammy's share.
27:28And Sidney Martin and Roland were lovers until he dumped her.
27:33And somehow he derailed her career.
27:35And then there's this Dr. Thatcher.
27:39Now, he knew that Roland had a pacemaker.
27:41And somehow he was mad at Roland.
27:43Something to do with his daughter.
27:44What?
27:44I don't know.
27:45There you are.
27:46I see any less of you, and you qualify as a rumor.
27:49You've got all these insurance forms to fill out.
27:51I'm glad to see you, Lord.
27:52I need you to call Dr. Charles Thatcher's office.
27:56Make me an appointment as a new patient.
27:58It's about time I have to check.
28:09Mr. Sloan?
28:10Is there a Mr. Mark Sloan here to see Dr. Thatcher?
28:13Here.
28:14The doctor will see you now.
28:20Please come this way.
28:29The doctor will be in shortly, and you can take off your jacket and tie and hang it up on the rack.
28:50Running a little late, are we, doctor?
28:56No, not really.
28:58So, how are we feeling today?
29:00You look a little tired.
29:01Well, actually, if I stay here much longer, I'll be completely rested.
29:06Anything bothering you, specifically?
29:09What?
29:09Actually, I wanted to ask you about one of your other patients.
29:13Really?
29:14Who?
29:15Well, you know, Roland Spear.
29:18Excuse me?
29:19Roland Spear.
29:21Roland Spear was a patient of mine, yes.
29:24He's not anymore.
29:24Well, I know.
29:25He was murdered.
29:26His partner killed him.
29:28Well, I'm not so sure about that.
29:30Well, if he didn't, who did?
29:32I understand that Roland Spear was good friends with you and with your daughter.
29:36Doctrine, doctor, doctor, just a moment.
29:44Roland Spear was nobody's friend.
29:47Now, who are you, Mr. Sloan?
29:49Actually, it's Dr. Sloan.
29:51I'm a medical advisor to the police department.
29:53I'm investigating Roland Spear's death.
29:56I saw you arguing with him just before he died.
29:59What was that about your daughter?
30:01Were she and Roland lovers?
30:03Lovers?
30:04If only he had cared that much for her.
30:06That no-good creep corrupted my daughter.
30:10Now, get out!
30:12Get out!
30:21I just said it was from 60 Minutes.
30:29Dad, can I see you for a minute?
30:30Yeah, come on in.
30:33I just heard from Cindy.
30:34What? Steve?
30:36All I did was talk to her.
30:37Now, that's all.
30:38She complained to you?
30:40No, as a matter of fact, she thought you were cute.
30:42So why are you treating her like a murder suspect?
30:45Steve, I'm not.
30:46I wouldn't embarrass you that way.
30:49Look, Barbara Spear pointed her finger right at her.
30:51I had to ask her a couple of questions.
30:53So what did you find out?
30:54Well, did you know that Roland and Cindy were lovers at one time?
30:59A lot of people have ex-lovers.
31:01That doesn't make them murderers.
31:03Well, Roland damaged her career in some way, and then he dropped her.
31:07So technically, she's got a motive.
31:10So how was Cindy supposed to have tampered with this cane?
31:13Well, you don't have to be an electrical engineer to short-circuit the cane.
31:17Well, Cindy couldn't have gone off and rigged the cane.
31:20She was with me all night.
31:23Oh.
31:24Oh.
31:26I gotta go.
31:27I'll see you later.
31:27Okay.
31:28Look, I'm sorry if I upset you.
31:29You made a mistake.
31:32Let's just forget it, okay?
31:33I'll call you tomorrow.
31:33Mark Sloan.
31:42Hi, Amanda.
31:44You're where?
32:02Hey, girl.
32:03Hey, I can explain.
32:32I'm following him.
32:34Yeah.
32:39Why are you following Thatcher?
32:41Actually, it's Jack's idea, and I thought it was complete nonsense, but it turns out that it's not, Mark.
32:46Now, Thatcher came here right after work about a half hour ago.
32:49He's had at least four or five drinks.
32:51It seems to me he's waiting for someone.
32:52Who could he be waiting for in a place like this?
32:56I don't know.
32:57Where's Jack?
32:58Well, he was right here when I beat you, and when I got back, he was gone, so I don't...
33:01Wait a minute.
33:02Wait a minute.
33:03There he is.
33:08Look at him.
33:09Keep an eye on Thatcher.
33:10Hey, what are you doing back here?
33:19Hey, well, besides hanging out with her, I found somebody that you should talk to, Mark.
33:24Come on.
33:25I'll be right back.
33:37Miss Thatcher?
33:39Oh, great.
33:40My father sent you?
33:41Oh, no, but I wanted to talk to you about your father.
33:44Is there some place we could do it privately?
33:45Why don't you all just leave me alone?
33:49Miss Thatcher, if you could just give me a minute.
33:53How you doing?
33:54Let's go.
33:55I heard that.
33:56Mark, uh...
33:57Daddy can be a real head case sometimes.
34:00He really went after Roland that time at the studio.
34:04Were you and Roland Spear, were you lovers?
34:08You're kidding, right?
34:09Roland had to be 40, at least.
34:12I mean, he was my teacher.
34:14That's all.
34:15Well, then why was your father so angry?
34:17His daddy didn't want me to take dance classes, and he wouldn't pay for it.
34:20So Roland got me a job.
34:22Here?
34:23Yeah, well, he pays for my tuition.
34:26No one hassles me here.
34:28I'm an adult.
34:30I can do what I want.
34:32If Daddy doesn't like it, that's tough.
34:34Woo!
34:36Yeah!
34:37Woo!
34:38Yeah!
34:39Yeah!
34:39Yeah!
34:41Yeah!
34:43Hey!
34:44Come here!
34:45Hey!
34:47Take your hand off me!
34:49Let's go!
34:49Now, let's go!
35:01Oh!
35:02No!
35:03Good job!
35:04No!
35:05No!
35:05No!
35:05No!
35:05No!
35:06No!
35:07No!
35:07No!
35:08No!
35:09Man, did somebody really tag you?
35:15Hey, nobody tagged me.
35:17The lights went out and I got hit by a flying stripper.
35:19Wouldn't be the first time.
35:21I'm just glad we got out of there before the cops came.
35:23Yeah, no kidding.
35:24Roland Spear was a real gem.
35:26I mean, what kind of guy would talk a young girl into stripping
35:29to pay for her dance lessons?
35:30Disgusting.
35:32Hey, come on. I know a lot of guys like that.
35:34Always hustling.
35:35Oh. Is something wrong, Mark?
35:37Look, you distracted the repair shop guy so Jack could sneak in.
35:42Yeah. So what?
35:43Well, how do we know somebody else didn't do exactly the same thing?
35:46Resident on call to ER. Resident on call to ER.
35:50Hey, no way, man. I had nothing to do with that.
35:53Come on, Andy. Somebody tampered with that cane.
35:56Yeah, the best chance they would have had to do it while I was here in the shop.
35:59So maybe it happened this morning before Sammy came in.
36:02Well, how'd he figure that?
36:04Well, I noticed that when you're at the file card cabinet,
36:06you can't see into the repair shop.
36:09Anybody could sneak in there.
36:11Yeah, maybe.
36:12I'd...
36:13When do you normally go to the file cabinet?
36:20People drop off stuff for repair.
36:22I fill out a file card.
36:24You know, maybe somebody stopped by this morning
36:26dropping something off for repair,
36:28and while I was doing their card,
36:30they messed with the canes or something.
36:31Well, let's look at the filing cards for this morning, okay?
36:35Yeah.
36:35All right.
36:40Whoa.
36:41Is that legal?
36:41Put that down.
36:42Yeah.
36:48Here it is.
36:57She was here this morning.
36:59Dropped up a pair of dance shoes for new heels.
37:01Who?
37:03Barbara Spear.
37:04I told you Cindy didn't have anything to do with this.
37:07Now, there's no check mark on here
37:08indicating the shoes were picked up,
37:10so they must still be here, huh?
37:11See?
37:13Yeah, I got them.
37:14What's the matter, Steve?
37:33Uh, nothing.
37:35Look, why don't I, uh, drop you back at the hospital,
37:39and I'm gonna have a talk with Barbara Spear.
37:41Okay.
37:43Thanks, Andy.
37:43Mm-hmm.
37:52Hey, Mark.
37:52Mark, a couple things.
37:53You know those pills that guy Talbot dropped in the emergency room?
37:56Yeah, what were they?
37:57Caffeine.
37:58Pure caffeine.
37:59That's interesting.
38:00Not half as interesting as this.
38:02I just got this report from the cardiology lab.
38:04Oh, the report on, uh, Roland's pace, Baker.
38:06Yes.
38:06According to cardiology,
38:08Roland's unit was in a severely weakened condition,
38:10so the electrical sharp of McCain was enough
38:13to shut it down completely.
38:14Severely weakened how?
38:16Magnetized.
38:17Roland Spear's pacemaker was magnetized.
38:22Of course.
38:23Thanks.
38:2510 hours.
38:26Okay, doctors.
38:27Thanks.
38:27Thanks.
38:31Thanks.
38:32I'll see you next time.
38:37I asked you two minutes.
38:40Yes.
38:41damals.
38:41Yes.
38:4213 minutes.
39:12Good. Okay, good. It's better, uh, go home. I'll see you tomorrow. Okay.
39:25Hey, hey. What's going on with Barbara?
39:29Well, we were questioning her about Roland's murder.
39:31Really?
39:32Mm-hmm. Turns out she had access to tamper with his cane, and she lied about it.
39:37She also had an excellent motive.
39:38I don't believe it.
39:39But just one other thing I wanted to clear up.
39:43These, uh, dance shoes that Barbara dropped off for repair,
39:46they're looking an awful lot like the ones you bought with me.
39:49Steve, they're the dancers. They all look the same.
39:53Where are yours?
39:54At home.
39:56Oh, home.
39:56Look, why don't we go back to my place, and I'll let you look at them,
40:02or even if you don't want to look at them, we can still go back to my place, huh?
40:08Steve?
40:10Hi, Dad.
40:11I have an idea how we can prove that Barbara Spears murdered her husband.
40:16Dad, not now, please.
40:17Boy, this is important.
40:19All right, look, I'll, uh, call you later.
40:21Okay.
40:22Excuse us, Cindy.
40:24I think she left another piece of evidence in this studio,
40:27possibly with her fingerprint saw-in-up.
40:29We're gonna have to check her office.
40:30Come on, Dad.
40:31Look, I figured it out when I realized why my watch stopped this afternoon.
40:35Why don't you tell me about it?
40:37I don't know where you are.
40:37You know why it stopped?
40:37Magnetized.
40:58Bye, guys.
41:00Bye.
41:01All right.
41:01Bye.
41:02Woo!
41:04Wait up.
41:07That's right, Barbara, you changed the locks.
41:37That had to be it, an electromagnet, like the ones your father sells in his electronics store.
41:58I guess that's how you got so handy, rewiring electrical devices, or perhaps I should say short-circuiting them.
42:04Dr. Sloan, what are you talking about?
42:08You know, my watch stopped this afternoon at exactly 2.24. See? 2.24.
42:14So?
42:15Well, that was when I was in this room talking to Barbara Spear.
42:18Now, what can make a watch stop?
42:21Well, among other things, exposure to a very strong magnetic field.
42:29Uh, I-I don't understand.
42:31See, something in this room had to give off a magnetic field strong enough to stop this watch and also to damage Roland's pacemaker.
42:39And that was it.
42:44I've got to go.
42:45You put it there, Cindy.
42:47You bought a pair of Dan's shoes, just like Barbara's.
42:49You signed her name to a file card at Crocker's repair shop.
42:53And then you rewired his cane to give just enough of a shock to stop his pacemaker.
43:00You hated him so much that you killed him.
43:04Well, without this, you can't prove it.
43:08I'll take that.
43:13Steve, it was a mistake.
43:15I just wanted to pay him back for leaving me.
43:28I didn't mean to kill him.
43:30You have the right to remain silent.
43:34Anything you say can and will be used against you in a court of law.
43:38You have the right to talk to an attorney and have him present during any questioning.
43:43If you can't afford an attorney, one will be appointed free of charge to represent you.
43:49Do you understand these rights as I've explained them to you?
43:52Look.
44:02Sorry, son.
44:06Thanks, Dan.
44:14Looks like you got a new partner.
44:16Yeah, I guess so. Thanks.
44:22What's going on here? Your nurse told me that you're refusing to treat me.
44:39Well, I can't treat a patient who keeps getting up and running out the door.
44:43Well, what am I supposed to do about all these blackouts?
44:45Well, I'll tell you, that's up to you.
44:46But those caffeine pills you take are not helping.
44:49Now, you can either stay here and let me try and get to the bottom of this,
44:53or you can get up and run out the door.
44:54But if you do it again, don't come back.
44:58Is that a way to talk to a patient?
44:59I mean, there's got to be a better way.
45:08Seymour, how are we...
45:11Oh, my God, is he...
45:12He's asleep.
45:14Sleeping.
45:20What's going on, Sloan?
45:21Well, my initial diagnosis is narcolepsy.
45:24Makes people drop off just like that.
45:27Is it serious?
45:29Well, of course, I'll run some other tests just to rule out other possibilities.
45:32But if it's just narcolepsy, we can treat it very easily with medication.
45:36Then I could tell my mother we cured Seymour.
45:39In time? Yeah.
45:41Healing.
45:44It's my life.
45:46Thank you, amigo.
45:48I have to go.
45:49Yoga class.
45:50Oh.
46:10It's my life.
46:11It's my life.
46:12It's my life.
46:13It's my life.
46:14It's my life.
46:15It's my life.
46:16It's my life.
46:17It's my life.
46:18It's my life.
46:19It's my life.
46:20It's my life.
46:21It's my life.
46:22It's my life.
46:23It's my life.
46:24It's my life.
46:25It's my life.
46:26It's my life.
46:27It's my life.
46:28It's my life.
46:29It's my life.
46:30It's my life.
46:31It's my life.
46:32It's my life.
46:33It's my life.
46:34It's my life.
46:35It's my life.
46:36It's my life.
46:37It's my life.
46:38It's my life.
46:39Viacom