Peaky Blinders Episode 2 Season 2
Set two years after the events of Series 1, it follows the Shelby family as they expand their business South and North while maintaining their stronghold in Birmingham, England. Beginning in 1921, it ends with a climax at Epsom racecourse on “Derby Day” on 31 May 1922.
Creator:
Steven Knight
Stars:
Cillian Murphy
Paul Anderson
Sam Neil
Set two years after the events of Series 1, it follows the Shelby family as they expand their business South and North while maintaining their stronghold in Birmingham, England. Beginning in 1921, it ends with a climax at Epsom racecourse on “Derby Day” on 31 May 1922.
Creator:
Steven Knight
Stars:
Cillian Murphy
Paul Anderson
Sam Neil
Category
😹
FunTranscript
00:01What happened to the pub is Irish business.
00:04You shut your gypsy mouth and listen to your instructions.
00:09I am in Dogon.
00:12My son and my daughter were taken from me when they were very small.
00:16We're planning an expansion.
00:18I'm taking premises in London.
00:19The Italian gangs and the Jewish gangs have been at war in London.
00:22The Jews have been having the worst of it.
00:24They need allies.
00:25We take the opportunity to show our land.
00:30Is that alright an hour ago? There's no name on it but it comes from Camden Town.
00:34Well done, Tommy. Now you're at war with Sabini.
00:37Lady Shelby?
00:38No.
00:39Your brother broke the rules.
00:43My face is the last thing you'll ever see on earth.
00:47See if the bastard's still alive.
00:49Your life.
00:50Please don't reproach me for how empty my love has become. I don't know what really happened. I watched your disappointment. I'm living in my life.
01:16Your disappointment and it being misunderstood
01:32Forgive you
01:46Don't get out of the car
01:54No!
01:56Don't get out of the car, Shelby
01:58We are working for the Peaky Blinders
02:02I am not Shelby
02:16Don't get out of the car, Shelby
02:21Are you ready for the visitors, Shelby?
02:24No
02:26I am the king's house
02:28I can't get out of the car
02:34It seems that I have given a lot of money
02:37It seems to be a bad thing
02:39It seems to be a bad thing
02:41You don't say goodbye to me
02:46You don't say goodbye to me
02:48You will give me cigarettes
02:53You will give me cigarettes
02:55Three nights before
03:10Montague Street
03:11Co-operative Stables
03:12There was a murder
03:14A man named Doggan
03:18Oxfordshire Police
03:20In the house
03:21He was able to kill his cells
03:22And to give me cigarettes
03:23I have to wait for home
03:28Nurse
03:30I know
03:32I have to remember
03:33That murder
03:35You have to kill
03:36There is an murder
03:37You have to kill
03:38Excerpt
03:39The travail
03:41That murder
03:42You have to kill
03:43The murder
03:44There is a murder
03:45union
03:47Forever
03:48Are you
03:49Oh
03:52Oh
03:54I'll tell you
03:56Grace
03:58She went to New York
04:00What's her name?
04:02Pocci
04:04She's married
04:07She's married
04:09She's a banker
04:11Amir
04:12She'll be sure
04:13She'll be happy
04:14You've been watching me the last few weeks
04:19I've been watching you every step
04:21And so I'll save you
04:23I'll save you
04:25A woman's hand
04:27You'll probably get a gun
04:29But you'll be so mad
04:31You'll be so mad
04:33You'll be so mad
04:34You'll be so mad
04:36Mr. Gamble
04:38When I got a gun
04:39I'll give you a medal
04:41Yeah
04:43You'll be so mad
04:45You'll be so mad
04:46Mr. Shelby
04:48Our reunion
04:51Is a very complicated
04:54A very complicated
04:56A lot of time
04:58It's going to be a long time
05:00If you're taking the sea
05:01I'll probably see it
05:03You'll see it
05:04You'll see it
05:05I'll see it
05:06You'll see it
05:07I'll see it
05:08I'll see it
05:09Yeah
05:10You'll be so mad
05:11Nothing
05:12I'll see it
05:13You'll be so mad
05:14I can't get into my own mind.
05:16I can't get into my mind.
05:18I can't get into my mind.
05:20You will be trapped in my mind.
05:22Mr. Shelby.
05:24And after this,
05:26you will be in my control.
05:30So, go ahead and get it.
05:36As soon as I know you will go to the bathroom,
05:40I will tell you what to do.
05:42I will tell you what to do.
05:58Curly,
06:00did you open the gate?
06:02No, I was closed.
06:03I can't remember that.
06:04Let me cover all the equipment.
06:06Hey!
06:10Who are you?
06:12Tommy?
06:13Curly.
06:14Curly,
06:15the steel that you are in the back when you are crowing.
06:19You are falling on the door,
06:21you are falling on the wall.
06:23Go.
06:26The people said that you should take care of now for 3 a few days.
06:29I will have to go more than London.
06:32Happy evening,
06:33You've been charged with your own fate.
06:37I've gone wrongly.
06:39You can never meet anyone.
06:42You've got a job.
06:44You've got a very hard job.
06:46Tommy.
06:47But Tommy, he's used to use guns.
06:51I'm also a gun.
06:53If you're really guns,
06:55then you're going to kill them.
06:57Hurry up.
06:59Go.
07:00That's a gun.
07:01You've got a lot of money here.
07:04You've got to kill them here.
07:06I'm going to sleep on the sky.
07:10Tommy, you've gone to your mother.
07:14Why do you have a boat?
07:16Yes, it's January.
07:18But it's a lot of money.
07:19We'll go to London for 4 days.
07:21Do you want to send Kali?
07:23This will be my doctor.
07:26You've got to keep up.
07:28You've got a tobacco, Kali.
07:30You've got to keep up.
07:32You've got to keep up.
07:34I'm ready.
07:36I can sleep on the road.
07:38That's why I'm going to go to Camden Town.
07:40But what are you doing in Camden Town?
07:41The police say,
07:42I'm the only one in charge.
07:44If I haven't come back,
07:46I'm the only one in charge.
07:48The ceiling is moving.
08:01Moving in time.
08:06Like a conveyor belt above my eyes.
08:15When under ether,
08:19The mind comes alive.
08:23But conscious of nothing,
08:28But the will to survive.
08:33Something's inside me
08:38Unborn and unblest
08:42Disappears in the ether
08:47This world to the next
08:52Disappears in the ether
08:56One world to the next
09:01Human kindness
09:10It's a fire.
09:14You feel the pain, Tommy.
09:19Tommy, you need to keep up.
09:21Tommy, Tommy, and Tommy,
09:26I've been out for a moment.
09:30Where are we?
09:32It's very good.
09:33we are going to reach here. I'm going to get a bit of trouble.
09:36Are you going to go to the boat?
09:38I'm going to go and see.
09:43You've learned a lot, Tommy.
10:03I'm going to go.
10:05You're going to go.
10:09You're going to stay up there.
10:11This is a little bit different than you.
10:12Don't tell me if you haven't left.
10:14Don't tell me if you haven't left,
10:16don't tell me if you haven't left.
10:19Stop and leave the boat.
10:22You're going to be alone.
10:24Don't let out,
10:29You're alone?
10:32It looks like you are.
10:35Wow, you're so proud of me.
10:37You don't want to see the bakery?
10:39We're here to bake everything.
10:43And tell us, we make more bread from 10,000 a week.
10:46It's not true.
10:48We bake both white bread and brown bread.
10:52We bake everything.
10:54Do you want to see something?
10:59Bread?
11:01Huh?
11:03Let's check.
11:04Which one are you? Brown or white?
11:07Brown.
11:09Brown, okay.
11:23It's not bad.
11:24It's not bad.
11:26It's not bad.
11:28You...
11:30You're right.
11:31You're right.
11:32It's bad.
11:33Brown bread is only for the people you have.
11:36Yes.
11:37And white people are only for the people.
11:40Come on, you're right, man.
11:44I've talked about you.
11:47It's bad, bad, very bad, I've heard a lot of bad things.
11:52Yes, you guys are gypsy, right?
11:57So what do you guys stay in a tent or a caravan?
12:01I'm here on the business side, Mr. Solomons.
12:04Oh!
12:06Rum is good for fun and fun, right?
12:09Whiskey, that's good for business meetings.
12:13The first thing will be cheating, why?
12:17That's good.
12:21Listen, a police officer has saved you.
12:25I have to go to the police department.
12:28I don't have to go to the police department,
12:30because the police department is not possible.
12:33Mr. Sabini, I have to go to the police department,
12:37and maybe they won't win London.
12:39And they will win.
12:40But the war has not been finished.
12:45You are too, in the war?
12:47No!
12:58I have done it.
12:59I had his chest in a trench and then I had a nice
13:01face to his face and then I had a nice
13:04face to his face and then I had a good
13:07face to his face.
13:11So, don't understand me here.
13:13And I'm not gonna tell you that I'm going
13:15to fight the fight.
13:18That's quite a good thing.
13:21Today's truth is your face.
13:24Truth is your face.
13:26True, yes?
13:29True?
13:31If you are fighting a fight, you don't send me a telegram.
13:35Really?
13:36Don't forget the telegram.
13:37There's only one word in the telegram.
13:39Hello?
13:40Now, please go.
13:41You want to send me something.
13:45What?
13:46We work together.
13:48No, man.
13:50No.
13:51Tell me the truth.
13:53I'm sorry.
13:56Mr. Solomons.
13:59From your distilleries, only 10% of your distilleries.
14:03There's also a small amount of protection.
14:05And the rest of the race tracks.
14:09I know that you keep a gun in this drawer.
14:11I know that you keep a whisky.
14:12And I know that you also die.
14:19I know what I'm saying.
14:21I'm angry with you.
14:22But I'm keeping a solution in front of you.
14:24Mr. Sabini.
14:26Mr. Sabini.
14:27Your entire body has broken your functions,
14:31and she's closed on the area where you can get a cup of water.
14:35You have to be not able to protect your people.
14:40You had to kill Billy Kimber.
14:44Yes, you had to kill him. You had to kill him.
14:47You had to be ashamed of him,
14:49but it won't be wrong that if I was trying to kill him.
14:54I can give you 100 people, all the people with the police, and with the police with a new rapport.
15:04I understand.
15:06I understand.
15:08It's a very powerful thing.
15:10But it's a very late time.
15:13I understand.
15:16I understand.
15:21I understand.
15:23I understand.
15:25I understand.
15:27I understand.
15:29So, what could I do?
15:31I understand.
15:33It's very easy.
15:35I'll pull them one bit.
15:44Yes, I'm right.
15:45I'll do that.
15:47I'll do it again,
15:48I'll take two and jump.
15:54Then I'll take another barrel and draw another barrel.
15:59And the other barrel have another barrel.
16:03And then I'll send one barrel to the other barrel, and the other barrel to the other barrel.
16:13Timbuktu, do you have to go there?
16:15No.
16:16No?
16:18Do you like to go?
16:21No.
16:25I always thought that you had a big sleep in my mind.
16:29Forgive me.
16:34Tell me your plan.
16:53Ada.
16:55After you asked me, how are you reading Polly's letters?
16:58Polly has given me a letter.
17:00I think you've changed a flat, so you're safe.
17:02But I don't like Polly.
17:04How do you understand?
17:05I want to stay away from everyone.
17:07Ada.
17:08Let's see.
17:09Okay?
17:11And it will be time to go.
17:12Yes, I know.
17:13And the next time I'm ready.
17:14And I want to go back and I won't leave it.
17:16Ada.
17:17I'm going to leave it here.
17:18I'm going to leave it here.
17:19Okay, okay.
17:20Okay.
17:21Just keep it.
17:23Keep it.
17:25Keep it.
17:26I'm going to leave it here.
17:27I'm going to leave it here.
17:28Where you are, that's all.
17:29I feel the same.
17:30All police people.
17:31I must work here.
17:32I have a lot of money.
17:33I can't put my bank account.
17:35My accountant says it's good.
17:36It will be good to buy a property.
17:38And keep it as a family member.
17:39A house.
17:42A house.
17:43A whole house.
17:45Yeah.
17:46You're the.
17:47Four tentacles.
17:48Eight bedrooms.
17:49rooms, kitchen, wash area, and a maid for a camera, if you have your political ideology.
18:00At least, let's see.
18:19Mr. Sabini, the police is here.
18:35Tell him to come from the door.
18:49Mr. Trevor Burakas may have seen a short work that
19:04Mr.
19:08Mr.
19:10Mr.
19:15Mr.
19:19And after that, they had a whiskey and a hand too.
19:23And then Elfie had a strange thing to say,
19:26that means it will be quiet.
19:29You can tell us what we want, Mr. Sabini.
19:41What is your face?
19:44I am
19:47Just a day
19:49I
19:51I
19:53I
19:55I
19:57I
19:59I
20:01I
20:03I
20:05I
20:07I
20:09I
20:11I
20:13I
20:14I
20:15I
20:41I
20:42I
20:43I
20:43I
20:44Deal?
20:47Do you believe you deal?
20:51No one was mad.
20:52What?
20:56What?
20:59You messed up all everyone. You are being잖아요.
21:04You are getting attacked by someone.
21:06And here you are being sådan!
21:09Mr. Sabine.
21:11Mr. Sabini?
21:41Mr. Sabini?
21:43Mr. Sabini?
21:45Mr. Sabini?
21:47Oh, shit.
22:11Mr. Sabini?
22:13Mr. Sabini Sama?
22:23Mr. Sabini Sama.
22:25Mr. Sabini?
22:26Mr. Sabini Sama?
22:29Mr. Sabini?
22:31Mr. Sabini?
22:33Mr. Sabini?
22:34Mr Sabini, are you sorry about your birthday birthday?
22:36Mr Sabini?
22:37Mr Sabini.
22:39Mr Sabini to know you!
22:40John, Finn, come and take the car.
22:43Where are you going?
22:44For your birthday present.
22:46Let's go.
22:57Good morning.
23:10You said you were buying your house for Eda.
23:14Yes.
23:15That's right.
23:16I bought it.
23:17I lost cash.
23:19Is this our house?
23:23No, Polly.
23:26This is your house.
23:28This is your house.
23:32This is your house.
23:42What will I do?
23:43You can relax with me.
23:50Sometimes.
23:51You can tell me.
23:53There is a garden here.
23:57Look.
23:58Do you like a garden?
24:01You can have a garden here, Paul.
24:03And you can keep a piano here.
24:05You can call people.
24:06You can sing along with a song.
24:07It's a gardener.
24:08It's a gardener.
24:09It's a gardener.
24:10It's a gardener.
24:15Welcome home, Polly.
24:17It's a gardener.
24:20I have been a gardener.
24:22I see a gardener.
24:23Why not?
24:24I don't wanna take this gardener.
24:28Why is it so that you are not doing it?
24:33Is it so dope?
24:34No.
24:35Sir, you are not doing it.
24:37No.
24:38I'm not doing it.
24:40Aftar, you have to come out.
24:41I've been doing it.
24:42Come out.
24:43Please sit for us.
24:44Paul, I know you've been happy for a long time, and I know why I know why.
25:00He's a good girl, Paul.
25:05He's a good girl, honestly.
25:07He's a good girl.
25:37He's a good girl.
26:07He's a good girl.
26:09He's a good girl.
26:11He's a good girl.
26:13He's a good girl.
26:19He's a good girl.
26:21He's a good girl.
26:23He's a good girl.
26:25He's a good girl.
26:27He's a good girl.
26:31He's a good girl.
26:33Let's go and see how it is.
26:56So, how did you feel?
27:00Peace, the end.
27:03And this is ours.
27:05Yes.
27:08Let's see.
27:10What is there?
27:33Let's see.
28:03Let's see.
28:04Let's see.
28:05Let's see.
28:06Let's see.
28:07Let's see.
28:08Let's see.
28:09Let's see.
28:10Let's see.
28:11Let's see.
28:12Garrison Grand Reopening.
28:14Oh.
28:15You said it's a letter.
28:16It's a special delivery.
28:18I wrote it in the diary.
28:20Yes.
28:21I didn't write it yet.
28:24So tell me.
28:26I will write it.
28:27I learned it.
28:28It's very big.
28:31Dear Mr. Churchill.
28:39Your pencil is gone.
28:41No.
28:43No.
28:44You say it.
28:45Dear Mr. Churchill.
28:47I have talked about the Crown's agent.
28:52And I haven't told anything about it.
28:56His name is Major Campbell.
28:59And I have told you that he reports you.
29:02I have made some things to do with you.
29:05So I can make some things to do with you.
29:07So I can make some things better.
29:09Mr. Churchill.
29:11Mr. Churchill.
29:12Mr. Churchill.
29:13Mr. Churchill.
29:14Mr. Churchill.
29:15Mr. Churchill.
29:16Mr. Churchill.
29:17Mr. Churchill.
29:18Mr. Churchill.
29:19Mr. Churchill.
29:20Mr. Churchill.
29:21Mr. Churchill.
29:22Mr. Churchill.
29:24ڈیشوں کے ہزاروں سینکوں کی جان بچائی
29:27مجھے پتا ہے کہ آپ نے
29:28اپنے منترپد اور کاریالے کی سرکشا
29:30کو تیاق دیا اور سینکوں کے ساتھ
29:32فرنٹ لائن میں لڑنے چلے گئے
29:34میں نے یہ بھی پڑھا ہے کہ آپ نے بھی
29:36بہادری سے لڑائی لڑی مسٹر چرچل
29:38اس لیے مجھے امید ہے کہ ہمارے بیچ
29:40کسی بھی طرح کے کام میں مجھے رسپیکٹ
29:42دیا جائے گا ایک سینک کی بات
29:44دوسرے سینک کے لیے میری مانگے
29:46military medal or DCM Distinguished Conduct Medal
30:04Thomas Chalby सुरंग घुटता था
30:22उसकी मांगें काफी अतरंगी है
30:27उसने रिक्वेस्ट किया है कि कलोनियल आफिस कारियल ए उन्हें इमपायर एक्सपोर्ट लाइसंस दे
30:32एक ऐसा लाइसंस जिसमें इंडिया, मले, पनिंस्यूला, कैनिडा और रूस तक की परमिशन हो
30:39वो कुछ manufacturing goods को बर्मिंगम के पॉपलर डॉक से एक्सपोर्ट करना चाहता है
30:45और क्या आप उसकी मांगें पूरी करने वाले हैं?
30:47तुम्हारा दिमाग खराब है
30:49Major Campbell
30:50एक बार फिर अपनी जान जोखिम में डाल कर
30:55हम इस आदमी को crown की ओर से हत्या करने के लिए कह रहे हैं
31:00और अगर तुलना करके देखें तो ये मांगे मामूली है
31:04संबंधित मंत्रियों से बैठ कर बातें करके आसानी से पूरी की जा सकती है
31:09Sir, मैं आपकी इज़त करता हूँ लेकिन Thomas Shelby एक कातिल है
31:15एक खूंखार, दो कौडी का गैंस्टर
31:19और फिर भी उसने इतनी सफाई से सुरंगे ना खोदी होती
31:25तो हमारे सर पे तनी गंस चल जाते
31:28Thomas Shelby की Campbell से पूरी जानकारी लो
31:34और किसी तरीके का Royal Appointment Stamp का इंतिजाम करो
31:38फिल्हाल के लिए
31:39फिल्हाल के लिए?
31:40जब तक काम पूरा ना हो जाए
31:43सही कहाना, मेजर कैब बिल
31:46फिर बातचीत के हिसाब से वो आगे बढ़ सकता है
31:49ठीक है, Sir
32:04जलो अंदर चलते हैं
32:13जलो बॉल पास करो
32:15जलो अंदर आओ तुम दो लो और गेम कैसा रहा बहुत भूक लगे मोगे मोगे बनाया प्ले अप्ले अंदर जाओ
32:26और अंदर जाकर सबसे पहले हाथ दोना, ठीक है?
32:29कुमाँ मिस्टर
32:31मिसर्ज जॉंसन
32:33हाँ, आप कौन?
32:36मैं बॉमिंगम काउंसिल से हूँ, बोर्सली पैरिश
32:39मुझे इस बारे में कोई खत नहीं मिला, क्या चाहिए आपको?
32:43मुझे आपके बेटे के बारे में बात करनी है, हेंडरी के बारे में, क्या मैं अंदर आ सकता हूँ?
32:47पिर आप मताईए, उस बारे में हमें बात नहीं करनी
32:50कोई बात नहीं
32:52तो अपनी असली पैचान के बारे में हेंडरी क्या जानता है, मिसिस जॉंसन?
32:59मैं केवल एजिंसी के मिस्टर रॉस से ही डिल करती हूँ, और केवल उनहीं को अथॉरिटी है
33:02आप कौन है और क्यूं आए है?
33:04वैसे बच्चे का अठारवा जन निन बहुत करीब है
33:07यह गलत है?
33:10आप काउंसिल से नहीं हूँ और कुछ तो गड़बड है
33:13वो क्या जानता है, मिसिस जॉंसन?
33:18यही बात कि उसकी माँ संभाल नहीं पाई
33:20बहुत ज़्यादा शराब पी थी, अफीम खाती थी
33:23और उसे मारती भी थी
33:25पर यह तो सच नहीं है ना मिसिस जॉंसन?
33:28देखिए आप तब आना, जब मेरे पती यहां हूँ
33:30वोचे पता है उसका असली नाम क्या है?
33:32उसका असली नाम जॉंसन है
33:34हेंरी, जॉंसन और मैं चाहती हूँ
33:36कि आप यहां से निकल जाएं
33:38और तब आए जब मेरे पती घर पर हूँ
33:39सचा है यह है, किसे उसकी मां से छीन लिया गया था
33:42बिना उसकी अजासत के
33:43हेंरी, तुम अंदर जाओ, प्लीज
33:45कौन हो तुम?
33:46हेंरी, पीज अंदर जाओ
33:48तुम्हारा असली नाम है माइकल ग्रे
33:50तुम्हारी असली मां तुमसे मिलना चाहती है
33:52उसका पता इस कार्ड के पीछे लिखा हूँ है
33:54तुम्हारी मां को सिर्फ बात करनी है
33:55निकल जाओ
33:56उसे सिर्फ बात करनी है
33:57Go away and leave us!
33:59Go away!
34:05Let's go, we are going inside.
34:07And we are going to eat something.
34:09Let's go, baby.
34:13Let's go.
34:17You call yourself Shelby.
34:19Kill her, Finn.
34:21Yes, it's right.
34:23Isaiah is your way.
34:25Finn!
34:27You call yourself Shelby, kill her!
34:29Kill her!
34:31Kill her!
34:37Kill her!
34:39To kill her!
34:41Stop!
34:43Stop! Stop!
34:45Stop, stop!
34:47Stop, stop!
34:49It's crazy!
34:51It's just dead.
34:53I'm going to see you.
35:10I'm going to see you.
35:14I'm going to see you.
35:16You have to do this.
35:18You have to do this.
35:20foreign
35:33yes
35:36yes
35:39yes
35:40yes
35:42yes
35:43yes
35:46Arthur, he hit me a lot.
35:51I'll tell you what happened.
35:52I'll tell you what happened.
35:54I'll tell you what happened.
35:58I'm not a family.
35:59I'll tell you something.
36:06Arthur,
36:07he was a fool.
36:11He hit me a lot.
36:12He hit me a lot.
36:14He hit me a lot.
36:18He hit me a lot.
36:18I didn't know his name.
36:20He hit me a lot.
36:23He hit me a lot.
36:30I'll tell you what happened.
36:33This is different stories.
36:36You've got a girl.
36:38You've got a girl.
36:39You've got a girl.
36:40You've got a girl.
36:41If you ask a question, do your story. It was an accident.
36:45Now go.
36:54I talked to the doctor and he said,
36:56he was a poor girl.
36:59We will focus on his mother.
37:02And everything will be fine.
37:05Pauli told me I was going to give you.
37:07I said, you better go.
37:14My mind is like a boat.
37:20Cargo is like a boat.
37:23It's always like a boat.
37:28And the boat is like a boat.
37:32I'm just like a boat.
37:34I'm just like a boat.
37:36I'm just like a boat.
37:37I'm just like a boat.
37:40And I'm not doing anything.
37:43My mind has become a boat.
37:48A big boat.
37:50And he's just leaving.
37:53From here.
37:55From here.
37:57From here.
37:58From here.
37:59The house has been a long time.
38:01Arthur.
38:03He took a long time.
38:07I think you're okay.
38:08Yes, but...
38:10I'm not okay.
38:14This...
38:15You're away from me.
38:18You...
38:20I'm sorry.
38:21I'm sorry.
38:23You're a much longer.
38:24But you don't have to be gone.
38:26You just have to be gone.
38:28You.
38:29I'll tell you a little bit.
38:32It's just a lot.
38:37It's just a lot.
38:39So go away, you.
38:41What are you saying?
38:45I'll keep my mind as a little child.
38:48I'll keep you from behind.
38:50I'll keep you from behind.
38:52Do you want this?
38:54I don't think I'll do another job.
38:56Just do it.
38:57You don't understand me how much of a burden is.
38:59Just do it.
39:00The war has been gone.
39:01So go away from it.
39:02Just go away from it.
39:03Go away from it, like I'll go away.
39:05You understand?
39:06You're gone?
39:07Yes.
39:08Like I'll go away from it, you'll also go away from it.
39:10I'm not like you.
39:12I'm not like you.
39:14I'm not like you.
39:15You know everything.
39:23Look at you.
39:24Look at you.
39:25Look at me.
39:26Look at you.
39:27Look at me.
39:28Look at me.
39:30Look at me.
39:31I will sit down for the first time.
39:33Look at you.
39:34Now look at me.
39:35Look at me.
39:36Look at me.
39:37Let me see you.
39:38Take a look at me.
39:39Take a look at me.
39:41Take a look at me.
39:43Come on.
39:44I've got to be done this way.
39:46Let me get up.
39:47I've got to be done.
39:48Sorry, I'm sorry!
40:18Sir, lunch का समय हो गया, मैंने सुचा हम पुरानी दिनों की तरह टेस्क पर ही खाएं.
40:36तुम्हें याद है?
40:38हाँ, हाँ, बिल्कुल, सर.
40:40हाँ, लेकिन वो हल्की सी सरसों की महगी खासियत.
40:44यही असली मज़ा है.
40:48मज़े की बात निकली ही है.
40:51तो बताओ, कि थॉमस शेल्बी तुमको एक हफ़ते में कितनी रिश्वत देता है?
41:01वैसे मुझे पहले से पता है.
41:03हफ़ते के दो पाउंड, महीने के आठ पाउंड और खास कामों के लिए एक्स्ट्रा पाउंड्स.
41:08मेरे जाने से पहले तुम इमानदार आदमी थे, और अब तुम पीकी ब्लाइंडर्स के पेरोल पर हो.
41:16शेल भी एक कीड़ा है, जो दिमाग के गंदे हिस्सों पर पलता है.
41:24वो कान के रास्ते अंदर घुसता है, फुसबुसाते हुए.
41:28फिर जुबान पे पहुँचके आपसे जज और पास्टर के सामने जूट बुलवाता है.
41:33मिस्टर मॉस, हम इस खूनी जंग के खूनी दौर में दाखिल हो रहे हैं, जिसमें रहम की कोई भी गुणजाईश नहीं है.
41:45लेकिन आज इस वक्त से तुम एक बार फिर से अच्छाई की तरफ हो गये हो.
41:51शेल भी सोचता है कि तुम उसके लिए काम करते हो, लेकिन असलियत में तुम मेरे लिए काम करोगे.
41:59और मैं उस पर बिल्कुल भी रहम नहीं करूँगा.
42:21लेकिन लेकिन जस ़ितक बार भी करते हो.
42:27नहीं अुम्हीं
42:34पर बिल्ग में षड़ो जसे लेकिन पोगगो बली स्टील को बारेकिस.
42:40क्या पक्या disappointing.
42:45चाल quarterly sun.
42:47foreign
42:49foreign
43:01foreign
43:03foreign
43:09foreign
43:13Your daughter is dead.
43:28You can't read it.
43:35After going away from you,
43:38He gave me a real station master to his staff.
43:42He didn't even know where he was.
43:47That's why he would always run away.
43:50He came to Birmingham in a train.
43:55He sent him to Australia,
43:59where he was named Spring Fever.
44:02He was dead.
44:09He was dead.
44:15He was dead.
44:20He was dead.
44:23He was dead in my dreams.
44:28He was dead.
44:34And...
44:36he didn't shoot him from this train.
44:47But Paul...
44:49Michael is dead.
44:51He's dead.
44:52He's dead.
44:53He's dead.
44:54He's dead.
44:55He's dead.
44:56He's dead.
44:57He's dead.
44:58He's dead.
44:59He's dead.
45:00He's dead.
45:01He's dead.
45:02And I know where he lives.
45:04I was gone.
45:05Look at Paul.
45:06Paul?
45:07And?
45:08Paul, listen to me.
45:10Paul, listen to me.
45:11I'll listen to my story.
45:13I'll see you.
45:14I'll tell you.
45:16Paul,
45:17Paul.
45:18I'll tell you.
45:19Paul,
45:20she's a woman,
45:21she'll never see you.
45:22She'll ever tell me.
45:24She'll tell me.
45:26I'll tell you.
45:27I'll tell you.
45:29Paul,
45:30if you're gone,
45:32when she got out of the way,
45:34she and she also got out of the way,
45:35she'll get out of the way,
45:37she'll never go.
45:39and the child will be scared.
45:41That's how it will happen, Paul.
45:47Pauli.
45:49Pauli.
45:50Just tell me where he is.
45:56Tell me where he is.
45:58Pauli.
46:03This is why.
46:04I will not tell you where he is.
46:10Pauli.
46:11I'm sorry.
46:12You have to wait until he will die.
46:15At the moment, he is not so big that he can take his own facility.
46:24Wait!
46:26Tell me where he is.
46:34You will never know.
46:39OK.
46:42Put your hands up.
46:45Dig in.
46:50Like in.
46:51The only way.
46:54Are you lying?
46:55Yes.
46:56Do you have any idea?
46:57Do you think?
46:58Ah, yes.
46:59No, no.
47:00I can't be honest.
47:01No.
47:02Oh, no.
47:03No, no.
47:04No.
47:05No.
47:06You got the tea and the leaves that I've been searching for
47:12Oh, I want some more
47:16Mikey, do the party start!
47:24You guys enjoy it!
47:25Finn, where are you going?
47:26Let's talk to Aarcer
47:28Today you're going to be very fun, let's go, let's go!
47:30Let's go, let's go, let's go, let's go, let's go!
47:33Let's go, today we're going to be very fun!
47:36Garrison reopening, it's going to be very fun!
47:40The Taurosun is really good!
47:42The light is also big!
47:55Arthur!
47:57Let's go here!
47:59What happened? Why isn't it ready yet?
48:02Who's ready?
48:03Garrison!
48:04Garrison!
48:05Garrison!
48:06Garrison!
48:07Your pub is opening again, this evening!
48:10Tommy doesn't want me to go!
48:12Tommy doesn't want me to go!
48:13Tommy doesn't want me to bring you!
48:15He said that the door is your name on the door, so you'll have to come!
48:18Listen to me!
48:21Give me your story!
48:22Give me a distance!
48:24Go!
48:25Go here!
48:27God, I've been here!
48:28God, I've been there!
48:30God!
48:31God!
48:32Yes!
48:33God!
48:34God!
48:35God!
48:36God!
48:37God!
48:38God!
48:39God!
48:40God!
48:41Go from here.
48:47Sometimes...
48:51When we are frustrated...
48:55...we take this.
48:57It's called Tokyo.
49:11This is a great thing.
49:12I will help you.
49:13In the special locations.
49:41Oh jesus!
49:42What is it?
49:43My love Cadizan.
49:44Take this too.
49:45Take this too!
49:46Take that too.
49:47I will take this.
49:48I will take it.
49:49Hold it.
49:50And I will take that.
49:51Oh, God.
49:52I've just got to get a second.
49:53Oh!
49:54Oh!
49:55Oh!
49:56Oh!
49:57Oh!
49:58Oh!
49:59Oh!
50:00Oh!
50:01Oh!
50:02Oh!
50:03Oh!
50:04Oh!
50:05Oh!
50:06Oh!
50:07Oh!
50:08Oh!
50:09Oh!
50:10Oh!
50:11I think I can
50:15can't get an actual job
50:17from the cost of the sale
50:21I'm so
50:23I'm not going to
50:24see faces
50:26yes
50:27I'm going to make a
50:30yeah
50:31I'm gonna get ahead
50:34I'm not going to make
50:36the place
50:37I'm going to
50:39a
50:41Finn!
50:43Tell me.
50:45Keep the whiskey away, John.
50:47No, I am.
51:11I am.
51:41I am.
52:11I am.
52:17Paul?
52:35I didn't know what you were.
52:37Hello, Aunt Polly.
52:41Hey, let's see who it is.
52:43Go on.
52:45Take care of yourself.
52:46Take care of yourself.
52:47Take care of yourself.
52:49Hello, Ada.
52:50You...
52:55Tommy.
52:57Tell me what you have.
52:59This is very...
53:00Beautiful.
53:01Yes.
53:04Hello, Ada.
53:05Hello, John. How are you?
53:07Don't give me a drink.
53:09Hey, Arthur. Look who came.
53:11So, what do you want me to ask them?
53:13Just talk about them.
53:15No one can understand them.
53:17Tell them that you have no other way.
53:19Thank you very much.
53:21Thank you very much.
53:22Thank you very much.
53:27And one day.
53:29How are you, Arthur?
53:30I'm here.
53:31I'm here.
53:32I'm here.
53:33I'm here.
53:34I'm here.
53:35I'm here.
53:36I'm here.
53:37You are.
53:38You are.
53:39You are.
53:40You are.
53:41I'm here.
53:42I don't want to be a bear, she called you here, right?
53:57I don't want to talk about the address, I just want to get the address.
54:02I don't want to say anything, because this is a party.
54:08Yes, it is.
54:10I don't want to talk about the address.
54:15I don't want to talk about the address.
54:17I don't want to talk about the address.
54:19I don't want to talk about the address.
54:21Excuse me.
54:23Will you dance?
54:25Why not?
54:27I will be very happy.
54:29I don't want to talk about the address.
54:32I don't want to talk about the address.
54:36I will be very happy.
54:38I will be very happy.
54:40I will be very happy.
54:41I will be very happy.
54:43Tell me.
54:51The address.
54:52I want to talk about the address.
56:54Excuse me.